Category: Book

An excerpt from “Mistaken Identity” – a work in progress

The odds of any one of us having a doppelganger are quite high. Whether or not you got to meet him or her, or be confronted by them was significantly lower. Except of course, unless you are a celebrity.

It was a phenomenon remarkable only for the fact, at times, certain high-profile people, notorious or not, had doubles if only to put off enemies or the general public. Sometimes we see people in the street, people who look like someone we knew, and made the mistake of approaching them like a long lost friend, only to discover an embarrassed individual desperately trying to get away for what they perceive is a stalker or worse.

And then sometimes it is a picture that looms up on a TV screen, an almost exact likeness of you. At first, you are fascinated, and then according to the circumstances, and narrative that is attached to that picture, either flattered or horrified.

For me one turned to the other when I saw an almost likeness of me flash up on the screen when I turned the TV on in my room. What looked to be my photo, with only minor differences, was in the corner of the screen, the newsreader speaking in rapid Italian, so fast I could only translate every second or third word.

But the one word I did recognize was murder. The photo of the man up on the screen was the subject of an extensive manhunt. The crime, the murder of a woman in the very same hotel I was staying, and it was being played out live several floors above me. The gist of the story, the woman had been seen with, and staying with the man who was my double, and, less than an hour ago, the body had been discovered by a chambermaid.

The killer, the announcer said, was believed to be still in the hotel because the woman had died shortly before she had been discovered.

I watched, at first fascinated at what I was seeing. I guess I should have been horrified, but at that moment it didn’t register that I might be mistaken for that man.

Not until another five minutes had passed, and I was watching the police in full riot gear, with a camera crew following behind, coming up a passage towards a room. Live action of the arrest of the suspected killer the breathless commentator said.

Then, suddenly, there was a pounding on the door. On the TV screen, plain to see, was the number of my room.
I looked through the peephole and saw an army of police officers. It didn’t take much to realize what had happened. The hotel staff identified me as the man in the photograph on the TV and called the police.

Horrified wasn’t what I was feeling right then.

It was fear.

My last memory was the door crashing open, the wood splintering, and men rushing into the room, screaming at me, waving guns, and when I put my hands up to defend myself, I heard a gunshot.

And in one very confused and probably near-death experience, I thought I saw my mother and thought what was she doing in Rome?

…

I was the archetypal nobody.

I lived in a small flat, I drove a nondescript car, had an average job in a low profile travel agency, was single, and currently not involved in a relationship, no children, and according to my workmates, no life.

They were wrong. I was one of those people who preferred their own company, I had a cat, and travelled whenever I could. And I did have a ‘thing’ for Rosalie, one of the reasons why I stayed at the travel agency. I didn’t expect anything to come of it, but one could always hope.

I was both pleased and excited to be going to the conference. It was my first, and the glimpse I had seen of it had whetted my appetite for more information about the nuances of my profession.

Some would say that a travel agent wasn’t much of a job, but to me, it was every bit as demanding as being an accountant or a lawyer. You were providing a customer with a service, and arguably more people needed a travel agent than a lawyer. At least that was what I told myself, as I watched more and more people start using the internet, and our relevance slowly dissipating.

This conference was about countering that trend.

The trip over had been uneventful. I was met at the airport and taken to the hotel where the conference was being held with a number of other delegates who had arrived on the same plane. I had mingled with a number of other delegates at the pre conference get together, including one whose name was Maryanne.

She was an unusual young woman, not the sort that I usually met, because she was the one who was usually surrounded by all the boys, the life of the party. In normal circumstances, I would not have introduced myself to her, but she had approached me. Why did I think that may have been significant? All of this ran through my mind, culminating in the last event on the highlight reel, the door bursting open, men rushing into my room, and then one of the policemen opened fire.

I replayed that last scene again, trying to see the face of my assailant, but it was just a sea of men in battle dress, bullet proof vests and helmets, accompanied by screaming and yelling, some of which I identified as “Get on the floor”.

Then came the shot.

Why ask me to get on the floor if all they were going to do was shoot me. I was putting my hands up at the time, in surrender, not reaching for a weapon.

Then I saw the face again, hovering in the background like a ghost. My mother. Only the hair was different, and her clothes, and then the image was going, perhaps a figment of my imagination brought on by pain killing drugs. I tried to imagine the scene again, but this time it played out, without the image of my mother.

I opened my eyes took stock of my surroundings. What I felt in that exact moment couldn’t be described. I should most likely be dead, the result of a gunshot wound. I guess I should be thankful the shooter hadn’t aimed at anything vital, but that was the only item on the plus side.

I was in a hospital room with a policeman by the door. He was reading a newspaper, and sitting uncomfortably on a small chair. He gave me a quick glance when he heard me move slightly, but didn’t acknowledge me with either a nod, or a greeting, just went back to the paper.

If I still had a police guard, then I was still considered a suspect. What was interesting was that I was not handcuffed to the bed. Perhaps that only happened in TV shows. Or maybe they knew I couldn’t run because my injuries were too serious. Or the guard would shoot me long before my feet hit the floor. I knew the police well enough now to know they would shoot first and ask questions later.

On the physical side, I had a large bandage over the top left corner of my chest, extending over my shoulder. A little poking and prodding determined the bullet had hit somewhere between the top of my rib cage and my shoulder. Nothing vital there, but my arm might be somewhat useless for a while, depending on what the bullet hit on the way in, or through.

It didn’t feel like there were any broken or damaged bones.

That was the good news.

On the other side of the ledger, my mental state, there was only one word that could describe it. Terrified. I was looking at a murder charge and jail time, a lot of it. Murder usually had a long time in jail attached to it.

Whatever had happened, I didn’t do it. I know I didn’t do it, but I had to try and explain this to people who had already made up their minds. I searched my mind for evidence. It was there, but in the confused state brought on by the medication, all I could think about was jail, and the sort of company I was going to have.

I think death would have been preferable.

…

Half an hour later, maybe longer, I was drifting in an out of consciousness, a nurse, or what I thought was a nurse, came into the room. The guard stood, checked her ID card, and then stood by the door.

She came over and stood beside the bed. “How are you?” she asked, first in Italian, and when I pretended I didn’t understand, she asked the same question in accented English.

