“One Last Look”, nothing is what it seems

A single event can have enormous consequences.

A single event driven by fate, after Ben told his wife Charlotte he would be late home one night, he left early, and by chance discovered his wife having dinner in their favourite restaurant with another man.

A single event where it could be said Ben was in the wrong place at the wrong time.

Who was this man? Why was she having dinner with him?

A simple truth to explain the single event was all Ben required. Instead, Charlotte told him a lie.

A single event that forces Ben to question everything he thought he knew about his wife and the people who are around her.

After a near-death experience and forced retirement into a world he is unfamiliar with, Ben finds himself once again drawn back into that life of lies, violence, and intrigue.

From London to a small village in Tuscany, little by little, Ben discovers who the woman he married is, and the real reason why fate had brought them together.

It is available on Amazon here:  http://amzn.to/2CqUBcz

The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 2

Here’s the thing.

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature, but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

 …

I never realised Boggs had this thing for treasure.  Seems a long time ago that one of his relatives was a diver, found a wreck, and with it, gold bullion.  He became rich, and the wealth in the family lasted till Boggs’ grandfather, who frittered away the last of the fortune on dodgy land schemes and supposed match tree forests in Ecuador.

It was up to him, Boggs told me, to restore the family fortune.

I couldn’t see how this was going to happen sitting in a bar that openly advertised treasure maps and an owner who was only too happy to tell the story of the Spaniard to anyone who’d listen.

The problem was that no two versions of the story were the same.

Whilst Boggs was taking in the fourth or fifth rendition of the story, I looked around at the clientele.  They were certainly more interesting than the treasure.

Mostly here for the sun and surf, there were two notable exceptions, and if I were to guess, they looked Spanish.

Or was it my imagination working overtime?

They seemed very interested in Boggs, from time to time looking over at him, and then muttering to each other.  Conveniently, they were along the path to the restroom, so I took a stroll, and lingering a moment near their table, I listened to the conversation.

In Spanish.

My Spanish was a little rusty, but what I thought I heard was, “Boy, map, find out what he knows, gold, and it’s in the hills somewhere.

The phrase, there’s gold in them thar hills came to mind.

But for the moment, I think we had a problem.

When I came out of the restroom, the first thing I noticed was that the two Spaniards had left.  When I looked over towards the bar, where I had left Boggs, I noticed he too was missing.

All of a sudden, I had a very bad feeling.

I ran outside, just in time to see the two men bundling Boggs into the back of a car and driving off.

 …

That’s where I fell asleep

The 2am Rant: It’s cold out there

But…

It is, but it isn’t.  Oddly enough after two weeks in temperatures ranging from -21 to 7 degrees Fahrenheit, I think I’m finally used to it.

My early morning walk after leaving the hotel is both for exercise and exploring.

Looking for locations, observing people, watching and learning what it’s like to live, work, and hang out in a city like New York.

It’s so much more interesting than where I come from.  There it would be impossible to spin a story in such a small city.  You need to be able to hide in plain sight among millions of people over a very large area that encompasses Manhattan, Brooklyn, Queens, and everything else in-between and beyond.

I was looking at going to a Walmart in Secaucus, about three and a half miles from my hotel in Manhattan.  Three and a half miles.  In my city that’s way beyond the limits of the city and in the outer suburbs.

Here I can spin a tale that could live within the confines of 35th street, 85th street, 2nd Avenue and 10th Avenue, and have so much material, I could probably write a trilogy.

Pity is, I won’t be here long enough to gather enough background.

Still, it’s like being in literary seventh heaven.

I’ve written one book based in New York, I’m sure another is currently writing itself in my head and will be on paper over the next year.

Then, maybe I’ll be back.

What I learned about writing – That subtle relationship between author and reader

When you open a book and begin reading, it’s more than just you reading words; it’s about a subtle relationship you have with the author, and that’s what he or she writes resonates with you…

That’s a profound and very accurate observation. You’re highlighting the fundamental difference between simply processing information and engaging with literature.

This “subtle relationship” you describe can be broken down into a few key concepts in literary theory and reader response:

1. The Author-Reader Pact (Resonance)

When a reader connects with a text, it often feels like the author is speaking directly to them. This resonance occurs because the author has successfully:

  • Anticipated the Reader’s World: The author uses language, references, and emotional contexts that they expect the reader to understand and relate to.
  • Established a Voice: The author’s unique style, tone, and perspective shine through, creating an implied personality that the reader either trusts or finds intriguing. If the reader finds this voice authentic or compelling, they are more willing to follow the narrative and accept the author’s vision.
  • Invited Collaboration: The author intentionally leaves gaps, ambiguities, and “blanks” in the text. The reader fills these in using their own experiences, imagination, and knowledge, effectively becoming a co-creator of the story. This active participation strengthens the personal bond.

