The cinema of my dreams – I always wanted to write a war story – Episode 8

This is a story inspired by a visit to an old castle in Italy. It was, of course, written while travelling on a plane, though I’m not sure if it was from Calgary to Toronto, or New York to Vancouver.

But, there’s more to come. Those were long flights…

And sadly when I read what I’d written, off the plane and in the cold hard light of dawn, there were problems, which now in the second draft, should provide the proper start.

A voice with a German accent, a male, middle-aged.  A scientist?  He sounded very frightened.

“Apparently I’m on the wrong side.”

“Englander?”  The voice sounded very close, perhaps the cell next to mine.

“Yes.  Seems the men upstairs are not, even though they look like my fellow soldiers, so you can imagine my surprise when I discovered they were German.  Did you come here looking for a better life away from the Reich?”

“I heard rumours of such a place in Italy where if you had certain information, they, the British and Americans would help you escape.  I thought it was another SS ruse, but a friend told me he believed it was true, and we came together.”

“Is he still here?”

“No.  He was granted safe passage with another group who left a week ago, or so I was told.”

“And why are you still here?”

“Waiting to be sent in the next group.”

I arrived a week ago, probably just after the last group had been dispatched, more than likely to their deaths, or back to the Reich.  No more had been processed since I’d arrived.  No one had come or gone.

“How did you specifically get here?”

“The Resistance.  We had a name to contact in the town not far from here.  He then arranged for us to be brought here.”

Not the resistance that may have originally been involved, but a collaborator.  I’d been having problems communicating with the resistance cells in this area, and now I think I knew why.  They’d been informed on by one of their own.  Because of the problems, we’d decided not to use the normal channels to get, and because they didn’t know I was coming it was the reason why there ‘d been the last minute botched attempt on my life in transit.

The problem was far worse than any of us had imagined.

And there was a lot less hope for a rescue by the local resistance.

“How many others are here?”

“Three.  There have been no new arrivals for several days.  And I think there are a few prisoners who are being tortured by the sound of it.”

And if Jackerby gets his way, I might be added to the list of suspects to be questioned.  I’m sure it wouldn’t be long before they realised I had usable information, especially about the resistance cells.  It certainly gave credence as to why Jackerby hadn’t been so rough with me.

It looked like it wasn’t going to be long before being asked a few sticky questions.

© Charles Heath 2019

“What are the odds…”, a short story


I’m not a betting man.

I’d been to the horse races a few times, but every time I backed a horse to win, it would come last, and if I backed it to place, it would come fourth.

Then, every time I bought a lottery ticket, my numbers never seemed to come out, as if they were lighter than the others.

You get the picture, gambling, and I didn’t get along.

That being said, Vernon, a friend from school days, and then, having made the graduate program for the same company, remained friends into adult life. He was a betting man, he bet me he would be married first, he picked horses that came first, and always walked out of a casino with more than he walked in with.

And he was right, he got married first, had children first, settled into a manager’s role, and was content.

I was not so eager to follow in his footsteps; I often said that I hadn’t found the right girl yet, but the truth was, I wasn’t exactly putting myself out there. A couple of bad experiences had put me off the whole idea.

He had a side bet with another of our friends that I would not get married before I was forty. He had mentioned it to me some time ago, and I’d agreed with him; it was a safe bet.

The thing was, Evie had learned about that bet, and it was, in her mind, a situation tailor-made for her, being Vernon’s very popular wife, and not one to pass up a romantic challenge. Not after Vernon had suddenly decided to make a bet with her, to find me a girlfriend. With a time limit, of course, of six weeks. Just to make it interesting.

Of course, I had no clue this challenge existed, not until much later.

What I did know was that she had a vast array of both married and single girlfriends and acquaintances and was known to throw memorable parties on a Friday night. She had issued me with a standing invitation a long time ago, one that I kept promising to honour, but I never seemed to get there.

I knew some of her friends were single, and that she had a reputation of being something of a matchmaker. Vernon told me that those Friday night affairs were where some of his other friends had found romance and that it wouldn’t surprise him if I was not a target.

I agreed with him, but coincidentally, right after he said this, I got a call from Evie, who all but ordered me to attend this Friday’s festivities. I was going to decline, but she added that it was Chloe’s fifth birthday, and as her Godfather, I was obligated to attend.

It had been an honour when Vernon first asked me; it still is, but it seemed to me it was going to be used for some other reason, so I was going to have to be on my guard.

Over the years, I had met most of Evie’s girlfriends, and they were fun, yes, I’d heard about the exploits on weekends in Vegas, but it was not for me. I was the quiet, shy type, and they, in a nutshell, were not.

I’d met most of Evie’s family. She was one of five girls, the one in the middle. The two older sisters were professionals, one a doctor, the other a lawyer. The two younger sisters were more hands-on; the second youngest, Zoe, was a home caterer, and the youngest, Yasmine, with no head for, or desire to own, a business, was more carefree. Like Evie, she was family-oriented and still lived with her parents. The most level-headed, and the one they all turned to for advice, was Melanie, the eldest.

She was the first person I saw after I arrived. I thought I would get there early because I never wanted to make an entrance.

“I haven’t seen you around for a while,” Melanie said, already with a champagne flute in her hand. Something else I knew, she liked to drink wine. She was also married, but as I remember, her husband was away a lot.

