The cinema of my dreams – I always wanted to write a war story – Episode 37

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination with what happened during the second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

Johannsen hadn’t signed up for this. He’d been in the room when Leonardo reported to Wallace, to tell him that the villagers had been neutralised, and he brought the ring leaders of the so-called resistance to the castle.

By his reckoning, Leonardo and his men had killed probably 20 or so people who had nothing to do with the war, other than try to live around the war going on in their backyard.

In fact, when he had arrived at the castle, the intention was to work with the locals and the resistance to facilitate the onward movement of prized defectors. Until Jackerby arrived, and the dynamic changed.

Johannsen hadn’t realised that Wallace was a double agent, not until it was too late.

The thing of it was, Wallace thought he was a double agent too, a belief Johannsen had taken extreme care not to dispel. And, where it was possible, he had tried to help those caught up in Wallace’s trap.

Wallace was already in situ at the castle when Johannsen arrived with another four men to join those already there, on order from London to vet the incoming defectors. Those four he had met at the plane, and he hadn’t realised they were not who they were supposed to be. By the time the four who had been replaced were found, it was too late to stop the mission.

That brought the complement to 10 including Wallace and himself. Then he received a message, one he assumed was from Thompson, advising the arrival of a further 5, Jackerby and four soldiers.

He soon discovered that those orders were false.

When Jackerby reported to Wallace, and the fact Wallace sent him out of the room, he stayed behind, hidden, to listen to the conversation. There he discovered he was in the midst of an enemy operation that had enlisted a number of double agents across Euprope from the German Army.

He then tried to warn Thompson in a coded message, but that had been substituted by Wallace with another, causing another lamb to be sent to the slaughter, Atherton. When Jackerby first arrived, he advised Wallace, not Johannsson, that Atherton was not one of them, so an attempt was made on,his life, but failed.

For a while that was the equivalent of throwing a cat among the pigeons.

By the time the paratroopers arrived, there was no effort to hide who they were or what they were doing. The castle was, for all intents and purposes, a Nazi stronghold, there to collect and execute defectors. All he had to do was play his part, and try not to rouse the suspicions of Jackerby, whom, it seemed, trusted no one.

Wallace wasn’t all that interested in being as suspicious as Jackerby, who had to be gestapo, or worse, one of the SS.

But luck was on Johansson side when he took a plan to Wallace that would essentially free Atherton, and then have Atherton lead them to the other resistance. It was also a master stroke to select Burke, a simple man who liked to think everything was his idea.

That Atherton had got away was no fault of his, but those charged with following him. Jackerby had tried to mess with him, but Wallace intervened, telling Jackerby that he had had missing people too and should be out there looking for them.

With any luck, Johansson thought, they would be dead, a likely result since none of them had come back yet.
Now, all he could do was sit and wait for Atherton and whoever was left from the resistance to come and stop Wallace, and especially Jackerby.

Johansson knew that Atherton had a good working knowledge of the castle’s architecture, because on one occasion they had discussed archaeology. Johansson was not an archaeologist, but had worked with one and an assistant, before the war, at several digs.

He was hoping Atherton had a idea where there might be a secret entrance to the castle. It was old, and in his spare time, he had been pacing out room measurements, looking for nooks and crannies, and anything else that would be useful.

He had found a room full of swords, not exactly in fighting condition, but might be useful in a situation that called for a weapon. After all, he had taken a few sword fighting lessons at the university.

He had traversed several stone passageways, found two different passageways from the upstairs down to the radio room, and beyond that, where there was an exit or entrance, what in modern terminology would be called the tradesman’s entrance.

It was for all intents and purposes, a back door.

He had also gone around the whole perimeter of the outer castle wall, looking for holes. When he thought about it, leaving holes in the wall was asking for trouble because the idea was to keep people out, not to leave quickly and quietly in the middle of a siege.

And this castle had seen a few sieges in its time. More than once if he could travel back in time, he would have like to see what it was like 200 years ago, or more.

But there were only three entrances or exits that he knew of. There were no grates on the ground, or anywhere within 20 yards of the exterior wall, or conveniently hidden in the surrounding forests.

He was also sure there were hidden passageways inside the castle that must go somewhere, a result of checking internal measurements of rooms, and a few came up oddly short a few yards.

Still down in the dungeon on another of his subterfuges, the new arrivals guard had just appeared.

“The woman is awake.”

“Thanks.”

Now, if he could just get some sense out of her.

© Charles Heath 2020-2021

A photograph from the inspirational bin – 1

We think of tropical Queensland having pristine white beaches and azure sparkling seas.

Not necessarily so.

This used to be a mangrove swamp.

Perhaps this is what happens when you mess with the natural environment, you’re left with something that’s not very nice.

There’s no beach, no sand, and sometimes not a very pleasant odor.

We can imagine what this might have looked like before man turned up to urbanize the area. In the background, there is an inlet and on either side lush vegetation.

It must have looked very inviting once upon a time. Now the shoreline is completely built on, the vegetation that was once there completely cleared, and the inlet leads to a marina.

