An excerpt from “Sunday in New York”

Now available on Amazon at:  https://amzn.to/2H7ALs8

Williams’ Restaurant, East 65th Street, New York, Saturday, 8:00 p.m.

We met the Blaine’s at Williams’, a rather upmarket restaurant that the Blaine’s frequently visited, and had recommended.

Of course, during the taxi ride there, Alison reminded me that with my new job, we would be able to go to many more places like Williams’.  It was, at worst, more emotional blackmail, because as far as Alison was concerned, we were well on our way to posh restaurants, the Trump Tower Apartments, and the trappings of the ‘executive set’.

It would be a miracle if I didn’t strangle Elaine before the night was over.  It was she who had filled Alison’s head with all this stuff and nonsense.

Aside from the half frown half-smile, Alison was looking stunning.  It was months since she had last dressed up, and she was especially wearing the dress I’d bought her for our 5th anniversary that cost a month’s salary.  On her, it was worth it, and I would have paid more if I had to.  She had adored it, and me, for a week or so after.

For tonight, I think I was close to getting back on that pedestal.

She had the looks and figure to draw attention, the sort movie stars got on the red carpet, and when we walked into the restaurant, I swear there were at least five seconds silence, and many more gasps.

Even I had a sudden loss of breath earlier in the evening when she came out of the dressing room.  Once more I was reminded of how lucky I was that she had agreed to marry me.  Amid all those self-doubts, I couldn’t believe she had loved me when there were so many others ‘out there’ who were more appealing.

Elaine was out of her seat and came over just as the Head Waiter hovered into sight.  She personally escorted Alison to the table, allowing me to follow like the Queen’s consort, while she and Alison basked in the admiring glances of the other patrons.

More than once I heard the muted question, “Who is she?”

Jimmy stood, we shook hands, and then we sat together.  It was not the usual boy, girl, boy, girl seating arrangement.  Jimmy and I on one side and Elaine and Alison on the other.

The battle lines were drawn.

Jimmy was looking fashionable, with the permanent blade one beard, unkempt hair, and designer dinner suit that looked like he’d slept in it.  Alison insisted I wear a tuxedo, and I looked like the proverbial penguin or just a thinner version of Alfred Hitchcock.

The bow tie had been slightly crooked, but just before we stepped out she had straightened it.  And took the moment to look deeply into my soul.  It was one of those moments when words were not necessary.

Then it was gone.

I relived it briefly as I sat and she looked at me.  A penetrating look that told me to ‘behave’.

When we were settled, Elaine said, in that breathless, enthusiastic manner of hers when she was excited, “So, Harry, you are finally moving up.”  It was not a question, but a statement.

I was not sure what she meant by ‘finally’ but I accepted it with good grace.  Sometimes Elaine was prone to using figures of speech I didn’t understand.  I guessed she was talking about the new job.  “It was supposed to be a secret.”

She smiled widely.  “There are no secrets between Al and I, are there Al?”

I looked at ‘Al’ and saw a brief look of consternation.

I was not sure Alison liked the idea of being called Al.  I tried it once and was admonished.  But it was interesting her ‘best friend forever’ was allowed that distinction when I was not.  It was, perhaps, another indicator of how far I’d slipped in her estimation.

Perhaps, I thought, it was a necessary evil.  As I understood it, the Blaine’s were our mentors at the Trump Tower, because they didn’t just let ‘anyone’ in.  I didn’t ask if the Blaine’s thought we were just ‘anyone’ before I got the job offer.

And then there was that look between Alison and Elaine, quickly stolen before Alison realized I was looking at both of them.  I was out of my depth, in a place I didn’t belong, with people I didn’t understand.  And yet, apparently, Alison did.  I must have missed the memo.

“No,” Alison said softly, stealing a glance in my direction, “No secrets between friends.”

No secrets.  Her look conveyed something else entirely.

The waiter brought champagne, Krug, and poured glasses for each of us.  It was not the cheap stuff, and I was glad I brought a couple of thousand dollars with me.  We were going to need it.

Then, a toast.

To a new job and a new life.

“When did you decide?”  Elaine was effusive at the best of times, but with the champagne, it was worse.

Alison had a strange expression on her face.  It was obvious she had told Elaine it was a done deal, even before I’d made up my mind.  Perhaps she’d assumed I might be ‘refreshingly honest’ in front of Elaine, but it could also mean she didn’t really care what I might say or do.

Instead of consternation, she looked happy, and I realized it would be churlish, even silly if I made a scene.  I knew what I wanted to say.  I also knew that it would serve little purpose provoking Elaine, or upsetting Alison.  This was not the time or the place.  Alison had been looking forward to coming here, and I was not going to spoil it.

Instead, I said, smiling, “When I woke up this morning and found Alison missing.  If she had been there, I would not have noticed the water stain on the roof above our bed, and decide there and then how much I hated the place.” I used my reassuring smile, the one I used with the customers when all hell was breaking loose, and the forest fire was out of control.  “It’s the little things.  They all add up until one day …”  I shrugged.  “I guess that one day was today.”

I saw an incredulous look pass between Elaine and Alison, a non-verbal question; perhaps, is he for real?  Or; I told you he’d come around.

I had no idea the two were so close.

“How quaint,” Elaine said, which just about summed up her feelings towards me.  I think, at that moment, I lost some brownie points.  It was all I could come up with at short notice.

“Yes,” I added, with a little more emphasis than I wanted.  “Alison was off to get some study in with one of her friends.”

“Weren’t the two of you off to the Hamptons, a weekend with some friends?” Jimmy piped up, and immediately got the ‘shut up you fool’ look, that cut that line of conversation dead.  Someone forgot to feed Jimmy his lines.

It was followed by the condescending smile from Elaine, and “I need to powder my nose.  Care to join me, Al?”

A frown, then a forced smile for her new best friend.  “Yes.”

I watched them leave the table and head in the direction of the restroom, looking like they were in earnest conversation.  I thought ‘Al’ looked annoyed, but I could be wrong.

I had to say Jimmy looked more surprised than I did.

There was that odd moment of silence between us, Jimmy still smarting from his death stare, and for me, the Alison and Elaine show.  I was quite literally gob-smacked.

I drained my champagne glass gathering some courage and turned to him.  “By the way, we were going to have a weekend away, but this legal tutorial thing came up.  You know Alison is doing her law degree.”

He looked startled when he realized I had spoken.  He was looking intently at a woman several tables over from us, one who’d obviously forgotten some basic garments when getting dressed.  Or perhaps it was deliberate.  She’d definitely had some enhancements done.

He dragged his eyes back to me.  “Yes.  Elaine said something or other about it.  But I thought she said the tutor was out of town and it had been postponed until next week.  Perhaps I got it wrong.  I usually do.”

“Perhaps I’ve got it wrong.”  I shrugged, as the dark thoughts started swirling in my head again.  “This week or next, what does it matter?”

Of course, it mattered to me, and I digested what he said with a sinking heart.  It showed there was another problem between Alison and me; it was possible she was now telling me lies.  If what he said was true and I had no reason to doubt him, where was she going tomorrow morning, and had she really been with a friend studying today?

We poured some more champagne, had a drink, then he asked, “This promotion thing, what’s it worth?”

“Trouble, I suspect.  Definitely more money, but less time at home.”

“Oh,” raised eyebrows.  Obviously, the women had not talked about the job in front of him, or, at least, not all the details.  “You sure you want to do that?”

At last the voice of reason.  “Me?  No.”

“Yet you accepted the job.”

