Searching for locations: The Mary Valley Rattler, Gympie, Queensland, Australia

I have a passion for visiting transport museums, to see old trains, planes, buses, cars, even ships if it’s possible.

This has led to taking a number of voyages on the TSS Earnslaw in Queenstown, New Zealand.

Many, many, many years ago on Puffing Billy, a steam train in the Dandenongs, Victoria, Australia.

The steam train in Kingston, New Zealand, before it was closed down, but hopefully it will reopen sometime in the future.

The London Transport Museum in London England, which had a lot of buses.

The Workshops Railway Museum in Ipswich, Queensland, where once the many steam engines were built and maintained, and now had only a handful of engines remaining.

However, in the quest for finding and experiencing old transportation methods, we came across the Mary Valley Rattler, which runs out of Gympie, Queensland, Australia.

The ride begins in Gympie at the old Gympie Railway station, and as can be seen below, is one of the relics of the past, and, nothing like the new more modern stations. Thankfully.

If you’re going to have a vintage train, then you have to have a vintage station.

The Class of engine, seen below, is the C17, a superheated upgrade to the C16 it was based on, and first run in 1903. This particular engine was built in 1951, although the first of its type was seen in 1920 and the last of 227 made in 1953. It was the most popular of the steam engines used by Queensland Railways.

The C designation meant it had four driving axels and 17 was the diameter of the cylinder, 17 inches. It is also known as a 4-8-0 steam locomotive
and nicknamed one of the “Brown Bombers” because of its livery, brown with green and red trimming.

Also, this engine was built in Maryborough, not far from Gympie by Walkers Limited, one of 138.

This photo was taken as the train returned from Amamoor, a trip that takes up to an hour.

The locomotive is detached from the carriages, then driven to the huge turntable to turn around for the return journey to Amamoor.

This is the locomotive heading down to the water station, and then taking on water. After that, it will switch lines, and reverse back to reconnect the carriages for the trip to Amamoor.

The carriages are completely restored and are extremely comfortable. It brings back, for me, many memories of riding in older trains in Melbourne when I was a child.

The trains, then, were called Red Rattlers.

This is the locomotive climbing one of the hilly parts of the line before crossing over the Mary River on a trestle bridge.

This is the engine at Amamoor near the picnic area where young children and excited parents and grandparents can get on the locomotive itself and look inside where the driver sits.

And, no, I didn’t volunteer to shovel coal.

This particular locomotive spent most of its working life between Townsville and Mount Isa and was based in Cloncurry, Charters Towers, and Townsville, before being sent, at the end of its useful days in the late 1960s, to the Ipswich Railway Workshops.

The story behind the story – Echoes from the Past

The novel ‘Echoes from the past’ started out as a short story I wrote about 30 years ago, titled ‘The birthday’.

My idea was to take a normal person out of their comfort zone and led on a short but very frightening journey to a place where a surprise birthday party had been arranged.

Thus the very large man with a scar and a red tie was created.

So was the friend with the limousine who worked as a pilot.

So were the two women, Wendy and Angelina, who were Flight Attendants that the pilot friend asked to join the conspiracy.

I was going to rework the short story, then about ten pages long, into something a little more.

And like all re-writes, especially those I have anything to do with, it turned into a novel.

There was motivation. I had told some colleagues at the place where I worked at the time that I liked writing, and they wanted a sample. I was going to give them the re-worked short story. Instead, I gave them ‘Echoes from the past’

Originally it was not set anywhere in particular.

But when considering a location, I had, at the time, recently been to New York in December, and visited Brooklyn and Queens, as well as a lot of New York itself. We were there for New Years, and it was an experience I’ll never forget.

One evening we were out late, and finished up in Brooklyn Heights, near the waterfront, and there was rain and snow, it was cold and wet, and there were apartment buildings shimmering in the street light, and I thought, this is the place where my main character will live.

It had a very spooky atmosphere, the sort where ghosts would not be unexpected. I felt more than one shiver go up and down my spine in the few minutes I was there.

