The cinema of my dreams – I never wanted to go to Africa – Episode 9

What just happened?

My turn to put him under the spotlight, for a minute, then two.

“There are no optional questions here, Mr. James.”

No, but some needed careful consideration, like throwing the dead pilot under the bus.

“Roy, the pilot, was adding some hours to his fly time, probably looking for a promotion.”

“So it was not a proper sanctioned operation.”

Looking for a scapegoat higher up the food chain.

“You need the commander’s authority to go up, so it was sanctioned.”

“Then this commander could have ordered the pilot to fly into the no-fly zone.”

My thought too, but I wasn’t going to fuel his suspicions.

“For what reason, after all, it’s not called a no-fly zone just so people can write the words on a map.”

He didn’t reply. I had thought he might tell me he was the one asking the questions.

He let me stew for a few more minutes, then, “You don’t seem to know much about anything Mr. James, whereas we know a lot about you.”

The ‘you’ he was referring to wasn’t just me, but our whole operation and what we were doing, which, of course, I wasn’t privy to. Did we have a spy in our midst?

“One more time, Mr James, can you tell me what the helicopter was doing in the no-fly zone?”

It was accompanied by another of those smiles, all-knowing perhaps, or trying to make me believe he did. But the bottom line was, if he did, he was not going to tell me.

Instead, the smile turned to a scowl. “I do not believe you are as uninformed as you say you are so I suggest most strongly that you give up this appearance of innocence. I shall ask once more Mr. James, and if you are not forthcoming, the matter will be out of my hands. I assure you, you will not like the alternative.”

I was sure I wouldn’t like the alternative.

“The answer sadly will still be the same, so if you must, I’m sure I won’t be able to talk you out of it.”

He simply shook his head and left the room, leaving me to ponder what my fate would be.

© Charles Heath 2019-2021

Another excerpt from “Strangers We’ve Become” – A sequel to ‘What Sets Us Apart’

It was the first time in almost a week that I made the short walk to the cafe alone.  It was early, and the chill of the morning was still in the air.  In summer, it was the best time of the day.  When Susan came with me, it was usually much later, when the day was much warmer and less tolerable.

On the morning of the third day of her visit, Susan said she was missing the hustle and bustle of London, and by the end of the fourth she said, in not so many words, she was over being away from ‘civilisation’.  This was a side of her I had not seen before, and it surprised me.

She hadn’t complained, but it was making her irritable.  The Susan that morning was vastly different to the Susan on the first day.  So much, I thought, for her wanting to ‘reconnect’, the word she had used as the reason for coming to Greve unannounced.

It was also the first morning I had time to reflect on her visit and what my feelings were towards her.  It was the reason I’d come to Greve: to soak up the peace and quiet and think about what I was going to do with the rest of my life.

I sat in my usual corner.  Maria, one of two waitresses, came out, stopped, and there was no mistaking the relief in her manner.  There was an air of tension between Susan and Maria I didn’t understand, and it seemed to emanate from Susan rather than the other way around.  I could understand her attitude if it was towards Alisha, but not Maria.  All she did was serve coffee and cake.

When Maria recovered from the momentary surprise, she said, smiling, “You are by yourself?”  She gave a quick glance in the direction of my villa, just to be sure.

“I am this morning.  I’m afraid the heat, for one who is not used to it, can be quite debilitating.  I’m also afraid it has had a bad effect on her manners, for which I apologise.  I cannot explain why she has been so rude to you.”

“You do not have to apologise for her, David, but it is of no consequence to me.  I have had a lot worse.  I think she is simply jealous.”

It had crossed my mind, but there was no reason for her to be.  “Why?”

“She is a woman, I am a woman, she thinks because you and I are friends, there is something between us.”

It made sense, even if it was not true.  “Perhaps if I explained…”

Maria shook her head.  “If there is a hole in the boat, you should not keep bailing but try to plug the hole.  My grandfather had many expressions, David.  If I may give you one piece of advice, as much as it is none of my business, you need to make your feelings known, and if they are not as they once were, and I think they are not, you need to tell her.  Before she goes home.”

Interesting advice.  Not only a purveyor of excellent coffee, but Maria was also a psychiatrist who had astutely worked out my dilemma.  What was that expression, ‘not just a pretty face’?

“Is she leaving soon?” I asked, thinking Maria knew more about Susan’s movements than I did.

“You would disappoint me if you had not suspected as much.  Susan was having coffee and talking to someone in her office on a cell phone.  It was an intense conversation.  I should not eavesdrop, but she said being here was like being stuck in hell.  It is a pity she does not share your love for our little piece of paradise, is it not?”

“It is indeed.  And you’re right.  She said she didn’t have a phone, but I know she has one.  She just doesn’t value the idea of getting away from the office.  Perhaps her role doesn’t afford her that luxury.”

And perhaps Alisha was right about Maria, that I should be more careful.  She had liked Maria the moment she saw her.  We had sat at this very table, the first day I arrived.  I would have travelled alone, but Prendergast, my old boss, liked to know where ex-employees of the Department were, and what they were doing.

She sighed.  “I am glad I am just a waitress.  Your usual coffee and cake?”

“Yes, please.”

Several months had passed since we had rescued Susan from her despotic father; she had recovered faster than we had thought, and settled into her role as the new Lady Featherington, though she preferred not to use that title, but go by the name of Lady Susan Cheney.

I didn’t get to be a Lord, or have any title, not that I was expecting one.  What I had expected was that Susan, once she found her footing as head of what seemed to be a commercial empire, would not have time for details like husbands, particularly when our agreement made before the wedding gave either of us the right to end it.

There was a moment when I visited her recovering in the hospital, where I was going to give her the out, but I didn’t, and she had not invoked it.  We were still married, just not living together.

