Category: Books

Mistaken Identity – The Editor’s Draft – Day 7

I have been working on the story, the editor is asking for a second draft after making suggested changes – and I’m now working on it

…

What’s the best way to recover from being shot by the police? Go on an all-expenses paid holiday.

Within reason, of course.

Of course, he was on holiday, not quite all expenses paid, but for the duration of the conference. Getting shot and having a prolonged stay in hospital put paid to that, but there is an upside.

The police, in exchange for silence and an indemnity, are happy to send our intrepid conference goer on a tour of Italy. There are benefits on either side, the police don’t get a lawsuit, and he gets to spend a few days touring.

Of course, Maryanne decided to tag along. She had been filling in for him at the conference, unbeknownst to him, and lined up a couple of free venues. In exchange for favourable reviews.

But what is the real reason Maryanne is along for the ride, or she might put it, ‘carry the bags’?

That saying ‘if it’s too good to be true, it probably is’ sticks in the back of his mind, but he doesn’t discourage her from coming with him.

Is he lucky, or is he cursed?

Today’s effort amounts to 3,123 words, for a total, so far, of 18,150.

More tomorrow.

“Sunday in New York”, a romantic adventure that’s not a walk in the park!

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend, that casts a small element of doubt in his mind.

From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just a number of small, interconnecting events, when piled on top of each other, points to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints of impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovered piece by piece damning evidence she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence is about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

Purchase:

http://tinyurl.com/Amazon-SundayInNewYork

In a word: Leg

Aside from the fact it is one of those necessary items to walk with, and the fact we can have two or four for most humans and animals, there are a few other uses for the word ‘leg’.

Like…

‘You haven’t got a leg to stand on’, doesn’t necessarily mean you have no legs, but that you are in a precarious position.

“the table had ornate legs’, yes, even non-living objects can have legs, like tables and chairs.

“It was the fifth leg of the race’, meaning it can be a stage of a race.

“He was legless’, meaning that he was too drunk to stand up.  Some might think being legless is a badge of honour, but I suspect those people have been drinking a long time and the alcohol has destroyed most of their brain cells.

“leg it!’, meaning get the hell out of here before you’re caught.

Then, finally, ‘he’s on his last legs’, meaning that he’s exhausted, or about to die.

I’m sure there’s more but that’ll do for now.

I have to use my legs to get some exercise, of which the first leg is to the tripod to check if its legs are stable, and the second leg is to come back to the table and replace one of the legs which is broken.  Then I’ll leg it to the pub where hopefully I won’t become legless.

Hmm…

‘What Sets Us Apart’ – A beta readers view

There’s something to be said for a story that starts like a James Bond movie, throwing you straight in the deep end, a perfect way of getting to know the main character, David, or is that Alistair?

A retired spy, well not so much a spy as a retired errand boy, David’s rather wry description of his talents, and a woman that most men would give their left arm for, not exactly the ideal couple, but there is a spark in a meeting that may or may not have been a set up.

But as the story progressed, the question I kept asking myself was why he’d bother.

And, page after unrelenting page, you find out.

Susan is exactly the sort of woman the pique his interest. Then, inexplicably, she disappears. That might have been the end to it, but Prendergast, that shadowy enigma, David’s ex boss who loves playing games with real people, gives him an ultimatum, find her or come back to work.

Nothing like an offer that’s a double edged sword!

A dragon for a mother, a sister he didn’t know about, Susan’s BFF who is not what she seems or a friend indeed, and Susan’s father who, up till David meets her, couldn’t be less interested, his nemesis proves to be the impossible dream, and he’s always just that one step behind.

When the rollercoaster finally came to a halt, and I could start breathing again, it was an ending that was completely unexpected.

I’ve been told there’s a sequel in the works.

Bring it on!

…

The book can be purchased here: http://amzn.to/2Eryfth

…

“Trouble in Store” – Short stories my way: Point of view

If this story was being written the first person the only perspective or point of view would be that of the narrator.

Since we need to have a number of perspectives it is better done in the third person so we can change between characters and try to understand their motivation.

We might look at the first-person perspective for each of the characters later.

The second of the protagonists is the girl with the gun.  How did she get it?  How did the situation deteriorate so quickly?   What is she going to do?

This is a short story and we need to know something about her, so we have to get to the heat of the matter quickly, so let’s start with:

Her mother said she would never amount to anything, and here she was, with a broken drug addict coming apart because she had been cut off from her money, dragged into coming to this shop to leverage drugs from his dealer at the end of a gun.  It was her fault, Jerry said and made her feel responsible, much the same as her parents and everyone else in her life.

One of life’s losers or just a victim?  This theme can go in any direction.