I had taken notes, as I always do, of everywhere we went so I had a ready supply of locations I could use, changing the names in some cases.

Fifth Avenue near the Rockefeller center is amazing at first light, and late at night with the Seasonal decorations and lights.

The original main character was a shy and man of few friends, hence not expecting the surprise party. I enhanced that shyness into purposely lonely because of an issue from his past that leaves him always looking over his shoulder and ready to move on at the slightest hint of trouble. No friends, no relationships, just a very low profile.

Then I thought, what if he breaks the cardinal rule, and begins a relationship?

But it is also as much an exploration of a damaged soul, as it is the search for a normal life, without having any idea what normal was, and how the understanding of one person can sometimes make all the difference in what we may think or feel.

And, of course, I wanted a happy ending.

Except for the bad guys.

Get it here: https://amzn.to/2CYKxu4

newechocover5rs

Mistaken Identity – The Editor’s Draft – Day 15

I have been working on the story, the editor is asking for a second draft after making suggested changes – and I’m now working on it

…

Well, we knew something was going to happen when Jack walked in the front door of his modest residence.

It’s been trashed.

We have the clues, we know what they are looking for – that item his mother fortuitously dropped off at the travel agency.

No one knows what it is yet, but it is going to be an important part of the puzzle moving forward.

And now Rosalie has it, it means that she is in danger.

Of course, this is the time to contrast his relationship with Maryanne, and that with Rosalie. Back, before he left, he realised he had a thing for her (though is ‘thing’ the right word to use?) and had said he would meet with her when he got back.

So, a meeting is set. Without Maryanne tagging along.

In the meantime, there is that disaster called his residence to deal with, and, of course, he calls the police to report the break-in.

We know where that’s going, don’t we?

Today’s effort amounts to 2,028 words, for a total, so far, of 36,779.

More tomorrow.

The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years. Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it. Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life. I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister. And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021. It even has a cover.

PIWalthJones1

In a word: Might

We might have to use some might to beat the mite. Confused?

Might is force, so expending might is much the same as what Thor does with his hammer.

We might expend some force, we this might is a maybe. You’re never quite sure when someone uses the word might, whether or not they will actually do it.

I might do a lot of things, but somehow I never seem to get around to actually doing them,

Of and just for the record, it’s the past tense of the word may. You know, you may do something, or you might not.

You might also use the word might when being polite, which seems to be a rarity these days because everyone is terse, tense, and it a hurry.

So might I go to the movie will aways get a resounding no if it means you get home late at night. And you’re only 10 years old.

I might be interested, but I don’t think so. Let me think about it. Which also means no.

Of course, if you’re slack in doing homework, you might want to try a little harder next time.

What might have been if only you tried harder?

Then there’s that little pest called a mite, though it goes by a lot of other names, one of which is everywhere, a termite.

Or a dust mite.

It also could be used slangily for a child in distress, that is, look at that poor little mite, he looks so tired.

Or another word for slightly, for example, the girl seemed a mite embarrassed.

‘Sunday in New York’ – A beta reader’s view

I’m not a fan of romance novels but …

There was something about this one that resonated with me.

This is a novel about a world generally ruled by perception, and how people perceive what they see, what they are told, and what they want to believe.

I’ve been guilty of it myself as I’m sure we all have at one time or another.

For the main characters Harry and Alison there are other issues driving their relationship.

For Alison, it is a loss of self-worth through losing her job and from losing her mother and, in a sense, her sister.

For Harry, it is the fact he has a beautiful and desirable wife, and his belief she is the object of other men’s desires, and one in particular, his immediate superior.

Between observation, the less than honest motives of his friends, a lot of jumping to conclusions based on very little fact, and you have the basis of one very interesting story.

When it all comes to a head, Alison finds herself in a desperate situation, she realises only the truth will save their marriage.

But is it all the truth?

What would we do in similar circumstances?

Rarely does a book have me so enthralled that I could not put it down until I knew the result. They might be considered two people who should have known better, but as is often the case, they had to get past what they both thought was the truth.

And the moral of this story, if it could be said there is one, nothing is ever what it seems.