This visit was one where she wanted to ‘reconnect’ as she called it, and invite me to come home with her.  She saw no reason why we could not resume our relationship, conveniently forgetting she indirectly had me arrested for her murder, charges both her mother and Lucy vigorously pursued, and had the clone not returned to save me, I might still be in jail.

It was not something I would forgive or forget any time soon.

There were other reasons why I was reluctant to stay with her, like forgetting small details, an irregularity in her character I found odd.  She looked the same, she sounded the same, she basically acted the same, but my mind was telling me something was not right.  It was not the Susan I first met, even allowing for the ordeal she had been subjected to.

But, despite those misgivings, there was no question in my mind that I still loved her, and her clandestine arrival had brought back all those feelings.  But as the days passed, I began to get the impression my feelings were one-sided and she was just going through the motions.

Which brought me to the last argument, earlier, where I said if I went with her, it would be business meetings, social obligations, and quite simply her ‘celebrity’ status that would keep us apart.  I reminded her that I had said from the outset I didn’t like the idea of being in the spotlight, and when I reiterated it, she simply brushed it off as just part of the job, adding rather strangely that I always looked good in a suit.  The flippancy of that comment was the last straw, and I left before I said something I would regret.

I knew I was not a priority.  Maybe somewhere inside me, I had wanted to be a priority, and I was disappointed when I was not.

And finally, there was Alisha.  Susan, at the height of the argument, had intimated she believed I had an affair with her, but that elephant was always in the room whenever Alisha was around.  It was no surprise when I learned Susan had asked Prendergast to reassign her to other duties. 

At least I knew what my feelings for Alisha were, and there were times when I had to remember she was persona non grata.  Perhaps that was why Susan had her banished, but, again, a small detail; jealousy was not one of Susan’s traits when I first knew her.

Perhaps it was time to set Susan free.

When I swung around to look in the direction of the lane where my villa was, I saw Susan.  She was formally dressed, not in her ‘tourist’ clothes, which she had bought from one of the local clothing stores.  We had fun that day, shopping for clothes, a chore I’d always hated.  It had been followed by a leisurely lunch, lots of wine and soul searching.

It was the reason why I sat in this corner; old habits die hard.  I could see trouble coming from all directions, not that Susan was trouble or at least I hoped not, but it allowed me the time to watch her walking towards the cafe in what appeared to be short, angry steps; perhaps the culmination of the heat wave and our last argument.

She glared at me as she sat, dropping her bag beside her on the ground, where I could see the cell phone sitting on top.  She followed my glance down, and then she looked unrepentant back at me.

Maria came back at the exact moment she was going to speak.  I noticed Maria hesitate for a second when she saw Susan, then put her smile in place to deliver my coffee.

Neither spoke nor looked at each other.  I said, “Susan will have what I’m having, thanks.”

Maria nodded and left.

“Now,” I said, leaning back in my seat, “I’m sure there’s a perfectly good explanation as to why you didn’t tell me about the phone, but that first time you disappeared, I’d guessed you needed to keep in touch with your business interests.  I thought it somewhat unwisethat you should come out when the board of one of your companies was trying to remove you, because of what was it, an unexplained absence?  All you had to do was tell me there were problems and you needed to remain at home to resolve them.”

My comment elicited a sideways look, with a touch of surprise.

“It was unfortunate timing on their behalf, and I didn’t want you to think everything else was more important than us.  There were issues before I came, and I thought the people at home would be able to manage without me for at least a week, but I was wrong.”

“Why come at all.  A phone call would have sufficed.”

“I had to see you, talk to you.  At least we have had a chance to do that.  I’m sorry about yesterday.  I once told you I would not become my mother, but I’m afraid I sounded just like her.  I misjudged just how much this role would affect me, and truly, I’m sorry.”

An apology was the last thing I expected.

“You have a lot of work to do catching up after being away, and of course, in replacing your mother and gaining the requisite respect as the new Lady Featherington.  I think it would be for the best if I were not another distraction.  We have plenty of time to reacquaint ourselves when you get past all these teething issues.”

“You’re not coming with me?”  She sounded disappointed.

“I think it would be for the best if I didn’t.”

“Why?”

“It should come as no surprise to you that I’ve been keeping an eye on your progress.  You are so much better doing your job without me.  I told your mother once that when the time came I would not like the responsibilities of being your husband.  Now that I have seen what it could possibly entail, I like it even less.  You might also want to reconsider our arrangement, after all, we only had a marriage of convenience, and now that those obligations have been fulfilled, we both have the option of terminating it.  I won’t make things difficult for you if that’s what you want.”

It was yet another anomaly, I thought; she should look distressed, and I would raise the matter of that arrangement.  Perhaps she had forgotten the finer points.  I, on the other hand, had always known we would not last forever.  The perplexed expression, to me, was a sign she might have forgotten.

Then, her expression changed.  “Is that what you want?”

“I wasn’t madly in love with you when we made that arrangement, so it was easy to agree to your terms, but inexplicably, since then, my feelings for you changed, and I would be sad if we parted ways.  But the truth is, I can’t see how this is going to work.”

“In saying that, do you think I don’t care for you?”

That was exactly what I was thinking, but I wasn’t going to voice that opinion out loud.  “You spent a lot of time finding new ways to make my life miserable, Susan.  You and that wretched friend of yours, Lucy.  While your attitude improved after we were married, that was because you were going to use me when you went to see your father, and then almost let me go to prison for your murder.”

“I had nothing to do with that, other than to leave, and I didn’t agree with Lucy that you should be made responsible for my disappearance.  I cannot be held responsible for the actions of my mother.  She hated you; Lucy didn’t understand you, and Millie told me I was stupid for not loving you in return, and she was right.  Why do you think I gave you such a hard time?  You made it impossible not to fall in love with you, and it nearly changed my mind about everything I’d been planning so meticulously.  But perhaps there was a more subliminal reason why I did because after I left, I wanted to believe, if anything went wrong, you would come and find me.”

