Category: Book

In a word: Park

We mostly understand that a park is an area set aside for recreation, and can have trees, flowers, a lake, and vast lawns.  These parks are also sometimes called ‘gardens’.

A great example of a park is Central Park in New York.

Nearly every city has a park of some sort, some have more than one.

But the word park has a number of other uses.  For instance,

You can park a car, or bike, or yourself; in other words, it’s a place where you stop for a while.  For cars, it is a carpark.

You could say ‘it’s just a walk in the park’, which means that the job is going to be easy.  I never understood that analogy because quite a lot of parks have walks that are difficult, and not so much ‘a walk in the park’.

It is also used to describe a place where animals are kept, other than calling it a zoo, it can go by the name of a wildlife park.  Zoos though are more for cities.  Wildlife parks can be quite huge and many are found in Africa.

A park can also be used to describe a sporting arena or field.

You can park a bag in a locker.

You can park an idea in the back of your mind and come back to it later, or if you are like me, it disappears into the ether.

It can be an area of land around a manor house, but there are very few of those left now.  The most notable of these are in England, and were designed by a man called Capability Brown.

Another excerpt from ‘Betrayal’; a work in progress

…

My next destination in the quest was the hotel we believed Anne Merriweather had stayed at.

I was, in a sense, flying blind because we had no concrete evidence she had been there, and the message she had left behind didn’t quite name the hotel or where Vladimir was going to take her.

Mindful of the fact that someone might have been following me, I checked to see if the person I’d assumed had followed me to Elizabeth’s apartment was still in place, but I couldn’t see him. Next, I made a mental note of seven different candidates and committed them to memory.

Then I set off to the hotel, hailing a taxi. There was the possibility the cab driver was one of them, but perhaps I was slightly more paranoid than I should be. I’d been watching the queue, and there were two others before me.

The journey took about an hour, during which time I kept an eye out the back to see if anyone had been following us. If anyone was, I couldn’t see them.

I had the cab drop me off a block from the hotel and then spent the next hour doing a complete circuit of the block the hotel was on, checking the front and rear entrances, the cameras in place, and the siting of the driveway into the underground carpark. There was a camera over the entrance, and one we hadn’t checked for footage. I sent a text message to Fritz to look into it.

The hotel lobby was large and busy, which was exactly what you’d want if you wanted to come and go without standing out. It would be different later at night, but I could see her arriving about mid-afternoon, and anonymous among the type of clientele the hotel attracted.

I spent an hour sitting in various positions in the lobby simply observing. I had already ascertained where the elevator lobby for the rooms was, and the elevator down to the car park. Fortunately, it was not ‘guarded’ but there was a steady stream of concierge staff coming and going to the lower levels, and, just from time to time, guests.

Then, when there was a commotion at the front door, what seemed to be a collision of guests and free-wheeling bags, I saw one of the seven potential taggers sitting by the front door. Waiting for me to leave? Or were they wondering why I was spending so much time there?

Taking advantage of that confusion, I picked my moment to head for the elevators that went down to the car park, pressed the down button, and waited.

The was no car on the ground level, so I had to wait, watching, like several others, the guests untangling themselves at the entrance, and an eye on my potential surveillance, still absorbed in the confusion.

The doors to the left car opened, and a concierge stepped out, gave me a quick look, then headed back to his desk. I stepped into the car, pressed the first level down, the level I expected cars to arrive on, and waited what seemed like a long time for the doors to close.

As they did, I was expecting to see a hand poke through the gap, a latecomer. Nothing happened, and I put it down to a television moment.

There were three basement levels, and for a moment, I let my imagination run wild and considered the possibility that there were more levels. Of course, there was no indication on the control panel that there were any other floors, and I’d yet to see anything like it in reality.

With a shake of my head to return to reality, the car arrived, the doors opened, and I stepped out.

A car pulled up, and the driver stepped out, went around to the rear of his car, and pulled out a case. I half expected him to throw me the keys, but the instant glance he gave me told him was not the concierge, and instead brushed past me like I wasn’t there.

He bashed the up button several times impatiently and cursed when the doors didn’t open immediately. Not a happy man.

Another car drove past on its way down to a lower level.

I looked up and saw the CCTV camera, pointing towards the entrance, visible in the distance. A gate that lifted up was just about back in position and then made a clunk when it finally closed. The footage from the camera would not prove much, even if it had been working, because it didn’t cover the life lobby, only in the direction of the car entrance.

The doors to the other elevator car opened, and a man in a suit stepped out.

“Can I help you, sir? You seem lost.”

Security, or something else. “It seems that way. I went to the elevator lobby, got in, and it went down rather than up. I must have been in the wrong place.”

“Lost it is, then, sir.” I could hear the contempt for Americans in his tone. “If you will accompany me, please.”

He put out a hand ready to guide me back into the elevator. I was only too happy to oblige him. There had been a sign near the button panel that said the basement levels were only to be accessed by the guests.

Once inside, he turned a key and pressed the lobby button. The doors closed, and we went up. He stood, facing the door, not speaking. A few seconds later, he was ushering me out to the lobby.

“Now, sir, if you are a guest…”

“Actually, I’m looking for one. She called me and said she would be staying in this hotel and to come down and visit her. I was trying to get to the sixth floor.”

“Good. Let’s go over the the desk and see what we can do for you.”

I followed him over to the reception desk, where he signalled one of the clerks, a young woman who looked and acted very efficiently, and told her of my request, but then remained to oversee the proceeding.

“Name of guest, sir?”

“Merriweather, Anne. I’m her brother, Alexander.” I reached into my coat pocket and pulled out my passport to prove that I was who I said I was. She glanced cursorily at it.

