Writing a book in 365 days – 234

Day 234

First lines have to make an impact

The Art of the Opening Line: Impact, Promise, and the Perfect Sentence

In the sprawling landscape of literature, where countless stories vie for attention and untold universes beckon, there’s a single, vital pivot point: the first line. It’s more than just a gentle nudge; it’s a carefully constructed piece of prose, a declaration, a whisper, or a shout that sets everything in motion. And if you’re a writer, or simply a discerning reader, you know this truth deep in your bones: the first line has to make an impact.

The immediate, undeniable truth is this: a first line must make an impact. In a world saturated with content, where endless scrolls and countless tabs compete for precious moments, your opening sentence is your do-or-die moment. It isn’t merely about grabbing attention; it’s about demanding it. It might shock, mystify, intrigue, or present a profound truth that resonates instantly. Think of “It was the best of times, it was the worst of times,” or “Call me Ishmael.” These aren’t just words; they’re literary thunderclaps, perfectly thrown darts hitting the bullseye of the reader’s curiosity. They don’t just invite you in; they pull you in, often before you even realize you’ve been hooked.

But impact alone, while crucial, is only half the story. While the subsequent chapters unfurl the full tapestry of your narrative, why wait? Why not offer a tantalizing glimpse, a foundational understanding of what awaits, right from the start? A well-crafted first line or paragraph subtly hints at the genre, the tone, the central conflict, or even the protagonist’s core dilemma. It’s a non-verbal contract with your reader, a promise of the journey to come. It says, “This is what you’re in for. This is the kind of world you’re about to enter.” It might promise wonder, dread, humor, or profound introspection. Even if the full qualification of these hints comes much later, the initial setup creates an expectation, a framework that encourages the reader to lean in and commit.

Which brings us to the bedrock of all this: the art of the sentence itself. The first line isn’t just a container for ideas; it is an idea, perfectly formed. It’s about meticulous word choice, the rhythm and cadence, the conciseness that packs a punch, and the elegance that makes it linger in the mind. Every word must earn its place, every punctuation mark serve a purpose. This isn’t just about conveying information; it’s about crafting an experience. When we talk about the “art of the first line,” we are, in essence, talking about the art of the sentence – its power to evoke, to define, to resonate, and to stand as a miniature masterpiece in its own right. It elevates prose from mere communication to an experience.

So, when you sit down to craft your opening, whether you’re a seasoned novelist or a budding blogger, remember it’s not just a starting point; it’s a destination in itself. It’s the initial impact that makes a reader pause, the subtle promise that makes them stay, and the sheer artistry of the sentence that makes them marvel. Invest in your first line. Polish it, perfect it, and let it sing. For in that one perfect sentence lies the entire universe of your story, waiting to unfold.

“One Last Look”, nothing is what it seems

A single event can have enormous consequences.

A single event driven by fate, after Ben told his wife Charlotte he would be late home one night, he left early, and by chance discovers his wife having dinner in their favourite restaurant with another man.

A single event where it could be said Ben was in the wrong place at the wrong time.

Who was this man? Why was she having dinner with him?

A simple truth to explain the single event was all Ben required. Instead, Charlotte told him a lie.

A single event that forces Ben to question everything he thought he knew about his wife, and the people who are around her.

After a near-death experience and forced retirement into a world he is unfamiliar with, Ben finds himself once again drawn back into that life of lies, violence, and intrigue.

From London to a small village in Tuscany, little by little Ben discovers who the woman he married is, and the real reason why fate had brought them together.

It is available on Amazon here:  http://amzn.to/2CqUBcz

Harry Walthenson, Private Detective – the second case – A case of finding the “Flying Dutchman”

What starts as a search for a missing husband soon develops into an unbelievable story of treachery, lies, and incredible riches.

It was meant to remain buried long enough for the dust to settle on what was once an unpalatable truth, when enough time had passed, and those who had been willing to wait could reap the rewards.

The problem was, no one knew where that treasure was hidden or the location of the logbook that held the secret.

At stake, billions of dollars’ worth of stolen Nazi loot brought to the United States in an anonymous tramp steamer and hidden in a specially constructed vault under a specifically owned plot of land on the once docklands of New York.

It may have remained hidden and unknown to only a few, if it had not been for a mere obscure detail being overheard …

… by our intrepid, newly minted private detective, Harry Walthenson …

… and it would have remained buried.

Now, through a series of unrelated events, or are they, that well-kept secret is out there, and Harry will not stop until the whole truth is uncovered.

Even if it almost costs him his life.  Again.

“Second Thoughts”, a short story

Get me to the church on time.

It was a tune out of My Fair Lady, and it was in my head the moment I woke up that morning.  And this day was, to quote some immortal’s line, was supposed to be the happiest day of my life.

But, somehow, it didn’t feel like that and lying under the warm covers of my bed, perhaps for the last time at my parent’s home, the last place I thought I’d find myself, I began to consider how it was I had ended up in this situation.

It was not a question of who the bride was, we had been friends from an early age and used to joke about getting married, but at the age of six or seven, that was a concept rather than something we might act on in the future.

Except that was how it panned out, and, not for the reasons one might think would lead to such an eventuality.

Yes, we were close friends till the early teens, then my family went in one direction, New York, and her family went in another, San Francisco, and in each place both families built successful businesses.

Josephine, the intended bride, and I met off and on over the next fifteen years, some of that mutually when we were at university together, and, I might add, living together.  Even then, there had been no suggestion of permanency because we each had to go home to eventually work in the family business.