“How could you possibly know that I’d even consider doing something like that, given what you knew about me?”

“Prendergast made a passing comment when my mother asked him about you; he told us you were very good at finding people and even better at fixing problems.”

“And yet here we are, one argument away from ending it.”

I could see Maria hovering, waiting for the right moment to deliver her coffee, then go back and find Gianna, the café owner, instead.  Gianna was more abrupt and, for that reason, was rarely seen serving the customers.  Today, she was particularly cantankerous, banging the cake dish on the table and frowning at Susan before returning to her kitchen.  Gianna didn’t like Susan either.

Behind me, I heard a car stop, and when she looked up, I knew it was for her.  She had arrived with nothing, and she was leaving with nothing.

She stood.  “Last chance.”

“Forever?”

She hesitated and then shook away the look of annoyance on her face.  “Of course not.  I wanted you to come back with me so we could continue working on our relationship.  I agree there are problems, but it’s nothing we can’t resolve if we try.”

I had been trying.  “It’s too soon for both of us, Susan.  I need to be able to trust you, and given the circumstances, and all that water under the bridge, I’m not sure if I can yet.”

She frowned at me.  “As you wish.”  She took an envelope out of her bag and put it on the table.  “When you are ready, it’s an open ticket home.  Please make it sooner rather than later.  Despite what you think of me, I have missed you, and I have no intention of ending it between us.”

That said, she glared at me for a minute, shook her head, then walked to the car.  I watched her get in and the car drive slowly away.

No kiss, no touch, no looking back. 

© Charles Heath 2018-2025

strangerscover9

The cinema of my dreams – It continued in London – Episode 31

An interview with Alessandro

The disguise was almost perfect.  Detective Inspector Johnson was that typical policeman, based in the man who taught me, the suit, slightly crumpled, the while shirt with tie not completely knotted. The sort a wife, if he had one, would have fixed before he left for work.  The shoes, practical, the overcoat, seen better days but well looked after.

All that was missing was the slightly overworked and frustrated look, hair slightly askew, a ritual cup of coffee in a cardboard cup almost drunk.  The man looking back at me in the hotel window was almost the epitome of the Detect Inspector I modelled myself on.

It was just another day at the office.

I got out of the car and told the two officers Anothony had arranged to meet me, ic case there was trouble, to sit tight until I called them.

I went in and crossed purposefully to the reception desk and pulled out my warrant card.  When the clerk looked at me, I showed him the card.  “Detective Inspector Johnson, Metropolitan police. Can you tell me if Alessandro Burkehardt is in the hotel?”

The clerk looked at the warrant card, then excused himself and went into a back room where no doubt the man in charge was lurking.

A few minutes later, a woman came out, the clerk following her.

“What is the nature of your business with Mr Burkehardt?”

“The disappearance of his sister-in-law, the Countess Burkehardt.  You might be able to tell me, when did she check out?”

“I’ve told the police already.”

“Then you’re going to tell me again.  And after that, I would like to know where Mr Burkehardt is, and then a detailed explanation as to why only the CCTV camera in the areas where the Congress would be noticed coming and going were conveniently non-functional.”

“Who…”

“Told me?  I asked the security company that installed your system just how many cameras there were and their locations.  You haven’t been very helpful in our inquiries which is why I’m now here.  Now, if you have any objections, I will have you arrested for obstructing a police officer.”

Then I glared at her.

This was a very high-up manager, used to treating anyone under the status of King like dirt under her feet.  I knew the type.

“Mr Burkhardt is dining in the breakfast room.”

“Thank you.  I’ll be back.”

I had no doubt at some point Rodby would learn of my arrival, and if she was a friend of Mrs Rodby, that would make matters worse.  There was an old boys’ network, but there was also an old girls’ network, and they were not people to cross.

It wasn’t hard to pick him out among the diners, sitting at a table with a cup of coffee and a newspaper.  It was the same man I had seen in the hotel when bringing the countess back.  For a moment I wondered if he had seen me arrive with the countess, and he had asked about me.  This would go badly if he knew I was not a Detective inspector.

Only one wat to find out.  “Mr Alessandro Burkehardt?”

He lowered the paper a fraction and looked at me.  Nothing like the man in the tuxedo the other day, and no recognition in his eyes.

“Who are you?”

“Detective Inspector Johnson, of the Metropolitan Police.  I have come to ask you about your Sister-in-law, the Contessa.  She had been reported as missing.”

“That’s absurd.”

“Then you know where she is?  Thank goodness for that.  People are worried.  Tell me, where is she now?”

“If I knew that, I’d tell you.  But she is not missing as you say.  If she was, my family would know.  She has security you know?”

“I didn’t.  Where can I find them, or at least a representative who could tell me her location.”

“That’s none of your business.  If I say she’s not missing, she’s not missing.  Now go about your business.”

I smiled wanly, as the good Inspector did when he was about to deliver bad news.  “Fine.  But out front there are two officers waiting to take you into protective custody.  The fact you cannot tell me where she is, tells me that there is something going on in relation to her safety.  This will unfortunately create a scene for which I apologise in advance, but it is necessary.  Unless you have a more truthful answer to my question.”

“Are you accusing me of lying?”

He stood up quickly dropping the newspaper on the table and bumping his chair.  People around us were curious, to begin with, but now it had developed into a showstopping event.  All I needed was a newspaper photographer or reporter to be nearby and this would go viral.

“You are not being straight with me, nor were you with the first police responders when they asked if you knew where she was.  Once in protective custody, you will have the opportunity to talk to a superior officer if you feel you have been treated incorrectly.  But I warn you, the fact the countess is missing has caused concern at the highest levels, and they only call me when the situation is serious.”

