“The Things We Do For Love”

Would you give up everything to be with the one you love?

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, a place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, s place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

Top 5 sights on the road less travelled – Monte Carlo

Beyond the Boulevard: Monte Carlo’s Hidden Gems and Next Big Adventures

Monte Carlo. The very name conjures images of glittering casinos, sleek sports cars, and the sun-drenched glamour of the French Riviera. And while the iconic Grand Prix circuit and the legendary Casino de Monte-Carlo are undeniably magnificent, the true magic of this principality often lies just a whisper off the beaten path.

For the discerning traveller, the question isn’t if there’s more to Monte Carlo, but what awaits those willing to venture a little further. So, buckle up, because we’re about to unveil the next five must-do and must-see experiences that will redefine your perception of this jewel of the Mediterranean.


1. Dive into the Depths: Exploring the Oceanographic Museum’s Hidden Aquariums

While the Oceanographic Museum is a renowned landmark, many visitors focus on its impressive exhibits and historical significance. However, venture deeper into its labyrinthine halls, and you’ll discover a world teeming with vibrant marine life in its less-publicised, yet equally captivating, aquariums.

Why it’s a must-do: Imagine coming face-to-face with a mesmerising array of Mediterranean species, from schools of shimmering sardines to the majestic presence of groupers, all housed within a building perched dramatically on the cliff face. It’s an intimate encounter with the underwater world, offering a tranquil escape from the bustling streets above. Seek out the specialised tanks showcasing the fascinating biodiversity of the local waters – it’s a surprisingly serene and educational experience.


2. Ascend to Serenity: A Hike to the Jardin S an Martin and its Panoramic Vistas

Most tourists flock to the Prince’s Palace for the Changing of the Guard, but a short, pleasant stroll away lies the serene Jardin Saint-Martin. This beautifully landscaped park, perched on the very edge of the Rock, offers not just respite, but breathtaking, unobstructed panoramas that often get overlooked.

Why it’s a must-do: Forget the crowded viewpoints. Here, you can wander amongst fragrant pine trees and vibrant bougainvillea, finding your own quiet bench to soak in the sweeping vistas of the harbor, the superyachts, and the distant coastline. The juxtaposition of the meticulously manicured gardens against the wild beauty of the sea is a photographer’s dream and a soul soother’s paradise. It’s the perfect spot for a leisurely picnic or simply to contemplate the grandeur of the Riviera.


3. Uncover Artistic Treasures: The Nouveau Musée National de Monaco (NMNM) in Villa Paloma and Villa Sauber

Beyond the glitz and glamour, Monte Carlo boasts a thriving contemporary art scene, often tucked away in elegant historical settings. The Nouveau Musée National de Monaco (NMNM) is comprised of two distinct villas, each offering a unique artistic experience that transcends the typical museum visit.

Why it’s a must-do: Villa Paloma, with its stunning contemporary architecture and sculpture garden, often hosts groundbreaking exhibitions by international artists. Villa Sauber, a Belle Époque townhouse, offers a more intimate setting for exploring historical collections, temporary exhibitions, and often features engaging multimedia displays. Exploring these two gems provides a deeper understanding of Monaco’s cultural fabric, showcasing a dynamic and evolving artistic identity that might surprise you.


4. Savor Local Flavors: A Culinary Journey Through the Condamine Market

While Michelin-starred restaurants are plentiful, for a true taste of Monaco’s everyday life and authentic flavours, head to the vibrant Condamine Market (Marché de la Condamine). This bustling open-air and covered market is a sensory delight, offering a glimpse into the local culinary scene.

Why it’s a must-do: Forget tourist traps; here you’ll find fresh produce, local delicacies, and a genuine community atmosphere. Sample Socca (a delicious chickpea pancake), indulge in freshly baked Fougasse, or simply grab a coffee and people-watch as locals shop for their daily ingredients. It’s an opportunity to connect with the heart of Monaco, to taste its heritage, and to discover culinary gems that are far from the tourist trail.


5. Embrace the Outdoors: A Coastal Ramble to the Exotic Garden’s Secret Trails

The Jardin Exotique is famous for its breathtaking collection of succulents and its stunning views. However, many visitors stick to the main paths. Those willing to explore a little further will discover a network of less-trafficked trails that lead to hidden grottos and offer even more secluded viewpoints.

Why it’s a must-do: Beyond the cacti and the impressive cave dwelling, these winding paths lead you through a microclimate of unique flora, offering moments of quiet contemplation amidst nature’s artistry. Discover hidden nooks with unparalleled views of the bay, and feel a sense of discovery as you navigate these less-worn routes. It’s an opportunity to experience the natural beauty of the region away from the crowds, breathing in the fragrant air and enjoying a more intimate connection with the landscape.


Monte Carlo is a destination that rewards curiosity. By venturing beyond the iconic landmarks and embracing these less-travelled paths, you’ll unlock a richer, more authentic, and ultimately, more unforgettable experience. So, pack your sense of adventure and get ready to discover a whole new side of this legendary principality.

What are your favourite “off the beaten path” spots in Monte Carlo? Share your hidden gems in the comments below!

An excerpt from “If Only” – a work in progress

Investigation of crimes doesn’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.

At one stage the police thought I had murdered my own wife though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective First Grade Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbors reckon there were heated discussions the day before.

Routine was the word she used.

Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last I saw of Gabrielle.

The shock of finding Vanessa was more devastating than the fact she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months I was barely functioning, to the extent I had all but lost my job, and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy.  Her story varied only in she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened become our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then, we saw each about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realize that all she had was her work, personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt, about whether or not I could trust her to tell me what the message meant.

I reached for the phone then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

Writing a book in 365 days – 318

Day 318

The use of flashbacks

The Flashback Dilemma: Craft Tool or Narrative Crutch?