Then a moment to reflect on why she was here:

Why had she agreed to go with Jerry?  At that moment when she picked up the gun off the floor, she realized it was not out of responsibility or fault, it was out of fear.

That gives us the why; he had obviously tried to make her feel responsible and when that failed, he threatened her.  But now there’s a bigger issue, the gun and a situation spiraling out of control.  The thing is, she has the gun and the power to walk away or make matters worse.

The problem was, she has outed the shopkeeper as a dealer in front of someone who had not known.  That now made him a victim as much as she was.

She looked at the two men facing her, a shopkeeper who was a dealer and a customer scared shitless.  As much as she was.  Her gun hand was shaking.

The scene is set, something has to give.

Time for the shopkeeper to weigh in.

“I have no idea what you are talking about.  Please, put the gun down before someone gets hurt.”

It’s a typical response from a man who realizes he’s in trouble and is trying to make time while he thinks of how to rescue himself from a potentially dangerous situation.

Time to change the perspective again and explore the shopkeeper.

If only Jack hadn’t come in when he did.  He would have the gun, called the police, and brazened his way out of trouble.  Who would the police believe a pair of addicts or a respectable shopkeeper?

Now he had to deal with the fallout, especially if the girl started talking.

 

Next, actions have consequences, building the tension.

 

This section rewritten, moving from Jack as the narrator to the girl, and then to the shopkeeper:

 

Annalisa looked at the two men facing her, a shopkeeper who, despite his protestations, was a dealer and a customer scared shitless.

The poor bastard was not the only one.  This was meant to be simple, arrive at the shop just before closing, force the shopkeeper to hand over the shit, and leave.  Simple.

Except …

The shopkeeper told them to get out.  Simmo started ranting waving the gun around, then collapsed.  A race for the gun which spilled out of his hand, she won.

He was getting the stuff when the customer burst into the shop.

Shit, shit, shit, shit, she thought.

Why had she agreed to go with Jerry?  It was her fault, Jerry had said, and he made her feel responsible for his problems, much the same as her parents and everyone else in her life.

Her mother said she would never amount to anything, and here she was, with a drug addict coming apart because she had been cut off from her money, dragged into coming to this shop to pick up his score from his dealer at the end of a gun.

She heard a strange sound come from beside her and looked down.  Simmo was getting worse, like he had a fever, and was moaning.

The shopkeeper saw an opportunity.  “Listen to me, young lady, I have no idea what you are talking about.  Please, put the gun down before someone gets hurt.  Your friend needs medical help and I can call an ambulance.”

The girl switched her attention back to him.  “Shut up, let me think.  Shit.”

The storekeeper glanced over at the customer.  He’s been in once or twice, probably lived in the neighborhood, but looked the sort who’d prefer to be anywhere but in his shop.  More so now.  If only he hadn’t burst in when he did.  He would have the gun, called the police, and brazened his way out of trouble.  Who would the police believe a pair of addicts or a respectable shopkeeper?

Now he had to deal with the fallout, especially if the girl started talking.

 

© Charles Heath 2016 – 2020

 

The fourth attempt, let’s look at the location

Equally important is the location.  Dark and brooding characters need dark and brooding locations.  It’s undeniable that there’s evil everywhere, we just have to look for it.

Of course, that’s not what I do, but …

I have been in a few tight corners, with some possibly dark and brooding characters where my heart rate has increased exponentially, and was saved by quick thinking, and a desire not to hang around and see what happens (for the purposes of a writable experience – no,, I’m not that stupid).

As the story stands, we move from a small staff room or restroom, and then we move out to the car park of … what?  It’s not exactly clear where it is, only that Graham is leaving work to go home.

Whether it’s clear or not, Graham is a security guard, part of a team that works on an industrial estate where there’s a number of factories and office blocks. 

Some of those buildings are empty, for a variety of reasons, so a back story for this might be created so that I can convey a clearer picture of not only the bricks and mortar but what it’s like there.

Ergo the first descriptive line, stepping outside into the epicenter of the south pole.  There is snow everywhere, which meant it was falling while he was inside at work, but now, the moment he leaves, it’s stopped.  Cold, then, and clear.

So it begins…

Now, as a secondary theme, it might not be obvious the owners are lax in the hiring of security staff to watch over their assets, staff that are relatively dubious in character, which might, in turn, mean that the notion of using cut-price security might mean something else is going on.

Are the empty factories empty?  Or have they been repurposed, and the guards are not sure what they’re guarding?  Do they want to know?  A job is a job, and in this situation, either from a hint from the employer, or the words of an old hand, and it doesn’t pay to poke a nose in where it’s not wanted.