Perhaps the story here might be about greedy destructive property developers who care not for anything but profits.  But in their quest to destroy, there is always someone else aiding and abetting, someone in government.

But what if there was an even darker secret hiding just below the surface, and about to be uncovered.  How far would someone go to preserve that secret?

The cinema of my dreams – Was it just another surveillance job – Episode 20

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritising.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

A chessboard of players

I sighed.  Someone else who wasn’t who they seemed to be.

At a guess, it was a gun in my back.  We were far enough away from anyone else for them to recognise what was happening.

“No need for whatever weapon you have in my back.  I’m neither armed nor dangerous.”

“Why are you following me?”

Should I tell her the truth or tell her a lie.  The latter would be the most expedient, but I needed to talk to her, so I went with the former.

“You know O’Connell.”

“Were you the one who attacked me?”

“I told you I meant you no harm.  What happened to you wasn’t my fault.”

Whatever was in my back was no longer there, so I turned around to face her.  She had changed her look since O’Connell’s flat, not only the change in hair colour and length but also the makeup, making it difficult for anyone to recognise her from a distance.  I’d been lucky.

“What do you want with him?”

“More than likely the same as you.  He made the mistake of thinking you were interested in him, but I suspect your assignment was to get close, and the flat next door was as close as you could get.”

“What are you babbling about?  We were friends.”

“How often did he stay in that flat?  Everything in it still has the price tag on it.”

“You’re loopy.  I’m going now, and I suggest you don’t follow me again.”

“I know where you live remember.  All I want is some answers.”

“There are no answers.  He was a friend, that’s it.  I’m going now.”  She turned and started to walk away.

“If I know who you are, the chances are the others do too.”

She stopped.  Interesting response.  In her shoes, my first reaction, if I was an innocent person, would be to call for a policeman to have me taken away for assaulting her.

She turned and took two steps back towards me.  “What are you talking about now?”

“O’Connell’s flat was like Marks and Spenser this morning.  I came and found another woman claiming to live next door, named Josephine, unconscious on the floor, and I didn’t do it by the way.  She works for a man named Nobbin, McConnell’s direct superior, and whom I think, indirectly I do too, and I suspect she was neutralised by another man named Severin.

“Whatever O’Connell was up to, there are a lot of people who want a missing USB with what I suspect is very interesting, and probably damaging information.  You wouldn’t have it, by the way?”

“Who are you?”

“That’s what I’m not sure about.  Like I said, I think I work for the same man whom O’Connell worked for, but before that, I worked with the people who had him killed for whatever was on the USB.”  It sounded far more horrible out loud than it had a few seconds earlier in my head.  God only knew what she was thinking about it.  “Who do you work for, because a woman who can do the transformation you just did is either a call girl or an agent?”  Another thought just occurred to me, a reason perhaps why she had changed her appearance so radically.  “Your flat was searched too, wasn’t it?”

No need to answer yes or no.  The look on her face was enough.

We ordered coffee and sat down.  She was still very wary of me, but since I seemed to know, or presumed to know, what had happened, she was going to ask me some questions I wasn’t going to be able to answer.

And not because the answers were in the top-secret category, it was simply because I didn’t know.

“So,” I asked, “who do you work for?”

“You don’t need to know.”

“But you were either keeping O’Connell close company by insinuating yourself into his life, or you were maintaining some sort of surveillance.”

She was plating it close, and with a poker face.  She was better at it than I was.

“Where is he, by the way?”

“Dead.”

“Dead?”  

No mistaking that look of fear the flickered on her face, then disappear again into rocky granite.

“Dead.  Seems he came across some information, and it caused his death.  I was there shortly before he died, shot by a sniper, I think, and there was nothing I could do about it.  Any idea what that information was?”

“I still don’t know what you’re talking about, but either way, if I did or I didn’t the answer would be the same, no.  He told me he was a reporter, working on a really big story, and that he would have to go away for a few days.  I knew that was his cover story.”

“Were you after that same information?”

“Probably, maybe, I don’t know.  Our information was mostly conjecture, a profile built up by our research department, based on his travels, and sightings at a location we know is running a network of agents.  The conclusion was that it was not one of ours, so I was assigned to find out exactly who they were.”

“O’Connell would not have told you.”

“Given the circumstances I find myself in, I’m beginning to think that.  If you worked with him, then he was on the same side as you, so are you good or bad?”

That was a rather interesting question to be asking me at this late stage, and especially after she had told me basically what I needed to know, bar who she worked for, but that, I was beginning to think, was MI6.

“A rather silly question to ask, don’t you think?  It stands to reason that if I was bad, then I would not have left you alive in O’Connell’s flat.”

“Not unless you wanted something from me and set this up as a trap.”

So that was the reason why she kept checking everyone she could see upstairs and monitoring the stairs to see who arrived and left.  We were in the right spot to keep tabs on everyone.  And I knew her gun wasn’t very far from her hand.

