The first case of PI Walthenson – “A Case of Working With the Jones Brothers”

This case has everything, red herrings, jealous brothers, femme fatales, and at the heart of it all, greed.

See below for an excerpt from the book…

Coming soon!

PIWalthJones1

An excerpt from the book:

When Harry took the time to consider his position, a rather uncomfortable position at that, he concluded that he was somehow involved in another case that meant very little to him.

Not that it wasn’t important in some way he was yet to determine, it was just that his curiosity had got the better of him, and it had led to this: sitting in a chair, securely bound, waiting for someone one of his captors had called Doug.

It was not the name that worried him so much, it was the evil laugh that had come after the name was spoken.

Doug what? Doug the ‘destroyer’, Doug the ‘dangerous’, Doug the ‘deadly’; there was any number of sinister connotations, and perhaps that was the point of the laugh, to make it more frightening than it was.

But there was no doubt about one thing in his mind right then: he’d made a mistake. A very big. and costly, mistake. Just how big the cost, no doubt he would soon find out.

His mother, and his grandmother, the wisest person he had ever known, had once told him never to eavesdrop.

At the time he couldn’t help himself and instead of minding his own business, listening to a one-sided conversation which ended with a time and a place. The very nature of the person receiving the call was, at the very least, sinister, and, because of the cryptic conversation, there appeared to be, or at least to Harry, criminal activity involved.

For several days he had wrestled with the thought of whether he should go. Stay on the fringe, keep out of sight, observe and report to the police if it was a crime. Instead, he had willingly gone down the rabbit hole.

Now, sitting in an uncomfortable chair, several heat lamps hanging over his head, he was perspiring, and if perspiration could be used as a measure of fear, then Harry’s fear was at the highest level.

Another runnel of sweat rolled into his left eye, and, having his hands tied, literally, it made it impossible to clear it. The burning sensation momentarily took his mind off his predicament. He cursed and then shook his head trying to prevent a re-occurrence. It was to no avail.

Let the stinging sensation be a reminder of what was right and what was wrong.

It was obvious that it was the right place and the right time, but in considering his current perilous situation, it definitely was the wrong place to be, at the worst possible time.

It was meant to be his escape, an escape from the generations of lawyers, what were to Harry, dry, dusty men who had been in business since George Washington said to the first Walthenson to step foot on American soil, ‘Why don’t you become a lawyer?” when asked what he could do for the great man.

Or so it was handed down as lore, though Harry didn’t think Washington meant it literally, the Walthenson’s, then as now, were not shy of taking advice.

Except, of course, when it came to Harry.

He was, Harry’s father was prone to saying, the exception to every rule. Harry guessed his father was referring to the fact his son wanted to be a Private Detective rather than a dry, dusty lawyer. Just the clothes were enough to turn Harry off the profession.

So, with a little of the money Harry inherited from one of his aunts, he leased an office in Gramercy Park and had it renovated to look like the Sam Spade detective agency, you know the one, Spade and Archer, and The Maltese Falcon.

There’s a movie and a book by Dashiell Hammett if you’re interested.

So, there it was, painted on the opaque glass inset of the front door, ‘Harold Walthenson, Private Detective’.

There was enough money to hire an assistant, and it took a week before the right person came along, or, more to the point, didn’t just see his business plan as something sinister. Ellen, a tall cool woman in a long black dress, or so the words of a song in his head told him, fitted in perfectly.

She’d seen the movie, but she said with a grin, Harry was no Humphrey Bogart.

Of course not, he said, he didn’t smoke.

Three months on the job, and it had been a few calls, no ‘real’ cases, nothing but missing animals, and other miscellaneous items. What he really wanted was a missing person. Or perhaps a beguiling, sophisticated woman who was as deadly as she was charming, looking for an errant husband, perhaps one that she had already ‘dispatched’.

Or for a tall, dark and handsome foreigner who spoke in riddles and in heavily accented English, a spy, or perhaps an assassin, in town to take out the mayor. The man was such an imbecile Harry had considered doing it himself.