Ah, the flashback. That sudden warp in the narrative, pulling us from the present action into a scene from the past. For some readers, it’s a thrilling unravelling of mystery and character. For others, it’s a jarring interruption, a moment to sigh and wonder if the story will ever get back on track.

So, is the use of flashbacks good writing or bad writing? The short answer, like with most literary devices, is: it depends entirely on how it’s executed.

A flashback, by its very nature, is a pause in the forward momentum of your story. This pause can be a powerful strategic move, deepening the reader’s understanding and enriching the narrative tapestry. Or, it can be a clumsy misstep that derails the plot and tests your reader’s patience.

Let’s break down the difference between a lazily written and a well-constructed flashback.

The Pitfalls of a Lazily Written Flashback

A lazy flashback is often a symptom of one of two things: a writer struggling to convey information, or a writer avoiding present conflict.

  1. The Information Dump: This is perhaps the most common offender. The writer needs to inform the reader about a character’s past, a world detail, or a previous event, but instead of weaving it organically into the current narrative, they simply stop the action and insert a lengthy, undigested chunk of backstory.
    • How it feels to the reader: “Why am I being told this now? Does this really matter? Can we get back to what was happening?” It breaks immersion and feels like exposition masquerading as a scene.
    • Example: A character is about to face a dragon, and suddenly, we get three pages detailing their entire childhood trauma with kittens, completely unrelated to dragons or their immediate fear.
  2. Avoiding Present Conflict: Sometimes a writer introduces a flashback not because it’s crucial to the immediate scene, but because they’re unsure how to resolve or advance the current plot point. It’s a way to hit the “pause” button on a difficult scene.
    • How it feels to the reader: Frustrating. It feels like the story is treading water, or deliberately holding back for no good reason. The tension dissipates.
  3. Lacks a Clear Trigger or Purpose: A lazy flashback often appears out of nowhere, without a clear sensory trigger (a smell, a song, a phrase) or a strong narrative reason tied to the present moment. It just… happens.
  4. Telling, Not Showing: These flashbacks often recount events rather than immersing the reader in them. They summarise, rather than allow the reader to experience the past as if it were happening now.

The Art of a Well-Constructed Flashback

A well-constructed flashback is a precision tool, used sparingly and with surgical intent. It doesn’t halt the story; it deepens it, providing vital context that reshapes the reader’s understanding of the present.

Here’s what makes a flashback effective:

  1. Purpose-Driven and Relevant: Every successful flashback serves a clear, immediate purpose for the current narrative.
    • Context: It provides a crucial piece of information that makes the current events, character motivations, or mystery suddenly click into place.
    • Character Development: It reveals the origins of a character’s present fears, desires, strengths, or flaws, adding layers to their personality. Instead of telling us a character is brave, we see a past event that forged that bravery.
    • Mystery/Suspense: It offers a tantalising clue, a half-remembered moment that hints at a larger secret, building tension and propelling the reader forward to discover more.
    • Dramatic Irony: The reader gains knowledge that the present-day characters don’t have, intensifying the stakes.
  2. Seamless Integration and Clear Transitions: An excellent flashback is often triggered organically. A scent, a sound, a familiar face, a particular phrase – something in the present moment pulls the character (and the reader) back to the past. The transition should be clear, too, whether through distinct paragraph breaks, italics, or a narrative device.
  3. Concise and Focused: Like any good scene, a flashback should only include what’s absolutely necessary. It’s not an excuse for extraneous detail. It’s a snapshot, not a whole album.
  4. Impact on the Present: The most crucial element: a good flashback changes the reader’s perception of the present story. When the flashback ends, the reader should return to the main narrative with new information, a deeper emotional connection, or a shifted perspective that makes the current events more resonant. It should propel the story forward, not bog it down.
  5. Engaging as a Scene: Treat your flashback like any other critical scene. It should have its own mini-arc, vivid details, sensory descriptions, and emotional resonance. It shouldn’t feel like a summary.

Conclusion: A Tool for the Master, Not the Apprentice

Flashbacks are neither inherently good nor bad writing. They are a powerful, but dangerous, narrative device. In the hands of a skilled writer, they can unlock profound understanding, build unbearable tension, and imbue characters with incredible depth. In the hands of a novice, they can be a clunky, confusing obstacle.

Before you insert a flashback, ask yourself:

  • Why now? Why can’t this information be revealed through dialogue, internal thought, or action in the present?
  • What vital purpose does this serve for the current story?
  • Will it clarify or confuse?
  • Will it deepen character or merely delay plot?

If you can answer these questions with conviction, then by all means, employ the flashback. Just ensure it’s a finely crafted key, not a blunt instrument, to unlock the true potential of your story.


What are your thoughts on flashbacks? Do you have a favourite example of a story that uses them masterfully, or one that fumbled the ball? Share your insights in the comments below!

An excerpt from “One Last Look”: Charlotte is no ordinary girl

This is currently available at Amazon herehttp://amzn.to/2CqUBcz

I’d read about out-of-body experiences, and like everyone else, thought it was nonsense.  Some people claimed to see themselves in the operating theatre, medical staff frantically trying to revive them, and being surrounded by white light.

I was definitely looking down, but it wasn’t me I was looking at.

It was two children, a boy and a girl, with their parents, in a park.

The boy was Alan.  He was about six or seven.  The girl was Louise, and she was five years old.  She had long red hair and looked the image of her mother.

I remember it now, it was Louise’s birthday and we went down to Bournemouth to visit our Grandmother, and it was the last time we were all together as a family.

We were flying homemade kites our father had made for us, and after we lay there looking up at the sky, making animals out of the clouds.  I saw an elephant, Louise saw a giraffe.

We were so happy then.

Before the tragedy.

When I looked again ten years had passed and we were living in hell.  Louise and I had become very adept at survival in a world we really didn’t understand, surrounded by people who wanted to crush our souls.

