Writing a book in 365 days – 259

Day 259

Writing Exercise

That was it, she realised, the dress was torn and there was nothing to be done.

It made no sense to her why Brenda Cartwright and her group of mean girls would want to wreck any chance of her appearing at the Prom because she had no date, and she wasn’t going to stay long. The dress, well, she had found it at a shop where there were a few old dresses, and she had used her dressmaking skills to improve it.

It hardly competed with Brenda or any of them. They had rich parents.

It was a slow walk from the front door to the bus stop outside the school. She had arrived late anyway and was the last to arrive. Oddly, Brenda had been waiting for her.

Again, why?

About ten minutes passed, while she debated with herself whether she would call her brother or her father. Her mother didn’t drive at night. Perhaps best if she didn’t. Her brother would go in and probably get arrested for assaulting Brenda. Her father would also make a ‘scene’ and be told to leave. No point in either of them coming.

Then a stretch limousine pulled up at the bus stop. The driver got out and opened the passenger’s door. She hadn’t seen the cart before, and she was intrigued.

“Milly? What aren’t you inside with the others?”

“Jason. The Mayor’s son. I used to attend the school but left mid-year to attend another one. Or perhaps it was because he was accused of beating up Roger Richardson, the school bully. And best friends with Brenda.

“Had a run-in with Brenda.” She showed him the rip in the dress and that it was irreparable.

“She hasn’t changed then?” He sat down beside her.

She ignored that and asked, “Why are you here. You left.”

“I did. But someone sent me a message to say it would be to my advantage if I turned up. How could I turn down such an offer? Perhaps it was you?”

“Me? No. Don’t care much. Last year and all, college awaits.”

“Still want to go?”

She looked him up and down. “In this?” The dress was ruined.

“I think we can do something about that. There’s a box in the car. You can change into it; no one will see you, and Jenkins will stay outside and ensure your privacy. I’ll wait here.”

“No tricks?”

“Definitely.”

It was a difficult choice. She didn’t really trust anyone, but it seemed too good to be true. Just a quick look then. How could he possibly know what side she was, anyway?

“Alright. No peeking.”

“You have my word.”

She gave Jenkins a long, hard stare, then peered through the windows but couldn’t see in. She shrugged and got in the back. She shut the door and looked over the other side at the box.

A dress box with red ribbon.

She took off the lid, and there was the most exquisite white dress she had ever seen. A very expensive dress.

Then, with a sigh and a shrug, she changed into it. If they were peeking, they would only see her in her underwear. which was rather old-fashioned.

10 minutes after getting in, she got out, stood and smoothed out the invisible wrinkles, and found that it fitted perfectly.

“How did you know my size?”

“Your fairy Godmother told me.”

“How long have you had it? You could not have got something like this in the last hour or so, so what is this all about?”

“It was simply an idea I had a while back. I was going to ask you to the prom, but I didn’t get around to it, and then my father dragged me out of school. I was always coming back, and was on my way to see you at home, but again it was too late. I saw what Brenda did, and then just waited, trying to work up the courage.”

“All you had to do was ask. No one did.”

“If only I had the courage.”

“Well, now you have to ask me.”

He took a deep breath and then said, “Millicent Thayer, would you go to the prom with me?”

She smiled. “Of course I would. if only to see Brenda’s face. She’s going to have a pink fit.”

It might be more than that. I had told her the last time I’d seen her that if I ever returned, her family and she, particularly, were going to be in a great deal of trouble. It had taken an army of private investigators, but I’d finally got proof she was responsible for what happened to my sister, and the reason why we left.

Two state police cars went past, on their way to the school.

That was my cue.

“Then let’s see what a pink fit looks like.”

©  Charles Heath  2025


An excerpt from “The Things We Do for Love”; In love, Henry was all at sea!

In the distance, he could hear the dinner bell ringing and roused himself.  Feeling the dampness of the pillow, and fearing the ravages of pent-up emotion, he considered not going down but thought it best not to upset Mrs. Mac, especially after he said he would be dining.

In the event, he wished he had reneged, especially when he discovered he was not the only guest staying at the hotel.