“Alive, I guess,” I said. “No one has come and told what my condition is yet. You are my first visitor. Can you tell me?”

“Of course. You are very lucky to be alive. You will be fine and make a full recovery. The doctors here are excellent at their work.”

“What happens now?”

“I check you, and then you have a another visitor. He is from the British Embassy I think. But he will have to wait until I have finished my examination.”

I realized then she was a doctor, not a nurse.

…

My second visitor was a man, dressed in a suit the sort of which I associated with the British Civil Service.  He was not very old which told me he was probably a recent graduate on his first posting, the junior officer who drew the short straw.

The guard checked his ID but again did not leave the room, sitting back down and going back to his newspaper.

My visitor introduced himself as Alex Jordan from the British Embassy in Rome and that he had been asked by the Ambassador to sort out what he labelled a tricky mess.

For starters, it was good to see that someone cared about what happened to me.  But, equally, I knew the mantra, get into trouble overseas, and there is not much we can do to help you.  So, after that lengthy introduction, I had to wonder why he was here.

I said, “They think I am an international criminal by the name of Jacob Westerbury, whose picture looks just like me, and apparently for them it is an open and shut case.”  I could still hear the fragments of the yelling as the police burst through the door, at the same time telling me to get on the floor with my hands over my head.

“It’s not.  They know they’ve got the wrong man, which is why I’m here.  There is the issue of what had been described as excessive force, and the fact you were shot had made it an all-round embarrassment for them.”

“Then why are you here?  Shouldn’t they be here apologizing?”

“That is why you have another visitor.  I only took precedence because I insisted I speak with you first.  I have come, basically to ask you for a favour.  This situation has afforded us with an opportunity.  We would like you to sign the official document which basically indemnifies them against any legal proceedings.”

Curious.  What sort of opportunity was he talking about?  Was this a matter than could get difficult and I could be charged by the Italian Government, even if I wasn’t guilty, or was it one of those hush hush type deals, you do this for us, we’ll help you out with that.  “What sort of opportunity?”

“We want to get our hands on Jacob Westerbury as much as they do.  They’ve made a mistake, and we’d like to use that to get custody of him if or when he is arrested in this country.  I’m sure you would also like this man brought into custody as soon as possible so you will stop being confused with him.  I can only imagine what it was like to be arrested in the manner you were.  And I would not blame you if you wanted to get some compensation for what they’ve done.  But.  There are bigger issues in play here, and you would be doing this for your country.”

I wondered what would happen if I didn’t agree to his proposal.  I had to ask, “What if I don’t?”

His expression didn’t change.  “I’m sure you are a sensible man Mr Pargeter, who is more than willing to help his country whenever he can.  They have agreed to take care of all your hospital expenses, and refund the cost of the Conference, and travel.  I’m sure I could also get them to pay for a few days at Capri, or Sorrento if you like, before you go home.  What do you say?”

There was only one thing I could say.  Wasn’t it treason if you went against your country’s wishes?

“I’m not an unreasonable man, Alex.  Go do your deal, and I’ll sign the papers.”

“Good man.”

…

After Alex left, the doctor came back to announce the arrival of a woman, by the way she had announced herself, the publicity officer from the Italian police. When she came into the room, she was not dressed in a uniform.

The doctor left after giving a brief report to the civilian at the door. I understood the gist of it, “The patient has recovered excellently and the wounds are healing as expected. There is no cause for concern.”

That was a relief.

While the doctor was speaking to the civilian, I speculated on who she might be. She was young, not more than thirty, conservatively dressed so an official of some kind, but not necessarily with the police. Did they have prosecutors? I was unfamiliar with the Italian legal system.

She had long wavy black hair and the sort of sultry looks of an Italian movie star, and her presence made me more curious than fearful though I couldn’t say why.

The woman then spoke to the guard, and he reluctantly got up and left the room, closing the door behind him.
She checked the door, and then came back towards me, standing at the end of the bed. Now alone, she said, “A few questions before we begin.” Her English was only slightly accented. “Your name is Jack Pargeter?”

I nodded. “Yes.”

“You are in Rome to attend the Travel Agents Conference at the Hilton Hotel?”

“Yes.”

“You attended a preconference introduction on the evening of the 25th, after arriving from London at approximately 4:25 pm.”

“About that time, yes. I know it was about five when the bus came to collect me, and several others, to take us to the hotel.”

She smiled. It was then I noticed she was reading from a small notepad.

“It was ten past five to be precise. The driver had been held up in traffic. We have a number of witnesses who saw you on the plane, on the bus, at the hotel, and with the aid of closed circuit TV we have established you are not the criminal Jacob Westerbury.”

She put her note book back in her bag and then said, “My name is Vicenza Andretti and I am with the prosecutor’s office. I am here to formally apologize for the situation that can only be described as a case of mistaken identity. I assure you it is not the habit of our police officers to shoot people unless they have a very strong reason for doing so. I understand that in the confusion of the arrest one of our officers accidentally discharged his weapon. We are undergoing a very thorough investigation into the circumstances of this event.”

I was not sure why, but between the time I had spoken to the embassy official and now, something about letting them off so easily was bugging me. I could see why they had sent her. It would be difficult to be angry or annoyed with her.

But I was annoyed.

“Do you often send a whole squad of trigger happy riot police to arrest a single man?” It came out harsher than I intended.

“My men believed they were dealing with a dangerous criminal.”

“Do I look like a dangerous criminal?” And then I realized if it was mistaken identity, the answer would be yes.

She saw the look on my face, and said quietly, “I think you know the answer to that question, Mr. Pargeter.”

“Well, it was overkill.”

“As I said, we are very sorry for the circumstances you now find yourself in. You must understand that we honestly believed we were dealing with an armed and dangerous murderer, and we were acting within our mandate. My department will cover your medical expenses, and any other amounts for the inconvenience this has caused you. I believe you were attending a conference at your hotel. I am very sorry but given the medical circumstances you have, you will have to remain here for a few more days.”

“I guess, then, I should thank you for not killing me.”

Her expression told me that was not the best thing I could have said in the circumstances.

“I mean, I should thank you for the hospital and the care. But a question or two of my own. May I?”

She nodded.

“Did you catch this Jacob Westerbury character?”

