Category: Creative Writing

Writing about writing a book – Day 7

Even God got to rest of the seventh day perhaps to admire his handiwork, but for a writer there is no rest.

I have to go to lunch with an old friend who is concerned that I have locked myself away in a garret and will wither and die, the same as not admitting myself it was time to move on.  There is the woman you marry, and your one true love, the one you can say anything to and is taken.  Marilyn is that person.  I’m not sure how this lunch will go.

Perhaps a little more work on the plot, and a few drinks to settle the nerves.

 

Still working on the characters (and all need a lot more work, particularly Davenport, oh, and by the way, he’s new):

 

Richardson – Vanilla Office worker in the wrong place at the wrong time

Gator, Inspector – Jaded policeman not far from retirement, overlooked for promotion, and always on the fringe.  Will this be his big case before he retires?

Halligan – General Manager, also a field agent who failed to complete his mission.  More on what that mission was is coming.

Bill Chandler, we seem to have him under control, except for one small detail, his memories will return.

Jennifer, Chandler’s friend, sister to Manilow, not all she appears to be.  Spoiler alert!  Manilow is another new character who will appear in Bill’s dreams (nightmares)

Benton, Chandler’s immediate superior, yes man, and eternal pessimist.

Aitchison, security chief, aka Colonel Warburton, Manilow’s old commanding officer, repatriated home after making some discoveries about wartime activities.

Wiesenthal – US management employee of Transworld

Giles – Chandler’s hardware assistant

Kowalski – executive promoted to head of security, also new, the cast is getting longer

Andy Collins –from the US, worked with Chandler around at the inception of the network installation, working with Chandler recently when updates were carried out

Davenport, aka Alphonse DeAngelo, Chandler’s old nemesis, ex-Army Colonel, and he will be a piece of work

 

The plotline continues but I’m not sure if this will be the eventual direction it will go.  There will be a lot of writing before now and then:

 

Chandler thinks he now has time for some private investigation because a lot of things about the recent events didn’t add up.  However, in the meantime, the perils of domesticity close in around Bill, the first morning with Jennifer.

A visit to the office, unscheduled, by Bill, brings to light a number of changes; new security and monitoring of movements, making it difficult for Bill to do anything.  Kowalski has replaced Aitchison as head of security, and Bill must pay him a visit.

Kowalski is full of sympathy and advises Bill that he has a lot of leave to be taken in order to get better, and a bonus as well.  He should not return until fully recovered, and then to a promotion.  In other words, Bill reads this as –’Stay Away’.

Giles gives more information of the network problems, and the disaster surrounding the backup tapes, with information that had been requested by Gator.  Of course, there was no information of the backup tapes provided, because they had been destroyed.  Was it on purpose or by accident?

Another dream and Brainless looms large and lifelike in their first meeting.

At his home to finish collecting his clothes and gear, he wakes up and remembers why he’s there.  He had removed a tape from a little-used system he’d installed for another purpose, and had brought it to his own PC to see whether there was any evidence on it – given that every other tape either proved Aitchison and Halligan guilty or had been destroyed by well-meaning but apparently incompetent consultants.  His tape has interesting information, which he notes, then hides the tape.

 

Dear God is that the time?  I’m late.

 

More tomorrow!

© Charles Heath 2016-2019

The day is disappearing, and nothing is getting done

…
Do you have days when you feel like you’ve achieved nothing, even after getting through what might appear to be a lot?  It’s the ancillary stuff that’s the bugbear of anyone who simply wants to get on with what’s important, and that’s writing.

You know, sit down in front of a blank page on the computer, for on your writing desk, if you have one, ready for the words to come.

Except there’s the email to check.

Then there are ads to be sent out on Twitter and the general Twitter feed to look at just to keep up with what’s happening out there.

Then there’s the news usually that arrives on my desktop computer, the feed from the major papers around the world, for me, the New York Times, in the US, the Times in The UK and the Australian, in my country.

And, dammit, each has a challenging crossword that I really don’t have time to do, well, not in the morning.

Then there’s the stuff that has to be done around the house, I’m home but my wife still works so there’s washing, cooking, and domestics to be done which eats into the day.

Sometimes it’s not until mid-morning before I get to sit down with a cup of tea.

The point is, it’s not conducive to writing during the day because you can’t get a run at it, time enough to think about what you’re going to write before committing it to paper.

That is, before the phone rings with another scammer, and breaks your concentration.  Right, I hear you, cut the phone off.

So, three phone calls later, I’m about to give up.  It’s time to get the dinner on with family coming.  Perhaps I’ll have a few bottles of beer instead.

