Category: blogging

“The Enemy Within” – the editor’s third draft – Day 26

This book has been sitting in the ‘to-be-done’ tray, so this month it is going to get the final revision.

And so it begins…

…

Who can you trust?

…

In the shadowy world of espionage, the new recruits are taught to trust no one, only their instincts.

Everyone lies.  Even they will, and very convincingly, during the execution of their duties.  The first time, they assumed a cover identity, and have a legend that is nothing like who they really are.

In other words, spies start out being normal people, and over time they are moulded into someone, and something, they were not.  Whatever ideals, thoughts, and beliefs they had before are discarded, in a sense, so that they can be someone else.

Someone who is ready and prepared to do what is necessary to keep the world safe from…

Well, pretty much people they gradually become.  It takes a monster, really, to do what is necessary, to kill another human being, justifying it by saying they are wrong, and you are right, to blackmail; cajole, and force others to do basically what is wrong just so right will prevail.

The story evolved a little in the rewrite, where our protagonist is a new agent in the field.  Things go wrong, and he wants to know why.

He’s told that’s not for him to decide, or question, that in essence he is merely a blunt instrument who takes orders and executes them, without question, trusting the people who send him that it is in the name of justice.

You can’t be an agent in the field with a conscience.

Perhaps Jack will be one of the first.

An excerpt from “The Things We Do For Love”; In love, Henry was all at sea!

In the distance, he could hear the dinner bell ringing and roused himself.  Feeling the dampness of the pillow, and fearing the ravages of pent-up emotion, he considered not going down but thought it best not to upset Mrs. Mac, especially after he said he would be dining.

In the event, he wished he had reneged, especially when he discovered he was not the only guest staying at the hotel.

Whilst he’d been reminiscing, another guest, a young lady, had arrived.  He’d heard her and Mrs. Mac coming up the stairs and then shown to a room on the same floor, perhaps at the other end of the passage.

Henry caught his first glimpse of her when she appeared at the door to the dining room, waiting for Mrs. Mac to show her to a table.

She was in her mid-twenties, slim, with long brown hair, and the grace and elegance of a woman associated with countless fashion magazines.  She was, he thought, stunningly beautiful with not a hair out of place, and make-up flawlessly applied.  Her clothes were black, simple, elegant, and expensive, the sort an heiress or wife of a millionaire might condescend to wear to a lesser occasion than dinner.

Then there was her expression; cold, forbidding, almost frightening in its intensity.  And her eyes, piercingly blue and yet laced with pain.  Dracula’s daughter was his immediate description of her.

All in all, he considered, the only thing they had in common was, like him, she seemed totally out of place.

Mrs. Mac came out of the kitchen, wiping her hands on her apron.  She was, she informed him earlier, chef, waitress, hotelier, barmaid, and cleaner all rolled into one.  Coming up to the new arrival she said, “Ah, Miss Andrews, I’m glad you decided to have dinner.  Would you like to sit with Mr. Henshaw, or would you like to have a table of your own?”

Henry could feel her icy stare as she sized up his appeal as a dining companion, making the hair on the back of his neck stand up.  He purposely didn’t look back.  In his estimation, his appeal rating was minus six.  Out of a thousand!

“If Mr. Henshaw doesn’t mind….”  She looked at him, leaving the query in mid-air.

He didn’t mind and said so.  Perhaps he’d underestimated his rating.

“Good.”  Mrs. Mac promptly ushered her over.  Henry stood, made sure she was seated properly and sat.

“Thank you.  You are most kind.”  The way she said it suggested snobbish overtones.

“I try to be when I can.”  It was supposed to nullify her sarcastic tone but made him sound a little silly, and when she gave him another of her icy glares, he regretted it.

Mrs. Mac quickly intervened, asking, “Would you care for the soup?”

They did, and, after writing the order on her pad, she gave them each a look, imperceptibly shook her head, and returned to the kitchen.

Before Michelle spoke to him again, she had another quick look at him, trying to fathom who and what he might be.  There was something about him.

His eyes, they mirrored the same sadness she felt, and, yes, there was something else, that it looked like he had been crying?  There was a tinge of redness.

Perhaps, she thought, he was here for the same reason she was.

No.  That wasn’t possible.

Then she said, without thinking, “Do you have any particular reason for coming here?”  Seconds later she realized she’d spoken it out loud, had hadn’t meant to actually ask, it just came out.

It took him by surprise, obviously not the first question he was expecting her to ask of him.

“No, other than it is as far from civilization, and home, as I could get.”

At least we agree on that, she thought.

It was obvious he was running away from something as well.

Given the isolation of the village and lack of geographic hospitality, it was, from her point of view, ideal.  All she had to do was avoid him, and that wouldn’t be difficult.

After getting through this evening first.

“Yes,” she agreed.  “It is that.”

A few seconds passed, and she thought she could feel his eyes on her and wasn’t going to look up.