It was not a life a normal child had, our foster parents never quite the sort of people who were adequately equipped for two broken-hearted children.  They tried their best, but their best was not good enough.

Every day it was a battle, to avoid the Bannister’s and Archie in particular, every day he made advances towards Louise and every day she fended him off.

Until one day she couldn’t.

Now I was sitting in the hospital, holding Louise’s hand.  She was in a coma, and the doctors didn’t think she would wake from it.  The damage done to her was too severe.

The doctors were wrong.

She woke, briefly, to name her five assailants.  It was enough to have them arrested.  It was not enough to have them convicted.

Justice would have to be served by other means.

I was outside the Bannister’s home.

I’d made my way there without really thinking, after watching Louise die.  It was like being on autopilot, and I had no control over what I was doing.  I had murder in mind.  It was why I was holding an iron bar.

Skulking in the shadows.  It was not very different from the way the Bannister’s operated.

I waited till Archie came out.  I knew he eventually would.  The police had taken him to the station for questioning, and then let him go.  I didn’t understand why, nor did I care.

I followed him up the towpath, waiting till he stopped to light a cigarette, then came out of the shadows.

“Wotcha got there Alan?” he asked when he saw me.  He knew what it was, and what it was for.

It was the first time I’d seen the fear in his eyes.  He was alone.

“Justice.”

“For that slut of a sister of yours.  I had nuffing to do with it.”

“She said otherwise, Archie.”

“She never said nuffing, you just made it up.”  An attempt at bluster, but there was no confidence in his voice.

I held up the pipe.  It had blood on it.  Willy’s blood.  “She may or may not have Archie, but Willy didn’t make it up.  He sang like a bird.  That’s his blood, probably brains on the pipe too, Archie, and yours will be there soon enough.”

“He dunnit, not me.  Lyin’ bastard would say anything to save his own skin.”  Definitely scared now, he was looking to run away.

“No, Archie.  He didn’t.  I’m coming for you.  All of you Bannisters.  And everyone who touched my sister.”

It was the recurring nightmare I had for years afterwards.

I closed my eyes and tried to shut out the thoughts, the images of Louise, the phone call, the visit to the hospital and being there when she succumbed to her injuries.  Those were the very worst few hours of my life.

She had asked me to come to the railway station and walk home with her, and I was running late.  If I had left when I was supposed to, it would never have happened and for years afterwards, I blamed myself for her death.

If only I’d not been late…

When the police finally caught the rapists, I’d known all along who they’d be; antagonists from school, the ring leader, Archie Bannister, a spurned boyfriend, a boy whose parents, ubiquitously known to all as ‘the Bannister’s, dealt in violence and crime and who owned the neighbourhood.  The sins of the father had been very definitely passed onto the son.

At school, I used to be the whipping boy, Archie, a few grades ahead of me, made a point of belting me and a few of the other boys, to make sure the rest did as they were told.  He liked Louise, but she had no time for a bully like him, even when he promised he would ‘protect’ me.

I knew the gang members, the boys who tow-kowed to save getting beaten up, and after the police couldn’t get enough information to prosecute them because everyone was too afraid to speak out, I went after Willy.  There was always a weak link in a group, and he was it.

He worked in a factory, did long hours on a Wednesday and came home after dark alone.  It was a half mile walk, through a park.  The night I approached him, I smashed the lights and left it in darkness.  He nearly changed his mind and went the long way home.

He didn’t.

It took an hour and a half to get the names.  At first, when he saw me, he laughed.  He said I would be next, and that was four words more than he knew he should have said.

When I found him alone the next morning I showed him the iron bar and told him he was on the list.  I didn’t kill him then, he could wait his turn, and worry about what was going to happen to him.

When the police came to visit me shortly after that encounter, no doubt at the behest of the Bannister’s, the neighbourhood closed ranks and gave me an ironclad alibi.  The Bannister’s then came to visit me and threatened me.  I told them their days were numbered and showed them the door.

At the trial, he and his friends got off on a technicality.  The police had failed to do their job properly, but it was not the police, but a single policeman, corrupted by the Bannisters.

Archie could help but rub it in my face.  He was invincible.

Joe Collins took 12 bullets and six hours to bleed out.  He apologized, he pleaded, he cried, he begged.  I didn’t care.

Barry Mills, a strong lad with a mind to hurting people, Archie’s enforcer, almost got the better of me.  I had to hit him more times than I wanted to, and in the end, I had to be satisfied that he died a short but agonizing death.

I revisited Willy in the hospital.  He’d recovered enough to recognize me, and why I’d come.  Suffocation was too good for him.

David Williams, second in command of the gang, was as tough and nasty as the Bannisters.  His family were forging a partnership with the Bannister’s to make them even more powerful.  Outwardly David was a pleasant sort of chap, affable, polite, and well mannered.  A lot of people didn’t believe he could be like, or working with, the Bannisters.

He and I met in the pub.  We got along like old friends.  He said Willy had just named anyone he could think of, and that he was innocent of any charges.  We shook hands and parted as friends.

Three hours later he was sitting in a chair in the middle of a disused factory, blindfolded and scared.  I sat and watched him, listened to him, first threatening me, and then finally pleading with me.  He’d guessed who it was that had kidnapped him.

When it was dark, I took the blindfold off and shone a very bright light in his eyes.  I asked him if the violence he had visited upon my sister was worth it.  He told me he was just a spectator.

I’d read the coroner’s report.  They all had a turn.  He was a liar.

He took nineteen bullets to die.

Then came Archie.

The same factory only this time there were four seats.  Anna Bannister, brothel owner, Spike Bannister, head of the family, Emily Bannister, sister, and who had nothing to do with their criminal activities.  She just had the misfortune of sharing their name.

Archie’s father told me how he was going to destroy me, and everyone I knew.

A well-placed bullet between the eyes shut him up.

