Writing about writing a book – Day 16

As we now know Bill realizes that he had been captured and interrogated by someone, ostensibly Chinese, but not exactly from the Viet Kong

I’ve been pondering how Bill ends up in the hands of the Chinese, well, I know how he does, and this needs to be put down.

Some pieces of the puzzle are coming together.

”’

Davenport arrived at the airstrip where I was waiting in a makeshift building, with windows, easy chairs, a self-serve bar, and best of all air conditioning.  Waiting for the chopper that was bringing in my replacement from Singapore airport.

He didn’t normally come to see us off so I thought it either odd or just a change of heart.  He had brought the shiny Cadillac, an ostentatious piece of Americana that never failed to capture the local’s imagination.

Davenport was, I soon discovered, a man who liked to impress upon the world how great America was.  I hadn’t the heart to tell him it failed on me.

He had crisp fatigues on and looked as though he had just stepped out of the shower, very clean, very cool, and very refreshed.  The car’s air-conditioning would have helped.  We all got that first ride from the strip to the camp in that car, and it was memorable, to say the least.

The driver stayed in the car, engine running, as he stepped into the lounge.  “Chandler.”

“Sir.”  No snapping to attention, neither of us was in uniform.

“There’s been a change of plans.”

“Sir.”  This didn’t sound very good.

“Your replacement is not coming.  Some trouble on the plane over.  Can’t spare a man so you will have to fill in.  I’m sorry.”

I went to say that I’d done my rotation, but the look on his face told me it would fall on deaf ears, so instead, I shrugged, let the driver, who had appeared out of the car as if on cue, collect my case, and followed Davenport out to the car.

It was definitely cooler in the car.  Davenport slid in the other side, the driver closing his door, then got in himself.  I had to close my own.  We headed back towards the camp slowly.

“We need 6 men for this op, Bill.  I’ll find some way of making this up to you.”

I shrugged.  “If you say so.”

I’d been looking forward to getting out of the jungle and getting back to civilization, as well as Ellen, who had been waiting patiently for the last six months.  She would not be very happy when I finally got to tell her.

“Oh, but the way, I took the liberty of calling your wife and apologizing on your behalf and said you’d probably be another week at the most.  She didn’t seem to mind.  She sounds like a nice lady.”

“She is.  She has to put up with me.”

“Yes.  We all have that problem.”

I listened to the hum of the air conditioning, the only other sound inside the car.  Usually, Davenport had a symphony playing over the radio, but not today.  He seemed different, more aloof, but, then, after the altercation, I had with him recently, we hadn’t spoken much after that.  Not unless we had to.

“The job isn’t difficult,” he said when we were nearing the compound.  “Another prison camp, and this time the intel is solid.  Buggers were careless and we’ve got some pictures.  The only problem is getting there.  It’s going to be a bit of a hike.”

Another of his understatements.  I could remember the last ‘bit of a hike’.  “When do we leave?”

“First light tomorrow.  Chopper to the drop zone then a day’s march to the camp.  RV at the drop zone from day 4 till you get there.”

“Who’s in charge?”  I’d run the last operation so I was hoping it would carry forward.

“If you’d been staying instead of being a last-minute replacement, it would have been you.  Instead, we had to bring in a couple of specialists who have been on the ground here quite some time.  They know the terrain and the people.”

New guys.  I hated new guys.  Especially those who purport to have experience on the ground.  Invariably they didn’t and I’d had words with Davenport more than once about it, especially when we had such a high attrition rate.  I believed it was only a miracle that I had lasted this long, and I was now tempting providence this time around.

“I hope they are better than the last two.”

“They are.  I picked them myself.  At least you will be there to keep them on the straight and narrow.

Which was exactly what I didn’t want.

Damn.

Back at the compound, I dragged myself back to my old quarters, hoping they hadn’t given away my billet just yet.  It was a hut if you could call it that, which had seen better days, but it kept the rain out.

I shared it with another soldier, or ex, I didn’t really know, and he was not the sort of man you asked, and even less talkative than most.  I knew his name was Barry McDougall, that he was Scottish, he didn’t wear a kilt and had killed men with his bare hands, one in a barroom fight.

Allegedly.

I was not surprised.  He was six feet six inches tall, all muscle, and always surly, and unlike many of the English that had come and gone, didn’t complain about the heat.

I dumped my bag on the locker at the end of the bed and sat in one of the two well worn easy chairs.  Barry was in the other, reading.

He lowered the paper and looked at me.  “Back, huh?”

“Yes.”

“Miss the chopper?”

“No.”

“Beer’s cold.”

“Thanks.”

I got up and went to the fridge.  One of the perks of the job.  An endless supply of cold beer.

“Get me one too.”

I did and passed it to him, the sat down again.  He took the beer and went back to his paper.

“Seen the new guys,” I asked.

A voice from behind the paper, “Yes.”

“Any good?”

“No.”

“Another fun run in the jungle then?”

“Looks like it.”

We drank in silence.  What more could be said?

There is more but I have to let the words jumble around in my head while I sleep.  More on this tomorrow!

© Charles Heath 2018-2023

The cinema of my dreams – I never wanted to go to Africa – Episode 24

Our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because of the enemy, if it was the enemy, simply because it didn’t look or sound or act like the enemy.