“Obviously you don’t have it, so my work is done here.  I suggest you don’t go back to that flat.”  I stood.  “Your location and probably who you are is compromised.  And two men and their attack dogs will be looking for you.  Good luck with that.”

“Aren’t you one of those two men attack dog, by your own admission?”

“I’m new and not cynical enough to shoot people out of hand.  You’re probably lucky in that regard.  And if someone like me can find you, then think what a seasoned professional would be able to do.  Have a nice life, what you have left of it.”

© Charles Heath 2019

365 Days of writing, 2026 – 14

Day 14 – Having Fun with Ideas

Having Fun with Ideas: Embrace Brainstorming and Unlock Your Creative Potential

Creativity isn’t just a gift—it’s a practice. And one of the most exhilarating parts of the creative process? The moment when wild, half-formed ideas start to take shape. Whether you’re a writer, game designer, filmmaker, or just someone who loves to dream up alternate worlds, the journey often begins with a single spark: What if?

In this post, we’ll explore the art of playful brainstorming and dive into creative methods for researching fictional concepts—because fiction isn’t just made up; it’s built, layer by imaginative layer.


The Magic of Brainstorming: Where Ideas Go to Play

Brainstorming isn’t just about generating ideas—it’s about giving them space to stretch, stumble, collide, and sometimes, shine. To truly harness its power, you have to embrace the mess. Forget perfection. The goal is volume, variety, and velocity.

Here’s how to turn brainstorming into a playground:

  • Set the Stage for Fun: Clear a physical or digital space where distractions are minimal and novelty is welcome. Use colourful sticky notes, whiteboards, or digital tools like Miro or Milanote. The more playful the environment, the more freedom your brain feels to roam.
  • Ditch the Filter: In the brainstorming phase, no idea is too silly, too strange, or too far-fetched. A world where cats govern nations? A time-travelling barista? Write it down. Often, absurdity holds the seed of something brilliant.
  • Combine and Remix: Take two unrelated concepts and smash them together. What happens when Victorian etiquette meets alien diplomacy? How does a superhero cope with seasonal affective disorder? Jarring combinations often spark originality.
  • Time-Box Your Sessions: Give yourself 10–15 minutes of pure, untamed ideation. The constraint fuels creativity and stops you from overthinking.

Remember: brainstorming isn’t about finding the idea—it’s about exploring all the ideas.


Researching the Unreal: Creative Ways to Build Believable Fiction

One of the great paradoxes of fiction is that the more fantastical the concept, the more grounded it needs to feel. Even in a galaxy far, far away, audiences crave internal consistency and emotional truth. That’s where creative research comes in.

You don’t need a lab or a library card to research dragons or dystopias—you need curiosity and lateral thinking.

1. Worldwatch Like a Journalist

Imagine you’re a reporter embedded in your fictional world. Interview its inhabitants. What do they eat? What music do they listen to? What superstitions do they hold? Building a culture—no matter how alien—starts with everyday details.

2. Mine Real-World Inspiration

History, mythology, nature, and technology are treasure troves. The social dynamics of bees might inspire a hive-mind society. Ancient Egyptian burial rituals could inform a futuristic afterlife belief system. Use real-world phenomena as springboards—then twist them.

3. Create a Sensory Map

Close your eyes and imagine walking through your fictional setting. What do you hear? The hum of hover cars? The chant of temple monks? The smell of burning incense or recycled air? Engaging multiple senses adds depth and immersion, even before you write a word.

4. Reverse-Engineer the Rules

If magic exists in your world, what are its limits? If humans can upload their consciousness, who controls the servers? Establishing logical systems—even in illogical realms—makes the impossible feel plausible.

5. Prototype with Play

Turn your idea into a mini-game, comic, or storyboard. Act out scenes with friends. Use Lego to model a space station. Prototyping helps you test ideas in a low-stakes way and often reveals flaws—or hidden brilliance—you’d miss on the page.


Make It a Habit: Creativity as a Joyful Routine

The best part of working with ideas is that you don’t need permission. You don’t need a deadline or a publisher. All you need is curiosity and the courage to play.

Set aside 20 minutes a week for pure idea exploration. Keep a “What If?” journal. Host brainstorming nights with creative friends. Let your imagination romp like a puppy in a field—uninhibited and joyful.

Because at its core, creativity isn’t about output. It’s about engagement—the thrill of asking questions, following rabbit holes, and discovering worlds that only you could build.


Final Thought: Let Yourself Be Silly

Some of the most beloved fictional worlds—from The Lord of the Rings to The Matrix to Parks and Recreation—began as someone’s “crazy idea.” The key wasn’t seriousness; it was persistence and playfulness.

So go ahead—brainstorm like no one’s watching. Research like a detective who loves puzzles. And above all, have fun with your ideas. Because when imagination dances freely, magic happens.

Now, grab a notebook and ask yourself: What if…? The next great story might be hiding in your silliest thought.

What’s your favourite “What if?” moment? Share it in the comments—we’d love to play in your imaginary world, too.

