Category: Creative Writing

In a word: Sheet

Well, we all know what a sheet is, it’s one of those things you put on a bed.  A bottom sheet, a fitted sheet, a top sheet, and a flannelette sheet.

It could also be a piece of paper, e.g. pass me a sheet of paper, please, only to get in reply, what size?

There can be a sheet of flames. It’s best if you see one get away as fast as you can.

Of course, that fire can be put out by rain sheeting down.

You can have a sheet map, which is one that opens out.  Funny how you can never get them folded back the same way.  And a problem when you’re in a car and open it out – hang on, I can’t see out the window!

That lake is a lovely sheet of water, very still just as the sun comes up, and then, what a reflection.  Great if you are a landscape painter.

Then there’s sheet metal, which I did in school and wasn’t very good at.

If you’re a philatelist, then there’s always a sheet of stamps that might be worth something in a hundred years.

Then, if it is worth millions, you might turn white as a sheet with shock.

But the best of all, if you drink too much, it is said you are ‘two sheets to the wind’.

When you’re given another chance, it is like being given a clean sheet.

And another form might be to do with sailing, when you sheet a sail, which is to say you are making it either tauter or less taut.

English can be confusing sometimes, can’t it?

In a word: Hail

Yes, you know what it is, and it can be very unpleasant when it hits – hail.

Hailstones as big as golf balls, hailstones that make small or large dents in your car, smash windows, wreck trees, and, sometimes, give the appearance that snow has just fallen.

And hail with snow equals sleet, and it’s not very pleasant to be caught in it.

Of course, there’s a different sort of hail, one that you might also not want to be subject to, that from someone across the street trying to get your attention.

Or a hail that you do want someone or something to stop; a taxi, or cab

Or a ship across the water… though I’m not sure why you, personally would want to hail a ship

Perhaps you could be praised in some way, like, he hailed from London – no, not yelled so loudly he could be heard in New York

And no, we do not go around saying, Hail Minister, or Hail Friend!  Not unless we’ve used a time machine and gone back to ancient Roman days

This is not to be confused with the word hale

Yes, it can be something you eat, and I hear it’s very good for you

Or that man is hale and hearty, which means in good health – and I have to say I’m envious because I’m anything but hale

 

Another excerpt from ‘Betrayal’; a work in progress

…

My next destination in the quest was the hotel we believed Anne Merriweather had stayed at.

I was, in a sense, flying blind because we had no concrete evidence she had been there, and the message she had left behind didn’t quite name the hotel or where Vladimir was going to take her.

Mindful of the fact that someone might have been following me, I checked to see if the person I’d assumed had followed me to Elizabeth’s apartment was still in place, but I couldn’t see him. Next, I made a mental note of seven different candidates and committed them to memory.

Then I set off to the hotel, hailing a taxi. There was the possibility that the cab driver was one of them, but perhaps I was slightly more paranoid than I should be. I’d been watching the queue, and there were two others before me.

The journey took about an hour, during which time I kept an eye out the back to see if anyone had been following us. If anyone was, I couldn’t see them.

I had the cab drop me off a block from the hotel and then spent the next hour doing a complete circuit of the block the hotel was on, checking the front and rear entrances, the cameras in place, and the siting of the driveway into the underground carpark. There was a camera over the entrance, and one we hadn’t checked for footage. I sent a text message to Fritz to look into it.

The hotel lobby was large and busy, which was exactly what you’d want if you wanted to come and go without standing out. It would be different later at night, but I could see her arriving about mid-afternoon, and anonymous among the clientele the hotel attracted.

I spent an hour sitting in various positions in the lobby simply observing. I had already ascertained where the elevator lobby for the rooms was, and the elevator down to the car park. Fortunately, it was not ‘guarded’, but there was a steady stream of concierge staff coming and going to the lower levels, and, just from time to time, guests.

Then, when there was a commotion at the front door, what seemed to be a collision of guests and free-wheeling bags, I saw one of the seven potential taggers sitting by the front door. Waiting for me to leave? Or were they wondering why I was spending so much time there?

Taking advantage of that confusion, I picked my moment to head for the elevators that went down to the car park, pressed the down button, and waited.