Now, it appears, his problems stem from another operation he participated in.

“So,” Lallo said, “you’re telling me you landed separately, Treen and his group advanced towards their position without waiting for your team, that shortly after landing you heard gunfire exchanged, that the members of your team broke ranks and went to help their comrades and that all of them, as far as you were aware at the time, had been killed or captured.”

“Yes.”

“And the two operatives you’d come to rescue?”

“At the time, I had no idea what their status was, but I did make a preliminary assumption that if our mission was blown, then they would hardly be left alive unless the enemy thought they had some strategic value.”

“Or intelligence?”

“It hadn’t occurred to me at the time because my job was to simply to aid the extraction team.  To be honest, I had no idea who they were or what their value was.”

That was not exactly the truth because I could hardly say I hadn’t overheard a conversation between Treen, the briefing officers, and an unseen, unnamed officer discussing the two operatives, and the fact it was imperative we get them out at any cost.  It wasn’t said why, but I could guess.

It didn’t take long to realize that if our arrival had been known, so would the location and worth of the two we were to rescue.  I didn’t think they were killed out of hand, not until they’d told the enemy’s interrogators everything they knew.

And I got the impression they knew enough to cause our whole operation in that country ended up with a great deal of irreparable damage.

No wonder they wanted to sweep it under the carpet.

I watched Lallo scribble a long not over several pages.  Was his conclusion the same as mine, but based on truth rather than hearsay?

Then, “Were you met by the person who has been referred to as the so-called source?”

“No.”

“Do you know if Treen’s group were met?”

“No.  I was given to understand that source had gone quiet, I suppose another word for either captured or defected to the other side.”

“Apparently there was a report that the agent in situ was going to be at the landing site.”

“Well, there’s your explanation as to why the mission was blown from the start.  Whoever it was, was either captured, or a double agent, and told the enemy of our plans.”

“A reasonable assumption in the circumstances, but not necessarily correct.”

“And you know this because…”

I was curious.  The agent’s defection would explain everything.

“That agent resurfaced three days ago, again asking for repatriation, and is in the air to a secure site as we speak.”

He stood and took a moment to stow the pencil in the binding of the notebook before giving me his attention.

“We will also be in their air tomorrow, headed for the same secure location.  I’m, sure you will be available for that interrogation, because I, too, have serious doubts about this agent’s shall we say, loyalties.”

That still didn’t mean I wasn’t going to finish up at a black site, or worse.

© Charles Heath 2019-2021

Writing a book in 365 days – 288

Day 288

The call of the weird…

The Call of the Weird: When an Oddball Writing Offer Knocks

As professional writers, we tend to operate within established lanes. Maybe you dominate B2B white papers, or you’re the wizard of lifestyle blogs, or perhaps your niche is technical documentation for the aerospace industry.

Then, one day, it happens.

The email arrives that makes your eyebrow twitch. It’s an offer to write something completely outside your experience—a script for a puppet show about quantum physics, a historical fiction piece told entirely from the perspective of moss, or maybe the manifesto for a highly niche, possibly fictitious, startup focused on sustainable moon mining.

This is the Oddball Offer. It’s wildly different, maybe a little intimidating, and possibly way “out there.”

The critical question immediately surfaces: What do you do? Do you politely decline and stick to what you know, or do you take the leap into the creative unknown?

Before you hit ‘archive’ or ‘accept,’ here is your professional roadmap for assessing and navigating those delightfully bizarre writing briefs.


1. Defining “Oddball”: The Initial Assessment

The first step is to categorize the offer. Not all unusual requests are equal.

A. The Niche Stretch

This type of offer is bizarre in subject matter but standard in format. (Example: Writing case studies about specialized farming equipment.) This is usually a safe bet. You apply your existing writing skill set to new content.

B. The Format Fluke

This is an offer that requires a totally new skill or output. (Example: You’re a blogger, and they want you to write a 12-act stage play.) This requires significant new learning and a pricing adjustment.

C. The Truly Out There (The “What Is This?”)

This is the offer that carries a real whiff of the bizarre, potentially involving questionable ethics, unknown legal territory, or simply a concept that seems too fringe to be real.

When you receive the email, strip away the novelty and ask yourself three key questions:

  1. Is the client legitimate? (Look up their company. Does it exist? Do they have a clear mission, even if that mission is strange?)
  2. Is the request morally or legally sound? (If the material is hateful, deceitful, or involves breaking laws, the answer is an immediate, firm “no.”)
  3. Does it require a time commitment I can afford to risk? (If it’s a massive project, the risk is higher.)

2. Addressing the Elephant: Is the Client Just Fishing for Ideas?

This is the most common fear when dealing with vague or highly creative briefs: the client wants free brainstorming, hoping you’ll deliver the “Aha!” concept they can then execute in-house or give to a cheaper writer.

If the client is vague, overly enthusiastic about “vision,” and hesitant to talk budget or milestones, this risk is high.

Strategy 1: Institute a Paid Discovery Phase

Never, under any circumstance, provide detailed concepts, outlines, or proprietary strategies for free. If the project requires heavy ideation, frame the initial engagement as a Paid Discovery Phase.

