Category: Creative Writing

Writing a book in 365 days – 170

Day 170

Pet Subjects, or, in other words, writing about what you know.

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You will often read in the advice people tend to give budding writers, a section called ‘write about what you know’. It generally follows a rather ambiguous statement that says ‘everyone has one book in them’ and there’s an audience out there if you write about your pet subject.

That assumes we all have a pet subject, you know, something we know all this stuff about, stuff that no one else would care about. Except for other people like us.

But…

Here’s the problem, you have to write it in a way that it is interesting, and if your pet subject is ‘the erosion of sandstone over 20,000 years’ I think you are not going to find a large audience, and your book, though interesting to you, will not necessarily become an instant bestseller.

Not unless you turn it into a thriller where it’s just a passing reference, or a means of escape from the bad guys just before you blow them to smithereens.

Except…

There is a market for every type of book; you just have to do the research and find out exactly what part of your specialist knowledge the intended audience wants.

I could write about mining phosphate on the Pacific Islands at the beginning of the 1900s, which to me was fascinating, but it only appealed to those who were familiar with it. What I was told, however, was that if I wrote a sweeping Gone With The Wind type saga written around the Islands, the minung, the people and the events spanning sixty odd years, I would have a best seller on my hands.

I took their advice, and figured in the end it was going to take three volumes, much like R F Delderfield’s “A Horseman Riding By”, and got as far as almost finishing the first volume, coming in at about 1,300 pages.

That was forty years ago, and I haven’t written a word since.

It will eventually be finished, but there is always something else to do, like my latest pet project, the family history.

An excerpt from “If Only” – a work in progress

Investigation of crimes doesn’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.

At one stage the police thought I had murdered my own wife though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective First Grade Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbors reckon there were heated discussions the day before.

Routine was the word she used.

Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last I saw of Gabrielle.

The shock of finding Vanessa was more devastating than the fact she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months I was barely functioning, to the extent I had all but lost my job, and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy.  Her story varied only in she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened become our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then, we saw each about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realize that all she had was her work, personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt, about whether or not I could trust her to tell me what the message meant.

I reached for the phone then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

In a word: haul

Well, I know a lot about long haul, because living in Australia it’s a long, long way to anywhere in the northern hemisphere, in what is known as a long haul airline.

For the rest, haul means to pull a load along with effort or force.

Or a haul can be the plunder of a thief, stolen goods.  It can be something different though, but generally lots of something taken away, such as fish.

You can haul yourself up the side of a hill, or up a cliff face

And for those who are nautically minded, and love sailing boats, you’ll know to haul offshore

If you’re an Olympian, you’ll know that seven medal haul was always going to be an uphill task.

This is not to be confused with hall, what you walk down in a building heading to a particular room.

Or it can be the name of a stately residence or building, for instance Toad Hall.

It can also be a university room where students are housed.

‘What Sets Us Apart’ – A beta readers view

There’s something to be said for a story that starts like a James Bond movie, throwing you straight in the deep end, a perfect way of getting to know the main character, David, or is that Alistair?

A retired spy, well not so much a spy as a retired errand boy, David’s rather wry description of his talents, and a woman that most men would give their left arm for, not exactly the ideal couple, but there is a spark in a meeting that may or may not have been a setup.

But as the story progressed, the question I kept asking myself was why he’d bother.

And, page after unrelenting page, you find out.

Susan is exactly the sort of woman to pique his interest.  Then, inexplicably, she disappears.  That might have been the end to it, but Prendergast, that shadowy enigma, David’s ex-boss who loves playing games with real people, gives him an ultimatum, find her or come back to work.

Nothing like an offer that’s a double-edged sword!

A dragon for a mother, a sister he didn’t know about, Susan’s BFF who is not what she seems or a friend indeed, and Susan’s father who, up till David meets her, couldn’t be less interested, his nemesis proves to be the impossible dream, and he’s always just that one step behind.

When the rollercoaster finally came to a halt, and I could start breathing again, it was an ending that was completely unexpected.

I’ve been told there’s a sequel in the works.

Bring it on!

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The book can be purchased here:  http://amzn.to/2Eryfth

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Reminiscing

I was sitting down discussing with my granddaughter how we’re going to approach what will become an author interview.

We were talking about how old I was when it was, I first authored a story, and what was that story about.