“Part of the low profile I try to keep. How is Leonard, still the king of frequent flyer points?” His travels had finally earned him a special card reserved for very few.

“He’s in Paris, probably with his mistress.” She shrugged. “Husbands are like accessories these days. You can keep them or throw them out. I’m sure Genevieve will get tired of him soon and send him back.”

A unique attitude, for one who was supposed to give advice.

“You’re still not married, I see. Good choice. Marriage these days seems to be only good for a year or two, then sue the other for everything they’ve got. Sorry, I lost a case today, so I’m feeling a little cynical. Come back when I’ve had a dozen champagnes.”

She suddenly spotted one of Vernon’s neighbours and headed in his direction.

Zoe was walking past with a tray of canapes in her hand and stopped. “Ian? It is you. It’s so long since I’ve seen you.”

“Geraldine’s wedding. You catered for that. A splendid feast, I might add.”

Geraldine’s wedding had been a year ago, and after everyone had gone home, I found Zoe out the back in tears. She didn’t tell me then what had happened, but we talked for hours. Out of all the Wolverhampton’s, she was the most sensible, and the one I liked the most. But, like all those like her, she was spoken for.

“It was. How have you been?”

“Working, eating, sleeping, repeat.”

“It’s a bit like that, isn’t it? It gets to the point where all the days seem to run into each other, and in the end, you don’t know what day it is. That’s why I have a smartphone. It’s certainly smarter than I am.”

Something I learned in that discussion was the fact that she suffered from low self-esteem, perhaps from being a younger sister, perhaps because her parents had higher hopes for her than just being a caterer. Given her grades at school and later university, she could have been anything.

I was going to disagree with her and sing her praises, but one of her serving staff came up and told her there was a problem.

She sighed, handed the tray to the new girl, and with a wan smile disappeared towards the back of the house.

I thought then that I should leave because I doubted I would be missed.

Whenever I had to go to a party, particularly like one of these, where no one was sitting, and everyone was mingling, I usually set myself a task, picking a focal point and then following it all night. That night, it turned out to be Zoe. I was curious about how she managed running staff, organising food and drinks, organising the waitstaff, and managing crises.

In between times, Evie was introducing me to various people, married and unmarried, without appearing to do her ‘magical’ thing. Vernon made sure I remained in the mainstream, and not ‘hiding’ as he called it, and the conversation centred on football and baseball when I was with the men, and about vacations and children when I was with the married women and their husbands, and gossip when I was with the single and divorced women.

And all the while I kept an eye on Zoe, zipping in and out of the back rooms, in earnest discussion with what I assumed were prospective new clients, and occasionally on the phone. Not once did she take a spell and relax for a few minutes.

It was, I had to admit by the end of the night, a pleasant way to spend a few hours, made all the more pleasant by not having to worry about Evie trying to ‘match’ me to any of her single friends, though she made sure I knew who they were. Of course, as always, there was not one or another that fitted what was my subconscious selection test. There was one whom I agreed to call and have coffee, but that was an open-ended arrangement, done to please Evie more than anything else.

After the last guest left, I wandered out the back. Vernon had asked me to stay and sample a new after-dinner wine he had discovered.

I’d been there for about half an hour when, instead of Vernon, Zoe came out with two glasses in hand.

“Vernon has stood you up, I’m afraid. He’s getting to be an old married man who has to be in bed before midnight. You’ll just have to settle for my company.”

“As long as you are not going to tell me how I should be married, have two and a half children, and be living in a grand house in the suburbs, your company will be fine.”

She handed me a glass and sat next to me on the swing seat. It was a clear, cool night, and I’d been spending time searching the stars for constellations. Sorry, I was never very good at astronomy.

“You don’t want that?”

“I don’t know what I want. Wouldn’t that all fall into place when you found the perfect partner?”

“Is there such a thing as a perfect partner? We start out thinking that, think we’ve found it, then the bastard goes off and has an affair.”

There was a lot of anger in those last few words of her statement. It explained the few heated exchanges I’d seen her have in what she thought were private moments. I wasn’t prying, I just happened to be nearby at the time.

“Then perhaps my expectations have been set too high. I’m sorry.”

“Don’t be. Everyone told me what he was like.” She shrugged. “Another box ticked for life’s experiences.”

We drank wine and sat in silence. Unlike some others that evening, where it was kind of awkward, I didn’t feel that with Zoe. In fact, I was not sure what it felt like. Companionable?

“Look, I don’t have the best sort of shoulder to cry on, but if you need someone to listen, it’s one thing I’m good at.”

Tears were forming in her eyes, and I’d only just noticed them in the moonlight.

“I could do with a hug. Are you any good at those?”

“I could try, and you could let me know. Always looking to add strings to that proverbial bow.”

She smiled. “What are you doing tomorrow?”

“Nothing in particular. Why?”

“I need someone to just take me away from all this, if only for a day or two. Vernon said you have a cabin by a lake, and I’ve never been fishing. Is it too forward for me to ask, I mean, sorry, sometimes I just speak before I think.”

“One thing at a time. Hug first, then fish. Maybe.”