2. Empathy and Shared Human Experience

At its core, the relationship is built on empathy. Reading is an exercise in experiencing the world through another’s perspective. Even if the author is long dead or writes about fantastical events, the underlying emotions—joy, fear, loss, curiosity—are universal and allow the reader to connect on a human level.

3. The Power of Intent

The act of writing for publication implies an intent to communicate, to be understood, or to persuade. The subtle relationship is the reader’s reception of that intent, even if they later disagree with the message. The author is saying, “Here is something I value and wish to share,” and the reader’s choice to engage is their acceptance of that invitation.

In short, it’s not just about what the author writes, but how their words make you feel.

365 Days of writing, 2026 – 156

Day 156 – The past is a great resource

The Archive of Experience: Why Your Past is Your Greatest Resource

In our modern, fast-paced world, we are obsessed with the “next.” We are constantly looking toward the next milestone, the next innovation, and the next version of ourselves. While forward momentum is essential for growth, we often overlook the most powerful tool in our arsenal for navigating the future: our own history.

The past is not merely a collection of memories or a series of “what-ifs.” It is a dynamic, living resource—a vast library of data, lessons, and patterns that, when leveraged correctly, can become the foundation for our future success.

Here is why your past is the most valuable asset you own.

1. The Laboratory of Pattern Recognition

Patterns are the language of reality. Whether in business, relationships, or personal habits, history tends to rhyme. When you look back at your past experiences—both the triumphs and the failures—you begin to see recurring themes.

Did you notice that you always thrive when you collaborate, but struggle when you’re isolated? Do you see a trend in the types of challenges that tend to derail your progress? By analysing your past, you aren’t just remembering; you are engaging in pattern recognition. This allows you to walk into new situations with a “map” that others, who haven’t done the work of reflection, lack.

2. Failure as R&D (Research and Development)

We often treat our past mistakes as sources of shame. However, in the world of professional innovation, a failed experiment is simply a piece of data that proves what doesn’t work.

When you treat your past failures as “Research and Development,” you strip away the emotional sting and replace it with objective intelligence. Every “no” you received, every project that stalled, and every lapse in judgment is a refined instruction manual for how to handle similar situations in the future. You are the only person who possesses the unique training data of your own life—don’t let it go to waste.

3. The Anchor of Resilience

There is a specific kind of confidence that comes from knowing you have survived 100% of your worst days. When the present feels overwhelming, looking back at your own history serves as a powerful anchor.

By remembering the times you felt trapped, confused, or defeated and recalling exactly how you navigated your way out, you remind yourself of your inherent resilience. The past doesn’t just show you where you’ve been; it proves your capacity to transcend adversity. It transforms the question “Can I get through this?” into “I have gotten through this before, and I will do it again.”

4. Harvesting Your “Hidden Hits”

Sometimes, we get so focused on the future that we forget the skills, passions, and insights we once possessed. Perhaps you were a great writer in college, a creative problem solver in your first job, or someone who naturally brought people together in a community group.

Modern life often causes us to prune away parts of ourselves to fit into a specific “career box.” Returning to your past allows you to rediscover forgotten talents. It is a process of harvesting the “hidden hits” of your early life and re-integrating them into your current identity to create a more well-rounded, effective version of yourself.

How to Use Your Past Effectively

To turn your past into a resource rather than a prison, you must change your relationship with it:

  • Practice Objective Reflection: Spend time journaling about past events as if you were an unbiased observer. Write down what happened, what you did, and what the outcome was.
  • Extract the Lesson: Don’t stop at the memory. Ask yourself, “What did this teach me that I am still using today?”
  • Forgive the “Past You”: Recognise that the version of you in the past was making the best decisions they could with the information they had at the time. Compassion for your past self is the key to clarity for your future self.

The Bottom Line

Your past is not a graveyard; it is a goldmine. It is where your wisdom resides and where your most authentic lessons are stored. By mining your history for its insights, patterns, and proofs of strength, you stop being a victim of your experiences and start becoming the architect of your future.

Don’t just move forward—move forward informed. Your past is waiting to tell you exactly how to win.

Top 5 sights on the road less travelled – Budapest

Budapest Beyond the Guidebook: 5 Adventures on the Road Less Travelled

Budapest. The Pearl of the Danube. A city of majestic architecture, thermal waters, ruin bars, and a history that echoes through every cobblestone street. It’s a city that rightfully earns its place on countless travel bucket lists, beckoning with the grandeur of the Parliament, the panoramic views from Buda Castle, and the vibrant pulse of Szimpla Kert.

But what if you’ve already seen the iconic sights, or perhaps you’re simply tired of following the well-worn path? What if you crave a deeper connection, a more authentic encounter with this incredible city?

If your adventurous spirit whispers for something different, something just off the main tourist radar, then pack your curiosity. We’re about to explore five truly unique experiences in Budapest that promise a new perspective and memories distinct from the typical postcard shots.