“No. In the confusion created by your arrest he escaped. Once we realized we had made a mistake and reviewed the close circuit TV, we tracked him leaving by a rear exit.”

“Are you sure it was one of your men who shot me?”

I watched as her expression changed, to one of surprise.

“You don’t think it was one of my men?”

“Oddly enough no. But don’t ask me why.”

“It is very interesting that you should say that, because in our initial investigation, it appeared none of our officer’s weapons had been discharged. A forensic investigation into the bullet tells us it was one that is used in our weapons, but…”

I could see their dilemma.

“Have you any enemies that would want to shoot you Mr Pargeter?”

That was absurd because I had no enemies, at least none that I knew of, much less anyone who would want me dead.

“Not that I’m aware of.”

“Then it is strange, and will perhaps remain a mystery. I will let you know if anything more is revealed in our investigation.”

She took an envelope out of her briefcase and opened it, pulling out several sheets of paper.

I knew what it was. A verbal apology was one thing, but a signed waiver would cover them legally. They had sent a pretty girl to charm me. Perhaps using anyone else it would not have worked. There was potential for a huge litigation payout here, and someone more ruthless would jump at the chance of making a few million out of the Italian Government.

“We need a signature on this document,” she said.

“Absolving you of any wrong doing?”

“I have apologized. We will take whatever measures are required for your comfort after this event. We are accepting responsibility for our actions, and are being reasonable.”

They were. I took the pen from her and signed the documents.

“You couldn’t add dinner with you on that list of benefits?” No harm in asking.

“I am unfortunately unavailable.”

I smiled. “It wasn’t a request for a date, just dinner. You can tell me about Rome, as only a resident can. Please.”

She looked me up and down, searching for the ulterior motive. When she couldn’t find one, she said, “We shall see once the hospital discharges you in a few days.”

“Then I’ll pencil you in?”

She looked at me quizzically. “What is this pencil me in?”

“It’s an English colloquialism. It means maybe. As when you write something in pencil, it is easy to erase it.”

A momentary frown, then recognition and a smile. “I shall remember that. Thank-you for your time and co-operation Mr. Pargeter. Good morning.”

…

© Charles Heath 2015-2021

“People have a way of surprising you…” – A short story

Last days were supposed to be joyous, the end of your working life and the start of the rest of your life.

I’d spent the last 35 years working for the company, navigating through three buyouts, five name changes, and three restructures. I was surprised I was still employed after the last, only two years before.

But, here I was, sitting in the divisional manager’s office, my office for one more day, with my successor, Jerry, and best friend, sitting on the other side.

“Last day, what are you thinking?” He asked casually.

It might have been early, but we both had a glass of scotch, a single malt I’d kept aside for an important occasion and this seemed like one.

I picked up the glass and surveyed the contents, giving myself a few moments to consider an answer to what could be a difficult question. To be honest, the thinking had started on the subway on the way in, when I should have been working on the crossword, but instead, I was lamenting the fact that the next chapter of my life would be without Ellen.

We would have been married, coincidently, 43 years ago today, had she been alive. Unfortunately, she had died suddenly about four months ago, after a long battle with cancer.

And I still hadn’t had time to process it. Truth is, it had been work that kept me together, and I was worried about what was going to happen when it would no longer there.

To a certain extent, I was still on autopilot, her death coming in the middle of a major disaster concerning the company, one that had finally, and successfully, been brought to a conclusion with favorable results for everyone.

But what was I thinking right then, at that precise moment in time? Not something he would want to hear, so I made the necessary adjustment. “That I’m basically leaving you a clean slate, so don’t screw it up.”

I could see that was not what he wanted to hear.

He decided to take a different tack. “What have you got planned for the first day of retirement.”

He knew about Ellen and had been there for me, above and beyond what could have been expected from anyone. I owed him more than a platitude.

“Sleep in, probably, but I’m going to be fighting that body clock. It’s going to be difficult after so many years getting up the same time, rail hail or shine. But we had plans to go away for a few months, you know, the trip of a lifetime, then move. Ellen wanted to go back home for a while, now, I’m not sure what I’m going to do.”

“Then perhaps you should, or at the very least, go home for a while. You said you both come from there; who knows, being back among family might just be what you need.”

It was something I had been thinking about and had been issued an open-ended invitation from her parents to come and stay for as long as I wanted, one that I was seriously considering.

But, before I could tell him that, the phone rang.

Never a dull day…
The day went quickly, and as much as it was expected I’d hand over anything that happened to my successor, I couldn’t quite let go. There was the proverbial storm in a teacup, but it was a good opportunity to watch the man who was taking over in action. He had a great teacher, even if I said so myself.

But it was the end of the day and the moment I had been dreading. I’d asked the personnel manager not to make a big deal out of my departure, and that I didn’t want the usual sendoff, where everyone in the office came and I would find myself at a loss of words and feel like I had to speak to a lot of people I didn’t really know.

There were only about a dozen that I really knew, a dozen that had survived the layoffs and restructuring, and although there were others, I didn’t have anything to do with them. My last job took me out of the office more than being there, and so many of the other people were from offices scattered all up and down the east coast.

I’d mostly said my goodbyes to them on the last quarterly visit. Sixteen offices, fifty-odd employees who were as much friends as they were staff who worked for me. There had been small dinners and heartfelt moments.

This I was hoping would be the same.

Jerry had been charged with the responsibility of getting me to the presentation; they called it a presentation because I had no doubt there would be a presentation of some sort. I had told the CEO a handshake and a couple of drinks would suffice, and he just congenially nodded.

Jerry had taken the manager’s chair and I was sitting on the other side of the table. We’d finished off the last of the single malt, and dirt was time to go. I closed the door to the office for the last time, and we walked along the passage towards the dining room. It was a perk I’d fought hard to keep during the last restructure when the money men were trying to cut costs.

It was one of the few battles I won.

He opened the door and stood to one side, and ushered me through.

It was a very large space, usually filled with tables, chairs, and diners. Now it was filled with people, leaving a passageway from the door to a podium that had been set up in front of the servery, where a large curtain stretched across the width of the building with the company logo displayed on it.

There were 2,300 people who worked in this office and another 700 from the regional offices. By the look of the crowd, every single one of them was there.