Upstairs, Evie rested her head on Vernon’s shoulder as they both looked out over the back garden and, more specifically, at Ian and Zoe on the swing chair.

“What are the odds, Eve. I told you he had a thing for her,” Vernon said.

“I would have said ten to one against. It’s so unlike her. I mean, he’s just so boring.”

“Is he now? That’s just the impression he gives everyone else. So much for your matchmaking.”

© Charles Heath 2020-2025

The 2am Rant: There are few words that are so universally noncommittal as ‘maybe’

This word, where I live, has taken on a new meaning.  We have telephone scammers who ask your name when you answer the phone, and when you say yes, they hang up.

It doesn’t take much imagination to consider how they can use that recording.

So, I now answer the phone with ‘maybe’, which confuses the real callers who want to know if it is you.

Of course, ‘maybe’ is one of those words that can have so many meanings, but the best one is to use it while you have time to think of a proper answer.

For example, did you get the potatoes?  You haven’t been out, it slipped your mind, or you just plain forgot, but run with a ‘maybe’ so you can judge the reaction.

Angry face, you know, no matter what, you’re in trouble.

Genial face, you know that it didn’t really matter, and all is forgiven.

Then there’s the person who doesn’t know you and comes up to you in a crowded room.  Are you [put name here]?

Maybe.  We want to know if we’re in trouble, or if it’s for something good, or if it is the husband or wife of the person you’ve just spent the last twenty minutes in animated conversation with.

Using ‘maybe’ in writing probably isn’t the best word for us, but I like defying the experts.  You can always find a ‘maybe’ or two in any of my books.

Writing a book in 365 days – 351

Day 351

“Why a Budding Author Should Dive into Joan Didion’s Masterful Body of Work”

For aspiring writers, the journey to finding one’s voice is as much about discovery as it is about study. Joan Didion, a literary icon whose career spans decades, offers a treasure trove of insights for those seeking to refine their craft. From her sharp-eyed novels to her incisive essays, Didion’s work is a masterclass in clarity, emotional resonance, and the art of observation. Let’s explore how delving into her oeuvre—comprising five seminal novels, screenplays, and countless articles and essays—can illuminate the path for emerging authors.


1. Novels: The Power of Precision and Dissecting the Human Condition

Didion’s novels—Run, RiverPlay It as It LaysA Book of Common PrayerThe Last Thing He Wanted, and Marry Me—are defined by their sparse, crystalline prose and unflinching exploration of identity, disillusionment, and collapse. For a budding author, studying her work reveals a critical lesson: less is not just more—it’s everything. Didion strips language of excess, using plain, punchy sentences to evoke profound unease or beauty. “We tell ourselves stories in order to live,” she famously writes in The White Album—a philosophy that permeates her fiction, where characters are often unravelling personal myths in a disintegrating world.
Aspiring writers can learn to mirror this by focusing on what isn’t said and how silence, space, and subtext amplify meaning. Her characters also serve as case studies in emotional complexity; they’re flawed, often detached, yet achingly human. How does Didion achieve this? By grounding them in precise details—a crumbling California landscape, a flicker of a smile—that anchor the surreal in the real.


2. Screenplays: Visual Storytelling and the Art of Compression

Didion’s screenplays (notably A Point of No Return and Up at the Villas) offer a different but equally valuable lesson. Adapting her own stories and others’, she demonstrates how to transform prose into visceral, visual narratives. Screenwriting demands concision; dialogue must carry weight, and scenes must be sculpted to evoke emotion without over-explaining. For an author interested in crossing genres, Didion’s screenplays are a masterclass in pacing and economy.
Take Up at the Villas, adapted from her 1982 novel of the same name. The screenplay retains the novel’s cold, observational tone but distils its themes into sharp, symbolic images—a storm, a locked door—to convey what words alone might not. For writers, this is a reminder that showing, not telling, is a skill honed through ruthless editing. Studying her scripts can teach how to craft tension through structure and dialogue, even in literary works.


3. Essays and Journalism: The Alchemy of Observation and Truth-Telling

Joan Didion’s nonfiction—collected in volumes like The White AlbumSlouching Toward Bethlehem, and Where I Was From—is where her genius as a writer truly shines. Her essays are micro-surgeries of culture, politics, and personal history, blending reportage with poetic reflection. How can a budding author benefit from this?

  • The art of the unsparingly honest narrative: Didion doesn’t flinch from ambiguity. She asks, What do we do when we can’t believe the story we’ve told ourselves? This intellectual honesty teaches writers to dig deeper, to question their own assumptions.
  • The marriage of personal and political: In pieces like “Los Angeles Notebook” or “On Self Respect”, Didion ties intimate self-doubt to societal decay. Aspiring authors can learn to weave the private and the public, creating work that resonates beyond the individual.
  • Research as storytelling: Her essays are meticulously researched yet read like lyrical journeys. Writers can study how she transforms facts into narrative threads without losing a reader’s interest.

4. Beyond Technique: Embracing Didion’s Curiosity and Courage

Perhaps the most profound lesson from Didion’s work is her relentless curiosity and willingness to confront the uncomfortable. Her writing force-feeds the idea that truth is not a destination but a process. For emerging authors, this mindset—questioning, observing, and daring to write what feels fragile or controversial—can be transformative. Didion’s essays on the Vietnam War, the Manson Family, or her own grief in The Year of Magical Thinking demand that we look at the world with both empathy and rigour.


