The cinema of my dreams – I never wanted to go to Africa – Episode 33

Our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because of the enemy, if it was the enemy, simply because it didn’t look or sound or act like the enemy.

Now, it appears, his problems stem from another operation he participated in, and because of it, he has now been roped into what might be called a suicide mission.

Onboard the plane shortly after it took off, I watched Monroe go to each of the team and give them a folder with their role, and, no doubt, instructions on what they had to do, and to handle the equipment they were assigned.  The list I’d seen required a sound technician, a grip, a cameraman, his assistant, the director, the producer, which I took to be Monroe, and a few other production assistants.

None looked happy, and probably already knew what the cover story would be.  I didn’t see or hear any objections, each just took their folder and started on their homework.

She didn’t spend much time with Jacobi, just enough to tell him he was going to be the guide.  It was a role he was most suited to, and that of local liaison.  At least it would explain why he was with us.

After that, she came to see me.

“Was it your idea or Lallo’s?” I asked.  

“Lallo’s.  I’m as surprised as you, but you have to admit it’s a great cover story.”

“For a group who wouldn’t know one end of the camera from the other.”

“Plenty of time to learn.  You don’t have to worry.  All you have to do is be perennially bad-tempered and yell a lot.  I’m sure you can do that without having me tell you how to.”

“No. probably not.  Bamfield said it all the equipment worked.”

“When we take the C4, detonators, grenades, and a few other assorted armaments out it will.”

“You know where the other stuff is,” I said, hoping she understood that it was the diamonds I was talking about.

“Somewhere in one of the boxes.  It was best not to tell anyone, so if anything happens, we can’t give it away.  We can worry about that once we get past the border.  I suggest you get your head down.  At least one of us has to be sharp at the other end when we land.”

With that, she went back to her corner, ran her eye over the team now deep in their studies, then looked like she was going to get some sleep.

After a few hours, the enthusiasm to learn had died down, and each of the team members made themselves comfortable.  There would be more time to study on the other side of the fuel stop.  Everyone on board got what sleep they could, not that it was the best of places in the cargo hold of a C-130.  One destination we were all familiar with was that of Djibouti when we would set down to refuel at the airbase there.

It was a half-hour stop, and, as Monroe advised, we didn’t leave the plane.  It was best no one knew we were aboard or what we were doing, a feat I thought quite remarkable because if it was my airbase, I’d want to know.

But, as airbases went, it was the same as the rest.

Back in the air, we were heading for Uganda.  It was another 6 or 7 hours, so it was a good time to get some more rest before we landed.  I had no idea when the next time would be that there would be time for some shuteye.

I’d been keeping an eye on Monroe.  She appeared to be the liaison for everything, and had accompanied the pilot to the base tower, most likely to file the flight plan, one of several I imagine, and to report back to Bamfield.  It explained why the pilot returned without her, and she didn’t get back until 15 minutes before we were due to leave.

Should I be worried?  There wasn’t much point.

After an hour, I went up the back of the plane and sat next to Jacobi.  He had been ostracised by the rest of the team; an order given by Monroe for them to leave him alone.  He’d been escorted onto the plane by two burly military policemen, and his bag of equipment given to Monroe for safekeeping, so we were sure from the time he left the cell at the black site to getting on the plane he had communicated with anyone.

Even so, I was sure he had been in similar situations before, and he was still alive to tell about it.  If he had a plan, whatever that plan was, we would soon find out.

In the meantime, I thought he might have an interesting story to tell, and I had a few hours to kill.

He sullenly watched me come down the fuselage, and then sit next to him, loosely putting what passed as a seat belt on just in case we hit an air pocket.  The flight was not as smooth as it might be on a commercial airliner and was certainly a lot noisier.

“Have you spoken to the right people yet?” I almost had to yell in his ear.  

Lallo had said he was going to get Jacobi to call his friendly General in the Congo army to smooth the way, and it would be interesting to know under what circumstances Jacobi had explained our arrival at his border.  And another to tell the kidnappers we were on our way.  Monroe said he had made several supervised phone calls, but not exactly who to.

We had to pray that the General would be among those to also help us locate the targets and, once the exchange was made, assist us in our departure, for a small sum to compensate them for the inconvenience.

He knew why I’d come to see him.  “The captors know we are coming, and hopefully before the time limit has passed.  They will kill them this time if we don’t get there in time.”

“I’m sure they’d like us to think that, but you know as well as I do they need the ransom for their ongoing operations.  Let’s hope it doesn’t come down to plan f which is where they kill us, the hostages, and just take the ransom.  Either way, I hate to be the one who is only going to make things worse, but I don’t get to decide what’s right or wrong.”

“It’s how it works out there.  Everyone is available for a price.  If it wasn’t this lot, it’d be another or another.”

“Or the military, maybe, looking to cash in because the state doesn’t pay them enough.  That’s why we’re putting you at the head of the procession.  If we’re ambushed, you’ll be the first to go.”

“I admire your lack of faith in me.”

“You haven’t done anything to inspire faith, Jacobi.  But so long as you keep your word, and do everything right, I won’t have to shoot you.”

There was no horrified look.  He knew the score of being in the ‘Mr. In-Between’ business.  He would no doubt get a share of the diamonds for brokering the deal, on top of whatever Lallo offered him, and a cut of the General and his men’s fees for guaranteeing our safety.  I guess his business also had its hazards, wasn’t for the faint-hearted, and for those working all sides of the fence, a particularly exciting time.

Generals, soldiers, kidnappers, rebels, practically every man and his dog had an itchy trigger finger.

“It’s not me you have to worry about.”

“How so?”

“I didn’t betray them the last time, and that person was never identified.”

A good point.  “Then let’s hope no one else knows we’re coming, or what we’re bringing as ransom.”

He looked at me, a look that told me I thought he might just make a play for the diamonds himself and forget about the targets.  It was a very tempting ransom.

“You know how it is.  Spies are everywhere.”

“Just make sure you’re not one of them.”

I think I said it with just enough sincerity that he believed me.

“It’s not worth my while, I assure you.  Once you’re involved in a double-cross, you cease to be of worth to anyone.  I will not be the source of your problems if there are any.”

For a man who’d already been caught out in a raft of lies, there was nothing he could say that would make me trust him.  He was going to require an escort once we landed.

I had two perfect candidates for the job.  Williamson and Shurl.  From what I had observed on the ground before we boarded the plane, and in the plane, they stuck together.  I got the impression they knew each other.

After I left Jacobi, I told them what I wanted them to do.

It was the day for sullen responses.  They didn’t want to be babysitters.  Tough.

Next, I went and visited Mobley, sitting closer to the front of the plane, by himself.  Monroe had sat with him for an hour or so before we reached Djibouti, and it had raised a small flag.

I staggered towards him, the pilots deciding to take the rough path through the sky, and almost fell into the seat next to him.

He didn’t look at me the whole time, even when I’d sat down.  Was he pretending to ignore me, or had he decided he was above taking my orders?

“I’ve got a few hours to waste so if you think I’m going away forget it,” I said, loud enough to get his attention.

A slight flutter of an eyelid.  Not asleep.

“Monroe tells me you’re in charge of this motley crew,” he said, still not looking at me.

“Not because I want to be.  I’m not sure what your reason is to be here, and, frankly, I don’t care, but I really don’t want to be here.  I wasn’t given a choice.  I’m guessing you did from what I’ve been told.  We don’t have time to debate the issue.  What I want you to do is when we arrive at the base, is hang back, come up with whatever excuse will fly, and give us several hours head start.  You’ll be with one of Chiswick’s men.  What’s important is to check no one follows us.”

“You think someone might?”  A look of almost interest.

“I’m sure of it.  There’s no way we will get to the base in Uganda, no matter how far from civilization it is, and not be noticed, or worse, that someone already knows we’re coming.”

“What’s the ultimate rendezvous?”