Now, in a back room of a disused warehouse, that wishful thinking might be just about to come to a very abrupt end, with none of the romanticized trappings of the business befalling him. No beguiling women, no sinister criminals, no stupid policemen.

Just a nasty little man whose only concern was how quickly or how slowly Harry’s end was going to be.

© Charles Heath 2019-2024

“Trouble in Store” – Short Stories My Way:  The re-write – Part 1

Now that I’ve gone through the story and made quite a few changes, it’s time to look at the story

Another long day, another argument, always the same one, when were they going to move to a more ‘desirable’ neighbourhood?

OK, the neighbourhood was a little more downmarket than they expected, and the landlord could do more to make the apartments more livable, but it was as much as they could afford in the inner city area.

But Chelsea kept arguing for the fact their lives would be better and she would feel safer if they moved to New Jersey.  It would mean being much closer to her parents, and it meant a longer trip to the office.

Rather than get into a more heated discussion, which always came back to her parents, he stormed out slamming the door behind him.

Now out on the street, it was very cold, and in his temper forgetting to collect his coat.  There was no going back, not until he calmed down.

He could see the lights of the corner store on and headed towards it.  A six-pack would help soothe the nerves, and perhaps tell the shopkeeper his problems.  He had been in there a few times and the chap seemed amiable enough.

He crossed the road, quiet for this time of night, and pushed the door open, setting the bell that alerted the shopkeeper of a new arrival.

Something was wrong.

Jack was looking down the barrel of a gun.

He’d seen the girl holding the gun several times and knew she lived in their apartment block, closer to the ground floor.  She had seemed pleasant if not a little out of place, but quite a few people who once had money were down in their luck.

He had thought she was in the same situation.

Then his eyes strayed to the floor beside her, just as the door shut with a bang putting everyone on edge.  Except the man on the floor whom he recognized as her boyfriend.

They’d spoken once and Jack didn’t like him.  Chelsea said he was a meth junkie.  Sprawled on the floor curled up in an almost fetal position, he didn’t look very well.

Had she shot him?

A quick glance at the shopkeeper told him this might be an attempted armed robbery, but for what?

The guy on the floor either needed drugs or hospital care neither of which would be available at the point of a gun.

She looked nervous and the gun was wavering in her hand.

“Get in front of the counter and make sure you show me your hands.”  She motioned with the gun where she wanted him to stand.

He put his hands out where she could see them.  He wanted no trouble.

“What’s wrong with your friend on the floor?” Jack asked trying to keep his voice and manner calm.

“He isn’t my friend, not anymore.  Shit.”  She waved the gun at the shopkeeper and said in a slightly hysterical voice, “This is entirely your fault.”

© Charles Heath 2016-2024

Writing about writing a book – Day 2

Hang about.  Didn’t I read somewhere you need to plan your novel, create an outline, set the plot points, and flesh out the characters?

I’m sure it didn’t say, sit down and start writing!

Time to find a writing pad and put my thinking cap on.

I make a list, what’s the story going to be about? Who’s going to be in it, at least at the start?

Like a newspaper story, I need a who, what, when, where, and how.

Right now.

 

I pick up the pen.

 

Character number one:

Computer nerd, ok, that’s a little close to the bone, a computer manager who is trying to be everything at once, and failing.  Still me, but with a twist.  Now, add a little mystery to him, and give him a secret, one that will only be revealed after a specific set of circumstance.  Yes, I like that.

We’ll call him Bill, ex-regular army, a badly injured and repatriated soldier who was sent to fight a war in Vietnam, the result of which had made him, at times, unfit to live with.

He had a wife, which brings us to,

Character number two:

Ellen, Bill’s ex-wife, an army brat and a General’s daughter, and the result of one of those romances that met disapproval for so many reasons.  It worked until Bill came back from the war, and from there it slowly disintegrated.  There are two daughters, both by the time the novel begins, old enough to understand the ramifications of a divorce.