Conclusion: Let the Questions Be the Point

Reading Joan Didion is not just about learning how to write—it’s about learning how to see. Her work challenges authors to strip away the superfluous, to wield language like a scalpel, and to embrace the messiness of human experience. For a budding writer, this is an unparalleled education. Start with her essays; they are accessible and brimming with insight. Then, move to her novels and screenplays to understand how themes translate across genres. Finally, ask yourself: What story have I been avoiding, and how can I tell it with Didion’s clarity?

In a world of noise, Didion’s voice cuts through with surgical precision. For any writer seeking to carve their own path, her work is not just a blueprint—it’s an invitation to observe, to question, and to distil the chaos of life into something that might resonate for generations.

So pick up a Joan Didion. Let her words unsettle you. Then, let me know how far you’ve come.

What I learned about writing – Children make excellent characters

It seems that there are many ways of bringing children to life in your stories.

The most obvious is your own, but those traits might seem so polarised they and others might realise who they are based on, with the distress that comes with it.

Then there are the children of your friends and relationships, definitely fodder for many stories because those children are definitely far worse than your own, or better perhaps.

It leaves you questioning where you went wrong, or why you didn’t get the manual when the hospital kicked to the kerb with this screaming bundle of joy, their words not yours.

So we start with real-life experiences.

To muddy the waters so they don’t get the impression you’re paying out on them, you can always add the traits of those you see in the shopping malls.

Shopping malls are a gold mine for behavioural traits, from the very worst tantrum thrower to the best behaved. For my money and proven time and time again, those well-dressed, very well-behaved children are purely evil.

With the tantrum thrower, what you see if what you get.

With the well-behaved, you spend all of your time watching your back and waiting for the knife to penetrate your spine between the fourth and fifth vertebrae. You just know instinctively they’re medical school prodigies.

Of course, there are one or two good children, Santa has to have a reason for existence, but they are like 1,000 ounce gold nuggets; very, very hard to find.

“The Things We Do For Love”

Would you give up everything to be with the one you love?

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, a place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, s place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

An excerpt from “If Only” – a work in progress

Investigation of crimes doesn’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.

At one stage the police thought I had murdered my own wife though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective First Grade Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbors reckon there were heated discussions the day before.

Routine was the word she used.

Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last I saw of Gabrielle.

The shock of finding Vanessa was more devastating than the fact she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months I was barely functioning, to the extent I had all but lost my job, and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy.  Her story varied only in she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened become our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then, we saw each about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realize that all she had was her work, personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt, about whether or not I could trust her to tell me what the message meant.

I reached for the phone then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

Writing a book in 365 days – 351

Day 351

“Why a Budding Author Should Dive into Joan Didion’s Masterful Body of Work”

For aspiring writers, the journey to finding one’s voice is as much about discovery as it is about study. Joan Didion, a literary icon whose career spans decades, offers a treasure trove of insights for those seeking to refine their craft. From her sharp-eyed novels to her incisive essays, Didion’s work is a masterclass in clarity, emotional resonance, and the art of observation. Let’s explore how delving into her oeuvre—comprising five seminal novels, screenplays, and countless articles and essays—can illuminate the path for emerging authors.


1. Novels: The Power of Precision and Dissecting the Human Condition

Didion’s novels—Run, RiverPlay It as It LaysA Book of Common PrayerThe Last Thing He Wanted, and Marry Me—are defined by their sparse, crystalline prose and unflinching exploration of identity, disillusionment, and collapse. For a budding author, studying her work reveals a critical lesson: less is not just more—it’s everything. Didion strips language of excess, using plain, punchy sentences to evoke profound unease or beauty. “We tell ourselves stories in order to live,” she famously writes in The White Album—a philosophy that permeates her fiction, where characters are often unravelling personal myths in a disintegrating world.
Aspiring writers can learn to mirror this by focusing on what isn’t said and how silence, space, and subtext amplify meaning. Her characters also serve as case studies in emotional complexity; they’re flawed, often detached, yet achingly human. How does Didion achieve this? By grounding them in precise details—a crumbling California landscape, a flicker of a smile—that anchor the surreal in the real.


2. Screenplays: Visual Storytelling and the Art of Compression

Didion’s screenplays (notably A Point of No Return and Up at the Villas) offer a different but equally valuable lesson. Adapting her own stories and others’, she demonstrates how to transform prose into visceral, visual narratives. Screenwriting demands concision; dialogue must carry weight, and scenes must be sculpted to evoke emotion without over-explaining. For an author interested in crossing genres, Didion’s screenplays are a masterclass in pacing and economy.
Take Up at the Villas, adapted from her 1982 novel of the same name. The screenplay retains the novel’s cold, observational tone but distils its themes into sharp, symbolic images—a storm, a locked door—to convey what words alone might not. For writers, this is a reminder that showing, not telling, is a skill honed through ruthless editing. Studying her scripts can teach how to craft tension through structure and dialogue, even in literary works.


