Every time I close my eyes, I see something different.
I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.
But these dreams are nothing to laugh about.
Once again there’s a new instalment of an old feature, and we’re back on the treasure hunt.
…
Feeling a little miffed at Boggs’ dismissal, I decided to go on my own fact-finding mission.
Of course, it depended a lot on whether the Cossatino’s still hung out at the same bar, and whether I’d get a foot in the door.
I was going to talk to Nadia, or at least try to.
The Lantern Inn was about as far from the image the name threw up, it was more a place where respectable people wouldn’t be caught dead in.
And, as I recall, a few had. Seemingly respectable people anyway.
It was the place to go if you were looking for three things, not necessarily all at once, trouble, girls, and drugs. Soggy, a friend of Boggs and I, had always looked older than his age and was able to get into places like the Lantern Inn, mainly to buy us beer, and we would go down to the beach and drink it before going home.
When I found a spot to keep an eye on the place and assess whether it was safe or not to go in, now I was old enough, I saw old man Gattle, Soggy’s foster father stagger out, on his way home. It brought back memories of Joel, Soggy’s real name.
Soggy got his name because he was always falling in the water, whether it was a pool or the ocean, and one day, after too many beers, he fell in and didn’t come back up. Boggs and I almost finished up in jail for that, since we were with him, but there was no way we could rescue him as it was in a spot where there was often a rip, and he had been carried away before we could get to him.
And, the body was never recovered. I thought, at the time, he may have jumped in, because his life with foster parents was no fairy tale, and he had suffered. Of course, those foster parents were friends with the Benderby’s so they were never held to account.
It would be easy to lie in wait in a dark alley and simply hit him over the head with a four by two, but I doubt it would make me feel any better.
I watched him stagger and fall several times before I looked back at the Inn. In days past, the patrons often spilled out onto the sidewalk where there used to be tables and chairs. Now, it was just the Inn, and it didn’t look like many people were there.
Had it changed from a den of iniquity to something more respectable?
A large truck, an F350 by the look of it, stopped outside the front entrance, the passenger door opened and what looked like Nadia, or another Amazonian woman, got out. She spoke to the driver, slammed the door, and the truck left.
The light over the door shone on her face, yes, it was a woman, and yes, it was Nadia. By herself? Was that Vince who dropped her off, or Willy, her younger brother, and why didn’t they join her?
I guess I was not going to get any answers from where I was sitting.
Time to make my first foray into the place my mother always told me never to step foot in.
The Endless Edit: Why We Keep Redrawing the Line in the Sand
And 10 Practical Ways to Tell Ourselves, “It’s Done.”
1. The Paradox of Perfection
If you’ve ever stared at a blank canvas, a half‑finished manuscript, or a spreadsheet teeming with conditional formatting, you know the feeling: the line you thought was final is suddenly a faint suggestion, begging for another tweak.
In our hyper‑connected world, the “edit forever” mindset has become almost reflexive. It’s not just a habit—it’s a cultural artifact shaped by three forces:
Force
How It Fuels the Edit Loop
Technology
Unlimited “undo,” auto‑save, and real‑time collaboration make every change feel reversible and safe, so we never feel pressured to settle.
Perfectionism
The myth that “perfect” equals “valuable” convinces us that any flaw will invalidate the whole piece.
Feedback Flood
Social media, peer reviews, and analytics serve up a constant stream of opinions, each of which can be interpreted as a reason to revise.
When these forces converge, we end up continuously re‑drawing the line in the sand, never quite willing to say, “That’s it.”
2. The Cost of Perpetual Editing
Cost
Real‑World Example
Time Drain
A marketing copywriter spends 12 hours polishing a 300‑word email that could have been sent in 2.
Creative Burnout
A designer abandons a brand identity after 30 iterations, losing the original spark that made it compelling.
Decision Fatigue
A product manager flips between feature sets, delaying launch and confusing the team.
Opportunity Loss
A researcher keeps adding “future work” sections, never publishing and never gaining citations.
The hidden toll isn’t just lost hours—it’s the erosion of confidence and the stifling of momentum.
3. How Do We Break the Cycle?
Below are 10 concrete strategies that move you from “always editing” to “confidently done.” Each one is paired with a quick implementation tip so you can start using it today.
#
Strategy
Why It Works
Quick Implementation
1
Set a hard deadline (not a “soft” one)
A deadline creates a psychological “stop” signal that overrides perfectionist impulses.
Put the due date on a visible wall calendar and block the final hour for “final review only.”
2
Define Done before you start
When “done” is a concrete checklist, the project has a clear finish line.
Write a 3‑item “Definition of Done” (e.g., “All headings formatted, 2‑round peer review completed, file exported to PDF”).
3
Apply the 80/20 Rule
80 % of impact comes from 20 % of effort; the remaining 20 % yields diminishing returns.
After the first major revision, ask: “What 20 % of the remaining changes will give 80 % of the benefit?”
4
Limit the number of revision cycles
A fixed ceiling forces you to prioritise the most critical changes.
Decide on “max 3 full passes”—after the third, the work is locked.
5
Use a “Freeze” checkpoint
Temporarily lock the file so you can view it without the temptation to edit.
On the final day, rename the file “FINAL_2025-10-22” and open only the read‑only copy.
6
Get a single external audit
One fresh set of eyes can surface the most important blind spots, after which further changes are often unnecessary.
Invite a colleague to do a 5‑minute critique focused on the “Definition of Done” checklist.
7
Embrace “Good Enough” as a virtue
Shifting language from “perfect” to “good enough” reduces anxiety and reframes completion as a win.
Add a sticky note on your workspace: “Good enough wins the day.”
8
Celebrate the finish line
Celebration creates a positive reinforcement loop that the brain associates with ending a task.
Schedule a 10‑minute “launch toast”—a coffee break, a quick walk, or a team shout‑out.
9
Separate creation from evaluation
Editing while you create clouds judgment; separating phases restores flow.
Use a timer: 25 min “create,” then 5 min “no edit—just observe.”
10
Practice “Version Mortality”
Accept that every version will die; the next one will replace it.
After you ship, archive the file with a note: “Version X – retired 2025-10-22.”
4. A Mini‑Exercise: The “One‑Pass” Challenge
Pick a small project (a blog post, a slide deck, a short code snippet).