This is why I write at night, sometime after ten.  No phone calls, no distractions.  Well, that’s not necessarily true because what you didn’t get done earlier had a way of backing up if you don’t get through it in a timely manner.

Perhaps I’ll get a blog post or two done, another episode of the trip to China, upload another photo to Instagram and look at the current novel I’m in the middle of editing.

By that time it will be two am, way past anyone’s decent time to go to bed.  In fact, it’s ten past two, and I’ve got an early morning.

The cinema of my dreams – I always wanted to write a war story – Episode 37

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination with what happened during the second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

…

Johannsen hadn’t signed up for this. He’d been in the room when Leonardo reported to Wallace, to tell him that the villagers had been neutralised, and he brought the ring leaders of the so-called resistance to the castle.

By his reckoning, Leonardo and his men had killed probably 20 or so people who had nothing to do with the war, other than try to live around the war going on in their backyard.

In fact, when he had arrived at the castle, the intention was to work with the locals and the resistance to facilitate the onward movement of prized defectors. Until Jackerby arrived, and the dynamic changed.

Johannsen hadn’t realised that Wallace was a double agent, not until it was too late.

The thing of it was, Wallace thought he was a double agent too, a belief Johannsen had taken extreme care not to dispel. And, where it was possible, he had tried to help those caught up in Wallace’s trap.

Wallace was already in situ at the castle when Johannsen arrived with another four men to join those already there, on order from London to vet the incoming defectors. Those four he had met at the plane, and he hadn’t realised they were not who they were supposed to be. By the time the four who had been replaced were found, it was too late to stop the mission.

That brought the complement to 10 including Wallace and himself. Then he received a message, one he assumed was from Thompson, advising the arrival of a further 5, Jackerby and four soldiers.

He soon discovered that those orders were false.

When Jackerby reported to Wallace, and the fact Wallace sent him out of the room, he stayed behind, hidden, to listen to the conversation. There he discovered he was in the midst of an enemy operation that had enlisted a number of double agents across Euprope from the German Army.

He then tried to warn Thompson in a coded message, but that had been substituted by Wallace with another, causing another lamb to be sent to the slaughter, Atherton. When Jackerby first arrived, he advised Wallace, not Johannsson, that Atherton was not one of them, so an attempt was made on,his life, but failed.

For a while that was the equivalent of throwing a cat among the pigeons.

By the time the paratroopers arrived, there was no effort to hide who they were or what they were doing. The castle was, for all intents and purposes, a Nazi stronghold, there to collect and execute defectors. All he had to do was play his part, and try not to rouse the suspicions of Jackerby, whom, it seemed, trusted no one.

Wallace wasn’t all that interested in being as suspicious as Jackerby, who had to be gestapo, or worse, one of the SS.

But luck was on Johansson side when he took a plan to Wallace that would essentially free Atherton, and then have Atherton lead them to the other resistance. It was also a master stroke to select Burke, a simple man who liked to think everything was his idea.

That Atherton had got away was no fault of his, but those charged with following him. Jackerby had tried to mess with him, but Wallace intervened, telling Jackerby that he had had missing people too and should be out there looking for them.

With any luck, Johansson thought, they would be dead, a likely result since none of them had come back yet.
Now, all he could do was sit and wait for Atherton and whoever was left from the resistance to come and stop Wallace, and especially Jackerby.

Johansson knew that Atherton had a good working knowledge of the castle’s architecture, because on one occasion they had discussed archaeology. Johansson was not an archaeologist, but had worked with one and an assistant, before the war, at several digs.

He was hoping Atherton had a idea where there might be a secret entrance to the castle. It was old, and in his spare time, he had been pacing out room measurements, looking for nooks and crannies, and anything else that would be useful.

He had found a room full of swords, not exactly in fighting condition, but might be useful in a situation that called for a weapon. After all, he had taken a few sword fighting lessons at the university.

He had traversed several stone passageways, found two different passageways from the upstairs down to the radio room, and beyond that, where there was an exit or entrance, what in modern terminology would be called the tradesman’s entrance.

It was for all intents and purposes, a back door.

He had also gone around the whole perimeter of the outer castle wall, looking for holes. When he thought about it, leaving holes in the wall was asking for trouble because the idea was to keep people out, not to leave quickly and quietly in the middle of a siege.

And this castle had seen a few sieges in its time. More than once if he could travel back in time, he would have like to see what it was like 200 years ago, or more.

But there were only three entrances or exits that he knew of. There were no grates on the ground, or anywhere within 20 yards of the exterior wall, or conveniently hidden in the surrounding forests.

