Category: Creative Writing

In a word: Yellow

It was an easy choice from the start, yellow is a colour, in any number of shades from very pale to very dark.

We have yellow egg yolks, yet another y word, and depending on whether the eggs are farmed in cages or free range can dictate the shade of yellow.  Free-range gives the brightest yellow, by the way.

We have yellow cabs, but oddly enough these cabs are orange, not yellow as in this country, though the same may not be the case overseas, particularly in New York.  Good thing they are bright yellow so you can see them coming if you are crossing the road, perhaps illegally.

We have yellow bananas and lemons, probably the most common answers when asked, what is yellow?  That, and perhaps the yellow rose of Texas.

Then there is a more sinister meaning of the word, and it is associated with cowardice, and cowards are said to have a yellow streak down their backs.

If you have yellow fever then you are in a whole world of pain.

You can sometimes have what appears to be yellow skin, a sign of jaundice.

There is a yellow sea, and then there are the yellow pages, sometimes a substitute name for a telephone directory of businesses.

And lastly, an expression that comes out of the past, and not used so much these days, but people from Asia were thought to have yellow skin.

Another excerpt from ‘Betrayal’; a work in progress

…

My next destination in the quest was the hotel we believed Anne Merriweather had stayed at.

I was, in a sense, flying blind because we had no concrete evidence she had been there, and the message she had left behind didn’t quite name the hotel or where Vladimir was going to take her.

Mindful of the fact that someone might have been following me, I checked to see if the person I’d assumed had followed me to Elizabeth’s apartment was still in place, but I couldn’t see him. Next, I made a mental note of seven different candidates and committed them to memory.

Then I set off to the hotel, hailing a taxi. There was the possibility the cab driver was one of them, but perhaps I was slightly more paranoid than I should be. I’d been watching the queue, and there were two others before me.

The journey took about an hour, during which time I kept an eye out the back to see if anyone had been following us. If anyone was, I couldn’t see them.

I had the cab drop me off a block from the hotel and then spent the next hour doing a complete circuit of the block the hotel was on, checking the front and rear entrances, the cameras in place, and the siting of the driveway into the underground carpark. There was a camera over the entrance, and one we hadn’t checked for footage. I sent a text message to Fritz to look into it.

The hotel lobby was large and busy, which was exactly what you’d want if you wanted to come and go without standing out. It would be different later at night, but I could see her arriving about mid-afternoon, and anonymous among the type of clientele the hotel attracted.

I spent an hour sitting in various positions in the lobby simply observing. I had already ascertained where the elevator lobby for the rooms was, and the elevator down to the car park. Fortunately, it was not ‘guarded’ but there was a steady stream of concierge staff coming and going to the lower levels, and, just from time to time, guests.

Then, when there was a commotion at the front door, what seemed to be a collision of guests and free-wheeling bags, I saw one of the seven potential taggers sitting by the front door. Waiting for me to leave? Or were they wondering why I was spending so much time there?

Taking advantage of that confusion, I picked my moment to head for the elevators that went down to the car park, pressed the down button, and waited.

The was no car on the ground level, so I had to wait, watching, like several others, the guests untangling themselves at the entrance, and an eye on my potential surveillance, still absorbed in the confusion.

The doors to the left car opened, and a concierge stepped out, gave me a quick look, then headed back to his desk. I stepped into the car, pressed the first level down, the level I expected cars to arrive on, and waited what seemed like a long time for the doors to close.

As they did, I was expecting to see a hand poke through the gap, a latecomer. Nothing happened, and I put it down to a television moment.

There were three basement levels, and for a moment, I let my imagination run wild and considered the possibility that there were more levels. Of course, there was no indication on the control panel that there were any other floors, and I’d yet to see anything like it in reality.

With a shake of my head to return to reality, the car arrived, the doors opened, and I stepped out.

A car pulled up, and the driver stepped out, went around to the rear of his car, and pulled out a case. I half expected him to throw me the keys, but the instant glance he gave me told him was not the concierge, and instead brushed past me like I wasn’t there.

He bashed the up button several times impatiently and cursed when the doors didn’t open immediately. Not a happy man.

Another car drove past on its way down to a lower level.

I looked up and saw the CCTV camera, pointing towards the entrance, visible in the distance. A gate that lifted up was just about back in position and then made a clunk when it finally closed. The footage from the camera would not prove much, even if it had been working, because it didn’t cover the life lobby, only in the direction of the car entrance.

The doors to the other elevator car opened, and a man in a suit stepped out.

“Can I help you, sir? You seem lost.”

Security, or something else. “It seems that way. I went to the elevator lobby, got in, and it went down rather than up. I must have been in the wrong place.”

“Lost it is, then, sir.” I could hear the contempt for Americans in his tone. “If you will accompany me, please.”

He put out a hand ready to guide me back into the elevator. I was only too happy to oblige him. There had been a sign near the button panel that said the basement levels were only to be accessed by the guests.

Once inside, he turned a key and pressed the lobby button. The doors closed, and we went up. He stood, facing the door, not speaking. A few seconds later, he was ushering me out to the lobby.