She typed the name into the computer, and then we waited a few seconds while it considered what to output. Then, she said, “That lady is not in the hotel, sir.”

Time to put on my best-confused look. “But she said she would be staying here for the week. I made a special trip to come here to see her.”

Another puzzled look from the clerk, then, “When did she call you?”

An interesting question to ask, and it set off a warning bell in my head. I couldn’t say today, it would have to be the day she was supposedly taken.

“Last Saturday, about four in the afternoon.”

Another look at the screen, then, “It appears she checked out Sunday morning. I’m afraid you have made a trip in vain.”

Indeed, I had. “Was she staying with anyone?”

I just managed to see the warning pass from the suited man to the clerk. I thought he had shown an interest when I mentioned the name, and now I had confirmation. He knew something about her disappearance. The trouble was, he wasn’t going to volunteer any information because he was more than just hotel security.

“No.”

“Odd,” I muttered. “I thought she told me she was staying with a man named Vladimir something or other. I’m not too good at pronouncing those Russian names. Are you sure?”

She didn’t look back at the screen. “Yes.”

“OK, now one thing I do know about staying in hotels is that you are required to ask guests with foreign passports their next destination, just in case they need to be found. Did she say where she was going next?” It was a long shot, but I thought I’d ask.

“Moscow. As I understand it, she lives in Moscow. That was the only address she gave us.”

I smiled. “Thank you. I know where that is. I probably should have gone there first.”

She didn’t answer; she didn’t have to, her expression did that perfectly.

The suited man spoke again, looking at the clerk. “Thank you.” He swivelled back to me. “I’m sorry we can’t help you.”

“No. You have more than you can know.”

“What was your name again, sir, just in case you still cannot find her?”

“Alexander Merriweather. Her brother. And if she is still missing, I will be posting a very large reward. At the moment, you can best contact me via the American Embassy.”

Money is always a great motivator, and that thoughtful expression on his face suggested he gave a moment’s thought to it.

I left him with that offer and left. If anything, the people who were holding her would know she had a brother, that her brother was looking for her, and equally that brother had money.

…

© Charles Heath – 2018-2025

“Quickly, quickly…” – a short story

It was odd having a voice in your head, well, not really in your head as such, but in your ear, and sounding like it was in your head.

You could truthfully say you were hearing voices.

It was the next step after going through some very intensive training, having someone else as your eyes and ears when breaching a secure compound, and avoiding the enemy.

I’d signed on for this extra training thinking one day it would land me in the thick of the action. Some of the others thought I was mad, but someone had to do it, and the fact it was quite dangerous added just that extra bit to it.

But as they say, what you learn in training, and practise in a non-hostile environment, is nothing like being in that same situation in reality.

Now on was on my first assignment, part of an elite team, packed and taken to what was to everyone else, an unspecified location, but to us, it was the point of incursion.

The mission?

To rescue a government official (that was how he was described to us) who had been illegally detained in a foreign prison.

Our job?

To break him out and get out without the knowledge of the prison staff, or anyone representing that government. Yes, what we were doing was highly illegal, and yes, if we were caught it was more likely than not we would be executed as spies.

…

We were under cover in an abandoned farmhouse about three miles from the prison. We had been brought in under cover of darkness, and had only a few hours to set up, and then wait it out until the following night.

It was now or never, the weather people predicting that there would be sufficient cloud cover to make us invisible. Two of us were going in, and two remaining strategically placed outside to monitor the inside of the prison through a system of infrared scanners. We also had a floor plan of the building in which the prisoner was being held, and intelligence supplied, supposedly, by one of the prison guards who had been paid a lot of money for information on guard movements.

To me, it was a gigantic leap of faith to trust him, but I kept those thoughts to myself.

We had been over the plan a dozen times, and I’d gone through the passageways, rooms, and doors so many times I’d memorised where they were and would be able to traverse the building as if I had worked there for a lifetime. Having people outside, talking me through it was just an added benefit, along with alerts on how near the guards were to our position.

I was sure the other person going with me, a more seasoned professional who had a number of successful missions under his belt, was going through the same motions I was. After all, it was he who had devised and conducted the training.

There was a free period of several hours before departure, time to listen to some music, empty the head of unwanted thoughts, and get into the right mindset. It was no place to get tangled up in what-ifs, if anything went wrong, it was a simple matter of adapting.

Our training had reinforced the necessity to instantly gauge a situation and make changes on the fly. There would literally be no time to think.

I listened to the nuances of Chopin’s piano concertos, pretending to play the piano myself, having translated every note onto a piano key, and observing it in my mind’s eye.

My opposite number played games of chess in his head. We all had a different method of relaxing.

Until it was 22:00 hours, and time to go.

…

“Go left, no, hang on, go right.” The voice on my ear sounded confused and it was possible to get lefts and rights mixed up, if you were not careful.

It didn’t faze me, I knew from my study of the plans that once inside the perimeter fence, I had to go right, and head towards a concrete building the roof of which was barely above the ground.

It was once used as a helipad, and underneath, before the site became a prison, the space was used to make munitions. And it was an exceptionally large space that practically ran under the whole of the prison, built above ground.

All that had happened was the lower levels were sealed, covered over and the new structures built on top. Our access was going to be from under the ground.

Quite literally, they would not see, or hear, us coming.

The meteorological people had got it right, there was cloud cover, the moon hidden from view, and the whole perimeter was in inky darkness. Dressed in black from head to foot, the hope was we would be invisible.

There were two of us heading to the same spot, stairs that led down to a door that was once one of the entrances to the underground bunker. We were going separate ways in case one of the other was intercepted in an unforeseen event.

But, that part of the plan worked seamlessly, and we both arrived at the same place nearly at the same time.