This might look like a single, fixed-rate consultation that includes:

  • A 60-minute strategy call.
  • One brief, non-transferable conceptual outline (200 words max).
  • A formal pricing structure for the full project.

If they won’t pay for the idea stage, they were almost certainly just fishing. If they balk, you’ve saved yourself hours of unpaid labor.

Strategy 2: Get an NDA Signed Immediately

If the project involves genuinely novel or proprietary concepts, protect yourself. Request a simple, standard Non-Disclosure Agreement (NDA) before you start sharing specific ideas on execution.

A serious client with a serious idea will not hesitate to sign an NDA. A client wary of intellectual property protection is likely trying to gather free resources.


3. The Professional Reckoning: Weighing the Risk vs. Reward

Assuming the offer is legitimate and you have protective measures in place, the decision comes down to the upside.

The Arguments FOR Taking the Oddball Offer

1. Portfolio Differentiation

This is perhaps the biggest win. A truly unique project provides “secret sauce” for your portfolio. If you’re trying to pivot or stand out from a crowded market, having a sample that no one else has—like a successful, funded Kickstarter campaign narrative for a wearable tech startup that monitors pigeon health—will get attention.

2. Higher Rates

Weird work often commands premium rates. Clients who need highly specialized or conceptual work know they can’t get it from a generalist. Their need is high, and your unusual ability to step up is valuable. Price the novelty, the complexity, and the risk appropriately.

3. Creative Expansion

Getting outside your comfort zone is good for your professional brain. It breaks up routine and prevents burnout. If you feel stale writing the same three types of articles, tackling the manifesto for a collective of subterranean mycologists might be the recharge you need.

The Arguments AGAINST Taking the Oddball Offer

1. Scope Creep and Ambiguity

Oddball projects, by their nature, lack standard precedents. The client may not know what they want, leading to endless revisions and a constantly shifting goalpost (Scope Creep). Before accepting, demand an ironclad Scope of Work (SOW) that clearly defines the deliverables, rounds of revision, and what “success” looks like.

2. Reputation Risk

If the project is deeply unconventional or touches on controversial elements (even if legitimate), consider if it could negatively impact your appeal to your core client base. If you primarily write for reputable financial institutions, perhaps writing the text for a speculative cryptocurrency art project might need careful consideration.

3. The Time Sink

Unique projects often require disproportionate research time. You may need to learn a new lexicon, a new industry, or a new format from scratch. Factor this extra research time into your pricing model.


4. Securing the Deal: Practical Steps for Proceeding

If you decide the reward outweighs the risk, proceed professionally and firmly:

  1. Define the SOW (Again, and in Detail): List exactly what you are writing (e.g., “5 blog posts, 800 words each, 2 rounds of revisions”). State what you are not doing (e.g., “Not responsible for graphic design or legal compliance review”).
  2. Demand a Deposit: For unique or speculative projects, a 50% upfront deposit is standard and non-negotiable. This protects you against the client disappearing after the first conceptual submission.
  3. Set Clear Boundaries: Communicate your communication style and availability clearly. Because the project is already unusual, managing expectations on process is vital.
  4. Embrace the Learning: Treat the research and concept generation as professional development. Even if the project fails, the knowledge you gain (e.g., how to format a technical comic book script) is now part of your toolkit.

Conclusion: Strategic Risk-Taking is the Writer’s Edge

The oddball offer is often not a distraction; it’s a test. It asks if you are adaptable, creatively courageous, and professional enough to manage complexity.

Don’t dismiss the weird simply because it’s unfamiliar. Instead, screen rigorously, protect your intellectual property fiercely, and if the client and concept pass the professional sniff test, take the leap.

Stepping way ‘out there’ is sometimes the only way to find your next, most lucrative, and most fascinating niche. Happy writing!

“Echoes From The Past”, the past doesn’t necessarily stay there


What happens when your past finally catches up with you?

Christmas is just around the corner, a time to be with family. For Will Mason, an orphan since he was fourteen, it is a time for reflection on what his life could have been, and what it could be.

Until a chance encounter brings back to life the reasons for his twenty years of self-imposed exile from a life only normal people could have. From that moment Will’s life slowly starts to unravel and it’s obvious to him it’s time to move on.

This time, however, there is more at stake.

Will has broken his number one rule, don’t get involved.

With his nemesis, Eddie Jamieson, suddenly within reach, and a blossoming relationship with an office colleague, Maria, about to change everything, Will has to make a choice. Quietly leave, or finally, make a stand.

But as Will soon discovers, when other people are involved there is going to be terrible consequences no matter what choice he makes.

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An excerpt from “What Sets Us Apart”, a mystery with a twist

See the excerpt from the story below, just a taste of what’s in store…

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whatsetscover

McCallister was old school, a man who would most likely fit in perfectly campaigning on the battlefields of Europe during the Second World War. He’d been like a fish out of water in the army, post-Falklands, and while he retired a hero, he still felt he’d more to give.

He’d applied and was accepted as head of a SWAT team, and, watching him now as he and his men disembarked from the truck in almost military precision, a look passed between Annette, the police liaison officer, and I that said she’d seen it all before. I know I had.