Top 5 sights on the road less travelled – Brisbane, Australia

Hidden Gems of Brisbane: 5 Uncrowded Attractions That Still Pack a Punch

If you’ve already ticked off the South Bank promenade, the Story Bridge, and the Lone Pine Koala Sanctuary, you might be wondering where the next unforgettable experience lies. Good news – Brisbane is a fairly compact city, and beyond the usual tourist radar, several spots feel almost secret. Below are five standout attractions that never feel overrun, yet each offers a distinctive slice of Queensland life. (All are easily reachable by public transport or a short drive.)


1. Mount Coot-tha Lookout & the Hidden Botanic Trail

Why it’s special: Most visitors head straight for the panoramic city view from the Lookout’s car park, but the adjoining Mount Coot-tha Botanic Trail is a quiet 2‑km loop that winds through native rainforest, exotic gardens, and a series of small waterfalls.

FeatureDetails
ViewsThe classic vista over the Brisbane River and skyline is still there, but from the trail’s higher ridge you’ll spot a rarely‑photographed sunrise over the Glass House Mountains.
FloraA living collection of rare cycads, native ferns, and a small Bunya Pine grove (the “grandfather of pines”).
WildlifeSpot sugar gliders, brushtail possums, and the occasional rainbow lorikeet. Early morning is the best time for birdwatching.
How to get thereTake the Bus 450 from the City to the Mount Coot-tha Lookout stop (≈30 min). Parking is free for the first hour; the trailhead is a short walk from the car park.
Best time to visitEarly morning (sunrise) or late afternoon (golden‑hour light). Weekdays are especially quiet.

Insider tip: Bring a small portable coffee mug. There’s a tiny café at the Lookout that sells “mountain‑fresh” espresso – you can enjoy a brew while watching the city glow.


2. Kangaroo Point Cliffs – The Lesser‑Known Rock Garden

Why it’s special: While the cliffs are a hotspot for climbers and joggers, tucked behind the main promenade is the Rock Garden, a secluded series of basalt boulders artfully landscaped with native succulents and a modest waterfall.

FeatureDetails
SeclusionOnly a narrow footpath leads to the garden, keeping it largely free of crowds.
DesignCreated by local artist‑landscaper Mina Yates in 2015, the garden incorporates reclaimed stone and a repurposed rainwater tank that feeds the waterfall.
Photo opsThe garden frames the river in a way you won’t see from the main cliff edge – perfect for minimalist shots of water against stone.
How to get thereFrom the Kangaroo Point train station, walk 5 minutes north along River Terrace; the footpath entry is marked by a small wooden sign.
Best time to visitLate afternoon when the setting sun catches the water spray.

Insider tip: Bring a sketchbook – many local artists set up easels here to capture the ever‑changing light on the basalt.


3. The Old Windmill (Spring Hill) – A Time‑Travel Escape

Why it’s special: Brisbane’s oldest surviving structure dates back to 1828. It’s a modest stone windmill tucked in a quiet pocket of Spring Hill, surrounded by a small park and a historic “windmill cottage” that now serves as a community arts space.

FeatureDetails
HistoryBuilt by the first commandant of the Moreton Bay penal colony, it once ground wheat for the settlement. Only the stone tower remains, but it still spins on windy days.
ArchitectureRough‑hewn sandstone with a timber cap – an excellent example of early colonial engineering.
Cultural useThe adjacent cottage hosts rotating exhibitions of local Indigenous art and occasional acoustic concerts.
How to get thereCatch the Bus 230 to Spring Hill (stop: “Old Windmill”) or take a short 10‑minute walk from Spring Hill train station.
Best time to visitEarly morning or late afternoon when the wind is gentle enough to spin the sails.

Insider tip: Stop by the Windmill Café (a tiny kiosk on site) for a slice of marble‑cream cake named “The Settler.” It’s an Instagram‑worthy treat that few tourists know about.


4. Redlands’ Amity Point – The Secluded Lighthouse Walk

Why it’s special: A 45‑minute drive south of Brisbane, Amity Point on Bribie Island boasts a small but striking lighthouse (operational since 1966) perched on a quiet headland. The surrounding Coastal Reserve offers a gentle boardwalk through mangroves, a hidden sandy cove, and spectacular night‑time star gazing.

FeatureDetails
LighthouseAn octagonal concrete tower with a rotating beacon visible for 20 km. Tours are offered on the first Saturday of each month.
NatureThe boardwalk passes through black mangrove and cabbage palm stands; look out for crabs, egrets, and occasional dolphins offshore.
Night skyBecause the area is far from city lights, it’s a prime spot for astrophotography; the Milky Way arches over the water on clear nights.
How to get thereDrive via the M1 → Coomera → Bribie Island (follow signs for Amity Point). Parking is free at the reserve.
Best time to visitSunrise for pastel reflections on the water, or after dark for the lighthouse beam and stargazing. Weekdays are virtually empty.

Insider tip: Pack a portable telescope or a pair of binoculars. The Queensland Star Party sometimes holds informal meet‑ups here, and they’re always happy to share tips.