I was trying to keep calm and the tremor of fear out of my tone, but this was getting out of control very quickly.  I had expected pushback, but not to the extent that he was giving me.  I knew he knew something about her whereabouts and was using bluff to get past me.  If I had to take him back to the office, Rodby was going to have a meltdown.

“Let’s take this to a conference room.”

He too had noticed the furore it was creating.

I had won a momentary reprieve.

© Charles Heath 2023

What I learned about writing – Journalism is a great learning ground for writers

It comes as no surprise that many writers, when they are asked about how they got into writing, say they were once journalists.

This is because journalism is a great background. You learn to get to the crux of any story in one paragraph, asking five basic questions: who, what, where, when, and why.

In the commission of any story, sooner or later, you ask the question: at what point does a writer become a journalist?

Quite often, journalists become writers because of their vast experience in observing and writing about the news, sometimes in the category of ‘truth is stranger than fiction’.

I did journalism at university and thought I would never get to use it.  I had to interview people, write articles, and act as an editor.  The hardest part was the headlines. Thank God that’s usually a problem for the editor. It’s about as much fun as coming up with a title for the book.

But, for example…

Several opportunities arose over the last few months to dig out the journalist hat, put it on, and go to work.

Where?

Hospital.  I’ve had to go there a few times more in the last few months than I have in recent years.

And I’d forgotten just how interesting hospitals are, especially the waiting room in the Emergency department.

After the second or third visit, I began observing the people who were waiting and ran through various scenarios as to the reason for their visit.  None may have been true, but it certainly was an exercise in creative writing, or would make an excellent article.

Similarly, once we got inside the inner sanctum where the real work is done, there were any number of crises and operations going on, and plenty of material for when I might need to include a hospital scene in one of my stories.

Or I could write a volume in praise of the people who work there and what they have to endure.  Tending the sick, injured and badly injured is not a job for the faint-hearted.

Research, which is one of the most important tools a journalist uses, if it could be called a ‘tool’, turns up in the unlikeliest of places.  Doctors who answer questions, not necessarily about the malady, nurses who tell you about what it’s like in Emergency on nights you really don’t want to be there, and other patients and their families, all having a perspective and a story to tell, while waiting patiently for a diagnosis and then treatment so they can go home.

We get to go this time at about four in the morning.  Everyone is tired.  More people are waiting.  Outside, it is cool, and the first rays of light are coming over the horizon as dawn is about to break.

I ponder the question without an answer, a question one of the nurses asked a youngish doctor, tossed out in conversation, but was there more intent to it, what he was doing on Saturday night?

He didn’t answer.  Another crisis, another patient.

I suspect he was about to say, where else would he be, but on duty in the Emergency.

365 Days of writing, 2026 – 117

Day 117 – Is writing fiction an escape from reality

The Plunge: Why Fiction Isn’t an Escape—It’s a Collision with Reality

When people think of fiction, they often think of “escapism.” They imagine the reader curled up in a leather chair, clutching a paperback like a life raft, waiting to be spirited away to a land of dragons, interstellar empires, or swooning Victorian romances. The common assumption is that we read—and write—to get away from the messiness of our actual lives.

But the Southern Gothic master Flannery O’Connor had a vastly different, more jarring perspective. She famously suggested that writing (and reading) fiction is not a retreat into fantasy, but a “plunge into reality.” For O’Connor, fiction is not a sedative; it is a shock to the system.

But what did she mean by that? And why would a medium built on “made-up” stories be more real than the world we walk through every day?

The Myth of the Ivory Tower

We often treat reality as a surface-level phenomenon: the bills we pay, the traffic we sit in, and the small talk at the office. We mistake the mundane for the “real.”

O’Connor believed that our day-to-day lives are often shielded by habit, social propriety, and a deep-seated desire to look away from the darker, more profound truths of human existence. We live in a state of semi-consciousness, buffered by the comforts of our routines.

When you sit down to write serious fiction, you cannot stay on that surface level. To create a character that rings true, you have to strip away the pleasantries. You have to descend into the motivations, the flaws, the spiritual hungers, and the terrifying contradictions that define human nature.

Fiction as a “Shock to the System”

O’Connor’s stories—filled with grotesque characters, sudden violence, and moments of divine mystery—are famous for their lack of comfort. She didn’t write to soothe the reader; she wrote to wake them up.

When she talked about fiction being a “plunge into reality,” she was describing a process of confrontation. A well-crafted story forces the reader to look at things they’d rather ignore: the cruelty we are capable of, the absurdity of our own self-importance, and the jagged edges of truth.

If you are writing fiction, you aren’t hiding from reality; you are excavating it. You are taking the raw, incoherent chaos of the human experience and tightening it into a narrative lens. By the time the reader closes the book, if the work is good, they shouldn’t feel “escaped.” They should feel exposed. They should feel as though they’ve just been shaken awake.

The Mirror of the Grotesque

O’Connor famously said, “To the hard of hearing you shout, and for the almost-blind you draw large and startling figures.”

This is why her work is so often shocking. She used the “grotesque” not to be weird for the sake of it, but to force the reader to focus on reality. Because we have become so desensitised to the “normal” world, we need something startling—something slightly distorted—to help us see clearly again.

When we write fiction, we are essentially holding a mirror up to the world. But we don’t hold it up to show the world its own reflection in the mirror; we hold it up to show the world the things it refuses to see when it looks in the mirror of daily life.

Why It Matters

If we view writing only as an escape, we limit the power of the craft. We treat it as a toy rather than a tool.

When you approach the blank page, don’t ask yourself, “How can I make this world different from mine?” Instead, ask, “How can I capture the reality of this world more accurately?” How can I convey the heaviness of a choice, the shame of a secret, or the terror of an epiphany?

Writing isn’t about running away from the world. It is the brave act of diving headlong into the fray. It is the act of looking at the human condition—with all its blood, bone, and light—and refusing to blink.

