The cinema of my dreams – Was it just another surveillance job – Episode 32

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe

 

I ordered breakfast to be brought to my room, then sat back and read the paper, culminating in a second cup of coffee and a half-hearted attempt at the crossword.

My mind was not sufficiently clear of all the implications of what I’d seen last night, and before that.

The first task was to go back to the office and get onto the computer to track down the address the car was registered to.  It was not the flat.  My guess that it was a sort of safe house.  He may not have had reservations about Jan, or who she worked for, not until he became the prey.

Then it occurred to me that if Jan didn’t know where the USB was, then she had to realize he might have rumbled her perfidy.  Maybe he was not as easily fooled as I first thought.

But it didn’t explain why Nobbin was in the dark over the USB’s whereabouts, as he had told me to give Nobbin a message.  Perhaps there’s been a secret message behind that message.

Now, my mind was spinning out of control.

Like O’Connell/Quinley, and in accordance with more lessons on tradecraft, I too, had what I would like to have called a safe house, a small flat on the outskirts of Wimbledon.  

I also had an off-site parking space that was a reasonable distance from the flat, so that if I was being hunted, the car would not lead them to my hiding spot.

There I had a shower, changed, and headed for the underground.

I took the train to Charing Cross, getting there around nine, to take the short walk to the hotel.

Not expecting to find her in the room, I used my key to let myself in.

I was wrong.

She was in bed, still asleep.  Or was until I let the door slam shut.

She didn’t exactly come out from under the covers with a gun pointing at me, but I would be willing to be there was one under her pillow and her hand was on it.

“Sam?”  It was uttered sleepily, the sort that would normally send a shiver down my spine.  Not now.

“I hope you’re not intending to shoot me?”

“No.”

I could see her hand moving slowly withdrawing, and then watched her sit up and swing her legs over the side.

Still in basic clothes.  Obviously, no time to go and get some pyjamas then.

“What happened to you?”

“Got side-tracked on what I thought might be a lead, and it wasn’t.  Just a waste of time and a long night.  Thought I’d come here and get some shuteye.  Perhaps not.  Are you going to order breakfast?”

“Of course.”

“I’ll have a pot of coffee and a paper, preferably one with a crossword.”

She rang down a breakfast order, full English, then said she was having a quick shower.  I heard the water running and wondered if she was giving Severin a short report.  Old trick, running water hides conversations.

Breakfast arrived at the same time as she came out of the bathroom, hair up in a towel, and in one of the hotel dressing gowns.  My imagination got a five-second workout before I grabbed the paper and the coffee and sat in the corner.

She could have the desk.

“Do we know where Maury is?” I asked suddenly.

“Who?”

She hesitated before answering, a moment to give herself time to process the question, and if there were any hidden meanings.

“You know?  You dropped a tracker on him.”

“Oh, him.  He must have found and dumped it.  It was pinging about 100 yards from the flat.”

Of course.  There probably wasn’t one in the first place.

“Pity.  I’d like to turn up unannounced, give him a bit of a scare.”

I went back to the crossword, keeping an eye on her, noticing every now and then giving me a sideways glance.

“Did you go anywhere after the flat?”  Again sudden, out of left field.

“No.  Just come straight back here.  Do you want to keep the room for a few days?  See what happens.”

“Sounds like a good idea.  Look, I have to run an errand this morning, unfortunately, it’s not a work matter, so I’ll give you a call on my way back.  You must want to talk to your people and let them know what’s happening if you haven’t already.”

I finished the coffee, folded the paper, and stood.

“At the very least,” I added, “I have to go back into the office and report to Nobbin.  I’m sure he’ll be impressed with the lack of progress.”

“Won’t you run into that other fellow, what’s his name?”

“Severin?”

“Him, yes.”

“I don’t think so.  His name will probably be very high on the ‘we’d like to talk to you’ list if he shows his face.  Anyway, I’ve got your number.”

I deliberately waved the phone where she could see it, and the implication she could probably use it to track my movements.  That might have been the case if there was a sim card in it, and it was similar to the phone she last saw me with.

It was not.

Where I was going, no one was going to follow me or find me.

© Charles Heath 2020

365 Days of writing, 2026 – 26

Day 25 – Days 26 – What is the perfect writing space

Crafting Your Perfect Writing Room: A Sanctuary for Creativity and Focus

Introduction: The Power of a Personal Writing Space
A writing room is more than just a place to jot down words—it’s a sanctuary where creativity thrives, ideas flow, and focus is prioritised. Whether you’re a novelist, a student, a blogger, or a poet, having a well-designed writing space can transform your productivity and inspiration. But what makes a writing room “perfect”? The answer is deeply personal, shaped by your habits, preferences, and goals. Let’s explore the key elements that can help you curate your ideal writing space.

Location and Layout: Choose Wisely
Start by selecting a spot that reflects your lifestyle. A dedicated room is ideal for minimising distractions, but a corner of a bedroom, living room, or even a cozy nook in a kitchen can work wonders. Prioritise an area with an ergonomic layout—avoid your bed or couch, as they’re associated with rest. A standing desk might offer flexibility, or a high-chair kitchen counter could spark creativity. The core is to create a space that mentally signals: It’s time to write.