“Now, sir, if you are a guest…”

“Actually, I’m looking for one. She called me and said she would be staying in this hotel and to come down and visit her. I was trying to get to the sixth floor.”

“Good. Let’s go over the the desk and see what we can do for you.”

I followed him over to the reception desk, where he signalled one of the clerks, a young woman who looked and acted very efficiently, and told her of my request, but then remained to oversee the proceeding.

“Name of guest, sir?”

“Merriweather, Anne. I’m her brother, Alexander.” I reached into my coat pocket and pulled out my passport to prove that I was who I said I was. She glanced cursorily at it.

She typed the name into the computer, and then we waited a few seconds while it considered what to output. Then, she said, “That lady is not in the hotel, sir.”

Time to put on my best-confused look. “But she said she would be staying here for the week. I made a special trip to come here to see her.”

Another puzzled look from the clerk, then, “When did she call you?”

An interesting question to ask, and it set off a warning bell in my head. I couldn’t say today, it would have to be the day she was supposedly taken.

“Last Saturday, about four in the afternoon.”

Another look at the screen, then, “It appears she checked out Sunday morning. I’m afraid you have made a trip in vain.”

Indeed, I had. “Was she staying with anyone?”

I just managed to see the warning pass from the suited man to the clerk. I thought he had shown an interest when I mentioned the name, and now I had confirmation. He knew something about her disappearance. The trouble was, he wasn’t going to volunteer any information because he was more than just hotel security.

“No.”

“Odd,” I muttered. “I thought she told me she was staying with a man named Vladimir something or other. I’m not too good at pronouncing those Russian names. Are you sure?”

She didn’t look back at the screen. “Yes.”

“OK, now one thing I do know about staying in hotels is that you are required to ask guests with foreign passports their next destination, just in case they need to be found. Did she say where she was going next?” It was a long shot, but I thought I’d ask.

“Moscow. As I understand it, she lives in Moscow. That was the only address she gave us.”

I smiled. “Thank you. I know where that is. I probably should have gone there first.”

She didn’t answer; she didn’t have to, her expression did that perfectly.

The suited man spoke again, looking at the clerk. “Thank you.” He swivelled back to me. “I’m sorry we can’t help you.”

“No. You have more than you can know.”

“What was your name again, sir, just in case you still cannot find her?”

“Alexander Merriweather. Her brother. And if she is still missing, I will be posting a very large reward. At the moment, you can best contact me via the American Embassy.”

Money is always a great motivator, and that thoughtful expression on his face suggested he gave a moment’s thought to it.

I left him with that offer and left. If anything, the people who were holding her would know she had a brother, that her brother was looking for her, and equally that brother had money.

…

© Charles Heath – 2018-2025

The cinema of my dreams – I always wanted to write a war story – Episode 3

This is a story inspired by a visit to an old castle in Italy. It was, of course, written while travelling on a plane, though I’m not sure if it was from Calgary to Toronto, or New York to Vancouver.

But, there’s more to come. Those were long flights…
And sadly when I read what I’d written, off the plane and in the cold hard light of dawn, there were problems, which now in the second draft, should provide the proper start.

…

There were eleven stormtroopers and Wallace, eighteen in Johansson and Jackerby’s group. One of those would be in the communications centre, leaving, at worst, twenty-nine men out looking for me.

I also assumed that Jackerby would approach the search in much the same manner as I would, the men in pairs, as singly, he knew that I would have an advantage.

Eight pairs would be inside, doing a room-to-room search, from the top down.

Five pairs would be outside, one group in the centre, one group at each of the corners, all working the perimeter, all in constant communication with each other.

In normal circumstances, I would be caught.

These were not normal circumstances.

Jack padded his way just ahead of me, stopping every few yards and both sniffing and listening.  At a junction he would stop, wait, and then make a decision about which way to go.

I had to trust his instincts.

Just ahead of me there was a cracking sound followed by falling rocks and a shaft of light.

An opening in the roof where it was too close to the surface.

Jack went quite still.  Voices.

“Be careful.”  German.

Followed immediately by “Speak in English you fool.  You were saying,”

The man switched to careful English, “Be careful, or you’ll fall down that hole.  They should have told us the ground around here is on top of an old mineshaft.”

“Better, Corporal.  Remember. English at all times.”

“Could be where they buried the bodies hastily before they left.”

The man was referring to the story the previous custodians of the castle had killed about a hundred of the nearby villagers and buried them in a mass grave near the castle.  No one had been able to verify the account, nor had anyone found any skeletal evidence.

Yet.

“Let’s get out of here.  The last thing I want to see is a ghost.”

…

© Charles Heath 2019-2022

“For heaven’s sake…” – a short story

It was a combination of circumstances, not all related, but coming at me out of left field, circumstances that would prevent me from going home when I said I would.

I had every intention of getting there and as a testament to that, I had got to the airport with baggage two hours before departure time and had reached the departure gate with 20 minutes to spare, ready to board the plane.

I’d even got a business class ticket so I could travel in style.

What precipitated the set of circumstances?

