Category: Fiction

The cinema of my dreams – Was it just another surveillance job – Episode 33

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe

 

Monica, from the last interrogation, had brought a file.  It looked the same as the last one she brought with her, the one with my name on it.

This time it was thicker.

Intelligence gathering at its finest.  There’d be stuff in there that even I didn’t know about me.

She didn’t open it, just looked at me.

“What have you been doing?”

“Working?”

“For whom?”

“Nobbin, of course.  I am now assigned to his section.  Did you do that?”

“He did.  He tells me you’re working on the O’Connell investigation.”

“Is that what it’s called.  He never told me that.  And I had to find out where I’d been assigned by logging onto a computer.  An email or letter would have made my life a little easier.”

“You’re just lucky you’re still working here.  Now, tell me more about this Severin character.”

“I told you everything I knew the last time you spoke to me.  Apparently, you seemed to know who it was.  Perhaps you might tell me, too.”

“It’s…”

“And,” I interrupted, “don’t tell me it’s above my pay grade.  I was potentially working for traitors and could have finished up in jail for treason.”

“You might still get there.”

Then why hadn’t she had me arrested and thrown in a dungeon the last time we met?  There was an easy answer to that question.  She needed me out in the field.  Nobbin needed me in the field.  They presumably needed me to remain available to Severin for whatever reason.

“What do you want?”

She opened the file, turned a few pages, and stopped at a yellow sheet of paper.  I wasn’t able to read it upside down, but it had very small spidery writing on it.

Then she looked at me again.

“Some secret documents appear to have gone missing.  We believe that is to say Director Dobbin thinks these may have been on a USB drive that was in the possession of O’Connell at the time of his death.  You were there at the time of his death.  You can see where this is going…”

No matter which answers I gave it was the wrong one, which led to do not pass go and do not collect two hundred dollars, or pounds as the case may be.

“I haven’t got it, and he didn’t tell me where it was, and I saw him die.”

“If you say so.”  She went back to the file and turned some more pagers.

“What do you mean?”

She looked up.  “So far, there’s no body been recovered, or any evidence there was a shooting where you said it was.”

“Are you trying to tell me he’s alive, because if you are, then I must be a very poor judge of people who have no pulse.  He was not about to get up and walk away.”

“Did you see the body removed?”

Now there’s an interesting point.  I had done as I was told and left when told to.  I assumed Severin would sort the problem out, in fact, hadn’t he called in the cleaners?  I saw a white van.

Actually, when I thought about it, I had no idea what happened after I left.  And, now that I remember, I didn’t see anyone get out of the white van.

Could bodies get up and walk?

I was beginning to think they could.

© Charles Heath 2020

Writing a book in 365 days – 230

Day 230

Writing comedy

…

The Mirthful Art of Misunderstanding: Why Comedy Needs More Than Just Punchlines

What makes you laugh? Is it a clever turn of phrase? A perfectly timed pratfall? Or that specific, delicious moment when two realities collide in delightful chaos? For anyone who’s ever tried to craft a joke, a sketch, or an entire sitcom, you know that comedy is far more intricate than simply stringing together funny words. And at its heart, it requires one non-negotiable ingredient: a genuine sense of humor.

The Non-Negotiable: A Sense of Humor

It sounds obvious, doesn’t it? Writing comedy requires a sense of humor. Yet, you’d be surprised how often people try to reverse-engineer “funny” without that innate spark. You can learn comedic timing, structure, and even how to write a killer punchline, but if you don’t possess a fundamental understanding of what makes things absurd, ironic, or just plain ridiculous, your efforts will often fall flat.

A sense of humor isn’t just about telling jokes; it’s a way of seeing the world. It’s the ability to spot the unexpected juxtaposition, the human foibles, the inherent absurdity in everyday life. Without this lens, writing comedy becomes a technical exercise rather than an act of genuine creation. It’s like trying to be a chef without taste buds – you can follow the recipe, but you’ll never truly understand balance or flavor. So, if you’re venturing into comedy writing and find yourself consistently baffled by what causes laughter, that might be your first clue.

The Ingenious Engine: Creating the Misunderstanding

Once you have that internal funny bone, the next step is understanding comedy’s most powerful, enduring engine: the misunderstanding. This is the basic premise upon which so much successful comedy is built. It’s not about malice or cruelty, but about a delightful divergence of perception or information.

Think about it:

  • Mistaken Identity: Character A thinks Character B is someone else entirely.
  • Misinterpreted Intentions: Character C says something innocent, but Character D hears it in the worst possible way.
  • Conflicting Knowledge: The audience knows something the characters don’t, leading to dramatic (and comedic) irony.
  • Literal vs. Figurative: One character takes an idiom or figure of speech literally, while the other means it figuratively.

The brilliance of the misunderstanding lies in the tension it creates. We, the audience, are often in on the secret (or we quickly piece it together), and we squirm with anticipation as the characters dig themselves deeper into their respective holes. We see the train wreck coming, not with dread, but with a giddy excitement, knowing that the inevitable collision will be hilarious. The humor isn’t just in the individual lines; it’s in the gap between what is perceived and what is real.