I sucked in a breath or two while I considered whether I could trust him.  Even if I couldn’t, I could see my ship was sinking, so it wouldn’t matter what I told him, or what Elaine might find out from him.  “Jimmy, between you and me I haven’t as yet decided one way or another.  To be honest, I won’t know until I go up to Barclay’s office and he asks me the question.”

“Barclay?”

“My boss.”

“Elaine’s doing a job for a Barclay that recently moved in the tower a block down from us.  I thought I recognized the name.”

“How did Elaine get the job?”

“Oh, Alison put him onto her.”

“When?”

“A couple of months ago.  Why?”

I shrugged and tried to keep a straight face, while my insides were churning up like the wake of a supertanker.  I felt sick, faint, and wanting to die all at the same moment.  “Perhaps she said something about it, but it didn’t connect at the time.  Too busy with work I expect.  I think I seriously need to get away for a while.”

I could hardly breathe, my throat was constricted and I knew I had to keep it together.  I could see Elaine and Alison coming back, so I had to calm down.  I sucked in some deep breaths, and put my ‘manage a complete and utter disaster’ look on my face.

And I had to change the subject, quickly, so I said, “Jimmy, Elaine told Alison, who told me, you were something of a guru of the cause and effects of the global economic meltdown.  Now, I have a couple of friends who have been expounding this theory …”

Like flicking a switch, I launched into the well-worn practice of ‘running a distraction’, like at work when we needed to keep the customer from discovering the truth.  It was one of the things I was good at, taking over a conversation and pushing it in a different direction.  It was salvaging a good result from an utter disaster, and if ever there was a time that it was required, it was right here, right now.

When Alison sat down and looked at me, she knew something had happened between Jimmy and I.  I might have looked pale or red-faced, or angry or disappointed, it didn’t matter.  If that didn’t seal the deal for her, the fact I took over the dining engagement did.  She knew well enough the only time I did that was when everything was about to go to hell in a handbasket.  She’d seen me in action before and had been suitably astonished.

But I got into gear, kept the champagne flowing and steered the conversation, as much as one could from a seasoned professional like Elaine, and, I think, in Jimmy’s eyes, he saw the battle lines and knew who took the crown on points.  Neither Elaine nor Jimmy suspected anything, and if the truth be told, I had improved my stocks with Elaine.  She was at times both surprised and interested, even willing to take a back seat.

Alison, on the other hand, tried poking around the edges, and, once when Elaine and Jimmy had got up to have a cigarette outside, questioned me directly.  I chose to ignore her, and pretend nothing had happened, instead of telling her how much I was enjoying the evening.

She had her ‘secrets’.  I had mine.

At the end of the evening, when I got up to go to the bathroom, I was physically sick from the pent up tension and the implications of what Jimmy had told me.  It took a while for me to pull myself together; so long, in fact, Jimmy came looking for me.  I told him I’d drunk too much champagne, and he seemed satisfied with that excuse.  When I returned, both Alison and Elaine noticed how pale I was but neither made any comment.

It was a sad way to end what was supposed to be a delightful evening, which to a large degree it was for the other three.  But I had achieved what I set out to do, and that was to play them at their own game, watching the deception, once I knew there was a deception, as warily as a cat watches its prey.

I had also discovered Jimmy’s real calling; a professor of economics at the same University Alison was doing her law degree.  It was no surprise in the end, on a night where surprises abounded, that the world could really be that small.

We parted in the early hours of the morning, a taxi whisking us back to the Lower East Side, another taking the Blaine’s back to the Upper West Side.  But, in our case, as Alison reminded me, it would not be for much longer.  She showed concern for my health, asked me what was wrong.  It took all the courage I could muster to tell her it was most likely something I ate and the champagne, and that I would be fine in the morning.

She could see quite plainly it was anything other than what I told her, but she didn’t pursue it.  Perhaps she just didn’t care what I was playing at.

And yet, after everything that had happened, once inside our ‘palace’, the events of the evening were discarded, like her clothing, and she again reminded me of what we had together in the early years before the problems had set in.

It left me confused and lost.

I couldn’t sleep because my mind had now gone down that irreversible path that told me I was losing her, that she had found someone else, and that our marriage was in its last death throes.

And now I knew it had something to do with Barclay.

© Charles Heath 2015-2020

Sunday In New York

Top 5 sights on the road less travelled – Perth, Australia

Discover Perth’s Hidden Gems: Top 5 Under-the-Radar Attractions with Unique Charm

Perth, Australia, is often celebrated for its stunning beaches and vibrant culture, but for those seeking quieter, more distinctive experiences, the city and its surroundings harbour lesser-known treasures. These five attractions offer a blend of natural beauty, history, and artistry—without the usual tourist crowds. Perfect for travellers craving serenity and authenticity, here’s where to explore Perth’s hidden side.


1. Bold Park: Eucalyptus Groves and Botanical Wonders

Tucked between the Swan River and the Darling Scarp, Bold Park is a sprawling oasis of 580 hectares of native flora, walking trails, and historic landmarks. While it’s larger than many realize, its size ensures it’s often overlooked by the average tourist. Wander through ancient jarrah and marri forests, or stroll the Daly-Douglas Bridge for panoramic views of the river. The park’s crowning jewel is the Botanic Garden and Perth Zoo, but venture deeper for peaceful spots like the Chinese Garden of Friendship—a tranquil blend of art and horticulture. Bold Park is perfect for picnics, birdwatching, and immersing yourself in WA’s unique ecosystem.


2. South Perth Foreshore: Scenic River Serenity

Just a stone’s throw from the city centre, the South Perth Foreshore offers a picturesque riverside escape. This 2.5-kilometre promenade along the Swan River is ideal for a leisurely walk or bike ride, with breathtaking bridges, art installations, and sweeping views of the city skyline. Unlike the busier northern foreshore, this area is rarely packed, making it a prime spot for yoga, photography, or a quiet sunset. Don’t miss the Hassell Bridge at dusk—its illuminated arches reflect beautifully on the water, creating a postcard-perfect scene.


3. Karrakatta Cemetery: A Garden of History

Step into the past at Karrakatta Cemetery, WA’s original burial ground and a living museum of colonial history. Established in 1829, this peaceful garden cemetery is the resting place of Western Australia’s founding figures, including Premier John Forrest and pioneering women like Lady Frederick Broome. Its serene paths and historic monuments offer a unique glimpse into the region’s past. The cemetery’s ornate design and lush greenery make it a fitting tribute to those who shaped Perth. It’s also a birdwatcher’s haven, with native species thriving in the quiet environment.


4. Perth Institute of Contemporary Arts (PICA): Modern Art with a Side of Serenity

For art lovers, PICA is a must-visit. Located in the heart of Perth, this contemporary art space hosts cutting-edge exhibitions, performances, and installations that often fly under the radar of typical tourist itineraries. The venue’s sleek architecture and thoughtfully curated collections create an atmosphere that’s both inspiring and understated. PICA’s indoor-outdoor spaces and rooftop views of the city add to its charm. With smaller crowds than the Art Gallery of WA, it’s a perfect spot to engage with Australia’s modern art scene at your own pace.


5. Kings Park’s Secret Spots: Beyond the Main Attractions

While Kings Park is Perth’s largest park and a major draw for wildflower season, its lesser-known nooks remain uncrowded. Skip the main lawns and trek to the Pinjarra Hills for peaceful bushwalking or the Garden of Resilience, a 1.5-hectare native plant garden showcasing WA’s environmental efforts. The Culturama (open for three months each spring) offers interactive Indigenous art workshops and a cultural hub with a relaxed vibe. These hidden corners of Kings Park provide a chance to connect with nature and local heritage without the crowds.


Why Explore These Gems?