5. The Brisbane City Botanic Gardens – The Forgotten ‘Rose Garden’

Why it’s special: While the Botanic Gardens are a popular daytime spot, tucked behind the main lawns sits the Rose Garden – a secluded, Victorian‑style enclave restored in 2018. It’s a fragrant, low‑traffic haven of heritage roses, a small pergola, and a historic iron fountain.

FeatureDetails
RosesOver 200 varieties, including the rare ‘Souvenir de la Malmaison’ and a modern hybrid “Brisbane Blush.”
ArchitectureThe pergola is made from locally sourced ironbark timber, and the fountain dates back to 1904 (originally supplied to the Toowoomba Show).
Quiet cornersBenches hidden among shrubbery provide intimate reading spots; the garden is often used by local poets for “tide‑of‑silence” sessions.
How to get thereFrom Roma Street station, walk north 8 minutes across the River; the garden entrance is marked by a bronze plaque.
Best time to visitMid‑morning (when the roses are at peak fragrance) or late spring (when the roses are in full bloom).

Insider tip: Join the Botanic Gardens’ “Rose Hour” on the first Saturday of each month – a free guided walk where a horticulturist explains the history and care of each rose variety.


How to Make the Most of These Hidden Spots

StrategyWhy it works
Visit on weekdaysAlmost all five sites see a steep drop in foot traffic from Monday to Thursday.
Go early or lateSoft light enhances photography, and cooler temperatures make walking comfortable.
Pack a reusable water bottleBrisbane’s subtropical climate can be humid; most locations have water refill points.
Use public transport or park‑&‑rideTraffic around the city can be unpredictable, especially on weekends.
Bring a light snackMany of these spots have limited food options; a small picnic makes the experience more relaxed.

A Quick Map for the Curious Explorer

#AttractionApprox. Distance from CBDRecommended Transport
1Mount Coot‑tha Lookout & Botanic Trail7 km (west)Bus 450 or bike (bike lanes available)
2Kangaroo Point Cliffs – Rock Garden2 km (south)Train to Kangaroo Point + 5‑min walk
3Old Windmill (Spring Hill)3 km (north)Bus 230 or walk from Spring Hill
4Amity Point Lighthouse (Bribie Island)45 km (south)Car (approx. 45‑min drive)
5Botanic Gardens – Rose Garden1 km (north)Train to Roma Street + short walk

Final Thoughts

Brisbane may be famed for its bustling riverfront and iconic skyline, but the city’s real charm often hides in quiet corners where locals unwind and history whispers. By venturing off the typical tourist trail, you’ll discover a softer, more intimate side of Queensland’s capital – one where you can breathe in native scents, hear the distant hum of the windmill sails, and watch the city glow from secret viewpoints.

So next time you find yourself packing for “Brisbane in a nutshell,” remember: sometimes the best stories are told by the places few people know exist. Happy exploring!

What I learned about writing – The Stall Cycle

Breaking the Stall Cycle: How to Move Forward When Editing Feels Endless

You did it. You wrote “The End.”

After months—maybe even years—of scribbling notes, drafting scenes, plotting, rewriting entire arcs, and surviving countless cups of coffee, your manuscript is finally complete. You type the last sentence, hit save, and take a deep breath. Pride swells. This is the finish line, right?

Then reality sets in.

You open the document the next day and start reading. A sentence feels clunky. A character’s motivation seems off. The pacing in Chapter 12 drags. So you rewrite. Then you reread. Then you tweak. Then you change a paragraph, hate the change, revert it, reread again, and suddenly… you’re stuck.

Welcome to the Stall Cycle.

It’s that maddening, exhausting loop every writer knows too well:

Read. Rewrite. Fix. Reread. Change. Fix again. Become unhappy with the change. Reread. Stall.

You’re not progressing. You’re not publishing. You’re not even submitting. You’re just circling the same pages like a plane that can’t land or take off—trapped in editing limbo.

So how do you break free?


Why the Stall Cycle Happens

The stall cycle doesn’t mean you’re a bad writer. In fact, it often means the opposite: you care deeply about your work. But that care can become its own trap.

Perfectionism is the engine of the stall cycle. So is fear—the fear that if it’s not perfect, it will fail. That someone might read it and say, “This isn’t good enough.” That you’ll expose yourself and fall short.

The loop gives the illusion of progress (“I’m working, I’m improving!”), but in truth, you’re not moving toward completion. You’re polishing one sentence while the rest of the book waits in silence.


How to Break the Cycle

1. Set a Hard Deadline for Revisions

Give yourself a real end date. Decide: after X number of passes or by X calendar date, the manuscript will be submission-ready. Stick to it. Use a physical calendar or digital reminder. Accountability helps.

Tip: Schedule a submission or a beta reader delivery date. Nothing motivates like an external deadline.

2. Work in Focused Passes

Instead of endlessly rereading from page one, do structured revision passes with specific goals:

  • Pass 1: Plot and structure
  • Pass 2: Character arcs and consistency
  • Pass 3: Prose, voice, and clarity
  • Pass 4: Grammar, typos, and formatting

When each pass has a purpose, you’re less likely to get distracted by tiny details early on.