The Satisfying Release: Clearing It Up

But the tension isn’t meant to last forever. The true comedic genius of the misunderstanding formula comes in the resolution. At the end, everything is cleared up. The mistaken identity is revealed, the intentions are clarified, the truth comes out.

Why is this so satisfying?

  • Relief: After the build-up of tension and absurdity, the release of understanding is a physical and emotional relief, often expressed through laughter.
  • The “Aha!” Moment: We see how all the threads connect, how the initial false premise led to all the hilarious subsequent events. It’s a puzzle solved, and often, the simple truth is funnier than the elaborate mistaken reality.
  • Catharsis: The characters (often) learn a lesson, or at least come to terms with the absurdity of what just transpired. And crucially, everyone is happy – not necessarily every character in the story (some might be embarrassed!), but the audience is left feeling satisfied, amused, and with a sense of completion. The world, briefly thrown into comical disarray, has been righted.

The Dance of Art and Instinct

So, for aspiring comedy writers, remember this dual approach. Cultivate that innate sense of humor – watch people, observe irony, find the funny in the everyday. But then, layer it with the powerful, proven structure of the misunderstanding. Build that tension, escalate the ridiculousness, and then, with a flourish, clear it all up, letting your audience bask in the delightful “aha!” of laughter.

Because ultimately, comedy isn’t just about telling jokes. It’s about taking us on a journey from confusion to clarity, from tension to release, and leaving us with that wonderful, unifying feeling of joy. And that, my friends, is no laughing matter. (Except, of course, when it is.)

An excerpt from “What Sets Us Apart”, a mystery with a twist

See the excerpt from the story below, just a taste of what’s in store…

http://amzn.to/2Eryfth

whatsetscover

McCallister was old school, a man who would most likely fit in perfectly campaigning on the battlefields of Europe during the Second World War. He’d been like a fish out of water in the army, post-Falklands, and while he retired a hero, he still felt he’d more to give.

He’d applied and was accepted as head of a SWAT team, and, watching him now as he and his men disembarked from the truck in almost military precision, a look passed between Annette, the police liaison officer, and I that said she’d seen it all before. I know I had.

There was a one in four chance his team would be selected for this operation, and she had been hoping it would be one of the other three. While waiting for them to arrive she filled me in on the various teams. His was the least co-operative, and the more likely to make ad-hoc decisions rather than adhere to the plan, or any orders that may come from the officer in charge.

This, she said quite bluntly, was going to end badly.

I still had no idea why Prendergast instructed me to attend the scene of what looked to be a normal domestic operation, but as the nominated expert in the field in these types of situations, it was fairly clear he wasn’t taking any chances. It was always a matter of opinion between us, and generally I lost.

In this case, it was an anonymous report identifying what the authorities believed were explosives in one of the dockside sheds where explosives were not supposed to be.

The only reason why the report was given any credence was the man, while not identifying himself by name, said he’d been an explosive expert once and recognized the boxes. That could mean anything, but the Chief Constable was a cautious man.

With his men settled and preparing their weapons, McCallister came over to the command post, not much more than the SUV my liaison and I arrived in, with weapons, bulletproof vests, and rolls of tape to cordon off the area afterward. We both had coffee, steaming in the cold early morning air. Dawn was slowly approaching and although rain had been forecast it had yet to arrive.

A man by the name of Benson was in charge. He too had groaned when he saw McCallister.

“A fine morning for it.” McCallister was the only enthusiastic one here.

He didn’t say what ‘it’ was, but I thought it might eventually be mayhem.

“Let’s hope the rain stays away. It’s going to be difficult enough without it,” Benson said, rubbing his hands together. We had been waiting for the SWAT team to arrive, and another team to take up their position under the wharf, and who was in the final stages of securing their position.

While we were waiting we drew up the plan. I’d go in first to check on what we were dealing with, and what type of explosives. The SWAT team, in the meantime, were to ensure all the exits to the shed were covered. When I gave the signal, they were to enter and secure the building. We were not expecting anyone inside or out, and no movement had been detected in the last hour since our arrival and deployment.

“What’s the current situation?”

“I’ve got eyes on the building, and a team coming in from the waterside, underneath. Its slow progress, but they’re nearly there. Once they’re in place, we’re sending McKenzie in.”

He looked in my direction.

“With due respect sir, shouldn’t it be one of us?” McCallister glared at me with the contempt that only a decorated military officer could.

“No. I have orders from above, much higher than I care to argue with, so, McCallister, no gung-ho heroics for the moment. Just be ready to move on my command, and make sure you have three teams at the exit points, ready to secure the building.”

McCallister opened his mouth, no doubt to question those orders, but instead closed it again. “Yes sir,” he muttered and turned away heading back to his men.

“You’re not going to have much time before he storms the battlements,” Benson quietly said to me, a hint of exasperation in his tone. “I’m dreading the paperwork.”

It was exactly what my liaison officer said when she saw McCallister arriving.

The water team sent their ‘in position’ signal, and we were ready to go.

In the hour or so we’d been on site nothing had stirred, no arrivals, no departures, and no sign anyone was inside, but that didn’t mean we were alone. Nor did it mean I was going to walk in and see immediately what was going on. If it was a cache of explosives then it was possible the building was booby-trapped in any number of ways, there could be sentries or guards, and they had eyes on us, or it might be a false alarm.