Whilst he’d been reminiscing, another guest, a young lady, had arrived.  He’d heard her and Mrs. Mac coming up the stairs and then shown to a room on the same floor, perhaps at the other end of the passage.

Henry caught his first glimpse of her when she appeared at the door to the dining room, waiting for Mrs. Mac to show her to a table.

She was in her mid-twenties, slim, with long brown hair, and the grace and elegance of a woman associated with countless fashion magazines.  She was, he thought, stunningly beautiful with not a hair out of place, and make-up flawlessly applied.  Her clothes were black, simple, elegant, and expensive, the sort an heiress or wife of a millionaire might condescend to wear to a lesser occasion than dinner.

Then there was her expression; cold, forbidding, almost frightening in its intensity.  And her eyes, piercingly blue and yet laced with pain.  Dracula’s daughter was his immediate description of her.

All in all, he considered, the only thing they had in common was, like him, she seemed totally out of place.

Mrs. Mac came out of the kitchen, wiping her hands on her apron.  She was, she informed him earlier, chef, waitress, hotelier, barmaid, and cleaner all rolled into one.  Coming up to the new arrival she said, “Ah, Miss Andrews, I’m glad you decided to have dinner.  Would you like to sit with Mr. Henshaw, or would you like to have a table of your own?”

Henry could feel her icy stare as she sized up his appeal as a dining companion, making the hair on the back of his neck stand up.  He purposely didn’t look back.  In his estimation, his appeal rating was minus six.  Out of a thousand!

“If Mr. Henshaw doesn’t mind….”  She looked at him, leaving the query in mid-air.

He didn’t mind and said so.  Perhaps he’d underestimated his rating.

“Good.”  Mrs. Mac promptly ushered her over.  Henry stood, made sure she was seated properly and sat.

“Thank you.  You are most kind.”  The way she said it suggested snobbish overtones.

“I try to be when I can.”  It was supposed to nullify her sarcastic tone but made him sound a little silly, and when she gave him another of her icy glares, he regretted it.

Mrs. Mac quickly intervened, asking, “Would you care for the soup?”

They did, and, after writing the order on her pad, she gave them each a look, imperceptibly shook her head, and returned to the kitchen.

Before Michelle spoke to him again, she had another quick look at him, trying to fathom who and what he might be.  There was something about him.

His eyes, they mirrored the same sadness she felt, and, yes, there was something else, that it looked like he had been crying?  There was a tinge of redness.

Perhaps, she thought, he was here for the same reason she was.

No.  That wasn’t possible.

Then she said, without thinking, “Do you have any particular reason for coming here?”  Seconds later she realized she’d spoken it out loud, had hadn’t meant to actually ask, it just came out.

It took him by surprise, obviously not the first question he was expecting her to ask of him.

“No, other than it is as far from civilization, and home, as I could get.”

At least we agree on that, she thought.

It was obvious he was running away from something as well.

Given the isolation of the village and lack of geographic hospitality, it was, from her point of view, ideal.  All she had to do was avoid him, and that wouldn’t be difficult.

After getting through this evening first.

“Yes,” she agreed.  “It is that.”

A few seconds passed, and she thought she could feel his eyes on her and wasn’t going to look up.

Until he asked, “What’s your reason?”

Slightly abrupt in manner, perhaps, because of her question and how she asked it.

She looked up.  “Rest.  And have some time to myself.”

She hoped he would notice the emphasis she had placed on the word ‘herself’ and take due note.  No doubt, she thought, she had completely different ideas of what constituted a holiday than he, not that she had said she was here for a holiday.

Mrs. Mac arrived at a fortuitous moment to save them from further conversation.

Over the entree, she wondered if she had made a mistake coming to the hotel.  Of course, there had been no conceivable way she could know that anyone else might have booked the same hotel, but realized it was foolish to think she might end up in it by herself.

Was that what she was expecting?

Not a mistake then, but an unfortunate set of circumstances, which could be overcome by being sensible.

Yet, there he was, and it made her curious, not that he was a man, by himself, in the middle of nowhere, hiding like she was, but for quite varied reasons.