OK, that sent me back a long way into the distant past.

There was also a trick question; “What was the first story you read that put you on the path to wanting to become a writer”.

That was easy, Alistair Maclean’s HMS Ulysses.  I showed her a copy of the book.

But, back to the main question.

Grandparents are old, I said, older than your parents, so that should give you some idea.

When did I start writing, that required a little thought, and several triggers gave me a date, where we lived at the time, the fact I used my mother’s old portable typewriter, and the fact I had not been long out of school.  I was, in fact, about 17, the wrong side of half a century ago.

What was it about; that I couldn’t tell her, but I said I had rescued a lot of old scribbling of mine and put them in a box to look at later when I had the time.

I guess that time had arrived.

And, yes, there was the book, the individually typed pages, some with corrections, unfinished.

The pages were brown with age.

The story, well, I read the first few pages, and I’d started down the thriller path then, the story so far, an agent comes ashore from a trawler to a bleak and isolated village, perhaps on the Scottish coast,

The next question, understandably; “What was the first book you ever finished?”  That was The Starburst Conspiracy, soon to be published on Amazon.

It also led to a few more discoveries, including a book I had forgotten I’d written. And all of the short stories I’d written when at university.

The interview is proceeding.

The memories it is bringing about my earliest forays into the world of writing are priceless.

Memories of the conversations with my cat – 6

As some may be aware, but many not, Chester, my faithful writing assistant, mouse catcher, and general pain in the neck, passed away some ten years ago.

For those who have not had the chance to read about all of his exploits, I will run the series again from Episode 1

These are the memories of our time together…

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This is Chester.  He is giving me the ‘Come back when you’ve rewritten the start’ look.

Yet another ‘disagreement’ over such a small matter!

Here’s the thing.

Like many authors with cats, I like to use Chester as my audience of one, my sounding board.  It is better to be reading to him, rather than reading out loud by yourself.

Reading what you have written often points out tongue tangling or ‘drippy’ dialog, and  unfortunate mix ups in words.  Proof reading sometimes misses these.

Hitherto, Chester has been patient, lying on the floor, or sitting on the couch.

I guess a few pats doesn’t go astray in the process.

But, this morning, reading him the new start to ‘First Dig Two Graves’ the sequel to ‘The Devil You Don’t’, he just gave me one of his angry ‘meow’s’ and left.

Obviously he didn’t like it.

Of course, after I re-read it again, I could see the problem, so the days writing is not over yet.

“Trouble in Store” – Short stories my way: Point of view

If this story were being written in the first person, the only perspective or point of view would be that of the narrator.

Since we need to have several perspectives, it is better done in the third person so we can change between characters and try to understand their motivation.

We might look at the first-person perspective for each of the characters later.

The second of the protagonists is the girl with the gun.  How did she get it?  How did the situation deteriorate so quickly?   What is she going to do?

This is a short story, and we need to know something about her, so we must get to the heat of the matter quickly, let’s start with:

Her mother said she would never amount to anything, and here she was, with a broken drug addict coming apart because she had been cut off from her money, dragged into coming to this shop to leverage drugs from his dealer at the end of a gun.  It was her fault, Jerry said and made her feel responsible, much the same as her parents and everyone else in her life.

One of life’s losers or just a victim?  This theme can go in any direction.

Then a moment to reflect on why she was here:

Why had she agreed to go with Jerry?  At that moment when she picked up the gun off the floor, she realized it was not out of responsibility or fault, it was out of fear.

That gives us the why; he had obviously tried to make her feel responsible and when that failed, he threatened her.  But now there’s a bigger issue, the gun and a situation spiralling out of control.  The thing is, she has the gun and the power to walk away or make matters worse.

The problem was that she had outed the shopkeeper as a dealer in front of someone who had not known.  That now made him a victim as much as she was.

She looked at the two men facing her, a shopkeeper who was a dealer and a customer scared shitless.  As much as she was.  Her gun hand was shaking.

The scene is set, and something has to give.

Time for the shopkeeper to weigh in.

“I have no idea what you are talking about.  Please, put the gun down before someone gets hurt.”

It’s a typical response from a man who realizes he’s in trouble and is trying to make time while he thinks of how to rescue himself from a potentially dangerous situation.

Time to change the perspective again and explore the shopkeeper.