As O’Connor knew, the truth is often a shock. But it is only through that shock that we ever truly find our way home.

In a word: Rain

Well, isn’t it just like you to rain on my parade?

Yes, and don’t we need a lot of rain because of the bushfires that are burning out of control?

Rain is that stuff that falls from the sky, sometimes at the awkwardest of times, like when you leave your umbrella in the car.

And rain can be a problem in sub-zero temperatures and high winds when it almost takes on the form of multiple miniature knives.  Rain and snow together, sleep, but that’s something else.

Of course, it could always rain cats and dogs, a rather interesting occurrence if it ever happened.

This should not be confused with the word rein.

As any horseperson would know this is what helps control a horse

But, it doesn’t have to be a horse, it might be that you are told to rein in your attack dog

Or rein in your excesses

Or alternatively, give a person free rein to go about their business.

Then there is reign, that period of time when a monarch rules, and it seems in England women hold the record for the longest reign, Queen Victoria, and Queen Elizabeth II

That’s distinct from the office oligarchs who seem to think they reign over the plebs

“The Things We Do For Love”

Would you give up everything to be with the one you love?

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, a place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledged that something had happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive, she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realises is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, s place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

An excerpt from “If Only” – a work in progress

Investigation of crimes doesn’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.

At one stage, the police thought I had murdered my own wife, though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective First Grade Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbours reckon there were heated discussions the day before.

Routine was the word she used.

Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months, the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last time I saw Gabrielle.

The shock of finding Vanessa was more devastating than the fact that she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months, I was barely functioning, to the extent that I had all but lost my job and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy.  Her story varied only in that she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened became our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then, we saw each other about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realise that all she had was her work; personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police, and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt about whether or not I could trust her to tell me what the message meant.

I reached for the phone, then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

365 Days of writing, 2026 – 117

Day 117 – Is writing fiction an escape from reality

The Plunge: Why Fiction Isn’t an Escape—It’s a Collision with Reality

When people think of fiction, they often think of “escapism.” They imagine the reader curled up in a leather chair, clutching a paperback like a life raft, waiting to be spirited away to a land of dragons, interstellar empires, or swooning Victorian romances. The common assumption is that we read—and write—to get away from the messiness of our actual lives.

But the Southern Gothic master Flannery O’Connor had a vastly different, more jarring perspective. She famously suggested that writing (and reading) fiction is not a retreat into fantasy, but a “plunge into reality.” For O’Connor, fiction is not a sedative; it is a shock to the system.

But what did she mean by that? And why would a medium built on “made-up” stories be more real than the world we walk through every day?

The Myth of the Ivory Tower

We often treat reality as a surface-level phenomenon: the bills we pay, the traffic we sit in, and the small talk at the office. We mistake the mundane for the “real.”

O’Connor believed that our day-to-day lives are often shielded by habit, social propriety, and a deep-seated desire to look away from the darker, more profound truths of human existence. We live in a state of semi-consciousness, buffered by the comforts of our routines.

When you sit down to write serious fiction, you cannot stay on that surface level. To create a character that rings true, you have to strip away the pleasantries. You have to descend into the motivations, the flaws, the spiritual hungers, and the terrifying contradictions that define human nature.

Fiction as a “Shock to the System”

O’Connor’s stories—filled with grotesque characters, sudden violence, and moments of divine mystery—are famous for their lack of comfort. She didn’t write to soothe the reader; she wrote to wake them up.

When she talked about fiction being a “plunge into reality,” she was describing a process of confrontation. A well-crafted story forces the reader to look at things they’d rather ignore: the cruelty we are capable of, the absurdity of our own self-importance, and the jagged edges of truth.

If you are writing fiction, you aren’t hiding from reality; you are excavating it. You are taking the raw, incoherent chaos of the human experience and tightening it into a narrative lens. By the time the reader closes the book, if the work is good, they shouldn’t feel “escaped.” They should feel exposed. They should feel as though they’ve just been shaken awake.

The Mirror of the Grotesque

O’Connor famously said, “To the hard of hearing you shout, and for the almost-blind you draw large and startling figures.”

This is why her work is so often shocking. She used the “grotesque” not to be weird for the sake of it, but to force the reader to focus on reality. Because we have become so desensitised to the “normal” world, we need something startling—something slightly distorted—to help us see clearly again.

When we write fiction, we are essentially holding a mirror up to the world. But we don’t hold it up to show the world its own reflection in the mirror; we hold it up to show the world the things it refuses to see when it looks in the mirror of daily life.

Why It Matters

If we view writing only as an escape, we limit the power of the craft. We treat it as a toy rather than a tool.

When you approach the blank page, don’t ask yourself, “How can I make this world different from mine?” Instead, ask, “How can I capture the reality of this world more accurately?” How can I convey the heaviness of a choice, the shame of a secret, or the terror of an epiphany?

Writing isn’t about running away from the world. It is the brave act of diving headlong into the fray. It is the act of looking at the human condition—with all its blood, bone, and light—and refusing to blink.

As O’Connor knew, the truth is often a shock. But it is only through that shock that we ever truly find our way home.

An excerpt from “One Last Look”: Charlotte is no ordinary girl

This is currently available at Amazon herehttp://amzn.to/2CqUBcz

I’d read about out-of-body experiences, and like everyone else, thought it was nonsense.  Some people claimed to see themselves in the operating theatre, medical staff frantically trying to revive them, and being surrounded by white light.

I was definitely looking down, but it wasn’t me I was looking at.

It was two children, a boy and a girl, with their parents, in a park.

The boy was Alan.  He was about six or seven.  The girl was Louise, and she was five years old.  She had long red hair and looked the image of her mother.

I remember it now, it was Louise’s birthday and we went down to Bournemouth to visit our Grandmother, and it was the last time we were all together as a family.