There was no car on the ground level, so I had to wait, watching, like several others, the guests untangling themselves at the entrance, and keeping an eye on my potential surveillance, still absorbed in the confusion.

The doors to the left car opened, and a concierge stepped out, gave me a quick look, then headed back to his desk. I stepped into the car, pressed the first level down, the level I expected cars to arrive on, and waited what seemed like a long time for the doors to close.

As they did, I was expecting to see a hand poke through the gap, a latecomer. Nothing happened, and I put it down to a television moment.

There were three basement levels, and for a moment, I let my imagination run wild and considered the possibility that there were more levels. Of course, there was no indication on the control panel that there were any other floors, and I’d yet to see anything like it in reality.

With a shake of my head to return to reality, the car arrived, the doors opened, and I stepped out.

A car pulled up, and the driver stepped out, went around to the rear of his car, and pulled out a case. I half expected him to throw me the keys, but the instant glance he gave me told him he was not the concierge, and instead he brushed past me like I wasn’t there.

He bashed the up button several times impatiently and cursed when the doors didn’t open immediately. Not a happy man.

Another car drove past on its way down to a lower level.

I looked up and saw the CCTV camera, pointing towards the entrance, visible in the distance. A gate that lifted up was just about back in position, then clunked when it finally closed. The footage from the camera would not prove much, even if it had been working, because it didn’t cover the lift lobby, only what was in the direction of the car entrance.

The doors to the other elevator car opened, and a man in a suit stepped out.

“Can I help you, sir? You seem lost.”

Security, or something else. “It seems that way. I went to the elevator lobby, got in, and it went down rather than up. I must have been in the wrong place.”

“Lost it is, then, sir.” I could hear the contempt for Americans in his tone. “If you will accompany me, please.”

He put out a hand ready to guide me back into the elevator. I was only too happy to oblige him. There had been a sign near the button panel that said the basement levels were only to be accessed by the guests.

Once inside, he turned a key and pressed the lobby button. The doors closed, and we went up. He stood, facing the door, not speaking. A few seconds later, he was ushering me out to the lobby.

“Now, sir, if you are a guest…”

“Actually, I’m looking for one. She called me and said she would be staying in this hotel and to come down and visit her. I was trying to get to the sixth floor.”

“Good. Let’s go over to the desk and see what we can do for you.”

I followed him over to the reception desk, where he signalled one of the clerks, a young woman who looked and acted very efficiently, and told her of my request, but then remained to oversee the proceeding.

“Name of guest, sir?”

“Merriweather, Anne. I’m her brother, Alexander.” I reached into my coat pocket and pulled out my passport to prove that I was who I said I was. She glanced cursorily at it.

She typed the name into the computer, and then we waited a few seconds while it considered what to output. Then, she said, “That lady is not in the hotel, sir.”

Time to put on my best-confused look. “But she said she would be staying here for the week. I made a special trip to come here to see her.”

Another puzzled look from the clerk, then, “When did she call you?”

An interesting question to ask, and it set off a warning bell in my head. I couldn’t say today, it would have to be the day she was supposedly taken.

“Last Saturday, about four in the afternoon.”

Another look at the screen, then, “It appears she checked out Sunday morning. I’m afraid you have made a trip in vain.”

Indeed, I had. “Was she staying with anyone?”

I just managed to see the warning pass from the suited man to the clerk. I thought he had shown an interest when I mentioned the name, and now I had confirmation. He knew something about her disappearance. The trouble was, he wasn’t going to volunteer any information because he was more than just hotel security.

“No.”

“Odd,” I muttered. “I thought she told me she was staying with a man named Vladimir something or other. I’m not too good at pronouncing those Russian names. Are you sure?”

She didn’t look back at the screen. “Yes.”

“OK, now one thing I do know about staying in hotels is that you are required to ask guests with foreign passports their next destination, just in case they need to be found. Did she say where she was going next?” It was a long shot, but I thought I’d ask.

“Moscow. As I understand it, she lives in Moscow. That was the only address she gave us.”

I smiled. “Thank you. I know where that is. I probably should have gone there first.”

She didn’t answer; she didn’t have to, her expression did that perfectly.