I was hoping for the latter.

I put on the bulletproof vest, thinking it was a poor substitute for full battle armor against an exploding bomb, but we were still treating this as a ‘suspected’ case. I noticed my liaison officer was pulling on her bulletproof vest too.

“You don’t have to go. This is my party, not yours,” I said.

“The Chief Constable told me to stick to you like glue, sir.”

I looked at Benson. “Talk some sense into her please, this is not a kindergarten outing.”

He shrugged. Seeing McCallister had taken all the fight out of him. “Orders are orders. If that’s what the Chief Constable requested …”

Madness. I glared at her, and she gave me a wan smile. “Stay behind me then, and don’t do anything stupid.”

“Believe me, I won’t be.” She pulled out and checked her weapon, chambering the first round. It made a reassuring sound.

Suited up, weapons readied, a last sip of the coffee in a stomach that was already churning from nerves and tension, I looked at the target, one hundred yards distant and thought it was going to be the longest hundred yards I’d ever traversed. At least for this week.

A swirling mist rolled in and caused a slight change in plans.

Because the front of the buildings was constantly illuminated by large overhead arc lamps, my intention had been to approach the building from the rear where there was less light and more cover. Despite the lack of movement, if there were explosives in that building, there’d be ‘enemy’ surveillance somewhere, and, after making that assumption, I believed it was going to be easier and less noticeable to use the darkness as a cover.

It was a result of the consultation, and studying the plans of the warehouse, plans that showed three entrances, the main front hangar type doors, a side entrance for truck entry and exit and a small door in the rear, at the end of an internal passage leading to several offices. I also assumed it was the exit used when smokers needed a break. Our entry would be by the rear door or failing that, the side entrance where a door was built into the larger sliding doors. In both cases, the locks would not present a problem.

The change in the weather made the approach shorter, and given the density of the mist now turning into a fog, we were able to approach by the front, hugging the walls, and moving quickly while there was cover. I could feel the dampness of the mist and shivered more than once.

It was nerves more than the cold.

I could also feel rather than see the presence of Annette behind me, and once felt her breath on my neck when we stopped for a quick reconnaissance.

It was the same for McCallister’s men. I could feel them following us, quickly and quietly, and expected, if I turned around, to see him breathing down my neck too.

It added to the tension.

My plan was still to enter by the back door.

We slipped up the alley between the two sheds to the rear corner and stopped. I heard a noise coming from the rear of the building, and the light tap on the shoulder told me Annette had heard it too. I put my hand up to signal her to wait, and as a swirl of mist rolled in, I slipped around the corner heading towards where I’d last seen the glow of a cigarette.

The mist cleared, and we saw each other at the same time. He was a bearded man in battle fatigues, not the average dockside security guard.

He was quick, but my slight element of surprise was his undoing, and he was down and unconscious in less than a few seconds with barely a sound beyond the body hitting the ground. Zip ties secured his hands and legs, and tape his mouth. Annette joined me a minute after securing him.

A glance at the body then me, “I can see why they, whoever they are, sent you.”

She’d asked who I worked for, and I didn’t answer. It was best she didn’t know.

“Stay behind me,” I said, more urgency in my tone. If there was one, there’d be another.

Luck was with us so far. A man outside smoking meant no booby traps on the back door, and quite possibly there’d be none inside. But it indicated there were more men inside, and if so, it appeared they were very well trained. If that were the case, they would be formidable opponents.

The fear factor increased exponentially.

I slowly opened the door and looked in. A pale light shone from within the warehouse itself, one that was not bright enough to be detected from outside. None of the offices had lights on, so it was possible they were vacant. I realized then they had blacked out the windows. Why hadn’t someone checked this?

Once inside, the door closed behind us, progress was slow and careful. She remained directly behind me, gun ready to shoot anything that moved. I had a momentary thought for McCallister and his men, securing the perimeter.

At the end of the corridor, the extent of the warehouse stretched before us. The pale lighting made it seem like a vast empty cavern, except for a long trestle table along one side, and, behind it, stacks of wooden crates, some opened. It looked like a production line.

To get to the table from where we were was a ten-yard walk in the open. There was no cover. If we stuck to the walls, there was equally no cover and a longer walk.

We needed a distraction.

As if on cue, the two main entrances disintegrated into flying shrapnel accompanied by a deafening explosion that momentarily disoriented both Annette and I. Through the smoke and dust kicked up I saw three men appear from behind the wooden crates, each with what looked like machine guns, spraying bullets in the direction of the incoming SWAT members.

They never had a chance, cut down before they made ten steps into the building.

By the time I’d recovered, my head heavy, eyes watering and ears still ringing, I took several steps towards them, managing to take down two of the gunmen but not the third.

I heard a voice, Annette’s I think, yell out, “Oh, God, he’s got a trigger,” just before another explosion, though all I remember in that split second was a bright flash, the intense heat, something very heavy smashing into my chest knocking the wind out of me, and then the sensation of flying, just before I hit the wall.