Character number three:

The man who is Bill’s immediate superior, the Services Department manager, a rather officious man who blindly follows orders, a man who takes pleasure in making others feel small and insignificant, and worst of all, takes the credit where none is due.

Oops, too much, that is my old boss.  He’ll know immediately I’m parodying him.  Tone it down, just a little, but more or less that’s him.  Last name Benton.  He will play a small role in the story.

Character number four:

Jennifer, the IT Department’s assistant manager, a woman who arrives in a shroud of mystery, and then, in time, to provide Bill with a shoulder to cry on when he and Ellen finally split, and perhaps something else later on.

More on her later as the story unfolds.

So far so good.

What’s the plot?

Huge corporation plotting to take over the world using computers?  No, that’s been done to death.

Huge corporation, OK, let’s stop blaming the corporate world for everything wrong in the world.  Corporations are not bad people; people are the bad people.  That’s a rip-off cliché, from guns don’t kill people, people kill people!  There will be guns, and there will be dead people.

There will be people hiding behind a huge corporation, using a part of their computer network to move billions of illegally gained dollars around.  That’s better.

Now, having got that, our ‘hero’ has to ‘discover’ this network, and the people behind it.

All we need now is to set the ball rolling, a single event that ‘throws a cat among the pigeons’.

Yes, Bill is on holiday, a welcome relief from the problems of work.  He dreams of what he’s going to do for the next two weeks.  The phone rings.  Benton is calling, the world is coming to an end, the network is down.  He’s needed.  A few terse words, but he relents.

Pen in hand, I begin to write.

© Charles Heath 2016-2025

The cinema of my dreams – I never wanted to go to Africa – Episode 1

There’s hanging around, and there’s hanging around

So, there I was, hanging half out of the helicopter, shooting a handgun at a truck speeding along a dirt track.

I know, what’s the effective range of a handgun?

The sound of the rotors was still deafening even with the earphones on and as I run out of bullets and was reaching for another clip, I heard a voice crackle in my ears.

“Some fool’s got a rocket launcher.”

That fool was trying to lean out the passenger side of the truck and aim the launcher at the helicopter.

The bucking and swaying of the vehicle nearly tipped him out onto the roadside, but something managed to anchor him, and he was taking aim.

“Now would be the time to peel away,” I said, not knowing if the pilot could hear me.

Our course didn’t deviate, so perhaps he hadn’t.

I calculated the distance between the helicopter and the ground, and the speed we were traveling.  Fast.  Short drop.  Quick landing.  Very painful.

In that moment I saw the rocket leave the launcher, I let go.

There was that instant where you feel disembodied and floating on air.  The same as that few seconds in free fall, just before pulling the rip cord of a parachute.

I hit the ground a rolled, not that I thought it would do much good, and the stopped, just before I lost consciousness.  Somewhere in front of me, there was a huge explosion, and then nothing.

Last thought, I hope the helicopter didn’t land on me.

© Charles Heath 2018 – 2023

Writing a book in 365 days – 265

Day 265

That subtle relationship between author and reader

When you open a book and begin reading, it’s more than just you reading words; it’s about a subtle relationship you have with the author, and that what he or she writes resonates with you…

That’s a profound and very accurate observation. You’re highlighting the fundamental difference between simply processing information and engaging with literature.

This “subtle relationship” you describe can be broken down into a few key concepts in literary theory and reader response:

1. The Author-Reader Pact (Resonance)

When a reader connects with a text, it often feels like the author is speaking directly to them. This resonance occurs because the author has successfully:

  • Anticipated the Reader’s World: The author uses language, references, and emotional contexts that they expect the reader to understand and relate to.
  • Established a Voice: The author’s unique style, tone, and perspective shine through, creating an implied personality that the reader either trusts or finds intriguing. If the reader finds this voice authentic or compelling, they are more willing to follow the narrative and accept the author’s vision.
  • Invited Collaboration: The author intentionally leaves gaps, ambiguities, and “blanks” in the text. The reader fills these in using their own experiences, imagination, and knowledge, effectively becoming a co-creator of the story. This active participation strengthens the personal bond.