Without the planning, we might easily have missed it because I didn’t think it would be discernable even in daylight.

I followed the Sergeant downstairs, keeping a watchful eye behind us. I stopped at the point where I could see down, and across the area we had just traversed.

Nothing else was stirring.

As expected, the door was seamless and without an apparent handle. It may have had one once, but not anymore, so anyone who stumbled across it, couldn’t get in.

Except us. We had special explosives designed to break the lock, and once set, they did not make a lot of noise. Sixty seconds later, we were inside, and the door closed so no one would know we’d broken in.

I was carrying a beacon so that the voice in my head could follow my progress. The sergeant had one too, and he led.

“Straight ahead, 200 yards, then another door. It shouldn’t be locked, but it might be closed.”

In other words, we had no way of knowing. Our informant had said no one had been down in the dungeons, as he called them, since the munition factory closed, and had been sealed up soon after the prison building had been handed over for use.

We were using night goggles, and there was a lot of rubbish strewn over the floor area so we had to carefully pick our way through which took time we really didn’t have. It looked as though our informant was right, no one had been down there for a long time. We were leaving bootprints in the dust.

We reached the door ten minutes later than estimated. Losing time would have a flow-on effect, and this operation was on a very tight time constraint.

“Once you are through the door, there’s a passage. Turn left and go about 50 paces. There should be another passage to your right.”

“Anyone down here?”

“No, but there is a half dozen prison officers above you. Standard patrol, from guardhouse to guardhouse. Unless they can hear you through five feet of solid concrete, you’re safe.”

My instincts told me five feet of concrete were not enough, but I’ll let it ride for the moment.

The door was slightly ajar and it took the two of us to pull it open so that we could get past. Behind it was the passage, going left and right. Trusting my invisible guide was not getting mixed up again, I motioned right, and we headed down the passage.

Despite the fact we should be alone, both of us were careful not to make any noise and trod carefully.

At 50 or so paces, the passage came into sight. The sergeant went ahead. I stayed back and kept an eye in both directions. The passage before us was the one that would take us under the cell of the captive we were sent to retrieve.

There would be no blasting our way in. The floor to the cell had a grate, and when removed, a person could drop down into the ‘dungeon’. Currently, the grate was immovable, but we had the tools to fix that.

The sergeant would verify the grate was where it was supposed to be, then come back to get me.

Five minutes passed, then ten. It was not that far away.

I was about to go search when the voice in my head returned but with panic. “We’ve been compromised. Get the hell out of there, now. Quickly…”

Then I heard what sounded like gunshots, then nothing.

A minute later there was a new voice. “I don’t know who you are, but I’d strongly advise you to give yourself up to the guards. Failure to do so within one hour, I’ll execute the two men I now have in custody.”

Ahead of me, there was a sudden explosion, followed by a cloud of dust and fine debris.

A hand grenade, or mine, it didn’t matter. The sergeant wouldn’t be coming back.

I sighed.

Plan B it was.

…

© Charles Heath 2021

The cinema of my dreams – Was it just another surveillance job – Episode 50

I’m back home and this story has been sitting on the back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe

Just because you have a security card with your name on it doesn’t mean you are cleared.  Yesterday, maybe, but today?  Anything can happen in 24 hours, much like the political landscape.

When I walked in the front entrance and up to the scanning gate, I was just another employee coming into work.  I ran my card through the scanning device, and the light turned red.

It failed.

In the time it took for me to scan it a second time, a security guard had arrived from the front desk, and a soldier, armed and ready was standing behind me.

I didn’t doubt for one minute he would shoot me if I tried to run.

“What seems to be the problem?”  The security guard was polite but firm.

“My card that scanned the last time and worked, doesn’t seem to work now.”

I could read his expression, ‘you just got fired, and are trying to get back in.”

“Let me try.”

I gave him the card, he looked at it, no doubt to see if there was any damage, then tried it.”

“Have you any other means of identification?”

Now, here’s the thing.  This was the office full of spies and support staff all of whom could be using assumed names, different guises, or just plain secretive with their private information.  Luckily I had a driver’s license with the name on the card, but not much else.

I thought about telling him about the place he was guarding, but I doubted he would listen.

He looked at both, then handed back the license. 

“Come with me over to the counter and we’ll see if we can sort this out.”

It was not a request, nor was I unaccompanied.  I now had a soldier permanently attached to me.

When we all arrived at the desk, he joined another guard behind.

“Who is your immediate superior?”

It was a toss-up between Dobbin and Monica.  Since Dobbin spent a lot of time in his car or appeared to, I said it was Monica.

I watched him search slowly through the phone list until he found her number, then called her.

He had his back to me when they spoke, but it wasn’t for long; after a minute, perhaps two, he replaced the receiver and turned back.

“Ms. Shrive will be down in about five minutes.”  He pointed to a row of chairs against the wall, remnants from the last world war.  “If you would like to wait over there, sir.”

He didn’t hand back my card.

The wait was more like a half-hour, but I had become engrossed in an old copy of Country Life, and an article that made me consider retiring to the country in an old thatch cottage beside a babbling brook somewhere in the Cotswolds.

Until I read the price. 

The arrival of Monica came at a fortuitous moment.  Coming to the desk.

“Nnn, I was hoping you would drop by sooner rather than later.”

“My card doesn’t work.”

“Oh, that’s because we revoked it.”  She held out another in her hand.  “We’ve replaced it with one with better access, or as we say jokingly, you’ve moved up in the pay grade scale.”

I took the card and went to put it in my pocket.

“You need to register your presence, so I’m afraid you’ll have to go out and come back in again.”

I did as she asked, this time greeted by the friendly green light.  The soldier seemed disappointed that I was not free of his attention.  The security guard on the desk had alt=ready forgotten I existed.