In those few years, it had been easy because there had been no expectations by either of us.  We simply came together, stayed together, and parted at the end both happy to have enjoyed the experience.

Then, several events changed the course of our lives.

My father died unexpectedly at a crucial point in the company’s expansion, and without his direction, it began to flounder.  Then, Josephine arrived in New York to open a branch of her family’s business, and just happened to arrive on the day of my father’s funeral.

I thought it a coincidence and was grateful for her support at a time when I needed it.

A month after that, one of the lead investors in the new expansion plan pulled out, as was his right because the loan had been contingent on my father overseeing the project.  It was the end of a very bad week, and instead of being the last to leave the office, I left early, called up an old friend, Rollo, who had followed us to New York, and we went to his favourite bar.

He suggested a night on the town was called for and I agreed with him.  I think by that time I’d had enough of the problems for a few days.  But with Rollo, I learned no invitation was without its twists and turns, so when he said his sister was bringing a friend, I had to act happy even if I didn’t feel like it.  Her friends could be a little strange.

Another coincidence, the friend was Josephine.  Hearing from her once maybe, but twice in the same week, I didn’t think so, so I let it pass.  Yet despite my reservations, in the end, I had to admit I was glad to see her because the last thing I wanted to do was entertain a quirky woman I didn’t know.

Long story short, Josephine’s family business came aboard as the replacement investor, but not without some rather stringent requirements, and though no one on either side would admit it, it was suggested that perhaps Josephine and I would make an excellent match.  After all, we were childhood friends, had lived together without the problems that sometimes came with it, and we would be working very closely together.

I proposed, she accepted, and everyone was happy.

Well, not everyone.

I was down in the dining room getting breakfast, before the wedding, when Rollo arrived.  It went without saying Rollo was going to be the best man.

Curiously, he was neither surprised nor shocked to learn of my proposal, but it was a surprise to learn, in a roundabout way, he wasn’t exactly happy for me.  It was not anything I could put my finger on, but more of a feeling I had.  And, to be honest, before I had proposed to her, I was sure that Rollo had feelings for her, and at times I thought how much more sense it would make if they were together.

I’d even asked him once or twice if he liked her, and he just said they were friends.

The other side of that equation was his sister, Adrienne, who was, I thought, charming, funny, and sometimes a little offbeat, which is why I was drawn to her.  Over time, I think I may have developed feelings for her, but by the time those feelings were rising to the surface, I was advised that a woman of Josephine’s standing was more my type.

My mother could be very annoying at times, and whilst she might be looking after her son’s best interests, she was also looking after the company’s interests as best she could.  I suspect Josephine’s parents were the same, hoping their daughter would marry advantageously.

Rollo, being on the outside, had summed it up perfectly, ‘if this had been the eighteenth century there’s no doubt you two would be the perfect match’.

“You look as happy as I feel,” I said when I saw him.

“It’s going to be a big day, church wedding, in Latin of all languages, then the society event of the year.  What’s not to be happy about?”

Put like that, I shrugged.  “A registry office, burger and chips at the local diner, then a few days in the Catskills would have sufficed.”

“And on what planet do you think you are right now?”

I didn’t answer.  I simply poured another cup of black coffee and sat down.  It was a large room, with seats for a dozen, and I was the only one up.  I had expected a room full of family members, of which at least twenty were upstairs right now recovering from last night’s festivities.

Rollo poured some tea into a cup and sat opposite.  “OK.  What’s wrong?  Wedding day jitters?”

Could he read my mind?

“It just doesn’t seem right.  I mean, it seems we have been on this track forever, but you know, there’s something missing.”

“Love?”

Exactly.  It was another of those thoughts I had just before I got out of bed.  I liked her, maybe I loved her once, when I didn’t really know what love was, but now?  I don’t know what it was I felt about her.  I had been expecting those mythical thunderbolts to strike, but as the days, weeks, and months wore on, it just didn’t happen.

It was almost if we were going through the motions.

“It feels like it’s going to be a marriage of convenience.”  There, I said it.

And I expected Rollo to start having a fit.  Instead, he concentrated on putting three spoonful’s of sugar into his tea and stirring.  And stirring.  And stirring.

“Say something,” I said.  “Anything.  Tell me I’m being stupid, tell me to get out of my funk and screw my courage to the sticking place, or whatever it is you say in times like this.”

“It’s not like you to drop a bomb like this at a time like this…”

I felt he had more to say, the good part where he’d call me an ass, and then tell me to get my shit together.  It wouldn’t be the first time.

“But…”

“But I rather get the impression this wedding might not be going ahead.”

“It has to.  God knows how many people have put themselves out to be here.  It was, my mother said, a logistical nightmare.”

“It wouldn’t be the first time this has happened.”

“You’re supposed to be arguing for the wedding, not against it.”

“I would if I knew your heart was in it.  But it isn’t, is it?  I think you’ve spent so much time trying to please everyone else, that you have forgotten about yourself.  I know you’re not happy.  I also happen to know that Jo isn’t either.”

“You’ve spoken to her?”

“Just before I got here.  Call her.  You two need to talk.  In the meantime, you’re going to have to repay a huge debt after I somehow manage to sort this mess out.  My car’s outside.  Leave now, and I’ll let you know when it’s safe to return.”

“Where will I go?”