1. Descend into Budapest’s Hidden Labyrinth: The Pál-völgyi or Szemlő-hegyi Caves

Forget the surface for a moment and journey into Budapest’s fascinating underworld. Beneath the city, an extensive network of limestone caves riddles the earth, formed by ancient thermal waters. While few tourists venture here, these natural wonders offer a thrilling escape.

Why it’s unique: Unlike most cave systems, these are right beneath a bustling capital city! You’ll trade city noise for geological silence, marvelling at incredible stalactite and stalagmite formations, crystal growths, and narrow passages. The Pál-völgyi Cave offers a more adventurous, helmet-and-headlamp caving experience (guided, of course), while the Szemlő-hegyi Cave is more accessible, known as the “underground flower garden” for its stunning mineral formations.

Road Less Travelled Bonus: You’ll be one of the few experiencing an ancient, geological side of Budapest often overlooked. It’s an active, immersive adventure that feels a world away from the city above.


2. Bathe Like a Local: Rudas Thermal Bath (and its Rooftop Pool!)

Everyone knows Széchenyi and Gellért. They’re stunning, no doubt. But for a truly authentic, less-crowded thermal experience steeped in history, head to Rudas Thermal Bath. Dating back to the Ottoman occupation, Rudas offers a glimpse into centuries-old bathing traditions.

Why it’s unique: Rudas maintains designated gender-specific days in its beautiful 16th-century octagonal main pool (check their schedule!), offering a more traditional and serene experience. But the real hidden gem? It’s a contemporary rooftop panoramic hot tub. Imagine soaking in warm thermal waters, overlooking the magnificent Chain Bridge and the Danube, especially as the city lights up at dusk.

Road Less Travelled Bonus: While not entirely undiscovered, Rudas offers a far less ‘tourist factory’ feel than its more famous counterparts, allowing for a more reflective and local bathing ritual, especially on single-sex days. The rooftop pool is pure magic.


3. Ride the Whimsical Hungarian Children’s Railway (Gyermekvasút)

Step back in time and into a truly charming piece of Hungarian history. The Children’s Railway is no theme park ride; it’s a fully operational, narrow-gauge railway line winding through the picturesque Buda Hills, and almost every role – from ticket inspector to signalman – is performed by children (aged 10-14), under adult supervision.

Why it’s unique: It’s a fascinating relic of the socialist era, designed to teach children responsibility and discipline. The kids take their roles very seriously, making for a delightful and slightly surreal experience. The journey itself offers beautiful views of the surrounding forests and hills, a welcome green escape from the city’s concrete.

Road Less Travelled Bonus: Far from the city centre, this is a heartwarming, quirky, and surprisingly educational experience. It’s perfect for families, history buffs, or anyone seeking a genuinely unique interaction with Hungarian culture and its past.


4. Dive into Pinball Heaven at the Flippermúzeum (Pinball Museum)

If you’re looking for something purely fun, nostalgic, and utterly unexpected, the Budapest Pinball Museum is your answer. Tucked away in a basement close to Margaret Bridge, this vibrant museum houses over 160 playable pinball machines and arcade games, from the 1940s to the latest models.

Why it’s unique: It’s not just a museum; it’s an interactive arcade where your entrance fee grants you unlimited play for the entire day! You can spend hours immersed in the delightful clangs, flings, and flashing lights of pinball history, challenging friends or simply reliving childhood memories.

Road Less Travelled Bonus: This isn’t on any standard itinerary, making it a fantastic discovery for those craving entertainment beyond traditional sightseeing. It’s a quirky, joyful experience that appeals to all ages and offers a lively break from historical tours.


5. Explore the Ancient Charms of Óbuda

While everyone flocks to Buda Castle or Pest’s vibrant districts, take a tram or bus to Óbuda, the oldest part of Budapest. This tranquil district, effectively Budapest’s “Old Town,” predates the unification of Buda and Pest and offers a distinctly different atmosphere.

Why it’s unique: Here, you’ll find charming Baroque squares like Fő tér (Main Square), dotted with sculptures, quaint cafes, and local shops. Explore the ruins of Aquincum, an ancient Roman city that once thrived here, complete with an amphitheatre. Óbuda feels like a separate, sleepy village, with its own pace and unique history.

Road Less Travelled Bonus: You’ll experience a quieter, more residential side of Budapest, encountering fewer tourists and more locals going about their daily lives. It’s a chance to savour genuine Hungarian village charm within a major metropolis, and to walk among Roman ruins without the usual crowds.


Budapest is a city that keeps on giving, especially when you step away from the well-trodden path. These five adventures offer a glimpse into the city’s diverse soul, inviting you to connect with its history, nature, quirks, and local life in truly memorable ways. So, next time you’re planning a trip to the Hungarian capital, dare to take the road less travelled. You might just discover your own personal pearl.

