For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.
Whilst I have always had a fascination with what happened during the second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.
And, so, it continues…
——
The Standartenfuhrer checked his gun and settled his nerves for an onslaught. If they were going to die, then he was going to kill as many of them as he could.
He threw his hand pistol to Mayer. “Shoot anything that comes in the door.”
Mayer fumbled the weapon, dropping it on the floor, then finding it hard, with cold hands, to pick it up. Perhaps his life wasn’t sufficiently in danger to be more proactive.
The Standartenfuhrer shook his head. Boffins were all the same. The slightest threat and they went weak at the knees. And Mayer was no exception.
Mayer managed to get the gun into his hand.
“Don’t forget to turn off the safety.”
Mayer looked at the gun, and found the switch.
At the same time, another burst of gunfire ricocheted off the walls of the hut. It was followed by a harsh order to stop firing, and save the ammunition for the enemy. There was also a mutter about alerting the enemy, but that ship had sailed.
The soldiers seemed content to shoot randomly at the cabin, rather than check to see if anyone was inside, and soon the sounds of men, guns, and dogs were gone. The dogs had not picked up their scent, and the Standartenfuhrer had managed to cover their tracks sufficiently to keep them at bay.
Relief, but not enough to rest. The Standartenfuhrer knew they had to keep moving.
In the background, both could hear a stream locomotive at slow speed passing. In the circuitous route they’d taken to escape, they must have circled back towards the railway line which must be on the other side of the forest.
That proximity of the railway line would work in their favor because the next phase of the journey was going to be on a train.
Just not one full of soldiers, if possible.
After a half-hour, just to ensure the soldiers didn’t return, the Standartenfuhrer dragged himself up off the ground.
“We’d better move. They’re likely to come back, or had a second sweep when they don’t find us.”
“Surely we can have a rest.”
“If you want to get caught. I don’t have to tell you what they’ll do to you if they capture you.”
“Probably send me back to that hell hole.”
“Hitler is not that forgiving. The odds are you’ll be handed over to the SS and I’m sure you’ve seen what those people are capable of.”
He had, especially with the forced labor from the Jewish camps and POW camps. At times it beggared belief.
Mayer dragged himself up off the floor.
The Standartenfuhrer checked his weapon, then looked out through the crack in the door. It was dark and snowing, not too heavy, but enough to hide their movement. It was a shame their coats were dark, they would stand out against the white background, but it couldn’t be helped. That was a problem for daylight, still some hours away.
“Keep your weapon handy. You may need it.”
Mayer was worried his hands would be too cold and stiff, and instead of having it in his hand, slipped it into his pocket. He didn’t think too many people would be about at this hour.
“Once outside, head straight for the trees, as fast as you can.”
The Standartenfuhrer was in the doorway one second, gone the next, and Mayer followed. He could just see the dark figure in front of him, then almost ran into him when he stopped just past the first line of trees.
He could see lights intermittently through the trees, a train or houses along the railway line perhaps.
It was much darker in the forest, and they had to go slower, picking their way through the trees, running into low branches, and getting a face full of wet snow, often trickling down the back of their necks.
It was cold, wet, and very uncomfortable.
The Standartenfuhrer stopped. The trees had thinned and the lights became more pronounced. They could now definitely hear a locomotive close by, and a train well lit up stopped. The windows were fogged from condensation on the inside, but it was clear enough to see heads.
It was a passenger train, waiting.
A piercing whistle shattered the relative quiet, and another train coming in the other direction at speed flashed passed very loudly, the wheels of the carriages clanking on the track joints. An empty freight train with many flat cars, going back to Germany.
Then suddenly shouting, a whistle, and gunfire.
A man was running towards them,, and several soldiers were in pursuit, randomly shooting in his direction, and into the forest. A shot hit the running person and they fell.
Mayer heard a thud and a groan, then realized that the Standartenfuhrer had been hit. By the time he turned the Standartenfuhrer over, he was dead.
Mayer ducked out of sight just before torchlight shone on the spot he was crouching.
There was another shout, and the soldiers started heading towards him.
I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.
The trouble is, there are also other stories to write, and I’m not very good at prioritizing.
But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.
Chasing leads, maybe
Jan hailed a taxi and had it drop us off a block from her building. It was agreed that we would not just arrive out the front and trust to luck that everything would be fine.
I had a feeling that Nobbin would have come to the same conclusion I had, that it was possible the USB might be in the neighbor’s flat. I’m sure Josephine hadn’t thought of that possibility. Severin had, but I suspect he might not know of the cat.
Nor would Nobbin.