He smiled.  “I’m sure you’ll know by the time you get in the car.”

It was reckless and would cause a lot of pain and anguish for my mother, but I considered how much more pain it would cause to Josephine if I didn’t call it off.

I made the call on the way upstairs to finish dressing.

“I’m assuming you’ve spoken to Rollo?”  She didn’t wait for me to speak.

“You feel the same way?”

“It started out with the best of intentions, but I can’t help thinking if we were right for each other we would have married after university.  We are best friends, Alan, and I don’t think it’s ever going to progress from there.  I know you feel that too, it’s just the pressure from our families has managed to mask our true feelings.”

“Do you have any idea what sort of storm is about to erupt?”

“Everyone will get over it.  There’s too much at stake on both sides for there to be any real or lasting consequences.  I guess Rollo is going to have his work cut out for him.  I’ll see you one the other side.”

She didn’t say what other side, but I suspect it meant when the dust had settled.

I literally ran downstairs, mainly because I heard movement and didn’t want to run into anyone, and out the door towards Rollo’s car.

Once again I had to admire the fact he had exquisite taste in cars, and the one he’d brought was no exception, a Lamborghini, yellow, fast, and he knew I wanted to drive it.

What I didn’t expect. His sister, Phoebe, sitting in the passenger seat.

© Charles Heath 2019

The cinema of my dreams – Was it just another surveillance job – Episode 36

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe


I’m glad she didn’t ask me about Nobbin, or the fact a woman by the name of Josephine was working for him.  That went ditto for Severin, and Jan, who was working for him.

It was a tangled web.  Now, apparently, I was working for her.

I had another idea, and went back to the computer room to do another search, this time for the names of those who had been on my training course, and who was also assigned to the surveillance job.

I checked the name Jack Temple, and his file was marked closed, with a stark, red, deceased across the first page.

I checked the name Adam Alwin, and it was the same, deceased.

I checked the name Jennifer Underwood, and it had the label inactive, on medical leave.  She had been injured and was recovering.  There was no reference to her being in a hospital, or a recovery facility so I presumed she was at home.

It was another address to remember, this time what I assumed was a flat in Putney.  It was not something she had mentioned in all the time we have been together.  She had spoken of a house in Scotland.

But, then, who really told the truth when we were trained and continually told to lie about everything.  In the end I don’t think we quite knew who we were.  I knew her as Jennifer, but I doubted that was her real name.

Maybe I’d find out when I went to see her.  I needed help and from someone I could trust.  It was logical to select her.  We had, for at least six months, relying on each other to get through.

 

I cam out into the daylight and it hurt my eyes.  The artificial light, not that it was very bright, had queered my sight briefly.  No good, because for a minute at least I was vulnerable to an attack.

Good thing it didn’t happen.

But something else did.  A car pulled up on the side of the road, one I instantly recognised as the same Nobbin had used when he collected Josephine.

He wound down the rear kerbside window and said, “Sam.  Just the man I want to see.  Get in.”

I saw him slide over.  I opened the door, got in, and the driver drove off.

He seemed pleased with himself.

“How is the hunt?”

“How do you think it’s going?”

He looked quizzically at me.  “Why would I ask if I knew the answer?”

“I think you do.  I was at O’Connell’s flat when one of your assistants was there.  She discovered the same as I did, nothing.”

“What assistant?”  He tried to sound surprised.

“We’re not going to be very good friends if you are going to lie to me.  She called herself Josephine.  I wouldn’t be much of an agent if I didn’t have a few tricks up my sleeve.  And, lets be clear about one thing, if nothing else, you want to play games, fine.  So will I.”

“What did Monica want?”

“What everyone wants.  There appear to be secret documents on the loose.  Everyone thinks they’re on a USB, and that O’Connell has hidden them somewhere.  They’re not in his flat, and the cat wasn’t talking.”

“Just remember that O’Connell was working for me, and he was getting the documents for me.”

“So you know what these documents are about?”

“No.  He didn’t tell me because he didn’t look at them.  He couldn’t.  They’re encrypted, and he doesn’t have the code.”

Which wouldn’t do much good for me if I tried to see what the fuss was about.  Perhaps the best idea would be to destroy the USB so no one had these documents, given the trouble they’d caused so far.

“Anyone check O’Connell’s body properly for the USB?  He may have had it hidden in his clothing somewhere.”  I knew I didn’t have sufficient time to thoroughly check myself.

“No one knows where the body is.”

“I saw the cleaners arrive to process the scene.”

“Well, if they did, the job never reached the books.  According to the cleaners, no one was dispatched to take care of anything at the location.”

Which meant Severin had the body, had checked as I would if I had the time, and it was not on him.  Otherwise, he would not have paid me a visit.  It was back to Peaslake then, the next step in the investigation.

“Recovery of these documents is time-sensitive Sam.  You need to double your effort.”

“A lack of clues is not helping.  Nor is everyone working on their own agenda.”

“Then don’t lose focus.”

I saw him motion to the driver to pull over and let me out.

I waved as the car pulled back out into the traffic.



© Charles Heath 2020

Writing a book in 365 days – 233

Day 233

What is an acceptable age to stop writing

Pen Down? Never! Why There’s No ‘Acceptable Age’ to Stop Writing

It’s a question that might silently gnaw at writers, especially as the years accumulate: “Am I too old to be doing this? Is there an acceptable age to finally put the pen down?”

Let’s take a deep breath and shatter this myth right now.