Archie’s mother cursed me.  I let her suffer for an hour before I put her out of her misery.

Archie remained stony-faced until I came to Emily.  The death of his parents meant he would become head of the family.  I guess their deaths meant as little to him as they did me.

He was a little more worried about his sister.

I told him it was confession time.

He told her it was little more than a forced confession and he had done nothing to deserve my retribution.

I shrugged and shot her, and we both watched her fall to the ground screaming in agony.  I told him if he wanted her to live, he had to genuinely confess to his crimes.  This time he did, it all poured out of him.

I went over to Emily.  He watched in horror as I untied her bindings and pulled her up off the floor, suffering only from a small wound in her arm.  Without saying a word she took the gun and walked over to stand behind him.

“Louise was my friend, Archie.  My friend.”

Then she shot him.  Six times.

To me, after saying what looked like a prayer, she said, “Killing them all will not bring her back, Alan, and I doubt she would approve of any of this.  May God have mercy on your soul.”

Now I was in jail.  I’d spent three hours detailing the deaths of the five boys, everything I’d done; a full confession.  Without my sister, my life was nothing.  I didn’t want to go back to the foster parents; I doubt they’d take back a murderer.

They were not allowed to.

For a month I lived in a small cell, in solitary, no visitors.  I believed I was in the queue to be executed, and I had mentally prepared myself for the end.

Then I was told I had a visitor, and I was expecting a priest.

Instead, it was a man called McTavish. Short, wiry, and with an accent that I could barely understand.

“You’ve been a bad boy, Alan.”

When I saw it was not the priest I told the jailers not to let him in, I didn’t want to speak to anyone.  They ignored me.  I’d expected he was a psychiatrist, come to see whether I should be shipped off to the asylum.

I was beginning to think I was going mad.

I ignored him.

“I am the difference between you living or dying Alan, it’s as simple as that.  You’d be a wise man to listen to what I have to offer.”

Death sounded good.  I told him to go away.

He didn’t.  Persistent bugger.

I was handcuffed to the table.  The prison officers thought I was dangerous.  Five, plus two, murders, I guess they had a right to think that.  McTavish sat opposite me, ignoring my request to leave.

“Why’d you do it?”

“You know why.”  Maybe if I spoke he’d go away.

“Your sister.  By all accounts, the scum that did for her deserved what they got.”

“It was murder just the same.  No difference between scum and proper people.”

“You like killing?”

“No-one does.”

“No, I dare say you’re right.  But you’re different, Alan.  As clean and merciless killing I’ve ever seen.  We can use a man like you.”

“We?”

“A group of individuals who clean up the scum.”

I looked up to see his expression, one of benevolence, totally out of character for a man like him.  It looked like I didn’t have a choice.

Trained, cleared, and ready to go.

I hadn’t realized there were so many people who were, for all intents and purposes, invisible.  People that came and went, in malls, in hotels, trains, buses, airports, everywhere, people no one gave a second glance.

People like me.

In a mall, I became a shopper.

In a hotel, I was just another guest heading to his room.

On a bus or a train, I was just another commuter.

At the airport, I became a pilot.  I didn’t need to know how to fly; everyone just accepted a pilot in a pilot suit was just what he looked like.

I had a passkey.

I had the correct documents to get me onto the plane.

That walk down the air bridge was the longest of my life.  Waiting for the call from the gate, waiting for one of the air bridge staff to challenge me, stepping onto the plane.

Two pilots and a steward.  A team.  On the plane early before the rest of the crew.  A group that was committing a crime, had committed a number of crimes and thought they’d got away with it.

Until the judge, the jury and their executioner arrived.

Me.

Quick, clean, merciless.  Done.

I was now an operational field agent.

I was older now, and I could see in the mirror I was starting to go grey at the sides.  It was far too early in my life for this, but I expect it had something to do with my employment.

I didn’t recognize the man who looked back at me.

It was certainly not Alan McKenzie, nor was there any part of that fifteen-year-old who had made the decision to exact revenge.

Given a choice; I would not have gone down this path.

Or so I kept telling myself each time a little more of my soul was sold to the devil.

I was Barry Gamble.

I was Lenny Buckman.

I was Jimmy Hosen.

I was anyone but the person I wanted to be.

That’s what I told Louise, standing in front of her grave, and trying to apologize for all the harm, all the people I’d killed for that one rash decision.  If she was still alive she would be horrified, and ashamed.

Head bowed, tears streamed down my face.

God had gone on holiday and wasn’t there to hand out any forgiveness.  Not that day.  Not any day.

New York, New Years Eve.

I was at the end of a long tour, dragged out of a holiday and back into the fray, chasing down another scumbag.  They were scumbags, and I’d become an automaton hunting them down and dispatching them to what McTavish called a better place.

This time I failed.

A few drinks to blot out the failure, a blonde woman who pushed my buttons, a room in a hotel, any hotel, it was like being on the merry-go-round, round and round and round…

Her name was Silvia or Sandra, or someone I’d met before, but couldn’t quite place her.  It could be an enemy agent for all I knew or all I cared right then.

I was done.

I’d had enough.

I gave her the gun.

I begged her to kill me.

She didn’t.

Instead, I simply cried, letting the pent up emotion loose after being suppressed for so long, and she stayed with me, holding me close, and saying I was safe, that she knew exactly how I felt.

How could she?  No one could know what I’d been through.

I remembered her name after she had gone.

Amanda.

I remembered she had an imperfection in her right eye.

Someone else had the same imperfection.

I couldn’t remember who that was.

Not then.

I had a dingy flat in Kensington, a place that I rarely stayed in if I could help it.  After five-star hotel rooms, it made me feel shabby.

The end of another mission, I was on my way home, the underground, a bus, and then a walk.

It was late.

People were spilling out of the pub after the last drinks.  Most in good spirits, others slightly more boisterous.