“Come.”

I followed Monica to the antiquated elevator, we stepped in, closed the door and she pressed a button for the third and fourth floors.  It seemed creakier than usual this time.

“I’m assuming you have come in to use the computer resources?”

“Yes.”

“Good thing then we upgraded your access level.”

“And is there someone who manages access to CCTV footage?”

“Yes.  Same floor, four.  Her name is Amelia Enders.  Tell her what you need, and she’ll find it.  I assume it will have something to do with the surveillance exercise of yours.”

How could she guess, or had she been already investigating?”

“Come and see me when you’re finished.  I live on the third floor.  Literally.”

The elevator stopped on the third floor with a creak and a thump.

A smile and she headed off down the passage.

If I wasn’t mistaken, she had that cat who ate the canary look, and it worried me.

…

© Charles Heath 2020-2022

Writing a book in 365 days – 247

Day 247

Making sense out of formless rubble

…

Taming the Chaos: How Art Builds Sanctuaries in a World of Rubble

We’ve all felt it, haven’t we? That creeping sense of overwhelm. The news cycle churns relentlessly, a tidal wave of disconnected events. Our personal lives can feel like a jumble of unfinished tasks and fuzzy anxieties. The world, in its raw, unedited state, can seem like a vast, formless expanse, a “mass of senseless rubble” threatening to swallow us whole.

It’s this very formlessness, this inherent chaos, that I believe lies at the heart of a profound motive for creating art. Whether it’s a sprawling epic novel, a defiant abstract painting, a haunting melody, or even a meticulously arranged bouquet of flowers, art, in its myriad manifestations, is our deeply human act of defiance against the shapeless void.

Think about it. The world, left to its own devices, is a wild, untamed thing. It doesn’t adhere to our neat narratives or our tidy classifications. It’s a messy, unpredictable storm of emotions, events, and experiences – some beautiful, some brutal, and many simply baffling. Trying to grasp it all, to make sense of its sheer scale and complexity, can be an exhausting, and frankly, demoralizing endeavor.

And here’s where the artist steps in, armed not with a bulldozer, but with a brush, a pen, a chisel, or a musical score. The deep motive, as I see it, is to defeat the formlessness of the world. It’s a declaration that we can impose order, that we can find patterns, and that we can create meaning where none immediately presents itself.

Consider the act of storytelling. A novelist takes a stream of consciousness, a tangle of potential plotlines, a cast of characters with complicated motivations, and weaves them into a coherent narrative. A beginning emerges, a middle unfolds, and an end, however bittersweet, is reached. The chaos of human experience is channeled, shaped, and channeled into a form that we can understand, digest, and even learn from. We read a book and, for a time, the bewildering mess of life is held at bay, replaced by the carefully constructed architecture of a fictional universe.

The visual artist does something similar. They stare at a blank canvas, a lump of clay, or a digital void, and begin to impose their vision. They choose colors, shapes, textures, and compositions. They translate the abstract feelings and observations that swirl within them into tangible forms. A Rothko painting, with its vast fields of color, doesn’t necessarily depict a specific object, but it evokes an emotional landscape. It gives form to the ineffable, allowing us to engage with feelings that might otherwise remain formless and elusive.

And this act of creation isn’t just about imposing order on the external world; it’s profoundly about cheering oneself up by constructing forms out of what might otherwise be a mass of senseless rubble. When we feel lost, overwhelmed, or insignificant, the act of creation is an act of empowerment. It’s taking a piece of the formless, the chaotic, the seemingly senseless, and wrestling it into something beautiful, something resonant, something that serves as a small, but potent, sanctuary.

Think of the artist who, after experiencing profound loss, picks up their instrument and composes a lament. They aren’t erasing the pain, but they are giving it a shape, a melody, a rhythm. This act of formalizing grief can be incredibly cathartic, transforming raw emotion into something that can be shared, understood, and perhaps, in time, healed. It’s building a small, sturdy structure of sound against the howling wind of sorrow.

In our own lives, we don’t all need to be professional artists to tap into this motive. Organizing a messy desk, planning a meal, or even meticulously tending a garden are all small acts of form-making. They are ways of bringing order to our immediate surroundings, of saying, “This chaos will not defeat me.”

So, the next time you find yourself staring at the bewildering vastness of the world, feeling a bit lost in the rubble, remember the power of form. Remember that art, in all its glorious diversity, is our innate human response to that formlessness. It’s our way of building beautiful, meaningful sanctuaries, one carefully crafted line, one resonant chord, one poignant word at a time. It’s our quiet, persistent, and ultimately triumphant declaration that even in the face of overwhelming chaos, we can create. And in that creation, we find not only order, but also a much-needed dose of cheer.

“Sunday in New York”, a romantic adventure that’s not a walk in the park!

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend, that casts a small element of doubt in his mind.

From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just a number of small, interconnecting events, when piled on top of each other, points to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints of impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovered piece by piece damning evidence she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence is about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

Purchase:

http://tinyurl.com/Amazon-SundayInNewYork

“Echoes From The Past”, the past doesn’t necessarily stay there


What happens when your past finally catches up with you?

…

Christmas is just around the corner, a time to be with family. For Will Mason, an orphan since he was fourteen, it is a time for reflection on what his life could have been, and what it could be.

Until a chance encounter brings back to life the reasons for his twenty years of self-imposed exile from a life only normal people could have. From that moment Will’s life slowly starts to unravel and it’s obvious to him it’s time to move on.

This time, however, there is more at stake.

Will has broken his number one rule, don’t get involved.

With his nemesis, Eddie Jamieson, suddenly within reach, and a blossoming relationship with an office colleague, Maria, about to change everything, Will has to make a choice. Quietly leave, or finally, make a stand.