A simple phone call. I should have turned the cell phone off five minutes before boarding, but I didn’t because I’d forgotten to, simply because I’d been distracted.

The call was from Penelope, my hard-working and self-sacrificing personal assistant. I had offered to take her with me so we could work on the business plan that had to be presented the day after I was scheduled to return, but she had declined, which, when I thought about it, if she hadn’t, it might have created problems for both of us.

With a huge restructuring going on, I was running behind in getting it completed and had promised to finish it while at home.

The call: to tell me I had left a folder with vital research back on my desk, and she’d come to the airport to deliver it, and she was, in fact, in the terminal building when the boarding call came.

When I met her at the gate, only a few passengers had to be loaded. Being in business class had afforded me a few extra minutes. File delivered, I left her looking exasperated and headed down the boarding ramp.

I was last aboard, and seconds after being seated, the door was closed.

I quickly typed and sent a message to tell everyone I was on the plane, eliciting two responses. My mother was glad that I was finally coming, the other from my elder brother, who said he would believe it when he saw me.

It was not without reason; I’d been in this situation before, on the plane, ready to go.

Last time the plane didn’t leave the gate, a small problem that caused a big delay, so much so, I couldn’t get home.

Not this time. There was a slight lurch as the push tractor started pushing the plane back from the gate. A minute or so later, the pilot fired up the engines, a sure sign of a definite departure. Nothing could stop us now.

It was a reassuring vibration that ran through the plane before the engines settled into a steady whine, a sign of an older plane that had flown many miles in the past and would into the future.

We stopped while the push tractor was disengaged, and then the engines picked up speed and we lurched forward, heading towards the runway for take-off. In some airports, this could take a long time, and tonight it seemed to take forever.

I looked out the window and saw a backdrop of lights against the darkness, but no indication of where we were. It didn’t look like the end of the runway because I could not see any other planes waiting to take off.

Then the engines revved louder for a prolonged period. We didn’t move but remained where we were until the engines returned to what might be called idling speed

It was followed by an announcement from the pilot, “This is the captain speaking. We have encountered an anomaly with one of the engines, so to be on the safe side, we are returning to the gate and will have the engineers have a look at it. I do not anticipate this should take longer than 30 minutes.”

A collective groan went through the aeroplane. Those savvy with these problems would know that the odds were we would not be leaving tonight. The airport curfew would see to that.

But a miracle could still occur.

The plane then started back to the terminal. Another message from the pilot told us we would not be going back to the gate but to a holding area. Time to have a glass of champagne, the steward was offering, before going back to the terminal for an interminable wait.

It seemed the gods did not want me to go back home.

…

When we got back to the parking spot, three buses and four delays later, I headed for one of the several bars to get a drink and perhaps something decent to eat.

Then I saw Penelope, sitting by herself, a glass of champagne sitting half drunk in front of her.

“What are you doing here?” I said as I slid onto the stool beside her.

She started, as if she had been somewhere else, and turned to see who it was. The faraway look turned into a smile when she recognised me. “Getting drunk.”

“I thought you were going home.” A nod in the direction of the bartender, followed by pointing to her glass and indicating I wanted two, got instant service.

“I saw an ex heading to a plane with his latest squeeze. Made me feel depressed. I heard your plane was returning, so I decided to wait. Better to get drunk with someone you know than drink by yourself or someone you don’t. I’ve had three offers already.”

I wasn’t surprised. She was very attractive, the sort of woman who was the most popular at any of the work functions, but what was equally surprising was that she was not with any of those potential suitors. In fact, as far as I knew, she was not in a relationship.

“No one at home to amuse you?” It was not the sort of question I should be asking, because it was really none of my business.

It elicited a sideways glance as if I stepped over an invisible line.

“Sorry, none of my business.”

She finished off the glass in front of her, just as the new round arrived in front of her. I gave the bartender my credit card and asked him to start a tab. I’d just heard that the plane was going to be another two hours before we’d be leaving.

“I live with two other girls, but they are more interested in finding stray men and getting wasted, not necessarily in that order, and that’s not what I want to do.”

“Get wasted or find stray men?”

I was not sure how anyone had the time and inclination to do that, but a few weeks back, I spent two evenings with a friend of mine whose marriage had fallen apart. The people there seemed either desperate or looking for a one-night stand. It had amused me to discover most of them were married, and not divorced, and that the girls knew what to expect.

“Both apparently.”

“How do you expect to find the man of your dreams if you don’t go looking?”

“I am, this place seems as good as any, but the man of my dreams doesn’t exist.”

The bemused expression and the tone of her voice told me she had had more than one drink before I got there. Even then, judging from several previous parties for work we had attended, she had a much greater capacity for alcohol than I had.

She finished off the glass just brought, and seconds later, her eyes seemed glassy. Perhaps it was time for me to put her in a cab and send her home.

“Another,” she said, “and then you can be responsible for me.”

I had no idea what that meant, and I think, judging by the facial expressions, she didn’t really care.

“Perhaps…”

She didn’t let me finish. “Perhaps you should buy me another drink and lighten up.” And the look that came with it told me not to argue the point.