…

Available on Amazon here: amzn.to/2H7ALs8

…

“Trouble in Store” – Short stories my way: Adding some back story for clarity

I have reworked the first part of the story with a few new elements about the characters and changed a few of the details of how the characters finish up in the shop before the policewoman makes her entrance.

This is part of the new first section is the one that involves the shopkeeper`:

This wasn’t the shopkeeper’s first hold up. In fact, over the years there had been a dozen. But only one got reported to the police, and that was only because the robber was shot and killed.

He’d taken a bullet that night, too, which, from the police point of view, made him a concerned citizen simply defending himself.

The rest had been scared off by the double-barrel shotgun he kept under the counter for just such emergencies.

The young punk who came into the shop with his girlfriend had pulled out the pistol and told him if he reached for the shotgun he’d shoot him. The kid looked unstable and he’d backed away.

When the kid collapsed, he should have gone for the shotgun, but instead, he thought he could get to the gun before the girl realized what was happened. She wasn’t an addict and clearly looked like she was only along for the ride. Her expression, when the kid pulled out the gun told him she’d known nothing about her partner’s true intentions.

But, he wasn’t fast enough, and she had the gun pointing at him before he’d got past the counter.

From one pair of unpredictable hands to another.

Like the girl, he was just as surprised when the customer burst in the door, just before closing time.

The situation might have been salvageable before the customer came in the door, getting the girl to go along with the robbery being about money, but there was no denying what the kid on the floor’s problem was.

Damn.

He had to try and salvage the situation simply because there was a lot of money involved, and other people depending on him. He looked at the boy, on the floor, then the girl.

“Listen to me, young lady, you would be well advised to let this man go as he suggests. And, please put the gun down before someone gets hurt. Your friend needs medical help and I can call an ambulance.”

The girl switched her attention back to him. “No one’s going anywhere, so just shut the hell up and let me think.”

The storekeeper glanced over at the customer.

He’d seen him come into the shop once or twice, probably lived in the neighborhood, the sort who’d make a reliable witness, either a lawyer or an accountant. Not like most of the residents just beyond the fringe of respectability.

If only he hadn’t burst into the shop when he did.

Top Gun: Maverick – A review

Let’s get one thing straight from the start, I don’t like Tom Cruise.

But…

Why does he star in so many great films?

Clearly, I’m wrong about him.

Oddly enough I saw the first Top Gun movie and loved it, from my point of view, I love the planes and the flying sequences.

The latest Top Gun entry is even better.

It makes my once-upon-a-time wish to be a fighter pilot one that I should have strived harder to fulfil, but one that is impossible in this country with such a small requirement for fighter pilots.

Oh well…

Moving on. As you would expect of the best of the best, an impossible mission is set up, and for an hour or so all of them fail, as you would expect.

Who cares.

It’s the flight sequences we’ve come to see, not Tom Cruise, or at least I’m probably the only one who has, and they are great.

Oh, and I did come to see Jennifer Connolly too, obviously taking a break from Snowpiercer and the unrelenting cold for somewhere a lot warmer.

It gets a little tense in places, but it fits the story perfectly without overplaying it or letting it dominate the story. This is about the best pilots doing the impossible, which is no less than we could ask of them.

Similarly, the romantic undertone is played to perfection, and also doesn’t distract us from what the story is about.

My only complaint is, what is the attraction of seeing Tom Cruise without a shirt?

I give it five stars. It really is that good!

The cinema of my dreams – I always wanted to write a war story – Episode 22

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination in what happened during the second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

When we arrived back at the underground site Martina was waiting, and it was clear she was extremely annoyed. Word, somehow, had filtered back of what just happened.

“Are you totally mad?” she snarled. “You know what’s going to happen now?”

I had a good idea but chose not to speak.

“They got what they deserved,” Carlo said. “They found the missing man that you left on the side of the road, by the way, and it was lucky we were there when they found him. Whether they believed it was an accident or not, they were heading to Chiara’s, and we had to do something about that.”

“And you didn’t think that might have consequences?”