A loud-mouthed chap bumped into me, the sort who had one too many, and was ready to take on all comers.

He turned on me, “Watch where you’re going, you fool.”

Two of his friends dragged him away.  He shrugged them off, squared up.

I punched him hard, in the stomach, and he fell backwards onto the ground.  I looked at his two friends.  “Take him home before someone makes mincemeat out of him.”

They grabbed his arms, lifted him off the ground and took him away.

Out of the corner of my eye, I could see a woman, early thirties, quite attractive, but very, very drunk.  She staggered from the bar, bumped into me, and finished up sitting on the side of the road.

I looked around to see where her friends were.  The exodus from the pub was over and the few nearby were leaving to go home.

She was alone, drunk, and by the look of her, unable to move.

I sat beside her.  “Where are your friends?”

“Dunno.”

“You need help?”

She looked up, and sideways at me.  She didn’t look the sort who would get in this state.  Or maybe she was, I was a terrible judge of women.

“Who are you?” she asked.

“Nobody.”  I was exactly how I felt.

“Well Mr Nobody, I’m drunk, and I don’t care.  Just leave me here to rot.”

She put her head back between her knees, and it looked to me she was trying to stop the spinning sensation in her head.

Been there before, and it’s not a good feeling.

“Where are your friends?” I asked again.

“Got none.”

“Perhaps I should take you home.”

“I have no home.”

“You don’t look like a homeless person.  If I’m not mistaken, those shoes are worth more than my weekly salary.”  I’d seen them advertised, in the airline magazine, don’t ask me why the ad caught my attention.

She lifted her head and looked at me again.  “You a smart fucking arse are you?”

“I have my moments.”

“Have them somewhere else.”

She rested her head against my shoulder.  We were the only two left in the street, and suddenly in darkness when the proprietor turned off the outside lights.

“Take me home,” she said suddenly.

“Where is your place?”

“Don’t have one.  Take me to your place.”

“You won’t like it.”

“I’m drunk.  What’s not to like until tomorrow.”

I helped her to her feet.  “You have a name?”

“Charlotte.”

The wedding was in a small church.  We had been away for a weekend in the country, somewhere in the Cotswolds, and found this idyllic spot.  Graves going back to the dawn of time, a beautiful garden tended by the vicar and his wife, an astonishing vista over hills and down dales.

On a spring afternoon with the sun, the flowers, and the peacefulness of the country.

I had two people at the wedding, the best man, Bradley, and my boss, Watkins.

Charlotte had her sisters Melissa and Isobel, and Isobel’s husband Giovanni, and their daughter Felicity.

And one more person who was as mysterious as she was attractive, a rather interesting combination as she was well over retirement age.  She arrived late and left early.

Aunt Agatha.

She looked me up and down with what I’d call a withering look.  “There’s more to you than meets the eye,” she said enigmatically.

“Likewise I’m sure,” I said.  It earned me an elbow in the ribs from Charlotte.  It was clear she feared this woman.

“Why did you come,” Charlotte asked.

“You know why.”

Agatha looked at me.  “I like you.  Take care of my granddaughter.  You do not want me for an enemy.”

OK, now she officially scared me.

She thrust a cheque into my hand, smiled, and left.

“Who is she,” I asked after we watched her depart.

“Certainly not my fairy godmother.”

Charlotte never mentioned her again.

Zurich in summer, not exactly my favourite place.

Instead of going to visit her sister Isobel, we stayed at a hotel in Beethovenstrasse and Isobel and Felicity came to us.  Her husband was not with her this time.

Felicity was three or four and looked very much like her mother.  She also looked very much like Charlotte, and I’d remarked on it once before and it received a sharp rebuke.

We’d been twice before, and rather than talk to her sister, Charlotte spent her time with Felicity, and they were, together, like old friends.  For so few visits they had a remarkable rapport.

I had not broached the subject of children with Charlotte, not after one such discussion where she had said she had no desire to be a mother.  It had not been a subject before and wasn’t once since.

Perhaps like all Aunts, she liked the idea of playing with a child for a while and then give it back.

Felicity was curious as to who I was, but never ventured too close.  I believed a child could sense the evil in adults and had seen through my facade of friendliness.  We were never close.

But…

This time, when observing the two together, something quite out of left field popped into my head.  It was not possible, not by any stretch of the imagination, but I thought she looked like my mother.

And Charlotte had seen me looking in their direction.  “You seem distracted,” she said.

“I was just remembering my mother.  Odd moment, haven’t done so for a very long time.”

“Why now?”  I think she had a look of concern on her face.

“Her birthday, I guess,” I said, the first excuse I could think of.

Another look and I was wrong.  She looked like Isobel or Charlotte, or if I wanted to believe it possible, Melissa too.

I was crying, tears streaming down my face.

I was in pain, searing pain from my lower back stretching down into my legs, and I was barely able to breathe.

It was like coming up for air.

It was like Snow White bringing Prince Charming back to life.  I could feel what I thought was a gentle kiss and tears dropping on my cheeks, and when I opened my eyes, I saw Charlotte slowly lifting her head, a hand gently stroking the hair off my forehead.

And in a very soft voice, she said, “Hi.”

I could not speak, but I think I smiled.  It was the girl with the imperfection in her right eye.  Everything fell into place, and I knew, in that instant that we were irrevocably meant to be together.

“Welcome back.”

© Charles Heath 2016-2019

onelastlookcoverfinal2

“What Sets Us Apart”, a mystery with a twist

David is a man troubled by a past he is trying to forget.

Susan is rebelling against a life of privilege and an exasperated mother who holds a secret that will determine her daughter’s destiny.

They are two people brought together by chance. Or was it?

When Susan discovers her mother’s secret, she goes in search of the truth that has been hidden from her since the day she was born.

When David realizes her absence is more than the usual cooling off after another heated argument, he finds himself being slowly drawn back into his former world of deceit and lies.