“Over the border in the Congo.”  I passed him a hand-drawn map of the area, from the landing strip to the GPS co-ordinates of the exchange point in the Congo, but not the track that we would be taking, some of which I hoped might be by the river.  I think Monroe had given him as much detail of the job as she could, as she probably had all of them.

“Monroe in the loop?”

“She will be by the time we land.”

“Good.”

Eyes closed again; the conversation was over.

Time to have a talk to Monroe.

“Got some good news,” she said when I sat next to her.

“We’re turning around and going home?”

“Where is home?”

It was an interesting question.  I’d been bounced around so many airbases, I don’t think I’d had a permanent fixed address from the day I signed up.  Was it where I used to live?  No point going back, everyone I’d known back then had either moved on or died.  Technically I was now an orphan, and unlike others, I had no family of my own to go home to.

“No idea anymore, I’m afraid.  So, what’s this good news.”

“We have an exit strategy.  Bamfield told me to tell you everything is in place.  All we have to do is liberate a plane and we’re on our way home.  It’s the reason why Davies is on the mission, Bamfield says she can fly anything.”

“I’ve never heard of a plane called ‘anything’.”

“You know what I mean.”

“Any other details?”

“We’ll know exactly what the score is when we get there.  That’s all I know at the moment.”

“There’s more?”

“Hopefully through the pilot’s last contact with Bamfield.  Otherwise, it’s going to be just another boring day at the office.”

© Charles Heath 2019-2021

An excerpt from “One Last Look”: Charlotte is no ordinary girl

This is currently available at Amazon herehttp://amzn.to/2CqUBcz

I’d read about out-of-body experiences, and like everyone else, thought it was nonsense.  Some people claimed to see themselves in the operating theatre, medical staff frantically trying to revive them, and being surrounded by white light.

I was definitely looking down, but it wasn’t me I was looking at.

It was two children, a boy and a girl, with their parents, in a park.

The boy was Alan.  He was about six or seven.  The girl was Louise, and she was five years old.  She had long red hair and looked the image of her mother.

I remember it now, it was Louise’s birthday and we went down to Bournemouth to visit our Grandmother, and it was the last time we were all together as a family.

We were flying homemade kites our father had made for us, and after we lay there looking up at the sky, making animals out of the clouds.  I saw an elephant, Louise saw a giraffe.

We were so happy then.

Before the tragedy.

When I looked again ten years had passed and we were living in hell.  Louise and I had become very adept at survival in a world we really didn’t understand, surrounded by people who wanted to crush our souls.

It was not a life a normal child had, our foster parents never quite the sort of people who were adequately equipped for two broken-hearted children.  They tried their best, but their best was not good enough.

Every day it was a battle, to avoid the Bannister’s and Archie in particular, every day he made advances towards Louise and every day she fended him off.

Until one day she couldn’t.

Now I was sitting in the hospital, holding Louise’s hand.  She was in a coma, and the doctors didn’t think she would wake from it.  The damage done to her was too severe.

The doctors were wrong.

She woke, briefly, to name her five assailants.  It was enough to have them arrested.  It was not enough to have them convicted.

Justice would have to be served by other means.

I was outside the Bannister’s home.

I’d made my way there without really thinking, after watching Louise die.  It was like being on autopilot, and I had no control over what I was doing.  I had murder in mind.  It was why I was holding an iron bar.

Skulking in the shadows.  It was not very different from the way the Bannister’s operated.

I waited till Archie came out.  I knew he eventually would.  The police had taken him to the station for questioning, and then let him go.  I didn’t understand why, nor did I care.

I followed him up the towpath, waiting till he stopped to light a cigarette, then came out of the shadows.

“Wotcha got there Alan?” he asked when he saw me.  He knew what it was, and what it was for.

It was the first time I’d seen the fear in his eyes.  He was alone.

“Justice.”

“For that slut of a sister of yours.  I had nuffing to do with it.”

“She said otherwise, Archie.”

“She never said nuffing, you just made it up.”  An attempt at bluster, but there was no confidence in his voice.

I held up the pipe.  It had blood on it.  Willy’s blood.  “She may or may not have Archie, but Willy didn’t make it up.  He sang like a bird.  That’s his blood, probably brains on the pipe too, Archie, and yours will be there soon enough.”

“He dunnit, not me.  Lyin’ bastard would say anything to save his own skin.”  Definitely scared now, he was looking to run away.

“No, Archie.  He didn’t.  I’m coming for you.  All of you Bannisters.  And everyone who touched my sister.”

It was the recurring nightmare I had for years afterwards.

I closed my eyes and tried to shut out the thoughts, the images of Louise, the phone call, the visit to the hospital and being there when she succumbed to her injuries.  Those were the very worst few hours of my life.

She had asked me to come to the railway station and walk home with her, and I was running late.  If I had left when I was supposed to, it would never have happened and for years afterwards, I blamed myself for her death.

If only I’d not been late…

When the police finally caught the rapists, I’d known all along who they’d be; antagonists from school, the ring leader, Archie Bannister, a spurned boyfriend, a boy whose parents, ubiquitously known to all as ‘the Bannister’s, dealt in violence and crime and who owned the neighbourhood.  The sins of the father had been very definitely passed onto the son.

At school, I used to be the whipping boy, Archie, a few grades ahead of me, made a point of belting me and a few of the other boys, to make sure the rest did as they were told.  He liked Louise, but she had no time for a bully like him, even when he promised he would ‘protect’ me.

I knew the gang members, the boys who tow-kowed to save getting beaten up, and after the police couldn’t get enough information to prosecute them because everyone was too afraid to speak out, I went after Willy.  There was always a weak link in a group, and he was it.

He worked in a factory, did long hours on a Wednesday and came home after dark alone.  It was a half mile walk, through a park.  The night I approached him, I smashed the lights and left it in darkness.  He nearly changed his mind and went the long way home.

He didn’t.

It took an hour and a half to get the names.  At first, when he saw me, he laughed.  He said I would be next, and that was four words more than he knew he should have said.

When I found him alone the next morning I showed him the iron bar and told him he was on the list.  I didn’t kill him then, he could wait his turn, and worry about what was going to happen to him.

When the police came to visit me shortly after that encounter, no doubt at the behest of the Bannister’s, the neighbourhood closed ranks and gave me an ironclad alibi.  The Bannister’s then came to visit me and threatened me.  I told them their days were numbered and showed them the door.

At the trial, he and his friends got off on a technicality.  The police had failed to do their job properly, but it was not the police, but a single policeman, corrupted by the Bannisters.

Archie could help but rub it in my face.  He was invincible.

Joe Collins took 12 bullets and six hours to bleed out.  He apologized, he pleaded, he cried, he begged.  I didn’t care.

Barry Mills, a strong lad with a mind to hurting people, Archie’s enforcer, almost got the better of me.  I had to hit him more times than I wanted to, and in the end, I had to be satisfied that he died a short but agonizing death.

I revisited Willy in the hospital.  He’d recovered enough to recognize me, and why I’d come.  Suffocation was too good for him.

David Williams, second in command of the gang, was as tough and nasty as the Bannisters.  His family were forging a partnership with the Bannister’s to make them even more powerful.  Outwardly David was a pleasant sort of chap, affable, polite, and well mannered.  A lot of people didn’t believe he could be like, or working with, the Bannisters.

He and I met in the pub.  We got along like old friends.  He said Willy had just named anyone he could think of, and that he was innocent of any charges.  We shook hands and parted as friends.

Three hours later he was sitting in a chair in the middle of a disused factory, blindfolded and scared.  I sat and watched him, listened to him, first threatening me, and then finally pleading with me.  He’d guessed who it was that had kidnapped him.

When it was dark, I took the blindfold off and shone a very bright light in his eyes.  I asked him if the violence he had visited upon my sister was worth it.  He told me he was just a spectator.

I’d read the coroner’s report.  They all had a turn.  He was a liar.