Lighting: Illuminate Your Ideas
Lighting plays a crucial role in mood and productivity. Natural daylight is optimal, reducing eye strain and boosting focus. If you’re writing late at night, invest in a warm, adjustable LED lamp to avoid harsh overhead lighting. Consider layering light sources: a desk lamp for focused tasks, string lights for ambience, or a lamp with a soft glow for a relaxed vibe. Aim for a balance that supports both clarity and creativity.

Furniture: Comfort Meets Support
Comfortable furniture is non-negotiable. Invest in an ergonomic chair that supports your spine and encourages good posture. Pair it with a desk at the correct height—your arms should form a 90-degree angle while typing. Avoid overly plush seating that tempts you to nap! A minimalist setup often works best, with just your essentials: laptop, notebook, and perhaps a cup of coffee or tea.

Ambience and Noise: Curate Your Soundscape
Personalise the atmosphere to your needs. If silence is your muse, use noise-cancelling headphones to block out distractions. For writers who thrive on background noise, a white noise machine or a fan can mask unwanted sounds. Some prefer the gentle hum of a rainforest playlist or a café ambience track. The goal is to create a soundscape that enhances concentration without overwhelming your mind.

Organisation and Storage: Clarity Through Order
A cluttered space can stifle creativity. Use shelves, baskets, or drawer organisers to keep your writing tools (pens, notebooks, sticky notes) within reach. If you’re a hybrid digital-analog writer, designate spots for devices and chargers. However, don’t overdo it—leave room for a bit of organised mess, like a stack of books or sticky-note quotes. Balance tidiness with personal style.

Inspiration and Motivation: Surround Yourself with Spark
A writing space should ignite your imagination. Pin motivational quotes or visual collages on the wall, display books for reference, or create a “dream board” with magazine cuts, photos, and goals. A digital pinboard or framed art can also spark creativity. Keep a journal nearby to jot down sudden ideas. The right stimuli can turn moments of writer’s block into breakthroughs.

Personalisation: Make It Yours
Infuse the space with elements that reflect your personality. Choose calming colours like sage green or navy blue to foster focus, or energise with yellows and oranges. Add a plant for life and air purification (try a snake plant or pothos for low-maintenance). Scented candles or essential oil diffusers can create a soothing atmosphere—lavender for relaxation or peppermint for alertness. This is your space, so let it breathe.

Digital Tools: Equip for Efficiency
Streamline your workflow with smart tech. A high-quality keyboard, a docking station for multiple monitors, or a voice recorder can enhance efficiency. Use apps to block distracting websites during writing sessions. Yet, remember to disconnect: a writing room is about presence, not overstimulation.

Creating Rituals: The Psychology of Space
Finally, build habits around your space. Light a candle, brew a specific tea, or play ambient music to signal the start of a writing session. Over time, your brain will associate the space with creativity and focus, making it easier to enter “writer mode.”

Conclusion: Your Ideal Space Awaits
The perfect writing room isn’t a one-size-fits-all concept—it’s a tailored environment that evolves with you. Experiment with layouts, lighting, and tools to discover what works. Need a high-end chair? Start with a cozy cushion. No dedicated room? Try a corner with a folding desk. The key is to foster a space that nurtures your craft, both practically and emotionally. So go ahead—design a haven that transforms your writing process and celebrates your unique voice.

Remember, the best writing spaces are not built overnight. They’re curated with intention, care, and a bit of trial and error. What will you add to yours? 📝✨

Have you created your ideal writing space? Share your tips and stories in the comments!

What I learned about writing – You are always going to be asked questions

And a lot of them you will not want to answer, like: Why do we write?

That’s the eternal question asked of nearly every writer/author, whether successful or not.

Of course for the successful writer, though it’s hard to put a correct label on what constitutes successful, it’s either because we can make an adequate living out of it, and if it’s not that, for me anyway, it is the life of writing and the joy when someone reads a piece and leaves s review that makes it all worthwhile.

It’s not always about the money.

Most writers have a day job and squirrel themselves away in a variety of places they call their writing space and work long into the night, or over the weekends, trying to fit in everything else.

For most out happy times are when we are constructing a story, lost in another world, away from the everyday hustle and bustle and problems usually left behind when the kids go to sleep.

I’m sure I would like to travel the world, but it would only be in search of the locations of my stories. There is no such thing as a holiday that is just a holiday, and there’s a reason why Venice is a favoured location, as is London, as is New York.

These days, when my other half is visiting doctors, hospitals, and specialists, those long hours in the waiting room are spent conjuring up new stories, working on current projects and just dreaming.

We spend a lot of time in these places, and she gets to read, and I get to write. I’m sure a lot of the others wonder what it is that I am up to. Our GP, whom we visit at least once a month, and the wait can be up to about an hour, has noticed when he comes out to call us in, and always asks what I’m up to.

If I didn’t have something to write, I think I would go bonkers.

An excerpt from “If Only” – a work in progress

Investigation of crimes doesn’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.

At one stage the police thought I had murdered my own wife though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective First Grade Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbors reckon there were heated discussions the day before.

Routine was the word she used.

Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last I saw of Gabrielle.