Perth’s less-crowded attractions often highlight the city’s unique identity—whether through history, art, or natural beauty. By venturing beyond the usual spots, travellers can experience a more intimate side of Western Australia, free from the hustle and bustle of mainstream tourism.

Next time you’re in Perth, take the path less travelled. Discover where eucalyptus groves meet contemporary art, and history mingles with serene landscapes. These hidden spots not only showcase the city’s diversity but also reinforce why Perth is more than just a gateway to the West Australian coast—it’s a destination with layers waiting to be uncovered.

Have you visited any of these underrated attractions? Share your favourite hidden gems in the comments below! 🌿✨

Skeletons in the closet, and doppelgangers

A story called “Mistaken Identity”

How many of us have skeletons in the closet that we know nothing about? The skeletons we know about generally stay there, but those we do not, well, they have a habit of coming out of left field when we least expect it.

In this case, when you see your photo on a TV screen with the accompanying text that says you are wanted by every law enforcement agency in Europe, you’re in a state of shock, only to be compounded by those same police, armed and menacing, kicking the door down.

I’d been thinking about this premise for a while after I discovered my mother had a boyfriend before she married my father, a boyfriend who was, by all accounts, the man who was the love of her life.

Then, in terms of coming up with an idea for a story, what if she had a child by him that we didn’t know about, which might mean I had a half brother or sister I knew nothing about. It’s not an uncommon occurrence from what I’ve been researching.

There are many ways of putting a spin on this story.

Then, in the back of my mind, I remembered a story an acquaintance at work was once telling us over morning tea, that a friend of a friend had a mother who had a twin sister and that each of the sisters had a son by the same father, without each knowing of the father’s actions, both growing up without the other having any knowledge of their half brother, only to meet by accident on the other side of the world.

It was an encounter that in the scheme of things might never have happened, and each would have remained oblivious of the other.

For one sister, the relationship was over before she discovered she was pregnant, and therefore had not told the man he was a father. It was no surprise the relationship foundered when she discovered he was also having a relationship with her sister, a discovery that caused her to cut all ties with both of them and never speak to either from that day.

It’s a story with more twists and turns than a country lane!

And a great idea for a story.

That story is called ‘Mistaken Identity’.

365 Days of writing, 2026 – 10/11

Days 10 and 11 – Writing exercise

Standing over the grave, staring down at the coffin that held the body of my wife, there was only one question.  “Just who the hell were you?”

I was there when Mary Antoinette Davis died.  I wasn’t expecting it, but who does, at any time?

It shouldn’t have happened, but it did.  Simple, fast, a blink of an eye, and she was gone.

It wasn’t fair, but then, most of life isn’t.  It hands you a deck of cards, and you put them in the order you want them to be in.  And sometimes you get it right, and sometimes you get it wrong.

Like that morning.

The same as every other morning when Mary was home.  We slept in till ten, wandered around the house for an hour, had coffee, toast and marmalade, home-made by the neighbour next door.

Dress and go shopping, or sometimes to the cafe to have tea and scones.

Not this morning.

It was to the village grocery shop.

It had been raining.  The side of the road was wet, so we were walking on the edge of the road when there were no cars.

And then, within sight of the shop front, a car came, rather fast, and we got out of the way.

Just.

But she slipped on the wet grass and fell down.  Shaken.  She thought she had hit her head, feeling a little faint, but then, after a few minutes, she was back to her old self again.

We bought oranges, apples, some rhubarb, and bananas.  A fruit salad.

Then it happened.  I turned to pay Silvia, the storekeeper, and when I turned back, Mary had collapsed on the floor.

Quietly.

Not panicking, thinking it might be some residual effect from the slip, I took her hand and squeezed it, saying, “Are you alright?”

There was no response.

I shook her shoulder gently, but there was still no response.

I turned back to Sylvia.  “Please call an ambulance.  This might be serious.”

I heard her go over to the telephone and dial the number.  I turned back and decided to test for a pulse.  Not that I could remember how.

That was when Doc Adams came in, saw Mary on the ground, and came straight over.  He had been her doctor for most of her life.

“What happened?”

“She slipped and fell outside, avoiding a speeding car, and I think she hit her head, but she wasn’t dizzy for long.  She just collapsed just now.”

I watched him as he checked everything I’d forgotten to, and then for a pulse.  He was shaking his head.

Sylvia yelled out, “Ambulance here in five, they were just up the road.”

Otherwise, it would take twenty from the nearest depot.

“There’s no pulse, her eyes…”

He leaned down to see if she was breathing, then started C.P.R.

I didn’t want to ask, but in that moment I felt a chill run through me.  I knew she was dead because part of me had just died with her. 

That’s when I felt the room start to turn, and moments later, nothing.

I woke in the small hospital in the nearest town.  It handled non-serious cases, but mostly acted as a triage centre before shipping people off to the city an hour away.

Mary wasn’t there.

Angelina, the matron, nurse, pseudo doctor when Doc Adams was not there or in transit, and general factotum, was sitting beside the bed, knitting.

Nobody ever knew what she was knitting, and they never asked.

“You’re awake?”

I hoped I was recovering from a nightmare because my first thought was horrifying if it was true.

“Mary?”

“Doc couldn’t revive her.  I’m sorry, Evan.  Doc said she had taken a blow to the temple area, found an abrasion, went back to the accident site and found the rock.  Delayed reaction, or some such.”

“She’s dead?”

“Yes.  The police will be here soon and ask you some questions.  Routine, whatever that means.  Doc had her taken to the city hospital, and you will have to go and identify her, for the record.”

She put the knitting aside and stood.  “Doc told me it would not be a good idea if you drove anywhere, just for a day. It’s been a huge shock for you, for all of us.  Doc asked me to bring you, unless…”

“It’s fine.  I don’t think I could concentrate.  How is it possible…?”

“Simple things sometimes trump the more complex.  The odds are a million to one that she would fall and hit her head in that exact spot.  A billion to one even.  I can’t believe it myself.  None of us can.”

She continued with her checks, ticking boxes and making notes with the fountain pen that Mary had given her last Christmas.  They were old friends.  Angelina had known her long before I had, and they had their secrets.

“Can I go now?”

“Sorry.  No.  Not yet.  Have to monitor you for a half hour.  Doc’s orders.

I felt fine, but then what I thought I knew was not what Angelina was taught to expect.  Her medical training was extensive, proving a handy backup for the Doc.

He had asked her if she wanted to go to med school; he could arrange it, but she had shied away from fully committing because she wanted better.

What could be better than being a doctor?

I would be one in a heartbeat if I had the talent, but I did not.  I was destined to be an agricultural labourer, with no qualifications and no prospects.

What I couldn’t believe was a brilliant girl who could be anything she wanted, wanted to marry me and live in the village.  When she was not away being brilliant at her real job.

She explained it to me some time ago, but it was all double Dutch to me, well, some of it anyway.  I was a little smarter than I looked, and I think Mary knew, just decided not to rock the boat.

Her friends certainly thought I was just this farmer guy, punching above his weight.  It was true, if not unexpected.  She was the belle of the ball, the pick of the crop, and I ran last in the stakes for a date.

Until I saved her from one of the upper-class boys.  That day, I became her hero and their whipping boy.  Until one day it stopped.  Henry Turbot, son of the local laird, considered her his property because his parents owned everything, even us pathetic farm workers.

And then went about proving a point.

Until he disappeared.

The mystery of the missing Henry Turbot.  The police came and asked questions until they were satisfied I had nothing to do with his disappearance.  Apparently, according to some, there was a portal near the bakery building, painstakingly rebuilt when transferred from a local Stonehenge to the common.