We did a circuit of the building before going in. There were no suspicious cars, nr anyone lurking in the shadows. If we had surveillance, it was really good, or there was none. I preferred to think the latter option was right. After all, neither Nobbin nor Severin knew exactly where I was.
Jan unlicked the front door and we went into the brightly lit foyer.
During the day there was a concierge sitting at the desk. At night, it was empty. The building manager couldn’t afford 24-hour security, beyond the bright lights, and camera in each quadrant recording the comings and goings of residents. I’m not sure how Josephine got in, but I would have like to have the time to go through the old footage to check on O’Connell in the past, and Josephine, if she came through the front door, recently.
I glanced at the monitor, at present on screen saver mode, then followed Jan to the elevator lobby.
She pressed the button to go up, and the doors to the left-hand elevator opened. We stepped in, she pressed the floor button, the doors closed, and we slowly went up.
It hesitated at the floor, jerked up about an inch or two, then a click signified it was level and the doors opened.
I could see her door from the elevator. As we got closer, I could see it was open, ajar by about half an inch. There was no tell-tale strip of light behind the opening so it could mean someone was in her flat searching by torchlight, or there was no one there.
After a minute waiting to see if there was a moving light somewhere in the flat, it remained dark.
Standing behind me, I could see she had pulled a gun out of her handbag and had it in one hand ready to use. She could have used it any time since we first met, but she hadn’t.
I pushed the door open slowly, and thankfully it didn’t make a creaking sound. Wide enough to walk in, I took a few tentative steps into the first room. There was little light, and my eyes took a while to adjust to the darkness.
I could feel her going past me, further into the room, and with the gun raised and in two hands to steady the shot. She took more steps, slowly towards the passage leading to her bedroom, I assumed, as it was a reverse copy of that next door, O’Connell’s.
There was no one in this part of the flat, and she had disappeared up the corridor and into her room. Nothing there either.
“Clear,” she called out.
I stepped back to close and lock the door. At the same time, she switched on the main room light and for a second it was almost blinding.
When my sight cleared, I could see the signs of a search, furniture tipped over, books dragged from the shelves, other items tossed on the floor, one of which was a vase, now broken into a number of pieces.
“Looks like they were in a hurry,” she said.
“Or frustrated.” I could see clear marks of an item that had been thrown against the wall and dented the plasterwork. The broken shards of the ornament were on the ground beneath the indentation.
I heard her sigh when she saw the broken pieces.
“Not the best way to treat a genuine Wedgewood antique.”
She disappeared into the bedroom again, and I could hear her calling the cat, Tibbles. Interesting name for a cat.
I didn’t hear it answer back. It was probably traumatized after the breaking and the smashing of crockery.
I had a quick look in places I thought the cat might hide, but it was not in any of them. And, oddly enough, no traces of cat hair. Usually, cats left fur wherever they lay down. At least one cat I knew did that.
She came back empty-handed.
“I think it’s done a runner,” she said. “He’s not in the usual place he hides, nor under the bed, or under the covers, as he sometimes does, usually when I’m trying to sleep.”
“Well, it was a good idea. We might have to search outside. The cat was allowed to go outside?”
“He’d escape, yes, but no. O’Connell thought if he got out, he’d get run over. It’s a reasonably busy road outside.”
“Better out there than in here, though. Open windows?”
She did a quick check, but none were open.
“Did O’Connell ever come in here?”
“Once or twice, but he only dropped in if he was going away to ask if I would look after the cat, or when he came back. Never further than the front door.”
“Knowing who is was, now, do you think he might have come in and hidden the USB in here?”
“He might, but there isn’t anywhere I could think he could put it.”
“But that doesn’t mean he didn’t.”
Both of us heard the scratching sound at the front door, not the sort made by a cat trying to get in, but by someone using a tool to unlock the door.
Who Should Tell the Story? Choosing the Right Narrator for Maximum Impact
Every story begins with a voice. Whether it’s a whisper from the shadows, a confession shouted from the rooftops, or a quiet journal entry scribbled at midnight, the way a story is told is just as important as what happens in it. One of the most crucial decisions a writer makes—often before writing a single sentence—is who will tell the story.
Will it be the protagonist, standing front and centre, eyes wide open to every triumph and tragedy? The casual observer, sipping tea on the periphery while chaos unfolds nearby? Or perhaps a bit player—the stagehand who sees everything but is barely seen?
Each narrative perspective offers unique strengths, limitations, and emotional textures. Let’s explore the three classic choices and discover when each one shines.