2. Empathy and Shared Human Experience

At its core, the relationship is built on empathy. Reading is an exercise in experiencing the world through another’s perspective. Even if the author is long dead or writes about fantastical events, the underlying emotions—joy, fear, loss, curiosity—are universal and allow the reader to connect on a human level.

3. The Power of Intent

The act of writing for publication implies an intent to communicate, to be understood, or to persuade. The subtle relationship is the reader’s reception of that intent, even if they later disagree with the message. The author is saying, “Here is something I value and wish to share,” and the reader’s choice to engage is their acceptance of that invitation.

In short, it’s not just about what the author writes, but how their words make you feel, think, and ultimately understand yourself and the world a little differently.

What I learned about writing: An X (formerly Twitter) biography

What are the essentials for writing an X (formerly Twitter) boigraphy

The X (formerly Twitter) bio is your digital elevator pitch. It has a strict limit of 160 characters, so every word and symbol must count.

The most essential elements for an effective X biography focus on telling visitors who you are, what you offer, and what they should do next.

Here are the key essentials:

1. The Core Information (Who & What)

  • Your Value Proposition: Immediately state what you do, what you tweet about, or the benefit people get from following you. Don’t just list your job title, but explain the impact.
    • Bad: Digital Marketing Specialist
    • Good: Helping small businesses decode SEO and grow their online presence.
  • Keywords: Use terms related to your industry or niche (e.g., #FinTech, Data Science, Fantasy Author) to make your profile searchable.

2. Personality and Trust

  • Show Your Personality: Inject your unique voice, whether it’s professional, witty, humorous, or inspiring. This makes you memorable.
    • Example: “I write books about dragons 🐉 and argue with people about coffee ☕.”
  • Social Proof (Humble Brag): Briefly mention a notable achievement to build credibility.
    • Examples: TEDx Speaker, 10K+ Followers, Host of Top 10 Podcast, Featured in Forbes.

3. The Call-to-Action (CTA)

  • Direct the Next Step: Every great bio should tell the visitor what to do. Use a simple, direct instruction. This is often paired with the single clickable Link in Bio.
    • Examples: Get my free guide ⬇️ | DM for collabs | New video every Fri!
  • Use Emojis: Emojis are essential because they save characters, add visual flair, and break up text. Use them as bullet points or to replace words.
    • Example: “Engineer ⚙️ | Runner 🏃‍♀️ | Always curious 🤔”

4. Maximizing the 160 Characters

  • Be Concise: Eliminate filler words and be ruthless with your editing.
  • Use Line Breaks: Separate different ideas (e.g., Who I Am, What I Do, CTA) onto new lines for easy scanning.
  • Utilize Other Fields: Remember that your Name (50 characters), Location, and Website Link are separate fields and do not count against the 160-character bio limit. Use them all!

‘Sunday in New York’ – A beta reader’s view

I’m not a fan of romance novels but …

There was something about this one that resonated with me.

This is a novel about a world generally ruled by perception, and how people perceive what they see, what they are told, and what they want to believe.

I’ve been guilty of it myself as I’m sure we all have at one time or another.

For the main characters Harry and Alison there are other issues driving their relationship.

For Alison, it is a loss of self-worth through losing her job and from losing her mother and, in a sense, her sister.

For Harry, it is the fact he has a beautiful and desirable wife, and his belief she is the object of other men’s desires, and one in particular, his immediate superior.

Between observation, the less than honest motives of his friends, a lot of jumping to conclusions based on very little fact, and you have the basis of one very interesting story.

When it all comes to a head, Alison finds herself in a desperate situation, she realises only the truth will save their marriage.

But is it all the truth?

What would we do in similar circumstances?

Rarely does a book have me so enthralled that I could not put it down until I knew the result. They might be considered two people who should have known better, but as is often the case, they had to get past what they both thought was the truth.

And the moral of this story, if it could be said there is one, nothing is ever what it seems.