Somehow, he had activated it and disappeared into the ether.  People preferred mumbo-jumbo to the truth;  he had disappeared to his grandmother’s in America. 

I was the luckiest man in the village.  Now I was the saddest.

It was painful to visit her in the big city hospital morgue.  It was her, she was dead, and I had half an hour before she was taken to the undertaker.

The funeral was in a few days.

She had no family, so there was no one to call.  We had no family, she was unable to have children because of a riding mishap when she was younger, and I was an only child of now deceased parents.

She had friends all through the village.  They were all devastated.  Most treated me with indifference, and now she was gone, as though I didn’t exist.

I rang her work, picking a number off her phone that oddly said work.  It was strange.

“Identification?”

“It’s Mary Antoinette Davis husband.  I’m calling to tell you she died yesterday.”

“Who is this?”

Didn’t they listen?  “I’ve already told you “

Silence for a moment.  “Wait.”

I waited.  For five minutes, then a woman answered, “Who is this?”

“The husband of Mary Davis.  I’m calling the number on her phone that says work. Who are you?”

“Irrelevant.  She’s dead.”

“Yesterday.  An accident.”

“And you are,”

“Her husband.”

“Of course.  Thank you.”

The line went dead.  I put the phone down, and a minute later it looked as if self-destructed.

What the hell…

What a strange bunch of people she worked for.  But what did I know about medical research and finding cures for complex maladies?  It was ironic that a medical condition other than a serious disease killed her.

Slipping and falling on a rock.

I thought no more of it and went down to the local pub.  Rex, one of the other farmers, asked me if I wanted to talk.  I didn’t, but perhaps a drink or two might have eased the pain.

Outside the pub, I arrived at the same time as a black Audi.  I don’t know why it caught my attention.  Perhaps it was the four men sitting in it.  Suits, big, men who’d seen a few bar fights.

They didn’t get out.  I went inside.

Rex was sitting at the side of the bar where we farmers say, away from the village folk.  Rex was nibbling at the remnants of a pork pie.  There were two large ales sitting in front of him.

I went over and sat.  He slid one over.

“You should be looking sadder,” he said without looking at me.  He was watching the door.

“I am.  I’m just hiding it well.”

The ale was not bad.  It was one the publican brewed himself.  He was getting better at it.  Rex and I were his Guinea pigs.

“Shell be missed.”

“Especially by me, Rex.”

“Damn horrible way to go.  It just goes to show we can all pop off at any moment.”

If been thinking about that, the randomness of it.  I’d also been reliving the event over and over in case I missed a detail, a sign that would tell me everything wasn’t alright.

There wasn’t any.

So, we talked.  People came, and people went, some who knew her, some who didn’t.  No one had a bad word to say about her.  Her friends, though, nodded but didn’t have anything to say.

If I could read minds, they’d probably be saying it was my fault she was dead.  If it came to that, they were probably right.  If she had not come home, it would never have happened.

It was, quite literally, my fault.

I left the pub after one too many drinks.  I didn’t drive, I walked, and I took the back path behind the pub that cut through the thicket and the bottom of Giles’ farm, two up from mine.

It was a public access path, and there had never been any trouble about it.  There was none tonight, except that as I approached our house, I saw two men walking towards the road, and a car drove off at speed.

That was unusual for these parts.

I went around the front, and when I got to the door, I could see it was ajar slightly.  I didn’t remember leaving it unlocked or partly open.

I pushed it open and looked in.  Someone had trashed the place, tossing everything out of cupboards, off shelves, off benches,  drawers emptied, seats slashed, and the stuffing ripped out.

In the other rooms, it was worse, clothes and belongings tossed everywhere, walls smashed in with gaping holes.

Someone had been looking for something and not found it.

I called the village constable.

Constable Jack Dwyer was close to retirement and ready to hang up his hat; that realisation, he said, was after trying to chase down a young offender on foot.

Neither the speed nor the stamina these days for the requirements of modern policing.

He was old school.

He arrived at the door where I was waiting outside, not wanting to contaminate the crime scene any more than I already had.

I watched all the police shows and knew the jargon.

“Evan.”

“Constable.”

“Jack, please.  You and Mary are friends.” 

He had a slight wheeze from the walk from the lane up to the door.

He peered in the door, and I heard a sharp intake of breath.  “What have we here?’  He pushed the door open further and took a few steps into the room.

I followed.

“When?”

“I came home a half hour ago, so it happened in the three hours before that.  I was at the pub.  Came home, this was what I found.”

“Touch anything?”

“Very little.”

“Anything missing?”

“Nothing obvious.  Why would people be looking in walls? That strikes me as not your average thief.”

“It does not.  I’ll call it in.  This is serious.”

“Do you think it might be something to do with Mary’s death.  She was a cutting-edge researcher, brought something home?”

He shrugged.  “Can’t say.  Let the experts work it out.  Above our collective pay grade, I think.”

He went back out onto the porch and made the call.

I took another look.  I tried to recall any episodes of the dramas I watched for similar incidents.  The best I could come up with; she was a spy and had secrets hidden away, on hand in case she had to run.

And then I laughed at the stupidity of that assessment.  She was a medical researcher.  Her work took her all over the world.  She was going to cure cancer.  We spoke about it often.  If anyone could, I knew it would be her.

When I came out of the bedroom, Jack was by the front door examining it, then looked at me, “Who has a key to the front door.”

“Both of us.”

“Anyone else?”

“No.  Why.”

“This door shows no signs of tampering.  It was opened with a key.”

Mine was in my pocket.  I had her bag, collected from the hospital when I identified her.  I fetched it from the car.  The key was on a key chain with other keys we shared.

“Both accounted for.”

He shrugged.  “Can you stay somewhere else for a few days?”

“Of course.”

We went out, and I locked the door and gave him the key. 

“I’ll let you know when the forensics are done.  They should be here tomorrow.  Bad business, Mary going like that.  One in a billion, the Doc says.  I’m sorry for your loss.”

I thanked him, and he left.

I refused to believe this had anything to do with Mary’s death.

The funeral service was attended by everyone in the village and some from the surrounding villages.  There was no one out of place, or I didn’t recognise.

No one from her work turned up.  I had met some of her colleagues fleetingly, first names only and only briefly to the point where I wouldn’t recognise them again.

The rebuff from the telephone call still lingered, and the fact that the phone self-destructed, well, no explanation made it sound plausible.

It was a beautiful service, a tribute to the fact that everyone loved her.  I got to say a few words before I couldn’t.  Others were equally overcome by emotion.

It was a short trip from the church to the freshly dug grave, where another little service was conducted, and the coffin was lowered into the grave.

Flowers, dirt, done.  Handshakes, hugs,  muttered condolences and then nothing.  I was alone by the grave, staring down at what had been the love of my life.

Then my cell phone rang.

No name, no number.

“Hello?”

“Evan, Mary’s husband?”

“Yes.”

“Don’t go home.  Leave, now.  Don’t look back.”

“What?  Who is this?”

“I worked with Mary.  She was murdered.  They’re after me.  And now you.  They think we have it, but we don’t, and no one will believe us.  Run.  Now.”

The line went dead.

I stared at the phone.  That voice on the other end.  Near hysterical.

I stared down at the box in the grave.  “Just who the hell were you, Mary Antoinette Davis?”

The truth was, I didn’t know, and what I thought I knew wasn’t even remotely true.

In that moment, a montage of scenes popped into my head.  The knowing looks between friends, the nuances and double meanings of her conversations, the way the policeman, the doctor and the matron acted.  They all knew.

A loud bang that sounded very much like a gunshot came from behind me, and I jumped, almost slipping into the grave.

