Skeletons in the closet, and doppelgangers

A story called “Mistaken Identity”

…

How many of us have skeletons in the closet that we know nothing about? The skeletons we know about generally stay there, but those we do not, well, they have a habit of coming out of left field when we least expect it.

In this case, when you see your photo on a TV screen with the accompanying text that says you are wanted by every law enforcement agency in Europe, you’re in a state of shock, only to be compounded by those same police, armed and menacing, kicking the door down.

I’d been thinking about this premise for a while after I discovered my mother had a boyfriend before she married my father, a boyfriend who was, by all accounts, the man who was the love of her life.

Then, in terms of coming up with an idea for a story, what if she had a child by him that we didn’t know about, which might mean I had a half brother or sister I knew nothing about. It’s not an uncommon occurrence from what I’ve been researching.

There are many ways of putting a spin on this story.

Then, in the back of my mind, I remembered a story an acquaintance at work was once telling us over morning tea, that a friend of a friend had a mother who had a twin sister and that each of the sisters had a son by the same father, without each knowing of the father’s actions, both growing up without the other having any knowledge of their half brother, only to meet by accident on the other side of the world.

It was an encounter that in the scheme of things might never have happened, and each would have remained oblivious of the other.

For one sister, the relationship was over before she discovered she was pregnant, and therefore had not told the man he was a father. It was no surprise the relationship foundered when she discovered he was also having a relationship with her sister, a discovery that caused her to cut all ties with both of them and never speak to either from that day.

It’s a story with more twists and turns than a country lane!

And a great idea for a story.

That story is called ‘Mistaken Identity’.

Mistaken Identity – The Editor’s Draft – Day 5

I have been working on the story, the editor is asking for a second draft after making suggested changes – and I’m now working on it

…

What would you do if you were mistaken for someone else?

What if when you answer a knock on the door to your hotel room, and the police crash their way in with bullets flying everywhere in a show of unnecessary force.

Of course, the police don’t know you are not the criminal, and facing a possible disaster, do what they have to, to apprehend the man they believe is a murderer.

Our main character now has time to contemplate the ramifications of what just happened in hospital. So much for attending the conference.

Of course, he has other things to think about, the self confessed gate crasher Maryanne. The old adage, if something is too good to be true, it generally is.

Looking forward, there’s some plotting to do.

How can it be possible that our main character has a doppelganger? At the moment it’s just a case of someone who looks like him, and the police have ruled him out as the man they’re looking for.

It’s a story that’s going to play out in a few chapter’s time.

Today’s effort amounts to 1,871 words, for a total, so far, of 13,616.

More tomorrow.

In a word: Tap

There is nothing worse than, when lying in bed unable to get to sleep, you hear every noise in the house and out, but none worse than a dripping tap.

Its often not because someone forgot to turn the tap off, but a washer is on its last legs.

There are taps for the fallen brave, but aside from the fact that is the name of a piece of music, I think it’s also the title of a film.  But taps itself is a bugle call at dusk, and also played at military funerals.

Then there’s that income stream that you can tap into, other than your next-door neighbours power supply.

But what would be far more interesting than to tap into a phone line and listen in?  Despite the fact that eavesdroppers never hear anything good about themselves, you could learn something you didn’t want to know.

Then we can go back to the 1930s and a series of films that starred one of my favourite actors Fred Astaire, who was, of course, a tap dancer, along with Ginger Rogers.

In fact, my middle granddaughter is quite a good tap dancer.

And, lastly, was that a tap on the door, or a tap in the window?

“The Devil You Don’t”, she was the girl you would not take home to your mother!

Now only $0.99 at https://amzn.to/2Xyh1ow

…

John Pennington’s life is in the doldrums. Looking for new opportunities, and prevaricating about getting married, the only joy on the horizon was an upcoming visit to his grandmother in Sorrento, Italy.

Suddenly he is left at the check-in counter with a message on his phone telling him the marriage is off, and the relationship is over.

If only he hadn’t promised a friend he would do a favour for him in Rome.