3. Essays and Journalism: The Alchemy of Observation and Truth-Telling

Joan Didion’s nonfiction—collected in volumes like The White AlbumSlouching Toward Bethlehem, and Where I Was From—is where her genius as a writer truly shines. Her essays are micro-surgeries of culture, politics, and personal history, blending reportage with poetic reflection. How can a budding author benefit from this?

  • The art of the unsparingly honest narrative: Didion doesn’t flinch from ambiguity. She asks, What do we do when we can’t believe the story we’ve told ourselves? This intellectual honesty teaches writers to dig deeper, to question their own assumptions.
  • The marriage of personal and political: In pieces like “Los Angeles Notebook” or “On Self Respect”, Didion ties intimate self-doubt to societal decay. Aspiring authors can learn to weave the private and the public, creating work that resonates beyond the individual.
  • Research as storytelling: Her essays are meticulously researched yet read like lyrical journeys. Writers can study how she transforms facts into narrative threads without losing a reader’s interest.

4. Beyond Technique: Embracing Didion’s Curiosity and Courage

Perhaps the most profound lesson from Didion’s work is her relentless curiosity and willingness to confront the uncomfortable. Her writing force-feeds the idea that truth is not a destination but a process. For emerging authors, this mindset—questioning, observing, and daring to write what feels fragile or controversial—can be transformative. Didion’s essays on the Vietnam War, the Manson Family, or her own grief in The Year of Magical Thinking demand that we look at the world with both empathy and rigour.


Conclusion: Let the Questions Be the Point

Reading Joan Didion is not just about learning how to write—it’s about learning how to see. Her work challenges authors to strip away the superfluous, to wield language like a scalpel, and to embrace the messiness of human experience. For a budding writer, this is an unparalleled education. Start with her essays; they are accessible and brimming with insight. Then, move to her novels and screenplays to understand how themes translate across genres. Finally, ask yourself: What story have I been avoiding, and how can I tell it with Didion’s clarity?

In a world of noise, Didion’s voice cuts through with surgical precision. For any writer seeking to carve their own path, her work is not just a blueprint—it’s an invitation to observe, to question, and to distil the chaos of life into something that might resonate for generations.

So pick up a Joan Didion. Let her words unsettle you. Then, let me know how far you’ve come.

An excerpt from “One Last Look”: Charlotte is no ordinary girl

This is currently available at Amazon herehttp://amzn.to/2CqUBcz

I’d read about out-of-body experiences, and like everyone else, thought it was nonsense.  Some people claimed to see themselves in the operating theatre, medical staff frantically trying to revive them, and being surrounded by white light.

I was definitely looking down, but it wasn’t me I was looking at.

It was two children, a boy and a girl, with their parents, in a park.

The boy was Alan.  He was about six or seven.  The girl was Louise, and she was five years old.  She had long red hair and looked the image of her mother.

I remember it now, it was Louise’s birthday and we went down to Bournemouth to visit our Grandmother, and it was the last time we were all together as a family.

We were flying homemade kites our father had made for us, and after we lay there looking up at the sky, making animals out of the clouds.  I saw an elephant, Louise saw a giraffe.

We were so happy then.

Before the tragedy.

When I looked again ten years had passed and we were living in hell.  Louise and I had become very adept at survival in a world we really didn’t understand, surrounded by people who wanted to crush our souls.

It was not a life a normal child had, our foster parents never quite the sort of people who were adequately equipped for two broken-hearted children.  They tried their best, but their best was not good enough.

Every day it was a battle, to avoid the Bannister’s and Archie in particular, every day he made advances towards Louise and every day she fended him off.

Until one day she couldn’t.

Now I was sitting in the hospital, holding Louise’s hand.  She was in a coma, and the doctors didn’t think she would wake from it.  The damage done to her was too severe.

The doctors were wrong.

She woke, briefly, to name her five assailants.  It was enough to have them arrested.  It was not enough to have them convicted.

Justice would have to be served by other means.

I was outside the Bannister’s home.

I’d made my way there without really thinking, after watching Louise die.  It was like being on autopilot, and I had no control over what I was doing.  I had murder in mind.  It was why I was holding an iron bar.

Skulking in the shadows.  It was not very different from the way the Bannister’s operated.

I waited till Archie came out.  I knew he eventually would.  The police had taken him to the station for questioning, and then let him go.  I didn’t understand why, nor did I care.

I followed him up the towpath, waiting till he stopped to light a cigarette, then came out of the shadows.

“Wotcha got there Alan?” he asked when he saw me.  He knew what it was, and what it was for.

It was the first time I’d seen the fear in his eyes.  He was alone.

“Justice.”

“For that slut of a sister of yours.  I had nuffing to do with it.”

“She said otherwise, Archie.”

“She never said nuffing, you just made it up.”  An attempt at bluster, but there was no confidence in his voice.

I held up the pipe.  It had blood on it.  Willy’s blood.  “She may or may not have Archie, but Willy didn’t make it up.  He sang like a bird.  That’s his blood, probably brains on the pipe too, Archie, and yours will be there soon enough.”

“He dunnit, not me.  Lyin’ bastard would say anything to save his own skin.”  Definitely scared now, he was looking to run away.

“No, Archie.  He didn’t.  I’m coming for you.  All of you Bannisters.  And everyone who touched my sister.”

It was the recurring nightmare I had for years afterwards.

