Category: Fiction

First Dig Two Graves

A sequel to “The Devil You Don’t”

…

Revenge is a dish best served cold – or preferably so when everything goes right

Of course, it rarely does, as Alistair, Zoe’s handler, discovers to his peril. Enter a wildcard, John, and whatever Alistair’s plan for dealing with Zoe was dies with him.

It leaves Zoe in completely unfamiliar territory.

…

John’s idyllic romance with a woman who is utterly out of his comfort zone is on borrowed time. She is still trying to reconcile her ambivalence after being so indifferent for so long.

They agree to take a break, during which she disappears. John, thinking she has left without saying goodbye, refuses to accept the inevitable and calls on an old friend for help in finding her.

After the mayhem and being briefly reunited, she recognises an inevitable truth: there is a price to pay for taking out Alistair; she must leave and find them first, and he would be wise to keep a low profile.

But keeping a low profile just isn’t possible, and enlisting another friend, a private detective and his sister, a deft computer hacker, they track her to the border between Austria and Hungary.

What John doesn’t realise is that another enemy is tracking him to find her too. It could have been a grand tour of Europe. Instead, it becomes a race against time before enemies old and new converge for what will be an inevitable showdown.

An excerpt from “Strangers We’ve Become” – Coming Soon

I wandered back to my villa.

It was in darkness.  I was sure I had left several lights on, especially over the door so I could see to unlock it.

I looked up and saw the globe was broken.

Instant alert.

I went to the first hiding spot for the gun, and it wasn’t there.  I went to the backup and it wasn’t there either.  Someone had found my carefully hidden stash of weapons and removed them.

Who?

There were four hiding spots and all were empty.  Someone had removed the weapons.  That could only mean one possibility.

I had a visitor, not necessarily here for a social call.

But, of course, being the well-trained agent I’d once been and not one to be caught unawares, I crossed over to my neighbor and relieved him of a weapon that, if found, would require a lot of explaining.

Suitably armed, it was time to return the surprise.

There were three entrances to the villa, the front door, the back door, and a rather strange escape hatch.  One of the more interesting attractions of the villa I’d rented was its heritage.  It was built in the late 1700s, by a man who was, by all accounts, a thief.  It had a hidden underground room which had been in the past a vault but was now a wine cellar, and it had an escape hatch by which the man could come and go undetected, particularly if there was a mob outside the door baying for his blood.

It now gave me the means to enter the villa without my visitors being alerted, unless, of course, they were near the vicinity of the doorway inside the villa, but that possibility was unlikely.  It was not where anyone could anticipate or expect a doorway to be.

The secret entrance was at the rear of the villa behind a large copse, two camouflaged wooden doors built into the ground.  I move aside some of the branches that covered them and lifted one side.  After I’d discovered the doors and rusty hinges, I’d oiled and cleaned them, and cleared the passageway of cobwebs and fallen rocks.  It had a mildew smell, but nothing would get rid of that.  I’d left torches at either end so I could see.

I closed the door after me, and went quietly down the steps, enveloped in darkness till I switched on the torch.  I traversed the short passage which turned ninety degrees about halfway to the door at the other end.  I carried the key to this door on the keyring, found it and opened the door.  It too had been oiled and swung open soundlessly.

I stepped in the darkness and closed the door.

I was on the lower level under the kitchen, now the wine cellar, the ‘door’ doubling as a set of shelves which had very little on them, less to fall and alert anyone in the villa.

Silence, an eerie silence.

I took the steps up to the kitchen, stopping when my head was level with the floor, checking to see if anyone was waiting.  There wasn’t.  It seemed to me to be an unlikely spot for an ambush.

I’d already considered the possibility of someone coming after me, especially because it had been Bespalov I’d killed, and I was sure he had friends, all equally as mad as he was.  Equally, I’d also considered it nigh on impossible for anyone to find out it was me who killed him because the only people who knew that were Prendergast, Alisha, a few others in the Department, and Susan.

That raised the question of who told them where I was.