On discreet observance, whilst they ate, she gained the impression his air of light-heartedness was forced, and he had no sense of humour.

This feeling was engendered by his looks, unruly dark hair, and permanent frown.  And then there was his abysmal taste in clothes on a tall, lanky frame.  They were quality but totally unsuited to the wearer.

Rebellion was written all over him.

The only other thought crossing her mind, and incongruously, was he could do with a decent feed.  In that respect, she knew now from the mountain of food in front of her, he had come to the right place.

“Mr. Henshaw?”

He looked up.  “Henshaw is too formal.  Henry sounds much better,” he said, with a slight hint of gruffness.

“Then my name is Michelle.”

Mrs. Mac came in to take their order for the only main course, gather up the entree dishes, and then return to the kitchen.

“Staying long?” she asked.

“About three weeks.  Yourself?”

“About the same.”

The conversation dried up.

Neither looked at the other, rather at the walls, out the window, towards the kitchen, anywhere.  It was, she thought, unbearably awkward.

Mrs. Mac returned with a large tray with dishes on it, setting it down on the table next to theirs.

“Not as good as the usual cook,” she said, serving up the dinner expertly, “but it comes a good second, even if I do say so myself.  Care for some wine?”

Henry looked at Michelle.  “What do you think?”

“I’m used to my dining companions making the decision.”

You would, he thought.  He couldn’t help but notice the cutting edge of her tone.  Then, to Mrs. Mac, he named a particular White Burgundy he liked, and she bustled off.

“I hope you like it,” he said, acknowledging her previous comment with a smile that had nothing to do with humour.

“Yes, so do I.”

Both made a start on the main course, a concoction of chicken and vegetables that were delicious, Henry thought when compared to the bland food he received at home and sometimes aboard my ship.

It was five minutes before Mrs Mac returned with the bottle and two glasses.  After opening it and pouring the drinks, she left them alone again.

Henry resumed the conversation.  “How did you arrive?  I came by train.”

“By car.”

“Did you drive yourself?”

And he thought, a few seconds later, that was a silly question, otherwise she would not be alone, and certainly not sitting at this table. With him.

“After a fashion.”

He could see that she was formulating a retort in her mind, then changed it, instead, smiling for the first time, and it served to lighten the atmosphere.

And in doing so, it showed him she had another more pleasant side despite the fact she was trying not to look happy.

“My father reckons I’m just another of ‘those’ women drivers,” she added.

“Whatever for?”

“The first and only time he came with me I had an accident.  I ran up the back of another car.  Of course, it didn’t matter to him the other driver was driving like a startled rabbit.”

“It doesn’t help,” he agreed.

“Do you drive?”

“Mostly people up the wall.”  His attempt at humour failed.  “Actually,” he added quickly, “I’ve got a very old Morris that manages to get me where I’m going.”

The apple pie and cream for dessert came and went and the rapport between them improved as the wine disappeared and the coffee came.  Both had found, after getting to know each other better, their first impressions were not necessarily correct.

“Enjoy the food?” Mrs. Mac asked, suddenly reappearing.

“Beautifully cooked and delicious to eat,” Michelle said, and Henry endorsed her remarks.

“Ah, it does my heart good to hear such genuine compliments,” she said, smiling.  She collected the last of the dishes and disappeared yet again.

“What do you do for a living,” Michelle asked in an off-hand manner.

He had a feeling she was not particularly interested, and it was just making conversation.

“I’m a purser.”

“A what?”

“A purser.  I work on a ship doing the paperwork, that sort of thing.”

“I see.”

“And you?”

“I was a model.”

“Was?”

“Until I had an accident, a rather bad one.”

“Oh, I’m sorry.”

So that explained the odd feeling he had about her.

As the evening wore on, he began to think there might be something wrong, seriously wrong with her because she didn’t look too well.  Even the carefully applied makeup, from close, didn’t hide the very pale, and tired look, or the sunken, dark-ringed eyes.

“I try not to think about it, but it doesn’t necessarily work.  I’ve come here for peace and quiet, away from doctors and parents.”