What are your favourite Budapest hidden gems? Share them in the comments below!

Harry Walthenson, Private Detective – the second case – A case of finding the “Flying Dutchman”

What starts as a search for a missing husband soon develops into an unbelievable story of treachery, lies, and incredible riches.

It was meant to remain buried long enough for the dust to settle on what was once an unpalatable truth, when enough time had passed, and those who had been willing to wait could reap the rewards.

The problem was, no one knew where that treasure was hidden or the location of the logbook that held the secret.

At stake, billions of dollars’ worth of stolen Nazi loot brought to the United States in an anonymous tramp steamer and hidden in a specially constructed vault under a specifically owned plot of land on the once docklands of New York.

It may have remained hidden and unknown to only a few, if it had not been for a mere obscure detail being overheard …

… by our intrepid, newly minted private detective, Harry Walthenson …

… and it would have remained buried.

Now, through a series of unrelated events, or are they, that well-kept secret is out there, and Harry will not stop until the whole truth is uncovered.

Even if it almost costs him his life.  Again.

Top 5 sights on the road less travelled – Vienna

Vienna Beyond the Waltz: 5 Off-Beat Gems You Can’t Miss

Vienna. Just the name conjures images of majestic palaces, grand opera, and perhaps a slice of perfectly decadent Sachertorte. It’s a city steeped in imperial history, a classic tourist destination, and rightly so.

But what if you’ve already seen Schönbrunn, wandered the Ringstrasse, and gazed upon The Kiss? What if you’re pulling into Vienna on a road trip, looking to veer off the well-trodden tourist path and discover something truly unique?

Welcome to the Vienna that locals cherish—the road less travelled. Here are five essential, yet unconventional, things to do in the Austrian capital that will enrich your trip and leave you feeling like a true insider.


1. Dive into the Depths at the Third Man Museum

For fans of Cold War intrigue and cinematic history.

Forget typical movie museums; the Third Man Museum (Dritte Mann Museum) is a passion project run by dedicated enthusiasts. Tucked away in the less flashy 4th district (Wieden), this spot is a tribute to the iconic 1949 film The Third Man, which captured post-war Vienna’s atmosphere perfectly.

You’ll find thousands of artifacts, from original film posters, props, and scripts, to rare footage and historical documents detailing the Allied occupation of the city. It’s slightly cluttered, intensely atmospheric, and wonderfully niche. It doesn’t just celebrate the film; it gives you a fascinating look at the real city it was shot in.

  • Insider Tip: Check the opening times carefully—they are usually only open on Saturdays!

2. Take a Dip (or a Stroll) Along the Old Danube (Alte Donau)

For escaping the urban hustle without leaving the city.

When the summer heat hits, Viennese locals head not to a crowded beach, but to the Alte Donau—the horseshoe-shaped former main stream of the Danube. This tranquil area is miles away from the tourist crush and offers a refreshing, almost lakeside atmosphere right in the heart of Vienna’s 22nd district.

You can rent a rowboat, a pedal boat, or even an electric boat and enjoy the quiet waters, surrounded by charming boathouses and lush green banks. There are also several public bathing areas (known as Strandbäder) perfect for a swim.

  • Why it’s off-beat: Most tourists only see the straightened, industrial New Danube. The Alte Donau provides a glimpse into Vienna’s softer, more recreational side.

3. Seek out Hundertwasser’s Quirky Architectural Utopia

For lovers of color, curves, and defying convention.

While many tourists flock to the famous Hundertwasserhaus (a quirky apartment block), the real secret lies in visiting the other projects of the visionary Austrian artist, Friedensreich Hundertwasser.

Head to the Kunst Haus Wien, which houses a permanent exhibition of his work and is a museum designed entirely in his organic, colorful style. Afterward, explore the nearby Müllverbrennungsanlage Spittelau (Spittelau Waste Incineration Plant). Yes, an incinerator. Hundertwasser converted this industrial structure into a dazzling, gold-topped, eco-friendly fairytale castle, proving that even infrastructure can be art.

  • The Road Less Traveled Angle: While the Hundertwasserhaus is always packed, exploring these other sites gives you a much deeper appreciation for his unique architectural philosophy.

4. Experience Wine Culture in the Vienna Woods (Wienerwald)

For unparalleled views and authentic Austrian wine (Heuriger).

Did you know Vienna is one of the world’s only major capital cities with significant vineyards located within the city limits?

Skip the central bars and drive (or take the tram) to one of the picturesque suburbs nestled against the Wienerwald (Vienna Woods), such as Grinzing or the lesser-known Neustift am Walde.

Here you’ll find traditional Heuriger—rustic taverns run by the winemakers themselves. They serve their young wine (often a delightful white Grüner Veltliner) alongside simple, delicious homemade buffets (Brettljausen). The atmosphere is relaxed, the view over the city often stunning, and the experience authentically Viennese.