Write a “Definition of Done” with exactly three bullet points.
Set a timer for 45 minutes and work without opening any editing tools or feedback channels.
When the timer ends, stop—no matter how incomplete it feels.
Do one final, 5‑minute review against your checklist. If it meets all three points, hit “publish.”
Result: You’ll experience how much you can accomplish when you deliberately stop editing. Most people are shocked to find the output already valuable.
5. When “Done” Isn’t a Destination, It’s a Habit
The goal isn’t to become a sloppy producer; it’s to become a deliberate one. By embedding the practices above into your daily workflow, you turn “finished” from a rare event into a reliable habit.
Takeaway: The compulsion to edit forever is a symptom of abundant tools, cultural perfectionism, and endless feedback. The antidote is structure: clear deadlines, explicit “done” criteria, and a finite number of revisions. When you give yourself permission to close a project, you free mental bandwidth for the next creative spark.
6. Closing Thought
Imagine a shoreline where the tide recedes just enough to reveal a clean, straight line in the sand—a line that says, “We built this, and we’re proud of it.” That line isn’t a mistake; it’s a statement.
The next time you feel the urge to keep polishing, ask yourself:
“Am I adding value, or am I just keeping the tide from coming in?”
If the answer leans toward the latter, it’s time to step back, declare it done, and let the next wave of ideas wash onto the beach.
Happy creating—and happy finishing!
Feel free to share your own “done” rituals in the comments. Let’s build a community that celebrates completion as much as it does creation.
The Beautiful Surrender: Why Perfectionism is the Enemy of Creation
“With each project, you eventually have to surrender the perfect version of the work to make room for what you actually create.”
When I first read this quote by Leslie Jamison, it felt like a gentle exhale. As creators—whether we are writing, coding, painting, or strategising—we spend an exhausting amount of time living in the “Perfect Version.”
The Perfect Version is that pristine, shimmering ghost of a project that lives in your head. It is the version where the prose is flawless, the code is bug-free on the first run, and the design captures the exact emotion you intended without a single misplaced pixel.
But there is a problem with the Perfect Version: It doesn’t actually exist.
The Trap of the Platonic Ideal
We often treat the “Perfect Version” as a gold standard. We think that if we just push a little harder, work a few more nights, or refine one more sentence, we will finally bridge the gap between that mental ideal and reality.
But as Jamison suggests, holding onto that perfection isn’t a pursuit of excellence; it’s a form of obstruction. The Perfect Version is static and sterile. It is a monument to what could be, but it prevents the birth of what is. By obsessing over the ideal, we stifle the messy, human, and surprising elements that make a project truly alive.
Why We Must Surrender
To “surrender the perfect version” sounds like giving up, but it is actually an act of bravery. Here is why it is the most important step in any creative process:
1. Reality is more interesting than abstraction. The Perfect Version is safe because it hasn’t been tested. The work you actually create, however, is shaped by your limitations, your constraints, and the real-world feedback you receive. There is a jagged beauty in the edges of a real project that a perfect, abstract idea could never replicate.
2. Perfectionism is a form of procrastination. It is easy to stay in the “planning” or “polishing” phase because that is where the work remains safe from criticism. To release a project into the world is to risk being judged. Surrendering the perfect vision is the only way to move from “dreaming” to “doing.”
3. The work needs room to breathe. A piece of art or a professional project is not a static object; it is a conversation. It needs to breathe. When you surrender your rigid expectations, you allow the project to evolve. You allow it to be better than you initially imagined because you are no longer forcing it to conform to a pre-defined mould.
How to Practice the Surrender
If you’re currently stuck in the grip of the Perfect Version, try these three shifts in perspective:
Define “Done” before you start. Perfection has no finish line. By setting clear parameters for completion (e.g., “I will spend four hours on this draft, and then I will send it off”), you force yourself to prioritise the work over the fantasy.
Embrace the “First Draft Energy.” Recognise that the first iteration is meant to be a rough sketch. If you treat it as a sandbox rather than a masterpiece, you remove the pressure to be perfect and open the door to being authentic.
Focus on the “What” rather than the “How.” Instead of obsessing over whether the work is perfectly executed, focus on whether the work effectively communicates your message or solves the problem.
Final Thoughts
The next time you find yourself stuck, replaying the same project over and over in your mind, remember Leslie Jamison’s words. Your desire for perfection is a barrier.
Give yourself permission to let the ideal version die. It is only in that surrender that you can reclaim the space to create something real, something tangible, and—most importantly—something done.
What project have you been holding onto because it wasn’t “perfect” enough? Maybe today is the day to let it go.
I’d read about out-of-body experiences, and like everyone else, thought it was nonsense. Some people claimed to see themselves in the operating theatre, medical staff frantically trying to revive them, and being surrounded by white light.
I was definitely looking down, but it wasn’t me I was looking at.
It was two children, a boy and a girl, with their parents, in a park.
The boy was Alan. He was about six or seven. The girl was Louise, and she was five years old. She had long red hair and looked the image of her mother.
I remember it now, it was Louise’s birthday and we went down to Bournemouth to visit our Grandmother, and it was the last time we were all together as a family.
We were flying homemade kites our father had made for us, and after we lay there looking up at the sky, making animals out of the clouds. I saw an elephant, Louise saw a giraffe.
We were so happy then.
Before the tragedy.
When I looked again ten years had passed and we were living in hell. Louise and I had become very adept at survival in a world we really didn’t understand, surrounded by people who wanted to crush our souls.
It was not a life a normal child had, our foster parents never quite the sort of people who were adequately equipped for two broken-hearted children. They tried their best, but their best was not good enough.
Every day it was a battle, to avoid the Bannister’s and Archie in particular, every day he made advances towards Louise and every day she fended him off.
Until one day she couldn’t.
Now I was sitting in the hospital, holding Louise’s hand. She was in a coma, and the doctors didn’t think she would wake from it. The damage done to her was too severe.
The doctors were wrong.
She woke, briefly, to name her five assailants. It was enough to have them arrested. It was not enough to have them convicted.
Justice would have to be served by other means.
I was outside the Bannister’s home.
I’d made my way there without really thinking, after watching Louise die. It was like being on autopilot, and I had no control over what I was doing. I had murder in mind. It was why I was holding an iron bar.
Skulking in the shadows. It was not very different from the way the Bannister’s operated.