“Then you will not have to worry about me annoying you.  I’m one of those fall-asleep-reading-a-book types.”

Perhaps it would be like ships passing in the night and then smiled to himself about the analogy.

Dinner over, they separated.

Henry went back to the lounge to read a few pages of his book before going to bed, and Michelle went up to her room to retire for the night.

But try as he might, he was unable to read, his mind dwelling on the unusual, yet compellingly mysterious person he would be sharing the hotel with.

Overlaying that original blurred image of her standing in the doorway was another of her haunting expressions that had, he finally conceded, taken his breath away, and a look that had sent more than one tingle down his spine.

She may not have thought much of him, but she had certainly made an impression on him.

© Charles Heath 2015-2024

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In a word: Rabbit

Have you ever heard of someone rabbiting on, you know, endlessly rattling on about nothing?

That’s just one use of the word rabbit.

The most obvious is the animal, a rabbit.  You know, that burrowing, plant-eating, long-eared, short-tailed animal that goes by the name of Bugs Bunny, maybe.

Nearly every child has a stuffed, cuddly one.

Of course, it’s of some significance at the moment because it’s Easter, and there are countless chocolate versions of the so-called Easter bunny.

Then there is that 6-foot-high invisible rabbit called Harvey, or not necessarily a rabbit, but a pookah.

We use the expression rabbit ears to describe those old interior television antennas.

There’s rabbit stew, rabbit pie, and white rabbit beer.

But my favorite is when the magician pulls the proverbial rabbit out of a hat.  It’s an expression we also use for someone who pulls off an impossible task.

“One Last Look”, nothing is what it seems

A single event can have enormous consequences.

A single event driven by fate, after Ben told his wife Charlotte he would be late home one night, he left early, and by chance discovers his wife having dinner in their favourite restaurant with another man.

A single event where it could be said Ben was in the wrong place at the wrong time.

Who was this man? Why was she having dinner with him?

A simple truth to explain the single event was all Ben required. Instead, Charlotte told him a lie.

A single event that forces Ben to question everything he thought he knew about his wife, and the people who are around her.

After a near-death experience and forced retirement into a world he is unfamiliar with, Ben finds himself once again drawn back into that life of lies, violence, and intrigue.

From London to a small village in Tuscany, little by little Ben discovers who the woman he married is, and the real reason why fate had brought them together.

It is available on Amazon here:  http://amzn.to/2CqUBcz

“Trouble in Store” – Short stories my way: Adding more to the second part

The story fleshed out for the second section, discussed in Point of View

 

Annalisa looked at the two men facing her, a shopkeeper who, despite his protestations, was a dealer, and the other man, a customer scared shitless.

The poor bastard was not the only one scared. 

It was meant to be simple, arrive at the shop just before closing, force the shopkeeper to hand over the shit, and leave.

What had happened?

The shopkeeper laughed at them and  told them to get out.  Simmo started ranting and waving the gun around, then all of a sudden collapsed. 

There was a race for the gun which spilled out of Simmo’s hand, and she won.  No more arguments, the shopkeeper was getting the stuff when the customer burst into the shop.

This was worse than any bad hair day, or getting out of the wrong side of bed day, this was, she was convinced, the last day of her life.

Her mother said she would never amount to anything, and here she was with a drug addict coming apart because she had been cut off from her money and could no longer pay for his supply, which had led them to this inevitable ending.

She heard a strange sound come from beside her and looked down.  Simmo was getting worse, like he had a fever, and was moaning.

 

If Alphonse had thought his day was going to get any better after the delivery disaster earlier that day, he was wrong.

If he thought he could maintain his real business and his under the counter business with no one finding out, in that he was wrong too.  He’s know, inevitably, some useless punk would come and do exactly what Simmo was doing.

It might have been salvageable before the customer came in the door, but now it was not.  The customer had heard the words, and given him ‘the look’.  A drug addict telling the cops he was a dealer, it was his word against an  unreliable addict, but this local chap, he had that air of respectability the cops would listen too.

Damn.

But he had to try and salvage the situation, there was a lot of money involved, and other people depending on him.  He looked at the boy, on the floor, then  the girl.