I closed my eyes and tried to shut out the thoughts, the images of Louise, the phone call, the visit to the hospital and being there when she succumbed to her injuries.  Those were the very worst few hours of my life.

She had asked me to come to the railway station and walk home with her, and I was running late.  If I had left when I was supposed to, it would never have happened and for years afterwards, I blamed myself for her death.

If only I’d not been late…

When the police finally caught the rapists, I’d known all along who they’d be; antagonists from school, the ring leader, Archie Bannister, a spurned boyfriend, a boy whose parents, ubiquitously known to all as ‘the Bannister’s, dealt in violence and crime and who owned the neighbourhood.  The sins of the father had been very definitely passed onto the son.

At school, I used to be the whipping boy, Archie, a few grades ahead of me, made a point of belting me and a few of the other boys, to make sure the rest did as they were told.  He liked Louise, but she had no time for a bully like him, even when he promised he would ‘protect’ me.

I knew the gang members, the boys who tow-kowed to save getting beaten up, and after the police couldn’t get enough information to prosecute them because everyone was too afraid to speak out, I went after Willy.  There was always a weak link in a group, and he was it.

He worked in a factory, did long hours on a Wednesday and came home after dark alone.  It was a half mile walk, through a park.  The night I approached him, I smashed the lights and left it in darkness.  He nearly changed his mind and went the long way home.

He didn’t.

It took an hour and a half to get the names.  At first, when he saw me, he laughed.  He said I would be next, and that was four words more than he knew he should have said.

When I found him alone the next morning I showed him the iron bar and told him he was on the list.  I didn’t kill him then, he could wait his turn, and worry about what was going to happen to him.

When the police came to visit me shortly after that encounter, no doubt at the behest of the Bannister’s, the neighbourhood closed ranks and gave me an ironclad alibi.  The Bannister’s then came to visit me and threatened me.  I told them their days were numbered and showed them the door.

At the trial, he and his friends got off on a technicality.  The police had failed to do their job properly, but it was not the police, but a single policeman, corrupted by the Bannisters.

Archie could help but rub it in my face.  He was invincible.

Joe Collins took 12 bullets and six hours to bleed out.  He apologized, he pleaded, he cried, he begged.  I didn’t care.

Barry Mills, a strong lad with a mind to hurting people, Archie’s enforcer, almost got the better of me.  I had to hit him more times than I wanted to, and in the end, I had to be satisfied that he died a short but agonizing death.

I revisited Willy in the hospital.  He’d recovered enough to recognize me, and why I’d come.  Suffocation was too good for him.

David Williams, second in command of the gang, was as tough and nasty as the Bannisters.  His family were forging a partnership with the Bannister’s to make them even more powerful.  Outwardly David was a pleasant sort of chap, affable, polite, and well mannered.  A lot of people didn’t believe he could be like, or working with, the Bannisters.

He and I met in the pub.  We got along like old friends.  He said Willy had just named anyone he could think of, and that he was innocent of any charges.  We shook hands and parted as friends.

Three hours later he was sitting in a chair in the middle of a disused factory, blindfolded and scared.  I sat and watched him, listened to him, first threatening me, and then finally pleading with me.  He’d guessed who it was that had kidnapped him.

When it was dark, I took the blindfold off and shone a very bright light in his eyes.  I asked him if the violence he had visited upon my sister was worth it.  He told me he was just a spectator.

I’d read the coroner’s report.  They all had a turn.  He was a liar.

He took nineteen bullets to die.

Then came Archie.

The same factory only this time there were four seats.  Anna Bannister, brothel owner, Spike Bannister, head of the family, Emily Bannister, sister, and who had nothing to do with their criminal activities.  She just had the misfortune of sharing their name.

Archie’s father told me how he was going to destroy me, and everyone I knew.

A well-placed bullet between the eyes shut him up.

Archie’s mother cursed me.  I let her suffer for an hour before I put her out of her misery.

Archie remained stony-faced until I came to Emily.  The death of his parents meant he would become head of the family.  I guess their deaths meant as little to him as they did me.

He was a little more worried about his sister.

I told him it was confession time.

He told her it was little more than a forced confession and he had done nothing to deserve my retribution.

I shrugged and shot her, and we both watched her fall to the ground screaming in agony.  I told him if he wanted her to live, he had to genuinely confess to his crimes.  This time he did, it all poured out of him.

I went over to Emily.  He watched in horror as I untied her bindings and pulled her up off the floor, suffering only from a small wound in her arm.  Without saying a word she took the gun and walked over to stand behind him.

“Louise was my friend, Archie.  My friend.”

Then she shot him.  Six times.

To me, after saying what looked like a prayer, she said, “Killing them all will not bring her back, Alan, and I doubt she would approve of any of this.  May God have mercy on your soul.”

Now I was in jail.  I’d spent three hours detailing the deaths of the five boys, everything I’d done; a full confession.  Without my sister, my life was nothing.  I didn’t want to go back to the foster parents; I doubt they’d take back a murderer.

They were not allowed to.

For a month I lived in a small cell, in solitary, no visitors.  I believed I was in the queue to be executed, and I had mentally prepared myself for the end.

Then I was told I had a visitor, and I was expecting a priest.

Instead, it was a man called McTavish. Short, wiry, and with an accent that I could barely understand.