At the first stop, Geneva, he has a chance encounter with Zoe, an intriguing woman who captures his imagination from the moment she boards the Savoire, and his life ventures into uncharted territory in more ways than one.

That ‘favour’ for his friend suddenly becomes a life-changing event, and when Zoe, the woman who he knows is too good to be true, reappears, danger and death follow.

Shot at, lied to, seduced, and drawn into a world where nothing is what it seems, John is dragged into an adrenaline-charged undertaking, where he may have been wiser to stay with the ‘devil you know’ rather than opt for the ‘devil you don’t’.

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“Trouble in Store” – Short stories my way: Setting the scene

I used to like writing short stories, somewhere between two and five thousand words, but, in the end, it was too much hard work.

No chance of getting into stride with a location description, no real chance of giving a background to a character, it was simply a case of diving straight in.

But …

I’ve been thinking about writing a short story, starting it with a short succinct sentence that will set the tone.

Something like:  “Jack was staring down the barrel of a gun”

What then?

Should he start analyzing what sort of gun it was, did it have a light trigger, was the person holding it shaking, a man or a woman, or a child?

Location, in a house, a disused factory, a shop, a petrol station, the side of the road.

So, where was Jack?

Something like:  “He had gone down to the corner shop to get a pack of cigarettes.”

For himself or someone else?  Is it day, is it night, or somewhere in between?

Something like:  “He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp, and came through the door, the sound of the bell ringing loudly and the door bashed into it.”

So, Jack’s state of mind, he is in a hurry, careless coming through the door, not expecting anything out of the ordinary.

How would you react when you saw a gun, pointed at Alphonse until the sound of the door warning bell attracted the gunman’s attention?

Is it a gunman?

Something like:  “It took a second, perhaps three, to sum up the situation.  Young girl, about 16 or 17, scared, looking sideways at a man on the ground, Alphonse, and then Jack.  A Luger, German, a relic of WW2, perhaps her father’s souvenir, now pointing at him.”

The punch line:  Cigarettes can kill in more ways than one.

The revelation:  The corner store also supplied the local drug addicts.

The revised start is now:

Jack was staring down the barrel of a gun.

He had gone down to the corner shop to get a pack of cigarettes.

He had to hustle because he knew the shopkeeper, Alphonse, liked to close at 11:00 pm sharp.  His momentum propelled him through the door, causing the customer warning bell to ring loudly as the door bashed into it, and before the sound had died away, he knew he was in trouble.

It took a second, perhaps three, to sum up the situation. 

Young girl, about 16 or 17, scared, looking sideways at a man on the ground, then Alphonse, and then Jack.  He recognized the gun, a Luger, German, relic of WW2, perhaps her father’s souvenir, now pointing at him then Alphonse, then back to him.

Jack to another second or two to consider if he could disarm her.  No, the distance was too great.  He put his hands out where she could see them.  No sudden movements, try to remain calm, his heart rate up to the point of cardiac arrest.

Pointing with the gun, she said, “Come in, close the door, and move towards the counter.”

Everything but her hand steady as a rock.  The only telltale sign of stress, the bead of perspiration on her brow.  It was 40 degrees Fahrenheit in the shop.

Jack shivered and then did as he was told.  She was in an unpredictable category.

“What’s wrong with your friend?”  Jack tried the friendly approach, as he took several slow steps sideways towards the counter.

The shopkeeper, Alphonse, seemed calmer than usual, or the exact opposite spoke instead, “I suspect he’s an addict, looking for a score.  At the end of his tether, my guess, and came to the wrong place.” 

Wrong time, wrong place, in more ways than one Jack thought, now realizing he had walked into a very dangerous situation.  She didn’t look like a user.  The boy on the ground, he did, and he looked like he was going through the beginnings of withdrawal.

 “Simmo said you sell shit.  You wanna live, ante up.”  She was glaring at Alphonse. 

The language was not her own, she had been to a better class of school, a good girl going through a bad boy phase.

Nest time, point of view.

…

© Charles Heath 2016-2021

The first attempt is exactly that, a first draft

That’s what it feels like after you’ve put words on paper.

The story is there waiting to be written, I know where it’s coming from, and I know where I want it to go, but the words are not working.