If I was the man I used to be, my first suspect would be Susan.  The departure this morning, and now this was too coincidental.  But I was not that man.

Or was I?

I reached the start of the passageway that led from the kitchen to the front door and peered into the semi-darkness.  My eyes had got used to the dark, and it was no longer an inky void.  Fragments of light leaked in around the door from outside and through the edge of the window curtains where they didn’t fit properly.  A bone of contention upstairs in the morning, when first light shone and invariably woke me up hours before I wanted to.

Still nothing.

I took a moment to consider how I would approach the visitor’s job.  I would get a plan of the villa in my head, all entrances, where a target could be led to or attacked where there would be no escape.

Coming in the front door.  If I was not expecting anything, I’d just open the door and walk-in.  One shot would be all that was required.

Contract complete.

I sidled quietly up the passage staying close to the wall, edging closer to the front door.  There was an alcove where the shooter could be waiting.  It was an ideal spot to wait.

Crunch.

I stepped on some nutshells.

Not my nutshells.

I felt it before I heard it.  The bullet with my name on it.

And how the shooter missed, from point-blank range, and hit me in the arm, I had no idea.  I fired off two shots before a second shot from the shooter went wide and hit the door with a loud thwack.

I saw a red dot wavering as it honed in on me and I fell to the floor, stretching out, looking up where the origin of the light was coming and pulled the trigger three times, evenly spaced, and a second later I heard the sound of a body falling down the stairs and stopping at the bottom, not very far from me.

Two assassins.

I’d not expected that.

The assassin by the door was dead, a lucky shot on my part.  The second was still breathing.

I checked the body for any weapons and found a second gun and two knives.  Armed to the teeth!

I pulled off the balaclava; a man, early thirties, definitely Italian.  I was expecting a Russian.

I slapped his face, waking him up.  Blood was leaking from several slashes on his face when his head had hit the stairs on the way down.  The awkward angle of his arms and legs told me there were broken bones, probably a lot worse internally.  He was not long for this earth.

“Who employed you?”

He looked at me with dead eyes, a pursed mouth, perhaps a smile.  “Not today my friend.  You have made a very bad enemy.”  He coughed and blood poured out of his mouth.  “There will be more …”

Friends of Bespalov, no doubt.

I would have to leave.  Two unexplainable bodies, I’d have a hard time explaining my way out of this mess.  I dragged the two bodies into the lounge, clearing the passageway just in case someone had heard anything.

Just in case anyone was outside at the time, I sat in the dark, at the foot of the stairs, and tried to breathe normally.  I was trying not to connect dots that led back to Susan, but the coincidence was worrying me.

A half-hour passed and I hadn’t moved.  Deep in thought, I’d forgotten about being shot, unaware that blood was running down my arm and dripping onto the floor.

Until I heard a knock on my front door.

Two thoughts, it was either the police, alerted by the neighbors, or it was the second wave, though why would they be knocking on the door?

I stood, and immediately felt a stabbing pain in my arm.  I took out a handkerchief and turned it into a makeshift tourniquet, then wrapped a kitchen towel around the wound.

If it was the police, this was going to be a difficult situation.  Holding the gun behind my back, I opened the door a fraction and looked out.

No police, just Maria.  I hoped she was not part of the next ‘wave’.

“You left your phone behind on the table.  I thought you might be looking for it.”  She held it out in front of her.

When I didn’t open the door any further, she looked at me quizzically, and then asked, “Is anything wrong?”

I was going to thank her for returning the phone, but I heard her breathe in sharply, and add, breathlessly, “You’re bleeding.”

I looked at my arm and realized it was visible through the door, and not only that, the towel was soaked in blood.

“You need to go away now.”

Should I tell her the truth?  It was probably too late, and if she was any sort of law-abiding citizen she would go straight to the police.

She showed no signs of leaving, just an unnerving curiosity.  “What happened?”

I ran through several explanations, but none seemed plausible.  I went with the truth.  “My past caught up with me.”