But as Will soon discovers, when other people are involved there is going to be terrible consequences no matter what choice he makes.

https://amzn.to/2CYKxu4

newechocover5rs

Writing a book in 365 days – 247

Day 247

Making sense out of formless rubble

…

Taming the Chaos: How Art Builds Sanctuaries in a World of Rubble

We’ve all felt it, haven’t we? That creeping sense of overwhelm. The news cycle churns relentlessly, a tidal wave of disconnected events. Our personal lives can feel like a jumble of unfinished tasks and fuzzy anxieties. The world, in its raw, unedited state, can seem like a vast, formless expanse, a “mass of senseless rubble” threatening to swallow us whole.

It’s this very formlessness, this inherent chaos, that I believe lies at the heart of a profound motive for creating art. Whether it’s a sprawling epic novel, a defiant abstract painting, a haunting melody, or even a meticulously arranged bouquet of flowers, art, in its myriad manifestations, is our deeply human act of defiance against the shapeless void.

Think about it. The world, left to its own devices, is a wild, untamed thing. It doesn’t adhere to our neat narratives or our tidy classifications. It’s a messy, unpredictable storm of emotions, events, and experiences – some beautiful, some brutal, and many simply baffling. Trying to grasp it all, to make sense of its sheer scale and complexity, can be an exhausting, and frankly, demoralizing endeavor.

And here’s where the artist steps in, armed not with a bulldozer, but with a brush, a pen, a chisel, or a musical score. The deep motive, as I see it, is to defeat the formlessness of the world. It’s a declaration that we can impose order, that we can find patterns, and that we can create meaning where none immediately presents itself.

Consider the act of storytelling. A novelist takes a stream of consciousness, a tangle of potential plotlines, a cast of characters with complicated motivations, and weaves them into a coherent narrative. A beginning emerges, a middle unfolds, and an end, however bittersweet, is reached. The chaos of human experience is channeled, shaped, and channeled into a form that we can understand, digest, and even learn from. We read a book and, for a time, the bewildering mess of life is held at bay, replaced by the carefully constructed architecture of a fictional universe.

The visual artist does something similar. They stare at a blank canvas, a lump of clay, or a digital void, and begin to impose their vision. They choose colors, shapes, textures, and compositions. They translate the abstract feelings and observations that swirl within them into tangible forms. A Rothko painting, with its vast fields of color, doesn’t necessarily depict a specific object, but it evokes an emotional landscape. It gives form to the ineffable, allowing us to engage with feelings that might otherwise remain formless and elusive.

And this act of creation isn’t just about imposing order on the external world; it’s profoundly about cheering oneself up by constructing forms out of what might otherwise be a mass of senseless rubble. When we feel lost, overwhelmed, or insignificant, the act of creation is an act of empowerment. It’s taking a piece of the formless, the chaotic, the seemingly senseless, and wrestling it into something beautiful, something resonant, something that serves as a small, but potent, sanctuary.

Think of the artist who, after experiencing profound loss, picks up their instrument and composes a lament. They aren’t erasing the pain, but they are giving it a shape, a melody, a rhythm. This act of formalizing grief can be incredibly cathartic, transforming raw emotion into something that can be shared, understood, and perhaps, in time, healed. It’s building a small, sturdy structure of sound against the howling wind of sorrow.

In our own lives, we don’t all need to be professional artists to tap into this motive. Organizing a messy desk, planning a meal, or even meticulously tending a garden are all small acts of form-making. They are ways of bringing order to our immediate surroundings, of saying, “This chaos will not defeat me.”

So, the next time you find yourself staring at the bewildering vastness of the world, feeling a bit lost in the rubble, remember the power of form. Remember that art, in all its glorious diversity, is our innate human response to that formlessness. It’s our way of building beautiful, meaningful sanctuaries, one carefully crafted line, one resonant chord, one poignant word at a time. It’s our quiet, persistent, and ultimately triumphant declaration that even in the face of overwhelming chaos, we can create. And in that creation, we find not only order, but also a much-needed dose of cheer.

An excerpt from “What Sets Us Apart”, a mystery with a twist

See the excerpt from the story below, just a taste of what’s in store…

http://amzn.to/2Eryfth

whatsetscover

McCallister was old school, a man who would most likely fit in perfectly campaigning on the battlefields of Europe during the Second World War. He’d been like a fish out of water in the army, post-Falklands, and while he retired a hero, he still felt he’d more to give.

He’d applied and was accepted as head of a SWAT team, and, watching him now as he and his men disembarked from the truck in almost military precision, a look passed between Annette, the police liaison officer, and I that said she’d seen it all before. I know I had.

There was a one in four chance his team would be selected for this operation, and she had been hoping it would be one of the other three. While waiting for them to arrive she filled me in on the various teams. His was the least co-operative, and the more likely to make ad-hoc decisions rather than adhere to the plan, or any orders that may come from the officer in charge.

This, she said quite bluntly, was going to end badly.

I still had no idea why Prendergast instructed me to attend the scene of what looked to be a normal domestic operation, but as the nominated expert in the field in these types of situations, it was fairly clear he wasn’t taking any chances. It was always a matter of opinion between us, and generally I lost.

In this case, it was an anonymous report identifying what the authorities believed were explosives in one of the dockside sheds where explosives were not supposed to be.

The only reason why the report was given any credence was the man, while not identifying himself by name, said he’d been an explosive expert once and recognized the boxes. That could mean anything, but the Chief Constable was a cautious man.

With his men settled and preparing their weapons, McCallister came over to the command post, not much more than the SUV my liaison and I arrived in, with weapons, bulletproof vests, and rolls of tape to cordon off the area afterward. We both had coffee, steaming in the cold early morning air. Dawn was slowly approaching and although rain had been forecast it had yet to arrive.