He was also sure there were hidden passageways inside the castle that must go somewhere, a result of checking internal measurements of rooms, and a few came up oddly short a few yards.

Still down in the dungeon on another of his subterfuges, the new arrivals guard had just appeared.

“The woman is awake.”

“Thanks.”

Now, if he could just get some sense out of her.

…

© Charles Heath 2020-2021

Mistaken Identity – The Editor’s Draft – Day 30

I have been working on the story, the editor is asking for a second draft after making suggested changes – and I’m now working on it

…

It’s over, done, but not dusted.

The writing might be done, but to get through nearly 70,000 words in 30 days is quite an achievement.

It’s been a battle, and time management has been shot to hell more than once.

There were days I honestly believed I’d get nothing done. I don’t know how people who have a day job could ever get much writing done at night.

I’m looking forward to a few day’s rest, and not having to face the word processor ready to input words.

As for how it finishes, I hope, will get past that ever-inquisitive editor. Even so, the end is in sight, it may change but not substantially, and I will add a soon to tell everyone what the editor thinks.

As for now, that’s it!

…

Today’s effort amounts to 3,676 words, for a total, so far, of 72,594.

No more tomorrow.

Searching for locations: Venice, Italy (Again)

We have visited Venice twice, in 2006 and not so long ago.

Not much had changed from visit to visit.

Instead of staying in a hotel selected by a travel agent, the Savoia and Jolanda on the waterfront of Riva Degli Schiavoni, because I’m a Hilton Honors member, more recently we stayed at the Hilton Molino Stucky.  It was located on an island, Giudecca, and had its own transport from the hotel to St Mark’s Square for a very reasonable one-off charge for the stay.

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On our first visit, we traveled from Florence to Venice.  We were advised to take a water taxi to the hotel, not only the most direct route but to see some of Venice from the water.  The only drawback, you have to negotiate a price with the driver.

We were not very good negotiators, and it cost 60 Euros.

But, despite the cost, it was worth every Euro because the taxi driver took us by the scenic route, directly from the Station to the doorstep of our hotel.  For a first time in Venice, and you want to see it from the water, a water taxi is the best option.

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The first time we stayed at the Savoia and Jolanda Hotel, which was at the time quite old, and the room we had, on the ground floor, was comfortable enough, but being November, they had just stopped using the air conditioning, it was still quite warm and at times uncomfortable.

There were better rooms, but this was beyond the knowledge of the travel agent, and one of the reasons we stopped using agents to book hotels.

The most recent visit we had driven down from Salzburg to Venice airport where we had to return the hire car.  From there we were intending to take a private water taxi from the airport to the hotel, for an estimated 120 Euros.

We saved our money and took the ACTV public waterbus, from the airport to the hotel, with one stop.  It took a little over an hour and was equally as scenic.

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Our room in the Hilton was on one of the upper levels, floor four, and had a view of the canal, the large passenger ships coming and going, as well as a remarkable view of Venice itself as far up the canal to St Marks Square in one direction, and the port for the passenger ships in the other.

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We got to see three or four very large passenger ships come and go, along with a lot of other craft.  I hadn’t realized how busy the waterways, and the Grand Canal, were.

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Each evening after a day’s exploring we would end up in the Executive Lounge, and then one of the many restaurants, usually Il Molino for breakfast, and the Rialto Lobby Bar and Lounge for dinner.  After that, it was a stroll down the waterfront taking in the night air, and perhaps to walk off the delicious dinner.

Having something to say is one thing, saying it is something else

As accomplished as we can be at putting words on paper, what is it that makes it so difficult to sit in a chair with a camera on you, and say words rather than write them?

Er and um seem to crop up a lot in verbal speech.

OK, it was a simple question; “What motivates you to write?”

Damn.

My brain just turned to mush, and the words come out sounding like a drunken sailor after a night out on the town.

The written answer to the question is simple; “The idea that someone will read what I have written, and quite possibly enjoy it; that is motivation enough.”

It highlights the difficulties of the novice author.

Not only are there the constant demands of creating a ‘brand’ and building a ‘following’, there is also the need to market oneself, and the interview is one of the more effective ways of doing this.

If only I can settle the nerves.

I mean, really, it is only my granddaughter who is conducting the interview, and the questions are relatively simple.

The trouble is, I’ve never had to do it before, well, perhaps in an interview for a job, but that is less daunting.  That usually sticks to a predefined format.

Here the narrative can go in any direction.  There are set questions, but the interviewer, in her inimitable manner, can sometimes slide a question in out of left field.