I read it once, yuk, I read it twice, and it’s begging me to press the delete button.

Now!

This is how it looks:

…

My life was going nowhere.  If I took a step back and took a good, long, hard look at it, what could I say was the one defining moment?

There was no defining moment.

I’d bounced around schools till the day I decided I was not cut out to learn anything more, or perhaps the teachers had given up trying to impart knowledge.  Whatever the reason, I dropped out of college and drifted.  Seasonal labourer, farmhand, factory worker, night watchman.

At least now I had a uniform and looked like I’d made something of myself.

Until I went home.

My parents were distinctly disappointed I was not married with children.

My overachieving brother always said I was a loser, and would never make anything of myself.

My ultra-successful sister, married into a very wealthy family, had the regulation 2.4 children and lived in the lap of luxury, mostly pretended I didn’t exist, didn’t invite me to the wedding, and I had yet to meet the husband and children.  I guess she was ashamed of me.

This year I was avoiding going home.

This year I volunteered to work during the holidays.

Yep, time to walk away and do something entirely different, like wrapping Christmas presents, my second favourite job to mowing the lawn.  Maybe if I contrive an accident with the lawnmower …

Back in front of the page, some hours later, an idea pops into my head.  The story continues:

It was 3 a.m. and it was like standing on the exact epicentre of the South Pole.  I’d just stepped from the warehouse into the car park.

The car was covered in snow.  The weather was clear now, but more snow was coming.

A white Christmas?  That’s all I needed.  I hoped I remembered to put the antifreeze in my radiator this time.

As I approached my car, the light went on in an SUV parked next to my car.  The door opened and what looked to be a woman was getting out of the car.

“Graham?”

It was a voice I was familiar with, though I hadn’t heard it for a long time.

My ultra-successful sister, Penelope.  She was leaning against her car door, and from what I could see, she didn’t look too well.

“What do you want?”

“Help.”

My help, I was the last person to help her or anyone for that matter.  But curiosity got the better of me.  “Why?”

“Because my husband is trying to kill me.”

With that said, she slid down the side of the car, and I could see, in the arc lamps lighting the car park, a trail of blood.

…

To be honest, it needs some more thought.  It’s got the makings of a story, but the MC shouldn’t come across as a hopeless case, he just needs to be, in part, a victim of circumstances, some of which he has to own.

But, as they say, anything on paper is better than nothing on paper.  Tomorrow, or the next day, I will edit and rewrite and see what happens.

Stay tuned.

…

© Charles Heath 2020-2023

The cinema of my dreams – I always wanted to write a war story – Episode 12

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination in what happened during the second worlds war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

 

I had walked quite fast in my attempt to distance myself from our pursuers if they were, in fact, chasing me.  In doing so I had tried to make my escape as quiet as possible.

Now, between Jack and I, hiding in the undergrowth, the only noise I could hear was our laboured breathing, and mine in particular.  I hadn’t been expecting to be doing this sort of exercise when I signed on for the job.

Now, I think, exercise was going to become a priority.

If I made it back alive.

A crack and I saw Jack go very still, ears cocked, and looking in what was the direction of the sound.  He’d know, better than me, where the noise came from.

Another minute before I could hear muffled voices, then as if they had stepped into a room, I could hear them.

“So, you’re telling me you let him hit you?”

“I had to, for the sake of making it look good.  I was told he was no fool.” 

The voice of the man who had orchestrated my departure.  I shook my head, very disappointed in myself for not seeing through what could have been a very cunning plan.  It also explained why they hadn’t summarily shot me.  I could see Jackerby gloating over the cleverness of his plan.

So perhaps for a few moments there, I was a fool.  Not anymore.

“What do we do if we find him?”

“We’re not supposed to find him, remember.  You were at the same meeting, or was that your ghost I saw with me?”

“Observe and report back.”

“Exactly.”

The voices were very close, and I could hear their boots of the rocky path until they stopped.

“Which way?”

The voice sounded very close, in fact, I thought they were just on the other side of the undergrowth, but that couldn’t be right, I could see through it in places, and no one was standing on the other side.