“Listen to me, young lady, I have no idea what you are talking about.  Please, put the gun down before someone gets hurt.  Your friend needs medical help and I can call an ambulance.”

The girl switched her attention back to him.  “Shut up, let me think.  Shit.”

The storekeeper glanced over at the customer.  He’s been in once or twice, probably lived in the neighborhood, but looked the sort who’d  prefer to be anywhere but in his shop.  More so now.  If only he hadn’t burst in when he did.  He would have the gun, called the police, and brazened his way out of trouble.  Now, that remedy was off the table.

Now he had to deal with the fallout, especially if the girl started talking.

 

 

 

© Charles Heath 2016-2020

Memories of the conversations with my cat – 95

As some may be aware, but many are not, Chester, my faithful writing assistant, mice catcher, and general pain in the neck, passed away some years ago.

Recently, I was running a series based on his adventures, under the title of Past Conversations with my cat.

For those who have not had the chance to read about all of his exploits, I will run the series again from Episode 1

These are the memories of our time together…

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This is Chester.

He realizes we are now part of a different world driven by the events surrounding the COVID 19 virus.

The grandchildren are here while their parents are working, and they are going to school remotely, that is one is in the kitchen and one is in the dining room, remotely linked to their school, teachers, and classmates.

Chester finds this interesting because they are not trying to find him, so, he’s come out to see what they’re doing.

First, he jumps up on the dining table and sits next to the 13-year-old. She is hard at work. I hear him ask if there is anything he can help with given his vast knowledge of everything.

There’s a universal greeting from 30 others, and he tries to find where all the other people are. No, it’s not hide and seek, they’re all online she tries to tell him.

No, doesn’t get it. They must be in the room somewhere. And he’s suddenly miffed that he can’t find them, and then that his assistance is not required.

All too much to cope with, he comes out to join the 10-year-old sitting at the kitchen table. She had headphones on and doesn’t hear him.

This time he sits on the floor and looks up thinking, if they can’t see him, he’s not there. She ignores him. I don’t think mathematics is his strong point.

So, he wanders into the office, planning to annoy me.

I find some headphones and put them on. He gets the message, no interruptions today, everyone is hard at work.

A sigh, then he goes to his corner and lies down on his bed, yawns and closes his eyes.

I know he’s not asleep. He’s waiting for something to happen, ready to spring into action.

Unless, of course, it’s a mouse.

The Cinema of my dreams – Was it just another surveillance job – Episode 61

This story is now on the list to be finished so over the new few weeks, expect a new episode every few days.

The reason why new episodes have been sporadic, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Things are about to get complicated…


The Detective Inspector came back twenty minutes later.

“Latest news that I can tell you, is both the bodies belong to older people, we think the owner and one other.  They were not in the fire, but some distance from the house.”

“Murdered?”

“People don’t shoot themselves in the back.  They were trying to escape.”

The mother and a friend perhaps.  Anna or someone else cleaning up?  Was she getting ready to leave or gone already?

“No other body?”

“You think someone else was here?”

“Our agent, male, mid-thirties.  He was here the last time I saw him.”

“Not so far, but I’ll tell them to widen the search.”

Had O’Connell escaped, or was he with her, and he was not simply a means to an end?  The facts, as I knew them, didn’t seem to fit that scenario.

What worried me was that Dobbin hadn’t shown up yet.  Could it be he was finally one step behind?  I could only hope so.  I didn’t want to run into him if and when I found Anna.

If Anna and O’Connell were about to leave, it would be reasonable to assume they’d go home, pack then leave.  O’Connell’s flat at the same block where Josephine lived.

When we arrived at the front entrance to the block I had that sensation of being watched.  It was possible Dobbin had the place under surveillance and I cursed myself for not checking to see if there was a back entrance.

I tried to see where the surveillance would be, places I would hide, if not in plain sight, but nothing was readily apparent.  Of course, it could be the paranoia setting in.

If this was what the spy’s life was like, I was beginning to like it less and less.  There were so many lies told by so many people it was impossible to tell what the truth was any more.