A man by the name of Benson was in charge. He too had groaned when he saw McCallister.

“A fine morning for it.” McCallister was the only enthusiastic one here.

He didn’t say what ‘it’ was, but I thought it might eventually be mayhem.

“Let’s hope the rain stays away. It’s going to be difficult enough without it,” Benson said, rubbing his hands together. We had been waiting for the SWAT team to arrive, and another team to take up their position under the wharf, and who was in the final stages of securing their position.

While we were waiting we drew up the plan. I’d go in first to check on what we were dealing with, and what type of explosives. The SWAT team, in the meantime, were to ensure all the exits to the shed were covered. When I gave the signal, they were to enter and secure the building. We were not expecting anyone inside or out, and no movement had been detected in the last hour since our arrival and deployment.

“What’s the current situation?”

“I’ve got eyes on the building, and a team coming in from the waterside, underneath. Its slow progress, but they’re nearly there. Once they’re in place, we’re sending McKenzie in.”

He looked in my direction.

“With due respect sir, shouldn’t it be one of us?” McCallister glared at me with the contempt that only a decorated military officer could.

“No. I have orders from above, much higher than I care to argue with, so, McCallister, no gung-ho heroics for the moment. Just be ready to move on my command, and make sure you have three teams at the exit points, ready to secure the building.”

McCallister opened his mouth, no doubt to question those orders, but instead closed it again. “Yes sir,” he muttered and turned away heading back to his men.

“You’re not going to have much time before he storms the battlements,” Benson quietly said to me, a hint of exasperation in his tone. “I’m dreading the paperwork.”

It was exactly what my liaison officer said when she saw McCallister arriving.

The water team sent their ‘in position’ signal, and we were ready to go.

In the hour or so we’d been on site nothing had stirred, no arrivals, no departures, and no sign anyone was inside, but that didn’t mean we were alone. Nor did it mean I was going to walk in and see immediately what was going on. If it was a cache of explosives then it was possible the building was booby-trapped in any number of ways, there could be sentries or guards, and they had eyes on us, or it might be a false alarm.

I was hoping for the latter.

I put on the bulletproof vest, thinking it was a poor substitute for full battle armor against an exploding bomb, but we were still treating this as a ‘suspected’ case. I noticed my liaison officer was pulling on her bulletproof vest too.

“You don’t have to go. This is my party, not yours,” I said.

“The Chief Constable told me to stick to you like glue, sir.”

I looked at Benson. “Talk some sense into her please, this is not a kindergarten outing.”

He shrugged. Seeing McCallister had taken all the fight out of him. “Orders are orders. If that’s what the Chief Constable requested …”

Madness. I glared at her, and she gave me a wan smile. “Stay behind me then, and don’t do anything stupid.”

“Believe me, I won’t be.” She pulled out and checked her weapon, chambering the first round. It made a reassuring sound.

Suited up, weapons readied, a last sip of the coffee in a stomach that was already churning from nerves and tension, I looked at the target, one hundred yards distant and thought it was going to be the longest hundred yards I’d ever traversed. At least for this week.

A swirling mist rolled in and caused a slight change in plans.

Because the front of the buildings was constantly illuminated by large overhead arc lamps, my intention had been to approach the building from the rear where there was less light and more cover. Despite the lack of movement, if there were explosives in that building, there’d be ‘enemy’ surveillance somewhere, and, after making that assumption, I believed it was going to be easier and less noticeable to use the darkness as a cover.

It was a result of the consultation, and studying the plans of the warehouse, plans that showed three entrances, the main front hangar type doors, a side entrance for truck entry and exit and a small door in the rear, at the end of an internal passage leading to several offices. I also assumed it was the exit used when smokers needed a break. Our entry would be by the rear door or failing that, the side entrance where a door was built into the larger sliding doors. In both cases, the locks would not present a problem.

The change in the weather made the approach shorter, and given the density of the mist now turning into a fog, we were able to approach by the front, hugging the walls, and moving quickly while there was cover. I could feel the dampness of the mist and shivered more than once.

It was nerves more than the cold.

I could also feel rather than see the presence of Annette behind me, and once felt her breath on my neck when we stopped for a quick reconnaissance.

It was the same for McCallister’s men. I could feel them following us, quickly and quietly, and expected, if I turned around, to see him breathing down my neck too.

It added to the tension.

My plan was still to enter by the back door.

We slipped up the alley between the two sheds to the rear corner and stopped. I heard a noise coming from the rear of the building, and the light tap on the shoulder told me Annette had heard it too. I put my hand up to signal her to wait, and as a swirl of mist rolled in, I slipped around the corner heading towards where I’d last seen the glow of a cigarette.

The mist cleared, and we saw each other at the same time. He was a bearded man in battle fatigues, not the average dockside security guard.

He was quick, but my slight element of surprise was his undoing, and he was down and unconscious in less than a few seconds with barely a sound beyond the body hitting the ground. Zip ties secured his hands and legs, and tape his mouth. Annette joined me a minute after securing him.

A glance at the body then me, “I can see why they, whoever they are, sent you.”

She’d asked who I worked for, and I didn’t answer. It was best she didn’t know.

“Stay behind me,” I said, more urgency in my tone. If there was one, there’d be another.

Luck was with us so far. A man outside smoking meant no booby traps on the back door, and quite possibly there’d be none inside. But it indicated there were more men inside, and if so, it appeared they were very well trained. If that were the case, they would be formidable opponents.

The fear factor increased exponentially.

I slowly opened the door and looked in. A pale light shone from within the warehouse itself, one that was not bright enough to be detected from outside. None of the offices had lights on, so it was possible they were vacant. I realized then they had blacked out the windows. Why hadn’t someone checked this?