I waited till Archie came out. I knew he eventually would. The police had taken him to the station for questioning, and then let him go. I didn’t understand why, nor did I care.
I followed him up the towpath, waiting till he stopped to light a cigarette, then came out of the shadows.
“Wotcha got there Alan?” he asked when he saw me. He knew what it was, and what it was for.
It was the first time I’d seen the fear in his eyes. He was alone.
“Justice.”
“For that slut of a sister of yours. I had nuffing to do with it.”
“She said otherwise, Archie.”
“She never said nuffing, you just made it up.” An attempt at bluster, but there was no confidence in his voice.
I held up the pipe. It had blood on it. Willy’s blood. “She may or may not have Archie, but Willy didn’t make it up. He sang like a bird. That’s his blood, probably brains on the pipe too, Archie, and yours will be there soon enough.”
“He dunnit, not me. Lyin’ bastard would say anything to save his own skin.” Definitely scared now, he was looking to run away.
“No, Archie. He didn’t. I’m coming for you. All of you Bannisters. And everyone who touched my sister.”
It was the recurring nightmare I had for years afterwards.
I closed my eyes and tried to shut out the thoughts, the images of Louise, the phone call, the visit to the hospital and being there when she succumbed to her injuries. Those were the very worst few hours of my life.
She had asked me to come to the railway station and walk home with her, and I was running late. If I had left when I was supposed to, it would never have happened and for years afterwards, I blamed myself for her death.
If only I’d not been late…
When the police finally caught the rapists, I’d known all along who they’d be; antagonists from school, the ring leader, Archie Bannister, a spurned boyfriend, a boy whose parents, ubiquitously known to all as ‘the Bannister’s, dealt in violence and crime and who owned the neighbourhood. The sins of the father had been very definitely passed onto the son.
At school, I used to be the whipping boy, Archie, a few grades ahead of me, made a point of belting me and a few of the other boys, to make sure the rest did as they were told. He liked Louise, but she had no time for a bully like him, even when he promised he would ‘protect’ me.
I knew the gang members, the boys who tow-kowed to save getting beaten up, and after the police couldn’t get enough information to prosecute them because everyone was too afraid to speak out, I went after Willy. There was always a weak link in a group, and he was it.
He worked in a factory, did long hours on a Wednesday and came home after dark alone. It was a half mile walk, through a park. The night I approached him, I smashed the lights and left it in darkness. He nearly changed his mind and went the long way home.
He didn’t.
It took an hour and a half to get the names. At first, when he saw me, he laughed. He said I would be next, and that was four words more than he knew he should have said.
When I found him alone the next morning I showed him the iron bar and told him he was on the list. I didn’t kill him then, he could wait his turn, and worry about what was going to happen to him.
When the police came to visit me shortly after that encounter, no doubt at the behest of the Bannister’s, the neighbourhood closed ranks and gave me an ironclad alibi. The Bannister’s then came to visit me and threatened me. I told them their days were numbered and showed them the door.
At the trial, he and his friends got off on a technicality. The police had failed to do their job properly, but it was not the police, but a single policeman, corrupted by the Bannisters.
Archie could help but rub it in my face. He was invincible.
Joe Collins took 12 bullets and six hours to bleed out. He apologized, he pleaded, he cried, he begged. I didn’t care.
Barry Mills, a strong lad with a mind to hurting people, Archie’s enforcer, almost got the better of me. I had to hit him more times than I wanted to, and in the end, I had to be satisfied that he died a short but agonizing death.
I revisited Willy in the hospital. He’d recovered enough to recognize me, and why I’d come. Suffocation was too good for him.
David Williams, second in command of the gang, was as tough and nasty as the Bannisters. His family were forging a partnership with the Bannister’s to make them even more powerful. Outwardly David was a pleasant sort of chap, affable, polite, and well mannered. A lot of people didn’t believe he could be like, or working with, the Bannisters.
He and I met in the pub. We got along like old friends. He said Willy had just named anyone he could think of, and that he was innocent of any charges. We shook hands and parted as friends.
Three hours later he was sitting in a chair in the middle of a disused factory, blindfolded and scared. I sat and watched him, listened to him, first threatening me, and then finally pleading with me. He’d guessed who it was that had kidnapped him.
When it was dark, I took the blindfold off and shone a very bright light in his eyes. I asked him if the violence he had visited upon my sister was worth it. He told me he was just a spectator.
I’d read the coroner’s report. They all had a turn. He was a liar.
He took nineteen bullets to die.
Then came Archie.
The same factory only this time there were four seats. Anna Bannister, brothel owner, Spike Bannister, head of the family, Emily Bannister, sister, and who had nothing to do with their criminal activities. She just had the misfortune of sharing their name.
Archie’s father told me how he was going to destroy me, and everyone I knew.
A well-placed bullet between the eyes shut him up.
Archie’s mother cursed me. I let her suffer for an hour before I put her out of her misery.
Archie remained stony-faced until I came to Emily. The death of his parents meant he would become head of the family. I guess their deaths meant as little to him as they did me.
He was a little more worried about his sister.
I told him it was confession time.
He told her it was little more than a forced confession and he had done nothing to deserve my retribution.
I shrugged and shot her, and we both watched her fall to the ground screaming in agony. I told him if he wanted her to live, he had to genuinely confess to his crimes. This time he did, it all poured out of him.
I went over to Emily. He watched in horror as I untied her bindings and pulled her up off the floor, suffering only from a small wound in her arm. Without saying a word she took the gun and walked over to stand behind him.
“Louise was my friend, Archie. My friend.”
Then she shot him. Six times.
To me, after saying what looked like a prayer, she said, “Killing them all will not bring her back, Alan, and I doubt she would approve of any of this. May God have mercy on your soul.”
Now I was in jail. I’d spent three hours detailing the deaths of the five boys, everything I’d done; a full confession. Without my sister, my life was nothing. I didn’t want to go back to the foster parents; I doubt they’d take back a murderer.
They were not allowed to.
For a month I lived in a small cell, in solitary, no visitors. I believed I was in the queue to be executed, and I had mentally prepared myself for the end.
Then I was told I had a visitor, and I was expecting a priest.
Instead, it was a man called McTavish. Short, wiry, and with an accent that I could barely understand.
“You’ve been a bad boy, Alan.”