He took nineteen bullets to die.

Then came Archie.

The same factory only this time there were four seats.  Anna Bannister, brothel owner, Spike Bannister, head of the family, Emily Bannister, sister, and who had nothing to do with their criminal activities.  She just had the misfortune of sharing their name.

Archie’s father told me how he was going to destroy me, and everyone I knew.

A well-placed bullet between the eyes shut him up.

Archie’s mother cursed me.  I let her suffer for an hour before I put her out of her misery.

Archie remained stony-faced until I came to Emily.  The death of his parents meant he would become head of the family.  I guess their deaths meant as little to him as they did me.

He was a little more worried about his sister.

I told him it was confession time.

He told her it was little more than a forced confession and he had done nothing to deserve my retribution.

I shrugged and shot her, and we both watched her fall to the ground screaming in agony.  I told him if he wanted her to live, he had to genuinely confess to his crimes.  This time he did, it all poured out of him.

I went over to Emily.  He watched in horror as I untied her bindings and pulled her up off the floor, suffering only from a small wound in her arm.  Without saying a word she took the gun and walked over to stand behind him.

“Louise was my friend, Archie.  My friend.”

Then she shot him.  Six times.

To me, after saying what looked like a prayer, she said, “Killing them all will not bring her back, Alan, and I doubt she would approve of any of this.  May God have mercy on your soul.”

Now I was in jail.  I’d spent three hours detailing the deaths of the five boys, everything I’d done; a full confession.  Without my sister, my life was nothing.  I didn’t want to go back to the foster parents; I doubt they’d take back a murderer.

They were not allowed to.

For a month I lived in a small cell, in solitary, no visitors.  I believed I was in the queue to be executed, and I had mentally prepared myself for the end.

Then I was told I had a visitor, and I was expecting a priest.

Instead, it was a man called McTavish. Short, wiry, and with an accent that I could barely understand.

“You’ve been a bad boy, Alan.”

When I saw it was not the priest I told the jailers not to let him in, I didn’t want to speak to anyone.  They ignored me.  I’d expected he was a psychiatrist, come to see whether I should be shipped off to the asylum.

I was beginning to think I was going mad.

I ignored him.

“I am the difference between you living or dying Alan, it’s as simple as that.  You’d be a wise man to listen to what I have to offer.”

Death sounded good.  I told him to go away.

He didn’t.  Persistent bugger.

I was handcuffed to the table.  The prison officers thought I was dangerous.  Five, plus two, murders, I guess they had a right to think that.  McTavish sat opposite me, ignoring my request to leave.

“Why’d you do it?”

“You know why.”  Maybe if I spoke he’d go away.

“Your sister.  By all accounts, the scum that did for her deserved what they got.”

“It was murder just the same.  No difference between scum and proper people.”

“You like killing?”

“No-one does.”

“No, I dare say you’re right.  But you’re different, Alan.  As clean and merciless killing I’ve ever seen.  We can use a man like you.”

“We?”

“A group of individuals who clean up the scum.”

I looked up to see his expression, one of benevolence, totally out of character for a man like him.  It looked like I didn’t have a choice.

Trained, cleared, and ready to go.

I hadn’t realized there were so many people who were, for all intents and purposes, invisible.  People that came and went, in malls, in hotels, trains, buses, airports, everywhere, people no one gave a second glance.

People like me.

In a mall, I became a shopper.

In a hotel, I was just another guest heading to his room.

On a bus or a train, I was just another commuter.

At the airport, I became a pilot.  I didn’t need to know how to fly; everyone just accepted a pilot in a pilot suit was just what he looked like.

I had a passkey.

I had the correct documents to get me onto the plane.

That walk down the air bridge was the longest of my life.  Waiting for the call from the gate, waiting for one of the air bridge staff to challenge me, stepping onto the plane.

Two pilots and a steward.  A team.  On the plane early before the rest of the crew.  A group that was committing a crime, had committed a number of crimes and thought they’d got away with it.

Until the judge, the jury and their executioner arrived.

Me.

Quick, clean, merciless.  Done.

I was now an operational field agent.

I was older now, and I could see in the mirror I was starting to go grey at the sides.  It was far too early in my life for this, but I expect it had something to do with my employment.

I didn’t recognize the man who looked back at me.

It was certainly not Alan McKenzie, nor was there any part of that fifteen-year-old who had made the decision to exact revenge.

Given a choice; I would not have gone down this path.

Or so I kept telling myself each time a little more of my soul was sold to the devil.

I was Barry Gamble.

I was Lenny Buckman.

I was Jimmy Hosen.

I was anyone but the person I wanted to be.

That’s what I told Louise, standing in front of her grave, and trying to apologize for all the harm, all the people I’d killed for that one rash decision.  If she was still alive she would be horrified, and ashamed.

Head bowed, tears streamed down my face.

God had gone on holiday and wasn’t there to hand out any forgiveness.  Not that day.  Not any day.

New York, New Years Eve.

I was at the end of a long tour, dragged out of a holiday and back into the fray, chasing down another scumbag.  They were scumbags, and I’d become an automaton hunting them down and dispatching them to what McTavish called a better place.

This time I failed.

A few drinks to blot out the failure, a blonde woman who pushed my buttons, a room in a hotel, any hotel, it was like being on the merry-go-round, round and round and round…

Her name was Silvia or Sandra, or someone I’d met before, but couldn’t quite place her.  It could be an enemy agent for all I knew or all I cared right then.

I was done.

I’d had enough.

I gave her the gun.

I begged her to kill me.

She didn’t.

Instead, I simply cried, letting the pent up emotion loose after being suppressed for so long, and she stayed with me, holding me close, and saying I was safe, that she knew exactly how I felt.

How could she?  No one could know what I’d been through.

I remembered her name after she had gone.

Amanda.

I remembered she had an imperfection in her right eye.

Someone else had the same imperfection.

I couldn’t remember who that was.

Not then.

I had a dingy flat in Kensington, a place that I rarely stayed in if I could help it.  After five-star hotel rooms, it made me feel shabby.

The end of another mission, I was on my way home, the underground, a bus, and then a walk.

It was late.

People were spilling out of the pub after the last drinks.  Most in good spirits, others slightly more boisterous.

A loud-mouthed chap bumped into me, the sort who had one too many, and was ready to take on all comers.

He turned on me, “Watch where you’re going, you fool.”

Two of his friends dragged him away.  He shrugged them off, squared up.

I punched him hard, in the stomach, and he fell backwards onto the ground.  I looked at his two friends.  “Take him home before someone makes mincemeat out of him.”

They grabbed his arms, lifted him off the ground and took him away.

Out of the corner of my eye, I could see a woman, early thirties, quite attractive, but very, very drunk.  She staggered from the bar, bumped into me, and finished up sitting on the side of the road.

I looked around to see where her friends were.  The exodus from the pub was over and the few nearby were leaving to go home.

She was alone, drunk, and by the look of her, unable to move.

I sat beside her.  “Where are your friends?”

“Dunno.”

“You need help?”

She looked up, and sideways at me.  She didn’t look the sort who would get in this state.  Or maybe she was, I was a terrible judge of women.

“Who are you?” she asked.

“Nobody.”  I was exactly how I felt.

“Well Mr Nobody, I’m drunk, and I don’t care.  Just leave me here to rot.”

She put her head back between her knees, and it looked to me she was trying to stop the spinning sensation in her head.

Been there before, and it’s not a good feeling.

“Where are your friends?” I asked again.

“Got none.”

“Perhaps I should take you home.”

“I have no home.”

“You don’t look like a homeless person.  If I’m not mistaken, those shoes are worth more than my weekly salary.”  I’d seen them advertised, in the airline magazine, don’t ask me why the ad caught my attention.

She lifted her head and looked at me again.  “You a smart fucking arse are you?”

“I have my moments.”

“Have them somewhere else.”