I ran.

©  Charles Heath  2026

“The Devil You Don’t”, she was the girl you would not take home to your mother!

Now only $0.99 at https://amzn.to/2Xyh1ow

John Pennington’s life is in the doldrums. Looking for new opportunities, and prevaricating about getting married, the only joy on the horizon was an upcoming visit to his grandmother in Sorrento, Italy.

Suddenly he is left at the check-in counter with a message on his phone telling him the marriage is off, and the relationship is over.

If only he hadn’t promised a friend he would do a favour for him in Rome.

At the first stop, Geneva, he has a chance encounter with Zoe, an intriguing woman who captures his imagination from the moment she boards the Savoire, and his life ventures into uncharted territory in more ways than one.

That ‘favour’ for his friend suddenly becomes a life-changing event, and when Zoe, the woman who he knows is too good to be true, reappears, danger and death follow.

Shot at, lied to, seduced, and drawn into a world where nothing is what it seems, John is dragged into an adrenaline-charged undertaking, where he may have been wiser to stay with the ‘devil you know’ rather than opt for the ‘devil you don’t’.

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The cinema of my dreams – I always wanted to write a war story – Episode 33

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination with what happened during the second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

Neither of us knew what to expect, and I had tried to steel myself for the worst. It was war, and I’d seen some awful things, but when it had happened to people you knew, and to a certain extent civilians that were nothing to do with the war, it was all that much harder to both understand why, and see.

There were dead, I counted at least ten, villagers who were innocent of any crime other than the fact they didn’t like Leonardo. They had no chance, shot and left to die in almost the same positions I’d seen them when I’d left earlier.

But, after checking everywhere, I could not find Martina.

Then Jack appeared. He came up to me and tugged on my trouser leg. “So this is where you got to?” I said. Why had he come back, though?

He headed back further into the cavern near where we had been earlier, a doorway I had not seen. It was ajar. Jack simply stood still, looking at it.

I pulled out my service pistol, not wanting to be caught unaware, and moved quietly towards the door, then slowly pulled it open.

At first, I saw nothing, then, looking down, I saw a figure on the floor. I knelt down to see who it was. The boy, Enrico. I’d seen his parents earlier, both dead. He must have escaped and hidden in the room, and, luckily, no one had followed him.

Except for Jack. Or had Jack come back, having sensed something awful had happened?

I checked him but there didn’t seem to be any wounds, and, when I shook his shoulder, he jolted, and jumped up ready to attack me, until he saw who it was, then grabbed hold of me. He was shaking, and suddenly sobbing. He had seen what had happened, and it was not something he was going to forget.

And he was going to want to exact revenge.

He was not the only one.

It took ten minutes before he had calmed, and managed to sit, leaning back against the wall. The room was where empty bottles were stored on wooden boxes, and he must have hidden among the crates. Anyone searching quickly wouldn’t venture much past the doorway.

It had saved his life.

Then, when I asked, he related what happened.

It was over very quickly. There had been a pounding on the door, and Martina had assumed it was Chiara returning. Chiara, he said, had said she had a small errand to run before locking herself in with the others.

When Martina opened the door, Leonardo was there, and they captured her, then set about killing everyone else. Enrico had been in the rear of the cavern looking for extra places for the others to camp when he heard the shots being fired.

Instead of going back to see what was happening, he hid in the bottle room, afraid for his life. Afraid for his parents and the others, but he had quickly realized there was nothing he could do. Leonardo had used the act of surprise.

One of Leonardo’s men had come back to where he was hiding, and just as he put his head in the door, Leonardo had called him back. They had to leave before Carlo and I returned. One of his men suggested they remain and capture us when we came back, but Leonardo said we’d come to him as soon as we saw what had happened.

He was right.

Carlo had made up a list of the dead and found that not only Martina was missing, so was Giuseppe and Francesco.

I told him Chiara was still alive, but barely, that Leonardo and his men had almost killed her, extracting the other’s whereabouts.

Martina and the others were most likely receiving the same punishment Chiara had received, up at the castle in one of the dungeons.

We were going to have to rescue them if they were still alive.

In fact, now that Thompson had sent reinforcements, the fight was going to be a little more in our favor with six of us, instead of two. Perhaps seven, if I could not persuade Enrico not to come, but that was going to be difficult. In his place, I would feel exactly the same.

When Enrico was ready, we went back out to the main cavern where Carlo was sitting, head in hands. It was probably the only time he would get to mourn his fellow villagers/

Jack was seeking forgiveness for deserting me, but I was not mad at him. That he was able to give some form of companionship to Enrico probably saved him from making a mistake thinking he could exact revenge on his own.

I told him Leonardo would pay for this, and, predictably, he told me that he would be coming with us. I promised myself that I would find some way of keeping him safe.


© Charles Heath 2020-2023

A long short story that can’t be tamed – I always wanted to rescue a damsel in distress – 6

Six

I was about to tell Emily not to open the door but for some reason, I simply stood there unable to do anything.  It was not shock or fear, but a hesitation.

Emily looked at me, perhaps for approval, then looked through the peephole in the door.

“Who is it,” I asked, finally finding a voice.

“I can’t see him clearly but it looks like the man in the pin-striped suit, that chap who got in the elevator with us.”

Why wasn’t I surprised.

“What should I do?” she asked when I hadn’t said anything.

I was not sure what to think, but from first appearances, he didn’t look like an assassin, or very dangerous, but what did I know about assassins?  Or dangerous people?  “Let me answer the door.  You stand just out of sight until we find out his intentions.”

“You don’t think…”

“I’m trying not to think right now, but please, just stand out of sight of the door, and have your phone set to call emergency, just in case.”

Another knock on the door, not impatient but nonetheless insistent, motivated her to do as I’d asked, and I took her place at the door.  When she was in place, I took a deep breath, exhaled, and then opened the door.

It was, indeed, the man from the elevator.  I decided attack was the best form of defence.  “You were in the elevator.  Give me one reason why you couldn’t speak to us then?”  It came out exactly as I’d intended, a harsh tone from someone who was annoyed.

“Forgive me, but I wasn’t sure that I had the right person.” A placatory tone.

“How did you know what room to come to?”  He hadn’t followed us, or at least I didn’t think so, but he could have discreetly kept an eye on us.

“I was told you would be here.”

“By whom?”  The only person who knew we would be here was Cecile, though she could not know when.

“Your friend said you would be here.”

“Which friend?”

I could see that he was now getting impatient, his expression changing from genial to annoyance. 

“We should not be discussing this in the hotel corridor.”

“Perhaps not, but I don’t trust you, and until you tell me what this is about, the hotel corridor is where you’re staying.  I’ll ask again, which friend?”

“Cecile Battersby of course.”

Right name, but it could still be a bluff.  Her name would be in the hotel computer system, information that could be bought by a clever adversary.

“Describe her.”

“Alas, I have not met her.  I have been sent as an intermediary.  This is a rather delicate matter, and not one that I wish to discuss in the hotel corridor.”

“Then I suggest you call me when you are in the open in plain view with other people place, but it will not be here, in this room until I’m satisfied I can trust you.”

I could tell by his expression it was not the answer he was looking for.

He took out his cell phone.  “I assure you, you are in no danger from me, but if you insist.”

I gave him my number and he put it into his phone.

“You will be hearing from me soon.  Let’s hope she does not suffer because of this.”

With that cryptic remark, he left, and I closed the door.

“What do you think he meant by saying she might suffer?  Suffer what?”

“It’s just a means to try and scare us into doing something we might regret.  We have no idea who he was, or what he wanted, and I was certainly not going to let him into the room.  I’m sure we’ll soon find out.”