The suited man spoke again, looking at the clerk. “Thank you.” He swivelled back to me. “I’m sorry we can’t help you.”

“No. You have more than you can know.”

“What was your name again, sir, just in case you still cannot find her?”

“Alexander Merriweather. Her brother. And if she is still missing, I will be posting a very large reward. At the moment, you can best contact me via the American Embassy.”

Money is always a great motivator, and that thoughtful expression on his face suggested he gave a moment’s thought to it.

I left him with that offer and left. If anything, the people who were holding her would know she had a brother, that her brother was looking for her, and equally that brother had money.

…

© Charles Heath – 2018-2025

Top 5 sights on the road less travelled – Pristina

Beyond the Beaten Path: 5 Unique Things to Do in Pristina Off the Road Less Travelled

When most travellers think of Pristina, Kosovo’s capital often appears as a quick stopover—somewhere you pass through en route to mountains, monasteries, or ancient towns. But those who linger discover a city pulsing with youthful energy, raw history, and hidden cultural gems just beneath the surface. While the Newborn Monument and the National Library are well-worth a visit, true authenticity lies beyond the guidebook checklists.

For the curious explorer who craves unique experiences, local life, and a deeper connection with the city’s soul, here are five unforgettable things to do in Pristina—off the beaten path and away from the tourist trail.

1. Explore Graffiti Lane: Pristina’s Open-Air Street Art Gallery

Tucked behind the National Gallery of Kosovo on Rruga Gani Koci, you’ll find a narrow, unassuming alley that bursts with colour, rebellion, and storytelling. Locally known as Graffiti Lane, this urban canvas is Kosovo’s most vibrant street art hub, where local and international artists use spray paint to express political commentary, cultural pride, and personal dreams.

Unlike curated galleries, this space evolves constantly. One week you might see a tribute to Ibrahim Rugova, Kosovo’s former president; the next, a surreal portrait of a woman wearing traditional pletë (embroidered headdress) morphing into a galaxy.

Pro Tip: Visit in the late afternoon when local artists often hang around to touch up their work—strike up a conversation. You might walk away with a new friend and a deeper understanding of Kosovo’s post-war identity.

2. Sip Traditional Rakia at a Hidden Family-Owned Konoba

Forget fancy rooftop bars (though Pristina has those too). For a taste of real Kosovar hospitality, head to Konoba Kalaja—a cozy, stone-walled tavern tucked into the hillside of the Old Town district, near the remains of Pristina Castle.

This isn’t a tourist trap; it’s a family-run eatery where time slows down. Wooden beams, clay pots, and flickering candles set the mood as you’re served homemade rakia (a strong fruit brandy) and slow-cooked dishes like tava kosi (baked lamb with yogurt) or grilled qebapa (seasoned minced meat sausages).

Locals bring their grandfathers here. The owner, Gjergj, might pull out a two-string lahuta and sing a folk tune if you’re lucky. There’s no menu in English—just point, smile, and trust the kitchen. This is how Kosovo feeds its soul.

3. Join a Local Philosopher on a “Coffee & Conversation” Walk

In a city where university students outnumber skyscrapers, intellectual conversation is part of the culture. Through local community initiatives like Qendra Multimedia, you can sign up for a unique experience: a guided “philosophy walk” led by university students or professors.

Over slow-sipping espressos at tucked-away cafés like Cafe Du Coin or Pompik, you’ll discuss everything from Kosovo’s nation-building challenges to existentialism, all while strolling through quiet neighbourhoods like Velania or Lagjja Çnarama.

It’s not a tour—it’s a dialogue. And it might just be the most human connection you make on your entire trip.

4. Discover Forgotten Trains at the Abandoned Railway Station

On the outskirts of Pristina, hidden behind wild grass and graffiti-tagged fences, lies a relic of a bygone era: the city’s disused railway station. Once part of a regional Balkan rail network, the station has been inactive for decades, but its decaying platforms, rusted tracks, and crumbling waiting rooms tell a poignant story of missed connections and unrealised potential.

Urban explorers and photographers love this spot. Wander among silent freight cars overtaken by vines, peer into abandoned ticket booths where dust coats vintage typewriters, and imagine Pristina as a crossroads of Yugoslav-era travel.