She rested her head against my shoulder.  We were the only two left in the street, and suddenly in darkness when the proprietor turned off the outside lights.

“Take me home,” she said suddenly.

“Where is your place?”

“Don’t have one.  Take me to your place.”

“You won’t like it.”

“I’m drunk.  What’s not to like until tomorrow.”

I helped her to her feet.  “You have a name?”

“Charlotte.”

The wedding was in a small church.  We had been away for a weekend in the country, somewhere in the Cotswolds, and found this idyllic spot.  Graves going back to the dawn of time, a beautiful garden tended by the vicar and his wife, an astonishing vista over hills and down dales.

On a spring afternoon with the sun, the flowers, and the peacefulness of the country.

I had two people at the wedding, the best man, Bradley, and my boss, Watkins.

Charlotte had her sisters Melissa and Isobel, and Isobel’s husband Giovanni, and their daughter Felicity.

And one more person who was as mysterious as she was attractive, a rather interesting combination as she was well over retirement age.  She arrived late and left early.

Aunt Agatha.

She looked me up and down with what I’d call a withering look.  “There’s more to you than meets the eye,” she said enigmatically.

“Likewise I’m sure,” I said.  It earned me an elbow in the ribs from Charlotte.  It was clear she feared this woman.

“Why did you come,” Charlotte asked.

“You know why.”

Agatha looked at me.  “I like you.  Take care of my granddaughter.  You do not want me for an enemy.”

OK, now she officially scared me.

She thrust a cheque into my hand, smiled, and left.

“Who is she,” I asked after we watched her depart.

“Certainly not my fairy godmother.”

Charlotte never mentioned her again.

Zurich in summer, not exactly my favourite place.

Instead of going to visit her sister Isobel, we stayed at a hotel in Beethovenstrasse and Isobel and Felicity came to us.  Her husband was not with her this time.

Felicity was three or four and looked very much like her mother.  She also looked very much like Charlotte, and I’d remarked on it once before and it received a sharp rebuke.

We’d been twice before, and rather than talk to her sister, Charlotte spent her time with Felicity, and they were, together, like old friends.  For so few visits they had a remarkable rapport.

I had not broached the subject of children with Charlotte, not after one such discussion where she had said she had no desire to be a mother.  It had not been a subject before and wasn’t once since.

Perhaps like all Aunts, she liked the idea of playing with a child for a while and then give it back.

Felicity was curious as to who I was, but never ventured too close.  I believed a child could sense the evil in adults and had seen through my facade of friendliness.  We were never close.

But…

This time, when observing the two together, something quite out of left field popped into my head.  It was not possible, not by any stretch of the imagination, but I thought she looked like my mother.

And Charlotte had seen me looking in their direction.  “You seem distracted,” she said.

“I was just remembering my mother.  Odd moment, haven’t done so for a very long time.”

“Why now?”  I think she had a look of concern on her face.

“Her birthday, I guess,” I said, the first excuse I could think of.

Another look and I was wrong.  She looked like Isobel or Charlotte, or if I wanted to believe it possible, Melissa too.

I was crying, tears streaming down my face.

I was in pain, searing pain from my lower back stretching down into my legs, and I was barely able to breathe.

It was like coming up for air.

It was like Snow White bringing Prince Charming back to life.  I could feel what I thought was a gentle kiss and tears dropping on my cheeks, and when I opened my eyes, I saw Charlotte slowly lifting her head, a hand gently stroking the hair off my forehead.

And in a very soft voice, she said, “Hi.”

I could not speak, but I think I smiled.  It was the girl with the imperfection in her right eye.  Everything fell into place, and I knew, in that instant that we were irrevocably meant to be together.

“Welcome back.”

© Charles Heath 2016-2019

onelastlookcoverfinal2

The Cinema of My Dreams – It ended in Sorrento – Episode 55

Watching the prime suspect

I joined Cecelia on the side of a hill about 500 yards from the front of the main entrance to the Burkehardt residence.  On one side there were several outbuildings, and beyond those, the vines, acres and acres of them.  On the other side, where we were, there was more vines and gardens.

It was warm, but we were under the trees and had a hedgerow to hide behind, so we were quite safe from being seen.

Cecelia had picked her spot with care.  Clear sight to the front entrance, clear sight of the driveway from the road to the house, and the opportunity to like up targets with the rifle, already set out.

It was not loaded.  She was using the sight to home in on those at home.

“A mother, a father, two girls and a boy.  The parents fight a lot.  Th mother and the three children left about a half hour ago, and the old man is sitting at a table reading the newspaper.  You’d think he’d be out working.”

“Anyone call?”

“One.  The man answered a cell phone, spoke for a minute then went back to the paper.  If he starts doing the crossword, I’m going to shoot him.”

She took another look, then sat up.  She had brought a hamper with food and drinks.  No wine.  We needed to remain focused.

It was a fine day, and just started to get hot, despite the fact we were quite buried by the surrounding trees.  The heat was tempered by a slight breeze, and the sound of it rustling the leaves was oddly soothing.

One of the more pleasant stake outs I’d been on.

My phone buzzed.  A message.

‘One of the phones called a man named Dicostini about twenty minutes ago and said they were on their way, there was a problem.’

As I suspected, the fake countess was working with Dicostini.

“And…?”  Cecelia looked at me expectantly.

“Expect to see the fake countess.  They are on their way.”

We didn’t have to wait very long.  I had expected they would arrive about an hour after I had, but then, the countess did have some disconcerting news.  What surprised me was the fact she just didn’t tell him over the phone.  If I were Dicostini, I would have told her to stay away for fear of being linked together, and that was still a possibility if there were other people in the house, loyal to the Dicostini or not.

Cecelia had picked up the gun and was pointing it at every car that passed the driveway entrance, checking on the drivers and passengers if there were any.

“Got them.”

I saw the car stop at the driveway entrance for a minute, and then start slowly along the driveway.

“Juliet is driving the car.  The two women are in the back.  Odd.”

“Perhaps they’re practising being wealthy dowagers.”

She put the gun back facing the house.

“You got your phone?”

“Why?

“Alfie would have put an app on it so you can listen to the conversation.  I didn’t think about it until now otherwise we could have listened to them on the way here.”

I gave it to her, and she fiddled with it for a minute, handing it back and the car stopped outside the house.

“You think it would be that riveting?”

“No.  But it might give us some idea what they’re up to?”

Then a voice came over the speaker, not too loud but loud enough for us to hear.

“You stay in the car, Juliet.  The fewer people who know about this the better.”  I could not put a face to the voice.

“Distinction for the uninvolved.  I will not be breaking you out of prison just so you know.”

“Don’t be such a spoilt brat.”

I heard two doors slam and then silence, other than feet crunching on the gravel.  Cecelia lined them up in her sights and said, “Just say the word.”

At the top of the stairs, I could just see them stop at the door and rang the bell.  It took several minutes before Dicostini answered.

“This is not a good idea, coming here,” he said.

“Well, the phones aren’t safe.  We disabled the GPS, and I sure as hell aren’t going to tell you anything using one.  Let’s go inside.”

“You shouldn’t be here.  If anyone sees, you…”

“Not if we come, say our piece, and go.  Arguing is only making it more dangerous.”

He stood to one side and let them pass.

Three minutes later I heard Cecelia say, “Got them again.”

The vices came back.

“What’s so pressing you have to come here.”

“The signing had been delayed.”

“The Burkehardt’s.  The suspect something.  You?  What do you do wrong?”

“I’ve seen the solicitor, and the family in London, even that fool Rodby insisted I use as an escort.  They all think I’m the countess.”

“Except now you are missing, they’re worried.  Rodby should have kept out of it, but you going missing the way you did, has only caused us trouble.  The Burkhardt’s called him and then he had to do something about it.”

“You know that was for effect, to get away from the family because the longer I’m with them the more chance they’ll discover the truth.  Rodby should be happy to know I have been found, which is exactly as it was planned, and that his man will be taking me to the signing.  Rodby will do as he’s told.”