1. The Protagonist: The Heart of the Storm
When the main character narrates their own story, readers are granted intimate access to their thoughts, fears, dreams, and flaws. Think of Scout in To Kill a Mockingbird, Holden Caulfield in The Catcher in the Rye, or Katniss Everdeen in The Hunger Games. We don’t just witness the journey—we live it.
Strengths:
Deep emotional connection. Readers bond with the narrator through raw honesty and vulnerability.
A strong voice and personality can elevate the entire tone of the story.
Immediate stakes. When the protagonist speaks, every danger feels personal.
Best Used When:
The story is about personal transformation or internal conflict.
Voice is a critical element (e.g., a sarcastic teen, a traumatised veteran).
You want readers to empathise deeply with the character’s choices—even when they’re flawed.
Caution: A protagonist-narrator can be limited by their own biases and blind spots. You lose the ability to show scenes they weren’t present for, and if the character isn’t compelling, the whole narrative risks falling flat.
2. The Casual Observer: The Quiet Witness
This narrator isn’t swept up in the central action, but stands just close enough to see—and interpret—it all. Think of Nick Carraway in The Great Gatsby, watching Gatsby’s rise and fall with a mix of fascination and detachment. Or Dr Watson, chronicling Sherlock Holmes’ genius with admiration and occasional bewilderment.
Strengths:
Offers a more objective lens while still being emotionally engaged.
Can provide commentary and reflection, adding layers of meaning.
Freedom to step back and describe the bigger picture or societal context.
Best Used When:
The protagonist is mysterious, unreliable, or larger-than-life.
You want to explore themes like perception, memory, or social critique.
The story gains power through contrast—what the observer sees versus what they understand.
Caution: It’s easy for an observer to become passive. To work well, they still need their own arc, stakes, and reasons for telling the story. Otherwise, they risk feeling like a camera on a tripod—recording, but not quite living.
3. The Bit Player: The Unlikely Truth-Teller
These are the characters we might overlook—the secretary, the neighbour, the childhood friend who drifted away. Yet when they take the microphone, their perspective can be revelatory. Consider “The Murder of Roger Ackroyd” by Agatha Christie, in which the seemingly minor character of Dr Sheppard upends everything through his narration.
Strengths:
Surprise factor. Readers don’t expect depth or insight from minor characters—so when they deliver, it’s powerful.
Access to multiple characters and private moments without being the centre of attention.
Can subtly manipulate tone and truth, especially if they have hidden motives.
Best Used When:
You want to subvert expectations or play with unreliability.
The story benefits from a grounded, realistic perspective amid larger-than-life events.
The theme involves invisibility, power dynamics, or the unnoticed threads that hold society together.
Caution: A bit player narrator must be given enough presence and reason to tell the story. Why them? What stakes do they have? Without proper setup, their narration can feel contrived.
So, Who Should Tell Your Story?
Ask yourself:
Whose journey matters most? If it’s deeply personal, go with the protagonist.
Is the truth elusive? An observer or bit player might reveal it more effectively.
What tone do you want? Intimate and urgent? Detached and reflective? Ironic and unreliable?
Sometimes, the magic isn’t in who lives the story, but in who tells it. The same event—a betrayal, a wedding, a war—can feel entirely different depending on whether it’s recounted by the hero, the bystander, or the one who cleaned up the aftermath.
The voice you choose doesn’t just shape the narrative—it shapes the reader’s soul.
So next time you begin a story, don’t just ask, What happens? Ask, Who gets to say it happened?
Because in storytelling, perspective isn’t just everything— It’s the only thing.
Today, under the guise of words of wisdom, we have a concept that if he wrote it, he could get rid of it.
OK, does that mean the writing goes from the pad straight into the bin? I’m sure all of has had a moment like that more than once.
Or is there something a lot deeper going on here?
I’m going with deep because there is another line. He had gotten rid of many things by writing them.
So does that mean if I write about the things that bug me, they’ll go away?
Sounds interesting.
My slant on this is. If you could write out all your problems and imagine a different, happier ending to all of them. I mean, I don’t really want to send my younger brother to the moon, but the thought is there.
I’m thinking that it might be a way to not pay expensive shrinks to analyse your problems, you could do it yourself, write the problems down like a quadratic equation, and solve them yourself.
Or work out how to send your brother to the moon yourself without having to plead with or pay millions of dollars to NASA.
How many of us have skeletons in the closet that we know nothing about? The skeletons we know about generally stay there, but those we do not, well, they have a habit of coming out of left field when we least expect it.
In this case, when you see your photo on a TV screen with the accompanying text that says you are wanted by every law enforcement agency in Europe, you’re in a state of shock, only to be compounded by those same police, armed and menacing, kicking the door down.