For instance, “Your character Zoe the assassin, is she based on someone you know, or an amalgam of other characters you’ve read about or seen in movies?”

That was an interesting question, and one that has several answers, but the one most relevant was; “It was the secret alter ego of one of the women I used to work with.  I asked her one day if she wasn’t doing what she was, what she would like to do.  It fascinated me that other people had the desire to be something more exotic in an alter ego.”

Of course, the next question was about what I wanted to be in an alter ego.

Maybe I’ll tell you next time.

The cinema of my dreams – Was it just another surveillance job – Episode 16

As we all know, writing by the seat of your pants is almost the same as flying by the seat of your pants, a hazardous occupation.

As it happens, I like writing this way because like the reader, I don’t know what to expect next.

And equally, at times, you can write your self into a corner, much like painting, and then have to go back, make a few changes and//or repairs and then move forward.

It’s part of the writing process, only in this case, the changes occur before you’ve finished the novel if you finish.  Quite often a lot of writers get only so far, then the manuscript hits the bottom drawer, to be brought out on a distant rainy day.

Or your cat has mocked your writing ability one too many times.

Therefore, we’re winding back to Episode 16, and moving forward once again, from there.

O’Connor seemed to be more affluent than I because he was living in a flat located in an upmarket building.  Getting into the ground floor required a passkey, one I suspect might also be needed to get in the front door of his flat, but I’d worry about that later.

My first problem was that front door, and it was not until a tradesman exited that I took the opportunity to appear to arrive at the same time, pretending to find my card, and brushing past him as he was exiting.  He ignored me, his hands full, being in a hurry.

It took a day and a half of watching the building, waiting for an opportunity.  His flat was on the third floor and although there was an elevator, I took the stairs, hoping that I wouldn’t run into anyone.

Quickly and quietly, and thankfully without seeing another resident, I came out into the passageway, and it was about ten steps to his front door.  Number 37.  Not far away, in one direction, the end of the passage, and numbers 38, 39, and 40.  In the other, four more flats and the end of the corridor.  Windows at either end, perhaps an escape route.  I would not use the elevator if I had to leave in a hurry.

There were two elevators and one staircase.  Both elevators were stationary on the ground floor.

I knocked lightly on the door to number 37.

No answer.

I knocked a little harder on the door.  It was quite solid, and I had to wonder if the knocking sound penetrated the solid wood.

I checked the lock.  Simple to open.  We’d been given instruction by a master locksmith, and I’d brought my tools.

I waited a minute, checked to see if the elevators were still on the ground floor, then picked the lock and was inside within a minute.

Silence.

I felt along the wall for a light switch, usually by the door, and found it, and flicked it on.  The sudden light was almost blinding, but then my eyes adjusted.

Trashed, much the same as my flat.

But, with a difference.

A woman was stretched out on the floor, unmoving.  I could see, from where I was standing, she had been hit on the back of the head and could see the wound, and a trickle of blood through her hair.

Five steps to reach her, I reached down to check for a pulse.

Yes, she was alive.

I shook her gently.  She didn’t react.  I shook her a little more roughly and she stirred, then, as expected, lashed out.

I caught her hands, saying, “I just found you.  I’m not your enemy.”

Of course, considering I was a stranger in what could be her flat without permission, I was not surprised she continued to struggle until I tried being reassuring.  Then she stopped and asked, “Who are you?”

“A friend of O’Connor.  I worked with him.  Something happened to him at work and he said if that happened, I was to come here.  He didn’t say anything about you, though.”

“I live here, in the flat next door.  I heard a noise and came to investigate.  That’s all I remember.”

I helped her up into a sitting position, and, holding her head in her hands, looked around.  “Did you do this?”

“No.  Just got here.  But it’s the same at my place.  The people who did this are looking for something.  By the look of it, they didn’t find it here either.”

“I’ll get a damp cloth for your head.  It doesn’t look serious but there might be a slight concussion that might need attention.”

She felt the back of her head, and, when she touched the wound, gasped, “It hurts though.”

I stood and went over to the kitchenette.  O’Connor was not much of a cook, the benches looked new, and there was nothing out.  I looked in a draw near the sink and found a cloth, still with the price tag on it.  So were several utensils in the drawer.  I ran it under the water, then went back to her, now off the floor and sitting on one of the two chairs.  I handed her the wet cloth and she put it against the injured part of her head.

I made a mental note, it didn’t look like O’Connor had been here long, if at all.  Something was not right here, and if that was the case, I should take care when saying anything to this woman.