The beautiful, liberating truth is: there isn’t one.

Unlike professional sports where physical peak defines a career, or industries that demand intense, rapid-fire innovation, writing thrives on something entirely different: life experience, wisdom, observation, and the enduring power of the human spirit. These are qualities that only deepen and enrich with time.

Why the Calendar Doesn’t Define Your Craft

The idea of an “acceptable age” to stop writing is a construct, a societal whisper that has no place in the world of storytelling. Here’s why you should ignore it:

  1. Wisdom is Your Superpower: Youth brings fresh perspectives, but age brings the nuanced understanding that only comes from living through joy, sorrow, triumph, and failure. Every single year you live adds another layer to your understanding of human nature, making your characters richer, your plots more profound, and your themes more resonant.
  2. A Richer Tapestry of Experience: Think of your life as a vast library. With every passing decade, you add new wings, new genres, new collections. This reservoir of lived experience is invaluable for a writer. You have more to draw from, more to reflect upon, and more unique insights to offer your readers.
  3. Writing as Lifelong Learning: The act of writing keeps your mind sharp, your curiosity piqued, and your creative muscles toned. It’s a fantastic form of mental exercise that can genuinely contribute to well-being as we age. Why would you want to stop something that is so beneficial?
  4. The Perspective of Time: Have you ever revisited an old memory and seen it in a completely new light? Age provides that distance and perspective, allowing you to craft narratives that explore complex emotions and historical events with greater clarity and depth. What felt overwhelming at 30 might become a powerful narrative at 70.
  5. Technology is Your Ally: Worried about typing speed or hand cramps? Dictation software, ergonomic keyboards, larger screens, and assistive technologies mean that physical limitations are no longer insurmountable barriers. Adaptation, not cessation, is the key.

Legends Who Wrote On (and On!)

History is filled with writers who found their voice late, or continued to produce masterpieces well into their golden years:

  • Laura Ingalls Wilder: Didn’t publish her first “Little House” book until she was 65!
  • Frank McCourt: Won a Pulitzer for Angela’s Ashes in 1997 when he was 66.
  • Agatha Christie: Continued to write bestsellers and intricate mysteries well into her 80s.
  • Toni Morrison: Published acclaimed novels throughout her 70s and 80s, including God Help the Child at 84.
  • Harriet Doerr: Published her first novel, Stones for Ibarra, and won a National Book Award at 74.

These are not anomalies; they are testaments to the enduring power of the written word and the human capacity for creation.

So, When Is the Acceptable Age to Stop Writing?

When the stories stop calling out to you. When your imagination runs dry. When the desire to connect, to share, to create, finally fades.

For most writers, that moment never truly arrives. The urge to tell stories is intrinsic, deeply woven into the fabric of who we are. It’s a fire that, if tended, can burn brightly for a lifetime.

Don’t let the calendar dictate your creative journey. Pick up that pen, open that laptop, and keep pouring your unique perspective onto the page. The world needs your stories, no matter how many candles are on your birthday cake.


What are your thoughts? Have you ever felt the pressure to “slow down” creatively because of your age? Share your experiences in the comments below!

And what was the inspiration behind the story “[Any title you’ve written]”

As accomplished as we can be at putting words on paper, what is it that makes it so difficult to sit in a chair with a camera on you, and saying words rather than writing them?

Er and um seem to crop up a lot in verbal speech.

OK, it was a simple question; “What motivates you to write?”

Damn.

My brain just turned to mush, and the words come out sounding like a drunken sailor after a night out on the town.

The written answer to the question is simple; “The idea that someone will read what I have written, and quite possibly enjoy it; that is motivation enough.”

It highlights the difficulties of the novice author.

Not only are there the constant demands of creating a ‘brand’ and building a ‘following’, there is also the need to market oneself, and the interview is one of the more effective ways of doing this.

If only I can settle the nerves.

I mean, really, it is only my granddaughter who is conducting the interview, and the questions are relatively simple.

The trouble is, I’ve never had to do it before, well, perhaps in an interview for a job, but that is less daunting.  That usually sticks to a predefined format.

Here the narrative can go in any direction.  There are set questions, but the interviewer, in her inimitable manner, can sometimes slide a question in out of left field.

For instance, “Your character Zoe the assassin, is she based on someone you know, or an amalgam of other characters you’ve read about or seen in movies?”

That was an interesting question, and one that has several answers, but the one most relevant was; “It was the secret alter ego of one of the women I used to work with.  I asked her one day if she wasn’t doing what she was, what she would like to do.  It fascinated me that other people had a desire to be something more exotic in an alter ego.”

Of course, the next question was about what I wanted to be in an alter ego.

Maybe I’ll tell you next time.

An excerpt from “Mistaken Identity” – a work in progress

The odds of any one of us having a doppelganger are quite high. Whether or not you got to meet him or her, or be confronted by them was significantly lower. Except of course, unless you are a celebrity.

It was a phenomenon remarkable only for the fact, at times, certain high-profile people, notorious or not, had doubles if only to put off enemies or the general public. Sometimes we see people in the street, people who look like someone we knew, and made the mistake of approaching them like a long lost friend, only to discover an embarrassed individual desperately trying to get away for what they perceive is a stalker or worse.

And then sometimes it is a picture that looms up on a TV screen, an almost exact likeness of you. At first, you are fascinated, and then according to the circumstances, and narrative that is attached to that picture, either flattered or horrified.