I’d been thinking about this premise for a while after I discovered my mother had a boyfriend before she married my father, a boyfriend who was, by all accounts, the man who was the love of her life.
Then, in terms of coming up with an idea for a story, what if she had a child by him that we didn’t know about, which might mean I had a half brother or sister I knew nothing about. It’s not an uncommon occurrence from what I’ve been researching.
There are many ways of putting a spin on this story.
Then, in the back of my mind, I remembered a story an acquaintance at work was once telling us over morning tea, that a friend of a friend had a mother who had a twin sister and that each of the sisters had a son by the same father, without each knowing of the father’s actions, both growing up without the other having any knowledge of their half brother, only to meet by accident on the other side of the world.
It was an encounter that in the scheme of things might never have happened, and each would have remained oblivious of the other.
For one sister, the relationship was over before she discovered she was pregnant, and therefore had not told the man he was a father. It was no surprise the relationship foundered when she discovered he was also having a relationship with her sister, a discovery that caused her to cut all ties with both of them and never speak to either from that day.
It’s a story with more twists and turns than a country lane!
Who Should Tell the Story? Choosing the Right Narrator for Maximum Impact
Every story begins with a voice. Whether it’s a whisper from the shadows, a confession shouted from the rooftops, or a quiet journal entry scribbled at midnight, the way a story is told is just as important as what happens in it. One of the most crucial decisions a writer makes—often before writing a single sentence—is who will tell the story.
Will it be the protagonist, standing front and centre, eyes wide open to every triumph and tragedy? The casual observer, sipping tea on the periphery while chaos unfolds nearby? Or perhaps a bit player—the stagehand who sees everything but is barely seen?
Each narrative perspective offers unique strengths, limitations, and emotional textures. Let’s explore the three classic choices and discover when each one shines.
1. The Protagonist: The Heart of the Storm
When the main character narrates their own story, readers are granted intimate access to their thoughts, fears, dreams, and flaws. Think of Scout in To Kill a Mockingbird, Holden Caulfield in The Catcher in the Rye, or Katniss Everdeen in The Hunger Games. We don’t just witness the journey—we live it.
Strengths:
Deep emotional connection. Readers bond with the narrator through raw honesty and vulnerability.
A strong voice and personality can elevate the entire tone of the story.
Immediate stakes. When the protagonist speaks, every danger feels personal.
Best Used When:
The story is about personal transformation or internal conflict.
Voice is a critical element (e.g., a sarcastic teen, a traumatised veteran).
You want readers to empathise deeply with the character’s choices—even when they’re flawed.
Caution: A protagonist-narrator can be limited by their own biases and blind spots. You lose the ability to show scenes they weren’t present for, and if the character isn’t compelling, the whole narrative risks falling flat.
2. The Casual Observer: The Quiet Witness
This narrator isn’t swept up in the central action, but stands just close enough to see—and interpret—it all. Think of Nick Carraway in The Great Gatsby, watching Gatsby’s rise and fall with a mix of fascination and detachment. Or Dr Watson, chronicling Sherlock Holmes’ genius with admiration and occasional bewilderment.
Strengths:
Offers a more objective lens while still being emotionally engaged.
Can provide commentary and reflection, adding layers of meaning.
Freedom to step back and describe the bigger picture or societal context.
Best Used When:
The protagonist is mysterious, unreliable, or larger-than-life.
You want to explore themes like perception, memory, or social critique.
The story gains power through contrast—what the observer sees versus what they understand.
Caution: It’s easy for an observer to become passive. To work well, they still need their own arc, stakes, and reasons for telling the story. Otherwise, they risk feeling like a camera on a tripod—recording, but not quite living.
3. The Bit Player: The Unlikely Truth-Teller
These are the characters we might overlook—the secretary, the neighbour, the childhood friend who drifted away. Yet when they take the microphone, their perspective can be revelatory. Consider “The Murder of Roger Ackroyd” by Agatha Christie, in which the seemingly minor character of Dr Sheppard upends everything through his narration.
Strengths:
Surprise factor. Readers don’t expect depth or insight from minor characters—so when they deliver, it’s powerful.
Access to multiple characters and private moments without being the centre of attention.
Can subtly manipulate tone and truth, especially if they have hidden motives.
Best Used When:
You want to subvert expectations or play with unreliability.
The story benefits from a grounded, realistic perspective amid larger-than-life events.
The theme involves invisibility, power dynamics, or the unnoticed threads that hold society together.
Caution: A bit player narrator must be given enough presence and reason to tell the story. Why them? What stakes do they have? Without proper setup, their narration can feel contrived.