It took fifteen minutes to get from the door to the podium. Faces of people I’d seen every day, faces I’d seen a few times a year, and faces I’d never seen before. On the podium there was a dozen more, faces I’d only seen in the Annual Accounts document, except for the General Manager and the CEO.

“You will be pleased to know everyone here wanted to come and bid you farewell,” the General Manager said.

“Everyone? Why?”

“Well, I’ve learned a lot about this company and its people over the last week, and frankly, people have a way of surprising you. And given the impact you have had on each and every one of them, I’m not surprised. So much so, they wanted to give you something to remember them by.”

A nod of the head and the curtains were pulled back, and behind them was an original 1968 XJ6 Jaguar, fully restored, a very familiar XJ6. The car had belonged to Helen and I had to sell it to help pay the medical bills. It had been a gut-wrenching experience, coming at a time when everything that was happened to her almost overwhelmed me.

“Jerry told us about this particular car, so all of your friends thought, as a fitting memory to you and of her, that we should find it and restore it. Everyone here contributed. It is our gift to you for everything you have done for us.”

So much for the usual sendoff…

—-

© Charles Heath 2020-2021

The cinema of my dreams – Was it just another surveillance job – Episode 44

I’m back home and this story has been sitting on the back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe

I leaned back in the chair and shuddered.  It was not so much the cold as the stark realization before me, well, before all of us really.

The USB was gone.

But it was going to be impossible to convince any or all of Severin, Maury, and Nobbin.  Or for that matter Monica.  None of them were going to believe the explosion in the café was a deliberate act.  

But it did raise a question.

“How did whoever placed the bomb in the café know you and your contact were going to be there, and, for that matter, that either of you might have the USB?”

O’Connell seemed lost in thought.  After prodding him, I asked the question again.  His hesitation seemed to suggest that what he’d told me might be a lie, or a half-truth because the more I thought about it, the more implausible it sounded.  The other side of that was, what did he have to gain by lying?  Of no doubt, there was more to this story.

“There are more people involved in this than what you know.  Dobbin had me looking into a biological laboratory, one that was reportedly doing research on cures for various coronaviruses, like SARS.  The thing is, they had a store of nasties they were using as candidates for finding cures.

“The laboratory had been getting funding from the military so that to me meant they’d been working on weaponizing one of those nasty viruses, but there had been containment breach leading to a review, and they lost their funding.

“That, in turn, leads to the head of the company seeking funding from elsewhere, and that it was going to be an overseas government institution, one which they claimed commercial confidence so the donor could not be released.  Of course, our intelligence services went into a spin, thinking the worst, that it was either Russia or the Chinese, or some other rogue regime, and if they got their hands on those candidates, well, you can imagine the paranoia.

“There was also the problem of hacking, where various countries and/or individuals are looking for information to use for their own benefit, or to sell to the highest bidder.  That as far as I can tell is what happened here; it was not a case of external hacking, this was internal by one of the staff, downloading sensitive information onto the USB and smuggling it out.

“As soon as the breach was discovered, it triggered an internal review, which had a member of the military on the panel, and it concluded it was one of three ex-employees.  Dobbin gave me the three names, and I tracked them down.  One of the three had stolen the data, but far from stealing it to sell to the highest bidder, he had stolen it to pass on to a newspaper reporter, the person I was going to see.

“He could see the information was not the sort to be disseminated to the general public and wanted it returned.  I was going to get it.

“So, in answer to your question, it was possible that someone else had done the same as I had after I had visited each of the three, and decided to deal with the problem decisively.  But it would have required planning and an organization with infinite resources to pull it off.  Top of my list is the owners of the laboratory, simply because, they were not interested in getting the copy back, and the fact they didn’t want to have any witnesses, which meant the reporter and had to be silenced.”

“And the person who stole the information?”

“Burned to death in a house fire.  The fire department concluded it was a gas leak.”

“Helped by a person or persons unknown.”

“Given the distribution list of that final report, unless Dobbin has been moonlighting as an assassin, there’s only one other name on the list.”

No need to say it out loud.  That left one question, and probably a hundred others that wouldn’t get answers.

“What’s it to do with Severin and Maury?”

“That’s not their names.  Severin is really David Westcott, and Maury is Bernie Salvin.  Both used to be in the security detail at the company about three years ago when several biological entities were being researched, both of whom were assigned by the military to keep an eye on their investment.

“When the accident occurred, they were reassigned, but I suspect, at the time, they knew exactly what had happened, and what is involved.  It’s not a leap to come to the conclusion they had a shift in allegiance and may have helped the person who stole the information because there was no way the person who stole it had the knowledge to get it out.

“It was not something he would tell me.  That, he said, if he told me, would sign his death warrant.”

Which it did.  Was the original thief killed before or after the explosion?

“Do we Assume Severin is the man in charge?”

“No.  They’re basically blunt instruments, giving orders, and doing what they’re told.  We all are, to a certain extent.  This operation had someone else, someone far more clever, and connected.”

“But they did create a whole unit and train them in an existing facility without anyone knowing.”

“Is that you they told you?  And you believed them?  Nothing goes on in that place with an official sanction.  No.  Your operation was created on the books, but on the quiet so if anything went wrong, they could disavow any knowledge of it.  It went south and what happened?”

“They disavowed any knowledge of it.”

“And kept you on, only reassigned?”

“Those of us who survived, yes.”

“Then I suggest you watch your back and keep all of them at arm’s length.  You’ll only be useful until the USB is found, so you have to keep them believing it’s missing.”

“We’re not going to be able to do that forever.”

“No.  Which makes it imperative we find out who Severin and Maury’s bosses are and chop of the head.”

All while pretending he was dead.  Easier said than done.

© Charles Heath 2020-2021

Writing a book in 365 days – 241

Day 241

Why don’t I like poetry, and why can’t I write it

…

The Poetry Puzzle: Why We Don’t Always ‘Get’ It (And Why That’s Perfectly Normal)

Ever stared at a page of poetry, felt a distinct lack of comprehension, and then wondered if there’s something fundamentally wrong with you? You’re not alone. Many of us grapple with poetry, feeling a disconnect between the words on the page and any meaningful understanding.