There was a one in four chance his team would be selected for this operation, and she had been hoping it would be one of the other three. While waiting for them to arrive she filled me in on the various teams. His was the least co-operative, and the more likely to make ad-hoc decisions rather than adhere to the plan, or any orders that may come from the officer in charge.

This, she said quite bluntly, was going to end badly.

I still had no idea why Prendergast instructed me to attend the scene of what looked to be a normal domestic operation, but as the nominated expert in the field in these types of situations, it was fairly clear he wasn’t taking any chances. It was always a matter of opinion between us, and generally I lost.

In this case, it was an anonymous report identifying what the authorities believed were explosives in one of the dockside sheds where explosives were not supposed to be.

The only reason why the report was given any credence was the man, while not identifying himself by name, said he’d been an explosive expert once and recognized the boxes. That could mean anything, but the Chief Constable was a cautious man.

With his men settled and preparing their weapons, McCallister came over to the command post, not much more than the SUV my liaison and I arrived in, with weapons, bulletproof vests, and rolls of tape to cordon off the area afterward. We both had coffee, steaming in the cold early morning air. Dawn was slowly approaching and although rain had been forecast it had yet to arrive.

A man by the name of Benson was in charge. He too had groaned when he saw McCallister.

“A fine morning for it.” McCallister was the only enthusiastic one here.

He didn’t say what ‘it’ was, but I thought it might eventually be mayhem.

“Let’s hope the rain stays away. It’s going to be difficult enough without it,” Benson said, rubbing his hands together. We had been waiting for the SWAT team to arrive, and another team to take up their position under the wharf, and who was in the final stages of securing their position.

While we were waiting we drew up the plan. I’d go in first to check on what we were dealing with, and what type of explosives. The SWAT team, in the meantime, were to ensure all the exits to the shed were covered. When I gave the signal, they were to enter and secure the building. We were not expecting anyone inside or out, and no movement had been detected in the last hour since our arrival and deployment.

“What’s the current situation?”

“I’ve got eyes on the building, and a team coming in from the waterside, underneath. Its slow progress, but they’re nearly there. Once they’re in place, we’re sending McKenzie in.”

He looked in my direction.

“With due respect sir, shouldn’t it be one of us?” McCallister glared at me with the contempt that only a decorated military officer could.

“No. I have orders from above, much higher than I care to argue with, so, McCallister, no gung-ho heroics for the moment. Just be ready to move on my command, and make sure you have three teams at the exit points, ready to secure the building.”

McCallister opened his mouth, no doubt to question those orders, but instead closed it again. “Yes sir,” he muttered and turned away heading back to his men.

“You’re not going to have much time before he storms the battlements,” Benson quietly said to me, a hint of exasperation in his tone. “I’m dreading the paperwork.”

It was exactly what my liaison officer said when she saw McCallister arriving.

The water team sent their ‘in position’ signal, and we were ready to go.

In the hour or so we’d been on site nothing had stirred, no arrivals, no departures, and no sign anyone was inside, but that didn’t mean we were alone. Nor did it mean I was going to walk in and see immediately what was going on. If it was a cache of explosives then it was possible the building was booby-trapped in any number of ways, there could be sentries or guards, and they had eyes on us, or it might be a false alarm.

I was hoping for the latter.

I put on the bulletproof vest, thinking it was a poor substitute for full battle armor against an exploding bomb, but we were still treating this as a ‘suspected’ case. I noticed my liaison officer was pulling on her bulletproof vest too.

“You don’t have to go. This is my party, not yours,” I said.

“The Chief Constable told me to stick to you like glue, sir.”

I looked at Benson. “Talk some sense into her please, this is not a kindergarten outing.”

He shrugged. Seeing McCallister had taken all the fight out of him. “Orders are orders. If that’s what the Chief Constable requested …”

Madness. I glared at her, and she gave me a wan smile. “Stay behind me then, and don’t do anything stupid.”

“Believe me, I won’t be.” She pulled out and checked her weapon, chambering the first round. It made a reassuring sound.

Suited up, weapons readied, a last sip of the coffee in a stomach that was already churning from nerves and tension, I looked at the target, one hundred yards distant and thought it was going to be the longest hundred yards I’d ever traversed. At least for this week.

A swirling mist rolled in and caused a slight change in plans.

Because the front of the buildings was constantly illuminated by large overhead arc lamps, my intention had been to approach the building from the rear where there was less light and more cover. Despite the lack of movement, if there were explosives in that building, there’d be ‘enemy’ surveillance somewhere, and, after making that assumption, I believed it was going to be easier and less noticeable to use the darkness as a cover.

It was a result of the consultation, and studying the plans of the warehouse, plans that showed three entrances, the main front hangar type doors, a side entrance for truck entry and exit and a small door in the rear, at the end of an internal passage leading to several offices. I also assumed it was the exit used when smokers needed a break. Our entry would be by the rear door or failing that, the side entrance where a door was built into the larger sliding doors. In both cases, the locks would not present a problem.

The change in the weather made the approach shorter, and given the density of the mist now turning into a fog, we were able to approach by the front, hugging the walls, and moving quickly while there was cover. I could feel the dampness of the mist and shivered more than once.

It was nerves more than the cold.

I could also feel rather than see the presence of Annette behind me, and once felt her breath on my neck when we stopped for a quick reconnaissance.

