An excerpt from “Echoes from the Past”

Available on Amazon Kindle here: https://amzn.to/2CYKxu4

…

With my attention elsewhere, I walked into a man who was hurrying in the opposite direction. He was a big man with a scar running down the left side of his face from eye socket to mouth, and who was also wearing a black shirt with a red tie.

That was all I remembered as my heart almost stopped.

He apologized as he stepped to one side, the same way I stepped, as I also muttered an apology.

I kept my eyes down. He was not the sort of man I wanted to recognize later in a lineup. I stepped to the other side and so did he. It was one of those situations. Finally getting out of sync, he kept going in his direction, and I towards the bus, which was now pulling away from the curb.

Getting my breath back, I just stood riveted to the spot watching it join the traffic. I looked back over my shoulder, but the man I’d run into had gone. I shrugged and looked at my watch. It would be a few minutes before the next bus arrived.

Wait, or walk? I could also go by subway, but it was a long walk to the station. What the hell, I needed the exercise.

At the first intersection, the ‘Walk’ sign had just flashed to ‘Don’t Walk’. I thought I’d save a few minutes by not waiting for the next green light. As I stepped onto the road, I heard the screeching of tires.

A yellow car stopped inches from me.

It was a high powered sports car, perhaps a Lamborghini. I knew what they looked like because Marcus Bartleby owned one, as did every other junior executive in the city with a rich father.

Everyone stopped to look at me, then the car. It was that sort of car. I could see the driver through the windscreen shaking his fist, and I could see he was yelling too, but I couldn’t hear him. I stepped back onto the sidewalk, and he drove on. The moment had passed and everyone went back to their business.

My heart rate hadn’t come down from the last encounter. Now it was approaching cardiac arrest, so I took a few minutes and several sets of lights to regain composure.

At the next intersection, I waited for the green light, and then a few seconds more, just to be sure. I was no longer in a hurry.

At the next, I heard what sounded like a gunshot. A few people looked around, worried expressions on their faces, but when it happened again, I saw it was an old car backfiring. I also saw another yellow car, much the same as the one before, stopped on the side of the road. I thought nothing of it, other than it was the second yellow car I’d seen.

At the next intersection, I realized I was subconsciously heading towards Harry’s new bar. It was somewhere on 6^th Avenue, so I continued walking in what I thought was the right direction.

I don’t know why I looked behind me at the next intersection, but I did. There was another yellow car on the side of the road, not far from me. It, too, looked the same as the original Lamborghini, and I was starting to think it was not a coincidence.

Moments after crossing the road, I heard the roar of a sports car engine and saw the yellow car accelerate past me. As it passed by, I saw there were two people in it, and the blurry image of the passenger; a large man with a red tie.

Now my imagination was playing tricks.

It could not be the same man. He was going in a different direction.

In the few minutes I’d been standing on the pavement, it had started to snow; early for this time of year, and marking the start of what could be a long cold winter. I shuddered, and it was not necessarily because of the temperature.

I looked up and saw a neon light advertising a bar, coincidentally the one Harry had ‘found’ and, looking once in the direction of the departing yellow car, I decided to go in. I would have a few drinks and then leave by the back door if it had one.

Just in case.

newechocover5rs

The cinema of my dreams – It continued in London – Episode 27

A conversation with a Countess

…

Opera was one of those events most people could take or leave. Violetta loved it and we went often. I went because it was more interesting to observe the people who went.

This time was no different.

Rodby was bored, his long-suffering wife, as I came to believe she was, loved it, and used it as a form of torture, and the countess, well, it was difficult to say. She had other matters on her mind.

I spent the first half wondering what the connection was between Mrs Rodby and the countess, the half-time interval listening to their friendly banter about the old days, discovering they had got up to all sorts of high jinks in a boarding school for elegant ladies of which they were decidedly most not, and then the second half thinking that life was so much easier for the wealthy and powerful fifty years ago than it was today.