Note: This is not an official tourist site—visit respectfully and safely. Early morning or late afternoon light makes for the most hauntingly beautiful photos.

5. Attend an Underground Live Music Night at Pulp

Tucked inside a repurposed printing house in central Pristina, Pulp is more than a bar—it’s a cultural heartbeat. By day, it’s a café with indie books and artisan coffee. By night, it transforms into Kosovo’s most authentic live music venue, hosting a diverse range of acts, from jazz trios and experimental electronic sets to punk bands and spoken word poetry.

The crowd is young, local, and politically aware. Performances are intimate—sometimes just a mic and a guitar in a room that holds fifty people max. There’s no cover charge, but donations keep the lights on.

Check their Facebook page before you go; nights are irregular, but if you catch one, you’re witnessing Kosovo’s creative resistance in real time.

Final Thoughts: Pristina Reveals Itself Slowly

Pristina doesn’t dazzle at first glance. Its charm is in the cracks—in the laughter over a shared bottle of rakia, the poetry scrawled on an alley wall, the silent echo of a train track that once led everywhere.

The top five attractions on any standard list will show you the city’s face. But these five offbeat experiences? They’ll let you feel its pulse.

So next time you’re in Pristina, skip the crowded cafés on Mother Teresa Boulevard. Turn down a narrow street, say “yes” to an invitation you don’t fully understand, and let the real Kosovo welcome you in.

Traveler’s Checklist:

  • Wear comfortable shoes for Graffiti Lane and the old station.
  • Bring small bills for konobas and donations at Pulp.
  • Learn a few Albanian phrases—“Faleminderit” (thank you) goes a long way.
  • Respect local customs—especially in family-run spaces.

Pristina isn’t just a destination. It’s a conversation. Come ready to listen.

“Sunday in New York”, a romantic adventure that’s not a walk in the park!

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact that his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend that casts a small element of doubt in his mind.

From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just several small, interconnecting events, when piled on top of each other, point to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints at impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovers piece by piece, damning evidence that she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence are about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

…

Purchase:

http://tinyurl.com/Amazon-SundayInNewYork

365 Days of Writing, 2026 – 203

Day 203 – Writer’s challenges

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The Writer’s Tightrope: Navigating the Unique Challenges of Humour, Sci-Fi, Thrillers, and Mystery

Every genre of fiction comes with its own unwritten social contract between the author and the reader. When you pick up a sci-fi novel, you agree to board the spaceship. When you open a cozy mystery, you accept that a body is about to drop in a quiet English village.

However, honouring that contract is easier said than done. Writers constantly walk a tightrope, balancing on the edge of reader expectations. How far can you push the envelope before a reader rolls their eyes and puts the book down? How do you manipulate a reader’s reaction without telegraphing your punches? And, most importantly, when do you ask the reader to suspend their disbelief, versus when do you have to assume their reaction?

Let’s dive into the distinct challenges of writing humour, science fiction, thrillers, mysteries, and detective novels, and explore the psychological dance between author and audience.

1. Science Fiction: Building Bridges Over the Abyss of Disbelief

Science fiction is the ultimate test of the reader’s willingness to suspend disbelief. By definition, sci-fi asks the audience to accept things that do not exist—faster-than-light travel, sentient AI, alien biology, or dystopian societal collapses.

The Challenge: The “Threshold of Credibility”

If a writer changes too many laws of physics or logic all at once, the reader experiences cognitive overload and checks out.

  • Suspension of Disbelief: Sci-fi writers rely heavily on Samuel Taylor Coleridge’s concept of the “willing suspension of disbelief for the moment, which constitutes poetic faith.” To achieve this, authors use the “Doorstop Rule” or internal consistency. You can invent magical technology (like a warp drive), but once you establish the rules of that technology, you cannot break them just to get your characters out of a tight spot.
  • Assuming the Reaction: A sci-fi writer must assume the reader’s reaction to the mundane will mirror their own. If humanity has been living on Mars for three centuries, how do they curse? What do they eat? If the author assumes the reader can extrapolate these details from familiar human experiences, the futuristic world instantly feels grounded.