  • When to Go: Visit in late summer or early autumn for the best harvest atmosphere.

5. Step Back in Time at the Central Cemetery (Zentralfriedhof)

For history, grandeur, and an eerily serene experience.

A cemetery might seem like a morbid suggestion, but Vienna’s Zentralfriedhof is a sprawling, peaceful, and historically important destination that few tourists bother visiting. It’s so vast (the second largest in Europe) it even has its own bus line!

It is a beautiful park, yes, but its true draw is the honor graves (Ehrengräber). Here you can pay respects to icons like Beethoven, Schubert, Strauss, Brahms, and Arnold Schoenberg. The architectural splendor of the Art Nouveau church (St. Charles Borromeo Cemetery Church) is also breathtaking.

  • Why it’s worth the detour: It’s a profound testament to Vienna’s cultural importance and a uniquely quiet place for reflection, far from the central crowds.

Vienna offers endless classical charm, but for the true explorer on a road trip, the city rewards those who look beyond the main squares. Park your car, put on your walking shoes, and discover the quirky, colorful, and wonderfully authentic side of Austria’s imperial heart.

An excerpt from “Mistaken Identity” – a work in progress

The odds of any one of us having a doppelganger are quite high. Whether or not you got to meet them or be confronted by them was significantly lower. Except, of course, unless you are a celebrity.

It was a phenomenon remarkable only for the fact that, at times, certain high-profile people, notorious or not, had doubles if only to put off enemies or the general public. Sometimes we see people in the street who look like someone we knew and make the mistake of approaching them like a long-lost friend, only to discover an embarrassed individual desperately trying to get away from what they perceive as a stalker, or worse.

And then sometimes it is a picture that looms up on a TV screen, an almost exact likeness of you. At first, you are fascinated, and then, according to the circumstances and narrative that is attached to that picture, either flattered or horrified.

For me, one turned to the other when I saw an almost likeness of me flash up on the screen when I turned the TV on in my room. What looked to be my photo, with only minor differences, was in the corner of the screen, the newsreader speaking in rapid Italian, so fast I could only translate every second or third word.

But the one word I did recognise was murder. The photo of the man on the screen was the subject of an extensive manhunt. The crime, the murder of a woman in the very same hotel I was staying, and it was being played out live several floors above me. The gist of the story, the woman had been seen with and staying with the man who was my double, and, less than an hour ago, the body had been discovered by a chambermaid.

The killer, the announcer said, was believed to be still in the hotel because the woman had died shortly before she had been discovered.

I watched, at first fascinated by what I was seeing. I guess I should have been horrified, but at that moment it didn’t register that I might be mistaken for that man.

Not until another five minutes had passed, and I was watching the police in full riot gear, with a camera crew following behind, coming up a passage towards a room. Live action of the arrest of the suspected killer, the breathless commentator said.

Then, suddenly, there was a pounding on the door. On the TV screen, plain to see, was the number of my room. I looked through the peephole and saw an army of police officers. It didn’t take much to realise what had happened. The hotel staff identified me as the man in the photograph on the TV and called the police.

Horrified wasn’t what I was feeling right then.

It was fear.

My last memory was the door crashing open, the wood splintering, and men rushing into the room, screaming at me, waving guns, and when I put my hands up to defend myself, I heard a gunshot.

And in one very confused and probably near-death experience, I thought I saw my mother and thought what was she doing in Rome?

I was the archetypal nobody.

I lived in a small flat, I drove a nondescript car, had an average job in a low-profile travel agency, was single, and currently not involved in a relationship, had no children, and, according to my workmates, no life.

They were wrong. I was one of those people who preferred their own company; I had a cat, and travelled whenever I could. And I did have a ‘thing’ for Rosalie, one of the reasons why I stayed at the travel agency. I didn’t expect anything to come of it, but one could always hope.

I was both pleased and excited to be going to the conference. It was my first, and the glimpse I had seen of it had whetted my appetite for more information about the nuances of my profession.

Some would say that a travel agent wasn’t much of a job, but to me, it was every bit as demanding as being an accountant or a lawyer. You were providing a customer with a service, and arguably, more people needed a travel agent than a lawyer. At least that was what I told myself as I watched more and more people start using the internet, and our relevance slowly dissipating.

This conference was about countering that trend.

The trip over had been uneventful. I was met at the airport and taken to the hotel where the conference was being held with several other delegates who had arrived on the same plane. I had mingled with several other delegates at the pre-conference get-together, including one whose name was Maryanne.

She was an unusual young woman, not the sort that I usually met, because she was the one who was usually surrounded by all the boys, the life of the party. In normal circumstances, I would not have introduced myself to her, but she had approached me. Why did I think that may have been significant? All of this ran through my mind, culminating in the last event on the highlight reel, the door bursting open, men rushing into my room, and then one of the policemen opened fire.