We were flying homemade kites our father had made for us, and after we lay there looking up at the sky, making animals out of the clouds.  I saw an elephant, Louise saw a giraffe.

We were so happy then.

Before the tragedy.

When I looked again ten years had passed and we were living in hell.  Louise and I had become very adept at survival in a world we really didn’t understand, surrounded by people who wanted to crush our souls.

It was not a life a normal child had, our foster parents never quite the sort of people who were adequately equipped for two broken-hearted children.  They tried their best, but their best was not good enough.

Every day it was a battle, to avoid the Bannister’s and Archie in particular, every day he made advances towards Louise and every day she fended him off.

Until one day she couldn’t.

Now I was sitting in the hospital, holding Louise’s hand.  She was in a coma, and the doctors didn’t think she would wake from it.  The damage done to her was too severe.

The doctors were wrong.

She woke, briefly, to name her five assailants.  It was enough to have them arrested.  It was not enough to have them convicted.

Justice would have to be served by other means.

I was outside the Bannister’s home.

I’d made my way there without really thinking, after watching Louise die.  It was like being on autopilot, and I had no control over what I was doing.  I had murder in mind.  It was why I was holding an iron bar.

Skulking in the shadows.  It was not very different from the way the Bannister’s operated.

I waited till Archie came out.  I knew he eventually would.  The police had taken him to the station for questioning, and then let him go.  I didn’t understand why, nor did I care.

I followed him up the towpath, waiting till he stopped to light a cigarette, then came out of the shadows.

“Wotcha got there Alan?” he asked when he saw me.  He knew what it was, and what it was for.

It was the first time I’d seen the fear in his eyes.  He was alone.

“Justice.”

“For that slut of a sister of yours.  I had nuffing to do with it.”

“She said otherwise, Archie.”

“She never said nuffing, you just made it up.”  An attempt at bluster, but there was no confidence in his voice.

I held up the pipe.  It had blood on it.  Willy’s blood.  “She may or may not have Archie, but Willy didn’t make it up.  He sang like a bird.  That’s his blood, probably brains on the pipe too, Archie, and yours will be there soon enough.”

“He dunnit, not me.  Lyin’ bastard would say anything to save his own skin.”  Definitely scared now, he was looking to run away.

“No, Archie.  He didn’t.  I’m coming for you.  All of you Bannisters.  And everyone who touched my sister.”

It was the recurring nightmare I had for years afterwards.

I closed my eyes and tried to shut out the thoughts, the images of Louise, the phone call, the visit to the hospital and being there when she succumbed to her injuries.  Those were the very worst few hours of my life.

She had asked me to come to the railway station and walk home with her, and I was running late.  If I had left when I was supposed to, it would never have happened and for years afterwards, I blamed myself for her death.

If only I’d not been late…

When the police finally caught the rapists, I’d known all along who they’d be; antagonists from school, the ring leader, Archie Bannister, a spurned boyfriend, a boy whose parents, ubiquitously known to all as ‘the Bannister’s, dealt in violence and crime and who owned the neighbourhood.  The sins of the father had been very definitely passed onto the son.

At school, I used to be the whipping boy, Archie, a few grades ahead of me, made a point of belting me and a few of the other boys, to make sure the rest did as they were told.  He liked Louise, but she had no time for a bully like him, even when he promised he would ‘protect’ me.

I knew the gang members, the boys who tow-kowed to save getting beaten up, and after the police couldn’t get enough information to prosecute them because everyone was too afraid to speak out, I went after Willy.  There was always a weak link in a group, and he was it.

He worked in a factory, did long hours on a Wednesday and came home after dark alone.  It was a half mile walk, through a park.  The night I approached him, I smashed the lights and left it in darkness.  He nearly changed his mind and went the long way home.

He didn’t.

It took an hour and a half to get the names.  At first, when he saw me, he laughed.  He said I would be next, and that was four words more than he knew he should have said.

When I found him alone the next morning I showed him the iron bar and told him he was on the list.  I didn’t kill him then, he could wait his turn, and worry about what was going to happen to him.

When the police came to visit me shortly after that encounter, no doubt at the behest of the Bannister’s, the neighbourhood closed ranks and gave me an ironclad alibi.  The Bannister’s then came to visit me and threatened me.  I told them their days were numbered and showed them the door.

At the trial, he and his friends got off on a technicality.  The police had failed to do their job properly, but it was not the police, but a single policeman, corrupted by the Bannisters.

Archie could help but rub it in my face.  He was invincible.

Joe Collins took 12 bullets and six hours to bleed out.  He apologized, he pleaded, he cried, he begged.  I didn’t care.

Barry Mills, a strong lad with a mind to hurting people, Archie’s enforcer, almost got the better of me.  I had to hit him more times than I wanted to, and in the end, I had to be satisfied that he died a short but agonizing death.

I revisited Willy in the hospital.  He’d recovered enough to recognize me, and why I’d come.  Suffocation was too good for him.

David Williams, second in command of the gang, was as tough and nasty as the Bannisters.  His family were forging a partnership with the Bannister’s to make them even more powerful.  Outwardly David was a pleasant sort of chap, affable, polite, and well mannered.  A lot of people didn’t believe he could be like, or working with, the Bannisters.

He and I met in the pub.  We got along like old friends.  He said Willy had just named anyone he could think of, and that he was innocent of any charges.  We shook hands and parted as friends.

Three hours later he was sitting in a chair in the middle of a disused factory, blindfolded and scared.  I sat and watched him, listened to him, first threatening me, and then finally pleading with me.  He’d guessed who it was that had kidnapped him.

When it was dark, I took the blindfold off and shone a very bright light in his eyes.  I asked him if the violence he had visited upon my sister was worth it.  He told me he was just a spectator.

I’d read the coroner’s report.  They all had a turn.  He was a liar.