If only Jack hadn’t come in when he did.  He would have the gun, call the police, and brazened his way out of trouble.  Who would the police believe a pair of addicts or a respectable shopkeeper?

Now he had to deal with the fallout, especially if the girl started talking.

Next, actions have consequences, building the tension.

This section was rewritten, moving from Jack as the narrator to the girl, and then to the shopkeeper:

Annalisa looked at the two men facing her, a shopkeeper who, despite his protestations, was a dealer and a customer scared shitless.

The poor bastard was not the only one.  This was meant to be simple, arrive at the shop just before closing, force the shopkeeper to hand over the shit, and leave.  Simple.

Except …

The shopkeeper told them to get out.  Simmo started ranting waving the gun around, then collapsed.  A race for the gun which spilled out of his hand, she won.

He was getting the stuff when the customer burst into the shop.

Shit, shit, shit, shit, she thought.

Why had she agreed to go with Jerry?  It was her fault, Jerry had said, and he made her feel responsible for his problems, much the same as her parents and everyone else in her life.

Her mother said she would never amount to anything, and here she was, with a drug addict coming apart because she had been cut off from her money, dragged into coming to this shop to pick up his score from his dealer at the end of a gun.

She heard a strange sound come from beside her and looked down.  Simmo was getting worse, like he had a fever, and was moaning.

The shopkeeper saw an opportunity.  “Listen to me, young lady, I have no idea what you are talking about.  Please, put the gun down before someone gets hurt.  Your friend needs medical help and I can call an ambulance.”

The girl switched her attention back to him.  “Shut up, let me think.  Shit.”

The storekeeper glanced over at the customer.  He’s been in once or twice, probably lived in the neighbourhood, but looked the sort who’d prefer to be anywhere but in his shop.  More so now.  If only he hadn’t burst in when he did.  He would have the gun, call the police, and brazen his way out of trouble.  Who would the police believe a pair of addicts or a respectable shopkeeper?

Now he had to deal with the fallout, especially if the girl started talking.

© Charles Heath 2016 – 2024

Writing a book in 365 days – 169

Day 169

The cliff hanger, and the idea behind writing episodes…

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Back in the good old days…

Yes, we have to go way back in time to the days when Charles Dickens and other classic English writers wrote their stories in episodes, and yes, they had to have a cliff-hanger ending for each so the readers would be back to read the next instalment.

It was a novel way to get people to buy newspapers.

It was also a chance for the writers to get income by publishing a weekly instalment in either the newspapers or magazines.

Of course, at that time, a lot of people couldn’t read or write, so there was a large percentage of the population missing out.

Imagine my dismay when I decided to write my stories in episodes and publish them in my blog, thinking it was a really great idea, and then discovering the idea had been around for hundreds of years.

Mine were, and are, a little more erratic, sometimes each day, but other a week apart. Sometimes it’s difficult to write continuously like that, and three or four different stories. If you want to read some, they are the stories I called ‘The Cinema of my Dreams’, and there’s one about an interlude in WW2, one about a rescue in Africa, one about a Treasure Hunt, one about an aspiring spy, one that starts in venice, and one in outer space

Imagine what Charles Dickens would have thought of having the internet to publish his stories. He’d get more readers than for all of his novels, whether published in book form or episodes, in his lifetime.

And, of course, when the books were published, it wasn’t just one copy for the whole story; it was published in three, four or more volumes.

Of course, the movie moguls couldn’t let a good idea get past them either, and started making serials in episodes, each with a cliff-hanger ending to run before the main feature, thinking they would get the fans hooked into coming every week.

Notable heroes who turned up in Hollywood serials were Flash Gordon, Buck Rogers, Zorro, and the Green Hornet, nearly all of comic book fame.

Searching for locations: We’ve just arrived in Beijing International Airport, China

Instead of making a grand entrance, arriving in style and being greeted by important dignitaries, we are slinking in via an airplane, late at night. It’s hardly the entrance I’d envisaged. At 9:56 the plane touches down on the runway.  Outside the plane, it is dark and gloomy and from what I could see, it had been raining.  That could, of course, simply be condensation.

Once on the ground, everyone was frantically gathering together everything from seat pockets and sending pillows and blankets to the floor.  A few were turning their mobile phones back on, and checking for a signal, and, perhaps, looking for messages sent to them during the last 12 hours. Or perhaps they were just suffering from mobile phone deprivation.