I spent four weeks in an induced coma, three months being stitched back together and another six learning to do all those basic actions everyone took for granted. It was twelve months almost to the day when I was released from the hospital, physically, except for a few alterations required after being hit by shrapnel, looking the same as I always had.

But mentally? The document I’d signed on release said it all, ‘not fit for active duty; discharged’.

It was in the name of David Cheney. For all intents and purposes, Alistair McKenzie was killed in that warehouse, and for the first time ever, an agent left the Department, the first to retire alive.

I was not sure I liked the idea of making history.

© Charles Heath 2016-2020

Writing a book in 365 days – 230

Day 230

Writing comedy

…

The Mirthful Art of Misunderstanding: Why Comedy Needs More Than Just Punchlines

What makes you laugh? Is it a clever turn of phrase? A perfectly timed pratfall? Or that specific, delicious moment when two realities collide in delightful chaos? For anyone who’s ever tried to craft a joke, a sketch, or an entire sitcom, you know that comedy is far more intricate than simply stringing together funny words. And at its heart, it requires one non-negotiable ingredient: a genuine sense of humor.

The Non-Negotiable: A Sense of Humor

It sounds obvious, doesn’t it? Writing comedy requires a sense of humor. Yet, you’d be surprised how often people try to reverse-engineer “funny” without that innate spark. You can learn comedic timing, structure, and even how to write a killer punchline, but if you don’t possess a fundamental understanding of what makes things absurd, ironic, or just plain ridiculous, your efforts will often fall flat.

A sense of humor isn’t just about telling jokes; it’s a way of seeing the world. It’s the ability to spot the unexpected juxtaposition, the human foibles, the inherent absurdity in everyday life. Without this lens, writing comedy becomes a technical exercise rather than an act of genuine creation. It’s like trying to be a chef without taste buds – you can follow the recipe, but you’ll never truly understand balance or flavor. So, if you’re venturing into comedy writing and find yourself consistently baffled by what causes laughter, that might be your first clue.

The Ingenious Engine: Creating the Misunderstanding

Once you have that internal funny bone, the next step is understanding comedy’s most powerful, enduring engine: the misunderstanding. This is the basic premise upon which so much successful comedy is built. It’s not about malice or cruelty, but about a delightful divergence of perception or information.

Think about it:

  • Mistaken Identity: Character A thinks Character B is someone else entirely.
  • Misinterpreted Intentions: Character C says something innocent, but Character D hears it in the worst possible way.
  • Conflicting Knowledge: The audience knows something the characters don’t, leading to dramatic (and comedic) irony.
  • Literal vs. Figurative: One character takes an idiom or figure of speech literally, while the other means it figuratively.

The brilliance of the misunderstanding lies in the tension it creates. We, the audience, are often in on the secret (or we quickly piece it together), and we squirm with anticipation as the characters dig themselves deeper into their respective holes. We see the train wreck coming, not with dread, but with a giddy excitement, knowing that the inevitable collision will be hilarious. The humor isn’t just in the individual lines; it’s in the gap between what is perceived and what is real.

The Satisfying Release: Clearing It Up

But the tension isn’t meant to last forever. The true comedic genius of the misunderstanding formula comes in the resolution. At the end, everything is cleared up. The mistaken identity is revealed, the intentions are clarified, the truth comes out.

Why is this so satisfying?

  • Relief: After the build-up of tension and absurdity, the release of understanding is a physical and emotional relief, often expressed through laughter.
  • The “Aha!” Moment: We see how all the threads connect, how the initial false premise led to all the hilarious subsequent events. It’s a puzzle solved, and often, the simple truth is funnier than the elaborate mistaken reality.
  • Catharsis: The characters (often) learn a lesson, or at least come to terms with the absurdity of what just transpired. And crucially, everyone is happy – not necessarily every character in the story (some might be embarrassed!), but the audience is left feeling satisfied, amused, and with a sense of completion. The world, briefly thrown into comical disarray, has been righted.

The Dance of Art and Instinct

So, for aspiring comedy writers, remember this dual approach. Cultivate that innate sense of humor – watch people, observe irony, find the funny in the everyday. But then, layer it with the powerful, proven structure of the misunderstanding. Build that tension, escalate the ridiculousness, and then, with a flourish, clear it all up, letting your audience bask in the delightful “aha!” of laughter.

Because ultimately, comedy isn’t just about telling jokes. It’s about taking us on a journey from confusion to clarity, from tension to release, and leaving us with that wonderful, unifying feeling of joy. And that, my friends, is no laughing matter. (Except, of course, when it is.)

Inspiration, Maybe – Volume 2

50 photographs, 50 stories, of which there is one of the 50 below.

They all start with –

A picture paints … well, as many words as you like.  For instance:

And, the story:

Have you ever watched your hopes and dreams simply just fly away?

Everything I thought I wanted and needed had just left in an aeroplane, and although I said I was not going to, i came to the airport to see the plane leave.  Not the person on it, that would have been far too difficult and emotional, but perhaps it was symbolic, the end of one life and the start of another.

But no matter what I thought or felt, we had both come to the right decision.  She needed the opportunity to spread her wings.  It was probably not the best idea for her to apply for the job without telling me, but I understood her reasons.