The shock of finding Vanessa was more devastating than the fact she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months I was barely functioning, to the extent I had all but lost my job, and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy.  Her story varied only in she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened become our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then, we saw each about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realize that all she had was her work, personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt, about whether or not I could trust her to tell me what the message meant.

I reached for the phone then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

An excerpt from “One Last Look”: Charlotte is no ordinary girl

This is currently available at Amazon herehttp://amzn.to/2CqUBcz

I’d read about out-of-body experiences, and like everyone else, thought it was nonsense.  Some people claimed to see themselves in the operating theatre, medical staff frantically trying to revive them, and being surrounded by white light.

I was definitely looking down, but it wasn’t me I was looking at.

It was two children, a boy and a girl, with their parents, in a park.

The boy was Alan.  He was about six or seven.  The girl was Louise, and she was five years old.  She had long red hair and looked the image of her mother.

I remember it now, it was Louise’s birthday and we went down to Bournemouth to visit our Grandmother, and it was the last time we were all together as a family.

We were flying homemade kites our father had made for us, and after we lay there looking up at the sky, making animals out of the clouds.  I saw an elephant, Louise saw a giraffe.

We were so happy then.

Before the tragedy.

When I looked again ten years had passed and we were living in hell.  Louise and I had become very adept at survival in a world we really didn’t understand, surrounded by people who wanted to crush our souls.

It was not a life a normal child had, our foster parents never quite the sort of people who were adequately equipped for two broken-hearted children.  They tried their best, but their best was not good enough.

Every day it was a battle, to avoid the Bannister’s and Archie in particular, every day he made advances towards Louise and every day she fended him off.

Until one day she couldn’t.

Now I was sitting in the hospital, holding Louise’s hand.  She was in a coma, and the doctors didn’t think she would wake from it.  The damage done to her was too severe.

The doctors were wrong.

She woke, briefly, to name her five assailants.  It was enough to have them arrested.  It was not enough to have them convicted.

Justice would have to be served by other means.

I was outside the Bannister’s home.

I’d made my way there without really thinking, after watching Louise die.  It was like being on autopilot, and I had no control over what I was doing.  I had murder in mind.  It was why I was holding an iron bar.

Skulking in the shadows.  It was not very different from the way the Bannister’s operated.

I waited till Archie came out.  I knew he eventually would.  The police had taken him to the station for questioning, and then let him go.  I didn’t understand why, nor did I care.

I followed him up the towpath, waiting till he stopped to light a cigarette, then came out of the shadows.

“Wotcha got there Alan?” he asked when he saw me.  He knew what it was, and what it was for.

It was the first time I’d seen the fear in his eyes.  He was alone.

“Justice.”

“For that slut of a sister of yours.  I had nuffing to do with it.”

“She said otherwise, Archie.”

“She never said nuffing, you just made it up.”  An attempt at bluster, but there was no confidence in his voice.

I held up the pipe.  It had blood on it.  Willy’s blood.  “She may or may not have Archie, but Willy didn’t make it up.  He sang like a bird.  That’s his blood, probably brains on the pipe too, Archie, and yours will be there soon enough.”

“He dunnit, not me.  Lyin’ bastard would say anything to save his own skin.”  Definitely scared now, he was looking to run away.

“No, Archie.  He didn’t.  I’m coming for you.  All of you Bannisters.  And everyone who touched my sister.”

It was the recurring nightmare I had for years afterwards.

I closed my eyes and tried to shut out the thoughts, the images of Louise, the phone call, the visit to the hospital and being there when she succumbed to her injuries.  Those were the very worst few hours of my life.

She had asked me to come to the railway station and walk home with her, and I was running late.  If I had left when I was supposed to, it would never have happened and for years afterwards, I blamed myself for her death.

If only I’d not been late…

When the police finally caught the rapists, I’d known all along who they’d be; antagonists from school, the ring leader, Archie Bannister, a spurned boyfriend, a boy whose parents, ubiquitously known to all as ‘the Bannister’s, dealt in violence and crime and who owned the neighbourhood.  The sins of the father had been very definitely passed onto the son.

At school, I used to be the whipping boy, Archie, a few grades ahead of me, made a point of belting me and a few of the other boys, to make sure the rest did as they were told.  He liked Louise, but she had no time for a bully like him, even when he promised he would ‘protect’ me.

I knew the gang members, the boys who tow-kowed to save getting beaten up, and after the police couldn’t get enough information to prosecute them because everyone was too afraid to speak out, I went after Willy.  There was always a weak link in a group, and he was it.

He worked in a factory, did long hours on a Wednesday and came home after dark alone.  It was a half mile walk, through a park.  The night I approached him, I smashed the lights and left it in darkness.  He nearly changed his mind and went the long way home.

He didn’t.

It took an hour and a half to get the names.  At first, when he saw me, he laughed.  He said I would be next, and that was four words more than he knew he should have said.

When I found him alone the next morning I showed him the iron bar and told him he was on the list.  I didn’t kill him then, he could wait his turn, and worry about what was going to happen to him.

When the police came to visit me shortly after that encounter, no doubt at the behest of the Bannister’s, the neighbourhood closed ranks and gave me an ironclad alibi.  The Bannister’s then came to visit me and threatened me.  I told them their days were numbered and showed them the door.