For me one turned to the other when I saw an almost likeness of me flash up on the screen when I turned the TV on in my room. What looked to be my photo, with only minor differences, was in the corner of the screen, the newsreader speaking in rapid Italian, so fast I could only translate every second or third word.

But the one word I did recognize was murder. The photo of the man up on the screen was the subject of an extensive manhunt. The crime, the murder of a woman in the very same hotel I was staying, and it was being played out live several floors above me. The gist of the story, the woman had been seen with, and staying with the man who was my double, and, less than an hour ago, the body had been discovered by a chambermaid.

The killer, the announcer said, was believed to be still in the hotel because the woman had died shortly before she had been discovered.

I watched, at first fascinated at what I was seeing. I guess I should have been horrified, but at that moment it didn’t register that I might be mistaken for that man.

Not until another five minutes had passed, and I was watching the police in full riot gear, with a camera crew following behind, coming up a passage towards a room. Live action of the arrest of the suspected killer the breathless commentator said.

Then, suddenly, there was a pounding on the door. On the TV screen, plain to see, was the number of my room.
I looked through the peephole and saw an army of police officers. It didn’t take much to realize what had happened. The hotel staff identified me as the man in the photograph on the TV and called the police.

Horrified wasn’t what I was feeling right then.

It was fear.

My last memory was the door crashing open, the wood splintering, and men rushing into the room, screaming at me, waving guns, and when I put my hands up to defend myself, I heard a gunshot.

And in one very confused and probably near-death experience, I thought I saw my mother and thought what was she doing in Rome?

I was the archetypal nobody.

I lived in a small flat, I drove a nondescript car, had an average job in a low profile travel agency, was single, and currently not involved in a relationship, no children, and according to my workmates, no life.

They were wrong. I was one of those people who preferred their own company, I had a cat, and travelled whenever I could. And I did have a ‘thing’ for Rosalie, one of the reasons why I stayed at the travel agency. I didn’t expect anything to come of it, but one could always hope.

I was both pleased and excited to be going to the conference. It was my first, and the glimpse I had seen of it had whetted my appetite for more information about the nuances of my profession.

Some would say that a travel agent wasn’t much of a job, but to me, it was every bit as demanding as being an accountant or a lawyer. You were providing a customer with a service, and arguably more people needed a travel agent than a lawyer. At least that was what I told myself, as I watched more and more people start using the internet, and our relevance slowly dissipating.

This conference was about countering that trend.

The trip over had been uneventful. I was met at the airport and taken to the hotel where the conference was being held with a number of other delegates who had arrived on the same plane. I had mingled with a number of other delegates at the pre conference get together, including one whose name was Maryanne.

She was an unusual young woman, not the sort that I usually met, because she was the one who was usually surrounded by all the boys, the life of the party. In normal circumstances, I would not have introduced myself to her, but she had approached me. Why did I think that may have been significant? All of this ran through my mind, culminating in the last event on the highlight reel, the door bursting open, men rushing into my room, and then one of the policemen opened fire.

I replayed that last scene again, trying to see the face of my assailant, but it was just a sea of men in battle dress, bullet proof vests and helmets, accompanied by screaming and yelling, some of which I identified as “Get on the floor”.

Then came the shot.

Why ask me to get on the floor if all they were going to do was shoot me. I was putting my hands up at the time, in surrender, not reaching for a weapon.

Then I saw the face again, hovering in the background like a ghost. My mother. Only the hair was different, and her clothes, and then the image was going, perhaps a figment of my imagination brought on by pain killing drugs. I tried to imagine the scene again, but this time it played out, without the image of my mother.

I opened my eyes took stock of my surroundings. What I felt in that exact moment couldn’t be described. I should most likely be dead, the result of a gunshot wound. I guess I should be thankful the shooter hadn’t aimed at anything vital, but that was the only item on the plus side.

I was in a hospital room with a policeman by the door. He was reading a newspaper, and sitting uncomfortably on a small chair. He gave me a quick glance when he heard me move slightly, but didn’t acknowledge me with either a nod, or a greeting, just went back to the paper.

If I still had a police guard, then I was still considered a suspect. What was interesting was that I was not handcuffed to the bed. Perhaps that only happened in TV shows. Or maybe they knew I couldn’t run because my injuries were too serious. Or the guard would shoot me long before my feet hit the floor. I knew the police well enough now to know they would shoot first and ask questions later.

On the physical side, I had a large bandage over the top left corner of my chest, extending over my shoulder. A little poking and prodding determined the bullet had hit somewhere between the top of my rib cage and my shoulder. Nothing vital there, but my arm might be somewhat useless for a while, depending on what the bullet hit on the way in, or through.

It didn’t feel like there were any broken or damaged bones.

That was the good news.

On the other side of the ledger, my mental state, there was only one word that could describe it. Terrified. I was looking at a murder charge and jail time, a lot of it. Murder usually had a long time in jail attached to it.

Whatever had happened, I didn’t do it. I know I didn’t do it, but I had to try and explain this to people who had already made up their minds. I searched my mind for evidence. It was there, but in the confused state brought on by the medication, all I could think about was jail, and the sort of company I was going to have.

I think death would have been preferable.

Half an hour later, maybe longer, I was drifting in an out of consciousness, a nurse, or what I thought was a nurse, came into the room. The guard stood, checked her ID card, and then stood by the door.

She came over and stood beside the bed. “How are you?” she asked, first in Italian, and when I pretended I didn’t understand, she asked the same question in accented English.