I got the bartender’s attention, and he responded by bringing two fresh glasses and a bottle. I told him to leave it. It gave me a minute or so to contemplate what she meant by ‘lighten up’. I was so used to seeing her work ethic and diligence; this was a different side to her.

I took a sip and could feel her looking at me. A glance took in the near-permanent bemused expression.

“Are you going to be alright getting home?” It was probably not the question I should have asked, but in the back of my mind, there was a recent briefing given to all of the management on the subject of sexual harassment and intra-office romances.

“I’m fine. It’s not as if I do this a lot, but the last week has been difficult. Not only for me but for you, too. But you have to admit you put yourself under a lot of pressure.”

She was starting to sound like my conscience. It was something I’d been thinking about on the way to the airport, but I decided it was part of the job, and I knew when I accepted the position what it would involve. My predecessor, much older than I was, had fallen on his sword, the pressure destroying his marriage and almost his life.

So I said, lamely, “It goes with the job, unfortunately.”

She shook her head. “No, it doesn’t. They might think it does, but they don’t care. They sit in their ivory tower and watch their minions crash and burn. There’s always someone else waiting in the wings to take your place, believe me.”

It was an interesting perspective, but where did it come from? I knew she had been at the corporation for several years, and I had been lucky enough to draw the long straw when having her assigned to me as my PA when I took the position. One of the other executives had lamented my good fortune, but he had also said she was one of the few who were there to guide what higher management considered management prospects.

I just thought I was lucky.

“I might end up in that ivory tower one day.”

“Why?”

She turned to look directly at me. It made me uncomfortable now, as it had on other occasions, and I had begun to think it might have something to do with unspoken feelings. I liked her, but I doubted that it was reciprocated. And, after the lecture on office romances, I promptly put those feelings in the bottom drawer and locked it.

“Doesn’t everyone aspire to be the best and climb to the top of the corporate ladder?”

“For that, you have to be devious and ruthless, and from what I’ve seen, you’re neither. You’ve heard the expression ‘good guys come last’. It’s true.”

I was guessing that from the people she had worked for, she had firsthand experience. My predecessor was a ‘good guy’, and some said he was eaten alive by the office predators. I knew who they were and avoided them. Perhaps she knew something I didn’t, but when would she have told me? Not tonight, no one could have predicted the plane would break down.

“You’re telling me this now, why?”

“You’re smarter than all of those above you put together. You don’t need them, but they need you. But you won’t get any concessions, not until you get near the top. By then, you will have had to sell your soul to the devil.”

Good to know, on one hand, I was about to sell my soul to the devil, and on the other, that I was smart, just not smart enough to see the wolves in sheep’s clothing.

I noticed she hadn’t touched the latest glass of champagne. Nor was she the languid barfly she’d pretended to be earlier.

“You’re advice, if I’m listening correctly, is that I should be looking for another job.”

“Actually, you shouldn’t be listening to me at all. Too many drinks and I pontificate. Some people become happy, I become,” she shrugged, “unhappy. Take no notice.” She swung around to the front and picked up the glass.

“OK.” I turned around to look at the departures board to see that my flight had been cancelled, and that I should go to the check-in counter. “My plane is completely broken, so it looks like I’m staying here.”

“Or you could take me to dinner.” She looked sideways again, the bemused expression back.

“Wouldn’t that be inappropriate?”

“Only if you were in upper management, married, and asking me to have an affair. Last I looked, you’re not in upper management, not married, so there’s no hint of an affair. For heaven’s sake, it’s only dinner.”

She was right on all counts, and it was only dinner.

“Why not?” I said, more to myself than to her.

“Good. And you’d better get me on the plane too. We need to get that report done, and it’ll be an excuse to stay at a hotel. I know you wouldn’t want to stay in your old room at your parents’ house.”

She was right about that, too. I had long outgrown them, and staying at home would only lead to arguments. “How could you possibly know that?”

She smiled. “You talk in your sleep.”

…

© Charles Heath 2021-2025

The 2am Rant: Betwixt metaphorical houses

It’s like working in two offices, one uptown, and one downtown.

I have two blogs, this one, and another which is purely for writing, and generally, a lot of starts and not a lot of finishes. I get ideas, and it’s a place to store them, and give a few people some amusement at my, sometimes, improbable situations and far-fetched stories.

Here I try to be more serious.

I have the ceiling, the cinema of my dreams. Here anything is possible, like jumping from a helicopter about to explode, and survive, and get out of a sinking ship, like Houdini. Of course, there is always one time when it doesn’t work, and Houdini knows that all too well.

Over there, I have a series which I started here, long ago, where I take a photograph and write a story inspired by it. The interesting thing about that is I could probably use the same photograph over and over, and it would inspire a different tale.

I know, if I was running a writing class, everyone would see that photograph differently.

But what amazes me sometimes is the fact the story is not directly related to the theme. It got me thinking about how we view our experiences, and what triggers memories. I’ve discovered that it doesn’t necessarily happen by correlation, say, for instance, a memory of being in New York might be triggered by a visit to a cafe in Cloncurry.