Then, back with his former employers, David quickly discovers nothing is what it seems as he embarks on a dangerous mission to find Susan before he loses her forever.

Find the kindle version on Amazon here:  http://amzn.to/2Eryfth

whatsetscover

NANOWRIMO – November 2025 – Day 30

The Third Son of a Duke

As is the requirement. The words had reached the target.  There are more than 50,000, but I use this as a round number.  It’s more like 60,000, and will probably be more because I’m yet to flesh out the tango that our protagonist and Louise have on the way to Port Said

Dance is so much more expressive than words, but these two have words, and at the end, a smouldering look passes between them, one that transcends words and, if truth be known, could have set the dancefloor on fire.

And yet, there is just one kiss between them the whole voyage.

It’s a story that sees the awakening of the man our protagonist is to become.

It is a story of a girl who was treated badly, wronged desperately, and left no choice but to flee.

It had my grandmother on a ship of hopeful women, wanting to change their lives for the better with a new start and better opportunities in a new land.

For some, it is heading into a storm, for others, more of the same.  Each learns that to become something different, they must change everything they know, and that is to them a lifetime of being told what to do, where to go, and what their life would consist of.

And it’s a story of wate, of human life, and the reasons when all said and done, hardly make sense to any of those who survived, those who considered themselves lucky, and then, others who don’t.

There was going to be no more wars.

It was the war to end all wars.

21 years later, they were all back at it again, having learned nothing.

Writing about writing a book – Day 34

So it seems that Aitchison, the latest addition to the story, has reservations about what is or isn’t going on.  Aitchison is in charge of the security, not only the computer systems, but for everyone, and, of course, the first person the police would go and see.

It’s also time to bring in the CEO, a rather elusive character, but one who will have a great deal to do with our main character for a lot of different reasons.  But, for now, all the reader needs to know is that he exists and is very elusive for one particular reason.

Halligan is just another incidental character, significant only because he is also dead, and where there are multiple deaths, there has to be a conspiracy.  Aitchison, of course, is not what he seems, not that we know that yet, but for now, he is a man with a problem.

I looked Aitchison directly in the eye, so he would not think I was lying. “Since the last debacle, I rarely see Halligan, and, when I do, I can assure you the last thing he wants to do is ask for favors. My last visit was to set up a laptop on his desk, not connected to the network. Does the CEO know anything about this?”

The CEO was almost the equivalent of the invisible man. No one could remember seeing him in the office, or when he visited the last time, and it was rumoured that he was at his Nevada ranch most of the time, where he had an office. I remember setting up video conferencing for him a year or so ago, but I don’t think it had even been used.
But Aitchison was one of a few who had met him personally.

“I put a call in. He’s at a retreat with the American management team, going through some team-building exercises. I’m waiting for his call, but I think I can safely say he will deny everything and plead innocence.”

“Have the staff members been questioned?”

“Yes. No one had anything constructive to add. But one other interesting bit of information that did come out of that briefing with the Chief Inspector was that Halligan also attempted to log onto this other network. That’s why I asked you about Halligan.”

Something was not right. Halligan was dumb when it came to computers and only wanted a computer, not connected to the network. Of course, he needed a networked desktop for email, and sourcing documents, and perhaps the peek at a porn site through the internet, but that was the extent of his involvement. His knowledge of networking was solely based on the background papers I wrote for him when he needed information for meetings and conferences. He even had trouble logging into the network at times, because he kept forgetting his password.

I kept that to myself. Aitchison was probably not interested in anything that would refute his belief of what the situation entailed. He was partially wrong, but that was driven by fear.

“What did Halligan have to say about all of this?”

It was an innocent question, but it drew the sharpest reaction and gave a sudden ashen look on his face, the catalyst of his fear. The mere mention of questioning Halligan had caused him to turn white.

“He’s dead too, and conveniently cannot answer any questions. The doctor said it was a heart attack.”

“Dead? Where, when?”

“Early this morning, at home. Apparently, his wife is away, overseas visiting relatives, and neither we nor the police have been able to contact her. I only found out when I tried to call him this morning after the news about Richardson broke, and the police answered the phone.”

He poured a splash of whiskey into the glass and drank it down. If it was to settle his nerves, it wasn’t working.

“And you don’t think it was a heart attack?”

“Too convenient, far too convenient, especially so soon after the Richardson thing, and in the light of this other network logon episode. The two people who allegedly knew about this network are both dying of innocent causes? Something is going on here, and we have to get to the bottom of it before the police, Interpol or any forensic experts, if that’s what they are.”

He poured himself another liberal drink from the bottle and offered me one. I declined. Too early, and my nerves were not yet getting the better of me.

A shiver ran down my spine. I was beginning to buy into his paranoia. It was beginning to look like anyone associated with this secret network found themselves on some sort of hit list. No wonder Aitchison was jumpy. He’d obviously come to the same conclusion I did. He’d been making inquiries, and it might be enough to have his name added to the list.

Telling me about it might just be enough to add my name to that same list. I looked at the whiskey bottle and the glass. It might be time for a nerve-steadying drink.

Aitchison was still talking, and I just caught what he was saying, “… it’s your network. People will be asking questions.”

If he was trying to scare me, it was working.

He continued, “The police were rather sceptical when I said we didn’t know the network was in place. I’m to be interviewed next. You shouldn’t be far behind. Forewarned is forearmed.”

He turned to look out at the city. The view was magnificent, despite the wintry weather.
After a minute, he said, “At least there is one irrefutable fact. Richardson was in the wrong place at the wrong time. It’s the only explanation. I don’t believe he was trying to log into anything, but he was the victim of a random key combination or a glitch in the power supply to the system. You’ve seen it happen yourself when the power goes down momentarily and just enough time elapses to trick the computer into thinking it has to log in again. There was a brief power outage last night, during the storm. It might be worth investigating that event, and the effect on our systems.”