“A week’s a long time for things to go wrong.  You have to say in hiding.”

“It’s another week and I have people pressing me for money.”  Vittoria wasn’t happy.

“You know the deal.  The countess signs the papers, and you get your payment.  I can’t help it if it’s been delayed.  They can’t delay it forever.  You’ve delivered the message, now go, before anyone finds you here.”

© Charles Heath 2023

What I learned about writing – Working on what pays, not necessarily what you would like to be working on

The Writer’s Dilemma: Why the Money-Paying Tale Often Takes Centre Stage (and What It Means for Your Craft)

Every writer knows this internal monologue. It’s late, the house is quiet, and the cursor blinks expectantly. Before you, on one screen, is the outline for that sprawling, genre-bending novel that called you to writing in the first place – your magnum opus, your heart project. On another tab, emails from a client remind you of the looming deadline for that article on “The Top 10 Uses for Biodegradable Sponges” or that ghostwritten piece on “Modern Pet Grooming Techniques.”

And if you’re like many authors, the biodegradable sponges often win.

It’s a source of quiet guilt for some, a pragmatic acceptance for others, but the question remains: Why is it often postulated that it’s better to work on the money-paying tales, rather than the serious writing that sparked your passion, or that beloved pet project? Let’s peel back the layers of this very real writer’s dilemma.

1. The Unsexy Truth: Bills Don’t Pay Themselves

This is, overwhelmingly, the primary driver. Writing, for most, isn’t a guaranteed goldmine, especially when you’re starting out or delving into niche literary fiction. While the dream is to live off your art, the reality is that rent, groceries, internet bills, and – let’s be honest – that ever-growing coffee habit, require immediate, tangible income.

Money-paying tales – be it freelance articles, copywriting gigs, ghostwriting assignments, or even genre fiction with a reliable market – offer a more predictable cash flow. They keep the lights on, the laptop charged, and food on the table. Without this foundational stability, the mental and emotional space required for deeply serious, often financially unrewarding, creative work becomes almost impossible to cultivate.

2. Sharpening the Axe: Professionalism and Practice

Think of money-paying projects not as a distraction, but as a different kind of training. Even if the subject matter isn’t your passion, these gigs offer invaluable professional development:

  • Meeting Deadlines: A crucial skill for any published author, even in the literary world.
  • Adhering to Briefs/Guidelines: Learning to work within constraints hones your precision and adaptability.
  • Understanding Your Audience: Every paying gig requires you to write for a specific reader, which is a transferable skill for any type of writing.
  • Honing Craft: Whether it’s crafting compelling sentences, structuring arguments, or developing clear prose, every word you write is practice. Even “mundane” writing can teach you about flow, conciseness, and impact.
  • Building a Reputation: Delivering quality work consistently, even on commercial projects, establishes you as a reliable and professional writer. This professional goodwill can open doors later.

Sometimes, the very act of writing anything takes the pressure off. Your “serious” work can feel monumental, intimidating. A paying gig, while perhaps less creatively fulfilling, can be a welcome change of pace, a chance to simply put words on a page without the intense emotional investment.

3. Building the Foundation (and the Platform)

For many, the “money tales” are a strategic investment in their larger writing career.

  • Financial Runway: Earning money now means you might save up enough to take dedicated time off later to really immerse yourself in your passion project without immediate financial pressure.
  • Publishing Credits: Even if it’s not the type of writing you ultimately want to be famous for, any published work builds a portfolio. It shows you’re a working writer, capable of producing content.
  • Networking: Commercial projects often connect you with editors, publishers, and other industry professionals. These connections can be invaluable when you eventually pitch your more serious work.
  • Market Intelligence: Working on commercially viable projects gives you a direct line to understanding what sells, what the market demands, and how publishing houses operate. This insight, while not dictating your art, can be useful for strategising the release of your passion project.

4. The Creative Tug-of-War: Balancing Act, Not Betrayal

It’s natural to feel a pang of guilt or a sense of creative betrayal when you prioritise a paying gig over your deep-seated artistic ambitions. However, many authors view this not as an either/or, but as a strategic balancing act.

  • Allocate Time: Dedicate specific hours or days to your passion project, even if it’s just 30 minutes a day. Consistency is key.
  • Refuel Your Muse: Sometimes, the “light” work of a commercial gig can be less creatively draining than wrestling with your masterpiece, leaving you with more energy for your passion project when you do turn to it.
  • Remember Your “Why”: Keep a tangible reminder of your larger goal – a sticky note, a vision board, a printed outline. This helps combat the feeling of drift.

In essence, for many, working on money-paying tales isn’t a surrender of artistic integrity, but a practical, often necessary, step on the path to sustaining a writing life. It’s about building a solid foundation, sharpening the tools of the trade, and sometimes, simply ensuring you have the time and resources to eventually tell the stories that truly matter most to your heart.

It’s a marathon, not a sprint, and sometimes the best way to keep running is to earn a little cash along the way.


What’s your take on this writer’s dilemma? How do you balance the demands of paying work with your passion projects? Share your strategies and insights in the comments below!

365 Days of writing, 2026 – 141

Day 141 – Writer’s block

The Blank Page Blues: Understanding the Real Effects of Writer’s Block (And How to Beat It)

Every writer, whether they are penning a Pulitzer-winning novel, a corporate newsletter, or a simple blog post, has been there. You sit down, open your laptop, crack your knuckles, and… nothing. The cursor blinks at you, rhythmically mocking your lack of progress.

Writer’s block is the universal enemy of creativity. But what actually happens when we hit that wall, and how can we climb over it? Let’s break down the mechanics of the “block” and, more importantly, how to get your momentum back.


The Hidden Effects: More Than Just “Stuck”

We often think of writer’s block as a simple pause in production. However, the effects are usually deeper and more taxing than just an empty page.

1. The Erosion of Confidence The longer you stare at a blank screen, the more your inner critic takes the wheel. You start to doubt your premise, your vocabulary, and eventually, your aptitude as a writer. This “imposter syndrome” can linger long after the initial block has passed.

2. The “Avoidance Cycle” When writing becomes associated with the frustration of being stuck, you naturally start to avoid it. You find “productive” distractions—doing the dishes, organising your email, or doom-scrolling—which only increases the anxiety you feel when you finally do return to the desk.

3. Creative Atrophy Writing is a muscle. When you stop writing for extended periods, the “creative flow”—that effortless state of articulation—becomes harder to tap into. The longer the blockage persists, the more you have to fight your own brain to regain that rhythm.


How to Break the Cycle

The good news? Writer’s block is not a permanent state; it’s a temporary neurological bottleneck. Here is how to unclog it:

1. Lower the Stakes

Often, we get blocked because we are trying to write something “perfect” on the first pass. Give yourself permission to write “garbage.” Write the worst draft imaginable. Once the words are on the page, you can edit them. You can’t edit a blank page, but you can always fix a bad paragraph.

2. The “Pomodoro” Trick

If the task feels gargantuan, break it down. Set a timer for 15 minutes. Tell yourself you only have to write for that long. Often, the hardest part of writing is the starting—once the gears are turning, continuing becomes much easier.

3. Change Your Environment

If your brain associates your desk with anxiety, move to a coffee shop, a library, or even your kitchen table. Sometimes a change of scenery, ambient noise, or a different chair is enough to signal to your brain that it’s time for a new mode of thinking.

4. Switch Mediums

If the laptop screen feels stifling, go analog. Grab a legal pad and a pen. The physical act of handwriting taps into different creative pathways in the brain and removes the temptation to delete, backspace, and over-edit as you go.

5. Use Prompts to Prime the Pump

If you don’t know where to start, stop trying to write the “masterpiece” and just write five sentences about anything. Describe the room you’re in. Describe your breakfast. Once you break the silence of the page, the transition to your actual project will be much smoother.