“Who are you again?” she asked.

“I worked with him.  My name is irrelevant.  It’s unlikely that he mentioned me to you, or anyone.  It’s the nature of our work.”

“Why should I believe you?  You could be my attacker.”

“If that were the case, why would I still be here trying to be helpful.”

A good question that elicited a curious expression.

“What do you do, what did Oliver do?”

Alarm bells were going off.  Oliver was not O’Connor’s first name.

“Nothing very interesting, I can assure you, and definitely nothing that would warrant this happening.  If it had only been me, I would have not thought any more of it, but since we worked together, and this has also happened to him, it seems we are mixed up in something bad.”

“Where is he, by the way?”

“I was hoping you could tell me.  If you live next door and know him well enough to be here, he might have told you.”

“No.  He never spoke about work.”

She was trying to stand so I helped her up and held on when it looked like she was about to collapse.  Last time I had a knock to the head, I had dizziness for a minute of two.  Her knock had been a lot harder.”

“Are you alright?”  She didn’t look it.

“I will be, I’m sure.”

I let her go, and she took several steps, then gave me a rather hard look.  “Why are you here again?”

“Trying to find my friend.”

“How did you get in here?”

Rather than make her disorientated, the knock must have sharpened her senses.  Time to test a theory. 

“I think we should call the police now, and report the break-in.”

I pulled out my phone.

“Look, I don’t want to get mixed up in this.  You go, and I report this when I get back home.  And, if you find him, tell him Josephine is looking for him.”

As I thought.  She was not able to explain to the authorities why she was in this flat, as I’m sure she believed I couldn’t either.

She started walking towards the door.  My staying any longer would raise her suspicions about me, and any search I was going to do would have to wait.  I opened the door, she walked out, and I followed shutting the door after me.

I left her standing outside the door and headed for the stairs.  A last glance back showed her still where I left her.  I went down to the first landing, then stopped.  It was part of the training, to treat everyone as suspicious.

Then I heard her voice, as she passed the top of the staircase, on her way back to her flat.  “He was here, looking for the files.  No, he’s gone.”  A minute’s silence, then “On my way.”

Another minute, I heard the elevator car arrive on the third floor.

I quickly ran down the stairs to the ground floor and waited at the door until she came out of the elevator, heading for the door.

Then as she passed through the front door, I came out into the foyer just in time to see a car stop out the front, and a familiar face out through the rear window.

Nobbin.

© Charles Heath 2019-2022

The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.

PIWalthJones1

Searching for locations: Florence, Italy

Florence is littered with endless statues, and we managed to see quite a few,

If those statues came to life I wonder what they might tell us?

Like castles on the shores of the Rhine, there are only so many statues you can take photos of.  Below are some of those I thought significant

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Michelangelo’s David directs his warning gaze at someone else.

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The impressive muscles of Baccio Bandinelli’s Hercules from 1533. The worked-out demi-god is pulling the hair of Cacus, who will be clubbed and strangled.

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Achilles with Polyxena in arm, stepping over her brother’s body

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Menelaus supporting the body of Patroclus, in the Loggia dei Lan

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Statue of Hercules killing the Centaur by Giambologna in Loggia dei Lanzi. Piazza della Signoria.

On the back of the Loggia there are six marble female statues, probably coming from the Trajan’s Foro in Rome, discovered in 1541 and brought to Florence in 1789

‘Sunday in New York’ – A beta reader’s view

I’m not a fan of romance novels but …

There was something about this one that resonated with me.

This is a novel about a world generally ruled by perception, and how people perceive what they see, what they are told, and what they want to believe.

I’ve been guilty of it myself as I’m sure we all have at one time or another.

For the main characters Harry and Alison there are other issues driving their relationship.

For Alison, it is a loss of self-worth through losing her job and from losing her mother and, in a sense, her sister.

For Harry, it is the fact he has a beautiful and desirable wife, and his belief she is the object of other men’s desires, and one in particular, his immediate superior.

Between observation, the less than honest motives of his friends, a lot of jumping to conclusions based on very little fact, and you have the basis of one very interesting story.

When it all comes to a head, Alison finds herself in a desperate situation, she realises only the truth will save their marriage.

But is it all the truth?

What would we do in similar circumstances?

Rarely does a book have me so enthralled that I could not put it down until I knew the result. They might be considered two people who should have known better, but as is often the case, they had to get past what they both thought was the truth.

And the moral of this story, if it could be said there is one, nothing is ever what it seems.

…

Available on Amazon here: amzn.to/2H7ALs8

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