When I saw it was not the priest I told the jailers not to let him in, I didn’t want to speak to anyone. They ignored me. I’d expected he was a psychiatrist, come to see whether I should be shipped off to the asylum.
I was beginning to think I was going mad.
I ignored him.
“I am the difference between you living or dying Alan, it’s as simple as that. You’d be a wise man to listen to what I have to offer.”
Death sounded good. I told him to go away.
He didn’t. Persistent bugger.
I was handcuffed to the table. The prison officers thought I was dangerous. Five, plus two, murders, I guess they had a right to think that. McTavish sat opposite me, ignoring my request to leave.
“Why’d you do it?”
“You know why.” Maybe if I spoke he’d go away.
“Your sister. By all accounts, the scum that did for her deserved what they got.”
“It was murder just the same. No difference between scum and proper people.”
“You like killing?”
“No-one does.”
“No, I dare say you’re right. But you’re different, Alan. As clean and merciless killing I’ve ever seen. We can use a man like you.”
“We?”
“A group of individuals who clean up the scum.”
I looked up to see his expression, one of benevolence, totally out of character for a man like him. It looked like I didn’t have a choice.
Trained, cleared, and ready to go.
I hadn’t realized there were so many people who were, for all intents and purposes, invisible. People that came and went, in malls, in hotels, trains, buses, airports, everywhere, people no one gave a second glance.
People like me.
In a mall, I became a shopper.
In a hotel, I was just another guest heading to his room.
On a bus or a train, I was just another commuter.
At the airport, I became a pilot. I didn’t need to know how to fly; everyone just accepted a pilot in a pilot suit was just what he looked like.
I had a passkey.
I had the correct documents to get me onto the plane.
That walk down the air bridge was the longest of my life. Waiting for the call from the gate, waiting for one of the air bridge staff to challenge me, stepping onto the plane.
Two pilots and a steward. A team. On the plane early before the rest of the crew. A group that was committing a crime, had committed a number of crimes and thought they’d got away with it.
Until the judge, the jury and their executioner arrived.
Me.
Quick, clean, merciless. Done.
I was now an operational field agent.
I was older now, and I could see in the mirror I was starting to go grey at the sides. It was far too early in my life for this, but I expect it had something to do with my employment.
I didn’t recognize the man who looked back at me.
It was certainly not Alan McKenzie, nor was there any part of that fifteen-year-old who had made the decision to exact revenge.
Given a choice; I would not have gone down this path.
Or so I kept telling myself each time a little more of my soul was sold to the devil.
I was Barry Gamble.
I was Lenny Buckman.
I was Jimmy Hosen.
I was anyone but the person I wanted to be.
That’s what I told Louise, standing in front of her grave, and trying to apologize for all the harm, all the people I’d killed for that one rash decision. If she was still alive she would be horrified, and ashamed.
Head bowed, tears streamed down my face.
God had gone on holiday and wasn’t there to hand out any forgiveness. Not that day. Not any day.
New York, New Years Eve.
I was at the end of a long tour, dragged out of a holiday and back into the fray, chasing down another scumbag. They were scumbags, and I’d become an automaton hunting them down and dispatching them to what McTavish called a better place.
This time I failed.
A few drinks to blot out the failure, a blonde woman who pushed my buttons, a room in a hotel, any hotel, it was like being on the merry-go-round, round and round and round…
Her name was Silvia or Sandra, or someone I’d met before, but couldn’t quite place her. It could be an enemy agent for all I knew or all I cared right then.
I was done.
I’d had enough.
I gave her the gun.
I begged her to kill me.
She didn’t.
Instead, I simply cried, letting the pent up emotion loose after being suppressed for so long, and she stayed with me, holding me close, and saying I was safe, that she knew exactly how I felt.
How could she? No one could know what I’d been through.
I remembered her name after she had gone.
Amanda.
I remembered she had an imperfection in her right eye.
Someone else had the same imperfection.
I couldn’t remember who that was.
Not then.
I had a dingy flat in Kensington, a place that I rarely stayed in if I could help it. After five-star hotel rooms, it made me feel shabby.
The end of another mission, I was on my way home, the underground, a bus, and then a walk.
It was late.
People were spilling out of the pub after the last drinks. Most in good spirits, others slightly more boisterous.
A loud-mouthed chap bumped into me, the sort who had one too many, and was ready to take on all comers.
He turned on me, “Watch where you’re going, you fool.”
Two of his friends dragged him away. He shrugged them off, squared up.
I punched him hard, in the stomach, and he fell backwards onto the ground. I looked at his two friends. “Take him home before someone makes mincemeat out of him.”
They grabbed his arms, lifted him off the ground and took him away.
Out of the corner of my eye, I could see a woman, early thirties, quite attractive, but very, very drunk. She staggered from the bar, bumped into me, and finished up sitting on the side of the road.
I looked around to see where her friends were. The exodus from the pub was over and the few nearby were leaving to go home.
She was alone, drunk, and by the look of her, unable to move.
I sat beside her. “Where are your friends?”
“Dunno.”
“You need help?”
She looked up, and sideways at me. She didn’t look the sort who would get in this state. Or maybe she was, I was a terrible judge of women.
“Who are you?” she asked.
“Nobody.” I was exactly how I felt.
“Well Mr Nobody, I’m drunk, and I don’t care. Just leave me here to rot.”
She put her head back between her knees, and it looked to me she was trying to stop the spinning sensation in her head.
Been there before, and it’s not a good feeling.
“Where are your friends?” I asked again.
“Got none.”
“Perhaps I should take you home.”
“I have no home.”
“You don’t look like a homeless person. If I’m not mistaken, those shoes are worth more than my weekly salary.” I’d seen them advertised, in the airline magazine, don’t ask me why the ad caught my attention.
She lifted her head and looked at me again. “You a smart fucking arse are you?”
“I have my moments.”
“Have them somewhere else.”
She rested her head against my shoulder. We were the only two left in the street, and suddenly in darkness when the proprietor turned off the outside lights.
“Take me home,” she said suddenly.
“Where is your place?”
“Don’t have one. Take me to your place.”
“You won’t like it.”
“I’m drunk. What’s not to like until tomorrow.”
I helped her to her feet. “You have a name?”
“Charlotte.”