At the trial, he and his friends got off on a technicality.  The police had failed to do their job properly, but it was not the police, but a single policeman, corrupted by the Bannisters.

Archie could help but rub it in my face.  He was invincible.

Joe Collins took 12 bullets and six hours to bleed out.  He apologized, he pleaded, he cried, he begged.  I didn’t care.

Barry Mills, a strong lad with a mind to hurting people, Archie’s enforcer, almost got the better of me.  I had to hit him more times than I wanted to, and in the end, I had to be satisfied that he died a short but agonizing death.

I revisited Willy in the hospital.  He’d recovered enough to recognize me, and why I’d come.  Suffocation was too good for him.

David Williams, second in command of the gang, was as tough and nasty as the Bannisters.  His family were forging a partnership with the Bannister’s to make them even more powerful.  Outwardly David was a pleasant sort of chap, affable, polite, and well mannered.  A lot of people didn’t believe he could be like, or working with, the Bannisters.

He and I met in the pub.  We got along like old friends.  He said Willy had just named anyone he could think of, and that he was innocent of any charges.  We shook hands and parted as friends.

Three hours later he was sitting in a chair in the middle of a disused factory, blindfolded and scared.  I sat and watched him, listened to him, first threatening me, and then finally pleading with me.  He’d guessed who it was that had kidnapped him.

When it was dark, I took the blindfold off and shone a very bright light in his eyes.  I asked him if the violence he had visited upon my sister was worth it.  He told me he was just a spectator.

I’d read the coroner’s report.  They all had a turn.  He was a liar.

He took nineteen bullets to die.

Then came Archie.

The same factory only this time there were four seats.  Anna Bannister, brothel owner, Spike Bannister, head of the family, Emily Bannister, sister, and who had nothing to do with their criminal activities.  She just had the misfortune of sharing their name.

Archie’s father told me how he was going to destroy me, and everyone I knew.

A well-placed bullet between the eyes shut him up.

Archie’s mother cursed me.  I let her suffer for an hour before I put her out of her misery.

Archie remained stony-faced until I came to Emily.  The death of his parents meant he would become head of the family.  I guess their deaths meant as little to him as they did me.

He was a little more worried about his sister.

I told him it was confession time.

He told her it was little more than a forced confession and he had done nothing to deserve my retribution.

I shrugged and shot her, and we both watched her fall to the ground screaming in agony.  I told him if he wanted her to live, he had to genuinely confess to his crimes.  This time he did, it all poured out of him.

I went over to Emily.  He watched in horror as I untied her bindings and pulled her up off the floor, suffering only from a small wound in her arm.  Without saying a word she took the gun and walked over to stand behind him.

“Louise was my friend, Archie.  My friend.”

Then she shot him.  Six times.

To me, after saying what looked like a prayer, she said, “Killing them all will not bring her back, Alan, and I doubt she would approve of any of this.  May God have mercy on your soul.”

Now I was in jail.  I’d spent three hours detailing the deaths of the five boys, everything I’d done; a full confession.  Without my sister, my life was nothing.  I didn’t want to go back to the foster parents; I doubt they’d take back a murderer.

They were not allowed to.

For a month I lived in a small cell, in solitary, no visitors.  I believed I was in the queue to be executed, and I had mentally prepared myself for the end.

Then I was told I had a visitor, and I was expecting a priest.

Instead, it was a man called McTavish. Short, wiry, and with an accent that I could barely understand.

“You’ve been a bad boy, Alan.”

When I saw it was not the priest I told the jailers not to let him in, I didn’t want to speak to anyone.  They ignored me.  I’d expected he was a psychiatrist, come to see whether I should be shipped off to the asylum.

I was beginning to think I was going mad.

I ignored him.

“I am the difference between you living or dying Alan, it’s as simple as that.  You’d be a wise man to listen to what I have to offer.”

Death sounded good.  I told him to go away.

He didn’t.  Persistent bugger.

I was handcuffed to the table.  The prison officers thought I was dangerous.  Five, plus two, murders, I guess they had a right to think that.  McTavish sat opposite me, ignoring my request to leave.

“Why’d you do it?”

“You know why.”  Maybe if I spoke he’d go away.

“Your sister.  By all accounts, the scum that did for her deserved what they got.”

“It was murder just the same.  No difference between scum and proper people.”

“You like killing?”

“No-one does.”

“No, I dare say you’re right.  But you’re different, Alan.  As clean and merciless killing I’ve ever seen.  We can use a man like you.”

“We?”

“A group of individuals who clean up the scum.”

I looked up to see his expression, one of benevolence, totally out of character for a man like him.  It looked like I didn’t have a choice.

Trained, cleared, and ready to go.

I hadn’t realized there were so many people who were, for all intents and purposes, invisible.  People that came and went, in malls, in hotels, trains, buses, airports, everywhere, people no one gave a second glance.

People like me.

In a mall, I became a shopper.

In a hotel, I was just another guest heading to his room.

On a bus or a train, I was just another commuter.

At the airport, I became a pilot.  I didn’t need to know how to fly; everyone just accepted a pilot in a pilot suit was just what he looked like.

I had a passkey.

I had the correct documents to get me onto the plane.