It was the same for McCallister’s men. I could feel them following us, quickly and quietly, and expected, if I turned around, to see him breathing down my neck too.

It added to the tension.

My plan was still to enter by the back door.

We slipped up the alley between the two sheds to the rear corner and stopped. I heard a noise coming from the rear of the building, and the light tap on the shoulder told me Annette had heard it too. I put my hand up to signal her to wait, and as a swirl of mist rolled in, I slipped around the corner heading towards where I’d last seen the glow of a cigarette.

The mist cleared, and we saw each other at the same time. He was a bearded man in battle fatigues, not the average dockside security guard.

He was quick, but my slight element of surprise was his undoing, and he was down and unconscious in less than a few seconds with barely a sound beyond the body hitting the ground. Zip ties secured his hands and legs, and tape his mouth. Annette joined me a minute after securing him.

A glance at the body then me, “I can see why they, whoever they are, sent you.”

She’d asked who I worked for, and I didn’t answer. It was best she didn’t know.

“Stay behind me,” I said, more urgency in my tone. If there was one, there’d be another.

Luck was with us so far. A man outside smoking meant no booby traps on the back door, and quite possibly there’d be none inside. But it indicated there were more men inside, and if so, it appeared they were very well trained. If that were the case, they would be formidable opponents.

The fear factor increased exponentially.

I slowly opened the door and looked in. A pale light shone from within the warehouse itself, one that was not bright enough to be detected from outside. None of the offices had lights on, so it was possible they were vacant. I realized then they had blacked out the windows. Why hadn’t someone checked this?

Once inside, the door closed behind us, progress was slow and careful. She remained directly behind me, gun ready to shoot anything that moved. I had a momentary thought for McCallister and his men, securing the perimeter.

At the end of the corridor, the extent of the warehouse stretched before us. The pale lighting made it seem like a vast empty cavern, except for a long trestle table along one side, and, behind it, stacks of wooden crates, some opened. It looked like a production line.

To get to the table from where we were was a ten-yard walk in the open. There was no cover. If we stuck to the walls, there was equally no cover and a longer walk.

We needed a distraction.

As if on cue, the two main entrances disintegrated into flying shrapnel accompanied by a deafening explosion that momentarily disoriented both Annette and I. Through the smoke and dust kicked up I saw three men appear from behind the wooden crates, each with what looked like machine guns, spraying bullets in the direction of the incoming SWAT members.

They never had a chance, cut down before they made ten steps into the building.

By the time I’d recovered, my head heavy, eyes watering and ears still ringing, I took several steps towards them, managing to take down two of the gunmen but not the third.

I heard a voice, Annette’s I think, yell out, “Oh, God, he’s got a trigger,” just before another explosion, though all I remember in that split second was a bright flash, the intense heat, something very heavy smashing into my chest knocking the wind out of me, and then the sensation of flying, just before I hit the wall.

I spent four weeks in an induced coma, three months being stitched back together and another six learning to do all those basic actions everyone took for granted. It was twelve months almost to the day when I was released from the hospital, physically, except for a few alterations required after being hit by shrapnel, looking the same as I always had.

But mentally? The document I’d signed on release said it all, ‘not fit for active duty; discharged’.

It was in the name of David Cheney. For all intents and purposes, Alistair McKenzie was killed in that warehouse, and for the first time ever, an agent left the Department, the first to retire alive.

I was not sure I liked the idea of making history.

© Charles Heath 2016-2020

Writing a book in 365 days – 288

Day 288

The call of the weird…

The Call of the Weird: When an Oddball Writing Offer Knocks

As professional writers, we tend to operate within established lanes. Maybe you dominate B2B white papers, or you’re the wizard of lifestyle blogs, or perhaps your niche is technical documentation for the aerospace industry.

Then, one day, it happens.

The email arrives that makes your eyebrow twitch. It’s an offer to write something completely outside your experience—a script for a puppet show about quantum physics, a historical fiction piece told entirely from the perspective of moss, or maybe the manifesto for a highly niche, possibly fictitious, startup focused on sustainable moon mining.

This is the Oddball Offer. It’s wildly different, maybe a little intimidating, and possibly way “out there.”

The critical question immediately surfaces: What do you do? Do you politely decline and stick to what you know, or do you take the leap into the creative unknown?

Before you hit ‘archive’ or ‘accept,’ here is your professional roadmap for assessing and navigating those delightfully bizarre writing briefs.


1. Defining “Oddball”: The Initial Assessment

The first step is to categorize the offer. Not all unusual requests are equal.

A. The Niche Stretch

This type of offer is bizarre in subject matter but standard in format. (Example: Writing case studies about specialized farming equipment.) This is usually a safe bet. You apply your existing writing skill set to new content.

B. The Format Fluke

This is an offer that requires a totally new skill or output. (Example: You’re a blogger, and they want you to write a 12-act stage play.) This requires significant new learning and a pricing adjustment.

C. The Truly Out There (The “What Is This?”)

This is the offer that carries a real whiff of the bizarre, potentially involving questionable ethics, unknown legal territory, or simply a concept that seems too fringe to be real.