“You need someone to fix that before you pass out from blood loss.  It doesn’t look good.”

“I can fix it.  You need to leave.  It is not safe to be here with me.”

The pain in my arm was not getting any better, and the blood was starting to run down my arm again as the tourniquet loosened.  She was right, I needed it fixed sooner rather than later.

I opened the door and let her in.  It was a mistake, a huge mistake, and I would have to deal with the consequences.  Once inside, she turned on the light and saw the pool of blood just inside the door and the trail leading to the lounge.  She followed the trail and turned into the lounge, turned on the light, and no doubt saw the two dead men.

I expected her to scream.  She didn’t.

She gave me a good hard look, perhaps trying to see if I was dangerous.  Killing people wasn’t something you looked the other way about.  She would have to go to the police.

“What happened here?”

“I came home from the cafe and two men were waiting for me.  I used to work for the Government, but no longer.  I suspect these men were here to repay a debt.  I was lucky.”

“Not so much, looking at your arm.”

She came closer and inspected it.

“Sit down.”

She found another towel and wrapped it around the wound, retightening the tourniquet to stem the bleeding.

“Do you have medical supplies?”

I nodded.  “Upstairs.”  I had a medical kit, and on the road, I usually made my own running repairs.  Another old habit I hadn’t quite shaken off yet.

She went upstairs, rummaged, and then came back.  I wondered briefly what she would think of the unmade bed though I was not sure why it might interest her.

She helped me remove my shirt, and then cleaned the wound.  Fortunately, she didn’t have to remove a bullet.  It was a clean wound but it would require stitches.

When she’d finished she said, “Your friend said one day this might happen.”

No prizes for guessing who that friend was, and it didn’t please me that she had involved Maria.

“Alisha?”

“She didn’t tell me her name, but I think she cares a lot about you.  She said trouble has a way of finding you, gave me a phone and said to call her if something like this happened.”

“That was wrong of her to do that.”

“Perhaps, perhaps not.  Will you call her?”

“Yes.  I can’t stay here now.  You should go now.  Hopefully, by the time I leave in the morning, no one will ever know what happened here, especially you.”

She smiled.  “As you say, I was never here.”

…

© Charles Heath 2018-2022

strangerscover9

365 Days of writing, 2026 – 121

Day 121 – Distractions

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Beyond the Blinking Cursor: How Writers Tame Distraction (and Why It’s Not Always Bad)

We’ve all been there: you sit down with a fresh pot of coffee, a clear idea, and your laptop. Ten minutes later, you’re knee-deep in a Wikipedia thread about 14th-century agriculture or scrolling through a reel of sourdough baking tips.

Writing is a singular act of focus in a world designed to fragment it. For a writer, distraction is the ultimate antagonist. But as we navigate the digital age, the way we handle these interruptions isn’t just about “willpower”—it’s about strategy.

Here is how professional writers build a fortress around their focus, and the surprising reason why some distractions might actually be a good thing.

1. The Sound of Silence (literally)

While some writers swear by lo-fi beats or cinematic scores, music can often become a “productive distraction”—something that feels like work atmosphere but actually competes for your linguistic brainpower.

The Strategy: When the prose gets tough, turn off the music. Silence forces you to hear the rhythm of your own sentences. If you can’t stand total silence, try brown noise or a simple fan. By removing the melodic pull of a song, you allow your internal narrator to take centre stage.

2. Cutting the Digital Cord

The internet is a writer’s greatest tool and their worst enemy. How many times has “checking a single fact” turned into an hour of aimless browsing?

The Strategy: Disconnect from the internet. Whether you use an app blocker like Freedom or simply flip the Wi-Fi toggle to ‘off,’ creating an offline sanctuary is a game-changer. If you realise you need to look something up, simply write [RESEARCH THIS] in brackets and keep moving. Stay in the flow of the story; the facts can wait for the editing phase.

3. Out of Sight, Out of Mind

The smartphone is the world’s most advanced distraction machine. Even having it face-down on your desk has been shown to reduce cognitive capacity because a small part of your brain is constantly “noticing” it.