She was in a rut.  Though her job was a very good one, it was not as demanding as she had expected, particularly after the last promotion, but with it came resentment from others on her level, that she, the youngest of the group would get the position.

It was something that had been weighing down of her for the last three months, and if noticed it, the late nights, the moodiness, sometimes a flash of temper.  I knew she had one, no one could have such red hair and not, but she had always kept it in check.

And, then there was us, together, and after seven years, it felt like we were going nowhere.  Perhaps that was down to my lack of ambition, and though she never said it, lack of sophistication.  It hadn’t been an issue, well, not until her last promotion, and the fact she had to entertain more, and frankly I felt like an embarrassment to her.

So, there it was, three days ago, the beginning of the weekend, and we had planned to go away for a few days and take stock.  We both acknowledged we needed to talk, but it never seemed the right time.

It was then she said she had quit her job and found a new one.  Starting the following Monday.

Ok, that took me by surprise, not so much that it something I sort of guessed might happen, but that she would just blurt it out.

I think that right then, at that moment, I could feel her frustration with everything around her.

What surprised her was my reaction.  None.

I simply asked where who, and when.

A world-class newspaper, in New York, and she had to be there in a week.

A week.

It was all the time I had left with her.

I remember I just shrugged and asked if the planned weekend away was off.

She stood on the other side of the kitchen counter, hands around a cup of coffee she had just poured, and that one thing I remembered was the lone tear that ran down her cheek.

Is that all you want to know?

I did, yes, but we had lost that intimacy we used to have when she would have told me what was happening, and we would have brainstormed solutions. I might be a cabinet maker but I still had a brain, was what I overheard her tell a friend once.

There’s not much to ask, I said.  You’ve been desperately unhappy and haven’t been able to hide it all that well, you have been under a lot of pressure trying to deal with a group of troglodytes, and you’ve been leaning on Bentley’s shoulder instead of mine, and I get it, he’s got more experience in that place,  and the politics that go with it, and is still an ally.

Her immediate superior and instrumental in her getting the position, but unlike some men in his position he had not taken advantage of a situation like some men would.  And even if she had made a move, which I doubted, that was not the sort of woman she was, he would have politely declined.

One of the very few happily married men in that organisation, so I heard.

So, she said, you’re not just a pretty face.

Par for the course for a cabinet maker whose university degree is in psychology.  It doesn’t take rocket science to see what was happening to you.  I just didn’t think it was my place to jump in unless you asked me, and when you didn’t, well, that told me everything I needed to know.

Yes, our relationship had a use by date, and it was in the next few days.

I was thinking, she said, that you might come with me,  you can make cabinets anywhere.

I could, but I think the real problem wasn’t just the job.  It was everything around her and going with her, that would just be a constant reminder of what had been holding her back. I didn’t want that for her and said so.

Then the only question left was, what do we do now?

Go shopping for suitcases.  Bags to pack, and places to go.

Getting on the roller coaster is easy.  On the beginning, it’s a slow easy ride, followed by the slow climb to the top.  It’s much like some relationships, they start out easy, they require a little work to get to the next level, follows by the adrenaline rush when it all comes together.

What most people forget is that what comes down must go back up, and life is pretty much a roller coaster with highs and lows.

Our roller coaster had just come or of the final turn and we were braking so that it stops at the station.

There was no question of going with her to New York.  Yes, I promised I’d come over and visit her, but that was a promise with crossed fingers behind my back.  After a few months in t the new job the last thing shed want was a reminder of what she left behind.  New friends new life.

We packed her bags, three out everything she didn’t want, a free trips to the op shop with stiff she knew others would like to have, and basically, by the time she was ready to go, there was nothing left of her in the apartment, or anywhere.

Her friends would be seeing her off at the airport, and that’s when I told her I was not coming, that moment the taxi arrived to take her away forever.  I remember standing there, watching the taxi go.  It was going to be, and was, as hard as it was to watch the plane leave.

So, there I was, finally staring at the blank sky, around me a dozen other plane spotters, a rather motley crew of plane enthusiasts.

Already that morning there’s been 6 different types of plane depart, and I could hear another winding up its engines for take-off.

People coming, people going.

Maybe I would go to New York in a couple of months, not to see her, but just see what the attraction was.  Or maybe I would drop in, just to see how she was.

As one of my friends told me when I gave him the news, the future is never written in stone, and it’s about time you broadened your horizons.

Perhaps it was.

© Charles Heath 2020-2021

Coming soon.  Find the above story and 49 others like it in:

In a word: Flight

There is a saying, if God wanted us to fly then he would have given us wings.

Unfortunately, he didn’t, so we do not get to know what it’s like to be in flight,

Unless…

We take an aeroplane, which usually has a flight number such as QF607, or in conversation, ‘I’ll be taking the 6 o’clock flight’.

If someone runs away, then we say they have taken flight.

If we roll back a few years, say about 80, to World War 2, flight tales on a whole new meaning.

It refers to a group of planes, in one case a number of spitfires, or,

The man in charge, a flight lieutenant, also colloquially known as ‘flight’.

This is not be confused with the word flite which has several very obscure meanings,

First, it means to quarrel or argue, or engage in a debate, and

Second, to make a complaint.