So, Who Should Tell Your Story?
Ask yourself:
Whose journey matters most? If it’s deeply personal, go with the protagonist.
Is the truth elusive? An observer or bit player might reveal it more effectively.
What tone do you want? Intimate and urgent? Detached and reflective? Ironic and unreliable?
Sometimes, the magic isn’t in who lives the story, but in who tells it. The same event—a betrayal, a wedding, a war—can feel entirely different depending on whether it’s recounted by the hero, the bystander, or the one who cleaned up the aftermath.
The voice you choose doesn’t just shape the narrative—it shapes the reader’s soul.
So next time you begin a story, don’t just ask, What happens? Ask, Who gets to say it happened?
Because in storytelling, perspective isn’t just everything— It’s the only thing.
John Pennington’s life is in the doldrums. Looking for new opportunities, and prevaricating about getting married, the only joy on the horizon was an upcoming visit to his grandmother in Sorrento, Italy.
Suddenly he is left at the check-in counter with a message on his phone telling him the marriage is off, and the relationship is over.
If only he hadn’t promised a friend he would do a favour for him in Rome.
At the first stop, Geneva, he has a chance encounter with Zoe, an intriguing woman who captures his imagination from the moment she boards the Savoire, and his life ventures into uncharted territory in more ways than one.
That ‘favour’ for his friend suddenly becomes a life-changing event, and when Zoe, the woman who he knows is too good to be true, reappears, danger and death follow.
Shot at, lied to, seduced, and drawn into a world where nothing is what it seems, John is dragged into an adrenaline-charged undertaking, where he may have been wiser to stay with the ‘devil you know’ rather than opt for the ‘devil you don’t’.
It was the first time in almost a week that I made the short walk to the cafe alone. It was early, and the chill of the morning was still in the air. In summer, it was the best time of the day. When Susan came with me, it was usually much later, when the day was much warmer and less tolerable.
On the morning of the third day of her visit, Susan said she was missing the hustle and bustle of London, and by the end of the fourth she said, in not so many words, she was over being away from ‘civilisation’. This was a side of her I had not seen before, and it surprised me.
She hadn’t complained, but it was making her irritable. The Susan that morning was vastly different to the Susan on the first day. So much, I thought, for her wanting to ‘reconnect’, the word she had used as the reason for coming to Greve unannounced.
It was also the first morning I had time to reflect on her visit and what my feelings were towards her. It was the reason I’d come to Greve: to soak up the peace and quiet and think about what I was going to do with the rest of my life.
I sat in my usual corner. Maria, one of two waitresses, came out, stopped, and there was no mistaking the relief in her manner. There was an air of tension between Susan and Maria I didn’t understand, and it seemed to emanate from Susan rather than the other way around. I could understand her attitude if it was towards Alisha, but not Maria. All she did was serve coffee and cake.
When Maria recovered from the momentary surprise, she said, smiling, “You are by yourself?” She gave a quick glance in the direction of my villa, just to be sure.
“I am this morning. I’m afraid the heat, for one who is not used to it, can be quite debilitating. I’m also afraid it has had a bad effect on her manners, for which I apologise. I cannot explain why she has been so rude to you.”
“You do not have to apologise for her, David, but it is of no consequence to me. I have had a lot worse. I think she is simply jealous.”
It had crossed my mind, but there was no reason for her to be. “Why?”
“She is a woman, I am a woman, she thinks because you and I are friends, there is something between us.”
It made sense, even if it was not true. “Perhaps if I explained…”
Maria shook her head. “If there is a hole in the boat, you should not keep bailing but try to plug the hole. My grandfather had many expressions, David. If I may give you one piece of advice, as much as it is none of my business, you need to make your feelings known, and if they are not as they once were, and I think they are not, you need to tell her. Before she goes home.”
Interesting advice. Not only a purveyor of excellent coffee, but Maria was also a psychiatrist who had astutely worked out my dilemma. What was that expression, ‘not just a pretty face’?
“Is she leaving soon?” I asked, thinking Maria knew more about Susan’s movements than I did.
“You would disappoint me if you had not suspected as much. Susan was having coffee and talking to someone in her office on a cell phone. It was an intense conversation. I should not eavesdrop, but she said being here was like being stuck in hell. It is a pity she does not share your love for our little piece of paradise, is it not?”
“It is indeed. And you’re right. She said she didn’t have a phone, but I know she has one. She just doesn’t value the idea of getting away from the office. Perhaps her role doesn’t afford her that luxury.”