In the end, where an opinion had to be professed, I said that had I not been an expert in languages, all of it would have been lost on me. Even so, as a love story with tragedy, wouldn’t it be better to be more upbeat?

Obviously, I didn’t get it. Other than that, it was an opportunity to dress up and meet people you’d never normally get to see.

There was a brief debate in the lobby about where we would finish the night and it ended up being at the hotel where the countess was staying. She made a call, and a room was set aside, with catering.

The countess and I took the chauffeur-driven car, the Rodby’s by their own transport. I was expecting, after the car moved out into the traffic, our exit from the Opera House far more anonymous than our arrival, she would give me an indication of what I was there for.

And then remembered that she was as surprised to see me as I was to see her, and then to be referred to as a potential suitor, not a troubleshooter. That label had been attached later by Mrs Rodby.

But I had to ask, in a roundabout way.

“Have you known Mrs Rodby a long time? I gather it started at school?”

“Boarding school. We were both daughters of diplomats, though my father was a Lord, hers what the English quaintly referred to as a Gentleman. My mother was Italian, very feisty but with no maternal instincts. We used to spend holidays in the South of France at a chateau in Antibes. We lost touch for a while, living in different worlds.”

“She mentioned to me you might need some help. Perhaps a relief for you to know that she was not matchmaking but asked me along for a different reason.”

I watched her expression change several times. Whatever the problem was, it was one she was reluctant to share. Was it an embarrassment, or an errant child in trouble, or something worse? I could not imagine her asking me to ‘retire’ an adversary, an over ardent lover, or a business rival.

“She did say you used to take your wife to the opera.”

“Rather the other way around. She loved it. I tried.”

“I must confess, it was my husband’s thing, not so much for the spectacle, but the hobnobbing, if it could be called that. It was all about ‘being seen’. That, the races, balls, galas, and everything in between. Do you dance?”

“Before Violetta, I used to pretend I didn’t. I had a mother who made it mandatory because you never knew when it would be useful. I fancy she had high hopes I would marry a princess. She didn’t live to find out I did. Not a royal princess, by to me everything but having royal blood. And., yes, I would not have got that second glance if I could not do the tango.”

“Your favourite?”

“After I met her, it was all I needed to know she was the one.”

“It’s curious, is it not, that it takes just one. My moment was the quick step, and I hated it. For a long time, I could never quite get it right, but then the Count turns up, spies me trying to hide on the other side of the ballroom, and picks me out of a gaggle of girls vying for his attention.”

“You were not?”

“I was barely out of school, and totally out of my depth. My mother decided he was going to be the one, and unbeknownst to me had talked up my attributes to the point where I could never fulfil her lofty expectations, or his. I thought, then, one dance and I could go. Damn and blast it was the quick step, and his reputation as a demanding, fussy, easily annoyed with those who fumbled, stumbled, and grumbled, of much renown, I just wanted the floor to open up and suck me it.”

“Up till that moment was it like a fairytale?”

“Odd you should say that, but yes. Up to that moment.”

“Obviously you pulled off the challenge.”

“Somehow, I managed, but in the process, I made a lifelong enemy. Perhaps it is this that your friend alludes to. I mentioned it in passing, but it is of no consequence. The Count’s family will deal with it, as they always have. You need not concern yourself, simply enjoy the evening, and tomorrow life will be as it should be.”

Perhaps she should have told Mrs Rodby that, because I had a feeling my life was not going to be ‘as it should be’.

…

What I learned about writing – Writing routine

The question is, do you have one?

I suspect all of the professional authors have one.

Wake up at six, go for a run on the beach, through the garden, somewhere private and exotic with views to die for, then coffee and croissants on the balcony overlooking the ocean, go up to that spacious, airy writing room where inspiration pours from every corner or crevice.

Two hours of wordsmithing, a leisurely lunch, two more hours in the afternoon, then a night out with friends at the theatre, followed by supper in an exclusive restaurant.