The wedding was in a small church. We had been away for a weekend in the country, somewhere in the Cotswolds, and found this idyllic spot. Graves going back to the dawn of time, a beautiful garden tended by the vicar and his wife, an astonishing vista over hills and down dales.
On a spring afternoon with the sun, the flowers, and the peacefulness of the country.
I had two people at the wedding, the best man, Bradley, and my boss, Watkins.
Charlotte had her sisters Melissa and Isobel, and Isobel’s husband Giovanni, and their daughter Felicity.
And one more person who was as mysterious as she was attractive, a rather interesting combination as she was well over retirement age. She arrived late and left early.
Aunt Agatha.
She looked me up and down with what I’d call a withering look. “There’s more to you than meets the eye,” she said enigmatically.
“Likewise I’m sure,” I said. It earned me an elbow in the ribs from Charlotte. It was clear she feared this woman.
“Why did you come,” Charlotte asked.
“You know why.”
Agatha looked at me. “I like you. Take care of my granddaughter. You do not want me for an enemy.”
OK, now she officially scared me.
She thrust a cheque into my hand, smiled, and left.
“Who is she,” I asked after we watched her depart.
“Certainly not my fairy godmother.”
Charlotte never mentioned her again.
Zurich in summer, not exactly my favourite place.
Instead of going to visit her sister Isobel, we stayed at a hotel in Beethovenstrasse and Isobel and Felicity came to us. Her husband was not with her this time.
Felicity was three or four and looked very much like her mother. She also looked very much like Charlotte, and I’d remarked on it once before and it received a sharp rebuke.
We’d been twice before, and rather than talk to her sister, Charlotte spent her time with Felicity, and they were, together, like old friends. For so few visits they had a remarkable rapport.
I had not broached the subject of children with Charlotte, not after one such discussion where she had said she had no desire to be a mother. It had not been a subject before and wasn’t once since.
Perhaps like all Aunts, she liked the idea of playing with a child for a while and then give it back.
Felicity was curious as to who I was, but never ventured too close. I believed a child could sense the evil in adults and had seen through my facade of friendliness. We were never close.
But…
This time, when observing the two together, something quite out of left field popped into my head. It was not possible, not by any stretch of the imagination, but I thought she looked like my mother.
And Charlotte had seen me looking in their direction. “You seem distracted,” she said.
“I was just remembering my mother. Odd moment, haven’t done so for a very long time.”
“Why now?” I think she had a look of concern on her face.
“Her birthday, I guess,” I said, the first excuse I could think of.
Another look and I was wrong. She looked like Isobel or Charlotte, or if I wanted to believe it possible, Melissa too.
I was crying, tears streaming down my face.
I was in pain, searing pain from my lower back stretching down into my legs, and I was barely able to breathe.
It was like coming up for air.
It was like Snow White bringing Prince Charming back to life. I could feel what I thought was a gentle kiss and tears dropping on my cheeks, and when I opened my eyes, I saw Charlotte slowly lifting her head, a hand gently stroking the hair off my forehead.
And in a very soft voice, she said, “Hi.”
I could not speak, but I think I smiled. It was the girl with the imperfection in her right eye. Everything fell into place, and I knew, in that instant that we were irrevocably meant to be together.
David is a man troubled by a past he is trying to forget.
Susan is rebelling against a life of privilege and an exasperated mother who holds a secret that will determine her daughter’s destiny.
They are two people brought together by chance. Or was it?
When Susan discovers her mother’s secret, she goes in search of the truth that has been hidden from her since the day she was born.
When David realizes her absence is more than the usual cooling off after another heated argument, he finds himself being slowly drawn back into his former world of deceit and lies.
Then, back with his former employers, David quickly discovers nothing is what it seems as he embarks on a dangerous mission to find Susan before he loses her forever.
The Beautiful Surrender: Why Perfectionism is the Enemy of Creation
“With each project, you eventually have to surrender the perfect version of the work to make room for what you actually create.”
When I first read this quote by Leslie Jamison, it felt like a gentle exhale. As creators—whether we are writing, coding, painting, or strategising—we spend an exhausting amount of time living in the “Perfect Version.”
The Perfect Version is that pristine, shimmering ghost of a project that lives in your head. It is the version where the prose is flawless, the code is bug-free on the first run, and the design captures the exact emotion you intended without a single misplaced pixel.
But there is a problem with the Perfect Version: It doesn’t actually exist.
The Trap of the Platonic Ideal
We often treat the “Perfect Version” as a gold standard. We think that if we just push a little harder, work a few more nights, or refine one more sentence, we will finally bridge the gap between that mental ideal and reality.
But as Jamison suggests, holding onto that perfection isn’t a pursuit of excellence; it’s a form of obstruction. The Perfect Version is static and sterile. It is a monument to what could be, but it prevents the birth of what is. By obsessing over the ideal, we stifle the messy, human, and surprising elements that make a project truly alive.
Why We Must Surrender
To “surrender the perfect version” sounds like giving up, but it is actually an act of bravery. Here is why it is the most important step in any creative process:
1. Reality is more interesting than abstraction. The Perfect Version is safe because it hasn’t been tested. The work you actually create, however, is shaped by your limitations, your constraints, and the real-world feedback you receive. There is a jagged beauty in the edges of a real project that a perfect, abstract idea could never replicate.
2. Perfectionism is a form of procrastination. It is easy to stay in the “planning” or “polishing” phase because that is where the work remains safe from criticism. To release a project into the world is to risk being judged. Surrendering the perfect vision is the only way to move from “dreaming” to “doing.”
3. The work needs room to breathe. A piece of art or a professional project is not a static object; it is a conversation. It needs to breathe. When you surrender your rigid expectations, you allow the project to evolve. You allow it to be better than you initially imagined because you are no longer forcing it to conform to a pre-defined mould.
How to Practice the Surrender
If you’re currently stuck in the grip of the Perfect Version, try these three shifts in perspective:
Define “Done” before you start. Perfection has no finish line. By setting clear parameters for completion (e.g., “I will spend four hours on this draft, and then I will send it off”), you force yourself to prioritise the work over the fantasy.
Embrace the “First Draft Energy.” Recognise that the first iteration is meant to be a rough sketch. If you treat it as a sandbox rather than a masterpiece, you remove the pressure to be perfect and open the door to being authentic.
Focus on the “What” rather than the “How.” Instead of obsessing over whether the work is perfectly executed, focus on whether the work effectively communicates your message or solves the problem.