But one that sticks in my my mind is Flyte, from Brideshead Revisited.  they were a very interesting family.

‘The Devil You Don’t’ – A beta reader’s view

It could be said that of all the women one could meet, whether contrived or by sheer luck, what are the odds it would turn out to be the woman who was being paid a very large sum to kill you.

John Pennington is a man who may be lucky in business, but not so lucky in love. He has just broken up with Phillipa Sternhaven, the woman he thought was the one, but relatives and circumstances, and perhaps because she was a ‘princess’, may also have contributed to the end result.

So, what do you do when you are heartbroken?

That is a story that slowly unfolds, from the first meeting with his nemesis on Lake Geneva, all the way to a hotel room in Sorrento, where he learns the shattering truth.

What should have been solace after disappointment, turns out to be something else entirely, and from that point, everything goes to hell in a handbasket.

He suddenly realizes his so-called friend Sebastian has not exactly told him the truth about a small job he asked him to do, the woman he is falling in love with is not quite who she says she is, and he is caught in the middle of a war between two men who consider people becoming collateral damage as part of their business.

The story paints the characters cleverly displaying all their flaws and weaknesses. The locations add to the story at times taking me back down memory lane, especially to Venice where, in those back streets I confess it’s not all that hard to get lost.

All in all a thoroughly entertaining story with, for once, a satisfying end.

…

Available on Amazon here: https://amzn.to/2Xyh1ow

…

“Going once, going twice…” – a short story

It was the small town that we had visited once, some years ago, that had enticed me back.

Those had been happier times, times when the stench of money hadn’t overtaken sensibility, and who we really were.

Not that I had changed all that much, except for the Upper West Side apartment, and posh car to go with it, but what had disappointed me was the change in Liz, the woman I thought once was the love of my life.

Without the trappings of wealth, she was the kindest, most thoughtful, and generous person I knew, but that changed when I became the recipient of an inheritance that beggared belief.  We both made a promise from the outset that it would not change us, but unfortunately, it did.

And that was probably the main reason I was standing outside an old fixer-upper house on several acres overlooking the ocean.

I’d asked Liz to come, but she was having a weekend away in Las Vegas with her new friends, or as one of the ladies rather salaciously said, ‘what happens in Vegas stays in Vegas’ kind of weekend.

Charmaine had told me about the house, one that she had admired for a long time, but didn’t have the means to buy it.

Charmaine was a painter, a rather good one, and both Liz and I had met her on a weekend away upstate, and I’d bought one of her landscapes to hang in our new apartment.  Liz hated it, but I think that had more to do with the painter than the painting, and that was because Charmaine had flirted with me, and that, I had observed over time, was how she was with everyone.

She called it her sales technique.  After all, it had worked on me.

I listened to the auctioneer go through the rules of the auction and then move on to a physical description of the property.  I’d attended several viewings and gained an idea of what was needed if I were to buy it.  It had good foundations and had only suffered from a lack of TLC.  It was how the auctioneer summed it up.

When he called for the first bid, I felt a hand slip into mine, and a glance sideways showed it to be Charmaine.  I had asked her along for support, but she had something else to do; it appeared now that she hadn’t.

“So,” she whispered next to my ear, “you were serious about this place?”

I had been dithering, not being able to make up my mind, but Liz, in the end, made the decision for me.  I’d overheard a snippet of conversation with one of her new friends, and to be honest, I’d been surprised.

“Perhaps it was time to find a hideaway.”

“Things that bad?”

I shrugged.  “Maybe I’m writing too much into it.  At any rate, I needed an excuse to get out of town, and being here was as good as any.”

The first bid came in at 450,000.   I knew the reserve was about 700,000, and I was prepared for 850,000.  I was hoping to spend less than that, as the renovations would be another 250,000.

“We could go and have a picnic.  It’ll certainly cost less than buying this place.”

“I’m here now.”

Holding hands was just one of Charmaine’s ‘things’, and I had never written anything into what might have been called a relationship of sorts.  We were not lovers, and the conversation had never been steered in that direction, but I did find myself gravitating towards her when Liz was off doing her thing with her friends.  To be honest, I simply liked the idea of a picnic and watching Charmaine paint her landscapes.

I raised the bid to 500,000.  Another from the previous bidder, 550,000.  Another at 600,000.  It seems there were three bidders for the property.  The other sixteen people attending were observers, undoubtedly locals interested in how this would help their property value.

I went 625,000 when the auctioneer changed the increment after a lack of bidding.  It was countered, and the next bid was 650,000.  Another at 657,500, and then the first bidder went to 700,000, the reserve.

“You do realise the other bidders are friends of the owner and are there to push the price up?” Charmaine whispered in my ear.

I’d heard of it happening, but I’d not suspected it until she mentioned it.

“Going once, going twice at 700,000.”  The auctioneer looked at me.  “I’ll accept 10,000 increments.”

I nodded.  710,000.  It quickly moved to 800,000, after I bid 790,000.

The auctioneer looked at me expectantly.  “810,000, sir?”

That was more than I wanted to spend, though an elbow in the ribs was the clincher, and when I declined, there was an air of disappointment.