I try to do one of these every day, but sometimes it’s hard work. Writing itself can be some days, particularly when the words are lurking there, behind that invisible, impenetrable, rock wall.

OK, so I’m stuck in the middle of writing a piece over there, and I’ve come over here to whinge.

But, enough. I’ll let you know what the cinema of my dreams is showing, later.

Writing a book in 365 days – 346

Day 346

How to Keep Your Writing Fresh – Ditch the Clichés (and Use a Few Sparingly, If You Must)

Introduction

We’ve all been there: you sit down to write a blog, a sales email, or a novel chapter, and before you know it your prose is peppered with phrases like “think outside the box,” “at the end of the day,” or “the sky’s the limit.” Clichés feel safe because they’re familiar, but they also signal lazy thinking, dilute your voice, and can even turn readers off.

So how do you keep your writing crisp, original, and engaging? And if a cliché is the perfect punchline for a specific moment, how can you wield it without sounding trite? Below is a practical, step‑by‑step guide to help you banish the overused and, when necessary, deploy a cliché with surgical precision.

1. Know What a Cliché Actually Is

DefinitionWhy It’s Problematic
A phrase, idea, or trope that has been overused to the point of losing its original impact.It signals a lack of original thought, can feel generic, and often triggers “mental fatigue” in readers.

Key takeaway: Not every familiar phrase is a cliché. Idioms (“break a leg”) and widely accepted terminology (“search engine optimization”) are fine when they serve a clear purpose.

2. Identify the Clichés in Your Own Writing

  1. Read Aloud – Hearing the words forces you to notice rhythm and repetition.
  2. Highlight “Red Flags” – Words like obviously, basically, in today’s fast‑paced world, think outside the box, win-win.
  3. Use a Cliché Detector
    • Online tools (e.g., Cliché Finder or ProWritingAid).
    • Browser extensions that underline overused phrases in real time.

Pro tip: Keep a personal “cliché cheat sheet.” Whenever you catch yourself reaching for a tired phrase, jot it down and replace it later.

3. Replace, Not Remove – Strategies for Fresh Alternatives

ClichéWhy It’s OverusedFresh Alternative
“Think outside the box”Corporate buzzword“Explore unconventional angles”
“At the end of the day”Conversational filler“Ultimately” or “When all is said and done”
“The sky’s the limit”Over‑optimistic hype“The possibilities are endless”
“In today’s fast‑paced world”Generic time‑setter“In an era of rapid change”

How to Generate Alternatives:

  • Ask “Why?” – What’s the core idea? Answer that directly.
  • Swap nouns and verbs – Replace box with a concrete image relevant to your niche.
  • Use vivid sensory language – “The horizon expands before us” feels more poetic than “the sky’s the limit.”

4. Embrace Specificity Over Generality

Bad: “She was very happy.”
Good: “She beamed, her eyes sparkling like sunrise on the lake.”

Specific details make the scene vivid, leaving no room for lazy shorthand.

5. When a Cliché Is the Perfect Fit – Use It Sparingly & Strategically

Sometimes a cliché can act as an anchor—a shared cultural reference that instantly connects you with readers. If you decide to keep one, follow these guidelines:

5.1. Make It Contextual

  • Tie it to your unique narrative.
    • Example: Instead of the generic “It’s a win‑win situation,” write, “Our partnership is a win‑win: you get a 20 % discount, and we gain a long‑term client who loves our eco‑friendly packaging.”

5.2. Add a Twist

  • Subvert expectations.
    • Example: “We told the team to think outside the box—but first, we built a bigger box.”
    • This acknowledges the cliché, then flips it, showing cleverness.

5.3. Pair It With Strong Imagery

  • Bolster the cliché with fresh description.
    • Example: “At the end of the day, the city lights flickered like fireflies caught in a jar, reminding us that even the busiest streets need moments of calm.”

5.4. Limit Frequency

  • One per paragraph, maximum two per piece.
    • This keeps the impact high without overwhelming the reader.

6. Practice Exercise: Rewrite the Cliché‑Heavy Paragraph

Original (cliché‑laden):

“In today’s fast‑paced world, businesses need to think outside the box if they want to stay ahead. At the end of the day, it’s all about delivering value and creating win‑win solutions for customers and shareholders alike.”

Revised (cliché‑free):

“In an era of rapid change, companies must explore unconventional strategies to maintain a competitive edge. Ultimately, success hinges on delivering genuine value and forging mutually beneficial relationships with both customers and investors.”

What Changed?

  • Replaced “fast‑paced world” with “era of rapid change.”
  • Swapped “think outside the box” for “explore unconventional strategies.”
  • Substituted “at the end of the day” with “ultimately.”
  • Turned “win‑win solutions” into “mutually beneficial relationships.”

7. Checklist Before Publishing

  •  Did I scan for common clichés?
  •  Have I replaced every red‑flag phrase with a specific, vivid alternative?
  •  If a cliché remains, does it serve a strategic purpose?
  •  Have I added a twist or unique imagery to that cliché?
  •  Is the overall tone consistent with my brand voice?