That walk down the air bridge was the longest of my life.  Waiting for the call from the gate, waiting for one of the air bridge staff to challenge me, stepping onto the plane.

Two pilots and a steward.  A team.  On the plane early before the rest of the crew.  A group that was committing a crime, had committed a number of crimes and thought they’d got away with it.

Until the judge, the jury and their executioner arrived.

Me.

Quick, clean, merciless.  Done.

I was now an operational field agent.

I was older now, and I could see in the mirror I was starting to go grey at the sides.  It was far too early in my life for this, but I expect it had something to do with my employment.

I didn’t recognize the man who looked back at me.

It was certainly not Alan McKenzie, nor was there any part of that fifteen-year-old who had made the decision to exact revenge.

Given a choice; I would not have gone down this path.

Or so I kept telling myself each time a little more of my soul was sold to the devil.

I was Barry Gamble.

I was Lenny Buckman.

I was Jimmy Hosen.

I was anyone but the person I wanted to be.

That’s what I told Louise, standing in front of her grave, and trying to apologize for all the harm, all the people I’d killed for that one rash decision.  If she was still alive she would be horrified, and ashamed.

Head bowed, tears streamed down my face.

God had gone on holiday and wasn’t there to hand out any forgiveness.  Not that day.  Not any day.

New York, New Years Eve.

I was at the end of a long tour, dragged out of a holiday and back into the fray, chasing down another scumbag.  They were scumbags, and I’d become an automaton hunting them down and dispatching them to what McTavish called a better place.

This time I failed.

A few drinks to blot out the failure, a blonde woman who pushed my buttons, a room in a hotel, any hotel, it was like being on the merry-go-round, round and round and round…

Her name was Silvia or Sandra, or someone I’d met before, but couldn’t quite place her.  It could be an enemy agent for all I knew or all I cared right then.

I was done.

I’d had enough.

I gave her the gun.

I begged her to kill me.

She didn’t.

Instead, I simply cried, letting the pent up emotion loose after being suppressed for so long, and she stayed with me, holding me close, and saying I was safe, that she knew exactly how I felt.

How could she?  No one could know what I’d been through.

I remembered her name after she had gone.

Amanda.

I remembered she had an imperfection in her right eye.

Someone else had the same imperfection.

I couldn’t remember who that was.

Not then.

I had a dingy flat in Kensington, a place that I rarely stayed in if I could help it.  After five-star hotel rooms, it made me feel shabby.

The end of another mission, I was on my way home, the underground, a bus, and then a walk.

It was late.

People were spilling out of the pub after the last drinks.  Most in good spirits, others slightly more boisterous.

A loud-mouthed chap bumped into me, the sort who had one too many, and was ready to take on all comers.

He turned on me, “Watch where you’re going, you fool.”

Two of his friends dragged him away.  He shrugged them off, squared up.

I punched him hard, in the stomach, and he fell backwards onto the ground.  I looked at his two friends.  “Take him home before someone makes mincemeat out of him.”

They grabbed his arms, lifted him off the ground and took him away.

Out of the corner of my eye, I could see a woman, early thirties, quite attractive, but very, very drunk.  She staggered from the bar, bumped into me, and finished up sitting on the side of the road.

I looked around to see where her friends were.  The exodus from the pub was over and the few nearby were leaving to go home.

She was alone, drunk, and by the look of her, unable to move.

I sat beside her.  “Where are your friends?”

“Dunno.”

“You need help?”

She looked up, and sideways at me.  She didn’t look the sort who would get in this state.  Or maybe she was, I was a terrible judge of women.

“Who are you?” she asked.

“Nobody.”  I was exactly how I felt.

“Well Mr Nobody, I’m drunk, and I don’t care.  Just leave me here to rot.”

She put her head back between her knees, and it looked to me she was trying to stop the spinning sensation in her head.

Been there before, and it’s not a good feeling.

“Where are your friends?” I asked again.

“Got none.”

“Perhaps I should take you home.”

“I have no home.”

“You don’t look like a homeless person.  If I’m not mistaken, those shoes are worth more than my weekly salary.”  I’d seen them advertised, in the airline magazine, don’t ask me why the ad caught my attention.

She lifted her head and looked at me again.  “You a smart fucking arse are you?”

“I have my moments.”

“Have them somewhere else.”

She rested her head against my shoulder.  We were the only two left in the street, and suddenly in darkness when the proprietor turned off the outside lights.

“Take me home,” she said suddenly.

“Where is your place?”

“Don’t have one.  Take me to your place.”

“You won’t like it.”

“I’m drunk.  What’s not to like until tomorrow.”

I helped her to her feet.  “You have a name?”

“Charlotte.”

The wedding was in a small church.  We had been away for a weekend in the country, somewhere in the Cotswolds, and found this idyllic spot.  Graves going back to the dawn of time, a beautiful garden tended by the vicar and his wife, an astonishing vista over hills and down dales.

On a spring afternoon with the sun, the flowers, and the peacefulness of the country.

I had two people at the wedding, the best man, Bradley, and my boss, Watkins.

Charlotte had her sisters Melissa and Isobel, and Isobel’s husband Giovanni, and their daughter Felicity.