I replayed that last scene again, trying to see the face of my assailant, but it was just a sea of men in battle dress, bulletproof vests and helmets, accompanied by screaming and yelling, some of which I identified as “Get on the floor”.

Then came the shot.

Why ask me to get on the floor if all they were going to do was shoot me? I was putting my hands up at the time, in surrender, not reaching for a weapon.

Then I saw the face again, hovering in the background like a ghost. My mother. Only the hair was different, and her clothes, and then the image was going, perhaps a figment of my imagination brought on by pain-killing drugs. I tried to imagine the scene again, but this time it played out without the image of my mother.

I opened my eyes and took stock of my surroundings. What I felt in that exact moment couldn’t be described. I should most likely be dead, the result of a gunshot wound. I guess I should be thankful the shooter hadn’t aimed at anything vital, but that was the only item on the plus side.

I was in a hospital room with a policeman by the door. He was reading a newspaper and sitting uncomfortably on a small chair. He gave me a quick glance when he heard me move slightly, but didn’t acknowledge me with either a nod or a greeting, just went back to the paper.

If I still had a police guard, then I would still be considered a suspect. What was interesting was that I was not handcuffed to the bed. Perhaps that only happened in TV shows. Or maybe they knew I couldn’t run because my injuries were too serious. Or the guard would shoot me long before my feet hit the floor. I knew the police well enough now to know they would shoot first and ask questions later.

On the physical side, I had a large bandage over the top left corner of my chest, extending over my shoulder. A little poking and prodding determined the bullet had hit somewhere between the top of my rib cage and my shoulder. Nothing vital there, but my arm might be somewhat useless for a while, depending on what the bullet hit on the way in or through.

It didn’t feel like there were any broken or damaged bones.

That was the good news.

On the other side of the ledger, my mental state, there was only one word that could describe it. Terrified. I was looking at a murder charge and jail time, a lot of it. Murder usually had a long time in jail attached to it.

Whatever had happened, I didn’t do it. I know I didn’t do it, but I had to try to explain this to people who had already made up their minds. I searched my mind for evidence. It was there, but in the confused state brought on by the medication, all I could think about was jail, and the sort of company I was going to have.

I think death would have been preferable.

Half an hour later, maybe longer, I was drifting in and out of consciousness. A nurse, or what I thought was a nurse, came into the room. The guard stood, checked her ID card, and then stood by the door.

She came over and stood beside the bed. “How are you?” she asked, first in Italian, and when I pretended I didn’t understand, she asked the same question in accented English.

“Alive, I guess,” I said. “No one has come and told me what my condition is yet. You are my first visitor. Can you tell me?”

“Of course. You are very lucky to be alive. You will be fine and make a full recovery. The doctors here are excellent at their work.”

“What happens now?”

“I check you, and then you have another visitor. He is from the British Embassy, I think. But he will have to wait until I have finished my examination.”

I realised then she was a doctor, not a nurse.

My second visitor was a man, dressed in a suit, the sort of which I associated with the British Civil Service.  He was not very old, which told me he was probably a recent graduate on his first posting, the junior officer who drew the short straw.

The guard checked his ID but again did not leave the room, sitting back down and going back to his newspaper.

My visitor introduced himself as Alex Jordan from the British Embassy in Rome, and he had been asked by the Ambassador to sort out what he labelled a tricky mess.

For starters, it was good to see that someone cared about what happened to me.  But, equally, I knew the mantra, get into trouble overseas, and there is not much we can do to help you.  So, after that lengthy introduction, I had to wonder why he was here.

I said, “They think I am an international criminal by the name of Jacob Westerbury, whose picture looks just like me, and apparently, for them, it is an open and shut case.”  I could still hear the fragments of the yelling as the police burst through the door, at the same time telling me to get on the floor with my hands over my head.

“It’s not.  They know they’ve got the wrong man, which is why I’m here.  There is the issue of what had been described as excessive force, and the fact that you were shot had made it an all-around embarrassment for them.”

“Then why are you here?  Shouldn’t they be here apologising?”

“That is why you have another visitor.  I only took precedence because I insisted on speaking with you first.  I have come, basically, to ask you for a favour.  This situation has afforded us an opportunity.  We would like you to sign the official document, which basically indemnifies them against any legal proceedings.”

Curious.  What sort of opportunity was he talking about?  Was this a matter that could get difficult and I could be charged by the Italian Government, even if I wasn’t guilty, or was it one of those hush-hush type deals, you do this for us, we’ll help you out with that?  “What sort of opportunity?”