And perhaps Alisha was right about Maria, that I should be more careful. She had liked Maria the moment she saw her. We had sat at this very table, the first day I arrived. I would have travelled alone, but Prendergast, my old boss, liked to know where ex-employees of the Department were, and what they were doing.
She sighed. “I am glad I am just a waitress. Your usual coffee and cake?”
“Yes, please.”
Several months had passed since we had rescued Susan from her despotic father; she had recovered faster than we had thought, and settled into her role as the new Lady Featherington, though she preferred not to use that title, but go by the name of Lady Susan Cheney.
I didn’t get to be a Lord, or have any title, not that I was expecting one. What I had expected was that Susan, once she found her footing as head of what seemed to be a commercial empire, would not have time for details like husbands, particularly when our agreement made before the wedding gave either of us the right to end it.
There was a moment when I visited her recovering in the hospital, where I was going to give her the out, but I didn’t, and she had not invoked it. We were still married, just not living together.
This visit was one where she wanted to ‘reconnect’ as she called it, and invite me to come home with her. She saw no reason why we could not resume our relationship, conveniently forgetting she indirectly had me arrested for her murder, charges both her mother and Lucy vigorously pursued, and had the clone not returned to save me, I might still be in jail.
It was not something I would forgive or forget any time soon.
There were other reasons why I was reluctant to stay with her, like forgetting small details, an irregularity in her character I found odd. She looked the same, she sounded the same, she basically acted the same, but my mind was telling me something was not right. It was not the Susan I first met, even allowing for the ordeal she had been subjected to.
But, despite those misgivings, there was no question in my mind that I still loved her, and her clandestine arrival had brought back all those feelings. But as the days passed, I began to get the impression my feelings were one-sided and she was just going through the motions.
Which brought me to the last argument, earlier, where I said if I went with her, it would be business meetings, social obligations, and quite simply her ‘celebrity’ status that would keep us apart. I reminded her that I had said from the outset I didn’t like the idea of being in the spotlight, and when I reiterated it, she simply brushed it off as just part of the job, adding rather strangely that I always looked good in a suit. The flippancy of that comment was the last straw, and I left before I said something I would regret.
I knew I was not a priority. Maybe somewhere inside me, I had wanted to be a priority, and I was disappointed when I was not.
And finally, there was Alisha. Susan, at the height of the argument, had intimated she believed I had an affair with her, but that elephant was always in the room whenever Alisha was around. It was no surprise when I learned Susan had asked Prendergast to reassign her to other duties.
At least I knew what my feelings for Alisha were, and there were times when I had to remember she was persona non grata. Perhaps that was why Susan had her banished, but, again, a small detail; jealousy was not one of Susan’s traits when I first knew her.
Perhaps it was time to set Susan free.
When I swung around to look in the direction of the lane where my villa was, I saw Susan. She was formally dressed, not in her ‘tourist’ clothes, which she had bought from one of the local clothing stores. We had fun that day, shopping for clothes, a chore I’d always hated. It had been followed by a leisurely lunch, lots of wine and soul searching.
It was the reason why I sat in this corner; old habits die hard. I could see trouble coming from all directions, not that Susan was trouble or at least I hoped not, but it allowed me the time to watch her walking towards the cafe in what appeared to be short, angry steps; perhaps the culmination of the heat wave and our last argument.
She glared at me as she sat, dropping her bag beside her on the ground, where I could see the cell phone sitting on top. She followed my glance down, and then she looked unrepentant back at me.
Maria came back at the exact moment she was going to speak. I noticed Maria hesitate for a second when she saw Susan, then put her smile in place to deliver my coffee.
Neither spoke nor looked at each other. I said, “Susan will have what I’m having, thanks.”
Maria nodded and left.
“Now,” I said, leaning back in my seat, “I’m sure there’s a perfectly good explanation as to why you didn’t tell me about the phone, but that first time you disappeared, I’d guessed you needed to keep in touch with your business interests. I thought it somewhat unwisethat you should come out when the board of one of your companies was trying to remove you, because of what was it, an unexplained absence? All you had to do was tell me there were problems and you needed to remain at home to resolve them.”
My comment elicited a sideways look, with a touch of surprise.
“It was unfortunate timing on their behalf, and I didn’t want you to think everything else was more important than us. There were issues before I came, and I thought the people at home would be able to manage without me for at least a week, but I was wrong.”
“Why come at all. A phone call would have sufficed.”
“I had to see you, talk to you. At least we have had a chance to do that. I’m sorry about yesterday. I once told you I would not become my mother, but I’m afraid I sounded just like her. I misjudged just how much this role would affect me, and truly, I’m sorry.”
An apology was the last thing I expected.