“You’ve been a bad boy, Alan.”

When I saw it was not the priest I told the jailers not to let him in, I didn’t want to speak to anyone.  They ignored me.  I’d expected he was a psychiatrist, come to see whether I should be shipped off to the asylum.

I was beginning to think I was going mad.

I ignored him.

“I am the difference between you living or dying Alan, it’s as simple as that.  You’d be a wise man to listen to what I have to offer.”

Death sounded good.  I told him to go away.

He didn’t.  Persistent bugger.

I was handcuffed to the table.  The prison officers thought I was dangerous.  Five, plus two, murders, I guess they had a right to think that.  McTavish sat opposite me, ignoring my request to leave.

“Why’d you do it?”

“You know why.”  Maybe if I spoke he’d go away.

“Your sister.  By all accounts, the scum that did for her deserved what they got.”

“It was murder just the same.  No difference between scum and proper people.”

“You like killing?”

“No-one does.”

“No, I dare say you’re right.  But you’re different, Alan.  As clean and merciless killing I’ve ever seen.  We can use a man like you.”

“We?”

“A group of individuals who clean up the scum.”

I looked up to see his expression, one of benevolence, totally out of character for a man like him.  It looked like I didn’t have a choice.

Trained, cleared, and ready to go.

I hadn’t realized there were so many people who were, for all intents and purposes, invisible.  People that came and went, in malls, in hotels, trains, buses, airports, everywhere, people no one gave a second glance.

People like me.

In a mall, I became a shopper.

In a hotel, I was just another guest heading to his room.

On a bus or a train, I was just another commuter.

At the airport, I became a pilot.  I didn’t need to know how to fly; everyone just accepted a pilot in a pilot suit was just what he looked like.

I had a passkey.

I had the correct documents to get me onto the plane.

That walk down the air bridge was the longest of my life.  Waiting for the call from the gate, waiting for one of the air bridge staff to challenge me, stepping onto the plane.

Two pilots and a steward.  A team.  On the plane early before the rest of the crew.  A group that was committing a crime, had committed a number of crimes and thought they’d got away with it.

Until the judge, the jury and their executioner arrived.

Me.

Quick, clean, merciless.  Done.

I was now an operational field agent.

I was older now, and I could see in the mirror I was starting to go grey at the sides.  It was far too early in my life for this, but I expect it had something to do with my employment.

I didn’t recognize the man who looked back at me.

It was certainly not Alan McKenzie, nor was there any part of that fifteen-year-old who had made the decision to exact revenge.

Given a choice; I would not have gone down this path.

Or so I kept telling myself each time a little more of my soul was sold to the devil.

I was Barry Gamble.

I was Lenny Buckman.

I was Jimmy Hosen.

I was anyone but the person I wanted to be.

That’s what I told Louise, standing in front of her grave, and trying to apologize for all the harm, all the people I’d killed for that one rash decision.  If she was still alive she would be horrified, and ashamed.

Head bowed, tears streamed down my face.

God had gone on holiday and wasn’t there to hand out any forgiveness.  Not that day.  Not any day.

New York, New Years Eve.

I was at the end of a long tour, dragged out of a holiday and back into the fray, chasing down another scumbag.  They were scumbags, and I’d become an automaton hunting them down and dispatching them to what McTavish called a better place.

This time I failed.

A few drinks to blot out the failure, a blonde woman who pushed my buttons, a room in a hotel, any hotel, it was like being on the merry-go-round, round and round and round…

Her name was Silvia or Sandra, or someone I’d met before, but couldn’t quite place her.  It could be an enemy agent for all I knew or all I cared right then.

I was done.

I’d had enough.

I gave her the gun.

I begged her to kill me.

She didn’t.

Instead, I simply cried, letting the pent up emotion loose after being suppressed for so long, and she stayed with me, holding me close, and saying I was safe, that she knew exactly how I felt.

How could she?  No one could know what I’d been through.

I remembered her name after she had gone.

Amanda.

I remembered she had an imperfection in her right eye.

Someone else had the same imperfection.

I couldn’t remember who that was.

Not then.

I had a dingy flat in Kensington, a place that I rarely stayed in if I could help it.  After five-star hotel rooms, it made me feel shabby.

The end of another mission, I was on my way home, the underground, a bus, and then a walk.

It was late.

People were spilling out of the pub after the last drinks.  Most in good spirits, others slightly more boisterous.

A loud-mouthed chap bumped into me, the sort who had one too many, and was ready to take on all comers.

He turned on me, “Watch where you’re going, you fool.”

Two of his friends dragged him away.  He shrugged them off, squared up.

I punched him hard, in the stomach, and he fell backwards onto the ground.  I looked at his two friends.  “Take him home before someone makes mincemeat out of him.”

They grabbed his arms, lifted him off the ground and took him away.

Out of the corner of my eye, I could see a woman, early thirties, quite attractive, but very, very drunk.  She staggered from the bar, bumped into me, and finished up sitting on the side of the road.

I looked around to see where her friends were.  The exodus from the pub was over and the few nearby were leaving to go home.

She was alone, drunk, and by the look of her, unable to move.

I sat beside her.  “Where are your friends?”

“Dunno.”

“You need help?”