“We want to get our hands on Jacob Westerbury as much as they do.  They’ve made a mistake, and we’d like to use that to get custody of him if or when he is arrested in this country.  I’m sure you would also like this man brought into custody as soon as possible, so you will stop being confused with him.  I can only imagine what it was like to be arrested in the manner you were.  And I would not blame you if you wanted to get some compensation for what they’ve done.  But.  There are bigger issues in play here, and you would be doing this for your country.”

I wondered what would happen if I didn’t agree to his proposal.  I had to ask, “What if I don’t?”

His expression didn’t change.  “I’m sure you are a sensible man, Mr Pargeter, who is more than willing to help his country whenever he can.  They have agreed to take care of all your hospital expenses, refund the cost of the Conference, and travel.  I’m sure I could also get them to pay for a few days at Capri or Sorrento, if you like, before you go home.  What do you say?”

There was only one thing I could say.  Wasn’t it treason if you went against your country’s wishes?

“I’m not an unreasonable man, Alex.  Go do your deal, and I’ll sign the papers.”

“Good man.”

After Alex left, the doctor came back to announce the arrival of a woman, who had announced herself as the publicity officer from the Italian police. When she came into the room, she was not dressed in a uniform.

The doctor left after giving a brief report to the civilian at the door. I understood the gist of it: “The patient has recovered excellently, and the wounds are healing as expected. There is no cause for concern.”

That was a relief.

While the doctor was speaking to the civilian, I speculated on who she might be. She was young, not more than thirty, conservatively dressed, so an official of some kind, but not necessarily with the police. Did they have prosecutors? I was unfamiliar with the Italian legal system.

She had long, wavy black hair and the sort of sultry looks of an Italian movie star, and her presence made me more curious than fearful, though I couldn’t say why.

The woman then spoke to the guard, and he reluctantly got up and left the room, closing the door behind him. She checked the door and then came back towards me, standing at the end of the bed. Now alone, she said, “A few questions before we begin.” Her English was only slightly accented. “Your name is Jack Pargeter?”

I nodded. “Yes.”

“You are in Rome to attend the Travel Agents Conference at the Hilton Hotel?”

“Yes.”

“You attended a preconference introduction on the evening of the 25th, after arriving from London at approximately 4:25 pm.”

“About that time, yes. I know it was about five when the bus came to collect me, and several others, to take us to the hotel.”

She smiled. It was then that I noticed she was reading from a small notepad.

“It was ten past five to be precise. The driver had been held up in traffic. We have several witnesses who saw you on the plane, on the bus, at the hotel, and with the aid of closed-circuit TV, we have established you are not the criminal Jacob Westerbury.”

She put her notebook back in her bag and then said, “My name is Vicenza Andretti, and I am with the prosecutor’s office. I am here to formally apologise for the situation that can only be described as a case of mistaken identity. I assure you, it is not the habit of our police officers to shoot people unless they have a very strong reason for doing so. I understand that in the confusion of the arrest, one of our officers accidentally discharged his weapon. We are undergoing a very thorough investigation into the circumstances of this event.”

I was not sure why, but between the time I had spoken to the embassy official and now, something about letting them off so easily was bugging me. I could see why they had sent her. It would be difficult to be angry or annoyed with her.

But I was annoyed.

“Do you often send a whole squad of trigger-happy riot police to arrest a single man?” It came out harsher than I intended.

“My men believed they were dealing with a dangerous criminal.”

“Do I look like a dangerous criminal?” And then I realised if it was mistaken identity, the answer would be yes.

She saw the look on my face and said quietly, “I think you know the answer to that question, Mr Pargeter.”

“Well, it was overkill.”

“As I said, we are very sorry for the circumstances you now find yourself in. You must understand that we honestly believed we were dealing with an armed and dangerous murderer, and we were acting within our mandate. My department will cover your medical expenses and any other amounts for the inconvenience this has caused you. I believe you were attending a conference at your hotel. I am very sorry, but given the medical circumstances you have, you will have to remain here for a few more days.”

“I guess, then, I should thank you for not killing me.”

Her expression told me that was not the best thing I could have said in the circumstances.

“I mean, I should thank you for the hospital and the care. But a question or two of my own. May I?”

She nodded.

“Did you catch this Jacob Westerbury character?”

“No. In the confusion created by your arrest, he escaped. Once we realised we had made a mistake and reviewed the closed-circuit TV, we tracked him leaving by a rear exit.”

“Are you sure it was one of your men who shot me?”

I watched as her expression changed to one of surprise.

“You don’t think it was one of my men?”

“Oddly enough, no. But don’t ask me why.”

“It is very interesting that you should say that, because in our initial investigation, it appeared none of our officers’ weapons had been discharged. A forensic investigation into the bullet tells us it was one that is used in our weapons, but…”

I could see their dilemma.

“Have you any enemies that would want to shoot you, Mr Pargeter?”

That was absurd because I had no enemies, at least none that I knew of, much less anyone who would want me dead.

“Not that I’m aware of.”