Conclusion

Clichés are the linguistic equivalent of fast food: instantly satisfying but nutritionally lacking. By actively identifying, replacing, and only strategically preserving a few, you’ll elevate your writing from “just okay” to “memorable.”

Remember: your words are a reflection of your thought process. The more original they are, the more credibility you earn with every sentence. So next time you feel the urge to lean on a tired phrase, pause, dig deeper, and craft something that truly belongs to you—cliché or not.

Happy writing!

Feel free to share your favourite “cliché‑with‑a‑twist” in the comments below.

Top 5 sights on the road less travelled – Pristina

Beyond the Beaten Path: 5 Unique Things to Do in Pristina Off the Road Less Travelled

When most travellers think of Pristina, Kosovo’s capital often appears as a quick stopover—somewhere you pass through en route to mountains, monasteries, or ancient towns. But those who linger discover a city pulsing with youthful energy, raw history, and hidden cultural gems just beneath the surface. While the Newborn Monument and the National Library are well-worth a visit, true authenticity lies beyond the guidebook checklists.

For the curious explorer who craves unique experiences, local life, and a deeper connection with the city’s soul, here are five unforgettable things to do in Pristina—off the beaten path and away from the tourist trail.

1. Explore Graffiti Lane: Pristina’s Open-Air Street Art Gallery

Tucked behind the National Gallery of Kosovo on Rruga Gani Koci, you’ll find a narrow, unassuming alley that bursts with colour, rebellion, and storytelling. Locally known as Graffiti Lane, this urban canvas is Kosovo’s most vibrant street art hub, where local and international artists use spray paint to express political commentary, cultural pride, and personal dreams.

Unlike curated galleries, this space evolves constantly. One week you might see a tribute to Ibrahim Rugova, Kosovo’s former president; the next, a surreal portrait of a woman wearing traditional pletë (embroidered headdress) morphing into a galaxy.

Pro Tip: Visit in the late afternoon when local artists often hang around to touch up their work—strike up a conversation. You might walk away with a new friend and a deeper understanding of Kosovo’s post-war identity.

2. Sip Traditional Rakia at a Hidden Family-Owned Konoba

Forget fancy rooftop bars (though Pristina has those too). For a taste of real Kosovar hospitality, head to Konoba Kalaja—a cozy, stone-walled tavern tucked into the hillside of the Old Town district, near the remains of Pristina Castle.

This isn’t a tourist trap; it’s a family-run eatery where time slows down. Wooden beams, clay pots, and flickering candles set the mood as you’re served homemade rakia (a strong fruit brandy) and slow-cooked dishes like tava kosi (baked lamb with yogurt) or grilled qebapa (seasoned minced meat sausages).

Locals bring their grandfathers here. The owner, Gjergj, might pull out a two-string lahuta and sing a folk tune if you’re lucky. There’s no menu in English—just point, smile, and trust the kitchen. This is how Kosovo feeds its soul.

3. Join a Local Philosopher on a “Coffee & Conversation” Walk

In a city where university students outnumber skyscrapers, intellectual conversation is part of the culture. Through local community initiatives like Qendra Multimedia, you can sign up for a unique experience: a guided “philosophy walk” led by university students or professors.

Over slow-sipping espressos at tucked-away cafés like Cafe Du Coin or Pompik, you’ll discuss everything from Kosovo’s nation-building challenges to existentialism, all while strolling through quiet neighbourhoods like Velania or Lagjja Çnarama.

It’s not a tour—it’s a dialogue. And it might just be the most human connection you make on your entire trip.

4. Discover Forgotten Trains at the Abandoned Railway Station

On the outskirts of Pristina, hidden behind wild grass and graffiti-tagged fences, lies a relic of a bygone era: the city’s disused railway station. Once part of a regional Balkan rail network, the station has been inactive for decades, but its decaying platforms, rusted tracks, and crumbling waiting rooms tell a poignant story of missed connections and unrealised potential.

Urban explorers and photographers love this spot. Wander among silent freight cars overtaken by vines, peer into abandoned ticket booths where dust coats vintage typewriters, and imagine Pristina as a crossroads of Yugoslav-era travel.

Note: This is not an official tourist site—visit respectfully and safely. Early morning or late afternoon light makes for the most hauntingly beautiful photos.

5. Attend an Underground Live Music Night at Pulp

Tucked inside a repurposed printing house in central Pristina, Pulp is more than a bar—it’s a cultural heartbeat. By day, it’s a café with indie books and artisan coffee. By night, it transforms into Kosovo’s most authentic live music venue, hosting a diverse range of acts, from jazz trios and experimental electronic sets to punk bands and spoken word poetry.

The crowd is young, local, and politically aware. Performances are intimate—sometimes just a mic and a guitar in a room that holds fifty people max. There’s no cover charge, but donations keep the lights on.

Check their Facebook page before you go; nights are irregular, but if you catch one, you’re witnessing Kosovo’s creative resistance in real time.