2. Humour: The Most Fragile Genre in Print

Humour is arguably the hardest genre to write because comedy is entirely subjective. What has one reader howling with laughter might leave another stone cold.

The Challenge: Timing on the Printed Page

Unlike stand-up comedians who can use pauses, facial expressions, and tone of voice, a humour writer only has black ink on white paper.

  • Suspending Belief in Comedy: Absurdist or satirical humour often requires the reader to suspend disbelief regarding logic. Think of Douglas Adams’ The Hitchhiker’s Guide to the Galaxy, where the improbability drive turns attackers into a bowl of petunias and a sperm whale. The reader must accept the sheer madness of the universe.
  • Assuming the Reaction: Humour writers must accurately predict reader reactions. Comedy relies on subverting expectations (the “rule of three” or the comedic pivot). If the writer assumes the reader will zig, but the reader zags too early, the punchline falls flat. The challenge is meticulously controlling the rhythm of the sentence so the reader’s internal monologue delivers the punchline with the exact right cadence.

3. Thrillers: The Art of Manufactured Anxiety

Thrillers are adrenaline-fueled rollercoasters. Whether it’s a political conspiracy, a ticking-time-bomb scenario, or a psychological cat-and-mouse game, the goal is to keep the heart rate elevated.

The Challenge: Pacing and Plausibility Fatigue

In a thriller, the protagonist is often subjected to an escalating series of impossible obstacles. If the stakes are too low, the reader gets bored. If the danger escalates too wildly without respite, the reader experiences “plausibility fatigue.”

  • Suspending Disbelief: Readers of thrillers are generally forgiving of high-octane action sequences (think of the Jack Reacher or Jason Bourne series), provided the pacing is fast enough that they don’t have time to stop and think, Wait, how did he survive that explosion? The momentum of the plot does the heavy lifting for the suspension of disbelief.
  • Assuming the Reaction: Thriller writers constantly anticipate the reader’s psychological reaction—specifically, dread, curiosity, and relief. The author sets up a trap, assumes the reader will feel a sense of impending doom, and then delivers a twist. If the writer misjudges the reader’s reaction, a supposed “shocking twist” becomes predictable, draining all the thrill out of the novel.

4. Mysteries and Detective Novels: Playing Chess with the Reader

While thrillers focus on action and survival, mysteries and detective novels focus on intellect and truth. These genres operate like a complex puzzle box.

The Challenge: Fair Play vs. Absolute Deception

The golden rule of the classic detective novel (popularised by Agatha Christie and the Detection Club) is “fair play.” The reader must have access to the exact same clues as the detective.

  • Suspending Belief in Detectives: Modern readers often have to suspend a bit of disbelief regarding the sheer volume of murders that seem to follow amateur sleuths around (looking at you, Jessica Fletcher from Murder, She Wrote). Furthermore, classic hard-boiled detective novels require us to accept a deeply cynical, hyper-competent private eye who can take a severe beating in Chapter 3 and be fully functional by Chapter 4.
  • Assuming the Reaction: This is where the detective writer’s job becomes a psychological chess match. The writer must deeply understand human psychology and reader bias. They rely on the reader making assumptions (such as confirmation bias or misdirected suspicion) to hide the identity of the killer in plain sight. If the writer assumes the reader will suspect the butler, they might deliberately frame the butler to create a red herring, playing directly into the reader’s preconceived notions of genre tropes.

Suspension of Disbelief vs. Reader Assumption: Two Sides of the Same Coin

When examining these diverse genres, we see that writing is fundamentally an act of empathy. The writer is constantly asking:

  1. “What do I need them to believe?” (Suspension of disbelief—accepting dragons, warp drives, or impossibly brilliant detectives).
  2. “How do I expect them to react?” (Reader assumption—laughing at a joke, holding their breath during a chase scene, or gasping at a plot twist).

If you ask too much suspension of disbelief without grounding the emotional reality of the characters, the story feels fake. If you fail to accurately assume the reader’s emotional and intellectual reaction, the story falls flat—either becoming predictable (in mysteries/thrillers), confusing (in sci-fi), or unfunny (in humour).