He took nineteen bullets to die.

Then came Archie.

The same factory only this time there were four seats.  Anna Bannister, brothel owner, Spike Bannister, head of the family, Emily Bannister, sister, and who had nothing to do with their criminal activities.  She just had the misfortune of sharing their name.

Archie’s father told me how he was going to destroy me, and everyone I knew.

A well-placed bullet between the eyes shut him up.

Archie’s mother cursed me.  I let her suffer for an hour before I put her out of her misery.

Archie remained stony-faced until I came to Emily.  The death of his parents meant he would become head of the family.  I guess their deaths meant as little to him as they did me.

He was a little more worried about his sister.

I told him it was confession time.

He told her it was little more than a forced confession and he had done nothing to deserve my retribution.

I shrugged and shot her, and we both watched her fall to the ground screaming in agony.  I told him if he wanted her to live, he had to genuinely confess to his crimes.  This time he did, it all poured out of him.

I went over to Emily.  He watched in horror as I untied her bindings and pulled her up off the floor, suffering only from a small wound in her arm.  Without saying a word she took the gun and walked over to stand behind him.

“Louise was my friend, Archie.  My friend.”

Then she shot him.  Six times.

To me, after saying what looked like a prayer, she said, “Killing them all will not bring her back, Alan, and I doubt she would approve of any of this.  May God have mercy on your soul.”

Now I was in jail.  I’d spent three hours detailing the deaths of the five boys, everything I’d done; a full confession.  Without my sister, my life was nothing.  I didn’t want to go back to the foster parents; I doubt they’d take back a murderer.

They were not allowed to.

For a month I lived in a small cell, in solitary, no visitors.  I believed I was in the queue to be executed, and I had mentally prepared myself for the end.

Then I was told I had a visitor, and I was expecting a priest.

Instead, it was a man called McTavish. Short, wiry, and with an accent that I could barely understand.

“You’ve been a bad boy, Alan.”

When I saw it was not the priest I told the jailers not to let him in, I didn’t want to speak to anyone.  They ignored me.  I’d expected he was a psychiatrist, come to see whether I should be shipped off to the asylum.

I was beginning to think I was going mad.

I ignored him.

“I am the difference between you living or dying Alan, it’s as simple as that.  You’d be a wise man to listen to what I have to offer.”

Death sounded good.  I told him to go away.

He didn’t.  Persistent bugger.

I was handcuffed to the table.  The prison officers thought I was dangerous.  Five, plus two, murders, I guess they had a right to think that.  McTavish sat opposite me, ignoring my request to leave.

“Why’d you do it?”

“You know why.”  Maybe if I spoke he’d go away.

“Your sister.  By all accounts, the scum that did for her deserved what they got.”

“It was murder just the same.  No difference between scum and proper people.”

“You like killing?”

“No-one does.”

“No, I dare say you’re right.  But you’re different, Alan.  As clean and merciless killing I’ve ever seen.  We can use a man like you.”

“We?”

“A group of individuals who clean up the scum.”

I looked up to see his expression, one of benevolence, totally out of character for a man like him.  It looked like I didn’t have a choice.

Trained, cleared, and ready to go.

I hadn’t realized there were so many people who were, for all intents and purposes, invisible.  People that came and went, in malls, in hotels, trains, buses, airports, everywhere, people no one gave a second glance.

People like me.

In a mall, I became a shopper.

In a hotel, I was just another guest heading to his room.

On a bus or a train, I was just another commuter.

At the airport, I became a pilot.  I didn’t need to know how to fly; everyone just accepted a pilot in a pilot suit was just what he looked like.

I had a passkey.

I had the correct documents to get me onto the plane.

That walk down the air bridge was the longest of my life.  Waiting for the call from the gate, waiting for one of the air bridge staff to challenge me, stepping onto the plane.

Two pilots and a steward.  A team.  On the plane early before the rest of the crew.  A group that was committing a crime, had committed a number of crimes and thought they’d got away with it.

Until the judge, the jury and their executioner arrived.

Me.

Quick, clean, merciless.  Done.

I was now an operational field agent.

I was older now, and I could see in the mirror I was starting to go grey at the sides.  It was far too early in my life for this, but I expect it had something to do with my employment.

I didn’t recognize the man who looked back at me.

It was certainly not Alan McKenzie, nor was there any part of that fifteen-year-old who had made the decision to exact revenge.

Given a choice; I would not have gone down this path.

Or so I kept telling myself each time a little more of my soul was sold to the devil.

I was Barry Gamble.

I was Lenny Buckman.

I was Jimmy Hosen.

I was anyone but the person I wanted to be.

That’s what I told Louise, standing in front of her grave, and trying to apologize for all the harm, all the people I’d killed for that one rash decision.  If she was still alive she would be horrified, and ashamed.

Head bowed, tears streamed down my face.

God had gone on holiday and wasn’t there to hand out any forgiveness.  Not that day.  Not any day.

New York, New Years Eve.

I was at the end of a long tour, dragged out of a holiday and back into the fray, chasing down another scumbag.  They were scumbags, and I’d become an automaton hunting them down and dispatching them to what McTavish called a better place.

This time I failed.

A few drinks to blot out the failure, a blonde woman who pushed my buttons, a room in a hotel, any hotel, it was like being on the merry-go-round, round and round and round…

Her name was Silvia or Sandra, or someone I’d met before, but couldn’t quite place her.  It could be an enemy agent for all I knew or all I cared right then.

I was done.

I’d had enough.

I gave her the gun.

I begged her to kill me.

She didn’t.

Instead, I simply cried, letting the pent up emotion loose after being suppressed for so long, and she stayed with me, holding me close, and saying I was safe, that she knew exactly how I felt.

How could she?  No one could know what I’d been through.

I remembered her name after she had gone.

Amanda.