Once inside, the door closed behind us, progress was slow and careful. She remained directly behind me, gun ready to shoot anything that moved. I had a momentary thought for McCallister and his men, securing the perimeter.

At the end of the corridor, the extent of the warehouse stretched before us. The pale lighting made it seem like a vast empty cavern, except for a long trestle table along one side, and, behind it, stacks of wooden crates, some opened. It looked like a production line.

To get to the table from where we were was a ten-yard walk in the open. There was no cover. If we stuck to the walls, there was equally no cover and a longer walk.

We needed a distraction.

As if on cue, the two main entrances disintegrated into flying shrapnel accompanied by a deafening explosion that momentarily disoriented both Annette and I. Through the smoke and dust kicked up I saw three men appear from behind the wooden crates, each with what looked like machine guns, spraying bullets in the direction of the incoming SWAT members.

They never had a chance, cut down before they made ten steps into the building.

By the time I’d recovered, my head heavy, eyes watering and ears still ringing, I took several steps towards them, managing to take down two of the gunmen but not the third.

I heard a voice, Annette’s I think, yell out, “Oh, God, he’s got a trigger,” just before another explosion, though all I remember in that split second was a bright flash, the intense heat, something very heavy smashing into my chest knocking the wind out of me, and then the sensation of flying, just before I hit the wall.

I spent four weeks in an induced coma, three months being stitched back together and another six learning to do all those basic actions everyone took for granted. It was twelve months almost to the day when I was released from the hospital, physically, except for a few alterations required after being hit by shrapnel, looking the same as I always had.

But mentally? The document I’d signed on release said it all, ‘not fit for active duty; discharged’.

It was in the name of David Cheney. For all intents and purposes, Alistair McKenzie was killed in that warehouse, and for the first time ever, an agent left the Department, the first to retire alive.

I was not sure I liked the idea of making history.

© Charles Heath 2016-2020

“For heaven’s sake…” – a short story

It was a combination of circumstances, not all related, but coming at me out of left field, circumstances that would prevent me from going home when I said I would.

I had every intention of getting there and as a testament to that, I had got to the airport with baggage two hours before departure time and had reached the departure gate with 20 minutes to spare, ready to board the plane.

I’d even got a business class ticket so I could travel in style.

What precipitated the set of circumstances?

A simple phone call. I should have turned the cell phone off five minutes before boarding, but I didn’t because I’d forgotten to, simply because I’d been distracted.

The call was from Penelope, my hard-working and self-sacrificing personal assistant. I had offered to take her with me so we could work on the business plan that had to be presented the day after I was scheduled to return, but she had declined, which, when I thought about it, if she hadn’t, it might have created problems for both of us.

With a huge restructuring going on, I was running behind in getting it completed and had promised to finish it while at home.

The call: to tell me I had left a folder with vital research back on my desk, and she’d come to the airport to deliver it, and she was, in fact, in the terminal building when the boarding call came.

When I met her at the gate, only a few passengers had to be loaded. Being in business class had afforded me a few extra minutes. File delivered, I left her looking exasperated and headed down the boarding ramp.

I was last aboard, and seconds after being seated, the door was closed.

I quickly typed and sent a message to tell everyone I was on the plane, eliciting two responses. My mother was glad that I was finally coming, the other from my elder brother, who said he would believe it when he saw me.

It was not without reason; I’d been in this situation before, on the plane, ready to go.

Last time the plane didn’t leave the gate, a small problem that caused a big delay, so much so, I couldn’t get home.

Not this time. There was a slight lurch as the push tractor started pushing the plane back from the gate. A minute or so later, the pilot fired up the engines, a sure sign of a definite departure. Nothing could stop us now.

It was a reassuring vibration that ran through the plane before the engines settled into a steady whine, a sign of an older plane that had flown many miles in the past and would into the future.

We stopped while the push tractor was disengaged, and then the engines picked up speed and we lurched forward, heading towards the runway for take-off. In some airports, this could take a long time, and tonight it seemed to take forever.

I looked out the window and saw a backdrop of lights against the darkness, but no indication of where we were. It didn’t look like the end of the runway because I could not see any other planes waiting to take off.

Then the engines revved louder for a prolonged period. We didn’t move but remained where we were until the engines returned to what might be called idling speed

It was followed by an announcement from the pilot, “This is the captain speaking. We have encountered an anomaly with one of the engines, so to be on the safe side, we are returning to the gate and will have the engineers have a look at it. I do not anticipate this should take longer than 30 minutes.”

A collective groan went through the aeroplane. Those savvy with these problems would know that the odds were we would not be leaving tonight. The airport curfew would see to that.

But a miracle could still occur.

The plane then started back to the terminal. Another message from the pilot told us we would not be going back to the gate but to a holding area. Time to have a glass of champagne, the steward was offering, before going back to the terminal for an interminable wait.

It seemed the gods did not want me to go back home.

…

When we got back to the parking spot, three buses and four delays later, I headed for one of the several bars to get a drink and perhaps something decent to eat.

Then I saw Penelope, sitting by herself, a glass of champagne sitting half drunk in front of her.

“What are you doing here?” I said as I slid onto the stool beside her.

She started, as if she had been somewhere else, and turned to see who it was. The faraway look turned into a smile when she recognised me. “Getting drunk.”

“I thought you were going home.” A nod in the direction of the bartender, followed by pointing to her glass and indicating I wanted two, got instant service.

“I saw an ex heading to a plane with his latest squeeze. Made me feel depressed. I heard your plane was returning, so I decided to wait. Better to get drunk with someone you know than drink by yourself or someone you don’t. I’ve had three offers already.”