The Bottom Line

Writer’s block isn’t a sign that you’ve lost your talent; it’s a sign that your brain needs a different strategy. Don’t try to force your way through it with sheer willpower alone. Sometimes, the best way to move forward is to step back, change the environment, and lower your expectations until the words begin to flow again.

Remember: You are a writer because you write, not because you never get stuck.

So, close this tab, take a breath, and write one sentence. Just one. That’s how the block ends.

“What Sets Us Apart”, a mystery with a twist

David is a man troubled by a past he is trying to forget.

Susan is rebelling against a life of privilege and an exasperated mother who holds a secret that will determine her daughter’s destiny.

They are two people brought together by chance. Or was it?

When Susan discovers her mother’s secret, she goes in search of the truth that has been hidden from her since the day she was born.

When David realizes her absence is more than the usual cooling off after another heated argument, he finds himself being slowly drawn back into his former world of deceit and lies.

Then, back with his former employers, David quickly discovers nothing is what it seems as he embarks on a dangerous mission to find Susan before he loses her forever.

Find the Kindle version on Amazon here:  http://amzn.to/2Eryfth

whatsetscover

The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continued on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think, is the joy of ad hoc writing, even you, as the author, have as much of an idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mould of Sam Spade, or Mickey Spillane, or Philip Marlowe, but he’s not.

But I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brothers’ Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then it went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and I am at the editor for the last reading.

I have high hopes of publishing it in mid-2026.  It even has a cover.

PIWalthJones1

365 Days of writing, 2026 – 141

Day 141 – Writer’s block

The Blank Page Blues: Understanding the Real Effects of Writer’s Block (And How to Beat It)

Every writer, whether they are penning a Pulitzer-winning novel, a corporate newsletter, or a simple blog post, has been there. You sit down, open your laptop, crack your knuckles, and… nothing. The cursor blinks at you, rhythmically mocking your lack of progress.

Writer’s block is the universal enemy of creativity. But what actually happens when we hit that wall, and how can we climb over it? Let’s break down the mechanics of the “block” and, more importantly, how to get your momentum back.


The Hidden Effects: More Than Just “Stuck”

We often think of writer’s block as a simple pause in production. However, the effects are usually deeper and more taxing than just an empty page.

1. The Erosion of Confidence The longer you stare at a blank screen, the more your inner critic takes the wheel. You start to doubt your premise, your vocabulary, and eventually, your aptitude as a writer. This “imposter syndrome” can linger long after the initial block has passed.

2. The “Avoidance Cycle” When writing becomes associated with the frustration of being stuck, you naturally start to avoid it. You find “productive” distractions—doing the dishes, organising your email, or doom-scrolling—which only increases the anxiety you feel when you finally do return to the desk.

3. Creative Atrophy Writing is a muscle. When you stop writing for extended periods, the “creative flow”—that effortless state of articulation—becomes harder to tap into. The longer the blockage persists, the more you have to fight your own brain to regain that rhythm.


How to Break the Cycle

The good news? Writer’s block is not a permanent state; it’s a temporary neurological bottleneck. Here is how to unclog it:

1. Lower the Stakes

Often, we get blocked because we are trying to write something “perfect” on the first pass. Give yourself permission to write “garbage.” Write the worst draft imaginable. Once the words are on the page, you can edit them. You can’t edit a blank page, but you can always fix a bad paragraph.

2. The “Pomodoro” Trick

If the task feels gargantuan, break it down. Set a timer for 15 minutes. Tell yourself you only have to write for that long. Often, the hardest part of writing is the starting—once the gears are turning, continuing becomes much easier.

3. Change Your Environment

If your brain associates your desk with anxiety, move to a coffee shop, a library, or even your kitchen table. Sometimes a change of scenery, ambient noise, or a different chair is enough to signal to your brain that it’s time for a new mode of thinking.

4. Switch Mediums

If the laptop screen feels stifling, go analog. Grab a legal pad and a pen. The physical act of handwriting taps into different creative pathways in the brain and removes the temptation to delete, backspace, and over-edit as you go.

5. Use Prompts to Prime the Pump

If you don’t know where to start, stop trying to write the “masterpiece” and just write five sentences about anything. Describe the room you’re in. Describe your breakfast. Once you break the silence of the page, the transition to your actual project will be much smoother.


The Bottom Line

Writer’s block isn’t a sign that you’ve lost your talent; it’s a sign that your brain needs a different strategy. Don’t try to force your way through it with sheer willpower alone. Sometimes, the best way to move forward is to step back, change the environment, and lower your expectations until the words begin to flow again.

Remember: You are a writer because you write, not because you never get stuck.

So, close this tab, take a breath, and write one sentence. Just one. That’s how the block ends.

An excerpt from “The Devil You Don’t”

Available on Amazon Kindle here:  https://amzn.to/2Xyh1ow

By the time I returned to the Savoie, the rain had finally stopped, and there was a streak of blue sky to offer some hope that the day would improve.

The ship was not crowded, the possibility of bad weather perhaps holding back potential passengers.  Of those I saw, a number of them would be aboard for the lunch by Phillippe Chevrier.  I thought about it, but the Concierge had told me about several restaurants in Yvoire and had given me a hand-drawn map of the village.  I think he came from the area because he spoke with the pride and knowledge of a resident.

I was looking down from the upper deck observing the last of the boarding passengers when I saw a woman, notable for her red coat and matching shoes, making a last-minute dash to get on board just before the gangway was removed.  In fact, her ungainly manner of boarding had also captured a few of the other passengers’ attention.  Now they would have something else to talk about, other than the possibility of further rain.

I saw her smile at the deckhand, but he did not smile back.  He was not impressed with her bravado, perhaps because of possible injury.  He looked at her ticket, then nodded dismissively and went back to his duties in getting the ship underway.  I was going to check the departure time, but I, like the other passengers, had my attention diverted to the woman in red.

From what I could see, there was something about her.  It struck me when the light caught her as she turned to look down the deck, giving me a perfect profile.  I was going to say she looked foreign, but here, as in almost anywhere in Europe, that described just about everyone.  Perhaps I was just comparing her to Phillipa, so definitively British, whereas this woman was very definitely not.

She was perhaps in her 30’s, slim or perhaps the word I’d use was lissom, and had the look and manner of a model.  I say that because Phillipa had dragged me to most of the showings, whether in Milan, Rome, New York, London, or Paris.  The clothes were familiar, and in the back of my mind, I had a feeling I’d seen her before.

Or perhaps, to me, all models looked the same.

She looked up in my direction, and before I could divert my eyes, she locked on.  I could feel her gaze boring into me, and then it was gone as if she had been looking straight through me.  I remained out on deck as the ship got underway, watching her disappear inside the cabin.  My curiosity was piqued, so I decided to keep an eye out for her.

I could feel the coolness of the air as the ship picked up speed, not that it was going to be very fast.  With stops, the trip would take nearly two hours to get to my destination.  It would turn back almost immediately, but I was going to stay until the evening when it returned at about half eight.  It would give me enough time to sample the local fare and take a tour of the medieval village.

Few other passengers ventured out on the deck, most staying inside or going to lunch.  After a short time, I came back down to the main deck and headed forward.  I wanted to clear my head by concentrating on the movement of the vessel through the water, breathing in the crisp, clean air, and letting the peacefulness of the surroundings envelope me.

It didn’t work.

I knew it wouldn’t be long before I started thinking about why things hadn’t worked and what part I played in it.  And the usual question that came to mind when something didn’t work out.  What was wrong with me?

I usually blamed it on my upbringing.

I had one of those so-called privileged lives, a nanny till I was old enough to go to boarding school, then sent to the best schools in the land.  There I learned everything I needed to be the son of a Duke, or, as my father called it in one of his lighter moments, nobility in waiting.

Had this been five or six hundred years ago, I would have needed to have sword and jousting skills, or if it had been a few hundred years later, a keen military mind.  If nothing else, I could ride a horse and go on hunts, or did until they became not the thing to do.