When you receive the email, strip away the novelty and ask yourself three key questions:

  1. Is the client legitimate? (Look up their company. Does it exist? Do they have a clear mission, even if that mission is strange?)
  2. Is the request morally or legally sound? (If the material is hateful, deceitful, or involves breaking laws, the answer is an immediate, firm “no.”)
  3. Does it require a time commitment I can afford to risk? (If it’s a massive project, the risk is higher.)

2. Addressing the Elephant: Is the Client Just Fishing for Ideas?

This is the most common fear when dealing with vague or highly creative briefs: the client wants free brainstorming, hoping you’ll deliver the “Aha!” concept they can then execute in-house or give to a cheaper writer.

If the client is vague, overly enthusiastic about “vision,” and hesitant to talk budget or milestones, this risk is high.

Strategy 1: Institute a Paid Discovery Phase

Never, under any circumstance, provide detailed concepts, outlines, or proprietary strategies for free. If the project requires heavy ideation, frame the initial engagement as a Paid Discovery Phase.

This might look like a single, fixed-rate consultation that includes:

  • A 60-minute strategy call.
  • One brief, non-transferable conceptual outline (200 words max).
  • A formal pricing structure for the full project.

If they won’t pay for the idea stage, they were almost certainly just fishing. If they balk, you’ve saved yourself hours of unpaid labor.

Strategy 2: Get an NDA Signed Immediately

If the project involves genuinely novel or proprietary concepts, protect yourself. Request a simple, standard Non-Disclosure Agreement (NDA) before you start sharing specific ideas on execution.

A serious client with a serious idea will not hesitate to sign an NDA. A client wary of intellectual property protection is likely trying to gather free resources.


3. The Professional Reckoning: Weighing the Risk vs. Reward

Assuming the offer is legitimate and you have protective measures in place, the decision comes down to the upside.

The Arguments FOR Taking the Oddball Offer

1. Portfolio Differentiation

This is perhaps the biggest win. A truly unique project provides “secret sauce” for your portfolio. If you’re trying to pivot or stand out from a crowded market, having a sample that no one else has—like a successful, funded Kickstarter campaign narrative for a wearable tech startup that monitors pigeon health—will get attention.

2. Higher Rates

Weird work often commands premium rates. Clients who need highly specialized or conceptual work know they can’t get it from a generalist. Their need is high, and your unusual ability to step up is valuable. Price the novelty, the complexity, and the risk appropriately.

3. Creative Expansion

Getting outside your comfort zone is good for your professional brain. It breaks up routine and prevents burnout. If you feel stale writing the same three types of articles, tackling the manifesto for a collective of subterranean mycologists might be the recharge you need.

The Arguments AGAINST Taking the Oddball Offer

1. Scope Creep and Ambiguity

Oddball projects, by their nature, lack standard precedents. The client may not know what they want, leading to endless revisions and a constantly shifting goalpost (Scope Creep). Before accepting, demand an ironclad Scope of Work (SOW) that clearly defines the deliverables, rounds of revision, and what “success” looks like.

2. Reputation Risk

If the project is deeply unconventional or touches on controversial elements (even if legitimate), consider if it could negatively impact your appeal to your core client base. If you primarily write for reputable financial institutions, perhaps writing the text for a speculative cryptocurrency art project might need careful consideration.

3. The Time Sink

Unique projects often require disproportionate research time. You may need to learn a new lexicon, a new industry, or a new format from scratch. Factor this extra research time into your pricing model.


4. Securing the Deal: Practical Steps for Proceeding

If you decide the reward outweighs the risk, proceed professionally and firmly:

  1. Define the SOW (Again, and in Detail): List exactly what you are writing (e.g., “5 blog posts, 800 words each, 2 rounds of revisions”). State what you are not doing (e.g., “Not responsible for graphic design or legal compliance review”).
  2. Demand a Deposit: For unique or speculative projects, a 50% upfront deposit is standard and non-negotiable. This protects you against the client disappearing after the first conceptual submission.
  3. Set Clear Boundaries: Communicate your communication style and availability clearly. Because the project is already unusual, managing expectations on process is vital.
  4. Embrace the Learning: Treat the research and concept generation as professional development. Even if the project fails, the knowledge you gain (e.g., how to format a technical comic book script) is now part of your toolkit.

Conclusion: Strategic Risk-Taking is the Writer’s Edge

The oddball offer is often not a distraction; it’s a test. It asks if you are adaptable, creatively courageous, and professional enough to manage complexity.

Don’t dismiss the weird simply because it’s unfamiliar. Instead, screen rigorously, protect your intellectual property fiercely, and if the client and concept pass the professional sniff test, take the leap.

Stepping way ‘out there’ is sometimes the only way to find your next, most lucrative, and most fascinating niche. Happy writing!

In a word: Port

So, I wonder if it’s true, any port in a storm, except perhaps Marseilles.

Or, if you are a lothario-type sailor, you would have a girl in every port.

Yes, the most common definition of a port is a place where ships dock.

And, while talking of ships we don’t call the sides left and right, we call them port and starboard.  Just in case you didn’t know, port is on the left side of the ship when facing forward.

And of course, ships have portholes, i.e. windows, traditionally round and rather small.

It could be an alcoholic drink, imbibed mostly after dinner with coffee and cigars, though no one seems to smoke cigars anymore.