“Going once, going twice, all done at 800,000?”  A look around the crowd confirmed we were all done, and the gavel came down.

“Looks like we’re going on a picnic,” she said.  “I’d expect a call in an hour or so.”

Two things happened that weekend, both of which surprised me.  The first, Charmaine was right, I did get a call, and finished up with a hideaway in the country, overlooking the ocean.  The second, Liz didn’t come back from Las Vegas.  She had apparently found someone new, someone more exciting, or so she said.

I was disappointed but not overly concerned.  She had changed, and I had not, and if the truth be told, we were drifting apart.  We parted amicably, sold the apartment, and moved on in different directions.

I had a new residence and renovations to take my mind off the break-up, and when I told Charmaine, she said she thought we were not a perfect match, in her opinion.  And in light of my new status, I could now ask her to come and stay in the spare bedroom, a lot better, I said, than the one-person tent she had been using, an offer she readily accepted.

Until, a year later, it became something more than that.

…

© Charles Heath 2025

The cinema of my dreams – Was it just another surveillance job – Episode 32

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe

 

I ordered breakfast to be brought to my room, then sat back and read the paper, culminating in a second cup of coffee and a half-hearted attempt at the crossword.

My mind was not sufficiently clear of all the implications of what I’d seen last night, and before that.

The first task was to go back to the office and get onto the computer to track down the address the car was registered to.  It was not the flat.  My guess that it was a sort of safe house.  He may not have had reservations about Jan, or who she worked for, not until he became the prey.

Then it occurred to me that if Jan didn’t know where the USB was, then she had to realize he might have rumbled her perfidy.  Maybe he was not as easily fooled as I first thought.

But it didn’t explain why Nobbin was in the dark over the USB’s whereabouts, as he had told me to give Nobbin a message.  Perhaps there’s been a secret message behind that message.

Now, my mind was spinning out of control.

Like O’Connell/Quinley, and in accordance with more lessons on tradecraft, I too, had what I would like to have called a safe house, a small flat on the outskirts of Wimbledon.  

I also had an off-site parking space that was a reasonable distance from the flat, so that if I was being hunted, the car would not lead them to my hiding spot.

There I had a shower, changed, and headed for the underground.

I took the train to Charing Cross, getting there around nine, to take the short walk to the hotel.

Not expecting to find her in the room, I used my key to let myself in.

I was wrong.

She was in bed, still asleep.  Or was until I let the door slam shut.

She didn’t exactly come out from under the covers with a gun pointing at me, but I would be willing to be there was one under her pillow and her hand was on it.

“Sam?”  It was uttered sleepily, the sort that would normally send a shiver down my spine.  Not now.

“I hope you’re not intending to shoot me?”

“No.”

I could see her hand moving slowly withdrawing, and then watched her sit up and swing her legs over the side.

Still in basic clothes.  Obviously, no time to go and get some pyjamas then.

“What happened to you?”

“Got side-tracked on what I thought might be a lead, and it wasn’t.  Just a waste of time and a long night.  Thought I’d come here and get some shuteye.  Perhaps not.  Are you going to order breakfast?”

“Of course.”

“I’ll have a pot of coffee and a paper, preferably one with a crossword.”

She rang down a breakfast order, full English, then said she was having a quick shower.  I heard the water running and wondered if she was giving Severin a short report.  Old trick, running water hides conversations.

Breakfast arrived at the same time as she came out of the bathroom, hair up in a towel, and in one of the hotel dressing gowns.  My imagination got a five-second workout before I grabbed the paper and the coffee and sat in the corner.

She could have the desk.

“Do we know where Maury is?” I asked suddenly.

“Who?”

She hesitated before answering, a moment to give herself time to process the question, and if there were any hidden meanings.

“You know?  You dropped a tracker on him.”

“Oh, him.  He must have found and dumped it.  It was pinging about 100 yards from the flat.”

Of course.  There probably wasn’t one in the first place.

“Pity.  I’d like to turn up unannounced, give him a bit of a scare.”

I went back to the crossword, keeping an eye on her, noticing every now and then giving me a sideways glance.

“Did you go anywhere after the flat?”  Again sudden, out of left field.

“No.  Just come straight back here.  Do you want to keep the room for a few days?  See what happens.”

“Sounds like a good idea.  Look, I have to run an errand this morning, unfortunately, it’s not a work matter, so I’ll give you a call on my way back.  You must want to talk to your people and let them know what’s happening if you haven’t already.”

I finished the coffee, folded the paper, and stood.

“At the very least,” I added, “I have to go back into the office and report to Nobbin.  I’m sure he’ll be impressed with the lack of progress.”

“Won’t you run into that other fellow, what’s his name?”

“Severin?”

“Him, yes.”

“I don’t think so.  His name will probably be very high on the ‘we’d like to talk to you’ list if he shows his face.  Anyway, I’ve got your number.”

I deliberately waved the phone where she could see it, and the implication she could probably use it to track my movements.  That might have been the case if there was a sim card in it, and it was similar to the phone she last saw me with.

It was not.

Where I was going, no one was going to follow me or find me.

© Charles Heath 2020

Writing a book in 365 days – 228/229

Days 228 and 229

Mortal danger and the story that saves you

…

The Scheherazade Challenge: If My Life (and Your Attention) Depended On It…

Let’s play a dangerous game, shall we?