I learned six languages, and everything I needed to become a diplomat in the far-flung British Empire, except the Empire had become the Commonwealth, and then, when no one was looking, Britain’s influence in the world finally disappeared.  I was a man without a cause, without a vocation, and no place to go.

Computers were the new vogue, and I had an aptitude for programming.  I guess that went hand in hand with mathematics, which, although I hated the subject, I excelled in.  Both I and another noble outcast used to toss ideas around in school, but when it came to the end of our education, he chose to enter the public service, and I took a few of those ideas we had mulled over and turned them into a company.

About a year ago, I was made an offer I couldn’t refuse.  There were so many zeroes on the end of it I just said yes, put the money into a very grateful bank, and was still trying to come to terms with it.

Sadly, I still had no idea what I was going to do with the rest of my life.  My parents had asked me to come back home and help manage the estate, and I did for a few weeks.  It was as long as it took for my parents to drive me insane.

Back in the city, I spent a few months looking for a mundane job, but there were very few that suited my qualifications, and the rest I think I intimidated simply because of who I was.  In that time, I’d also featured on the cover of the Economist and, through my well-meaning accountant, started involving myself with various charities, earning the title ‘philanthropist’.

And despite all of this exposure, even making one of those ubiquitous ‘eligible bachelor’ lists, I still could not find ‘the one’, the woman I wanted to spend the rest of my life with.  Phillipa seemed to fit the bill, but in time, she proved to be a troubled soul with ‘Daddy’ issues.  I knew that in building a relationship, compromise was necessary, but with her, in the end, everything was a compromise, and what had happened was always going to be the end result.

It was perhaps a by-product of the whole nobility thing.  There was a certain expectation I had to fulfil, to my peers, contemporaries, parents and family, and those who either liked or hated what it represented.  The problem was, I didn’t feel like I belonged.  Not like my friend from schooldays, and now obscure acquaintance, Sebastian.  He had been elevated to his Dukedom early when his father died when he was in his twenties.  He had managed to fade from the limelight and was rarely mentioned either in the papers or the gossip columns.  He was one of the lucky ones.

I had managed to keep a similarly low profile until I met Phillipa.  From that moment, my obscurity disappeared.  It was, I could see now, part of a plan put in place by Phillipa’s father, a man who hogged the limelight with his daughter, to raise the profile of the family name and through it their businesses.  He was nothing if not the consummate self-advertisement.

Perhaps I was supposed to be the last piece of the puzzle, the attachment to the establishment, that link with a class of people he would not normally get in the front door.  There was nothing refined about him or his family, and more than once I’d noticed my contemporaries cringe at the mention of his name, or any reference of my association with him.

Yet could I truthfully say I really wanted to go back to the obscurity I had before Phillipa?  For all her faults, there were times when she had been fun to be with, particularly when I first met her, when she had a certain air of unpredictability.  That had slowly disappeared as she became part of her father’s plan for the future.  She just failed to see how much he was using her.

Or perhaps, over time, I had become cynical.

I thought about calling her.  It was one of those moments of weakness when I felt alone, more alone than usual.

I diverted my attention back to my surroundings and the shoreline.  Out of the corner of my eye, I could see the woman in the red coat, making a move.  The red coat was like a beacon, a sort of fire engine red.  It was not the sort of coat most of the women I knew would wear, but on her, it looked terrific.  In fact, her sublime beauty was the other attribute that was distinctly noticeable, along with the fact that her hair was short rather than long and jet-black.

I had to wrench my attention away from her.

A few minutes later, several other passengers came out of the cabin for a walk around the deck, perhaps to get some exercise, perhaps checking up on me, or perhaps I was being paranoid.  I waited till they passed on their way forward, and I turned and headed aft.

I watched the wake sluicing out from under the stern for a few minutes before retracing my steps to the front of the ship, and there I stood against the railing, watching the bow carve its way through the water.  It was almost mesmerising.  There, I emptied my mind of thoughts about Phillipa and thoughts about the woman in the red coat.

Until a female voice behind me said, “Having a bad day?”

I started, caught by surprise, and slowly turned.  The woman in the red coat had somehow got very close to me without my realising it.  How did she do that?  I was so surprised I couldn’t answer immediately.

“I do hope you are not contemplating jumping.  I hear the water is very cold.”

Closer up, I could see what I’d missed when I saw her on the main deck.  There was a slight hint of Chinese, or Oriental, in her, particularly around the eyes, and of her hair, which was jet black.  An ancestor twice or more removed had left their mark, not in a dominant way, but more subtly, and easily missed except from a very short distance away, like now.

Other than that, she was quite possibly Eastern European, perhaps Russian, though that covered a lot of territory.  The incongruity of it was that she spoke with an American accent and was fluent enough for me to believe English was her first language.

Usually, I could ‘read’ people, but she was a clean slate.  Her expression was one of amusement, but with cold eyes.  My first thought, then, was to be careful.

“No.  Not yet.”  I coughed to clear my throat because I could hardly speak.  And blushed, because that was what I did when confronted by a woman, beautiful or otherwise.

The amusement gave way to a hint of a smile that brightened her demeanour as a little warmth reached her eyes.  “So that’s a maybe.  Should I change into my lifesaving gear, just in case?”

It conjured up a rather interesting image in my mind until I reluctantly dismissed it.

“Perhaps I should move away from the edge,” I said, moving sideways until I was back on the main deck, a few feet further away.  Her eyes had followed me, and when I stopped, she turned to face me again.  She did not move closer.

I realised then she had removed her beret and it was in her left side coat pocket.  “Thanks for your concern …?”

“Zoe.”

“Thanks for your concern, Zoe.  By the way, my name is John.”

She smiled again, perhaps in an attempt to put me at ease.  “I saw you earlier, you looked so sad, I thought …”

“I might throw myself overboard?”

“An idiotic notion, I admit, but it is better to be safe than sorry.”

Then she tilted her head to one side, then the other, looking intently at me.  “You seem to be familiar.  Do I know you?”

I tried to think of where I may have seen her before, but all I could remember was what I’d thought earlier when I first saw her; she was a model and had been at one of the showings.  If she were, it would be more likely she would remember Phillipa, not me.  Phillipa always had to sit in the front row.

“Probably not.”  I also didn’t mention the fact that she may have seen my picture in the society pages of several tabloid newspapers because she didn’t look the sort of woman who needed a daily dose of the comings and goings, and, more often than not, scandal associated with so-called celebrities.

She gave me a look, one that told me she had just realised who I was.  “Yes, I remember now.  You made the front cover of the Economist.  You sold your company for a small fortune.”

Of course.  She was not the first who had recognised me from that cover.  It had raised my profile considerably, but not Sternhaven’s.  That article had not mentioned Phillipa or her family.  I suspect Grandmother had something to do with that, and it was, now I thought about it, another nail in the coffin that was my relationship with Phillipa.

“I wouldn’t say it was a fortune, small or otherwise, just fortunate.”  Each time, I found myself playing down the wealth aspect of the business deal.

“Perhaps then, as the journalist wrote, you were lucky.  It is not, I think, a good time for internet-based companies.”

The latter statement was an interesting fact, one she read in the Financial Times, which had made that exact comment recently.

“But I am boring you.”  She smiled again.  “I should be minding my own business and leaving you to your thoughts.  I am sorry.”

She turned to leave and took a few steps towards the main cabin.

“You’re not boring me,” I said, thinking I was letting my paranoia get the better of me.  It had been Sebastian, on learning of my good fortune, who had warned me against ‘a certain element here and abroad’ whose sole aim would be to separate me from my money.  He was not very subtle when he described their methods.

But I knew he was right.  I should have let her walk away.

She stopped and turned around.  “You seem nothing like the man I read about in the Economist.”

A sudden and awful thought popped into my head.  Those words were part of a very familiar opening gambit.  “Are you a reporter?”