There is still coffee, for now.  No doubt sometime in the future someone will link it to death and dying, and it will fall out of favour, like sugar, weedkillers and asbestos.

The best port seems to come from Portugal, strange about that.

You can port a program (app in phone speak) from one platform to another, which basically means from Android to Apple IOS, but not without a reasonable amount of work.

It can also be an outlet plug on a computer that accepts cables from other devices (USB) and many years ago, a printer port, and a serial port.

In certain places in the world a port is a child’s schoolbag, a definition I was not aware of until we moved to a different state.

I’m still having a problem with it 30 years on.

Inspiration, Maybe – Volume 2

50 photographs, 50 stories, of which there is one of the 50 below.

They all start with –

A picture paints … well, as many words as you like.  For instance:

And, the story:

Have you ever watched your hopes and dreams simply just fly away?

Everything I thought I wanted and needed had just left in an aeroplane, and although I said I was not going to, i came to the airport to see the plane leave.  Not the person on it, that would have been far too difficult and emotional, but perhaps it was symbolic, the end of one life and the start of another.

But no matter what I thought or felt, we had both come to the right decision.  She needed the opportunity to spread her wings.  It was probably not the best idea for her to apply for the job without telling me, but I understood her reasons.

She was in a rut.  Though her job was a very good one, it was not as demanding as she had expected, particularly after the last promotion, but with it came resentment from others on her level, that she, the youngest of the group would get the position.

It was something that had been weighing down of her for the last three months, and if noticed it, the late nights, the moodiness, sometimes a flash of temper.  I knew she had one, no one could have such red hair and not, but she had always kept it in check.

And, then there was us, together, and after seven years, it felt like we were going nowhere.  Perhaps that was down to my lack of ambition, and though she never said it, lack of sophistication.  It hadn’t been an issue, well, not until her last promotion, and the fact she had to entertain more, and frankly I felt like an embarrassment to her.

So, there it was, three days ago, the beginning of the weekend, and we had planned to go away for a few days and take stock.  We both acknowledged we needed to talk, but it never seemed the right time.

It was then she said she had quit her job and found a new one.  Starting the following Monday.

Ok, that took me by surprise, not so much that it something I sort of guessed might happen, but that she would just blurt it out.

I think that right then, at that moment, I could feel her frustration with everything around her.

What surprised her was my reaction.  None.

I simply asked where who, and when.

A world-class newspaper, in New York, and she had to be there in a week.

A week.

It was all the time I had left with her.

I remember I just shrugged and asked if the planned weekend away was off.

She stood on the other side of the kitchen counter, hands around a cup of coffee she had just poured, and that one thing I remembered was the lone tear that ran down her cheek.

Is that all you want to know?

I did, yes, but we had lost that intimacy we used to have when she would have told me what was happening, and we would have brainstormed solutions. I might be a cabinet maker but I still had a brain, was what I overheard her tell a friend once.

There’s not much to ask, I said.  You’ve been desperately unhappy and haven’t been able to hide it all that well, you have been under a lot of pressure trying to deal with a group of troglodytes, and you’ve been leaning on Bentley’s shoulder instead of mine, and I get it, he’s got more experience in that place,  and the politics that go with it, and is still an ally.

Her immediate superior and instrumental in her getting the position, but unlike some men in his position he had not taken advantage of a situation like some men would.  And even if she had made a move, which I doubted, that was not the sort of woman she was, he would have politely declined.

One of the very few happily married men in that organisation, so I heard.

So, she said, you’re not just a pretty face.

Par for the course for a cabinet maker whose university degree is in psychology.  It doesn’t take rocket science to see what was happening to you.  I just didn’t think it was my place to jump in unless you asked me, and when you didn’t, well, that told me everything I needed to know.

Yes, our relationship had a use by date, and it was in the next few days.

I was thinking, she said, that you might come with me,  you can make cabinets anywhere.

I could, but I think the real problem wasn’t just the job.  It was everything around her and going with her, that would just be a constant reminder of what had been holding her back. I didn’t want that for her and said so.

Then the only question left was, what do we do now?

Go shopping for suitcases.  Bags to pack, and places to go.

Getting on the roller coaster is easy.  On the beginning, it’s a slow easy ride, followed by the slow climb to the top.  It’s much like some relationships, they start out easy, they require a little work to get to the next level, follows by the adrenaline rush when it all comes together.

What most people forget is that what comes down must go back up, and life is pretty much a roller coaster with highs and lows.

Our roller coaster had just come or of the final turn and we were braking so that it stops at the station.

There was no question of going with her to New York.  Yes, I promised I’d come over and visit her, but that was a promise with crossed fingers behind my back.  After a few months in t the new job the last thing shed want was a reminder of what she left behind.  New friends new life.

We packed her bags, three out everything she didn’t want, a free trips to the op shop with stiff she knew others would like to have, and basically, by the time she was ready to go, there was nothing left of her in the apartment, or anywhere.

Her friends would be seeing her off at the airport, and that’s when I told her I was not coming, that moment the taxi arrived to take her away forever.  I remember standing there, watching the taxi go.  It was going to be, and was, as hard as it was to watch the plane leave.

So, there I was, finally staring at the blank sky, around me a dozen other plane spotters, a rather motley crew of plane enthusiasts.