It took 10 minutes for the plane to arrive at the gate. That’s when everyone moves into overdrive, unbuckling belts, some before the seatbelt sign goes off, and are first out of their seats and into the overhead lockers.  Most are not taking care that their luggage may have moved, but fortunately, no bags fall out onto someone’s head. The flight had been relatively turbulence-free.

When as many people and bags have squeezed into that impossibly small aisle space, we wait for the door to open, and then the privileged few business and first-class passengers to depart before we can begin to leave. As we are somewhere near the middle of the plane, our wait will not be as long as it usually is.  This time we avoided being at the back of the plane.  Perhaps that privilege awaits us on the return trip.

Once off the plane, it is a matter of following the signs, some of which are not as clear as they could be.  It’s why it took another 30 odd minutes to get through immigration, but that was not necessarily without a few hiccups along the way. We got sidetracked at the fingerprint machines, which seemed to have a problem if your fingers were not straight, not in the center of the glass, and then if it was generally cranky, which ours were, continue to tell you to try again, and again, and again, and again…That took 10 to 15 minutes before we joined an incredibly long queue of other arrivals.

A glance at the time, and suddenly it’s nearly an hour from the moment we left the plane.

And…

That’s when we got to the immigration officer, and it became apparent we were going to have to do the fingerprints yet again.  Fortunately, this time, it didn’t take as long.  Once that was done, we collected our bags, cleared customs by putting our bags through a huge X-ray machine, and it was off to find our tour guide.


We found several tour guides with their trip-a-deal flags waiting for us to come out of the arrivals hall.  It wasn’t a difficult process in the end.  We were in the blue group.  Other people we had met on the plane were in the red group or the yellow group.  The tour guide found, or as it turned out, she found us; it was simply a matter of waiting for the rest of the group, of which there were eventually 28. Gathered, we were told we would be taking the bags to one place and then ourselves to the bus in another.  A glance in the direction of the bus park, there were a lot of buses.

Here’s a thought: imagine being told your bus is the white one with blue writing on the side.

Yes, yours is, and 25 others, because all of the tourist coaches are the same.  An early reminder, so that you do not get lost, or, God forbid, get on the wrong bus, for the three days in Beijing, is to get the last five numbers of the bus registration plate and commit them to memory.  It’s important.  Failing that, the guide’s name is in the front passenger window.

Also, don’t be alarmed if your baggage goes in one direction, and you go in another. In a rather peculiar setup, the bags are taken to the hotel by what the guide called the baggage porter.  It is an opportunity to see how baggage handlers treat your luggage; much better than the airlines, it appears.


That said, if you’re staying at the Beijing Friendship Hotel, be prepared for a long drive from the airport.  It took us nearly an hour, and bear in mind that it was very late on a Sunday night.

Climbing out of the bus after what seemed a convoluted drive through a park with buildings, we arrive at the building that will be our hotel for the next three days.  From the outside, it looks quite good, and once inside the foyer, that first impression is good.  Lots of space, marble, and glass.  If you are not already exhausted by the time you arrive, the next task is to get your room key, find your bags, get to your room, and try to get ready the next morning at a reasonable hour.

Sorry, that boat has sailed.

We were lucky, we were told, that our plane arrived on time, and we still arrived at the hotel at 12:52.  Imagine if the incoming plane is late.

This was taken the following morning.  It didn’t look half as bland late at night.

This is the back entrance to Building No. 4, but is quite representative of the whole foyer, made completely of marble and glass.  It all looked very impressive under the artificial lights, but not so much in the cold, hard light of early morning.

This is the foyer of the floor where our room was.  Marble with interesting carpet designs.  Those first impressions of it being a plush hotel were slowly dissipating as we got nearer and nearer to the room.  From the elevator, it was a long, long walk.

So…Did I tell you about the bathroom in our room?

The shower and the toilet both share the same space with no divide, and the shower curtain doesn’t reach the floor.  Water pressure is phenomenal.  Having a shower floods the whole shower plus toilet area, so when you go to the toilet, you’re basically underwater.

Don’t leave your book or magazine on the floor, or it will end up a watery mess.

And the water pressure is so hard that it could cut you in half.  Only a small turn of the tap is required to get that tingling sensation going.