If you’ve ever thought, “Why don’t I like poetry, and why can’t I write it?” then this post is for you. Let’s unpack those very common, very valid feelings.

“I Just Don’t Understand It!” – The Heart of the Matter

This is perhaps the biggest barrier. We’re often taught that language should be direct, clear, and efficient. Poetry, however, often delights in the opposite.

  • It speaks in whispers, not shouts: Unlike a news report or a textbook, poetry often communicates through suggestion, metaphor, imagery, and symbolism. It’s less about telling you something directly and more about making you feel something, imagine something, or see something in a new way.
  • The “Strange Rhymes” vs. “Endless Lines”: You mentioned getting a short ditty but feeling lost with longer pieces that resemble short stories. This highlights the vast spectrum of poetry. Some poems are indeed like mini-stories, but they often use poetic devices (like rhythm, line breaks, compressed language) to elevate the narrative beyond simple prose. Other poems eschew traditional narrative altogether, focusing purely on an image, an emotion, or a moment.
  • Haiku and the Rules Conundrum: And then there are the rules! Haiku, sonnets, villanelles, limericks… each comes with its own set of constraints. For many, these rules feel like handcuffs, making the poem impenetrable or, worse, stifling any potential enjoyment. Why restrict yourself when you could just say what you mean?

Why Do People Who Do Like It, Like It?

This is the million-dollar question! When something feels elusive to you, it’s natural to wonder about its appeal to others.

  1. Emotional Resonance: Poetry often taps into universal human emotions – love, loss, joy, grief, wonder, anger – in a way that feels incredibly personal and raw. It can articulate feelings we’ve had but haven’t found the words for.
  2. Beauty of Language: For some, the sheer craft of language is exhilarating. The rhythm of the words, the sound of the rhymes (or the effective lack thereof), the surprising juxtaposition of images, the perfect word choice – it’s an art form akin to music or painting.
  3. Fresh Perspectives: A good poem can make you see an everyday object or concept in an entirely new light. It makes the familiar strange and the strange familiar, jolting us out of our habitual ways of thinking.
  4. Conciseness and Power: Poetry often distills complex ideas or deep emotions into a few potent lines. It’s a powerful punch in a small package, inviting repeated readings to unlock its layers.
  5. A Shared Secret: Unlocking a poem can feel like cracking a code, discovering a hidden meaning that connects you to the poet and the broader human experience.

Think about song lyrics – many of them are poetry set to music. We don’t always fully “understand” every line, but we feel the emotion, appreciate the imagery, and connect to the rhythm.

“Why Can’t I Write It?” – Demystifying Creation

The idea of writing poetry can be incredibly intimidating, especially if you feel you don’t “get” reading it. But here’s a truth: you don’t need to be a literary genius to write poetry.

  • Forget the “Rules” (Initially): If rules feel like a barrier, ignore them! Start with free verse. This form has no set rhyme scheme, meter, or length. It’s about expressing an idea, an image, or an emotion as authentically as possible.
  • Focus on Observation: Poetry often begins with paying close attention to the world around you. What do you see, hear, smell, taste, feel? What small detail catches your eye?
  • Explore an Emotion: What are you feeling right now? Joy, frustration, peace, anxiety? Try to describe that feeling without explicitly naming it. What does it feel like? What images come to mind when you experience it?
  • Play with Language: Think of words as building blocks. Try different combinations. Don’t worry about sounding “poetic” – worry about being honest and curious.
  • It’s for You: The first poems you write don’t have to be shared or even understood by anyone else. They can be a private form of expression, a way to process thoughts and feelings.

It’s Okay Not to “Get” It All

Ultimately, it’s perfectly normal not to connect with every poem, or even most poems. Just like not everyone loves abstract art or classical music, poetry isn’t a one-size-fits-all experience.

Rather than forcing yourself to “understand” it in a purely logical sense, try approaching it differently:

  • Read for sound and rhythm: How do the words feel in your mouth?
  • Read for images: What pictures pop into your mind?
  • Read for emotion: What does the poem make you feel, even if you can’t explain why?
  • Don’t worry about the “meaning”: Sometimes, the experience is the meaning.

So, if you find yourself staring blankly at a stanza, remember you’re in good company. Poetry can be a puzzle, a challenge, a mystery. But sometimes, in simply acknowledging that mystery, we open ourselves up to a different kind of appreciation. And who knows? Maybe one day, a little ditty or even an “endless line” will click into place, and you’ll find a poem that speaks directly to you.

What’s your relationship with poetry? Share your thoughts in the comments below!

The story behind the story – Echoes from the Past

The novel ‘Echoes from the past’ started out as a short story I wrote about 30 years ago, titled ‘The birthday’.

My idea was to take a normal person out of their comfort zone and led on a short but very frightening journey to a place where a surprise birthday party had been arranged.

Thus the very large man with a scar and a red tie was created.

So was the friend with the limousine who worked as a pilot.

So were the two women, Wendy and Angelina, who were Flight Attendants that the pilot friend asked to join the conspiracy.

I was going to rework the short story, then about ten pages long, into something a little more.

And like all re-writes, especially those I have anything to do with, it turned into a novel.

There was motivation.  I had told some colleagues at the place where I worked at the time that I liked writing, and they wanted a sample.  I was going to give them the re-worked short story.  Instead, I gave them ‘Echoes from the past’

Originally it was not set anywhere in particular.

But when considering a location, I had, at the time, recently been to New York in December, and visited Brooklyn and Queens, as well as a lot of New York itself.  We were there for New Years, and it was an experience I’ll never forget.

One evening we were out late, and finished up in Brooklyn Heights, near the waterfront, and there was rain and snow, it was cold and wet, and there were apartment buildings shimmering in the street light, and I thought, this is the place where my main character will live.

It had a very spooky atmosphere, the sort where ghosts would not be unexpected.  I felt more than one shiver go up and down my spine in the few minutes I was there.

I had taken notes, as I always do, of everywhere we went so I had a ready supply of locations I could use, changing the names in some cases.

Fifth Avenue near the Rockefeller center is amazing at first light, and late at night with the Seasonal decorations and lights.

The original main character was a shy and man of few friends, hence not expecting the surprise party.  I enhanced that shyness into purposely lonely because of an issue from his past that leaves him always looking over his shoulder and ready to move on at the slightest hint of trouble.  No friends, no relationships, just a very low profile.