So, not being a professional author, I certainly don’t start the morning with a run. I struggle to wake up and get out of bed.

No breakfast. Not because I don’t want to, I just can’t be bothered.

Then it’s the chores. Washing, dishwasher, digging out what’s going to be for dinner, rummaging in the freezer and agonising over what’s going to be easiest, then hit the bathroom.

Sometimes, an idea hits me in the shower, or the answer to that elusive next part of the story, after writing myself into the proverbial corner.

Then a mad dash to get said idea down on paper.

By that time, its lunch, not leisurely, and I scan social media and my blog for responses and activity. This is followed by a scan of the news headlines to see if anything is happening, other than Trump and the likelihood of World War three.

Satisfied it won’t be raining nuclear missiles, I go out to the writing room, yes, at least I have one of those and sit down in front of the computer.

Good thought, but it’s back to the washing and dinner. Rose comes home. No words written, so social media work is completed, but essentially nothing really happens now until about 11 pm

That’s when the writing gets done.

2 a.m. bed. Dream of what might be tomorrow’s writing, but dead tired, no dreams.

Wake, repeat, sleep…

Perhaps if I planned my days …

The 2 am Rant: Is it cybersickness or something else?

There’s this new affliction going about.

Everyone seems to be talking to themselves and I think it has something to do with smoking, perhaps a side effect.

You know how it is, you are walking by and someone near you starts talking. You think they are talking to you, but they are not.

And then they take a puff of a cigarette.

It’s not an uncommon assumption.

But the thing is, if you take a closer look you notice they have a Bluetooth device in their ear and they are really talking to someone out there in cyberspace.

Or for the uninitiated, they’re talking on their mobile phone.

Not many years ago men in white suits would be collecting these people and taking them to an asylum typically called Bellevue. The stuff of 1950’s horror films. You really didn’t want to be caught talking to yourself.

It, of course, has a number of symptoms, this condition we’ll call cybersickness. Like, for instance, wandering aimlessly and either bumping into people or in front of cars on the street.

Is it the voices in their head telling them what to do?

Can we say we have just created a viable excuse for these people, or should they be locked up? Maybe we’re too late because I think a lot of them are already living in their own world.

365 Days of writing, 2026 – 113

Day 113 – Writing behind closed doors – alone

…

The Solitary Craft: The Pros and Cons of Writing Behind a Closed Door

Every writer has their own ritual. Some prefer the hum of a bustling coffee shop, while others find their flow in the company of a critique group. But for many, the “true” work happens in the sanctuary of isolation—behind a closed door, away from the noise, the glare of the world, and the distractions of daily life.

Writing in isolation is a double-edged sword. It is both a monastic devotion and a potential trap. If you’ve ever wondered whether you should be retreating to your home office for days on end, here’s a look at the trade-offs of the solitary craft.

The Pros: The Sanctity of the Flow State

For many authors, isolation isn’t just a preference; it’s a necessity for deep work. When you shut the door, you are creating a workspace where you are the sole arbiter of your world-building.

1. Uninterrupted Deep Work (The “Flow”) It takes approximately 20 minutes to re-enter a deep state of concentration after an interruption. By closing your door, you minimise the “ping” of notifications and the “hey, do you have a second?” that kill momentum. Isolation allows you to sink into the flow state where time disappears, and the prose begins to sing.

2. Psychological Safety Writing often requires vulnerability. When you are alone, you don’t face the subconscious filter of “what will people think?” You are free to write the messy, embarrassing, or radical first draft without an audience. This isolation acts as an incubator for risk-taking and authentic expression.

3. Total Control Over Environment: Your workspace is your cockpit. You control the lighting, the silence (or the specific playlist), and the temperature. This sensory control helps signal to your brain that it is time to work, turning your “closed door” into a psychological trigger for productivity.