The Strategy: Silence or hide your phone. Put it in another room or inside a desk drawer. By adding a physical barrier between yourself and those red notification bubbles, you reduce the “frictional cost” of staying focused. If you can’t see it, your brain eventually stops craving the hit of dopamine it provides.

4. Working Against the Clock

The fear of a long, gruelling writing session is often what leads us to seek distractions. If we think we have to write for five hours, we’ll do anything to escape.

The Strategy: Set a timer for breaks. Techniques like the Pomodoro Method (25 minutes of work, 5 minutes of rest) turn writing into a sprint rather than a marathon. When you know a break is coming in exactly 12 minutes, you’re more likely to push through a difficult paragraph rather than giving up.

Can Distraction Actually Be Beneficial?

It sounds counterintuitive, but not all distractions are created equal. There is a concept in psychology called “incubation.”

When you hit a wall—a plot hole you can’t fill or a transition that feels clunky—staring at the screen often makes it worse. This is where a controlled distraction becomes beneficial.

By stepping away to do something “low-leakage” (like washing the dishes, taking a walk, or staring out the window), you allow your subconscious to work on the problem. The “Aha!” moment rarely happens while staring at a cursor; it happens when you’re distracted enough to let your mind wander, but not so distracted (by social media or email) that your brain is overwhelmed.

The Bottom Line

Managing distraction isn’t about becoming a robot; it’s about setting boundaries. By silencing the noise, disconnecting from the web, and using timers to structure your day, you create the space necessary for deep work.

And when the words won’t come? Lean into a constructive distraction. Walk away, let your mind drift, and trust that the story is still writing itself in the background.

How do you handle the urge to scroll when you should be writing? Let us know your favourite focus hacks in the comments below!

Another excerpt from ‘Betrayal’; a work in progress

…

My next destination in the quest was the hotel we believed Anne Merriweather had stayed at.

I was, in a sense, flying blind because we had no concrete evidence she had been there, and the message she had left behind didn’t quite name the hotel or where Vladimir was going to take her.

Mindful of the fact that someone might have been following me, I checked to see if the person I’d assumed had followed me to Elizabeth’s apartment was still in place, but I couldn’t see him. Next, I made a mental note of seven different candidates and committed them to memory.

Then I set off to the hotel, hailing a taxi. There was the possibility that the cab driver was one of them, but perhaps I was slightly more paranoid than I should be. I’d been watching the queue, and there were two others before me.

The journey took about an hour, during which time I kept an eye out the back to see if anyone had been following us. If anyone was, I couldn’t see them.

I had the cab drop me off a block from the hotel and then spent the next hour doing a complete circuit of the block the hotel was on, checking the front and rear entrances, the cameras in place, and the siting of the driveway into the underground carpark. There was a camera over the entrance, and one we hadn’t checked for footage. I sent a text message to Fritz to look into it.

The hotel lobby was large and busy, which was exactly what you’d want if you wanted to come and go without standing out. It would be different later at night, but I could see her arriving about mid-afternoon, and anonymous among the clientele the hotel attracted.

I spent an hour sitting in various positions in the lobby simply observing. I had already ascertained where the elevator lobby for the rooms was, and the elevator down to the car park. Fortunately, it was not ‘guarded’, but there was a steady stream of concierge staff coming and going to the lower levels, and, just from time to time, guests.

Then, when there was a commotion at the front door, what seemed to be a collision of guests and free-wheeling bags, I saw one of the seven potential taggers sitting by the front door. Waiting for me to leave? Or were they wondering why I was spending so much time there?

Taking advantage of that confusion, I picked my moment to head for the elevators that went down to the car park, pressed the down button, and waited.

There was no car on the ground level, so I had to wait, watching, like several others, the guests untangling themselves at the entrance, and keeping an eye on my potential surveillance, still absorbed in the confusion.

The doors to the left car opened, and a concierge stepped out, gave me a quick look, then headed back to his desk. I stepped into the car, pressed the first level down, the level I expected cars to arrive on, and waited what seemed like a long time for the doors to close.