He might have been a public servant.  Don’t they wear pin-striped suits and carry umbrellas?

A stereotype, I thought, that everyone had of the British, but this one was lacking the third element, a bowler hat.

“Let’s wait and see.  But, in the meantime, since whoever he represents knows where we are, let’s get out of here, just in case.”

Her face registered the exact same fear level I was feeling. 

Once again, I found myself asking the impossible question, what had she got herself mixed up in?

I looked through the peep hole and saw that our section of the passage was clear.  I was taking a gamble that he’d left, and if the coast was clear, we would be leaving via the fire escape, just in case he had the elevators monitored.

I opened the door and looked up and down the corridor.  Clear.

To Emily, I said, “Let’s go.”

©  Charles Heath  2024

The cinema of my dreams – Was it just another surveillance job – Episode 16

As we all know, writing by the seat of your pants is almost the same as flying by the seat of your pants, a hazardous occupation.

As it happens, I like writing this way because like the reader, I don’t know what to expect next.

And equally, at times, you can write your self into a corner, much like painting, and then have to go back, make a few changes and//or repairs and then move forward.

It’s part of the writing process, only in this case, the changes occur before you’ve finished the novel if you finish.  Quite often a lot of writers get only so far, then the manuscript hits the bottom drawer, to be brought out on a distant rainy day.

Or your cat has mocked your writing ability one too many times.

Therefore, we’re winding back to Episode 16, and moving forward once again, from there.

O’Connor seemed to be more affluent than I because he was living in a flat located in an upmarket building.  Getting into the ground floor required a passkey, one I suspect might also be needed to get in the front door of his flat, but I’d worry about that later.

My first problem was that front door, and it was not until a tradesman exited that I took the opportunity to appear to arrive at the same time, pretending to find my card, and brushing past him as he was exiting.  He ignored me, his hands full, being in a hurry.

It took a day and a half of watching the building, waiting for an opportunity.  His flat was on the third floor and although there was an elevator, I took the stairs, hoping that I wouldn’t run into anyone.

Quickly and quietly, and thankfully without seeing another resident, I came out into the passageway, and it was about ten steps to his front door.  Number 37.  Not far away, in one direction, the end of the passage, and numbers 38, 39, and 40.  In the other, four more flats and the end of the corridor.  Windows at either end, perhaps an escape route.  I would not use the elevator if I had to leave in a hurry.

There were two elevators and one staircase.  Both elevators were stationary on the ground floor.

I knocked lightly on the door to number 37.

No answer.

I knocked a little harder on the door.  It was quite solid, and I had to wonder if the knocking sound penetrated the solid wood.

I checked the lock.  Simple to open.  We’d been given instruction by a master locksmith, and I’d brought my tools.

I waited a minute, checked to see if the elevators were still on the ground floor, then picked the lock and was inside within a minute.

Silence.

I felt along the wall for a light switch, usually by the door, and found it, and flicked it on.  The sudden light was almost blinding, but then my eyes adjusted.

Trashed, much the same as my flat.

But, with a difference.

A woman was stretched out on the floor, unmoving.  I could see, from where I was standing, she had been hit on the back of the head and could see the wound, and a trickle of blood through her hair.

Five steps to reach her, I reached down to check for a pulse.

Yes, she was alive.

I shook her gently.  She didn’t react.  I shook her a little more roughly and she stirred, then, as expected, lashed out.

I caught her hands, saying, “I just found you.  I’m not your enemy.”

Of course, considering I was a stranger in what could be her flat without permission, I was not surprised she continued to struggle until I tried being reassuring.  Then she stopped and asked, “Who are you?”

“A friend of O’Connor.  I worked with him.  Something happened to him at work and he said if that happened, I was to come here.  He didn’t say anything about you, though.”

“I live here, in the flat next door.  I heard a noise and came to investigate.  That’s all I remember.”

I helped her up into a sitting position, and, holding her head in her hands, looked around.  “Did you do this?”

“No.  Just got here.  But it’s the same at my place.  The people who did this are looking for something.  By the look of it, they didn’t find it here either.”

“I’ll get a damp cloth for your head.  It doesn’t look serious but there might be a slight concussion that might need attention.”

She felt the back of her head, and, when she touched the wound, gasped, “It hurts though.”

I stood and went over to the kitchenette.  O’Connor was not much of a cook, the benches looked new, and there was nothing out.  I looked in a draw near the sink and found a cloth, still with the price tag on it.  So were several utensils in the drawer.  I ran it under the water, then went back to her, now off the floor and sitting on one of the two chairs.  I handed her the wet cloth and she put it against the injured part of her head.

I made a mental note, it didn’t look like O’Connor had been here long, if at all.  Something was not right here, and if that was the case, I should take care when saying anything to this woman.

“Who are you again?” she asked.

“I worked with him.  My name is irrelevant.  It’s unlikely that he mentioned me to you, or anyone.  It’s the nature of our work.”

“Why should I believe you?  You could be my attacker.”

“If that were the case, why would I still be here trying to be helpful.”

A good question that elicited a curious expression.

“What do you do, what did Oliver do?”

Alarm bells were going off.  Oliver was not O’Connor’s first name.

“Nothing very interesting, I can assure you, and definitely nothing that would warrant this happening.  If it had only been me, I would have not thought any more of it, but since we worked together, and this has also happened to him, it seems we are mixed up in something bad.”

“Where is he, by the way?”

“I was hoping you could tell me.  If you live next door and know him well enough to be here, he might have told you.”

“No.  He never spoke about work.”

She was trying to stand so I helped her up and held on when it looked like she was about to collapse.  Last time I had a knock to the head, I had dizziness for a minute of two.  Her knock had been a lot harder.”

“Are you alright?”  She didn’t look it.

“I will be, I’m sure.”

I let her go, and she took several steps, then gave me a rather hard look.  “Why are you here again?”

“Trying to find my friend.”

“How did you get in here?”

Rather than make her disorientated, the knock must have sharpened her senses.  Time to test a theory. 

“I think we should call the police now, and report the break-in.”

I pulled out my phone.

“Look, I don’t want to get mixed up in this.  You go, and I report this when I get back home.  And, if you find him, tell him Josephine is looking for him.”

As I thought.  She was not able to explain to the authorities why she was in this flat, as I’m sure she believed I couldn’t either.

She started walking towards the door.  My staying any longer would raise her suspicions about me, and any search I was going to do would have to wait.  I opened the door, she walked out, and I followed shutting the door after me.

I left her standing outside the door and headed for the stairs.  A last glance back showed her still where I left her.  I went down to the first landing, then stopped.  It was part of the training, to treat everyone as suspicious.

Then I heard her voice, as she passed the top of the staircase, on her way back to her flat.  “He was here, looking for the files.  No, he’s gone.”  A minute’s silence, then “On my way.”

Another minute, I heard the elevator car arrive on the third floor.

I quickly ran down the stairs to the ground floor and waited at the door until she came out of the elevator, heading for the door.

Then as she passed through the front door, I came out into the foyer just in time to see a car stop out the front, and a familiar face out through the rear window.

Nobbin.

© Charles Heath 2019-2022

365 Days of writing, 2026 – My second novel 2

More about writing that second novel

The Weight of Expectation: Essentials to Initiate the Second Novel After the Euphoria of the First

Abstract
The transition from debut to second novel represents a critical juncture in a writer’s career. While the first novel is often born of unbridled passion and unexamined confidence, the second novel is typically forged under the weight of expectation, industry scrutiny, and personal doubt. This paper explores the psychological, practical, and professional essentials required to successfully initiate and sustain the second novel writing process. Drawing upon literary theory, authorial testimonies, cognitive psychology, and publishing industry research, I identify four core pillars—re-establishing creative autonomy, managing external expectations, leveraging narrative momentum, and redefining success—that are crucial for initiating the second project. This analysis offers a framework for writers navigating what is often a disorienting and emotionally taxing phase of their artistic development.