Available on Amazon here: amzn.to/2H7ALs8

An excerpt from “Echoes from the Past”

Available on Amazon Kindle here:  https://amzn.to/2CYKxu4

With my attention elsewhere, I walked into a man who was hurrying in the opposite direction.  He was a big man with a scar running down the left side of his face from eye socket to mouth, and who was also wearing a black shirt with a red tie.

That was all I remembered as my heart almost stopped.

He apologized as he stepped to one side, the same way I stepped, as I also muttered an apology.

I kept my eyes down.  He was not the sort of man I wanted to recognize later in a lineup.  I stepped to the other side and so did he.  It was one of those situations.  Finally getting out of sync, he kept going in his direction, and I towards the bus, which was now pulling away from the curb.

Getting my breath back, I just stood riveted to the spot watching it join the traffic.  I looked back over my shoulder, but the man I’d run into had gone.  I shrugged and looked at my watch.  It would be a few minutes before the next bus arrived.

Wait, or walk?  I could also go by subway, but it was a long walk to the station.  What the hell, I needed the exercise.

At the first intersection, the ‘Walk’ sign had just flashed to ‘Don’t Walk’.  I thought I’d save a few minutes by not waiting for the next green light.  As I stepped onto the road, I heard the screeching of tires.

A yellow car stopped inches from me.

It was a high powered sports car, perhaps a Lamborghini.  I knew what they looked like because Marcus Bartleby owned one, as did every other junior executive in the city with a rich father.

Everyone stopped to look at me, then the car.  It was that sort of car.  I could see the driver through the windscreen shaking his fist, and I could see he was yelling too, but I couldn’t hear him.  I stepped back onto the sidewalk, and he drove on.  The moment had passed and everyone went back to their business.

My heart rate hadn’t come down from the last encounter.   Now it was approaching cardiac arrest, so I took a few minutes and several sets of lights to regain composure.

At the next intersection, I waited for the green light, and then a few seconds more, just to be sure.  I was no longer in a hurry.

At the next, I heard what sounded like a gunshot.  A few people looked around, worried expressions on their faces, but when it happened again, I saw it was an old car backfiring.  I also saw another yellow car, much the same as the one before, stopped on the side of the road.  I thought nothing of it, other than it was the second yellow car I’d seen.

At the next intersection, I realized I was subconsciously heading towards Harry’s new bar.   It was somewhere on 6th Avenue, so I continued walking in what I thought was the right direction.

I don’t know why I looked behind me at the next intersection, but I did.  There was another yellow car on the side of the road, not far from me.  It, too, looked the same as the original Lamborghini, and I was starting to think it was not a coincidence.

Moments after crossing the road, I heard the roar of a sports car engine and saw the yellow car accelerate past me.  As it passed by, I saw there were two people in it, and the blurry image of the passenger; a large man with a red tie.

Now my imagination was playing tricks.

It could not be the same man.  He was going in a different direction.

In the few minutes I’d been standing on the pavement, it had started to snow; early for this time of year, and marking the start of what could be a long cold winter.  I shuddered, and it was not necessarily because of the temperature.

I looked up and saw a neon light advertising a bar, coincidentally the one Harry had ‘found’ and, looking once in the direction of the departing yellow car, I decided to go in.  I would have a few drinks and then leave by the back door if it had one.

Just in case.

© Charles Heath 2015-2020

newechocover5rs

Writing a book in 365 days – 265

Day 265

That subtle relationship between author and reader

When you open a book and begin reading, it’s more than just you reading words; it’s about a subtle relationship you have with the author, and that what he or she writes resonates with you…

That’s a profound and very accurate observation. You’re highlighting the fundamental difference between simply processing information and engaging with literature.