But it beat being a clerk in an office any day of the week.

And I didn’t get to work alongside people like Jennifer either.

“You sure we can get into this place.  I’m starting to feel exposed out here.”  She was shivering, because of the cold.

The temperature had dropped considerably in the last half hour.

I entered the code and the door opened.  “Yes.”

I ushered her in and followed, taking a last look outside.  Yes.  Just caught a glimpse of a man on the corner almost out of sight.  He was on his phone, so that would mean we would have minutes rather than enough time to do anything before someone arrived.

Would it be Dobbin, Jan, Monica or Joanne?

The list of interested parties was getting longer.

We almost jogged up the three flights of stairs, then on the landing, I went first, and Jennifer stayed back, gun in hand, ready for anything.

At least I hoped she was.

We were taught how to pick almost any lock in the shortest [possible time.  Of course, in practice, when not under pressure, you could do it in seconds.

Now, because of the cold, my hands were slightly numb, and the pressure was mounting so things didn’t quite work the way they should, it took longer.  A minute whereas in practice, seconds.

I drew my gun and opened the door carefully.

Nothing but darkness.

We had prearranged that Jennifer would wait outside until I gave her an all-clear, or if I didn’t come back in two minutes she should come in after me.

I went in but left the door ajar.  Closed, fumbling to open it in a panic would get me killed.  Little details.

Silence.

There didn’t appear to be anyone in the flat.  Remembering the layout, I headed towards the passage leading to the bedroom, and about half way across the room, I kicked my foot into something.

A body?

I went back and switched on the light.

A body indeed.

O’Connell.

Dead, a bullet to the head.

© Charles Heath 2020-2023

Writing a book in 365 days – 258

Day 258

The use of real people as characters.

The Muse Next Door: Weaving Real Life into Your Fiction (Pros & Cons)

As writers, we’re constantly searching for inspiration. Sometimes it strikes like lightning, a fully formed idea bursting forth. More often, though, our wellspring of creativity is much closer than we think: it’s the rich, messy, beautiful tapestry of real life itself.

The question then becomes: how much of that life – the people we know, the experiences we’ve had – should we actually weave into our stories? It’s a powerful tool, but like any powerful tool, it comes with a user manual that highlights both its immense benefits and its potential pitfalls.

Let’s explore the pros and cons of drawing directly from real people and personal experiences for your characters and plots.

The Allure of Authenticity: The Pros

There’s a reason so many authors look to their own lives and the people around them. The benefits are substantial:

  1. Authenticity and Relatability: Real life has a texture that’s hard to invent. When you base a character on someone you know, or a plot on an event you’ve lived through, you bring an immediate sense of truth and lived experience to the page. Readers are incredibly astute; they can often feel when a character or situation rings true, and this fosters a deeper connection.
  2. Rich Detail and Nuance: Ever tried to describe a facial twitch or an odd habit from scratch? It’s tough. But if you’re picturing your eccentric Aunt Carol, those details come naturally. Real people are complex, contradictory, and full of fascinating quirks that can make your fictional characters leap off the page in a way pure invention sometimes struggles to achieve.
  3. Emotional Resonance: When you write about an experience you’ve had, or channel the emotions you’ve witnessed in someone else, that raw feeling seeps into your words. This can create powerful, moving scenes that deeply affect your readers because the emotion is rooted in a genuine place.
  4. Overcoming Writer’s Block: Stuck on character motivation? Can’t figure out how a scene should unfold? Sometimes, recalling how a real person reacted in a similar situation, or remembering the actual sequence of events, can provide the perfect springboard to get your story moving again.
  5. A Wellspring of Conflict: Life is full of conflict – big and small. The annoying neighbor, the family squabble, the quiet tension in a relationship. These everyday conflicts, when amplified or subtly altered, can form the backbone of incredibly compelling plots.

The Treacherous Territory: The Cons

While the well of reality is deep, it’s also fraught with potential dangers.