Final Thoughts: Pristina Reveals Itself Slowly

Pristina doesn’t dazzle at first glance. Its charm is in the cracks—in the laughter over a shared bottle of rakia, the poetry scrawled on an alley wall, the silent echo of a train track that once led everywhere.

The top five attractions on any standard list will show you the city’s face. But these five offbeat experiences? They’ll let you feel its pulse.

So next time you’re in Pristina, skip the crowded cafés on Mother Teresa Boulevard. Turn down a narrow street, say “yes” to an invitation you don’t fully understand, and let the real Kosovo welcome you in.

Traveler’s Checklist:

  • Wear comfortable shoes for Graffiti Lane and the old station.
  • Bring small bills for konobas and donations at Pulp.
  • Learn a few Albanian phrases—“Faleminderit” (thank you) goes a long way.
  • Respect local customs—especially in family-run spaces.

Pristina isn’t just a destination. It’s a conversation. Come ready to listen.

“Sunday in New York”, a romantic adventure that’s not a walk in the park!

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend, that casts a small element of doubt in his mind.

From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just a number of small, interconnecting events, when piled on top of each other, points to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints of impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovered piece by piece damning evidence she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence is about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

Purchase:

http://tinyurl.com/Amazon-SundayInNewYork

Top 5 sights on the road less travelled – Valetta

Discover Valletta’s Hidden Gems: A Road Less Travelled Through Malta’s Capital

If you’ve ever visited Valletta, you know it’s a city of grandeur: a UNESCO World Heritage site with Baroque splendour, ancient fortresses, and sweeping sea views. But beyond the bustling Barrakka Gardens and the famed St. John’s Co-Cathedral lies a Valletta waiting to be discovered—one filled with quiet courtyards, local secrets, and lesser-known stories. For travellers seeking an off-the-beaten-path experience, here are five extraordinary ways to explore a different side of this Maltese gem.

1. Step into Valletta’s Creative Heart: St. James Cavalier Centre for Creativity

Tucked into a centuries-old Inquisitor’s Palace, the St. James Cavalier Centre for Creativity is a vibrant hub of contemporary art, culture, and community. Originally built in the 16th century, this striking white fortress was once a prison and a site of secret executions. Today, it’s transformed into a lively arts venue, hosting exhibitions, street food festivals, and live performances. Wander through its hidden courtyards and sun-dappled archways, where the past and present collide. It’s a must-visit for artists, history buffs, and anyone craving Valletta’s modern soul.

2. Unearth History Beneath Your Feet: Valletta Underground Tour

Did you know Valletta is built atop a network of ancient tunnels and hidden chambers? The Mysterious Valletta Tour offers a fascinating journey into the city’s subterranean secrets. Follow your guide through forgotten catacombs, medieval wine cellars, and wartime bunkers, learning how these underground spaces shaped Malta’s history. It’s a cool (literally) alternative to the city’s sunlit streets—and perfect for curious minds.

3. Savour the Quiet: Lower Barrakka Gardens

While the Upper Barrakka Gardens are a beloved panoramic spot, the Lower Barrakka Gardens offer a quieter, more intimate view of the Grand Harbour. Less crowded and steeped in history, these gardens were once a secret meeting place for merchants and dignitaries. Stroll through the lush, sunlit pathways, enjoy the distant lapping of waves, and snap a photo without the backdrop of crowds.

4. Explore Dark History: The Inquisitor’s Palace

For a gripping dive into Malta’s religious and legal past, the Inquisitor’s Palace is a hauntingly fascinating stop. This 16th-century fortress served as the seat of the Catholic Inquisition in Malta, and its eerie cells and torture chambers provide a sobering glimpse into a turbulent era. While it’s a bit off the typical tourist circuit, the exhibits and guided tours offer rich storytelling and a chance to reflect on Malta’s complex history.

5. Wander Local Lanes: Strada San Domenico and Triq l-Antika

Swap the well-trodden Royal Road for a meander through Strada San Domenico, a charming artisans’ street filled with workshops for glassblowers, weavers, and chocolate makers. Nearby, Triq l-Antika (Antique Street) is a narrow lane bursting with tiny shops selling Maltese lace, handmade soaps, and vintage souvenirs. For lunch, duck into a family-run café like Café Rui or Café del Sol and savour pastizzi (Maltese pastries) and strong Malta coffee, just like the locals do.

Conclusion: Valletta’s Delightful Detours

Valletta thrives on balance—its grandeur and its intimacy, its history and its innovation. By venturing beyond the well-known landmarks, you’ll uncover a city that’s rich in culture, stories, and small-town charm. Whether you’re exploring hidden gardens, sipping coffee in artisan lanes, or descending into ancient tunnels, Valletta’s road less travelled promises unforgettable memories. So next time you’re in Malta’s capital, let curiosity lead the way.

Ready to explore Valletta’s hidden side? Pack your walking shoes and an adventurous spirit—there’s more to discover than meets the eye!