That was not a bad assessment, and one I hadn’t thought of.

“Then, there is something else, the Chief Inspector mentioned in passing, and that was that one of the employees claimed his building pass card had been stolen. Again, convenient, but the police are questioning him, but according to building security, that pass was used last night.”

“The person who killed Richardson?”

“If you put two and two together and get four. The police aren’t saying much, but that’s the inference I’d draw?”

“And the person with the missing card?”

“A janitor, or maintenance worker, not one of our people. He probably has a police record as long as his arm. You should go. And just a thought. If it were a desktop system connected to the in-house network, then one of our servers had to be used as a gateway. Tell me you installed those special log files when I asked you to last week?”

I had been in two minds about implementing that particular request because, in part, it went against the privacy regulations we had to adhere to.  After reading the relevant legislation and talking to a consulting security company that had advised we were well within our rights to do so, in the end, I did. And it had given several positive results immediately after its implementation, proving beneficial in tracking down people using the network incorrectly. I’m glad he remembered it. In the panic, it slipped my mind.
“Of course! How do you think I tracked down the troublemaker in Distribution?”

“Good. Start the investigation as soon as you get back to the floor, but be careful to make sure no one knows about it or what you are doing. People connected with this seem to be suffering from terminal health problems.”

I stood. I was not sure if I felt suitably inspired.

“I’ll let you know what I find.”

© Charles Heath 2015-2025

Writing a book in 365 days – 317

Day 317

What we give up to write

The Unnecessary Sacrifices: What We Really Give Up To Pursue Our Trade

The narrative of the struggling artisan is deeply ingrained in our culture. The solitary writer fueled by instant coffee, the entrepreneur sleeping on their office floor, the painter eating cold beans for dinner—we romanticise the idea that true devotion requires extreme hardship.

We constantly ask ourselves: What must I tell myself I can do without in order to ply my trade?

This line of questioning often leads us to scrutinise the basic necessities of life. Do we cut food? Do we wear patched clothes? Do we forgo self-care?

The truth, however, is far more subtle and far more strategic. If your trade is a marathon, sacrificing your fuel (physical, intellectual, or emotional) is not devotion—it’s self-sabotage. To thrive, we must learn the difference between necessary austerity and counterproductive deprivation.

Here is a professional perspective on what is truly shed when we commit to our craft, and what must absolutely be protected.


1. Shedding the Myth of Monetary Deprivation

The common wisdom suggests we must sacrifice the big three: food, clothes, and looking good.

If we are being honest, very few successful professionals or skilled tradespeople literally starve themselves or wear rags. What we sacrifice isn’t the necessity itself, but the performative consumption surrounding it.

Food: Quality Over Spectacle

We don’t give up food; we give up time-consuming dining experiences and expensive ingredients that don’t increase our productivity.

The sacrifice is the elaborate lunch hour, the $15 artisanal coffee every morning, or the weekend spent trying complicated new recipes. We trade the gourmet for the pragmatic, optimising our diet for consistent energy and focus. The decision isn’t “Should I eat?” it’s “Does this meal purchase me another hour of high-quality work?”

Clothes and Appearance: Utility Over Status

The sacrifice here is not looking presentable; it is the need to impress onlookers and the time spent shopping for trends.

The dedicated professional often adopts a uniform—a set of clothes that are comfortable, reliable, and require zero decision-making energy in the morning (the classic example of Steve Jobs’ turtlenecks or Mark Zuckerberg’s grey t-shirts). This is a strategic sacrifice of bandwidth. We give up the mental effort of fashion tracking and external validation so that our finite focus can be diverted entirely to the work itself.


2. Protecting the Intellectual Engine

The most dangerous question posed by the hustle culture mindset is whether we must give up books and writing to survive.

For the modern professional—be they a coder, a writer, a consultant, or a marketer—these are not luxuries; they are fundamental operating costs.

If your trade requires cognitive skill, problem-solving, or communication, sacrificing these inputs is akin to a carpenter giving up their hammer.

Books and Reading: Fueling the Engine

We cannot afford to stop learning. When we are deep in the trenches of a trade, reading books—whether they are technical manuals, industry reports, or even great fiction—is the only way to fill the well of knowledge needed to stay competitive.

The real sacrifice is often mindless entertainment: binge-watching television that contributes nothing to our professional growth, or endlessly scrolling validated social media feeds. We trade passive consumption for active learning.

Writing: Sharpening the Tool

Whether you write code, marketing copy, or detailed client briefs, writing is how we clarify thought, document processes, and communicate value. Giving up personal writing, journaling, or even drafting non-work-related essays inhibits our ability to structure complex ideas.

The sacrifice is not the act of writing; it is the expectation of perfectionism in every draft. We sacrifice the time spent trying to make the first sentence flawless so that we can get the crucial idea down quickly and move forward.


3. The True Sacrifices: Time, Comfort, and Bandwidth

When we are truly committed to a trade, the things that disappear are not our fundamental needs, but the luxurious buffers we previously relied upon. These are the real opportunity costs:

1. The Buffer of Time

The biggest sacrifice is spontaneity and unstructured time.

If you are serious about your craft, your schedule becomes deliberately rigid. You sacrifice the freedom to say “yes” to every last-minute social invitation, because that time has already been allocated to deep work, administration, or necessary rest. This is often misunderstood as anti-social behaviour, but it is actually the strategic protection of your workflow.

2. The Comfort of Stability

The trade requires a willingness to live closer to the edge of failure. You sacrifice the comfort of guaranteed outcomes.

Every new project, every pitch, every innovative attempt carries a genuine risk of falling short. This trade demands emotional resilience and the sacrifice of the secure, predictable path for one that offers significant growth but zero guarantees.