“Then it is strange, and will perhaps remain a mystery. I will let you know if anything more is revealed in our investigation.”

She took an envelope out of her briefcase and opened it, pulling out several sheets of paper.

I knew what it was. A verbal apology was one thing, but a signed waiver would cover them legally. They had sent a pretty girl to charm me. Perhaps using anyone else would not have worked. There was potential for a huge litigation payout here, and someone more ruthless would jump at the chance of making a few million out of the Italian Government.

“We need a signature on this document,” she said.

“Absolving you of any wrongdoing?”

“I have apologised. We will take whatever measures are required for your comfort after this event. We are accepting responsibility for our actions and are being reasonable.”

They were. I took the pen from her and signed the documents.

“You couldn’t add dinner with you on that list of benefits?” No harm in asking.

“I am unfortunately unavailable.”

I smiled. “It wasn’t a request for a date, just dinner. You can tell me about Rome, as only a resident can. Please.”

She looked me up and down, searching for the ulterior motive. When she couldn’t find one, she said, “We shall see once the hospital discharges you in a few days.”

“Then I’ll pencil you in?”

She looked at me quizzically. “What is this pencil me in?”

“It’s an English colloquialism. It means maybe. As when you write something in pencil, it is easy to erase it.”

A momentary frown, then recognition and a smile. “I shall remember that. Thank you for your time and cooperation, Mr Pargeter. Good morning.”

© Charles Heath 2015-2021

365 Days of writing, 2026 – 156

Day 156 – The past is a great resource

The Archive of Experience: Why Your Past is Your Greatest Resource

In our modern, fast-paced world, we are obsessed with the “next.” We are constantly looking toward the next milestone, the next innovation, and the next version of ourselves. While forward momentum is essential for growth, we often overlook the most powerful tool in our arsenal for navigating the future: our own history.

The past is not merely a collection of memories or a series of “what-ifs.” It is a dynamic, living resource—a vast library of data, lessons, and patterns that, when leveraged correctly, can become the foundation for our future success.

Here is why your past is the most valuable asset you own.

1. The Laboratory of Pattern Recognition

Patterns are the language of reality. Whether in business, relationships, or personal habits, history tends to rhyme. When you look back at your past experiences—both the triumphs and the failures—you begin to see recurring themes.

Did you notice that you always thrive when you collaborate, but struggle when you’re isolated? Do you see a trend in the types of challenges that tend to derail your progress? By analysing your past, you aren’t just remembering; you are engaging in pattern recognition. This allows you to walk into new situations with a “map” that others, who haven’t done the work of reflection, lack.

2. Failure as R&D (Research and Development)

We often treat our past mistakes as sources of shame. However, in the world of professional innovation, a failed experiment is simply a piece of data that proves what doesn’t work.

When you treat your past failures as “Research and Development,” you strip away the emotional sting and replace it with objective intelligence. Every “no” you received, every project that stalled, and every lapse in judgment is a refined instruction manual for how to handle similar situations in the future. You are the only person who possesses the unique training data of your own life—don’t let it go to waste.

3. The Anchor of Resilience

There is a specific kind of confidence that comes from knowing you have survived 100% of your worst days. When the present feels overwhelming, looking back at your own history serves as a powerful anchor.

By remembering the times you felt trapped, confused, or defeated and recalling exactly how you navigated your way out, you remind yourself of your inherent resilience. The past doesn’t just show you where you’ve been; it proves your capacity to transcend adversity. It transforms the question “Can I get through this?” into “I have gotten through this before, and I will do it again.”

4. Harvesting Your “Hidden Hits”

Sometimes, we get so focused on the future that we forget the skills, passions, and insights we once possessed. Perhaps you were a great writer in college, a creative problem solver in your first job, or someone who naturally brought people together in a community group.

Modern life often causes us to prune away parts of ourselves to fit into a specific “career box.” Returning to your past allows you to rediscover forgotten talents. It is a process of harvesting the “hidden hits” of your early life and re-integrating them into your current identity to create a more well-rounded, effective version of yourself.

How to Use Your Past Effectively

To turn your past into a resource rather than a prison, you must change your relationship with it:

  • Practice Objective Reflection: Spend time journaling about past events as if you were an unbiased observer. Write down what happened, what you did, and what the outcome was.
  • Extract the Lesson: Don’t stop at the memory. Ask yourself, “What did this teach me that I am still using today?”
  • Forgive the “Past You”: Recognise that the version of you in the past was making the best decisions they could with the information they had at the time. Compassion for your past self is the key to clarity for your future self.

The Bottom Line

Your past is not a graveyard; it is a goldmine. It is where your wisdom resides and where your most authentic lessons are stored. By mining your history for its insights, patterns, and proofs of strength, you stop being a victim of your experiences and start becoming the architect of your future.

Don’t just move forward—move forward informed. Your past is waiting to tell you exactly how to win.