Writing a book in 365 days – 346

Day 346

How to Keep Your Writing Fresh – Ditch the Clichés (and Use a Few Sparingly, If You Must)

Introduction

We’ve all been there: you sit down to write a blog, a sales email, or a novel chapter, and before you know it your prose is peppered with phrases like “think outside the box,” “at the end of the day,” or “the sky’s the limit.” Clichés feel safe because they’re familiar, but they also signal lazy thinking, dilute your voice, and can even turn readers off.

So how do you keep your writing crisp, original, and engaging? And if a cliché is the perfect punchline for a specific moment, how can you wield it without sounding trite? Below is a practical, step‑by‑step guide to help you banish the overused and, when necessary, deploy a cliché with surgical precision.

1. Know What a Cliché Actually Is

DefinitionWhy It’s Problematic
A phrase, idea, or trope that has been overused to the point of losing its original impact.It signals a lack of original thought, can feel generic, and often triggers “mental fatigue” in readers.

Key takeaway: Not every familiar phrase is a cliché. Idioms (“break a leg”) and widely accepted terminology (“search engine optimization”) are fine when they serve a clear purpose.

2. Identify the Clichés in Your Own Writing

  1. Read Aloud – Hearing the words forces you to notice rhythm and repetition.
  2. Highlight “Red Flags” – Words like obviously, basically, in today’s fast‑paced world, think outside the box, win-win.
  3. Use a Cliché Detector
    • Online tools (e.g., Cliché Finder or ProWritingAid).
    • Browser extensions that underline overused phrases in real time.

Pro tip: Keep a personal “cliché cheat sheet.” Whenever you catch yourself reaching for a tired phrase, jot it down and replace it later.

3. Replace, Not Remove – Strategies for Fresh Alternatives

ClichéWhy It’s OverusedFresh Alternative
“Think outside the box”Corporate buzzword“Explore unconventional angles”
“At the end of the day”Conversational filler“Ultimately” or “When all is said and done”
“The sky’s the limit”Over‑optimistic hype“The possibilities are endless”
“In today’s fast‑paced world”Generic time‑setter“In an era of rapid change”

How to Generate Alternatives:

  • Ask “Why?” – What’s the core idea? Answer that directly.
  • Swap nouns and verbs – Replace box with a concrete image relevant to your niche.
  • Use vivid sensory language – “The horizon expands before us” feels more poetic than “the sky’s the limit.”

4. Embrace Specificity Over Generality

Bad: “She was very happy.”
Good: “She beamed, her eyes sparkling like sunrise on the lake.”

Specific details make the scene vivid, leaving no room for lazy shorthand.

5. When a Cliché Is the Perfect Fit – Use It Sparingly & Strategically

Sometimes a cliché can act as an anchor—a shared cultural reference that instantly connects you with readers. If you decide to keep one, follow these guidelines:

5.1. Make It Contextual

  • Tie it to your unique narrative.
    • Example: Instead of the generic “It’s a win‑win situation,” write, “Our partnership is a win‑win: you get a 20 % discount, and we gain a long‑term client who loves our eco‑friendly packaging.”

5.2. Add a Twist

  • Subvert expectations.
    • Example: “We told the team to think outside the box—but first, we built a bigger box.”
    • This acknowledges the cliché, then flips it, showing cleverness.

5.3. Pair It With Strong Imagery

  • Bolster the cliché with fresh description.
    • Example: “At the end of the day, the city lights flickered like fireflies caught in a jar, reminding us that even the busiest streets need moments of calm.”

5.4. Limit Frequency

  • One per paragraph, maximum two per piece.
    • This keeps the impact high without overwhelming the reader.

6. Practice Exercise: Rewrite the Cliché‑Heavy Paragraph

Original (cliché‑laden):

“In today’s fast‑paced world, businesses need to think outside the box if they want to stay ahead. At the end of the day, it’s all about delivering value and creating win‑win solutions for customers and shareholders alike.”

Revised (cliché‑free):

“In an era of rapid change, companies must explore unconventional strategies to maintain a competitive edge. Ultimately, success hinges on delivering genuine value and forging mutually beneficial relationships with both customers and investors.”

What Changed?

  • Replaced “fast‑paced world” with “era of rapid change.”
  • Swapped “think outside the box” for “explore unconventional strategies.”
  • Substituted “at the end of the day” with “ultimately.”
  • Turned “win‑win solutions” into “mutually beneficial relationships.”

7. Checklist Before Publishing

  •  Did I scan for common clichés?
  •  Have I replaced every red‑flag phrase with a specific, vivid alternative?
  •  If a cliché remains, does it serve a strategic purpose?
  •  Have I added a twist or unique imagery to that cliché?
  •  Is the overall tone consistent with my brand voice?

Conclusion

Clichés are the linguistic equivalent of fast food: instantly satisfying but nutritionally lacking. By actively identifying, replacing, and only strategically preserving a few, you’ll elevate your writing from “just okay” to “memorable.”

Remember: your words are a reflection of your thought process. The more original they are, the more credibility you earn with every sentence. So next time you feel the urge to lean on a tired phrase, pause, dig deeper, and craft something that truly belongs to you—cliché or not.

Happy writing!

Feel free to share your favourite “cliché‑with‑a‑twist” in the comments below.