  1. Ethical & Privacy Concerns: This is the biggest hurdle. When you base characters on real people, you risk:
    • Hurting Feelings: Friends, family, or even acquaintances might recognize themselves – or parts of themselves – and feel exposed, misrepresented, or betrayed.
    • Legal Repercussions: While less common for fiction, if you depict someone in a negative, identifiable way that could be proven false and damaging, you could face libel or defamation charges. (Though usually, fiction is protected if it’s not directly claiming to be fact).
    • Breaching Trust: Once you start writing about people you know, they might become wary of sharing personal details with you in the future.
  2. Creative Constraints: Sticking too close to reality can actually limit your creativity.
    • Lack of Arc: Real people don’t always have satisfying story arcs. Their lives are often meandering, and if you simply copy, your character might feel directionless or flat in a fictional context.
    • Predictability: If you’re too faithful to a real person, your character might act exactly as that person would, making their choices and the plot predictable for both you and your readers.
  3. Personal Bias and Emotional Baggage: You can’t write about people you know or experiences you’ve had with true objectivity.
    • Vengeful Writing: It’s tempting to use fiction to “settle scores” or air grievances, but this usually results in one-dimensional characters and a preachy, unengaging narrative.
    • Emotional Overwhelm: Writing about highly personal or traumatic experiences can be emotionally draining and difficult, sometimes re-traumatizing the writer.
  4. Lack of Transformation: The goal of fiction isn’t to create a perfect mirror of reality, but to transform it into something meaningful. Simply transplanting a person or an event often misses the opportunity for deeper exploration, metaphor, or thematic development.
  5. “Who’s That?” Dilemma: For those close to you, reading your work can become a game of “spot the real person,” detracting from their immersion in the story you’re trying to tell.

The Art of Transformation: Making it Work

So, how do you harness the power of real life without falling into its traps? The key is transformation, not transcription.

  1. Mix and Match: Don’t base a character on just one person. Take the biting wit of your colleague, the fashion sense of your cousin, and the deep-seated insecurity of your old high school teacher, and blend them into a completely new entity.
  2. Exaggerate and Subvert: Take a real trait and dial it up to eleven, or flip it on its head. Did your uncle always tell tall tales? What if your character is pathologically honest to a fault?
  3. Change Circumstances: Put familiar people in unfamiliar situations. What would your overly cautious friend do if suddenly faced with an impossible life-or-death choice?
  4. Shift Perspectives: If you’re drawing from a personal experience, try writing it from the perspective of another person involved, or even an outside observer. This creates distance and allows for more objective storytelling.
  5. Focus on the Universal: Instead of replicating a specific argument you had, identify the universal themes within it: miscommunication, pride, fear. Then, build a fictional scenario around those themes.
  6. Ask “What If?”: This is your greatest tool. “What if that person I know, with that specific trait, found themselves in this completely different, fictional situation?”

Conclusion

Our lives are the richest source material we possess. The people we meet, the places we go, and the emotions we feel are the raw ingredients of compelling stories. But like a skilled chef, a writer must know how to select, prepare, and transform those ingredients into something entirely new – a dish that nourishes the reader, stands on its own merits, and respects the origins without being bound by them.

So, open your eyes to the muse next door, but always wield your pen with thought, creativity, and a healthy dose of ethical consideration.

Searching for locations: A bus tour of Philadelphia, USA

The Philadelphia Bus Tour, what we did see

To start with, we first joined this tour at stop number 6.

We had to find it first and that meant some pedestrian navigation, which took us first to the City Hall, a rather imposing structure, which we found later had a profound effect on Philadelphia sports teams.

According to the map, stop number 6 is Reading Terminal Market, Convention Centre, on 12th street on Filbert.  This was where we bought the tickets and boarded the bus that had a rather interesting guide aboard.

His favorite says was “And we’re good to go.”

Soon we would discover that his commentary was more orientated towards a younger audience, not that it bothered us.

Given the time restraints, we had, this was always going to be about looking and learning.

Stop number 7

City hall, Love Park.

This we had seen on our walk from where we left the car at the Free Library, near the Swann Memorial Fountain in Logan Park, the landmark that Rebecca had remembered from her last visit to Philadelphia.  Of course, then, it was not quite so frozen.