And one more person who was as mysterious as she was attractive, a rather interesting combination as she was well over retirement age.  She arrived late and left early.

Aunt Agatha.

She looked me up and down with what I’d call a withering look.  “There’s more to you than meets the eye,” she said enigmatically.

“Likewise I’m sure,” I said.  It earned me an elbow in the ribs from Charlotte.  It was clear she feared this woman.

“Why did you come,” Charlotte asked.

“You know why.”

Agatha looked at me.  “I like you.  Take care of my granddaughter.  You do not want me for an enemy.”

OK, now she officially scared me.

She thrust a cheque into my hand, smiled, and left.

“Who is she,” I asked after we watched her depart.

“Certainly not my fairy godmother.”

Charlotte never mentioned her again.

Zurich in summer, not exactly my favourite place.

Instead of going to visit her sister Isobel, we stayed at a hotel in Beethovenstrasse and Isobel and Felicity came to us.  Her husband was not with her this time.

Felicity was three or four and looked very much like her mother.  She also looked very much like Charlotte, and I’d remarked on it once before and it received a sharp rebuke.

We’d been twice before, and rather than talk to her sister, Charlotte spent her time with Felicity, and they were, together, like old friends.  For so few visits they had a remarkable rapport.

I had not broached the subject of children with Charlotte, not after one such discussion where she had said she had no desire to be a mother.  It had not been a subject before and wasn’t once since.

Perhaps like all Aunts, she liked the idea of playing with a child for a while and then give it back.

Felicity was curious as to who I was, but never ventured too close.  I believed a child could sense the evil in adults and had seen through my facade of friendliness.  We were never close.

But…

This time, when observing the two together, something quite out of left field popped into my head.  It was not possible, not by any stretch of the imagination, but I thought she looked like my mother.

And Charlotte had seen me looking in their direction.  “You seem distracted,” she said.

“I was just remembering my mother.  Odd moment, haven’t done so for a very long time.”

“Why now?”  I think she had a look of concern on her face.

“Her birthday, I guess,” I said, the first excuse I could think of.

Another look and I was wrong.  She looked like Isobel or Charlotte, or if I wanted to believe it possible, Melissa too.

I was crying, tears streaming down my face.

I was in pain, searing pain from my lower back stretching down into my legs, and I was barely able to breathe.

It was like coming up for air.

It was like Snow White bringing Prince Charming back to life.  I could feel what I thought was a gentle kiss and tears dropping on my cheeks, and when I opened my eyes, I saw Charlotte slowly lifting her head, a hand gently stroking the hair off my forehead.

And in a very soft voice, she said, “Hi.”

I could not speak, but I think I smiled.  It was the girl with the imperfection in her right eye.  Everything fell into place, and I knew, in that instant that we were irrevocably meant to be together.

“Welcome back.”

© Charles Heath 2016-2019

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365 Days of writing, 2026 – 26

Day 25 – Days 26 – What is the perfect writing space

Crafting Your Perfect Writing Room: A Sanctuary for Creativity and Focus

Introduction: The Power of a Personal Writing Space
A writing room is more than just a place to jot down words—it’s a sanctuary where creativity thrives, ideas flow, and focus is prioritised. Whether you’re a novelist, a student, a blogger, or a poet, having a well-designed writing space can transform your productivity and inspiration. But what makes a writing room “perfect”? The answer is deeply personal, shaped by your habits, preferences, and goals. Let’s explore the key elements that can help you curate your ideal writing space.

Location and Layout: Choose Wisely
Start by selecting a spot that reflects your lifestyle. A dedicated room is ideal for minimising distractions, but a corner of a bedroom, living room, or even a cozy nook in a kitchen can work wonders. Prioritise an area with an ergonomic layout—avoid your bed or couch, as they’re associated with rest. A standing desk might offer flexibility, or a high-chair kitchen counter could spark creativity. The core is to create a space that mentally signals: It’s time to write.

Lighting: Illuminate Your Ideas
Lighting plays a crucial role in mood and productivity. Natural daylight is optimal, reducing eye strain and boosting focus. If you’re writing late at night, invest in a warm, adjustable LED lamp to avoid harsh overhead lighting. Consider layering light sources: a desk lamp for focused tasks, string lights for ambience, or a lamp with a soft glow for a relaxed vibe. Aim for a balance that supports both clarity and creativity.

Furniture: Comfort Meets Support
Comfortable furniture is non-negotiable. Invest in an ergonomic chair that supports your spine and encourages good posture. Pair it with a desk at the correct height—your arms should form a 90-degree angle while typing. Avoid overly plush seating that tempts you to nap! A minimalist setup often works best, with just your essentials: laptop, notebook, and perhaps a cup of coffee or tea.

Ambience and Noise: Curate Your Soundscape
Personalise the atmosphere to your needs. If silence is your muse, use noise-cancelling headphones to block out distractions. For writers who thrive on background noise, a white noise machine or a fan can mask unwanted sounds. Some prefer the gentle hum of a rainforest playlist or a café ambience track. The goal is to create a soundscape that enhances concentration without overwhelming your mind.