So, as you can see, when starting the story I didn’t give proper thought to the background story, the fact that I could weave another or several storylines intertwined with what will be the master plotline.

What is the master plotline?

I have an idea or two, but let’s not get to ahead of ourselves.

Let’s stitch together a scenario or two for the back story and see where it takes us.  Remember that this was more or less part of the storyline originally in my mind but may not have been articulated in what I wrote at the time.

Basically, then, we’re dealing with a large industrial site on the outskirts of a city in decline.  Everyone can relate to the problematic times we’re in now, but this was written at the height of the last global financial meltdown about fifteen years ago, which caused a deep recession.

Within that framework, a lot of businesses and people went to the wall.  Graham, and others, lost a decent paying job, as well as his house, having finally got on the property ladder, only to find he couldn’t pay for it.

At the time he was not alone in that respect.  And lenders were not immune either, so there’s the possibility of one or two industrial park owners not exactly being legit in some of their business dealings, not after taking heavy hits financially.

In that scenario, there’s always the possibility of insurance fraud as a means of cutting losses, hence the need for security that might be asked to look the other way.

Another possibility could be that empty buildings and enterprising men, or women, fit the category of ‘the devil finds work for idle hands’. 

Or someone who recognizes an opportunity to make some money.  That particular scenario opens the door to a plethora of ideas.

…

© Charles Heath 2021

The cinema of my dreams – I always wanted to write a war story – Episode 16

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination in what happened during the second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

The message I sent to Forster, in London, was short and to the point,

‘Castle in hands of Germans led by Thompson, others, and a further 12 soldiers parachuted in.  Defectors, our original soldiers? and villagers held captive in dungeons.  Resistance is limited to five plus self.  Available resources cannot retake the castle and will have difficulty in intercepting incoming package.  Suggestions?’

Marina read it and added her name before it was sent.  Now, all we could do was wait for a reply, though I was not sure what Forster would make of my request for suggestions.  I was supposed to make decisions in the field, but that was when we had a full complement of resistance fighters.  What I’d discovered was the worst-case scenario, and everyone in London was hoping that would not be the case.

I wondered what happened to the two men who had been following me, hoping I would lead them to what were now the remaining resistance members.

“Did you see the two men from the castle that had been following me?  I told the two who had captured me, a man and a woman, though the man emphatically denied he worked for the resistance, about them before the woman shot me with a tranquillizer gun.”

Martina looked puzzled.  It was obvious the two hadn’t mentioned anything about my situation to her.

“That did not come up in the debriefing.  The man is, in fact, a farmer, Leonardo, who doesn’t advertise his involvement, and only works with us if we need him.  Chiara tends to shoot first and ask questions later.  You were lucky her gun wasn’t loaded with bullets.  What is this story of yours, then?”

“One of the guards released me from my cell, and then set me free with the intention of following, not too close, to see if I led them to you.  I was hiding from them when they passed by, shortly before you people turned up.  They would have had to see them if they came from the village.”

The implications of what I just said only dawned on me after I said it.

“That might mean…” I said.

She put her hand up, not wanting me to continue.

“It doesn’t necessarily mean anything, but I will have to talk to them.  If anything, they would have avoided them or ignored them.  We don’t use that track from the village to the castle for the simple reason we might run into any of them.  Whether they were originally our allies, or not, we never trusted them.”

“Did they bring me here?”

“No.  We have a separate meeting point for intercepts like yourself and the defectors.  Then, if we think it’s safe to do so, we bring them here.  Only three of us know about this place, and two of us are here now.”

“The third?”

“You’ll meet him later when he brings some food and wine.  His name is Carlo.  He used to be a gardener at the castle, and his mother was the cook.  The Germans killed her the first time they were here, and now he hates Germans.”

Good for us, very bad for anyone at the castle, particularly if they are German.

“Pity we didn’t know about that earlier so we could organise a trap for them  We could do with two fewer adversaries, and quite possibly we might get some information out of them.  They might be still in the village.”

She stood, put on her coat, and put a gun in the coat pocket where she could easily reach it.  “I’m going to have a word with Chiara, and warn Carlo that you’re here.  He’s a little trigger happy too.  Nothing much is going to happen until we hear back from the Colonel.  I suggest you get some rest, we have a few long days ahead.”

Carlo was a surprise.  Six foot ten, over 250 pounds, and carrying a sten gun over his shoulder, not a man to become an enemy of.  He came into the room without warning, and it was clear he was expecting to see me, and equally that I might be the enemy.

It was clear that he knew how to use the weapon, and had it ready in case he had to use it.

“You this Anderson character?”

He was more English than Italian, but could certainly pass for an Italian.