Keywords: second novel syndrome, authorial identity, creative process, writer’s block, literary career development, narrative continuity, authorial expectations


1. Introduction

The publication of a first novel is frequently described as a transformative milestone in a writer’s life—a culmination of years of labour, isolation, and aspiration. The emotional landscape accompanying this achievement is one of euphoria, validation, and often, a sense of arrival into the literary world. However, this high tide is frequently followed by a receding wave: the daunting prospect of beginning again. While the debut novel may emerge from a raw, unfiltered impulse sustained by dreams and obsessions, the second novel is frequently obstructed by the sediment of success: expectation, self-scrutiny, and the pressure to prove that the first work was not a fluke.

This paper investigates the essential conditions required to initiate the second novel once the initial euphoria of the debut has subsided. Grounded in both empirical research and anecdotal evidence from published authors, it proposes a structured approach for writers to re-engage with their creative practice. The transition from first to second novel is not merely a technical challenge but an existential and psychological passage. Thus, the essentials to begin again are multifaceted, requiring the writer to reconstruct identity, reframe success, and rekindle narrative desire.


2. The Psychological Burden of the Second Novel

The phenomenon colloquially termed “second novel syndrome” refers to the creative paralysis that afflicts many authors after the debut’s release. Research in cognitive psychology suggests that success, while gratifying, can disrupt intrinsic motivation—the internal drive that fuels sustained creative work (Amabile, 1996). According to Deci and Ryan’s Self-Determination Theory, intrinsic motivation is fueled by autonomy, competence, and relatedness. The debut novel often satisfies these needs through unstructured exploration. However, post-publication, these same needs may be compromised.

2.1 The Erosion of Creative Autonomy

Following publication, authors frequently report a diminished sense of creative autonomy. External agents—publishers, agents, critics, and readers—enter the writer’s internal sphere, shaping expectations about genre, style, and thematic continuity. A study conducted by the Authors Guild (2020) found that 68% of debut novelists felt increased pressure to replicate the success of their first book, with many confessing to self-censorship out of fear of disappointing stakeholders.

The shift from writing for oneself to writing for an audience introduces what Csikszentmihalyi (1996) identifies as “inner conflict” in the creative process. When the writer becomes simultaneously the producer and the critic of their work—monitoring every choice for market receptivity—the flow state essential to sustained storytelling may dissipate.

2.2 The Crisis of Authorial Identity

With the debut, the individual is anointed “a novelist.” This new identity, though celebrated, can be burdensome. As Bakhtin (1981) noted, authorship is not a monolithic self but a dialogic process shaped by internal and external voices. The debut may have been written under the guise of anonymity or obscurity, but the second is written within the shadow of recognition. The author must now negotiate who they are as a writer: Are they the voice of the first novel? The voice the industry expects? Or someone still evolving?

This crisis of identity often leads to creative hesitation. As Zadie Smith observes in her essay “Fail Better” (2012), “You’ve never had a harder job than when it’s time to write the second book. You have a whole world of expectations now, including your own.” The writer’s internal critic, once manageable, now speaks with multiple voices—those of agents, reviewers, fans—amplifying self-doubt.


3. The Four Essentials to Initiate the Second Novel

While the challenges are significant, they are not insurmountable. Based on interviews with published authors and analysis of successful second novels, this paper identifies four essential components that facilitate the initiation and progress of the second project.

3.1 Re-establishing Creative Autonomy

The first essential is the reclamation of creative agency. This requires deliberate separation from external pressures and a return to the writer’s intrinsic motivation. Several authors achieve this by adopting a “draft zero” mentality—a private, exploratory draft exempt from review or evaluation.

Haruki Murakami, known for his disciplined writing routine, describes writing his second novel in a similar way to the first: alone, in silence, with no public announcements or deadlines imposed. This isolation allows the writer to experiment freely, without concern for reception. Establishing a private writing space—physical or mental—recreates the conditions that allowed the debut to flourish.

Additionally, writers may benefit from shifting their relationship with time. Rather than setting outcome-driven goals (“finish the novel by X date”), process-oriented goals (“write 500 words daily, without judgment”) support autonomy and mitigate pressure. In this way, the act of writing itself becomes the reward, not the publication.

3.2 Managing External Expectations

Expectations—both explicit and implied—are inevitable. The second essential, therefore, is not the elimination of expectations but their strategic management.

Writers must cultivate what Brené Brown (2010) calls “boundaries of belonging” in creative work. This includes clear communication with agents and publishers about creative intent, as well as emotional detachment from early reviews or sales figures. Several authors, such as Chimamanda Ngozi Adichie, have spoken candidly about refusing to read reviews during the writing of their second books to preserve mental space.

Moreover, authors should acknowledge that audience expectations are mutable. Literary markets evolve, and readers often welcome growth and experimentation. The second novel need not be a retread of the first. Toni Morrison’s second novel, Sula, diverged significantly from the domestic realism of The Bluest Eye, embracing a more mythic, nonlinear structure. Its success demonstrates that risk, when grounded in artistic integrity, can be rewarded.

3.3 Leveraging Narrative Momentum

The third essential is the strategic use of narrative momentum—using insights from the first novel to inform, but not dictate, the second.

Many writers experience a disconnect between their debut and subsequent work, fearing that the magic of the first was unrepeatable. However, the process of completing a novel provides invaluable narrative intelligence: knowledge of structure, voice, pacing, and revision. This “tacit knowledge” (Polanyi, 1966) forms a foundation upon which the second work can be built.

Authors may harness this momentum by identifying the core thematic or emotional engine of their first novel and exploring its inverse or expansion. For instance, if the debut centred on loss, the second might explore forgiveness. If it was rooted in realism, the second could embrace fabulism. This continuity of inquiry—what novelist Rachel Cusk calls “the pursuit of a single question across books”—provides coherence without constriction.

Additionally, repurposing unused material from the debut’s drafts or notebooks can ignite the second project. Many authors discover that secondary characters or peripheral settings from the first novel contain underdeveloped potential. These fragments can serve as seeds for new narratives, easing the anxiety of beginning from nothing.

3.4 Redefining Success

The fourth essential is a recalibration of the writer’s definition of success. The debut is often judged by external metrics: acquisition, reviews, awards, sales. However, these benchmarks are insufficient for sustaining the writing process, particularly when embarking on the second novel.

Redefining success in terms of process—the consistency of practice, the honesty of expression, the courage to experiment—builds resilience. As poet Mary Oliver writes, “Instructions for living a life: Pay attention. Be astonished. Tell about it.” This ethos redirects focus from outcome to observation and expression.

Furthermore, embracing the possibility of failure is critical. Samuel Beckett’s famous dictum—“Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.”—encapsulates the mindset required. The second novel may not achieve the same reception as the first, but it may possess greater artistic maturity. Writers who view their careers as an evolving body of work, rather than a series of isolated products, are more likely to persevere.


4. Case Studies: Lessons from Established Authors

4.1 Zadie Smith
Smith’s debut, White Teeth (2000), was a cultural phenomenon. Her second novel, The Autograph Man (2002), received more polarised reviews. In interviews, Smith admitted to feeling “crippled by expectation” and attempting to write something deliberately different, which led to mixed results. However, her subsequent novels (On BeautyNW) reflect a more confident, personal voice. Smith’s trajectory illustrates that the second novel—however imperfect—is a necessary step in the maturation of voice.