Conclusion

Ultimately, mastering these genres requires a delicate touch. A great writer doesn’t just throw impossible scenarios at a page or hope a joke lands; they carefully calibrate the reader’s psychology. By respecting the unspoken contract of the genre while skillfully managing what the reader believes—and how they will react—authors can craft unforgettable stories that resonate long after the final page is turned.

Are you working on a manuscript right now? Which genre do you find the hardest to balance—keeping the reader believing, or predicting their emotional reaction? Let us know in the comments below!

…

The cinema of my dreams – I always wanted to write a war story – Episode 47

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination with what happened during the second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

——

Johannesen went to find Wallace.  He had seen Jackerby leave the castle alone, which couldn’t be a good thing.  He had also noticed most of the Resistance members had gone too and had considered going back to the dungeons,

If he had been picking team members, Jackerby would not have been one of them.  He might act British and speak perfect British English, but he was a Nazi at heart, perhaps more Nazi than the Nazis’

It was not unsurprising.  The file Wallace had on him along with one for all of them, wasn’t exactly describing a life of roses.  His grandparents were German, and the British had killed them during the first world war.  There was no doubting he had based his whole life on one day avenging them, and this war had given him the opportunity.

To be a wolf in sheep’s clothing.

Johannesen guessed that was an apt description of him.  He was a devoted follower of Mosley and the English Fascists, openly supporting Hitler until it came to choosing a side.  That was easy, become part of a fifth column, Worthing from within.

And when the Reich became the all-powerful country when they won the war, there would be a position for him, a war hero.

Losing the war hadn’t figured in the story, but despite the successes, there were more failures, and tactical errors, like trying to invade Russia, and he could see that it was going to be the reason Germany lost.  Superior weapons were not going to staunch the losses, and it was only a matter of time.

The time he would use to figure out how not to get shot as a spy and somehow get back on the other side.

But, not today.

Wallace was trying a new wine, have the same thirst for wine, but not as swill as those Resistance members like Leonardo, a deep-colored red.

“You should try a glass, Johannes.  It’s an exceptional vintage.”  He picked up the bottle and looked at the label, then cleaning the dust off the label, said, “1907 no less.  Bastards never sold any of this to us to try.  We should liberate the cellar, and share it with our compatriots after the war.  At a price, of course.”

Like all the soldiers he’d met along the way, always looking to make a profit.  Goering and Hitler steal all the paintings, they were talking about the wine.  What did the people finish up with?

“Not really a red man, sir.”

“That’s because you’ve never had one like this.”

“Why not.”

Wallace poured him a glass.

Johannesen sipped it.  Wallace was right, it was better than any other he had tasted, not that he could really remember the last time he had the opportunity.

“It is quite good, sir.”

“It is.  You know Jackerby says you are a double agent, which is pretty rich coming from him.  Strictly speaking, if wouldn’t be a double agent, but a triple agent, if that was the case.  You’re not, are you?”

The smile on Wallace’s face didn’t extend to the eyes.  He was not amused, or annoyed.

Just fishing.

“That’s the problem with our situation.  We’ve been lying to everyone for so long, that it’s hard t tell what is the truth and what isn’t.  At the moment, the British don’t know where my allegiances lie, they think I’m the sleeper in this group, and Atherton, well, he’s not sure if that’s the case or not.  No doubt Jackerby told you about my trip to the dungeons to get the woman to talk.  Jackerby offers the big stick and that isn’t going to work on these people.  She’ll die before she gives up any secrets.  They all will.  And by all accounts that breute Leonardo was executing her compatriots in front of her to make her talk, and all they are is dead, and we’re no closer to anything.  What do you think I am?”

“Clever.  But that isn’t going to be my problem in,” he looked at his watch, “two hours.  We have a new commander, and a few more people arriving to weed out this elusive Atherton and the few resistance that’s left.  People higher than me want Meyer returned to Germany.  Whatever you are, Johannesen, you might have to plead your case to someone else far less understanding.”  He stood.  “Enjoy the wine.  It might be your last.”

Reading between the lines, Johannesen got the impression Wallace no longer cared what happened.  For all of them, it had been a long war, and it was dragging on with no success in sight.