“Alive, I guess,” I said. “No one has come and told what my condition is yet. You are my first visitor. Can you tell me?”

“Of course. You are very lucky to be alive. You will be fine and make a full recovery. The doctors here are excellent at their work.”

“What happens now?”

“I check you, and then you have a another visitor. He is from the British Embassy I think. But he will have to wait until I have finished my examination.”

I realized then she was a doctor, not a nurse.

My second visitor was a man, dressed in a suit the sort of which I associated with the British Civil Service.  He was not very old which told me he was probably a recent graduate on his first posting, the junior officer who drew the short straw.

The guard checked his ID but again did not leave the room, sitting back down and going back to his newspaper.

My visitor introduced himself as Alex Jordan from the British Embassy in Rome and that he had been asked by the Ambassador to sort out what he labelled a tricky mess.

For starters, it was good to see that someone cared about what happened to me.  But, equally, I knew the mantra, get into trouble overseas, and there is not much we can do to help you.  So, after that lengthy introduction, I had to wonder why he was here.

I said, “They think I am an international criminal by the name of Jacob Westerbury, whose picture looks just like me, and apparently for them it is an open and shut case.”  I could still hear the fragments of the yelling as the police burst through the door, at the same time telling me to get on the floor with my hands over my head.

“It’s not.  They know they’ve got the wrong man, which is why I’m here.  There is the issue of what had been described as excessive force, and the fact you were shot had made it an all-round embarrassment for them.”

“Then why are you here?  Shouldn’t they be here apologizing?”

“That is why you have another visitor.  I only took precedence because I insisted I speak with you first.  I have come, basically to ask you for a favour.  This situation has afforded us with an opportunity.  We would like you to sign the official document which basically indemnifies them against any legal proceedings.”

Curious.  What sort of opportunity was he talking about?  Was this a matter than could get difficult and I could be charged by the Italian Government, even if I wasn’t guilty, or was it one of those hush hush type deals, you do this for us, we’ll help you out with that.  “What sort of opportunity?”

“We want to get our hands on Jacob Westerbury as much as they do.  They’ve made a mistake, and we’d like to use that to get custody of him if or when he is arrested in this country.  I’m sure you would also like this man brought into custody as soon as possible so you will stop being confused with him.  I can only imagine what it was like to be arrested in the manner you were.  And I would not blame you if you wanted to get some compensation for what they’ve done.  But.  There are bigger issues in play here, and you would be doing this for your country.”

I wondered what would happen if I didn’t agree to his proposal.  I had to ask, “What if I don’t?”

His expression didn’t change.  “I’m sure you are a sensible man Mr Pargeter, who is more than willing to help his country whenever he can.  They have agreed to take care of all your hospital expenses, and refund the cost of the Conference, and travel.  I’m sure I could also get them to pay for a few days at Capri, or Sorrento if you like, before you go home.  What do you say?”

There was only one thing I could say.  Wasn’t it treason if you went against your country’s wishes?

“I’m not an unreasonable man, Alex.  Go do your deal, and I’ll sign the papers.”

“Good man.”

After Alex left, the doctor came back to announce the arrival of a woman, by the way she had announced herself, the publicity officer from the Italian police. When she came into the room, she was not dressed in a uniform.

The doctor left after giving a brief report to the civilian at the door. I understood the gist of it, “The patient has recovered excellently and the wounds are healing as expected. There is no cause for concern.”

That was a relief.

While the doctor was speaking to the civilian, I speculated on who she might be. She was young, not more than thirty, conservatively dressed so an official of some kind, but not necessarily with the police. Did they have prosecutors? I was unfamiliar with the Italian legal system.

She had long wavy black hair and the sort of sultry looks of an Italian movie star, and her presence made me more curious than fearful though I couldn’t say why.

The woman then spoke to the guard, and he reluctantly got up and left the room, closing the door behind him.
She checked the door, and then came back towards me, standing at the end of the bed. Now alone, she said, “A few questions before we begin.” Her English was only slightly accented. “Your name is Jack Pargeter?”

I nodded. “Yes.”

“You are in Rome to attend the Travel Agents Conference at the Hilton Hotel?”

“Yes.”

“You attended a preconference introduction on the evening of the 25th, after arriving from London at approximately 4:25 pm.”

“About that time, yes. I know it was about five when the bus came to collect me, and several others, to take us to the hotel.”

She smiled. It was then I noticed she was reading from a small notepad.

“It was ten past five to be precise. The driver had been held up in traffic. We have a number of witnesses who saw you on the plane, on the bus, at the hotel, and with the aid of closed circuit TV we have established you are not the criminal Jacob Westerbury.”

She put her note book back in her bag and then said, “My name is Vicenza Andretti and I am with the prosecutor’s office. I am here to formally apologize for the situation that can only be described as a case of mistaken identity. I assure you it is not the habit of our police officers to shoot people unless they have a very strong reason for doing so. I understand that in the confusion of the arrest one of our officers accidentally discharged his weapon. We are undergoing a very thorough investigation into the circumstances of this event.”

I was not sure why, but between the time I had spoken to the embassy official and now, something about letting them off so easily was bugging me. I could see why they had sent her. It would be difficult to be angry or annoyed with her.

But I was annoyed.

“Do you often send a whole squad of trigger happy riot police to arrest a single man?” It came out harsher than I intended.