Final Thoughts
The next time you find yourself stuck, replaying the same project over and over in your mind, remember Leslie Jamison’s words. Your desire for perfection is a barrier.
Give yourself permission to let the ideal version die. It is only in that surrender that you can reclaim the space to create something real, something tangible, and—most importantly—something done.
What project have you been holding onto because it wasn’t “perfect” enough? Maybe today is the day to let it go.
To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.
But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continued on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.
That, I think, is the joy of ad hoc writing, even you, as the author, have as much of an idea of where it’s going as the reader does.
It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years. Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?
My private detective, Harry Walthenson
I’d like to say he’s from that great literary mould of Sam Spade, or Mickey Spillane, or Philip Marlowe, but he’s not.
But I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it. Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.
Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life. I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.
Then there’s the title, like
The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello
The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister. And if made out of plaster, yes, they’re always something else inside.
But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.
Then I liked the idea of calling it “The Case of the Brothers’ Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then it went the way of the others.
Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and I am at the editor for the last reading.
I have high hopes of publishing it in mid-2026. It even has a cover.
For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.
Whilst I have always had a fascination in what happened during the second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.
And, so, it continues…
…
We walked slowly towards the end of the passage, each time I passed a cell I had a look in, and noted if it had a prisoner or not. By the end of the passage, I counted six prisoners, and one was a woman.’
She just looked at me sullenly, and I guess if it was light enough, that look would be with pleading eyes. Sadly, I couldn’t save her, or the other five.
At the end of the corridor, we retraced our steps towards the hall, along the passage where I counted another three prisoners, then up the stairs to the ground level. We came out into a better-lit alcove with arches leading in three directions.
Straight ahead was the hall.
We turned to the left. Along another passage that seemed to run the length of the wall, what I thought was the stone battlement that made up one side of the castle, looking out over fields, with a village in the distance.
What I thought was the opposite side to the guard tower I’d been in earlier.
I tried to figure out if that’s where we were, and if my memory served me correctly, we were heading towards the wall that was built into the mountainside, in which case we’d go up another set of stairs, at the top of which would be an exit, or turning right, to a room that once served as the guards quarters, now used for kitchen supplies.
What else was here? My mind was blank.
Up the steps, so far I was right, ahead of a thick wooden door, locked, so we turned right and passed a small room. I’d forgotten it, but it was the radio room, wires leading out a small arrow slit window to the aerial. The man in front stumbled, then regained his gait.
I could hear the man behind me shaking his head.
“Halt,” the man behind me barked.
The man in front stopped dead, and I crashed into him. I felt rather than saw the fist come towards me; it was not for me, but the other guard, who, preoccupied with not falling, never saw it coming.
He went down like the proverbial ask of potatoes, no idea what happened.
My turn?
A hand landed on my shoulder, thrusting me towards the door to the storeroom. “Go, now. The door on the other side is open, head down to the creek and follow it. Someone will meet you.”
I half turned, “Who…”
“No time. Go. And shut the door behind you.” I felt him thrust a gun in my hand. “Hit me.”
I hesitated.
“Do it, or I’ll be shot.”
I shrugged and hit him. He slowly slid to the floor. A second glance, no, I didn’t know who he was, the headed for the back of the storeroom. The door was open. A cautious look before stepping out, I saw no one but heard breathing. Jack. How did the dog know I’d be here?
I closed the door behind me and heard the lock engage, then after a pat on Jack’s head, he led the way.
By the time I returned to the Savoie, the rain had finally stopped, and there was a streak of blue sky to offer some hope that the day would improve.
The ship was not crowded, the possibility of bad weather perhaps holding back potential passengers. Of those I saw, a number of them would be aboard for the lunch by Phillippe Chevrier. I thought about it, but the Concierge had told me about several restaurants in Yvoire and had given me a hand-drawn map of the village. I think he came from the area because he spoke with the pride and knowledge of a resident.
I was looking down from the upper deck observing the last of the boarding passengers when I saw a woman, notable for her red coat and matching shoes, making a last-minute dash to get on board just before the gangway was removed. In fact, her ungainly manner of boarding had also captured a few of the other passengers’ attention. Now they would have something else to talk about, other than the possibility of further rain.
I saw her smile at the deckhand, but he did not smile back. He was not impressed with her bravado, perhaps because of possible injury. He looked at her ticket, then nodded dismissively and went back to his duties in getting the ship underway. I was going to check the departure time, but I, like the other passengers, had my attention diverted to the woman in red.
From what I could see, there was something about her. It struck me when the light caught her as she turned to look down the deck, giving me a perfect profile. I was going to say she looked foreign, but here, as in almost anywhere in Europe, that described just about everyone. Perhaps I was just comparing her to Phillipa, so definitively British, whereas this woman was very definitely not.
She was perhaps in her 30’s, slim or perhaps the word I’d use was lissom, and had the look and manner of a model. I say that because Phillipa had dragged me to most of the showings, whether in Milan, Rome, New York, London, or Paris. The clothes were familiar, and in the back of my mind, I had a feeling I’d seen her before.
Or perhaps, to me, all models looked the same.
She looked up in my direction, and before I could divert my eyes, she locked on. I could feel her gaze boring into me, and then it was gone as if she had been looking straight through me. I remained out on deck as the ship got underway, watching her disappear inside the cabin. My curiosity was piqued, so I decided to keep an eye out for her.
I could feel the coolness of the air as the ship picked up speed, not that it was going to be very fast. With stops, the trip would take nearly two hours to get to my destination. It would turn back almost immediately, but I was going to stay until the evening when it returned at about half eight. It would give me enough time to sample the local fare and take a tour of the medieval village.
Few other passengers ventured out on the deck, most staying inside or going to lunch. After a short time, I came back down to the main deck and headed forward. I wanted to clear my head by concentrating on the movement of the vessel through the water, breathing in the crisp, clean air, and letting the peacefulness of the surroundings envelope me.
It didn’t work.
I knew it wouldn’t be long before I started thinking about why things hadn’t worked and what part I played in it. And the usual question that came to mind when something didn’t work out. What was wrong with me?
I usually blamed it on my upbringing.
I had one of those so-called privileged lives, a nanny till I was old enough to go to boarding school, then sent to the best schools in the land. There I learned everything I needed to be the son of a Duke, or, as my father called it in one of his lighter moments, nobility in waiting.