As they did, I was expecting to see a hand poke through the gap, a latecomer. Nothing happened, and I put it down to a television moment.

There were three basement levels, and for a moment, I let my imagination run wild and considered the possibility that there were more levels. Of course, there was no indication on the control panel that there were any other floors, and I’d yet to see anything like it in reality.

With a shake of my head to return to reality, the car arrived, the doors opened, and I stepped out.

A car pulled up, and the driver stepped out, went around to the rear of his car, and pulled out a case. I half expected him to throw me the keys, but the instant glance he gave me told him he was not the concierge, and instead he brushed past me like I wasn’t there.

He bashed the up button several times impatiently and cursed when the doors didn’t open immediately. Not a happy man.

Another car drove past on its way down to a lower level.

I looked up and saw the CCTV camera, pointing towards the entrance, visible in the distance. A gate that lifted up was just about back in position, then clunked when it finally closed. The footage from the camera would not prove much, even if it had been working, because it didn’t cover the lift lobby, only what was in the direction of the car entrance.

The doors to the other elevator car opened, and a man in a suit stepped out.

“Can I help you, sir? You seem lost.”

Security, or something else. “It seems that way. I went to the elevator lobby, got in, and it went down rather than up. I must have been in the wrong place.”

“Lost it is, then, sir.” I could hear the contempt for Americans in his tone. “If you will accompany me, please.”

He put out a hand ready to guide me back into the elevator. I was only too happy to oblige him. There had been a sign near the button panel that said the basement levels were only to be accessed by the guests.

Once inside, he turned a key and pressed the lobby button. The doors closed, and we went up. He stood, facing the door, not speaking. A few seconds later, he was ushering me out to the lobby.

“Now, sir, if you are a guest…”

“Actually, I’m looking for one. She called me and said she would be staying in this hotel and to come down and visit her. I was trying to get to the sixth floor.”

“Good. Let’s go over to the desk and see what we can do for you.”

I followed him over to the reception desk, where he signalled one of the clerks, a young woman who looked and acted very efficiently, and told her of my request, but then remained to oversee the proceeding.

“Name of guest, sir?”

“Merriweather, Anne. I’m her brother, Alexander.” I reached into my coat pocket and pulled out my passport to prove that I was who I said I was. She glanced cursorily at it.

She typed the name into the computer, and then we waited a few seconds while it considered what to output. Then, she said, “That lady is not in the hotel, sir.”

Time to put on my best-confused look. “But she said she would be staying here for the week. I made a special trip to come here to see her.”

Another puzzled look from the clerk, then, “When did she call you?”

An interesting question to ask, and it set off a warning bell in my head. I couldn’t say today, it would have to be the day she was supposedly taken.

“Last Saturday, about four in the afternoon.”

Another look at the screen, then, “It appears she checked out Sunday morning. I’m afraid you have made a trip in vain.”

Indeed, I had. “Was she staying with anyone?”

I just managed to see the warning pass from the suited man to the clerk. I thought he had shown an interest when I mentioned the name, and now I had confirmation. He knew something about her disappearance. The trouble was, he wasn’t going to volunteer any information because he was more than just hotel security.

“No.”

“Odd,” I muttered. “I thought she told me she was staying with a man named Vladimir something or other. I’m not too good at pronouncing those Russian names. Are you sure?”

She didn’t look back at the screen. “Yes.”

“OK, now one thing I do know about staying in hotels is that you are required to ask guests with foreign passports their next destination, just in case they need to be found. Did she say where she was going next?” It was a long shot, but I thought I’d ask.

“Moscow. As I understand it, she lives in Moscow. That was the only address she gave us.”

I smiled. “Thank you. I know where that is. I probably should have gone there first.”

She didn’t answer; she didn’t have to, her expression did that perfectly.

The suited man spoke again, looking at the clerk. “Thank you.” He swivelled back to me. “I’m sorry we can’t help you.”