I think all of us had considered what would happen as a result of what could only be described as an ambush. And, while I thought, as no doubt the others had also, it might lead to retribution killings, it might not. Wallace could not afford to be seen acting like the Germans, who certainly would have lined up a dozen villagers and shot them and might not do anything.

But, when he realised I was involved, and that the so-called remnants of the resistance could and were willing to cause him trouble, he would have to do something about it. Especially with a high-value defector coming his way.

“Wallace certainly can’t do anything about it, other than come and ask questions. He can’t afford to be seen acting as anything but a British officer.”

“But he could get Leonardo and his men to do it for him.”

“Surely he wouldn’t kill the same people he’s lived with all his life.”

“Leonardo’s allegiance’s go to anyone who hands him a free meal ticket. Until the so-called British arrived at the castle, it was fine to be the resistance because he was being paid handsomely for his help. When the Germans left the castle, he considered his job was over, and we all went our different ways, hoping the war was over for us. Of course, that was only wishful thinking. Even when the British turned up at the castle, with the express intention of capturing and repatriating to England any Germans who wanted to defect, his advice was to let them do what they want.”

“What changed?”

“The man in charge, Wallace you call him, sent out a message for those who had been in the resistance to come up to the castle to talk. Leonardo thought it might be an opportunity to get back on the payroll. Carlo and I and several others didn’t go. There they were told they would be paid for each defector they collected and brought to the castle.”

“Didn’t he think that might be a little suspicious since it was just as easy for Wallace to send his own people to collect them, and not have to pay anything?”

“Now that we know they are Germans masquerading as British, it makes sense. But Leonardo is little more than a fool and greedy. He doesn’t care who pays so long as they pay. I suspect he has no idea who he’s working for, or what happens to the people he collects. Anyone who opted out of the new arrangement seems to have disappeared.”

“Many?”

“Three that we know of. They’re probably locked in the dungeons with the others you saw there.”

“How come he hasn’t come after you?”

“Too much trouble, and possibly because it’s a fight he can’t necessarily win.”

“He might not have a choice now. Wallace is going to have to do something about us, simply because he can’t let the defectors fall into our hands, and especially now that we know that’s why he’s here.”

“Then if it’s a fight he’s looking for, then we’ll have to give him one.”

“On that, I just had a thought on how we might be able to even up the odds a little, but I have to give it a bit more thought.”

An idea came to me, one that might just work because I was counting on the fact Wallace would have to do something and depending on… “In the meantime, we have to do something about the rest of the villagers, just in case I’m wrong about Wallace. How many people are left in the village?”

“About twenty. All the rest scattered when the Germans came the first time, and half of those that remained were killed for one reason or another. The previous commander of the castle frequently lost it when any of us refused to co-operate.”

“Then send Carlo out to round them up and put them somewhere safe.”

“There are no safe places anymore,” Carlo said, “None that they don’t know about.”

“What about here?”

“It’s the only place we have left that no one knows about.”

“Well, you don’t have much of a choice.”

Martina was not happy. Her isolated resistance effort was steadily becoming a large-scale attack, not the sort of operation she had intended. But I don’t think it would have stayed that way for very long, given Carlo’s actions.

She turned to Carlo. “Go and round them up and bring them here.”

“And if they refuse?”

“Then we’ve done all we can for them. But tell them that it’s a distinct possibility they will die if they stay where they are. Take Chiara, and hurry. I doubt it will be very long before the castle finds out what happened to their men.”

Carlo and Chiara grabbed a weapon each and left. When they returned, it would be to formulate a plan to take down Wallace and the others at the castle, hopefully before the defector arrived.

That plan that was evolving in my mind didn’t exactly involve the villagers, but the three or four remaining members I was now working. Leonardo might not know of all of them, or even if he did, one of them would be Wallace’s first calling point. It just depended on who he sent.

And if I was a betting man, and if he knew that one of his men was ‘seeing’ Chiara, then that’s where they would go.

The only question to be asked at this point, would we be too late to take advantage of an opportunity to reduce the odds?