Already that morning there’s been 6 different types of plane depart, and I could hear another winding up its engines for take-off.

People coming, people going.

Maybe I would go to New York in a couple of months, not to see her, but just see what the attraction was.  Or maybe I would drop in, just to see how she was.

As one of my friends told me when I gave him the news, the future is never written in stone, and it’s about time you broadened your horizons.

Perhaps it was.


© Charles Heath 2020-2021

Coming soon.  Find the above story and 49 others like it in:

NANOWRIMO – November 2025 – Day

The Third Son of a Duke

Day 0 – What’s it all about

So this is what happens when you become so wrapped up in your family history that a story screams out from under the names, dates, and places.

Perhaps it’s not the history you were hoping for, but some of your ancestors could be incorporated into a story.

A lot of mine came out from England on various ships, from sail to steam, small and large.

A lot of them were farmers, farmhands, or the modern-day roustabout called a labourer.

A lot of these came to Australia to improve their lot in life.  Some did.

WE had no convict ancestors

We had no rich people, perhaps the one that might have been was a builder and stone mason from Dorchester in England.

It was his daughter who was the reason for my existence.

But a story can’t be just about ancestors; it needs a thread to pull it all together.  That’s why I’m working on a package to wrap my family story in.

It starts in England over Christmas 1913, with the third son of a Duke, David.

His parents are sending him to Australia to check on how his father’s investment in his uncle’s enterprise, a cattle station in outback Queensland, is performing.

The real reason, his parents want to shield him from the possibility of war, just around the corner in 1914.

In going to Australia, he will meet my grandmother, on her way out to visit relatives in Footscray, but I think something else was afoot.

It’s going to be a fun ride imagining what my grandmother might have been like at the age of 25, coming to Australia as an adventure, and definitely not the sort of thing girls her age did.

Writing about writing a book – Day 15

Our main character Bill probably needs to give an account of the situation he found himself in.  I have, for a while, considered that he is just another soldier who found himself in the wrong place at the wrong time, but now, I want to add a dimension.

He finishes up where he is, in the end, because he chose to be there, and it was something of a rocky ride to get there.

That I’m still planning in my head.

In the meantime, this is the initial piece I wrote for his situation description:

I used to joke about telling people my middle name was ‘danger’.  It seemed I was not the only one, and for a time, worked with a group of soldiers and ex-soldiers in a capacity similar to that of being a mercenary.

Each one of us had a specialty.  Mine was being the sniper.  Johnny had knife skills and not the sort that was used in a kitchen.  Freddie, explosives, Bill, well, you just left Bill alone because he had a grudge against the world and everyone in it.

The Colonel used to say we were all handpicked, but that wasn’t necessarily the case.  I knew for a fact some of the team came straight out of the stockade before their time was up.

Because some of us were expendable.

The thing was; none of us cared.  For those who were ‘rescued’, it was better out in the jungle, dodging bullets, than being inside, your fate left in the hands of the Gods. 

I knew how it was.  I’d been there once or twice myself.

This morning had started the same as many others.  Rise and shine, a breakfast of sorts, into the chopper, and after an hour or so, dropping into a grassy patch, with nothing but jungle in every direction.  Our mission was to find and liberate a number of our people who had gone missing, read captured, on the border between Cambodia and Vietnam.  It was a familiar country because I had, over the last year or so, gone hunting missing POW’s in the area.  Old prisons had been converted into drug laboratories, and we’d broken up a few of those too.

The noise of the chopper put paid to any sort of stealthy approach and, by the time it dropped us off, if there was anyone nearby, our advantage, if we ever had one, was gone.  The trouble was, to cover the same distance by foot would take a week, and, by the time we arrived, if we arrived, more than half the team would be dead.  We may have been good, but we were not that good.  It was not our home turf.

It was hot, sticky, and nothing like home.  There wasn’t a day that passed when I thought to myself it was getting harder and harder to remember when I wasn’t constantly hot and sweaty, nor as frightened.  It happened that way, towards the end of a tour.

Once on the ground, every man was on full alert.  We changed the lead and tail end constantly, to make sure we didn’t lose anyone.  And it was hard going, the constant heat, sweat, punctuated with slight relief when it rained.

Then as quickly as it came, it went, leaving you wet then sticky.

And if that wasn’t enough to contend with, there was the enemy.   You couldn’t see them, nor hear them yet you had the feeling he was watching you the whole time, and it made your skin crawl.

Sometimes the enemy attacked when we had to camp, invisibly swooping, shooting from the trees, and firing a mortar or two, then disappearing back into the luminous greenery without a trace.  These were the remnants of the Viet Cong, Cambodian armed forces, disaffected Laotians, or the Chinese, or so we believed, but they were well-trained mercenaries and just the sort of people the drug cartels would use.

And surviving the operation, any operation, was like playing Russian roulette.  Was it your turn this time, or someone else’s?  You could be walking along, straining your eyes and ears, and next minute, find the man who was covering your back, dead.  Booby traps were silent and swift.  Landmines are loud and very messy.  Both hangovers from the war, and never cleaned up.  People you’d meet, you never knew whose side they were on, so it was best to avoid all contact.

© Charles Heath 2015-2023