Had this been five or six hundred years ago, I would have needed to have sword and jousting skills, or if it had been a few hundred years later, a keen military mind. If nothing else, I could ride a horse and go on hunts, or did until they became not the thing to do.
I learned six languages, and everything I needed to become a diplomat in the far-flung British Empire, except the Empire had become the Commonwealth, and then, when no one was looking, Britain’s influence in the world finally disappeared. I was a man without a cause, without a vocation, and no place to go.
Computers were the new vogue, and I had an aptitude for programming. I guess that went hand in hand with mathematics, which, although I hated the subject, I excelled in. Both I and another noble outcast used to toss ideas around in school, but when it came to the end of our education, he chose to enter the public service, and I took a few of those ideas we had mulled over and turned them into a company.
About a year ago, I was made an offer I couldn’t refuse. There were so many zeroes on the end of it I just said yes, put the money into a very grateful bank, and was still trying to come to terms with it.
Sadly, I still had no idea what I was going to do with the rest of my life. My parents had asked me to come back home and help manage the estate, and I did for a few weeks. It was as long as it took for my parents to drive me insane.
Back in the city, I spent a few months looking for a mundane job, but there were very few that suited my qualifications, and the rest I think I intimidated simply because of who I was. In that time, I’d also featured on the cover of the Economist and, through my well-meaning accountant, started involving myself with various charities, earning the title ‘philanthropist’.
And despite all of this exposure, even making one of those ubiquitous ‘eligible bachelor’ lists, I still could not find ‘the one’, the woman I wanted to spend the rest of my life with. Phillipa seemed to fit the bill, but in time, she proved to be a troubled soul with ‘Daddy’ issues. I knew that in building a relationship, compromise was necessary, but with her, in the end, everything was a compromise, and what had happened was always going to be the end result.
It was perhaps a by-product of the whole nobility thing. There was a certain expectation I had to fulfil, to my peers, contemporaries, parents and family, and those who either liked or hated what it represented. The problem was, I didn’t feel like I belonged. Not like my friend from schooldays, and now obscure acquaintance, Sebastian. He had been elevated to his Dukedom early when his father died when he was in his twenties. He had managed to fade from the limelight and was rarely mentioned either in the papers or the gossip columns. He was one of the lucky ones.
I had managed to keep a similarly low profile until I met Phillipa. From that moment, my obscurity disappeared. It was, I could see now, part of a plan put in place by Phillipa’s father, a man who hogged the limelight with his daughter, to raise the profile of the family name and through it their businesses. He was nothing if not the consummate self-advertisement.
Perhaps I was supposed to be the last piece of the puzzle, the attachment to the establishment, that link with a class of people he would not normally get in the front door. There was nothing refined about him or his family, and more than once I’d noticed my contemporaries cringe at the mention of his name, or any reference of my association with him.
Yet could I truthfully say I really wanted to go back to the obscurity I had before Phillipa? For all her faults, there were times when she had been fun to be with, particularly when I first met her, when she had a certain air of unpredictability. That had slowly disappeared as she became part of her father’s plan for the future. She just failed to see how much he was using her.
Or perhaps, over time, I had become cynical.
I thought about calling her. It was one of those moments of weakness when I felt alone, more alone than usual.
I diverted my attention back to my surroundings and the shoreline. Out of the corner of my eye, I could see the woman in the red coat, making a move. The red coat was like a beacon, a sort of fire engine red. It was not the sort of coat most of the women I knew would wear, but on her, it looked terrific. In fact, her sublime beauty was the other attribute that was distinctly noticeable, along with the fact that her hair was short rather than long and jet-black.
I had to wrench my attention away from her.
A few minutes later, several other passengers came out of the cabin for a walk around the deck, perhaps to get some exercise, perhaps checking up on me, or perhaps I was being paranoid. I waited till they passed on their way forward, and I turned and headed aft.
I watched the wake sluicing out from under the stern for a few minutes before retracing my steps to the front of the ship, and there I stood against the railing, watching the bow carve its way through the water. It was almost mesmerising. There, I emptied my mind of thoughts about Phillipa and thoughts about the woman in the red coat.
Until a female voice behind me said, “Having a bad day?”
I started, caught by surprise, and slowly turned. The woman in the red coat had somehow got very close to me without my realising it. How did she do that? I was so surprised I couldn’t answer immediately.
“I do hope you are not contemplating jumping. I hear the water is very cold.”
Closer up, I could see what I’d missed when I saw her on the main deck. There was a slight hint of Chinese, or Oriental, in her, particularly around the eyes, and of her hair, which was jet black. An ancestor twice or more removed had left their mark, not in a dominant way, but more subtly, and easily missed except from a very short distance away, like now.
Other than that, she was quite possibly Eastern European, perhaps Russian, though that covered a lot of territory. The incongruity of it was that she spoke with an American accent and was fluent enough for me to believe English was her first language.
Usually, I could ‘read’ people, but she was a clean slate. Her expression was one of amusement, but with cold eyes. My first thought, then, was to be careful.
“No. Not yet.” I coughed to clear my throat because I could hardly speak. And blushed, because that was what I did when confronted by a woman, beautiful or otherwise.
The amusement gave way to a hint of a smile that brightened her demeanour as a little warmth reached her eyes. “So that’s a maybe. Should I change into my lifesaving gear, just in case?”
It conjured up a rather interesting image in my mind until I reluctantly dismissed it.
“Perhaps I should move away from the edge,” I said, moving sideways until I was back on the main deck, a few feet further away. Her eyes had followed me, and when I stopped, she turned to face me again. She did not move closer.
I realised then she had removed her beret and it was in her left side coat pocket. “Thanks for your concern …?”
“Zoe.”
“Thanks for your concern, Zoe. By the way, my name is John.”
She smiled again, perhaps in an attempt to put me at ease. “I saw you earlier, you looked so sad, I thought …”
“I might throw myself overboard?”
“An idiotic notion, I admit, but it is better to be safe than sorry.”
Then she tilted her head to one side, then the other, looking intently at me. “You seem to be familiar. Do I know you?”
I tried to think of where I may have seen her before, but all I could remember was what I’d thought earlier when I first saw her; she was a model and had been at one of the showings. If she were, it would be more likely she would remember Phillipa, not me. Phillipa always had to sit in the front row.