Love park, of course, was only notable to us in that it had a sculpture in place with the word Love rather stylized.  Apart from that, you’d hardly know it as a park

The city hall, well, that was something else, and when we looked at it, before going on the tour, it was a rather magnificent stone edifice.

After, well the guide filled us in, tallest building, highest and largest monument on William Penn, you get the gist.  37 feet tall, when eclipsed, the Philly sports teams all suffered slumps of one kind or another, until the problem was rectified.  Interesting story.

Stop number 8

18th Street and the Benjamin Franklin Parkway, or Logan Circle

This is the location of the Cathedral Basilica of Saints Peter and Paul.  A place where the Pope decided to give an audience and sent the city into a spin.

The same church has very high windows for the reason in the early days there was a problem with people wanting to throw Molotov cocktails through the windows.  A bit hard when they’re so high up.

Benjamin Franklin Parkway, of course, is interesting in itself as an avenue, not only for all of the flags of many nations of those who chose to live in Philadelphia.  We found ours, the one for Australia

This was also the stop where we needed to get off once the tour was finished, and time to head to the car, and go home, but that’s another story.

Stop number 10

Is that the stature of the Thinker, made famous, at least for me, from the old Dobie Gillis episodes, of God knows how many years ago?

Or, maybe it’s just the Rodin Museum on Benjamin Franklin Parkway.

There’s a whole story to go with that Statue and the fact it is one of many all over the world.

This one was made in France, cast in 1919 in Bronze, and is approximately 200cm x 130 cm by 140cm.

Stop number 11

Eastern State Penitentiary.  NW corner of 22nd Street and Fairmont Avenue.

This had a rather interesting story attached to it and had something to do with ghosts, but I wasn’t listening properly to the guide’s monologue.

But, later research shows, the fact it was once the most famous and expensive prison in the world.  Many also think it is haunted and is a favorite for visiting paranormal visitors.

Built around 1829, it was the first prison to have separate cells for prisoners.  It held, at various times, the likes of Al Capone and Willie Sutt

Stop number 18

The Philadelphia Museum of art, where we stop for a few minutes and look at the steps which were immortalized in the movie Rocky, yes he ran god knows how far to end up on the top of these steps.

Sorry, but I’m not that fit that I would attempt walking up them.  The view is just fine from inside the bus.  Of course, they might consider cleaning the windows a little so the view was clearer, but because it’s basically Perspex and scratched so that might not be possible.

Stop number 17

Back at Logan Circle, or Square if you prefer, but on the other side, closer to the Franklin Institute.  Benjamin Franklin’s name is used a lot in this city.

After that, it’s a blur, the Academy of Music, the University of the Arts, Pennsylvania Hospital, South Street, Vietnam Veterans Memorial, the USS Olympia, Penn’s Landing, and past the National Liberty Museum.  I’m sure somewhere in that blur was the intention of seeing the Liberty Bell, but I think I heard that it was not on show, and only a replica could be seen.

So much for the getting as an opportunity to see the real liberty bell, crack and all..

We get off and stop number 27, or Number 1, I was not quite sure.

What were we after?  The definitive Philly Cheese Steak.

Harry Walthenson, Private Detective – the second case – A case of finding the “Flying Dutchman”

What starts as a search for a missing husband soon develops into an unbelievable story of treachery, lies, and incredible riches.

It was meant to remain buried long enough for the dust to settle on what was once an unpalatable truth, when enough time had passed, and those who had been willing to wait could reap the rewards.

The problem was, no one knew where that treasure was hidden or the location of the logbook that held the secret.

At stake, billions of dollars’ worth of stolen Nazi loot brought to the United States in an anonymous tramp steamer and hidden in a specially constructed vault under a specifically owned plot of land on the once docklands of New York.

It may have remained hidden and unknown to only a few, if it had not been for a mere obscure detail being overheard …

… by our intrepid, newly minted private detective, Harry Walthenson …

… and it would have remained buried.

Now, through a series of unrelated events, or are they, that well-kept secret is out there, and Harry will not stop until the whole truth is uncovered.

Even if it almost costs him his life.  Again.