3. The Need for External Validation

Finally, we sacrifice the energy spent chasing approval.

When you are intensely focused on the quality of your output, you stop trying to manage the fickle opinions of others. This is where the sacrifice of “looking good” truly comes into play—not physically, but professionally. We stop sacrificing genuine progress for the sake of public performance.


The Wise Exchange

The commitment to a trade is not a vow of destitution; it is a vow of strategic alignment.

The professional does not ask, “What must I suffer through?” but rather, “What non-essential things are draining the time, energy, and resources I need to excel?”

Stop sacrificing your intellectual fuel (books, learning) and your physical fuel (health, decent food). Instead, identify and eliminate the silent drains: the distraction, the excessive consumerism, the need for immediate gratification, and the fear of saying “no.”

Ply your trade, but do so from a position of strength, not starvation. Sacrifice wisely, or risk burning out before the real work ever begins.

Top 5 sights on the road less travelled – Monte Carlo

Beyond the Boulevard: Monte Carlo’s Hidden Gems and Next Big Adventures

Monte Carlo. The very name conjures images of glittering casinos, sleek sports cars, and the sun-drenched glamour of the French Riviera. And while the iconic Grand Prix circuit and the legendary Casino de Monte-Carlo are undeniably magnificent, the true magic of this principality often lies just a whisper off the beaten path.

For the discerning traveller, the question isn’t if there’s more to Monte Carlo, but what awaits those willing to venture a little further. So, buckle up, because we’re about to unveil the next five must-do and must-see experiences that will redefine your perception of this jewel of the Mediterranean.


1. Dive into the Depths: Exploring the Oceanographic Museum’s Hidden Aquariums

While the Oceanographic Museum is a renowned landmark, many visitors focus on its impressive exhibits and historical significance. However, venture deeper into its labyrinthine halls, and you’ll discover a world teeming with vibrant marine life in its less-publicised, yet equally captivating, aquariums.

Why it’s a must-do: Imagine coming face-to-face with a mesmerising array of Mediterranean species, from schools of shimmering sardines to the majestic presence of groupers, all housed within a building perched dramatically on the cliff face. It’s an intimate encounter with the underwater world, offering a tranquil escape from the bustling streets above. Seek out the specialised tanks showcasing the fascinating biodiversity of the local waters – it’s a surprisingly serene and educational experience.


2. Ascend to Serenity: A Hike to the Jardin S an Martin and its Panoramic Vistas

Most tourists flock to the Prince’s Palace for the Changing of the Guard, but a short, pleasant stroll away lies the serene Jardin Saint-Martin. This beautifully landscaped park, perched on the very edge of the Rock, offers not just respite, but breathtaking, unobstructed panoramas that often get overlooked.

Why it’s a must-do: Forget the crowded viewpoints. Here, you can wander amongst fragrant pine trees and vibrant bougainvillea, finding your own quiet bench to soak in the sweeping vistas of the harbor, the superyachts, and the distant coastline. The juxtaposition of the meticulously manicured gardens against the wild beauty of the sea is a photographer’s dream and a soul soother’s paradise. It’s the perfect spot for a leisurely picnic or simply to contemplate the grandeur of the Riviera.


3. Uncover Artistic Treasures: The Nouveau Musée National de Monaco (NMNM) in Villa Paloma and Villa Sauber

Beyond the glitz and glamour, Monte Carlo boasts a thriving contemporary art scene, often tucked away in elegant historical settings. The Nouveau Musée National de Monaco (NMNM) is comprised of two distinct villas, each offering a unique artistic experience that transcends the typical museum visit.

Why it’s a must-do: Villa Paloma, with its stunning contemporary architecture and sculpture garden, often hosts groundbreaking exhibitions by international artists. Villa Sauber, a Belle Époque townhouse, offers a more intimate setting for exploring historical collections, temporary exhibitions, and often features engaging multimedia displays. Exploring these two gems provides a deeper understanding of Monaco’s cultural fabric, showcasing a dynamic and evolving artistic identity that might surprise you.


4. Savor Local Flavors: A Culinary Journey Through the Condamine Market

While Michelin-starred restaurants are plentiful, for a true taste of Monaco’s everyday life and authentic flavours, head to the vibrant Condamine Market (Marché de la Condamine). This bustling open-air and covered market is a sensory delight, offering a glimpse into the local culinary scene.

Why it’s a must-do: Forget tourist traps; here you’ll find fresh produce, local delicacies, and a genuine community atmosphere. Sample Socca (a delicious chickpea pancake), indulge in freshly baked Fougasse, or simply grab a coffee and people-watch as locals shop for their daily ingredients. It’s an opportunity to connect with the heart of Monaco, to taste its heritage, and to discover culinary gems that are far from the tourist trail.


5. Embrace the Outdoors: A Coastal Ramble to the Exotic Garden’s Secret Trails

The Jardin Exotique is famous for its breathtaking collection of succulents and its stunning views. However, many visitors stick to the main paths. Those willing to explore a little further will discover a network of less-trafficked trails that lead to hidden grottos and offer even more secluded viewpoints.

Why it’s a must-do: Beyond the cacti and the impressive cave dwelling, these winding paths lead you through a microclimate of unique flora, offering moments of quiet contemplation amidst nature’s artistry. Discover hidden nooks with unparalleled views of the bay, and feel a sense of discovery as you navigate these less-worn routes. It’s an opportunity to experience the natural beauty of the region away from the crowds, breathing in the fragrant air and enjoying a more intimate connection with the landscape.


Monte Carlo is a destination that rewards curiosity. By venturing beyond the iconic landmarks and embracing these less-travelled paths, you’ll unlock a richer, more authentic, and ultimately, more unforgettable experience. So, pack your sense of adventure and get ready to discover a whole new side of this legendary principality.

What are your favourite “off the beaten path” spots in Monte Carlo? Share your hidden gems in the comments below!