“No. You have more than you can know.”

“What was your name again, sir, just in case you still cannot find her?”

“Alexander Merriweather. Her brother. And if she is still missing, I will be posting a very large reward. At the moment, you can best contact me via the American Embassy.”

Money is always a great motivator, and that thoughtful expression on his face suggested he gave a moment’s thought to it.

I left him with that offer and left. If anything, the people who were holding her would know she had a brother, that her brother was looking for her, and equally that brother had money.

…

© Charles Heath – 2018-2025

The cinema of my dreams – I never wanted to go to Africa – Episode 12

It’s still a battle of wits, but our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because the enemy if it is the enemy, doesn’t look or sound or act like the enemy.

If at first, you don’t succeed, try a few threats, or leverage

 

He took a deep breath, gave me a look a parent would give a miscreant child, and started again.

“What’s the deal with you and Commander Breeman?”

Yes, he does know about her proclivities, but he was hardly in a position to condemn her.  He, too, had a ‘thing’ for the female trainees under his command, and one in particular.

“She has to eat, I have to eat, in the same mess as it happens.”

He gave me another of his penetrating glares.

“Nothing else?”

“That would be against regulations, as I think you are fully aware.”  I returned his glare but with more intensity.

“What did you discuss over the dinner table?”

Odd question.  Not operational matters, if that was what he wanted to hear.  But what we spoke about had little relevance to work.

“Cars.”

It was true.  She liked restoring old cars from the mid-war period, some of which had been used as props in period movies.  I had an old Cadillac, the sort that would fail any fuel economy test.

I could see it was not the answer he was looking for.  He would have to ask a specific question in order to get a specific answer one way or the other.

“Did she mention the no-fly zone?”

I thought about it for a moment, and then said, “No, there are no cars out there to speak of.”

“Flippancy doesn’t become you, Alan.”

Perhaps not, but it was all he was going to get.

And for added emphasis, I said, “Like I said to your predecessor, I don’t know how or why you would have to ask the pilot.”

He stood abruptly, nearly knocking the chair over.  Angry.

“You know something, Alan, otherwise you would not have been on that helo.  She threw you under the bus, and the quicker you realize that the better.”

Then he walked out, slamming the door behind him.

 

© Charles Heath 2019

“Sunday in New York”, a romantic adventure that’s not a walk in the park!

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend, that casts a small element of doubt in his mind.

From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just a number of small, interconnecting events, when piled on top of each other, points to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints of impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovered piece by piece damning evidence she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence is about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

Purchase:

http://tinyurl.com/Amazon-SundayInNewYork

The cinema of my dreams – It continued in London – Episode 34

Evan and Juliet

…

I reviewed the CCTV tapes and worked out who the countess’s bodyguards were in the hotel, and remarkably traced them leaving the hotel by the back entrance, passing only one camera, one I suspect they didn’t know was there.  The reason, it did not belong to the hotel but the owner of the building behind the hotel.

They did not leave with the countess, so the question was, why?

I called the office and asked them to do facial recognition on the two, and then trace their movements, and if they left the country by conventional means.

There was no sign of anyone leaving before or after them.  Not for two hours on either side of their departure time.  It was another lead, which might lead nowhere.

I called Cecilia to ask her how her investigation into Vittoria was going.  She didn’t answer, so I sent her a text message arranging to have coffee at a French Pastry café near where I believed I would find Juliet.

I was still working out how I was going to bump into her.

The auditorium was off the Strand near Charing Cross station not far from the Victoria Embankment Gardens, and of course, a French Pastry café in Charing Cross Road I found quite by accident when looking for Foyles Bookshop.

I was still working on that plan when I stopped to have a coffee and a Mille Feuille.

The best idea is just to go and see if she is there and talk to her.  I doubt that she would believe that I just happened to be in the same place at the same time, and perhaps if I just told her the truth…

Whatever approach I made; it was going to be a surprise.

I stood outside the building for a few minutes, thinking if I waited, she might just turn up but she didn’t.  If anything, she would be inside, setting up for the following day.