Then I thought, what if he breaks the cardinal rule, and begins a relationship?

But it is also as much an exploration of a damaged soul, as it is the search for a normal life, without having any idea what normal was, and how the understanding of one person can sometimes make all the difference in what we may think or feel.

And, of course, I wanted a happy ending.

Except for the bad guys.

Get it here:  https://amzn.to/2CYKxu4

newechocover5rs

Writing a book in 365 days – 241

Day 241

Why don’t I like poetry, and why can’t I write it

…

The Poetry Puzzle: Why We Don’t Always ‘Get’ It (And Why That’s Perfectly Normal)

Ever stared at a page of poetry, felt a distinct lack of comprehension, and then wondered if there’s something fundamentally wrong with you? You’re not alone. Many of us grapple with poetry, feeling a disconnect between the words on the page and any meaningful understanding.

If you’ve ever thought, “Why don’t I like poetry, and why can’t I write it?” then this post is for you. Let’s unpack those very common, very valid feelings.

“I Just Don’t Understand It!” – The Heart of the Matter

This is perhaps the biggest barrier. We’re often taught that language should be direct, clear, and efficient. Poetry, however, often delights in the opposite.

  • It speaks in whispers, not shouts: Unlike a news report or a textbook, poetry often communicates through suggestion, metaphor, imagery, and symbolism. It’s less about telling you something directly and more about making you feel something, imagine something, or see something in a new way.
  • The “Strange Rhymes” vs. “Endless Lines”: You mentioned getting a short ditty but feeling lost with longer pieces that resemble short stories. This highlights the vast spectrum of poetry. Some poems are indeed like mini-stories, but they often use poetic devices (like rhythm, line breaks, compressed language) to elevate the narrative beyond simple prose. Other poems eschew traditional narrative altogether, focusing purely on an image, an emotion, or a moment.
  • Haiku and the Rules Conundrum: And then there are the rules! Haiku, sonnets, villanelles, limericks… each comes with its own set of constraints. For many, these rules feel like handcuffs, making the poem impenetrable or, worse, stifling any potential enjoyment. Why restrict yourself when you could just say what you mean?

Why Do People Who Do Like It, Like It?

This is the million-dollar question! When something feels elusive to you, it’s natural to wonder about its appeal to others.

  1. Emotional Resonance: Poetry often taps into universal human emotions – love, loss, joy, grief, wonder, anger – in a way that feels incredibly personal and raw. It can articulate feelings we’ve had but haven’t found the words for.
  2. Beauty of Language: For some, the sheer craft of language is exhilarating. The rhythm of the words, the sound of the rhymes (or the effective lack thereof), the surprising juxtaposition of images, the perfect word choice – it’s an art form akin to music or painting.
  3. Fresh Perspectives: A good poem can make you see an everyday object or concept in an entirely new light. It makes the familiar strange and the strange familiar, jolting us out of our habitual ways of thinking.
  4. Conciseness and Power: Poetry often distills complex ideas or deep emotions into a few potent lines. It’s a powerful punch in a small package, inviting repeated readings to unlock its layers.
  5. A Shared Secret: Unlocking a poem can feel like cracking a code, discovering a hidden meaning that connects you to the poet and the broader human experience.

Think about song lyrics – many of them are poetry set to music. We don’t always fully “understand” every line, but we feel the emotion, appreciate the imagery, and connect to the rhythm.

“Why Can’t I Write It?” – Demystifying Creation

The idea of writing poetry can be incredibly intimidating, especially if you feel you don’t “get” reading it. But here’s a truth: you don’t need to be a literary genius to write poetry.

  • Forget the “Rules” (Initially): If rules feel like a barrier, ignore them! Start with free verse. This form has no set rhyme scheme, meter, or length. It’s about expressing an idea, an image, or an emotion as authentically as possible.
  • Focus on Observation: Poetry often begins with paying close attention to the world around you. What do you see, hear, smell, taste, feel? What small detail catches your eye?
  • Explore an Emotion: What are you feeling right now? Joy, frustration, peace, anxiety? Try to describe that feeling without explicitly naming it. What does it feel like? What images come to mind when you experience it?
  • Play with Language: Think of words as building blocks. Try different combinations. Don’t worry about sounding “poetic” – worry about being honest and curious.
  • It’s for You: The first poems you write don’t have to be shared or even understood by anyone else. They can be a private form of expression, a way to process thoughts and feelings.

It’s Okay Not to “Get” It All

Ultimately, it’s perfectly normal not to connect with every poem, or even most poems. Just like not everyone loves abstract art or classical music, poetry isn’t a one-size-fits-all experience.

Rather than forcing yourself to “understand” it in a purely logical sense, try approaching it differently:

  • Read for sound and rhythm: How do the words feel in your mouth?
  • Read for images: What pictures pop into your mind?
  • Read for emotion: What does the poem make you feel, even if you can’t explain why?
  • Don’t worry about the “meaning”: Sometimes, the experience is the meaning.

So, if you find yourself staring blankly at a stanza, remember you’re in good company. Poetry can be a puzzle, a challenge, a mystery. But sometimes, in simply acknowledging that mystery, we open ourselves up to a different kind of appreciation. And who knows? Maybe one day, a little ditty or even an “endless line” will click into place, and you’ll find a poem that speaks directly to you.

What’s your relationship with poetry? Share your thoughts in the comments below!

The first case of PI Walthenson – “A Case of Working With the Jones Brothers”

This case has everything, red herrings, jealous brothers, femme fatales, and at the heart of it all, greed.

See below for an excerpt from the book…

Coming soon!

PIWalthJones1

An excerpt from the book:

When Harry took the time to consider his position, a rather uncomfortable position at that, he concluded that he was somehow involved in another case that meant very little to him.

Not that it wasn’t important in some way he was yet to determine, it was just that his curiosity had got the better of him, and it had led to this: sitting in a chair, securely bound, waiting for someone one of his captors had called Doug.

It was not the name that worried him so much, it was the evil laugh that had come after the name was spoken.

Doug what? Doug the ‘destroyer’, Doug the ‘dangerous’, Doug the ‘deadly’; there was any number of sinister connotations, and perhaps that was the point of the laugh, to make it more frightening than it was.