3. Trust Your First Draft (a little more)

Your first draft didn’t have to be perfect—it had to exist. Likewise, your revised draft doesn’t have to be flawless. It just has to be done.

Perfection is the enemy of progress. A published imperfect book is always more powerful than a perfect unpublished one.

4. Enlist Trusted Readers

Stop being the only judge of your work. Send your manuscript to 2–3 trusted beta readers or critique partners. Their feedback will give you actionable next steps—something real to fix—rather than endless self-doubt.

Just remember: you don’t have to accept every suggestion. But their perspective breaks the echo chamber.

5. Limit How Often You Reread from the Top

You don’t need to reread the entire manuscript every time you make a change. Use bookmarks, chapter summaries, or scene trackers to check continuity without re-immersing yourself from page one.

Each full reread invites you back into the cycle. Be strategic.

6. Embrace the “Good Enough” Draft

There comes a point where further edits yield diminishing returns. That’s when “better” becomes “different,” not improved.

Ask yourself: Is this clear? Is it emotionally honest? Does it serve the story? If yes, move on.


When You’re Truly Stuck: Reset Your Relationship with the Work

Sometimes, the stall cycle is emotional, not technical.

You’re avoiding the vulnerability of sharing your work. Or you’re afraid of failure—or worse, success. Take a step back. Ask:

  • Why am I resisting finishing?
  • What am I afraid will happen if this book goes out into the world?

Journal. Talk to a fellow writer. Get honest with yourself. Healing the emotional block is often the key to breaking the cycle.


Final Thought: Done Is Better Than Perfect

The stall cycle is real. It’s powerful. But it’s not inevitable.

Great books aren’t born from endless tinkering. They’re born from courage—the courage to stop editing, to let go, and to share your story with the world.

So close the document. Take a breath. And take the next step.

Because your story is waiting—not for perfection, but for release.

You’ve got this.


Now go submit it.

Inspiration, maybe – Volume 1

50 photographs, 50 stories, of which there is one of the 50 below.

They all start with –

A picture paints … well, as many words as you like.  For instance:

lookingdownfromcoronetpeak

And the story:

It was once said that a desperate man has everything to lose.

The man I was chasing was desperate, but I, on the other hand, was more desperate to catch him.

He’d left a trail of dead people from one end of the island to the other.

The team had put in a lot of effort to locate him, and now his capture was imminent.  We were following the car he was in, from a discrete distance, and, at the appropriate time, we would catch up, pull him over, and make the arrest.

There was nowhere for him to go.

The road led to a dead-end, and the only way off the mountain was back down the road were now on.  Which was why I was somewhat surprised when we discovered where he was.

Where was he going?

“Damn,” I heard Alan mutter.  He was driving, being careful not to get too close, but not far enough away to lose sight of him.

“What?”

“I think he’s made us.”

“How?”

“Dumb bad luck, I’m guessing.  Or he expected we’d follow him up the mountain.  He’s just sped up.”

“How far away?”

“A half-mile.  We should see him higher up when we turn the next corner.”

It took an eternity to get there, and when we did, Alan was right, only he was further on than we thought.”

“Step on it.  Let’s catch him up before he gets to the top.”

Easy to say, not so easy to do.  The road was treacherous, and in places just gravel, and there were no guard rails to stop a three thousand footfall down the mountainside.

Good thing then I had the foresight to have three agents on the hill for just such a scenario.

Ten minutes later, we were in sight of the car, still moving quickly, but we were going slightly faster.  We’d catch up just short of the summit car park.

Or so we thought.

Coming quickly around another corner we almost slammed into the car we’d been chasing.

“What the hell…” Aland muttered.

I was out of the car, and over to see if he was in it, but I knew that it was only a slender possibility.  The car was empty, and no indication where he went.

Certainly not up the road.  It was relatively straightforward for the next mile, at which we would have reached the summit.  Up the mountainside from here, or down.

I looked up.  Nothing.

Alan yelled out, “He’s not going down, not that I can see, but if he did, there’s hardly a foothold and that’s a long fall.”

Then where did he go?

Then a man looking very much like our quarry came out from behind a rock embedded just a short distance up the hill.

“Sorry,” he said quite calmly.  “Had to go if you know what I mean.”

I’d lost him.

It was as simple as that.

I had been led a merry chase up the hill, and all the time he was getting away in a different direction.

I’d fallen for the oldest trick in the book, letting my desperation blind me to the disguise that anyone else would see through in an instant.

It was a lonely sight, looking down that road, knowing that I had to go all that way down again, only this time, without having to throw caution to the wind.

“Maybe next time,” Alan said.

“We’ll get him.  It’s just a matter of time.”

© Charles Heath 2019-2021

Find this and other stories in “Inspiration, maybe”  available soon.