“My men believed they were dealing with a dangerous criminal.”

“Do I look like a dangerous criminal?” And then I realized if it was mistaken identity, the answer would be yes.

She saw the look on my face, and said quietly, “I think you know the answer to that question, Mr. Pargeter.”

“Well, it was overkill.”

“As I said, we are very sorry for the circumstances you now find yourself in. You must understand that we honestly believed we were dealing with an armed and dangerous murderer, and we were acting within our mandate. My department will cover your medical expenses, and any other amounts for the inconvenience this has caused you. I believe you were attending a conference at your hotel. I am very sorry but given the medical circumstances you have, you will have to remain here for a few more days.”

“I guess, then, I should thank you for not killing me.”

Her expression told me that was not the best thing I could have said in the circumstances.

“I mean, I should thank you for the hospital and the care. But a question or two of my own. May I?”

She nodded.

“Did you catch this Jacob Westerbury character?”

“No. In the confusion created by your arrest he escaped. Once we realized we had made a mistake and reviewed the close circuit TV, we tracked him leaving by a rear exit.”

“Are you sure it was one of your men who shot me?”

I watched as her expression changed, to one of surprise.

“You don’t think it was one of my men?”

“Oddly enough no. But don’t ask me why.”

“It is very interesting that you should say that, because in our initial investigation, it appeared none of our officer’s weapons had been discharged. A forensic investigation into the bullet tells us it was one that is used in our weapons, but…”

I could see their dilemma.

“Have you any enemies that would want to shoot you Mr Pargeter?”

That was absurd because I had no enemies, at least none that I knew of, much less anyone who would want me dead.

“Not that I’m aware of.”

“Then it is strange, and will perhaps remain a mystery. I will let you know if anything more is revealed in our investigation.”

She took an envelope out of her briefcase and opened it, pulling out several sheets of paper.

I knew what it was. A verbal apology was one thing, but a signed waiver would cover them legally. They had sent a pretty girl to charm me. Perhaps using anyone else it would not have worked. There was potential for a huge litigation payout here, and someone more ruthless would jump at the chance of making a few million out of the Italian Government.

“We need a signature on this document,” she said.

“Absolving you of any wrong doing?”

“I have apologized. We will take whatever measures are required for your comfort after this event. We are accepting responsibility for our actions, and are being reasonable.”

They were. I took the pen from her and signed the documents.

“You couldn’t add dinner with you on that list of benefits?” No harm in asking.

“I am unfortunately unavailable.”

I smiled. “It wasn’t a request for a date, just dinner. You can tell me about Rome, as only a resident can. Please.”

She looked me up and down, searching for the ulterior motive. When she couldn’t find one, she said, “We shall see once the hospital discharges you in a few days.”

“Then I’ll pencil you in?”

She looked at me quizzically. “What is this pencil me in?”

“It’s an English colloquialism. It means maybe. As when you write something in pencil, it is easy to erase it.”

A momentary frown, then recognition and a smile. “I shall remember that. Thank-you for your time and co-operation Mr. Pargeter. Good morning.”

© Charles Heath 2015-2021

Writing a book in 365 days – 233

Day 233

What is an acceptable age to stop writing

Pen Down? Never! Why There’s No ‘Acceptable Age’ to Stop Writing

It’s a question that might silently gnaw at writers, especially as the years accumulate: “Am I too old to be doing this? Is there an acceptable age to finally put the pen down?”

Let’s take a deep breath and shatter this myth right now.

The beautiful, liberating truth is: there isn’t one.

Unlike professional sports where physical peak defines a career, or industries that demand intense, rapid-fire innovation, writing thrives on something entirely different: life experience, wisdom, observation, and the enduring power of the human spirit. These are qualities that only deepen and enrich with time.

Why the Calendar Doesn’t Define Your Craft

The idea of an “acceptable age” to stop writing is a construct, a societal whisper that has no place in the world of storytelling. Here’s why you should ignore it:

  1. Wisdom is Your Superpower: Youth brings fresh perspectives, but age brings the nuanced understanding that only comes from living through joy, sorrow, triumph, and failure. Every single year you live adds another layer to your understanding of human nature, making your characters richer, your plots more profound, and your themes more resonant.
  2. A Richer Tapestry of Experience: Think of your life as a vast library. With every passing decade, you add new wings, new genres, new collections. This reservoir of lived experience is invaluable for a writer. You have more to draw from, more to reflect upon, and more unique insights to offer your readers.
  3. Writing as Lifelong Learning: The act of writing keeps your mind sharp, your curiosity piqued, and your creative muscles toned. It’s a fantastic form of mental exercise that can genuinely contribute to well-being as we age. Why would you want to stop something that is so beneficial?
  4. The Perspective of Time: Have you ever revisited an old memory and seen it in a completely new light? Age provides that distance and perspective, allowing you to craft narratives that explore complex emotions and historical events with greater clarity and depth. What felt overwhelming at 30 might become a powerful narrative at 70.
  5. Technology is Your Ally: Worried about typing speed or hand cramps? Dictation software, ergonomic keyboards, larger screens, and assistive technologies mean that physical limitations are no longer insurmountable barriers. Adaptation, not cessation, is the key.

Legends Who Wrote On (and On!)