“You have a lot of work to do catching up after being away, and of course, in replacing your mother and gaining the requisite respect as the new Lady Featherington. I think it would be for the best if I were not another distraction. We have plenty of time to reacquaint ourselves when you get past all these teething issues.”
“You’re not coming with me?” She sounded disappointed.
“I think it would be for the best if I didn’t.”
“Why?”
“It should come as no surprise to you that I’ve been keeping an eye on your progress. You are so much better doing your job without me. I told your mother once that when the time came I would not like the responsibilities of being your husband. Now that I have seen what it could possibly entail, I like it even less. You might also want to reconsider our arrangement, after all, we only had a marriage of convenience, and now that those obligations have been fulfilled, we both have the option of terminating it. I won’t make things difficult for you if that’s what you want.”
It was yet another anomaly, I thought; she should look distressed, and I would raise the matter of that arrangement. Perhaps she had forgotten the finer points. I, on the other hand, had always known we would not last forever. The perplexed expression, to me, was a sign she might have forgotten.
Then, her expression changed. “Is that what you want?”
“I wasn’t madly in love with you when we made that arrangement, so it was easy to agree to your terms, but inexplicably, since then, my feelings for you changed, and I would be sad if we parted ways. But the truth is, I can’t see how this is going to work.”
“In saying that, do you think I don’t care for you?”
That was exactly what I was thinking, but I wasn’t going to voice that opinion out loud. “You spent a lot of time finding new ways to make my life miserable, Susan. You and that wretched friend of yours, Lucy. While your attitude improved after we were married, that was because you were going to use me when you went to see your father, and then almost let me go to prison for your murder.”
“I had nothing to do with that, other than to leave, and I didn’t agree with Lucy that you should be made responsible for my disappearance. I cannot be held responsible for the actions of my mother. She hated you; Lucy didn’t understand you, and Millie told me I was stupid for not loving you in return, and she was right. Why do you think I gave you such a hard time? You made it impossible not to fall in love with you, and it nearly changed my mind about everything I’d been planning so meticulously. But perhaps there was a more subliminal reason why I did because after I left, I wanted to believe, if anything went wrong, you would come and find me.”
“How could you possibly know that I’d even consider doing something like that, given what you knew about me?”
“Prendergast made a passing comment when my mother asked him about you; he told us you were very good at finding people and even better at fixing problems.”
“And yet here we are, one argument away from ending it.”
I could see Maria hovering, waiting for the right moment to deliver her coffee, then go back and find Gianna, the café owner, instead. Gianna was more abrupt and, for that reason, was rarely seen serving the customers. Today, she was particularly cantankerous, banging the cake dish on the table and frowning at Susan before returning to her kitchen. Gianna didn’t like Susan either.
Behind me, I heard a car stop, and when she looked up, I knew it was for her. She had arrived with nothing, and she was leaving with nothing.
She stood. “Last chance.”
“Forever?”
She hesitated and then shook away the look of annoyance on her face. “Of course not. I wanted you to come back with me so we could continue working on our relationship. I agree there are problems, but it’s nothing we can’t resolve if we try.”
I had been trying. “It’s too soon for both of us, Susan. I need to be able to trust you, and given the circumstances, and all that water under the bridge, I’m not sure if I can yet.”
She frowned at me. “As you wish.” She took an envelope out of her bag and put it on the table. “When you are ready, it’s an open ticket home. Please make it sooner rather than later. Despite what you think of me, I have missed you, and I have no intention of ending it between us.”
That said, she glared at me for a minute, shook her head, then walked to the car. I watched her get in and the car drive slowly away.
For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.
Whilst I have always had a fascination with what happened during the second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.
And, so, it continues…
——
Jackerby trusted no one. He had been given orders by someone further up the ranks than Wallace and his people, someone who suspected that some or all of the Englishmen turned German turned Englishmen were traitors.
The only men he could trust fully were those who had come with him in the glider, a dozen at most. It’s why he had just completed a secret briefing with his second in command who would take over the operation if anything happened to him.
Not that it would, but he liked the idea of being prepared, and humoring the others into believing they were essential to the operation. Eckhardt would be a good man in a crisis, battle scarred from the Russian front, and glad to be on this operation for obvious reasons.
He would do anything Jackerby asked, even kill Wallace and Johannsen if he was required to.
That might yet be necessary because Wallace didn’t seem interested in going after Atherton which made him think that Wallace wasn’t all that he appeared to be. Atherton was a thorn in their operation and had to be eliminated. The fact Wallace and Johannsen didn’t agree with him raised suspicions as to their motives.
Was there ultimately going to be a triple cross?