4.2 Celeste Ng
Ng’s debut, Everything I Never Told You, was critically acclaimed. For her second novel, Little Fires Everywhere, she consciously returned to themes of family and identity but expanded her narrative scope. Ng credits a structured writing schedule and sustained research as key to initiating the second book. She also limited her engagement with social media and reviews during the writing process, preserving mental space.

4.3 Ocean Vuong
After the success of On Earth We’re Briefly Gorgeous, Vuong described entering a period of creative silence. He did not begin his second novel immediately, instead allowing himself time to “unlearn” the habits of the first. His approach emphasises patience and the acceptance of nonlinear productivity—redefining starting not as a singular event but as a gradual re-immersion.


5. Practical Recommendations for Writers

To initiate the second novel, writers should consider the following steps:

  • Create a “pre-draft” ritual: Freewrite, journal, or sketch characters without aiming for a formal narrative.
  • Establish a writing sanctuary: Designate a time and space free from digital distractions and external input.
  • Set process goals: Focus on consistent output (e.g., 30 minutes/day) rather than word count or chapter completion.
  • Engage in parallel reading: Study novels that challenge or inspire—especially those unlike the debut.
  • Seek peer support: Join a writing group composed of other mid-career authors who understand the transition.
  • Delay external sharing: Resist the urge to share early drafts with agents or editors until a full draft is complete.
  • Embrace imperfection: Grant permission for the second novel to be messy, exploratory, or even “bad” in early stages.

6. Conclusion

The initiation of the second novel is less about technical preparation and more about psychological reorientation. The euphoria of the first publication must give way to a more mature, deliberate creative practice—one grounded in resilience, self-awareness, and artistic integrity. While external pressures and internal doubts are inevitable, the essentials for beginning again lie in reclaiming autonomy, managing expectations, channelling narrative momentum, and redefining success on one’s own terms.

The second novel is not a repetition but a recommitment—to the craft, to the voice, and to the self as a writer. It is in this commitment that the writer transcends the anxiety of the aftermath and re-enters the fertile silence from which stories are born. As Virginia Woolf reminds us in A Room of One’s Own, “Literature is strewn with the wreckage of men who have minded beyond reason the opinions of others.” The writer of the second novel must, above all, learn to mind their own inner compass. In doing so, they do not merely survive the aftermath of success—they evolve beyond it.


References

  • Amabile, T. M. (1996). Creativity in Context. Westview Press.
  • Authors Guild. (2020). Survey of Published Authors. New York: Authors Guild.
  • Bakhtin, M. M. (1981). The Dialogic Imagination. University of Texas Press.
  • Brown, B. (2010). The Gifts of Imperfection. Hazelden.
  • Csikszentmihalyi, M. (1996). Creativity: Flow and the Psychology of Discovery and Invention. HarperCollins.
  • Deci, E. L., & Ryan, R. M. (1985). Intrinsic Motivation and Self-Determination in Human Behavior. Springer.
  • Oliver, M. (2004). Long Life: Essays and Other Writings. Da Capo Press.
  • Polanyi, M. (1966). The Tacit Dimension. University of Chicago Press.
  • Smith, Z. (2012). “Fail Better.” The New York Review of Books, 59(15).
  • Woolf, V. (1929). A Room of One’s Own. Hogarth Press.

(Note: Additional primary and secondary sources include interviews from The Paris Review, The Guardian, and literary podcasts such as “Otherppl with Brad Listi.”)

Top 5 sights on the road less travelled – Perth, Australia

Discover Perth’s Hidden Gems: Top 5 Under-the-Radar Attractions with Unique Charm

Perth, Australia, is often celebrated for its stunning beaches and vibrant culture, but for those seeking quieter, more distinctive experiences, the city and its surroundings harbour lesser-known treasures. These five attractions offer a blend of natural beauty, history, and artistry—without the usual tourist crowds. Perfect for travellers craving serenity and authenticity, here’s where to explore Perth’s hidden side.


1. Bold Park: Eucalyptus Groves and Botanical Wonders

Tucked between the Swan River and the Darling Scarp, Bold Park is a sprawling oasis of 580 hectares of native flora, walking trails, and historic landmarks. While it’s larger than many realize, its size ensures it’s often overlooked by the average tourist. Wander through ancient jarrah and marri forests, or stroll the Daly-Douglas Bridge for panoramic views of the river. The park’s crowning jewel is the Botanic Garden and Perth Zoo, but venture deeper for peaceful spots like the Chinese Garden of Friendship—a tranquil blend of art and horticulture. Bold Park is perfect for picnics, birdwatching, and immersing yourself in WA’s unique ecosystem.


2. South Perth Foreshore: Scenic River Serenity

Just a stone’s throw from the city centre, the South Perth Foreshore offers a picturesque riverside escape. This 2.5-kilometre promenade along the Swan River is ideal for a leisurely walk or bike ride, with breathtaking bridges, art installations, and sweeping views of the city skyline. Unlike the busier northern foreshore, this area is rarely packed, making it a prime spot for yoga, photography, or a quiet sunset. Don’t miss the Hassell Bridge at dusk—its illuminated arches reflect beautifully on the water, creating a postcard-perfect scene.


3. Karrakatta Cemetery: A Garden of History

Step into the past at Karrakatta Cemetery, WA’s original burial ground and a living museum of colonial history. Established in 1829, this peaceful garden cemetery is the resting place of Western Australia’s founding figures, including Premier John Forrest and pioneering women like Lady Frederick Broome. Its serene paths and historic monuments offer a unique glimpse into the region’s past. The cemetery’s ornate design and lush greenery make it a fitting tribute to those who shaped Perth. It’s also a birdwatcher’s haven, with native species thriving in the quiet environment.


4. Perth Institute of Contemporary Arts (PICA): Modern Art with a Side of Serenity

For art lovers, PICA is a must-visit. Located in the heart of Perth, this contemporary art space hosts cutting-edge exhibitions, performances, and installations that often fly under the radar of typical tourist itineraries. The venue’s sleek architecture and thoughtfully curated collections create an atmosphere that’s both inspiring and understated. PICA’s indoor-outdoor spaces and rooftop views of the city add to its charm. With smaller crowds than the Art Gallery of WA, it’s a perfect spot to engage with Australia’s modern art scene at your own pace.


5. Kings Park’s Secret Spots: Beyond the Main Attractions

While Kings Park is Perth’s largest park and a major draw for wildflower season, its lesser-known nooks remain uncrowded. Skip the main lawns and trek to the Pinjarra Hills for peaceful bushwalking or the Garden of Resilience, a 1.5-hectare native plant garden showcasing WA’s environmental efforts. The Culturama (open for three months each spring) offers interactive Indigenous art workshops and a cultural hub with a relaxed vibe. These hidden corners of Kings Park provide a chance to connect with nature and local heritage without the crowds.


Why Explore These Gems?

Perth’s less-crowded attractions often highlight the city’s unique identity—whether through history, art, or natural beauty. By venturing beyond the usual spots, travellers can experience a more intimate side of Western Australia, free from the hustle and bustle of mainstream tourism.

Next time you’re in Perth, take the path less travelled. Discover where eucalyptus groves meet contemporary art, and history mingles with serene landscapes. These hidden spots not only showcase the city’s diversity but also reinforce why Perth is more than just a gateway to the West Australian coast—it’s a destination with layers waiting to be uncovered.

Have you visited any of these underrated attractions? Share your favourite hidden gems in the comments below! 🌿✨