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Top 5 sights on the road less travelled – Melbourne, Australia

Discover Melbourne’s Hidden Gems: Top 5 Tourist Attractions That Are Peaceful and Unique

Melbourne is renowned for its vibrant arts scene, bustling laneways, and iconic landmarks. However, beyond the well-trodden paths lie lesser-known attractions that offer a tranquil, culturally rich, and often underappreciated experience. If you’re seeking a slower, more intimate journey through the city’s history, art, and natural beauty, here are five top attractions that are rarely crowded but packed with distinctive charm.


1. Shrine of Remembrance: A Historic Sanctuary with Breathtaking Views

Tucked away in a serene parkland setting on the edge of the city, the Shrine of Remembrance stands as a majestic tribute to Australian service members. The neoclassical architecture is awe-inspiring, and the 360-degree views from the terrace—especially at dusk—are unforgettable. While not as flashy as Federation Square or Luna Park, the shrine attracts fewer crowds, especially outside of Anzac Day (April 25). Its quiet ambience makes it perfect for reflection, photography, or simply soaking in Melbourne’s skyline.

Why it’s unique: Open 24/7 and free to enter, it blends architectural grandeur with historical significance. The building’s underground war memorial and gardens are particularly poignant.


2. Museum of Chinese Australian History: A Window into a Rich Cultural Legacy

Step into the vibrant history of Melbourne’s Chinese community at the Museum of Chinese Australian History, housed in a former tram depot in the bustling district of Docklands. This small museum offers interactive exhibits on the contributions of Chinese Australians to the city’s development, from the 19th-century gold rush to modern multiculturalism. The building itself is a work of art, adorned with colourful mosaics and sculptural installations.

Why it’s unique: The museum’s focus on a specific cultural narrative is rare in mainstream Melbourne. Its blend of art, history, and community stories makes it a must-visit for curious travellers.


3. Burnley Park and Gardens: A Hidden Green Escape

Just minutes from the CBD in the suburb of Carlton, Burnley Park is a tranquil oasis with a mix of natural beauty and cultural flair. Home to the historic Burnley Cricket Ground and a lush landscape of gardens, it’s a favourite among locals for picnics and strolls. The park’s lesser-known status means it’s rarely bustled with tourists, offering a peaceful retreat.

Why it’s unique: The park combines recreational spaces with a quirky cricket history—the Burnley Cricket Club, established in 1852, is the oldest surviving cricket club in Victoria. Springtime brings spectacular displays of wisteria and wildflowers.


4. Royal Exhibition Building & Royal Botanic Gardens (Off-Peak Hours)

While the Royal Botanic Gardens can get busy on weekends, visiting during weekdays or early mornings ensures a quieter, more immersive experience. Adjacent to the Royal Exhibition Building, a UNESCO World Heritage Site, the area is an architectural and horticultural marvel. The building’s grand Victorian design and the gardens’ curated collections—including the iconic Coachwood Tree—make for a captivating stop.

Why it’s unique: This combination of history and natural beauty is unmatched. The building’s iconic dome and the gardens’ serene paths create a timeless atmosphere, especially enchanting during autumn.


5. Koorie Heritage Trust: A Deep Dive into Indigenous Culture

The Koorie Heritage Trust in the heart of Melbourne is a cultural powerhouse dedicated to preserving and sharing the stories of Australia’s First Nations people. Through art, artifacts, and guided workshops, visitors gain insight into Yarning (storytelling), traditional crafts, and the enduring connection to Country.

Why it’s unique: Small and intentionally quiet, the trust focuses on meaningful, educational experiences. Bookings are recommended, as spaces are limited, but this ensures a personalised and respectful visit.


Why These Spots Thrive in Quietness

These attractions stand out because they cater to niche interests and require a bit of effort to discover—a perfect fit for travellers who prefer depth over crowds. Whether you’re captivated by history, culture, or nature, Melbourne’s hidden gems offer a fresh perspective on this dynamic city.


Final Thoughts: Embrace Melbourne’s Understated Magic

Melbourne’s charm isn’t just in its famous laneways and coffee. By straying from the typical itineraries, you’ll uncover a side of the city that’s reflective, artistic, and deeply human. Whether you’re tracing your roots, enjoying a peaceful garden, or honouring a cultural past, these attractions promise a memorable trip without the hassle. Pack your curiosity—and a camera—and let Melbourne surprise you.

Pro Tip: For the most peaceful experience, visit these spots on weekdays or during the cooler months (May–August). Plus, check out event calendars for exclusive workshops or seasonal openings!

What’s your favourite hidden corner of Melbourne? Share your discoveries in the comments below!

First Dig Two Graves

A sequel to “The Devil You Don’t”

Revenge is a dish best served cold – or preferably so when everything goes right

Of course, it rarely does, as Alistair, Zoe’s handler, discovers to his peril. Enter a wildcard, John, and whatever Alistair’s plan for dealing with Zoe was dies with him.

It leaves Zoe in completely unfamiliar territory.

John’s idyllic romance with a woman who is utterly out of his comfort zone is on borrowed time. She is still trying to reconcile her ambivalence, after being so indifferent for so long.

They agree to take a break, during which she disappears. John, thinking she has left without saying goodbye, refuses to accept the inevitable, calls on an old friend for help in finding her.