She looked up, and sideways at me.  She didn’t look the sort who would get in this state.  Or maybe she was, I was a terrible judge of women.

“Who are you?” she asked.

“Nobody.”  I was exactly how I felt.

“Well Mr Nobody, I’m drunk, and I don’t care.  Just leave me here to rot.”

She put her head back between her knees, and it looked to me she was trying to stop the spinning sensation in her head.

Been there before, and it’s not a good feeling.

“Where are your friends?” I asked again.

“Got none.”

“Perhaps I should take you home.”

“I have no home.”

“You don’t look like a homeless person.  If I’m not mistaken, those shoes are worth more than my weekly salary.”  I’d seen them advertised, in the airline magazine, don’t ask me why the ad caught my attention.

She lifted her head and looked at me again.  “You a smart fucking arse are you?”

“I have my moments.”

“Have them somewhere else.”

She rested her head against my shoulder.  We were the only two left in the street, and suddenly in darkness when the proprietor turned off the outside lights.

“Take me home,” she said suddenly.

“Where is your place?”

“Don’t have one.  Take me to your place.”

“You won’t like it.”

“I’m drunk.  What’s not to like until tomorrow.”

I helped her to her feet.  “You have a name?”

“Charlotte.”

The wedding was in a small church.  We had been away for a weekend in the country, somewhere in the Cotswolds, and found this idyllic spot.  Graves going back to the dawn of time, a beautiful garden tended by the vicar and his wife, an astonishing vista over hills and down dales.

On a spring afternoon with the sun, the flowers, and the peacefulness of the country.

I had two people at the wedding, the best man, Bradley, and my boss, Watkins.

Charlotte had her sisters Melissa and Isobel, and Isobel’s husband Giovanni, and their daughter Felicity.

And one more person who was as mysterious as she was attractive, a rather interesting combination as she was well over retirement age.  She arrived late and left early.

Aunt Agatha.

She looked me up and down with what I’d call a withering look.  “There’s more to you than meets the eye,” she said enigmatically.

“Likewise I’m sure,” I said.  It earned me an elbow in the ribs from Charlotte.  It was clear she feared this woman.

“Why did you come,” Charlotte asked.

“You know why.”

Agatha looked at me.  “I like you.  Take care of my granddaughter.  You do not want me for an enemy.”

OK, now she officially scared me.

She thrust a cheque into my hand, smiled, and left.

“Who is she,” I asked after we watched her depart.

“Certainly not my fairy godmother.”

Charlotte never mentioned her again.

Zurich in summer, not exactly my favourite place.

Instead of going to visit her sister Isobel, we stayed at a hotel in Beethovenstrasse and Isobel and Felicity came to us.  Her husband was not with her this time.

Felicity was three or four and looked very much like her mother.  She also looked very much like Charlotte, and I’d remarked on it once before and it received a sharp rebuke.

We’d been twice before, and rather than talk to her sister, Charlotte spent her time with Felicity, and they were, together, like old friends.  For so few visits they had a remarkable rapport.

I had not broached the subject of children with Charlotte, not after one such discussion where she had said she had no desire to be a mother.  It had not been a subject before and wasn’t once since.

Perhaps like all Aunts, she liked the idea of playing with a child for a while and then give it back.

Felicity was curious as to who I was, but never ventured too close.  I believed a child could sense the evil in adults and had seen through my facade of friendliness.  We were never close.

But…

This time, when observing the two together, something quite out of left field popped into my head.  It was not possible, not by any stretch of the imagination, but I thought she looked like my mother.

And Charlotte had seen me looking in their direction.  “You seem distracted,” she said.

“I was just remembering my mother.  Odd moment, haven’t done so for a very long time.”

“Why now?”  I think she had a look of concern on her face.

“Her birthday, I guess,” I said, the first excuse I could think of.

Another look and I was wrong.  She looked like Isobel or Charlotte, or if I wanted to believe it possible, Melissa too.

I was crying, tears streaming down my face.

I was in pain, searing pain from my lower back stretching down into my legs, and I was barely able to breathe.

It was like coming up for air.

It was like Snow White bringing Prince Charming back to life.  I could feel what I thought was a gentle kiss and tears dropping on my cheeks, and when I opened my eyes, I saw Charlotte slowly lifting her head, a hand gently stroking the hair off my forehead.

And in a very soft voice, she said, “Hi.”

I could not speak, but I think I smiled.  It was the girl with the imperfection in her right eye.  Everything fell into place, and I knew, in that instant that we were irrevocably meant to be together.

“Welcome back.”

© Charles Heath 2016-2019

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“What Sets Us Apart”, a mystery with a twist

David is a man troubled by a past he is trying to forget.

Susan is rebelling against a life of privilege and an exasperated mother who holds a secret that will determine her daughter’s destiny.

They are two people brought together by chance. Or was it?

When Susan discovers her mother’s secret, she goes in search of the truth that has been hidden from her since the day she was born.

When David realizes her absence is more than the usual cooling off after another heated argument, he finds himself being slowly drawn back into his former world of deceit and lies.

Then, back with his former employers, David quickly discovers nothing is what it seems as he embarks on a dangerous mission to find Susan before he loses her forever.

Find the kindle version on Amazon here:  http://amzn.to/2Eryfth

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