Organisation and Storage: Clarity Through Order
A cluttered space can stifle creativity. Use shelves, baskets, or drawer organisers to keep your writing tools (pens, notebooks, sticky notes) within reach. If you’re a hybrid digital-analog writer, designate spots for devices and chargers. However, don’t overdo it—leave room for a bit of organised mess, like a stack of books or sticky-note quotes. Balance tidiness with personal style.

Inspiration and Motivation: Surround Yourself with Spark
A writing space should ignite your imagination. Pin motivational quotes or visual collages on the wall, display books for reference, or create a “dream board” with magazine cuts, photos, and goals. A digital pinboard or framed art can also spark creativity. Keep a journal nearby to jot down sudden ideas. The right stimuli can turn moments of writer’s block into breakthroughs.

Personalisation: Make It Yours
Infuse the space with elements that reflect your personality. Choose calming colours like sage green or navy blue to foster focus, or energise with yellows and oranges. Add a plant for life and air purification (try a snake plant or pothos for low-maintenance). Scented candles or essential oil diffusers can create a soothing atmosphere—lavender for relaxation or peppermint for alertness. This is your space, so let it breathe.

Digital Tools: Equip for Efficiency
Streamline your workflow with smart tech. A high-quality keyboard, a docking station for multiple monitors, or a voice recorder can enhance efficiency. Use apps to block distracting websites during writing sessions. Yet, remember to disconnect: a writing room is about presence, not overstimulation.

Creating Rituals: The Psychology of Space
Finally, build habits around your space. Light a candle, brew a specific tea, or play ambient music to signal the start of a writing session. Over time, your brain will associate the space with creativity and focus, making it easier to enter “writer mode.”

Conclusion: Your Ideal Space Awaits
The perfect writing room isn’t a one-size-fits-all concept—it’s a tailored environment that evolves with you. Experiment with layouts, lighting, and tools to discover what works. Need a high-end chair? Start with a cozy cushion. No dedicated room? Try a corner with a folding desk. The key is to foster a space that nurtures your craft, both practically and emotionally. So go ahead—design a haven that transforms your writing process and celebrates your unique voice.

Remember, the best writing spaces are not built overnight. They’re curated with intention, care, and a bit of trial and error. What will you add to yours? 📝✨

Have you created your ideal writing space? Share your tips and stories in the comments!

“What Sets Us Apart”, a mystery with a twist

David is a man troubled by a past he is trying to forget.

Susan is rebelling against a life of privilege and an exasperated mother who holds a secret that will determine her daughter’s destiny.

They are two people brought together by chance. Or was it?

When Susan discovers her mother’s secret, she goes in search of the truth that has been hidden from her since the day she was born.

When David realizes her absence is more than the usual cooling off after another heated argument, he finds himself being slowly drawn back into his former world of deceit and lies.

Then, back with his former employers, David quickly discovers nothing is what it seems as he embarks on a dangerous mission to find Susan before he loses her forever.

Find the kindle version on Amazon here:  http://amzn.to/2Eryfth

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The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.

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The Cinema of my Dreams – I always wanted to write a war story – Episode 48

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination with what happened during the second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

——

One of the sentries came running into the church, out of breath and clearly agitated.

Blinky looked at him.  “What is it, man?”

“The reinforcements, sir.”

“Theirs or ours?”

“German.  Staff car, a panzer, and two trucks with soldiers.

He looked at me.  “That’s a little over the top, or have you been more of a pest than usual?”  He sighed.  “How many men are in the castle”

“Twenty-plus, but this is not unexpected, just a little sooner than I was told it might happen.  it simply means they know Meyer is coming.”

“This adds what, another twenty or thirty, and a tank.  I mean, seriously, a tank.  Why?”

“I think the target that we’re here to rescue is far more important than we’re being told.  If he’s part of the V2 rocket program or just rockets in general, what does that suggest to you?”

I had an idea, but I hadn’t really thought too much about it.  But somewhere in my subconscious there had been a movie, rather far-fetched when I saw it, Flash Gordon, a man who flies a rocket into outer space.

No one really believed it was possible, that it was akin to a modern-day fairy tale.  Could it be possible that this one man, Meyer, could make that fairy tale become true?

Was Hitler’s eventual plan to send rockets into space?  He had a chap called Von Braun, why would it matter about Meyer?  Perhaps he wasn’t willing to share this fantastic knowledge.

“You’re talking impossible stuff.  I’m guessing he knows where the rocket factories are, so we can bomb them.  I’d want to stop someone with that knowledge, at any cost.  I guess we’re now going to take out a panzer and kill a few more enemy soldiers.  It might be why we came with explosive.”

Why did it not surprise me that someone knew more than they were letting on?

“Where are they headed, Sarge?”

“The castle.”

“Then we’re going to have to move on them before they get out and about.  A panzer can do some serious damage.  They’ll no doubt park it in the castle walls, so we’re going to need a way in, and out.”

“Got just the man.  In the meantime, Sarge, follow them just to make sure they are going to the castle.”

“Sir.”

I searched the compound for Carlo but he had gone missing.  It didn’t take much to guess where he had gone.  I didn’t think he believed he could take on the whole German army on his own, but he would have heard about the new arrivals and gone to have a look where they ended up himself.

Since he knew the other entrances to the castle that none of us did. He would have much better access to the inside than any of us, and no doubt without the fear of being caught.