But there was no doubt about one thing in his mind right then: he’d made a mistake. A very big. and costly, mistake. Just how big the cost, no doubt he would soon find out.

His mother, and his grandmother, the wisest person he had ever known, had once told him never to eavesdrop.

At the time he couldn’t help himself and instead of minding his own business, listening to a one-sided conversation which ended with a time and a place. The very nature of the person receiving the call was, at the very least, sinister, and, because of the cryptic conversation, there appeared to be, or at least to Harry, criminal activity involved.

For several days he had wrestled with the thought of whether he should go. Stay on the fringe, keep out of sight, observe and report to the police if it was a crime. Instead, he had willingly gone down the rabbit hole.

Now, sitting in an uncomfortable chair, several heat lamps hanging over his head, he was perspiring, and if perspiration could be used as a measure of fear, then Harry’s fear was at the highest level.

Another runnel of sweat rolled into his left eye, and, having his hands tied, literally, it made it impossible to clear it. The burning sensation momentarily took his mind off his predicament. He cursed and then shook his head trying to prevent a re-occurrence. It was to no avail.

Let the stinging sensation be a reminder of what was right and what was wrong.

It was obvious that it was the right place and the right time, but in considering his current perilous situation, it definitely was the wrong place to be, at the worst possible time.

It was meant to be his escape, an escape from the generations of lawyers, what were to Harry, dry, dusty men who had been in business since George Washington said to the first Walthenson to step foot on American soil, ‘Why don’t you become a lawyer?” when asked what he could do for the great man.

Or so it was handed down as lore, though Harry didn’t think Washington meant it literally, the Walthenson’s, then as now, were not shy of taking advice.

Except, of course, when it came to Harry.

He was, Harry’s father was prone to saying, the exception to every rule. Harry guessed his father was referring to the fact his son wanted to be a Private Detective rather than a dry, dusty lawyer. Just the clothes were enough to turn Harry off the profession.

So, with a little of the money Harry inherited from one of his aunts, he leased an office in Gramercy Park and had it renovated to look like the Sam Spade detective agency, you know the one, Spade and Archer, and The Maltese Falcon.

There’s a movie and a book by Dashiell Hammett if you’re interested.

So, there it was, painted on the opaque glass inset of the front door, ‘Harold Walthenson, Private Detective’.

There was enough money to hire an assistant, and it took a week before the right person came along, or, more to the point, didn’t just see his business plan as something sinister. Ellen, a tall cool woman in a long black dress, or so the words of a song in his head told him, fitted in perfectly.

She’d seen the movie, but she said with a grin, Harry was no Humphrey Bogart.

Of course not, he said, he didn’t smoke.

Three months on the job, and it had been a few calls, no ‘real’ cases, nothing but missing animals, and other miscellaneous items. What he really wanted was a missing person. Or perhaps a beguiling, sophisticated woman who was as deadly as she was charming, looking for an errant husband, perhaps one that she had already ‘dispatched’.

Or for a tall, dark and handsome foreigner who spoke in riddles and in heavily accented English, a spy, or perhaps an assassin, in town to take out the mayor. The man was such an imbecile Harry had considered doing it himself.

Now, in a back room of a disused warehouse, that wishful thinking might be just about to come to a very abrupt end, with none of the romanticized trappings of the business befalling him. No beguiling women, no sinister criminals, no stupid policemen.

Just a nasty little man whose only concern was how quickly or how slowly Harry’s end was going to be.

…

© Charles Heath 2019-2024

In a word: Brevity

Now, brevity is something that I have not been able to fully wrap my head around.

The dictionary explains Brevity as

‘concise and exact use of words in writing and speech’

So…

I remember working with a writer a long time ago who explained certain authors styles, and for James A Michener of Hawaii fame, he said Michener wrote sentences instead of words, paragraphs instead of sentences, pages instead of paragraphs and chapters instead of pages.

It was a little harsh considering I’d just read the book and had liked it, despite its length and the time it took.

But some time later I realized he was not criticizing Michener, but trying to tell me, in his, what I came to discover, interesting way, that I should strive to write more compactly.

I then came across a book by Brian Callison which was exactly that, the concise version, a story that fitted into about 200 pages.

That too was a good book and it took me a day to read it, and by his use of that economy of words, it read quickly.

Of course, I have tried over the years to emulate both styles, and to a certain degree, failing, because I think I have created my own style which is somewhere in between.

Still, when editing, it is always in the back of my mind that I should be

Using words instead of sentences

Using sentences instead of paragraphs

Using paragraphs instead of pages, and

Using pages instead of chapters.

The chapters, he said, with an air of amusement, will always take care of themselves.

 

‘Sunday in New York’ – A beta reader’s view

I’m not a fan of romance novels but …

There was something about this one that resonated with me.

This is a novel about a world generally ruled by perception, and how people perceive what they see, what they are told, and what they want to believe.

I’ve been guilty of it myself as I’m sure we all have at one time or another.

For the main characters Harry and Alison there are other issues driving their relationship.

For Alison, it is a loss of self-worth through losing her job and from losing her mother and, in a sense, her sister.

For Harry, it is the fact he has a beautiful and desirable wife, and his belief she is the object of other men’s desires, and one in particular, his immediate superior.

Between observation, the less than honest motives of his friends, a lot of jumping to conclusions based on very little fact, and you have the basis of one very interesting story.

When it all comes to a head, Alison finds herself in a desperate situation, she realises only the truth will save their marriage.

But is it all the truth?

What would we do in similar circumstances?

Rarely does a book have me so enthralled that I could not put it down until I knew the result. They might be considered two people who should have known better, but as is often the case, they had to get past what they both thought was the truth.

And the moral of this story, if it could be said there is one, nothing is ever what it seems.

…

Available on Amazon here: amzn.to/2H7ALs8

…

Surely there’s a better way… – a short story

Surely there’s a better way…

When you have secrets, sometimes it’s very hard to hide them from others.

It was something Henry had to do since the day he could speak. The fact that his parents had been murdered because of their profession, something his grandfather told him was akin to ‘working for the government’. The fact that he was from a very wealthy and influential family. The fact he was heir to a fortune. The fact he was anything other than just another boy, who grew up to be just another man.