It’s after 1:30 before we finally get to sleep.

As for the bed, well, that’s a whole other story.

The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 65

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new installment of an old feature, and we’re back on the treasure hunt.

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The Ormiston’s from the papers

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It was a question of what was I looking for.  It would be easy to say I wanted a piece of paper that definitively said where the treasure was or finding a map that led straight to it.

Instead, there was, in one box, a dozen journals filled with the ramblings of a madman.

Searching for treasure had sent Ormiston senior mad.  For an hour, perhaps longer, I tried to decipher the spidery writing, and then gave up when it switched to German.

I assembled the journals in order of his expeditions and found the first easy to follow because it was a time of excitement and expectation, that he would find the treasure.  There were pages on exactly what he thought the treasure was worth, the sort of pieces they would find, and what he would do with the proceeds.

There were drawings of items off the map and his interpretation of what they represented.  It was a rather good description of the coastline and its anomalies as they related to map landmarks.  They were, almost all, the same as the Boggs interpretations.

When the discovery didn’t happen, when the first euphoria wore off and the search became bogged down in acrimony and arguments, and the realization the map they were using was not as clear as first believed, that was where it all began to fall apart.

Reading the words, feeling the disappointment seeping off the page, it must have been quite a blow.

The second expedition didn’t start off with the same fanfare, but almost as if they were expected to fail.  Too little time had been spent analyzing what went wrong and reidentifying the coastal landmarks.

And, when it did fail, the last comment in the diary was fairly succinct.  “What if there is no treasure?”

In another, scrawled heavily on several pages at the back, “look for the big A” was repeated several times, and much underlined.

There were five other boxes with papers, charts, notebooks, and books that belonged on a shelf but instead were neatly stacked.  They’d been in the boxes for some time, and had that aroma books got when left in the damp too long, and, in fact, when I tried to open some, the pages had stuck together.

A lot of the books were about pirates, reference texts, and fiction.  Part of one box was set aside for our particular pirate, and, reading through what could be read, a lot of the information was contradictory.  One book postulated that the said pirate wasn’t a pirate at all, casting doubt on whether he ever existed at all.

The maps were a different story, and, yes, they were all similar except for small details an observation I had made before.  None had what I would have called ‘new’ features, just a rehash of all the others.  Some were old, but most had the appearance of being made to look old.

Then, at the bottom of a box of books, were copies of newspaper articles, aged, stained, and some in various stages of disintegration.  The Bahama Argus, The Barbadian, The Antigua Herald and Gazette, The Bermuda Colonist, and the Dominica Chronicle.  All had references to Captain Johannsson, and his vessel, the Sea Serpent.

There was such a Captain, and there was such a ship, and there were reports of a vessel roving the seas, looking for prey.  And those reports covered a great deal of plunder, definitely the sort that would find its way into a number of sea chests.

But, was this the treasure that Ormiston believed was hidden somewhere in The Grove?

Something caught my attention on the first diary, the way it sat and the light reflected off it, and picking it up and looking at it showed no anomaly in the surface, not until it sat on a certain angle and in the sunlight.

A slight ripple down one edge of the spine, and with careful probing, there was a split in the material of the cover pasted back down, but in the time since it had been glued back, the glue had dissolved and the simple act of picking the book up and parted the split.

Lifting it gently, I could see a piece of paper tucked in and gently coaxed it out.

It was very thin and fragile, but the writing was clear.  Entries from what might have been a logbook.  I knew this only because I had been out of a sailing boat once when at school, and had seen the boat’s logbook, noting where the boat had been.

This page had only a few entries, the location of its departure, in latitude and longitude, a number of the daily distances traveled, and conditions, and the last, another latitude and longitude.

When I put the first coordinates into my GPS, it was near the island of Antigua, and then the destination, just up the coast near the old mall.  The name of the vessel, in almost illegible writing, the Sea Serpent.

So, there was a logbook, although it might not exist now, it did at some point in the past, and Ormiston had either found it or seen it.  The writing on the piece of paper was his. It proved, if it was authentic, there was a ship, and it did come to this coast.

I carefully folded it and hid it in my wallet, then replaced everything where I found it.  Enough research for today.  I tried not to look guilty when I left.

…

© Charles Heath 2020-2022