History is filled with writers who found their voice late, or continued to produce masterpieces well into their golden years:

  • Laura Ingalls Wilder: Didn’t publish her first “Little House” book until she was 65!
  • Frank McCourt: Won a Pulitzer for Angela’s Ashes in 1997 when he was 66.
  • Agatha Christie: Continued to write bestsellers and intricate mysteries well into her 80s.
  • Toni Morrison: Published acclaimed novels throughout her 70s and 80s, including God Help the Child at 84.
  • Harriet Doerr: Published her first novel, Stones for Ibarra, and won a National Book Award at 74.

These are not anomalies; they are testaments to the enduring power of the written word and the human capacity for creation.

So, When Is the Acceptable Age to Stop Writing?

When the stories stop calling out to you. When your imagination runs dry. When the desire to connect, to share, to create, finally fades.

For most writers, that moment never truly arrives. The urge to tell stories is intrinsic, deeply woven into the fabric of who we are. It’s a fire that, if tended, can burn brightly for a lifetime.

Don’t let the calendar dictate your creative journey. Pick up that pen, open that laptop, and keep pouring your unique perspective onto the page. The world needs your stories, no matter how many candles are on your birthday cake.


What are your thoughts? Have you ever felt the pressure to “slow down” creatively because of your age? Share your experiences in the comments below!

The first case of PI Walthenson – “A Case of Working With the Jones Brothers”

This case has everything, red herrings, jealous brothers, femme fatales, and at the heart of it all, greed.

See below for an excerpt from the book…

Coming soon!

PIWalthJones1

An excerpt from the book:

When Harry took the time to consider his position, a rather uncomfortable position at that, he concluded that he was somehow involved in another case that meant very little to him.

Not that it wasn’t important in some way he was yet to determine, it was just that his curiosity had got the better of him, and it had led to this: sitting in a chair, securely bound, waiting for someone one of his captors had called Doug.

It was not the name that worried him so much, it was the evil laugh that had come after the name was spoken.

Doug what? Doug the ‘destroyer’, Doug the ‘dangerous’, Doug the ‘deadly’; there was any number of sinister connotations, and perhaps that was the point of the laugh, to make it more frightening than it was.

But there was no doubt about one thing in his mind right then: he’d made a mistake. A very big. and costly, mistake. Just how big the cost, no doubt he would soon find out.

His mother, and his grandmother, the wisest person he had ever known, had once told him never to eavesdrop.

At the time he couldn’t help himself and instead of minding his own business, listening to a one-sided conversation which ended with a time and a place. The very nature of the person receiving the call was, at the very least, sinister, and, because of the cryptic conversation, there appeared to be, or at least to Harry, criminal activity involved.

For several days he had wrestled with the thought of whether he should go. Stay on the fringe, keep out of sight, observe and report to the police if it was a crime. Instead, he had willingly gone down the rabbit hole.

Now, sitting in an uncomfortable chair, several heat lamps hanging over his head, he was perspiring, and if perspiration could be used as a measure of fear, then Harry’s fear was at the highest level.

Another runnel of sweat rolled into his left eye, and, having his hands tied, literally, it made it impossible to clear it. The burning sensation momentarily took his mind off his predicament. He cursed and then shook his head trying to prevent a re-occurrence. It was to no avail.

Let the stinging sensation be a reminder of what was right and what was wrong.

It was obvious that it was the right place and the right time, but in considering his current perilous situation, it definitely was the wrong place to be, at the worst possible time.

It was meant to be his escape, an escape from the generations of lawyers, what were to Harry, dry, dusty men who had been in business since George Washington said to the first Walthenson to step foot on American soil, ‘Why don’t you become a lawyer?” when asked what he could do for the great man.

Or so it was handed down as lore, though Harry didn’t think Washington meant it literally, the Walthenson’s, then as now, were not shy of taking advice.

Except, of course, when it came to Harry.

He was, Harry’s father was prone to saying, the exception to every rule. Harry guessed his father was referring to the fact his son wanted to be a Private Detective rather than a dry, dusty lawyer. Just the clothes were enough to turn Harry off the profession.

So, with a little of the money Harry inherited from one of his aunts, he leased an office in Gramercy Park and had it renovated to look like the Sam Spade detective agency, you know the one, Spade and Archer, and The Maltese Falcon.

There’s a movie and a book by Dashiell Hammett if you’re interested.

So, there it was, painted on the opaque glass inset of the front door, ‘Harold Walthenson, Private Detective’.

There was enough money to hire an assistant, and it took a week before the right person came along, or, more to the point, didn’t just see his business plan as something sinister. Ellen, a tall cool woman in a long black dress, or so the words of a song in his head told him, fitted in perfectly.

She’d seen the movie, but she said with a grin, Harry was no Humphrey Bogart.

Of course not, he said, he didn’t smoke.

Three months on the job, and it had been a few calls, no ‘real’ cases, nothing but missing animals, and other miscellaneous items. What he really wanted was a missing person. Or perhaps a beguiling, sophisticated woman who was as deadly as she was charming, looking for an errant husband, perhaps one that she had already ‘dispatched’.

Or for a tall, dark and handsome foreigner who spoke in riddles and in heavily accented English, a spy, or perhaps an assassin, in town to take out the mayor. The man was such an imbecile Harry had considered doing it himself.

Now, in a back room of a disused warehouse, that wishful thinking might be just about to come to a very abrupt end, with none of the romanticized trappings of the business befalling him. No beguiling women, no sinister criminals, no stupid policemen.

Just a nasty little man whose only concern was how quickly or how slowly Harry’s end was going to be.

© Charles Heath 2019-2024