I remembered she had an imperfection in her right eye.

Someone else had the same imperfection.

I couldn’t remember who that was.

Not then.

I had a dingy flat in Kensington, a place that I rarely stayed in if I could help it.  After five-star hotel rooms, it made me feel shabby.

The end of another mission, I was on my way home, the underground, a bus, and then a walk.

It was late.

People were spilling out of the pub after the last drinks.  Most in good spirits, others slightly more boisterous.

A loud-mouthed chap bumped into me, the sort who had one too many, and was ready to take on all comers.

He turned on me, “Watch where you’re going, you fool.”

Two of his friends dragged him away.  He shrugged them off, squared up.

I punched him hard, in the stomach, and he fell backwards onto the ground.  I looked at his two friends.  “Take him home before someone makes mincemeat out of him.”

They grabbed his arms, lifted him off the ground and took him away.

Out of the corner of my eye, I could see a woman, early thirties, quite attractive, but very, very drunk.  She staggered from the bar, bumped into me, and finished up sitting on the side of the road.

I looked around to see where her friends were.  The exodus from the pub was over and the few nearby were leaving to go home.

She was alone, drunk, and by the look of her, unable to move.

I sat beside her.  “Where are your friends?”

“Dunno.”

“You need help?”

She looked up, and sideways at me.  She didn’t look the sort who would get in this state.  Or maybe she was, I was a terrible judge of women.

“Who are you?” she asked.

“Nobody.”  I was exactly how I felt.

“Well Mr Nobody, I’m drunk, and I don’t care.  Just leave me here to rot.”

She put her head back between her knees, and it looked to me she was trying to stop the spinning sensation in her head.

Been there before, and it’s not a good feeling.

“Where are your friends?” I asked again.

“Got none.”

“Perhaps I should take you home.”

“I have no home.”

“You don’t look like a homeless person.  If I’m not mistaken, those shoes are worth more than my weekly salary.”  I’d seen them advertised, in the airline magazine, don’t ask me why the ad caught my attention.

She lifted her head and looked at me again.  “You a smart fucking arse are you?”

“I have my moments.”

“Have them somewhere else.”

She rested her head against my shoulder.  We were the only two left in the street, and suddenly in darkness when the proprietor turned off the outside lights.

“Take me home,” she said suddenly.

“Where is your place?”

“Don’t have one.  Take me to your place.”

“You won’t like it.”

“I’m drunk.  What’s not to like until tomorrow.”

I helped her to her feet.  “You have a name?”

“Charlotte.”

The wedding was in a small church.  We had been away for a weekend in the country, somewhere in the Cotswolds, and found this idyllic spot.  Graves going back to the dawn of time, a beautiful garden tended by the vicar and his wife, an astonishing vista over hills and down dales.

On a spring afternoon with the sun, the flowers, and the peacefulness of the country.

I had two people at the wedding, the best man, Bradley, and my boss, Watkins.

Charlotte had her sisters Melissa and Isobel, and Isobel’s husband Giovanni, and their daughter Felicity.

And one more person who was as mysterious as she was attractive, a rather interesting combination as she was well over retirement age.  She arrived late and left early.

Aunt Agatha.

She looked me up and down with what I’d call a withering look.  “There’s more to you than meets the eye,” she said enigmatically.

“Likewise I’m sure,” I said.  It earned me an elbow in the ribs from Charlotte.  It was clear she feared this woman.

“Why did you come,” Charlotte asked.

“You know why.”

Agatha looked at me.  “I like you.  Take care of my granddaughter.  You do not want me for an enemy.”

OK, now she officially scared me.

She thrust a cheque into my hand, smiled, and left.

“Who is she,” I asked after we watched her depart.

“Certainly not my fairy godmother.”

Charlotte never mentioned her again.

Zurich in summer, not exactly my favourite place.

Instead of going to visit her sister Isobel, we stayed at a hotel in Beethovenstrasse and Isobel and Felicity came to us.  Her husband was not with her this time.

Felicity was three or four and looked very much like her mother.  She also looked very much like Charlotte, and I’d remarked on it once before and it received a sharp rebuke.

We’d been twice before, and rather than talk to her sister, Charlotte spent her time with Felicity, and they were, together, like old friends.  For so few visits they had a remarkable rapport.

I had not broached the subject of children with Charlotte, not after one such discussion where she had said she had no desire to be a mother.  It had not been a subject before and wasn’t once since.

Perhaps like all Aunts, she liked the idea of playing with a child for a while and then give it back.

Felicity was curious as to who I was, but never ventured too close.  I believed a child could sense the evil in adults and had seen through my facade of friendliness.  We were never close.

But…

This time, when observing the two together, something quite out of left field popped into my head.  It was not possible, not by any stretch of the imagination, but I thought she looked like my mother.

And Charlotte had seen me looking in their direction.  “You seem distracted,” she said.

“I was just remembering my mother.  Odd moment, haven’t done so for a very long time.”

“Why now?”  I think she had a look of concern on her face.

“Her birthday, I guess,” I said, the first excuse I could think of.

Another look and I was wrong.  She looked like Isobel or Charlotte, or if I wanted to believe it possible, Melissa too.

I was crying, tears streaming down my face.

I was in pain, searing pain from my lower back stretching down into my legs, and I was barely able to breathe.

It was like coming up for air.

It was like Snow White bringing Prince Charming back to life.  I could feel what I thought was a gentle kiss and tears dropping on my cheeks, and when I opened my eyes, I saw Charlotte slowly lifting her head, a hand gently stroking the hair off my forehead.

And in a very soft voice, she said, “Hi.”

I could not speak, but I think I smiled.  It was the girl with the imperfection in her right eye.  Everything fell into place, and I knew, in that instant that we were irrevocably meant to be together.

“Welcome back.”

© Charles Heath 2016-2019

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