Enough prevaricating, I couldn’t wait any longer.  I crossed the road and went in.  I hoped that it catered for visitors.  At the front desk, I asked whether the organiser of the session that was running in one of the lecture rooms was available, I was attending and had some questions, and she directed me to the hall.

When I entered the room I saw her standing on the dais, fiddling with a control that was in the process of displaying slides on the screen behind her.  She looked different to when I last saw her, and I couldn’t help but notice she had a presence about her, even if she was flustered.

Then she must have sensed someone had entered the room and looked up.  She recognised me immediately.

“Evan?  Is that you?”

“It is.”

I walked down the steps and stopped just short of the dais.

“What are you doing here?”

Good question.  I was still not prepared for this moment.

“I read in the paper you were leading a discussion on your pet subject of car accident victim’s trauma, where it was, and I didn’t feel we ended things back in Venice very well.  I was surprised to learn you were in London, and I was at a loose end.”

She looked me up and down with a curious eye.

“Someone I don’t think that’s, exactly true Evan.  I was told, in a roundabout way, that you were responsible for getting my brother out of the fix he was in, and coincidentally solved my problem too.  He was a rather creepy little man who was acting strangely.  Please, sit down.”

She crossed to the front row of seats, chose one and sat.  I sat two seats away.

“Yes, he needs to work on his people skills.”

“Then you are not who you purport to be.  Are you still living in Venice?”

“No.  There is nothing to keep me there.  I have a place here.  For the time being.”

“Are you working?”

“In a manner of speaking.”

“Does it involve me?”

“Why would you think that?”

“I have been involved in several shall we say enterprises because of circumstances, all of which I have tried to put in the past.  I am not that person anymore, and thankfully some of the ghosts are just that.  You and I though, I’m not sure what we are?  Would you like to buy me dinner and talk about it?”

Was it an invitation I couldn’t refuse?

“Can you drag yourself away from this?”

“I have a computer guru. I’ll call him and ask him to make it work.  You can tell me what you’re up to, and why you need my help.  I’m assuming that’s why you’re here?”

© Charles Heath 2023

What I learned about writing – The cliff hanger, and the idea behind writing episodes…

Back in the good old days…

Yes, we have to go way back in time to the days when Charles Dickens and other classic English writers wrote their stories in episodes, and yes, they had to have a cliff-hanger ending for each so the readers would be back to read the next instalment.

It was a novel way to get people to buy newspapers.

It was also a chance for the writers to get income by publishing a weekly instalment in either the newspapers or magazines.

Of course, at that time, a lot of people couldn’t read or write, so there was a large percentage of the population missing out.

Imagine my dismay when I decided to write my stories in episodes and publish them in my blog, thinking it was a really great idea, and then discovering the idea had been around for hundreds of years.

Mine were, and are, a little more erratic, sometimes each day, but other times a week apart. Sometimes it’s difficult to write continuously like that, and three or four different stories. If you want to read some, they are the stories I called ‘The Cinema of my Dreams’, and there’s one about an interlude in WW2, one about a rescue in Africa, one about a Treasure Hunt, one about an aspiring spy, one that starts in Venice, and one in outer space

Imagine what Charles Dickens would have thought of having the internet to publish his stories. He’d get more readers than for all of his novels, whether published in book form or episodes, in his lifetime.

And, of course, when the books were published, it wasn’t just one copy for the whole story; it was published in three, four or more volumes.

Of course, the movie moguls couldn’t let a good idea get past them either, and started making serials in episodes, each with a cliff-hanger ending to run before the main feature, thinking they would get the fans hooked into coming every week.

Notable heroes who turned up in Hollywood serials were Flash Gordon, Buck Rogers, Zorro, and the Green Hornet, nearly all of comic book fame.