And it was becoming abundantly clear he picked the wrong side.  Now, all that was going to happen was that he would end up in the crossfire.  Perhaps he had known all along that the German notion that no one could ever be trusted, that everyone should be treated as a traitor first, was going to be the death of all of them.

He had no doubt the new arrivals would be Waffen SS, battle-hardened, and sent on this mission as a sort of holiday.  They would find Atherton and the remnants very quickly and snuff out a problem Jackerby couldn’t.

Or, if Jackerby knew the Waffen SS was coming, had he left, knowing his loyalties would be called into question.  Pure German soldiers versus double agents, Johannesen knew who’d he believe first.

For the first time, Johannesen knew he was not going to see the end of this war, or that Germany had any hope of winning.

He needed a plan of escape, and that woman in the dungeons was the only one who could help him.

——-

© Charles Heath 2020-2022

‘What Sets Us Apart’ – A beta reader’s view

There’s something to be said for a story that starts like a James Bond movie, throwing you straight in the deep end, a perfect way of getting to know the main character, David, or is that Alistair?

A retired spy, well, not so much a spy as a retired errand boy, David’s rather wry description of his talents, and a woman that most men would give their left arm for, not exactly the ideal couple, but there is a spark in a meeting that may or may not have been a setup.

But as the story progressed, the question I kept asking myself was why he’d bother.

And, page after unrelenting page, you find out.

Susan is exactly the sort of woman to pique his interest.  Then, inexplicably, she disappears.  That might have been the end of it, but Prendergast, that shadowy enigma, David’s ex-boss who loves playing games with real people, gives him an ultimatum: find her or come back to work.

Nothing like an offer that’s a double-edged sword!

A dragon for a mother, a sister he didn’t know about, Susan’s BFF who is not what she seems or a friend indeed, and Susan’s father, who, up till David meets her, couldn’t be less interested, his nemesis proves to be the impossible dream, and he’s always just that one step behind.

When the rollercoaster finally came to a halt, and I could start breathing again, it was an ending that was completely unexpected.

I’ve been told there’s a sequel in the works.

Bring it on!

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The book can be purchased here:  http://amzn.to/2Eryfth

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The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 48

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new installment of an old feature, and we’re back on the treasure hunt.

—

Here’s the thing. Should I tell Boggs about the Ormiston’s?

Should I tell him that there was more than one lake?

Should I wait until I’d looked at the information that had been stored away? From the way Gwen was talking, no one had looked at Ormiston’s papers since the day they were deposited in the library, except perhaps Gwen herself.

And it helped that Gwen would not give any meaningful assistance to Alex Benderby or any of his cohorts. It seemed all she had given them was the briefest outline of the Ormiston story. She obviously didn’t mention that Ormiston had left anything behind.

Two tasks that I added to a list were, firstly, to start looking at old newspaper archives in the area for anything on Ormiston’s fruitless searches for the treasure, and find out, if possible, whether he works with a map of any sort. Nadia had mentioned the possibility of the pirate captain keeping a journal. Had he seen it, even owned it one time?

There was also the impression that Boggs’ father was not the only one involved with searching for the treasure. He had a map and it looked quite old. Was it possible it had been handed down from father to son, and just to take it a little further, had Ormiston and Boggs’ grandfather been rivals or cohorts? Indeed, a question for Boggs when I saw him.

Secondly, I would have to go around the various churches in the county and see what I could find about Ormiston’s relations. I would not be the only one, Alex would have people out there now doing just that. Whilst that information would be available at the County’s capital, but I knew from experience when I was looking into my own family’s history, getting information out of them was costly and time-consuming.

That was for my own family. Looking for someone else would, no doubt, be might in impossible, considering privacy regulations. There was more chance of gleaning information from tombstones in church graveyards the getting it from the local government.

It was a thought consuming exercise, considering everything after just a short talk with Gwen, and, about to cross a road to retrieve my bicycle, two things happened. The first, I was nearly run over and had only a blaring horn scaring me half to death as a timely warning, and second, the chance sighting of what looked like a man following me. He thought he’d managed to duck out of the way quick enough, but he hadn’t. It was the red check shirt that gave him away. Perhaps if he had been dressed more conservatively, I might have missed him.