The Cons: The Perils of the Echo Chamber

While the hermit life can produce great work, it also comes with significant risks. Writing in a vacuum can lead to stagnation, both in your craft and your mental well-being.

1. The “Echo Chamber” Effect When you write in total isolation, you lose the invaluable feedback loop. You may unknowingly fall into repetitive tropes, develop plot holes that you are too close to see, or misuse language in ways that are obvious to an outsider but invisible to you. Without the “fresh eyes” of a peer or editor, you run the risk of becoming your own worst champion—or your own worst critic.

2. The Erosion of Perspective: Writers are observers of humanity. To write realistic characters, you need to hear how people speak, observe their body language, and understand the tensions of social dynamics. If you spend too much time behind a closed door, your world may start to feel “airless.” Your dialogue can become wooden, and your understanding of cultural shifts may lag.

3. The Psychological Toll Writing is a lonely profession by default. By choosing to physically isolate yourself for long stretches, you risk burnout and the “writer’s blues.” Without the grounding influence of the outside world, the internal struggles of the writing process—self-doubt, imposter syndrome, and creative blocks—can become mountainous and overwhelming.

Finding the Balance: The “Hybrid” Approach

The goal isn’t to choose between total isolation and total social immersion. The most successful writers often use a hybrid model:

The Sprint: Use the closed door for the “heavy lifting”—the drafting phase, where you need pure, uninterrupted focus.
The Inhale: Once the draft is down, open the door. Seek out writers’ groups, beta readers, or even just a busy cafe to recalibrate your senses.
The Observation: Use your time outside the room to “fill the well.” Listen to conversations in line at the grocery store, read books by different authors, and engage with the world so you have something to write about when you return to your desk.

The Verdict

Writing behind a closed door is a powerful tool, but it is a tool meant to be used in cycles. Use your isolation to create, but remember to occasionally unlock the door. Your best work often happens at the intersection of deep, focused thought and the messy, human world you are writing for.

How do you handle your writing environment? Do you crave the isolation, or do you find you need the buzz of the world to keep your words fresh? Let me know in the comments.

Searching for locations: The Great Wall of China, near Beijing, China

This is in a very scenic area and on the first impression; it is absolutely stunning in concept and in viewing.

As for the idea of walking on it, well, that first view of the mountain climb when getting off the bus, my first question was where the elevator is? Sorry, there is none. It’s walk on up or stay down the bottom.

Walk it is. As far as you feel you are able. There are quite a few who don’t make it to the top. I didn’t. I only made it to the point where the steps narrowed.

But as for the logistics, there’s the gradual incline to the starting point, and what will be the end meeting place. From there, it’s a few steps up to the guard station no 7, and a few more to get up to the start of the main climb. The top of the wall is guard station no 12.

Ok, those first few steps are a good indication of what it’s was going to be like and it’s more the awkwardness of the uneven heights of the steps that’s the killer, some as high as about 15 inches. This photo paints an illusion, that it’s easy. It’s not.

If you make it to the first stage, then it augers well you will get about 100 steps before you both start feeling it in your legs, particularly the knees, and then suffering from the height if you have a problem with heights as the air is thinner. And if you have a thing with heights, never look down.

This was from where we stopped, about a third of the way up. The one below, from almost at the bottom. One we’re looking almost down on the buildings, the other, on the same level.

It requires rest before you come down, and that’s when you start to feel it in the knees, our tour guide called it jelly legs, but it’s more in the knees down. Descending should be slow, and it can be more difficult negotiating the odd height steps, and particularly those high ones. You definitely need to hang onto the rail, even try going backward.

And, no, that rail hasn’t been there as long as the wall.

While you are waiting for the guide to return to the meeting place at the appointed time, there should be time to have some jasmine tea. Highly refreshing after the climb.

Inspiration, maybe – Volume 1

50 photographs, 50 stories, of which there is one of the 50 below.

They all start with –

A picture paints … well, as many words as you like. For instance:

And the story:

…

It was once said that a desperate man has everything to lose.