I was not sure if she looked surprised or amused.  “Do I look like one?”

I silently cursed myself for speaking before thinking, and then immediately ignored my own admonishment.  “People rarely look like what they are.”

I saw the subtle shake of the head and expected her to take her leave.  Instead, she astonished me.

“I fear we have got off on the wrong foot.  To be honest, I’m not usually this forward, but you seemed like you needed cheering up when probably the opposite is true.  Aside from the fact that this excursion was probably a bad idea.  And,” she added with a little shrug, “perhaps I talk too much.”

I was not sure what I thought of her after that extraordinary admission. It was not something I would do, but it was an interesting way to approach someone and have them ignore their natural instinct.  I would let Sebastian whisper in my ear for a little longer and see where this was going.

“Oddly enough, I was thinking the same thing.  I was supposed to be travelling with my prospective bride.  I think you can imagine how that turned out.”

“She’s not here?”

“No.”

“She’s in the cabin?”  Her eyes strayed in that direction for a moment, then came back to me.  She seemed surprised I might be travelling with someone.

“No.  She is back in England, and the wedding is off.  So is the relationship.  She dumped me by text.”

OK, why was I sharing this humiliating piece of information with her?  I still couldn’t be sure she was not a reporter.

She motioned to an empty seat, back from the edge.  No walking the plank today.  She moved towards it and sat down.  She showed no signs of being cold, nor interested in the breeze upsetting her hair.  Phillipa would be having a tantrum about now, being kept outside, and freaking out over what the breeze might be doing to her appearance.

I wondered, if only for a few seconds, if she used this approach with anyone else.  I guess I was a little different, a seemingly rich businessman alone on a ferry on Lake Geneva, contemplating the way his life had gone so completely off track.

She watched as I sat at the other end of the bench, leaving about a yard between us.  After I leaned back and made myself as comfortable as I could, she said, “I have also experienced something similar, though not by text message.  It is difficult, the first few days.”

“I saw it coming.”

“I did not.”  She frowned, a sort of lifeless expression taking over, perhaps brought on by the memory of what had happened to her.  “But it is done, and I moved on.  Was she the love of your life?”

OK, that was unexpected.

When I didn’t answer, she said, “I am sorry.  Sometimes I ask personal questions without realising what I’m doing.  It is none of my business.”  She shivered.  “Perhaps we should go back inside.”

She stood and held out her hand.  Should I take it and be drawn into her web?  I thought of Sebastian.  What would he do in this situation?

I took her hand in mine and let her pull me gently to my feet.  “Wise choice,” she said, looking up at the sky.

It just started to rain.

© Charles Heath 2015-2023

newdevilcvr6

The cinema of my dreams – I never wanted to go to Africa – Episode 32

Our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is a foe made all the more difficult because of the enemy, if it was the enemy, simply because it didn’t look or sound or act like the enemy.

Now, it appears, his problems stem from another operation he participated in, and because of it, he has now been roped into what might be called a suicide mission.

We flew out of an unnamed base in an unmarked aircraft, heading for Africa.  It would be my second visit.  The first didn’t quite go as expected, but there was a chance of redemption this time around.

I was the only one who had been there before, other than our two-faced guide, Jacobi, who by now would be working out how he could double-cross us and save his skin.  I had no illusions about a man who would turn in his own mother if he had to.

We were going to need a plan B and a plan C going in with him because I had no doubt plan A had already been sent to the relevant people, who were awaiting our imminent arrival with bated breath.  Pity we would not be landing anywhere near that location.

In fact, none of us would know where we would be dropped until minutes before it happened.  Security, this time, was going to be formidable.  Lallo explained why it was a matter of need to know, and all I had to say was, I didn’t need to know.  I suspect Monroe knew, but she was the sort who could keep a secret.

As for the rest of the team, they were a motley crew, but within the group, there was an odd sort of camaraderie between them.  Perhaps Lallo had told them that if they stepped out of line, Monroe would shoot them.

Aside from the passengers in the C47 transport, there was a pack for each of us, and enough weapons to start a war.  Since we would not be calling at any recognisable airport, I doubted we would have any customs or immigration problems.  No one was travelling with any identification papers.  It was that sort of mission.

Bamfield met me at the airport before we took off.  Monroe had come over and told me there was a visitor in one of the rooms, the one with Operations crookedly glued to the door.  She opened the door, ushered me in, then stepped back out, closing the door after her.

Mental note: the door to that room would not withstand a good kick.

There was a table, two chairs, and one of them had Bamfield sitting, looking up expectantly when I entered the room.  His eyes beckoned me to the other chair, so, after a look around the room, nothing else other than the table and chairs were in the room, I casually made my way to the chair and sat.

We glared at each other over the tabletop.

”I’m guessing this is the last place you expected to be?”

“You have a funny way of issuing invitations?”

“Would you have come along if I had asked you politely?”

“Probably not.”

Another minute’s silence while he looked for the words that would be anything other than an apology for coercing me into a corner.  I’d come to realise that Bamfield was far from the sort of officer I’d first thought him to be.

An excuse could be made that, because he needed to find people to do a particularly dangerous and covert operation, nothing was off the table, including blackmail, in order to get the job done.  How he was justifying it using armed services personnel was anyone’s guess, but it would have been kicked higher up the food chain before approval was given.

These operations weren’t just conceived by military commanders, but also by the CIA on a good day, allowing the armed services to tag along.  But make no mistake, this would be a CIA operation, and the CIA would take the credit if it worked out, and the army would take a hit if it didn’t.  Either way, it would never reach the newspapers.

“You don’t need me to tell you how important this is, and that we’ve only got one shot at it.  If you get caught, any of you, we cannot acknowledge you, so you will be on your own. Your team will obey orders.  Monroe is there to maintain discipline if it’s needed.”

“So she’ll be shooting first and asking questions later?”

“Something like that.  She’s a tough officer and worthy of your respect.”

“And the rest?”

“Good soldiers who just got into trouble.  They’re being given an opportunity for redemption, and this mission will count towards lessening their sentences.  At any rate, Monroe will have your back.”

Good to know.

“You’ll be going to a new destination, after stopping over in northern Uganda.  We’ve arranged for the plane to land at a disused airstrip, where you’ll be met by Colonel Chiswick.  He’ll be arranging your and your team’s travel arrangements from there.  I can’t tell you any more at this time for security reasons.”

“I have only one question.”

“Only one?”

“There is another 999, but I figure none of those will get answered.  It was the same question I asked the last time, who are these people we’re supposed to be rescuing?”

A long and thoughtful look.  Could he trust me?

“Two CIA operatives, meddling in DRC affairs without authorisation.  They were originally sent to clean up the child soldier problem, but somehow got in the middle of the war between government forces and rebels, if you could call them that.  They’re mostly militia groups, and the situation was too fractured for them to do much good.  Problem is, they made promises, and now we have to bail them out.”

“Another CIA stuff up then.”

“It had good intentions, but in Africa, good intentions are often mistaken for something else entirely.  This is, however, one other possible problem you may have to deal with.”

Of course, there always was.  Nothing covert operations were involved in didn’t have a wrinkle or three.

“Good or bad?”

He shrugged.  “They might not want to go with you.  We now suspect they may have had something to do with the last fiasco, and it wasn’t entirely Jacobi’s fault.  But that doesn’t necessarily mean he might not be working with them.  You’ll be travelling with a small fortune in diamonds as payment for their release, but it may not necessarily be what it seems.  I tell you this, so you don’t get any surprises.”

“Good to know, but I suspect there’s more to the story that you’re not telling me.  I’m sure Monroe will keep you in the loop.”

I stood.

Was I expecting a handshake or a good luck, maybe, but I don’t think that was his style?  He was probably used to sending men to senseless deaths, so another few would not stir his conscience.  I shrugged and walked out of the room, not looking back.

© Charles Heath 2019-2026