Sound must travel very good in this part of the forest.

“Follow the main river.  He won’t be looking to deviate from his objective, which by now would be to find the other members of the resistance and organise his departure.”

“And leave alone what he saw?”

“There isn’t much he could do about it.  By the time he’s reported back to London, we will have found the underground members and eliminated any threat.”

“Aha, so he’s leading us to the resistance?”

“That’s the plan.”

“And it was your idea?”

“I do have my moments, thank you.  Now, let’s get on, or he’ll get too much of a start on us, and I don’t want to be the one to explain how we lost him to Jackerby in particular.”

A minute passed, then two before I heard the sound of boots receding.  Johansson, or maybe Jackerby, had correctly guessed I might know where the other resistance members were, and, after escaping, go straight to them.

Pity, I was going to disappoint them.

 

© Charles Heath 2019

Mistaken Identity – The Editor’s Draft – Day 5

I have been working on the story, the editor is asking for a second draft after making suggested changes – and I’m now working on it

…

What would you do if you were mistaken for someone else?

What if when you answer a knock on the door to your hotel room, and the police crash their way in with bullets flying everywhere in a show of unnecessary force.

Of course, the police don’t know you are not the criminal, and facing a possible disaster, do what they have to, to apprehend the man they believe is a murderer.

Our main character now has time to contemplate the ramifications of what just happened in hospital. So much for attending the conference.

Of course, he has other things to think about, the self confessed gate crasher Maryanne. The old adage, if something is too good to be true, it generally is.

Looking forward, there’s some plotting to do.

How can it be possible that our main character has a doppelganger? At the moment it’s just a case of someone who looks like him, and the police have ruled him out as the man they’re looking for.

It’s a story that’s going to play out in a few chapter’s time.

Today’s effort amounts to 1,871 words, for a total, so far, of 13,616.

More tomorrow.

Searching for locations: – Lake Louise, Canada, ice, snow, and cold

The Fairmont at Lake Louise, in Canada, is noted for its ice castle in winter.  This has been created by the ice sculptor, Lee Ross since 2007, using about 150 blocks of ice, each weighing roughly 300 pounds.

When I first saw it, from a distance, looked like it was made out of plastic  It’s not.  Venturing out into the very, very cold, a close inspection showed it was made of ice.


And, it’s not likely to melt in a hurry given the temperature when I went down to look at it was hovering around minus 10 degrees Fahrenheit.


And that was the warmest part of the day.

I’ve got words on paper, but

They’re not exactly Nobel prize-winning prose.

Well, not yet.

I guess the point is that I have at least crystallised my thoughts on paper so that I can do something with them.  After all, anything is better than nothing, isn’t it?

Sometimes I wonder.  I look back on a lot of the stuff I wrote forty or fifty years ago and it looks bad.  The thing is, then, I thought it was great, and that I was destined to do great things with the written word.

Pity, all this time later, I’ve turned into a self-critical monster, where it seems nothing I write is any good.

So, does that mean we need to be less critical of our work?  After all, through the years, when I’ve shared novels and short stories with others, they have all universally said they’re quite good.

So…

It’s time to go back to the previous day’s work and rework it.  Yes, the idea that I wanted to write about is where I wanted the story to go, it’s just the execution.

The problem is, since then a few other ideas have been running around in the back of my head, and these could be added or used to further the current plotline.

The other problem is, it is one of the six stories that I’m writing by the seat of my pants, you know, the way some pilots like to fly a plane, without all that computer backup.  Similarly, this is the way I sometimes like to write.

It’s as much a surprise to me is it is to the reader.

There’s good arguments for having planned the story from start to finish, but with these, I like to write it and see where it takes me.  They’re episodic, so sometimes I get to write three of four episodes at a time, and these would most likely in a book become a chapter.

Last night I wrote two episodes, but it seems that it might need pointers back in previous episodes, because we all like to leave a trail of crumbs for the reader so when they get to the denouement, they remember, ah yes, back in chapter two such and such happened, but why am I only remembering it now?

Ok, enough convincing myself I’m a good writer, it’s time to get back to work…