“Probably not.” I also didn’t mention the fact that she may have seen my picture in the society pages of several tabloid newspapers because she didn’t look the sort of woman who needed a daily dose of the comings and goings, and, more often than not, scandal associated with so-called celebrities.
She gave me a look, one that told me she had just realised who I was. “Yes, I remember now. You made the front cover of the Economist. You sold your company for a small fortune.”
Of course. She was not the first who had recognised me from that cover. It had raised my profile considerably, but not Sternhaven’s. That article had not mentioned Phillipa or her family. I suspect Grandmother had something to do with that, and it was, now I thought about it, another nail in the coffin that was my relationship with Phillipa.
“I wouldn’t say it was a fortune, small or otherwise, just fortunate.” Each time, I found myself playing down the wealth aspect of the business deal.
“Perhaps then, as the journalist wrote, you were lucky. It is not, I think, a good time for internet-based companies.”
The latter statement was an interesting fact, one she read in the Financial Times, which had made that exact comment recently.
“But I am boring you.” She smiled again. “I should be minding my own business and leaving you to your thoughts. I am sorry.”
She turned to leave and took a few steps towards the main cabin.
“You’re not boring me,” I said, thinking I was letting my paranoia get the better of me. It had been Sebastian, on learning of my good fortune, who had warned me against ‘a certain element here and abroad’ whose sole aim would be to separate me from my money. He was not very subtle when he described their methods.
But I knew he was right. I should have let her walk away.
She stopped and turned around. “You seem nothing like the man I read about in the Economist.”
A sudden and awful thought popped into my head. Those words were part of a very familiar opening gambit. “Are you a reporter?”
I was not sure if she looked surprised or amused. “Do I look like one?”
I silently cursed myself for speaking before thinking, and then immediately ignored my own admonishment. “People rarely look like what they are.”
I saw the subtle shake of the head and expected her to take her leave. Instead, she astonished me.
“I fear we have got off on the wrong foot. To be honest, I’m not usually this forward, but you seemed like you needed cheering up when probably the opposite is true. Aside from the fact that this excursion was probably a bad idea. And,” she added with a little shrug, “perhaps I talk too much.”
I was not sure what I thought of her after that extraordinary admission. It was not something I would do, but it was an interesting way to approach someone and have them ignore their natural instinct. I would let Sebastian whisper in my ear for a little longer and see where this was going.
“Oddly enough, I was thinking the same thing. I was supposed to be travelling with my prospective bride. I think you can imagine how that turned out.”
“She’s not here?”
“No.”
“She’s in the cabin?” Her eyes strayed in that direction for a moment, then came back to me. She seemed surprised I might be travelling with someone.
“No. She is back in England, and the wedding is off. So is the relationship. She dumped me by text.”
OK, why was I sharing this humiliating piece of information with her? I still couldn’t be sure she was not a reporter.
She motioned to an empty seat, back from the edge. No walking the plank today. She moved towards it and sat down. She showed no signs of being cold, nor interested in the breeze upsetting her hair. Phillipa would be having a tantrum about now, being kept outside, and freaking out over what the breeze might be doing to her appearance.
I wondered, if only for a few seconds, if she used this approach with anyone else. I guess I was a little different, a seemingly rich businessman alone on a ferry on Lake Geneva, contemplating the way his life had gone so completely off track.
She watched as I sat at the other end of the bench, leaving about a yard between us. After I leaned back and made myself as comfortable as I could, she said, “I have also experienced something similar, though not by text message. It is difficult, the first few days.”
“I saw it coming.”
“I did not.” She frowned, a sort of lifeless expression taking over, perhaps brought on by the memory of what had happened to her. “But it is done, and I moved on. Was she the love of your life?”
OK, that was unexpected.
When I didn’t answer, she said, “I am sorry. Sometimes I ask personal questions without realising what I’m doing. It is none of my business.” She shivered. “Perhaps we should go back inside.”
She stood and held out her hand. Should I take it and be drawn into her web? I thought of Sebastian. What would he do in this situation?
I took her hand in mine and let her pull me gently to my feet. “Wise choice,” she said, looking up at the sky.
Every time I close my eyes, I see something different.
I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.
But these dreams are nothing to laugh about.
Once again there’s a new instalment of an old feature, and back on the treasure hunt.
…
“Do you remember Nadia?”
Boggs was out the back on the veranda, sitting in an old lounge chair that had seen better days, eating tacos, or at least I think they were tacos. He offered me one but I didn’t like the look of it. Aside from the fact I wasn’t a fan of Mexican food.
“One of the Cossatino’s, Vince’s sister, tall, shorts skirts and big, well you know what I mean.”
Statuesque, Amazonian, yes I did. We all coveted what we couldn’t have.
“The same. She’s back in town.”
“And this means what to us if anything. As I recall, the one time we tried talking to her, Vince had his friends rough us up.”
“I saw her with Alex today, in the warehouse.”
I had his attention. I knew what he was thinking.
“Doing what, as if I couldn’t guess?”
“Alex wouldn’t be that stupid.”
“And we also said that when he fucked Annie in front of the class in the sports hall, not that we knew then what he was doing.”
Good point. “No. He told her to get the map from Rico. Has Rico and her…”
“Dated? Like Rico would be in her league. He’d be little more than trash in her eyes. But, no, not that I’m aware of. But, if she was to throw herself at him, I’m sure he would react like any other dumb bastard who thinks with his dick and not his head. But he hasn’t got the map.”
“Yet.”
“I still think I should try to sell it to Alex.”
“And I think if you are looking for a reason for a long hospital stay, that would be it. You need to be careful where Rico is concerned. Maybe we should check him out tomorrow.”
“I thought you had a job, and couldn’t get away.”
“My shift has changed to the afternoon, so I’ll be available in the mornings. Do you know where Rico lives?”
“On his boat. He has a small cruiser at the docks. Uses if for, he says, fishing trips for businessmen, but I think he does the drug run from the shipping lanes to a quiet cove.”
“For the Benderby’s?”
“No idea, and don’t care. But you’re right. We should check him out. Tomorrow morning. I’ll meet you at Al’s fishing shop at about 9:00.”
He’d finished the tacos, and clearly had something else to do, something that didn’t involve me. I felt a little disappointed.