This “subtle relationship” you describe can be broken down into a few key concepts in literary theory and reader response:

1. The Author-Reader Pact (Resonance)

When a reader connects with a text, it often feels like the author is speaking directly to them. This resonance occurs because the author has successfully:

  • Anticipated the Reader’s World: The author uses language, references, and emotional contexts that they expect the reader to understand and relate to.
  • Established a Voice: The author’s unique style, tone, and perspective shine through, creating an implied personality that the reader either trusts or finds intriguing. If the reader finds this voice authentic or compelling, they are more willing to follow the narrative and accept the author’s vision.
  • Invited Collaboration: The author intentionally leaves gaps, ambiguities, and “blanks” in the text. The reader fills these in using their own experiences, imagination, and knowledge, effectively becoming a co-creator of the story. This active participation strengthens the personal bond.

2. Empathy and Shared Human Experience

At its core, the relationship is built on empathy. Reading is an exercise in experiencing the world through another’s perspective. Even if the author is long dead or writes about fantastical events, the underlying emotions—joy, fear, loss, curiosity—are universal and allow the reader to connect on a human level.

3. The Power of Intent

The act of writing for publication implies an intent to communicate, to be understood, or to persuade. The subtle relationship is the reader’s reception of that intent, even if they later disagree with the message. The author is saying, “Here is something I value and wish to share,” and the reader’s choice to engage is their acceptance of that invitation.

In short, it’s not just about what the author writes, but how their words make you feel, think, and ultimately understand yourself and the world a little differently.

Inspiration, maybe – Volume 1

50 photographs, 50 stories, of which there is one of the 50 below.

They all start with –

A picture paints … well, as many words as you like.  For instance:

lookingdownfromcoronetpeak

And the story:

It was once said that a desperate man has everything to lose.

The man I was chasing was desperate, but I, on the other hand, was more desperate to catch him.

He’d left a trail of dead people from one end of the island to the other.

The team had put in a lot of effort to locate him, and now his capture was imminent.  We were following the car he was in, from a discrete distance, and, at the appropriate time, we would catch up, pull him over, and make the arrest.

There was nowhere for him to go.

The road led to a dead-end, and the only way off the mountain was back down the road were now on.  Which was why I was somewhat surprised when we discovered where he was.

Where was he going?

“Damn,” I heard Alan mutter.  He was driving, being careful not to get too close, but not far enough away to lose sight of him.

“What?”

“I think he’s made us.”

“How?”

“Dumb bad luck, I’m guessing.  Or he expected we’d follow him up the mountain.  He’s just sped up.”

“How far away?”

“A half-mile.  We should see him higher up when we turn the next corner.”

It took an eternity to get there, and when we did, Alan was right, only he was further on than we thought.”

“Step on it.  Let’s catch him up before he gets to the top.”

Easy to say, not so easy to do.  The road was treacherous, and in places just gravel, and there were no guard rails to stop a three thousand footfall down the mountainside.

Good thing then I had the foresight to have three agents on the hill for just such a scenario.

Ten minutes later, we were in sight of the car, still moving quickly, but we were going slightly faster.  We’d catch up just short of the summit car park.

Or so we thought.

Coming quickly around another corner we almost slammed into the car we’d been chasing.

“What the hell…” Aland muttered.

I was out of the car, and over to see if he was in it, but I knew that it was only a slender possibility.  The car was empty, and no indication where he went.

Certainly not up the road.  It was relatively straightforward for the next mile, at which we would have reached the summit.  Up the mountainside from here, or down.

I looked up.  Nothing.

Alan yelled out, “He’s not going down, not that I can see, but if he did, there’s hardly a foothold and that’s a long fall.”

Then where did he go?

Then a man looking very much like our quarry came out from behind a rock embedded just a short distance up the hill.

“Sorry,” he said quite calmly.  “Had to go if you know what I mean.”

I’d lost him.

It was as simple as that.

I had been led a merry chase up the hill, and all the time he was getting away in a different direction.

I’d fallen for the oldest trick in the book, letting my desperation blind me to the disguise that anyone else would see through in an instant.

It was a lonely sight, looking down that road, knowing that I had to go all that way down again, only this time, without having to throw caution to the wind.

“Maybe next time,” Alan said.

“We’ll get him.  It’s just a matter of time.”

© Charles Heath 2019-2021

Find this and other stories in “Inspiration, maybe”  available soon.

InspirationMaybe1v1