I wasn’t surprised. She was very attractive, the sort of woman who was the most popular at any of the work functions, but what was equally surprising was that she was not with any of those potential suitors. In fact, as far as I knew, she was not in a relationship.

“No one at home to amuse you?” It was not the sort of question I should be asking, because it was really none of my business.

It elicited a sideways glance as if I stepped over an invisible line.

“Sorry, none of my business.”

She finished off the glass in front of her, just as the new round arrived in front of her. I gave the bartender my credit card and asked him to start a tab. I’d just heard that the plane was going to be another two hours before we’d be leaving.

“I live with two other girls, but they are more interested in finding stray men and getting wasted, not necessarily in that order, and that’s not what I want to do.”

“Get wasted or find stray men?”

I was not sure how anyone had the time and inclination to do that, but a few weeks back, I spent two evenings with a friend of mine whose marriage had fallen apart. The people there seemed either desperate or looking for a one-night stand. It had amused me to discover most of them were married, and not divorced, and that the girls knew what to expect.

“Both apparently.”

“How do you expect to find the man of your dreams if you don’t go looking?”

“I am, this place seems as good as any, but the man of my dreams doesn’t exist.”

The bemused expression and the tone of her voice told me she had had more than one drink before I got there. Even then, judging from several previous parties for work we had attended, she had a much greater capacity for alcohol than I had.

She finished off the glass just brought, and seconds later, her eyes seemed glassy. Perhaps it was time for me to put her in a cab and send her home.

“Another,” she said, “and then you can be responsible for me.”

I had no idea what that meant, and I think, judging by the facial expressions, she didn’t really care.

“Perhaps…”

She didn’t let me finish. “Perhaps you should buy me another drink and lighten up.” And the look that came with it told me not to argue the point.

I got the bartender’s attention, and he responded by bringing two fresh glasses and a bottle. I told him to leave it. It gave me a minute or so to contemplate what she meant by ‘lighten up’. I was so used to seeing her work ethic and diligence; this was a different side to her.

I took a sip and could feel her looking at me. A glance took in the near-permanent bemused expression.

“Are you going to be alright getting home?” It was probably not the question I should have asked, but in the back of my mind, there was a recent briefing given to all of the management on the subject of sexual harassment and intra-office romances.

“I’m fine. It’s not as if I do this a lot, but the last week has been difficult. Not only for me but for you, too. But you have to admit you put yourself under a lot of pressure.”

She was starting to sound like my conscience. It was something I’d been thinking about on the way to the airport, but I decided it was part of the job, and I knew when I accepted the position what it would involve. My predecessor, much older than I was, had fallen on his sword, the pressure destroying his marriage and almost his life.

So I said, lamely, “It goes with the job, unfortunately.”

She shook her head. “No, it doesn’t. They might think it does, but they don’t care. They sit in their ivory tower and watch their minions crash and burn. There’s always someone else waiting in the wings to take your place, believe me.”

It was an interesting perspective, but where did it come from? I knew she had been at the corporation for several years, and I had been lucky enough to draw the long straw when having her assigned to me as my PA when I took the position. One of the other executives had lamented my good fortune, but he had also said she was one of the few who were there to guide what higher management considered management prospects.

I just thought I was lucky.

“I might end up in that ivory tower one day.”

“Why?”

She turned to look directly at me. It made me uncomfortable now, as it had on other occasions, and I had begun to think it might have something to do with unspoken feelings. I liked her, but I doubted that it was reciprocated. And, after the lecture on office romances, I promptly put those feelings in the bottom drawer and locked it.

“Doesn’t everyone aspire to be the best and climb to the top of the corporate ladder?”

“For that, you have to be devious and ruthless, and from what I’ve seen, you’re neither. You’ve heard the expression ‘good guys come last’. It’s true.”

I was guessing that from the people she had worked for, she had firsthand experience. My predecessor was a ‘good guy’, and some said he was eaten alive by the office predators. I knew who they were and avoided them. Perhaps she knew something I didn’t, but when would she have told me? Not tonight, no one could have predicted the plane would break down.

“You’re telling me this now, why?”

“You’re smarter than all of those above you put together. You don’t need them, but they need you. But you won’t get any concessions, not until you get near the top. By then, you will have had to sell your soul to the devil.”

Good to know, on one hand, I was about to sell my soul to the devil, and on the other, that I was smart, just not smart enough to see the wolves in sheep’s clothing.

I noticed she hadn’t touched the latest glass of champagne. Nor was she the languid barfly she’d pretended to be earlier.

“You’re advice, if I’m listening correctly, is that I should be looking for another job.”

“Actually, you shouldn’t be listening to me at all. Too many drinks and I pontificate. Some people become happy, I become,” she shrugged, “unhappy. Take no notice.” She swung around to the front and picked up the glass.

“OK.” I turned around to look at the departures board to see that my flight had been cancelled, and that I should go to the check-in counter. “My plane is completely broken, so it looks like I’m staying here.”

“Or you could take me to dinner.” She looked sideways again, the bemused expression back.

“Wouldn’t that be inappropriate?”

“Only if you were in upper management, married, and asking me to have an affair. Last I looked, you’re not in upper management, not married, so there’s no hint of an affair. For heaven’s sake, it’s only dinner.”

She was right on all counts, and it was only dinner.

“Why not?” I said, more to myself than to her.

“Good. And you’d better get me on the plane too. We need to get that report done, and it’ll be an excuse to stay at a hotel. I know you wouldn’t want to stay in your old room at your parents’ house.”

She was right about that, too. I had long outgrown them, and staying at home would only lead to arguments. “How could you possibly know that?”

She smiled. “You talk in your sleep.”

…

© Charles Heath 2021-2025