Imagine, for a fleeting moment, that the weight of an ancient dynasty rests on your shoulders. The Sultan, broken by betrayal and consumed by cynicism, has vowed to take a new bride each night and execute her by dawn. And then, there’s you. A single, fragile life against the tide of his despair, with only one weapon: a story.

Not just any story. A story so compelling, so intricate, so profoundly human, that it can outwit the executioner, melt a frozen heart, and stretch the boundaries of time itself. Your very survival, the fate of all women in the kingdom, hinges on your ability to spin a tale that leaves the Sultan hanging on your every word, desperate for the next sunrise to reveal its continuation.

Now, take a deep breath. We’re not in a dusty, lamp-lit palace, and (thankfully) my head isn’t on a literal chopping block. But as a writer in this wild, wonderful, and wonderfully noisy digital age, there are still stakes. My “Sultan” is you, dear reader, scrolling through an endless bazaar of content. My “dawn” is the moment you might click away, drawn by the siren song of another tab. And my “life” (or at least, my creative soul and my ability to connect with you) depends on telling an amazing story.

So, if I were Scheherazade, faced with that impossible mandate, what tale would I weave?

It wouldn’t be a simple adventure, nor a flat romance. It would need layers, heart, and a message so subtle yet profound that it could soften the hardest of souls.

My Life-Saving Story: “The Loom of Whispers and the Cartographer of Hidden Threads”

My story would begin in a city unlike any other, not built of stone and mortar, but of stories themselves. Let’s call it Aethelgard, the City of Echoes. Its streets are paved with forgotten proverbs, its buildings rise from ancient legends, and the very air hums with the whispers of every life ever lived within its bounds.

Our protagonist would be Elara, not a warrior or a princess, but a reclusive Cartographer of Hidden Threads. Her unique gift (and burden) is that she can see the invisible, iridescent threads that connect every living being in Aethelgard. Each thread represents a shared experience, a glance exchanged, a kindness given, a betrayal suffered, a dream whispered in unison. Most people only see their own thread, a solitary line stretching from their heart. But Elara sees the entirety: a magnificent, terrifying, ever-shifting tapestry of countless lives interwoven.

The story would begin with a creeping malaise. Aethelgard, once vibrant, is losing its color. Its echoes are fading. People are growing isolated, suspicious, convinced their own struggles are unique and paramount. The threads, once brilliantly intertwined, are fraying, even breaking. Elara knows the city is dying because its people are forgetting how deeply they are connected.

Her quest is not to slay a monster, but to mend the tapestry. She must journey not across lands, but through the stories themselves.

Each night, I would begin one of Elara’s “thread-following” expeditions:

  • Night One: She follows a flickering, almost invisible thread from a lonely old baker who believes no one cares for him. The thread leads her back through generations, revealing how his great-grandmother, a woman he never knew, once saved a merchant’s fortune with a single, anonymous act of kindness, and how that merchant’s lineage later funded the very orphanage where the baker himself found refuge as a child. The baker’s life, he would discover, was built on an ancient, forgotten thread of generosity.
  • Night Two: Elara traces a taut, angry thread between two feuding families, their hatred centuries old. As she follows it, she uncovers the true origin: not a grand slight, but a misinterpreted joke, a stolen flower, and a series of escalating misunderstandings, each fueled by pride and a refusal to truly listen. But she also finds faint counter-threads – moments of shared joy, unspoken longing for peace, nearly-forgiven transgressions – that still hum beneath the surface.
  • Night Three: She investigates a vibrant thread of innovation and creativity, discovering it’s not the solitary genius of a famous artist, but the culmination of countless, unacknowledged inspirations: a child’s forgotten drawing, a beggar’s hummed tune, a weaver’s discarded pattern, each contributing a vital, invisible strand to the masterpiece.

Through Elara’s journey, the Sultan (and you, dear reader) would witness the profound irony of human existence: we are all singular, yet inextricably bound. Our greatest joys and deepest pains are rarely our own alone. Every act, every word, every silence sends ripples through the great tapestry.

The “cliffhanger” each night wouldn’t be a sword fight, but a dawning realization. Elara would be on the verge of revealing a crucial, heart-wrenching, or profoundly beautiful connection that implicates seemingly disparate characters, perhaps even hinting at the Sultan’s own lineage, his own perceived isolation, as being a part of this vast, interconnected web.

The story would be a mirror, reflecting the Sultan’s own life back at him – not judging, but revealing. It would show him that just as a breaking thread in the farthest corner of Aethelgard could unravel the entire city, so too did his own actions send tremors through the lives of everyone around him. It would demonstrate that true power comes not from severing connections, but from understanding and honoring them.

By the final night, the Sultan wouldn’t just be entertained; he would be transformed. He would see himself not as an isolated ruler, but as a vital, powerful weaver in the Loom of Whispers. And with that understanding, perhaps, the desire to cut threads would vanish, replaced by a profound respect for the intricate, beautiful, and utterly inescapable tapestry of life.

What about you? If your life depended on it, what story would you tell? And what hidden threads would you uncover?