365 Days of writing, 2026 – 120

Day 120 – How can a writer be compared to a magician

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The Art of the Illusion: Why Every Writer is a Magician

We’ve all had that experience: you open a book, and suddenly, the room around you vanishes. You aren’t looking at ink on paper or pixels on a screen anymore; you are inside a character’s mind, feeling their heartbeat, smelling the rain on a distant street, and racing toward a conclusion you didn’t see coming.

When a story works, it feels like magic. But as any professional magician will tell you, the more effortless a trick looks, the more gruelling the preparation behind the curtain was.

The legendary Toni Morrison once perfectly captured this tension:

“[Handle writing] so the reader is only aware of the rabbit that comes out of the hat, and doesn’t see the false bottom—that’s where the hard work is.”

As writers, we are the magicians of the page. Here is why writing is the ultimate sleight of hand, and why hiding the “false bottom” is the most important part of the craft.

The Rabbit: The Seamless Experience

In Morrison’s metaphor, the “rabbit” is the finished story. It’s the emotional payoff, the sharp dialogue, and the plot twist that leaves the reader breathless.

When a reader picks up a book, they don’t want to see the writer’s struggle. They don’t want to notice the clunky sentence that took four hours to fix or the structural gap that required a total rewrite of Chapter Three. They want the wonder. They want the rabbit to appear out of thin air, vibrant and alive.

If the reader starts thinking about the writer’s technique while they are reading, the spell is broken. The “rabbit” becomes just a prop, and the magic fades.

The False Bottom: The Mechanics of Craft

The “false bottom” is everything that happens before the reader ever turns page one. It is the invisible infrastructure of a story. This includes:

  • Structural Scaffolding: Building a plot that feels inevitable but not predictable.
  • The “Ugly” First Draft: Chasing ideas through a mess of bad metaphors and inconsistent pacing.
  • The Editing Grind: Removing every “very” and “suddenly,” killing your darlings, and refining the rhythm of a sentence until it sings.
  • Research: Knowing ten times more about a subject than what actually makes it into the book, just to ensure the world feels sturdy.

This is where the “hard work” Morrison mentions resides. It’s the sweat, the frustration, and the endless hours of refinement. It is the mechanical, often tedious labour required to create an object that looks like it was born, not made.

Why We Hide the Work

You might ask: If I worked so hard on this, why shouldn’t I let the reader see it?

In magic, if the audience sees the trapdoor, the wonder is replaced by logic. They stop feeling and start calculating. Writing is the same. To evoke a true emotional response, the mechanics must remain invisible.

We hide the “false bottom” because we want the reader to believe in the reality of the world we’ve built. We want them to believe the characters are making choices of their own free will, not because a writer is pulling their strings from behind a curtain.

Embracing the Invisible Labour

If you are a writer currently struggling with a difficult chapter or a plot hole that won’t close, remember Morrison’s words. The fact that it feels hard doesn’t mean you’re failing; it means you’re building the false bottom.

The goal isn’t to write something that is easy; it’s to write something that feels easy.

Next time you produce a piece of prose that flows so naturally it feels like it wrote itself, take a moment to look back at the “false bottom” you spent weeks constructing. The reader may never see it, but they will feel the magic it allows to happen.

After all, the best magic tricks aren’t about the rabbit—they’re about the secret the magician keeps to make the world feel a little more wondrous.

“Echoes From The Past”, the past doesn’t necessarily stay there


What happens when your past finally catches up with you?

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Christmas is just around the corner, a time to be with family. For Will Mason, an orphan since he was fourteen, it is a time for reflection on what his life could have been, and what it could be.

Until a chance encounter brings back to life the reasons for his twenty years of self-imposed exile from a life only normal people could have. From that moment, Will’s life slowly starts to unravel, and it’s obvious to him that it’s time to move on.

This time, however, there is more at stake.

Will has broken his number one rule: don’t get involved.

With his nemesis, Eddie Jamieson, suddenly within reach, and a blossoming relationship with an office colleague, Maria, about to change everything, Will has to make a choice. Quietly leave, or finally, make a stand.

But as Will soon discovers, when other people are involved there is going to be terrible consequences no matter what choice he makes.

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