His whole life, to this point, had been ‘managed’ so that no one, other than a selected few chosen by his grandfather, knew who he was, or what he represented. And more to the point, he had been told to just live his life like any other of his age.

Yes, he went to a private school, but it wasn’t an exclusive one, yes he went to university, but he had got into Oxford on his own merit, and, yes, he was smart, smart enough to create his own business, and make a handsome income from it. And no, he never drew upon the stipend he had been granted by his parents will, so it just gathered dust in the bank.

Henry was an only child, and to a certain extent, introverted. It was a shyness that his grandfather knew existed in his son, Henry’s father. It could be an asset or it could be a liability. With Henry’s father, it had been an asset, a means by which many had misunderstood him. It might even serve him well for the next phase of his life.

Today, Henry was meeting his grandfather at Speaker’s Corner at Hyde Park, and an unusual meeting place because in the past it had always been at his grandfather’s club. At his grandfather’s request, he had undertaken a three-year program, one that his father had, and his father before him, and a pre-requisite for a profession that would be explained to him.

And it was all because Henry said he was bored. The business he’d built could run without him, his attempts at relationships with various girls and women hadn’t quite achieved what he was looking for, even though he had no idea what he was looking for, and, quite frankly, he told his grandfather, he needed something more exciting.

It was, he’d been told, the way of the MacCallisters. Ever since the British tried to put down the Scots.

Henry was listening to a rather animated man preaching the word of the Lord, but he was not sure what Lord that was. Anything he quoted from the bible resembled nothing he had read and remembered. Perhaps the man was on drugs.

Two or three people stopped, listened for a minute or two, shook their heads, some even laughed, and moved on.

“It’s the last bastion of freedom of speech, though I can say this man is not about to gather an army of insurrectionists any time soon. Let’s walk.”

His grandfather was getting old, and walking was getting more and more difficult. More scotch was needed, he had told Henry, to ward of the evils of arthritis. And, he added, ‘I should have had a less devil may care attitude when he was younger.’

It was a slow amble to the serpentine, which, being a bright sunny day, if not a little chilly, was alive with people.

He waited until his grandfather spoke. One lesson he had learned, speak when you’re spoken to, and if you’ve got nothing to say, best to remain silent.

“I have found a job you might like to have a go at. Nothing difficult, mind you, but a perhaps, at times, hard work. I think you’d be good at it.”

“Is that meant to be a hint, and I have to guess?”

“I think you’re smart enough to know what it might be yourself, young Henry.”

I think I did too. Everything I’d been doing over the last three years led me to believe I’d been training to walk in my father’s footsteps. It was with the Army, and I had imagined my father had been a soldier, though I’d never seen him in a uniform. But my Grandfather had said he worked for the government, so I wondered if that might be some sort of policeman, or some sort of internal agent, like MI6. It had not been boring, and the exercises had been ‘interesting’, but no one had said what the end result of this training might be; in fact no one had said who they were.

“Something hush, hush as the saying goes.”

We had gone about fifty yards and reached a cross path. As we did, a youngish woman dressed in leather appeared and walked towards us.

“I’d like you to meet a friend of mine, Henry. Her name is Marion, though I suggest you don’t call her that.”

She smiled. “Call me Mary. There’s only one person in the whole world that would dare call me that, and he’s standing here. Your grandfather has spoken a lot about you.”

Henry’s first impression; she had been to the training school he had. He could see it in her manner, and in the way she scanned the area, even though it didn’t look like she was. He’d been doing it himself, and he had seen her earlier. What made her stand out, she didn’t have a bag like all the other women.

“I hope it was good, not bad.”

“You have no bad traits?”

“Everyone had bad traits. You’ll just have to get to know me if you want to know what they are.”

“Well,” my grandfather said, “enough chit chat. Mary has a task, and she needs a little help. I thought you might want to join her.”

“Doing what?”

“She’ll explain it on the way. When it’s done, come and see me.” With that, a hug from Mary, and a handshake from his grandson, he turned and walked back the way they had come earlier.
“So,” Henry asked, “What’s the job?”

“I have to pick up a computer.”

“That doesn’t sound like something you would need help with.” In fact, if he was right in his assessment of her, he was the last person she needed, if at all. She looked to him as if she could handle anything.

“It’s one of those just in case situations.”

They walked a circuitous route back to Park Lane and crossed both roads, up Deanery Street, left where Tilney Street veered off, and then a short distance to Deanery Mews. Henry noted this was an area with a lot of expensive real estate, and scattered Embassies. If he was not mistaken, the Dorchester Hotel wasn’t far away.

Walking down the mews seemed to Henry to be walking into a trap. When he looked back towards Deanery Street he thought he saw two men position themselves, not quick enough to prevent him from getting a glimpse of them.

“You do realize that getting back out of here could be a problem.”

“It’s why I asked for help. Just in case.”

No visible sign of fear, or of what the consequences might be if this went south. Perhaps his grandfather had considered this a test. But what sort of test?

They reached the end, and, just around the corner, a van was parked with what Henry assumed was the driver, standing by the open driver’s door, smoking a cigarette.

Mary stopped about ten feet away from him. “Have you got the package?”

He reached inside the car and lifted up a computer case. There didn’t necessarily have to be a computer in it. I looked up and around. It was a good place for a meeting. No witnesses. But there were CCTV cameras. I wondered if they were working.

The man tossed the bag back in the car. “Have you got the money?”

She held up her phone. “Just need the bank account details.”

“OK. Just step over here and let’s get this done.”

She moved closer, and in a flash, he had grabbed her, holding her by the neck with a gun to her head. The two men Henry thought he’d seen at the top of the mews were now within sight, and both had guns trained on him. A trap, indeed.

“What do you want?” Henry asked.

“Tell your boss the price just doubled. Two million. You’ve got five minutes.”

I shook my head, not to clear the cobwebs, but to calm down and think rationally.

Talk first. “Surely there’s a better way to do this. You don’t need to hold a gun to her head.”

I held my hands out just to show I wasn’t a threat.

“No, probably not.” He released his grip and lowered the gun.

A very, very bad mistake.

—-

© Charles Heath 2020-2021