I should have remembered that Alex wanted both me and Boggs followed.

Now he would know I went to the library, and if anyone asked, I hoped Gwen would not give away what we had been talking about.

It brought up another moment, one that sent a shudder through me. Had he seen me come and go to Nadia? I hadn’t seen anyone, and I was careful in both coming and going.

Now I would have to be even more careful.

As I checked before crossing the road towards the bicycle rack, I saw the man again, not exactly trying to hide the fact he was following me. At least I now had an advantage.

I delayed the arrival home until I knew my mother would have left for work. I’d worry about explaining myself to her later.

Boggs was waiting for me, sitting on the front steps to the house, absorbed by a new game on his phone. He looked up as I dropped my bike on the ground. I’d need it soon to go to work, and it was easier just to leave it outside the front door.

He had as combative look on his face, the sort he wore when things weren’t going his way. I was not sure if there was anything more I could have done for him. For a few years now, I had tried to be the best friend I could, and in the circumstances, I tried to be there for him. It was not as if I didn’t share his situation also being without a father, but the way in which we lost him was not the same as Boggs.

Perhaps in the last few days, or weeks, I’d changed a little, getting a job, whereas Boggs had no interest in doing so, and interacting with more and different people. Even just being with Nadia, even though it was a very bad idea, made a difference.

It was time that Boggs grew up and started taking some responsibility. It was just a case of I not wanting to be the one to tell him. So, in the meantime, I would just have to tolerate his attitude.

“What was more important than going to check on the other river.”

He decided to tackle me head-on. The truth is I forgot we were supposed to be going there this morning. It would not have happened if I hadn’t stayed with Nadia, but I wasn’t going to be able to use her as an excuse.

I decided to be nice and deflect his implied criticism. “Hello, and how are you?”

“Yada, yada. Now that you have a job, we have only a few hours every day to get stuff done. I could do this on my own, but I thought you would like to be included. In fact, you said that you needed something to liven up what was a very dull existence.”

I had, but that was before I got the job.

“Maybe you should try and get a job too. I’m sure that the treasure is not likely to be going anywhere.”

“You can’t be sure that Benderby or the Cossatino’s are not hot on the trail right now. Unless you saw something last night to the contrary.”

I was hoping he wouldn’t bring that up. No such luck. “Alex is going around in circles, and I’m not sure what the Cossatino’s think because they originally came up with the idea of selling fake maps which means they have no real idea where it is, a fact you told me.”

“Be that as it may for the Cossatino’s, but Alex is no fool.”

“Alex is a fool, Boggs. He was a fool as school, and just little more than a thug in a suit now. And like the people he hangs out with, and like Vince, if you look closely, they all lack the acumen of their fathers, and they are not necessarily running point for their families, I suspect neither Alex nor Vince had told their respective fathers of what they’re up to.”

That mollified him a little, but he was still looking combative.

“We still should be concentrating our efforts.”

“Well in that respect I have been doing some digging. What do you know about a man called Ormiston?”

It was like the sun just went behind a cloud.

…

© Charles Heath 2020

In a word: Quick

Go get your stuff and be quick about it.

I’ve tried on many occasion to be quick, but it’s like my shoes have lead soles, or it’s like walking through water.

Perhaps I should just stop finding excuses and admit it’s old age and I am slowing down!

I’m guessing that in using the expression the quick and the dead, I’ve got one foot in the grave.

But when you use the word quick it generally means moving fast or doing something at a rapid rate.

It could also refer to someone who picks up knowledge rapidly, that is to say, that boy is quick, maybe as quick as a flash.

I’ve been cut to the quick. An interesting expression which basically means you’ve been hurt very badly.

It also makes reference to the more sensitive side of us, hence the above expression.

It has a more literal meaning, referring to the quick, under your fingernails, and you know how much that hurts when you cut the nail too short, or remove the nail from the quick.

And like most of us, I’ve been caught more than once in metaphorical quicksand.

It doesn’t pay to go near or test out what real quicksand is, but if you have to, make sure you tie yourself to an anchored rope first.