“I am.”

“From up yon castle?”

“Escaped?”

“How?”

“The lower level, where there are a few storerooms turned into cells.  The passage ran alongside the outer wall to a room that had a door to the outside.  Not one you’d easily pick.”

“Neat the communications room?”

“Probably above there.”

“You know the castle?”

“A little.  I used to be an archaeologist before this war came along, and had been to the castle before the war.  I’m familiar with the above-ground parts, but not so much below.  You were, I was told, a gardener?”

“Once.”

“Then you’d know your way around?”

“Possibly.  Why?”

“Because at some point we’re going to have to retake the place, and it would be good to have someone who knows their way around.  At least, better than I do.”

“Taking prisoners?”

“No.    We will be assuming anyone there who’s not a prisoner is hostile.”

“Good.  Count me in.”

He dropped a basket he’d brought with him on the table in the corner.  “Dinner.”  Marina will be back shortly.

“You’re not staying?”

“Guard duty.  So you can eat in peace.”

With that, he was gone.  A large man, but a very quiet one.  I didn’t hear him arrive, and it was very nearly the same when he left.  A useful man in a fight indeed.

© Charles Heath 2019-2022

Mistaken Identity – The Editor’s Draft – Day 9

I have been working on the story, the editor is asking for a second draft after making suggested changes – and I’m now working on it

…

Today Jack is about to become as confused as he ever will be. Well, maybe not as ever, but it’s the start of a time when he will not know what is happening.

Firstly, there’s Maryanne. Whilst the full extent of the enigma she will be for nearly three-quarters of the book, may need a little adjustment when it comes to the first edit, I know something about her now, and those characteristics will gradually be dropped in front of the reader.

Some will say, after this chapter, that she is in trouble. Jack has known that from the start, but that assessment really comes from a distinct lack of understanding of women in general. Yes, he had had girlfriends, but not like Maryanne.

And, before you asked, yes, she is, in part, modelled on a woman I once knew, and she was nothing like any other woman I had known. She was genuinely a beautiful soul, and very much misunderstood.

Jack is fortunate in that he is hesitant to take that last step, though I suspect he might want to, but there are reasons for holding back.

These will be more apparent in the next chapter … I hope.

It’s written in my head, and I’m tempted to stay up and write it, but it’s late, and life other than being a writer will impinge on my time tomorrow.

Today’s effort amounts to 2,018 words, for a total, so far, of 22,612.

More tomorrow.

Searching for locations: O’Reilly’s Vineyard, Canungra, Queensland, Australia

O’Reilly’s Canungra Valley Vineyards located on Lamington National Park Road, Canungra, Queensland, is a 15-acre vineyard with the 163-year-old historic homestead ‘Killowen’ set up with dining rooms and long verandahs, and extensive grounds that are next to the Canungra creek where it is possible to find Platypus and turtles while partaking in a picnic.

There are about 6,000 vines of the (white) Semillon, Verdelho and (red) Chambourcin, Shiraz and Petit Vedot varieties.

We visited there in December when the vines were just starting to produce fruit. 

That fruit is usually harvested in February and then turned into wine.
The setting for picnics is, on a warm Summer’s day is idyllic, where you can wade in the creek, or go looking for a platypus.  We did not see one there the day we visited but did spend some time sitting beside the creek.

Do you do any armchair travelling?

Once upon a time…

It was impossible to travel to any destination you would like to go to in the world.

Except perhaps if you had a travel guide, a book about a particular place, or watch a geographical documentary, which was limited to one person’s point of view.

Now, with the internet, it’s possible to go anywhere, read up on any place, and even see what it looks like.

I have been along many a street in several towns or cities, over 12,000 miles away, as if I was actually there.

I can construct a path from one part of a city to another, and know exactly what there will be along the way.

The thing is, I can be thoroughly at home in a place I’ve never been to, and this is invaluable for writers.

And travellers.

I can’t tell you how many times I’ve researched my way around a city long before I got there, and then know exactly where to go and what to do, even how much it costs.

It’s why I’ve never been lost in New York, London, Paris, or any of the cities, and it was particularly invaluable in Philadelphia when we only had an afternoon to see the sights.

Now, whenever I have a part of a story to write, I hit the internet.

In a story I’m currently writing, I’m flying from Djoubuti to an airstrip in Northern Uganda, where I’ll be leading a team along a river that is the defacto border between Uganda and the Democratic Republic of the Congo, to a possible plantation that was once an airfield.

Or that might change, but in this particular case, I know exactly what the terrain is like where the river is navigable, where I need to go and how long it will take.

Certain you would have to agree that’s better than having to go there in person and run the risk of being killed or worse.