He had been lurking in the shadows when Wallace gave the drunken fool Leonardo his orders to go down to the village. More defectors. Jackerby couldn’t understand why anyone would want to leave the Reich, especially when they were winning the war, and, if it were up to him, he’d executer the lot of them not send them back.
But, orders were orders.
He went back to Eckhardt and told him he was going down to the village to observe Leonardo and his team in action, and that he was in charge of the men in his absence.
Eckhardt, on the other hand, knew that Jackerby, if he could find a way that would not cause them trouble, was going to eliminate Leonardo because they were a liability. The plan was once Leonardo and his men were gone, Jackerby would take over rounding up the defectors. Or, more to the point, they would go missing before reaching the castle. There was only one that mattered, the rest were dead weight. And once the prize had been captured, Jackerby would escort him home and collect the kudos for himself and his men.
The ultimate prize; leave to reunite briefly with their families and a cushy job in Berlin, away from the horrors of war in the trenches.
Leonardo and the five others that made up the resistance left the castle by one of the underground tunnels. Leonardo knew of two, both of them shown to him by Carlo. He knew that Carlo knew where more were, but Carlo was not particularly helpful at the best of times.
He also knew Carlo might be stupid enough to storm the castle, especially after what Leonardo had done to Martina, and, when it hadn’t happened, he suspected Atherton had appealed to him to wait.
Atherton, too, he knew had some idea of the layout of the castle, have been told to keep an eye on Atherton when he first arrived because he was reportedly an archaeologist. Leonardo had, and reported back to Wallace that it appeared Atherton had been surveying the castle. He had simply been told to keep Atherton under surveillance, and make notes of any discoveries, and particularly what Atherton was doing.
He had, not that it amounted to much. Not when he realized Leonardo was following him. Leonardo decided not to tell Wallace Atherton had rumbled him, just that he was roaming the passages looking for something.
It had worked so far and kept Wallace off his back, but it wasn’t going to last.
Bottom line, Leonardo had to find and kill Atherton before any trouble started, otherwise, it would be his neck on the block.
Jackerby followed.
It wasn’t hard to follow Leonardo because he and his man were the last people to know what stealth was. He could hear them crashing through the forest between the castle and the village up to 250 meters away, he was making so much noise.
But, Jackerby thought, perhaps Leonardo didn’t need to worry about alerting his presence to Atherton, not if he was already working with him.
To Jackerby and his paranoia, it made sense. Maybe he was going to meet with Atherton right now and do a deal with the defectors. How many others had turned up at the village in the last week or so, and never made it to the castle?
He was right, Jackerby told himself, not to trust them. Everyone, in the end, was an enemy of the Reich.
It took 20 minutes to reach the outskirts of the village, and when Jackerby could see the edge of the woods, and the barn and remains of the farmhouse just the other side of the tree line, he dropped back, found a suitable observation point, and waited.
Leonardo and his men had stopped at the back of the barn, and one of his men was about to go find the defectors. The rest of Leonardo’s men would wait with him, and surprise their guests, before taking them back to the castle.
As far as “Jackerby was concerned, they would never reach the castle, and this time, he would take care of Leonardo, and the others.
It would be easy to say that Atherton had killed all the members of the resistance, and then got killed himself in a shootout with Jackerby. It was a plausible reason for all the deaths, though he would have to come up with a suitable excuse for leaving the castle and following Leonardo and his men when Wallace had expressly forbidden it.
Wallace.
Perhaps if he got his hands on Atherton he’d ask him if Wallace was a traitor.
The innocuous explanation for this photo is that I took it at my grand daughter’s little athletics competition, now most sensibly being held on Friday evenings.
For those who don’t know how the weather can be in Brisbane, Queensland, it is generally hot, particularly from November when temperatures are between 35 and 40 degrees centigrade.
But not only is it hot but humidity, the real problem, is around 100 percent.
So at the moment we have reasonably cool evenings, ideal conditions for the young athletes.
But, where a photo could be innocuous there can a more interesting, if not sinister description.
Lurking in the back of my mind, and perhaps a lot of others, that there might be an unidentified flying object somewhere in the sky.
Of course, there might not be any, but it doesn’t mean that we stop looking, or assume, sometimes that a moving light in the sky isn’t a UFO.
And its been said that humans are quite arrogant in thinking that we are the only people in the universe.
Personally, I don’t think we are, and I keep an eye on the sky every time I’m out at night, perhaps the most likely time we might see one.
The only issue I might have is that if I am that lucky to see one, or that it lands nearby, what I would do when confronted by an alien.
Thrills, Spills, and just a dash of Romance 