After the mayhem and being briefly reunited, she recognises an inevitable truth: there is a price to pay for taking out Alistair; she must leave and find them first, and he would be wise to keep a low profile.

But keeping a low profile just isn’t possible, and enlisting another friend, a private detective and his sister, a deft computer hacker, they track her to the border between Austria and Hungary.

What John doesn’t realise is that another enemy is tracking him to find her too. It could have been a grand tour of Europe. Instead, it becomes a race against time before enemies old and new converge for what will be an inevitable showdown.

365 Days of writing, 2026 – 14

Day 14 – Having Fun with Ideas

Having Fun with Ideas: Embrace Brainstorming and Unlock Your Creative Potential

Creativity isn’t just a gift—it’s a practice. And one of the most exhilarating parts of the creative process? The moment when wild, half-formed ideas start to take shape. Whether you’re a writer, game designer, filmmaker, or just someone who loves to dream up alternate worlds, the journey often begins with a single spark: What if?

In this post, we’ll explore the art of playful brainstorming and dive into creative methods for researching fictional concepts—because fiction isn’t just made up; it’s built, layer by imaginative layer.


The Magic of Brainstorming: Where Ideas Go to Play

Brainstorming isn’t just about generating ideas—it’s about giving them space to stretch, stumble, collide, and sometimes, shine. To truly harness its power, you have to embrace the mess. Forget perfection. The goal is volume, variety, and velocity.

Here’s how to turn brainstorming into a playground:

  • Set the Stage for Fun: Clear a physical or digital space where distractions are minimal and novelty is welcome. Use colourful sticky notes, whiteboards, or digital tools like Miro or Milanote. The more playful the environment, the more freedom your brain feels to roam.
  • Ditch the Filter: In the brainstorming phase, no idea is too silly, too strange, or too far-fetched. A world where cats govern nations? A time-travelling barista? Write it down. Often, absurdity holds the seed of something brilliant.
  • Combine and Remix: Take two unrelated concepts and smash them together. What happens when Victorian etiquette meets alien diplomacy? How does a superhero cope with seasonal affective disorder? Jarring combinations often spark originality.
  • Time-Box Your Sessions: Give yourself 10–15 minutes of pure, untamed ideation. The constraint fuels creativity and stops you from overthinking.

Remember: brainstorming isn’t about finding the idea—it’s about exploring all the ideas.


Researching the Unreal: Creative Ways to Build Believable Fiction

One of the great paradoxes of fiction is that the more fantastical the concept, the more grounded it needs to feel. Even in a galaxy far, far away, audiences crave internal consistency and emotional truth. That’s where creative research comes in.

You don’t need a lab or a library card to research dragons or dystopias—you need curiosity and lateral thinking.

1. Worldwatch Like a Journalist

Imagine you’re a reporter embedded in your fictional world. Interview its inhabitants. What do they eat? What music do they listen to? What superstitions do they hold? Building a culture—no matter how alien—starts with everyday details.

2. Mine Real-World Inspiration

History, mythology, nature, and technology are treasure troves. The social dynamics of bees might inspire a hive-mind society. Ancient Egyptian burial rituals could inform a futuristic afterlife belief system. Use real-world phenomena as springboards—then twist them.

3. Create a Sensory Map

Close your eyes and imagine walking through your fictional setting. What do you hear? The hum of hover cars? The chant of temple monks? The smell of burning incense or recycled air? Engaging multiple senses adds depth and immersion, even before you write a word.

4. Reverse-Engineer the Rules

If magic exists in your world, what are its limits? If humans can upload their consciousness, who controls the servers? Establishing logical systems—even in illogical realms—makes the impossible feel plausible.

5. Prototype with Play

Turn your idea into a mini-game, comic, or storyboard. Act out scenes with friends. Use Lego to model a space station. Prototyping helps you test ideas in a low-stakes way and often reveals flaws—or hidden brilliance—you’d miss on the page.


Make It a Habit: Creativity as a Joyful Routine

The best part of working with ideas is that you don’t need permission. You don’t need a deadline or a publisher. All you need is curiosity and the courage to play.

Set aside 20 minutes a week for pure idea exploration. Keep a “What If?” journal. Host brainstorming nights with creative friends. Let your imagination romp like a puppy in a field—uninhibited and joyful.

Because at its core, creativity isn’t about output. It’s about engagement—the thrill of asking questions, following rabbit holes, and discovering worlds that only you could build.


Final Thought: Let Yourself Be Silly

Some of the most beloved fictional worlds—from The Lord of the Rings to The Matrix to Parks and Recreation—began as someone’s “crazy idea.” The key wasn’t seriousness; it was persistence and playfulness.

So go ahead—brainstorm like no one’s watching. Research like a detective who loves puzzles. And above all, have fun with your ideas. Because when imagination dances freely, magic happens.

Now, grab a notebook and ask yourself: What if…? The next great story might be hiding in your silliest thought.

What’s your favourite “What if?” moment? Share it in the comments—we’d love to play in your imaginary world, too.