He was nowhere to be found, though one of Blinky’s soldiers said that he had seen Carlo leaving and thought it wise not to ask him where he was going.

It wasn’t until several hours later, as darkness fell, that both he and the soldier sent to follow the new arrivals, returned together.

Blinky called a conference, it was time to make a plan of attack.

The soldier reported the new arrivals had gone to the castle, in the main gate, and where to beyond that he couldn’t tell.  They closed the gate, and he wasn’t following them in.

Carlo had more information because he had managed to get inside.

He’d even drawn a rough map of the castle and surrounding grounds.  There were a series of lines drawn on that map, and it turned out, Carlo said, these were the drainage tunnels under the castle.

I was surprised to see that the tunnel I had tried to escape in however many days ago that was, was part of that drainage system.

As much as I was equally surprised that the drainage tunnels were big enough to have men walking in, and that they were a much more efficient manner to travel within the castle, via under the castle, useful no doubt in times of battles between the warring Italian cities.

The map also showed four underground entrances, three of which I knew about, the other I should have guessed because they would not have left one direction without an exit.  The reason why no one knew about it was because it looked like the tunnel had collapsed and blocked the way.

That, Carlo said, was just an illusion.

That was going t be our way in.

Our force was small, five soldiers, myself, Enrico and Carlo, and two Resistance defectors.  10 against fifty battle-hardened soldiers.  Of course, Carlo being Carlo said that would not be a problem,. A statement I took with a grain of salt until he said, “We have the means to even the odds.”

He had our undivided attention.

“We use the drains to create a diversion.  The fools have parked their tank and trucks over the drains.  You have brought explosives with timers?”  Carlo looked at Blinky.

“We did.  It was an afterthought.  Thompson thought you might find a use for them.”

“Good.  You have an expert?”

One of the soldiers, Corporal Spellman, put his hand up.  “Tell me where to put them and I’ll make them go boom.”

“You come with me now,” Carlo said to Spellman. “We come back in an hour, maybe a little more, so be ready to leave.”

——-

© Charles Heath 2020-2023

The cinema of my dreams – Was it just another surveillance job – Episode 31

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe

 

Was it too late to admit that I was way in over my head?

Of course, it should not come as a surprise that Jan would know of his alter ego if she was the friend she said she was.  Her name was on that scrap of paper with part of the address, and I should have guessed.

Again, my lack of knowledge and training was letting me down.

Now it seemed I had both Severin and Maury, Nobbin and Josephine, and Jan all working against me.

He had more enemies that I did, which begged the question, what the hell was he in to?  What could he possibly have found that was so damaging?

Perhaps I’d find that out if or when I found the missing USB drive.

In the meantime, I had to get back to the hotel before Jan did and try and keep a straight face.

But just as I started to put the seat belt on, another figure was walking from the road towards the front door.  A man, tall, with a purposeful stride.  

The light was still on so I would get to see who it was once he reached the door.  Then I saw the front door open, and Jan standing in it.  A second later I saw the face, just as he passed through the doorway and the door shut.

Severin.

She had lied.  So, why was it making me so angry?

I should have realized the whole Maury thing was a setup.  She hadn’t called her office, she had called Severin, and he can’t have been far away to get there in the time he had.

So, why didn’t he drag me off?

Easy.  So I would see the need to keep working with Jan, and in doing so, when I found the USB I’d tell her, and the next minute I’d get whacked over the head, and lose it.

Damn.

I was being played like a finely tuned fiddle.

But at least I knew about the car and had removed any evidence and the letters that were left on the ground inside the door.  It was something, and she would not find anything to help her, even if she knew he had a car.  It meant I was one step ahead of her.

After thanking a last look at the block, I left.  Better to find somewhere else to stay, just for tonight, and then go back to the hotel in Charing Cross and see if she returned.

I found a small hotel just off Bromley Road, a short distance down Avondale Road.  Out of the way and unassuming, with car parking that couldn’t be seen from the main road.  The late hour raised an eyebrow, but I used the excuse of getting in late from the airport.  After all, it was 02:30 in the morning and I was surprised there was anyone available on the front counter.

He gave me a room tucked away in a corner where there was only one entrance, and I could see anyone coming.  I wasn’t expecting anything, but just in case I had checked the car for a tracker.

None that I could find.

I needed sleep, but lying there staring at the ceiling, I replayed the arrival of Jan at the flat, followed by Severin.  It was a reminder that I should not believe or trust anyone.

It reminded me of the words of one of the instructors who said, one morning, quite abruptly, that we were about to become the loneliest people in the world.  If we trusted anyone, even if they were from our own side, it could mean one thing and one thing only.  Death.

We could not and should not trust anyone.

We should not believe a word of anything anyone tells us.

We should not recruit anyone from outside the service because unless they could be fully vetted, they could be your undoing.

We could not have friends, and certainly no romantic interests otherwise they would be used as leverage against us.

It was the worse hour lecture we’d been given, and the instructor had told us he had left the best till last.  It was time to decide whether we wanted to go on or bail.  Several had.

I didn’t think, then, it would be a problem.

Now, I was beginning to think otherwise.

 

© Charles Heath 2020