The man I was chasing was desperate, but I, on the other hand, was more desperate to catch him.

He’d left a trail of dead people from one end of the island to the other.

The team had put in a lot of effort to locate him, and now his capture was imminent. We were following the car he was in, from a discreet distance, and, at the appropriate time, we would catch up, pull him over, and make the arrest.

There was nowhere for him to go.

The road led to a dead-end, and the only way off the mountain was back down the road we were now on. Which was why I was somewhat surprised when we discovered where he was.

Where was he going?

“Damn,” I heard Alan mutter. He was driving, being careful not to get too close, but not far enough away to lose sight of him.

“What?”

“I think he’s made us.”

“How?”

“Dumb bad luck, I’m guessing. Or he expected we’d follow him up the mountain. He’s just sped up.”

“How far away?”

“A half-mile. We should see him higher up when we turn the next corner.”

It took an eternity to get there, and when we did, Alan was right, only he was further on than we thought.”

“Step on it. Let’s catch him up before he gets to the top.”

Easy to say, not so easy to do. The road was treacherous, and in places, just gravel, and there were no guard rails to stop a three-thousand-foot fall down the mountainside.

Good thing then, I had the foresight to have three agents on the hill for just such a scenario.

Ten minutes later, we were in sight of the car, still moving quickly, but we were going slightly faster. We’d catch up just short of the summit car park.

Or so we thought.

Coming quickly around another corner, we almost slammed into the car we’d been chasing.

“What the hell…” Aland muttered.

I was out of the car and over to see if he was in it, but I knew that it was only a slender possibility. The car was empty, and no indication of where he had gone.

Certainly not up the road. It was relatively straightforward for the next mile, at which we would have reached the summit. Up the mountainside from here, or down.

I looked up. Nothing.

Alan yelled out, “He’s not going down, not that I can see, but if he did, there’s hardly a foothold and that’s a long fall.”

Then where did he go?

Then a man looking very much like our quarry came out from behind a rock embedded just a short distance up the hill.

“Sorry,” he said quite calmly. “Had to go if you know what I mean.”

I’d lost him.

It was as simple as that.

I had been led a merry chase up the hill, and all the time he was getting away in a different direction.

I’d fallen for the oldest trick in the book, letting my desperation blind me to the disguise that anyone else would see through in an instant.

It was a lonely sight, looking down that road, knowing that I had to go all that way down again, only this time, without having to throw caution to the wind.

“Maybe next time,” Alan said.

“We’ll get him. It’s just a matter of time.”

…

Find this and other stories in “Inspiration, maybe”, available soon.

First Dig Two Graves

A sequel to “The Devil You Don’t”

…

Revenge is a dish best served cold – or preferably so when everything goes right

Of course, it rarely does, as Alistair, Zoe’s handler, discovers to his peril. Enter a wildcard, John, and whatever Alistair’s plan for dealing with Zoe was dies with him.

It leaves Zoe in completely unfamiliar territory.

…

John’s idyllic romance with a woman who is utterly out of his comfort zone is on borrowed time. She is still trying to reconcile her ambivalence after being so indifferent for so long.

They agree to take a break, during which she disappears. John, thinking she has left without saying goodbye, refuses to accept the inevitable and calls on an old friend for help in finding her.

After the mayhem and being briefly reunited, she recognises an inevitable truth: there is a price to pay for taking out Alistair; she must leave and find them first, and he would be wise to keep a low profile.

But keeping a low profile just isn’t possible, and enlisting another friend, a private detective and his sister, a deft computer hacker, they track her to the border between Austria and Hungary.

What John doesn’t realise is that another enemy is tracking him to find her too. It could have been a grand tour of Europe. Instead, it becomes a race against time before enemies old and new converge for what will be an inevitable showdown.

365 Days of writing, 2026 – 113

Day 113 – Writing behind closed doors – alone

…