Until he asked, “What’s your reason?”

Slightly abrupt in manner, perhaps, because of her question and how she asked it.

She looked up.  “Rest.  And have some time to myself.”

She hoped he would notice the emphasis she had placed on the word ‘herself’ and take due note.  No doubt, she thought, she had completely different ideas of what constituted a holiday than he, not that she had said she was here for a holiday.

Mrs. Mac arrived at a fortuitous moment to save them from further conversation.

Over the entree, she wondered if she had made a mistake coming to the hotel.  Of course, there had been no conceivable way she could know that anyone else might have booked the same hotel, but realized it was foolish to think she might end up in it by herself.

Was that what she was expecting?

Not a mistake then, but an unfortunate set of circumstances, which could be overcome by being sensible.

Yet, there he was, and it made her curious, not that he was a man, by himself, in the middle of nowhere, hiding like she was, but for quite varied reasons.

On discreet observance, whilst they ate, she gained the impression his air of light-heartedness was forced, and he had no sense of humour.

This feeling was engendered by his looks, unruly dark hair, and permanent frown.  And then there was his abysmal taste in clothes on a tall, lanky frame.  They were quality but totally unsuited to the wearer.

Rebellion was written all over him.

The only other thought crossing her mind, and incongruously, was he could do with a decent feed.  In that respect, she knew now from the mountain of food in front of her, he had come to the right place.

“Mr. Henshaw?”

He looked up.  “Henshaw is too formal.  Henry sounds much better,” he said, with a slight hint of gruffness.

“Then my name is Michelle.”

Mrs. Mac came in to take their order for the only main course, gather up the entree dishes, and then return to the kitchen.

“Staying long?” she asked.

“About three weeks.  Yourself?”

“About the same.”

The conversation dried up.

Neither looked at the other, rather at the walls, out the window, towards the kitchen, anywhere.  It was, she thought, unbearably awkward.

Mrs. Mac returned with a large tray with dishes on it, setting it down on the table next to theirs.

“Not as good as the usual cook,” she said, serving up the dinner expertly, “but it comes a good second, even if I do say so myself.  Care for some wine?”

Henry looked at Michelle.  “What do you think?”

“I’m used to my dining companions making the decision.”

You would, he thought.  He couldn’t help but notice the cutting edge of her tone.  Then, to Mrs. Mac, he named a particular White Burgundy he liked, and she bustled off.

“I hope you like it,” he said, acknowledging her previous comment with a smile that had nothing to do with humour.

“Yes, so do I.”

Both made a start on the main course, a concoction of chicken and vegetables that were delicious, Henry thought when compared to the bland food he received at home and sometimes aboard my ship.

It was five minutes before Mrs Mac returned with the bottle and two glasses.  After opening it and pouring the drinks, she left them alone again.

Henry resumed the conversation.  “How did you arrive?  I came by train.”

“By car.”

“Did you drive yourself?”

And he thought, a few seconds later, that was a silly question, otherwise she would not be alone, and certainly not sitting at this table. With him.

“After a fashion.”

He could see that she was formulating a retort in her mind, then changed it, instead, smiling for the first time, and it served to lighten the atmosphere.

And in doing so, it showed him she had another more pleasant side despite the fact she was trying not to look happy.

“My father reckons I’m just another of ‘those’ women drivers,” she added.

“Whatever for?”

“The first and only time he came with me I had an accident.  I ran up the back of another car.  Of course, it didn’t matter to him the other driver was driving like a startled rabbit.”

“It doesn’t help,” he agreed.

“Do you drive?”

“Mostly people up the wall.”  His attempt at humour failed.  “Actually,” he added quickly, “I’ve got a very old Morris that manages to get me where I’m going.”

The apple pie and cream for dessert came and went and the rapport between them improved as the wine disappeared and the coffee came.  Both had found, after getting to know each other better, their first impressions were not necessarily correct.

“Enjoy the food?” Mrs. Mac asked, suddenly reappearing.

“Beautifully cooked and delicious to eat,” Michelle said, and Henry endorsed her remarks.

“Ah, it does my heart good to hear such genuine compliments,” she said, smiling.  She collected the last of the dishes and disappeared yet again.

“What do you do for a living,” Michelle asked in an off-hand manner.

He had a feeling she was not particularly interested, and it was just making conversation.

“I’m a purser.”

“A what?”

“A purser.  I work on a ship doing the paperwork, that sort of thing.”

“I see.”

“And you?”

“I was a model.”

“Was?”

“Until I had an accident, a rather bad one.”

“Oh, I’m sorry.”

So that explained the odd feeling he had about her.

As the evening wore on, he began to think there might be something wrong, seriously wrong with her because she didn’t look too well.  Even the carefully applied makeup, from close, didn’t hide the very pale, and tired look, or the sunken, dark-ringed eyes.

“I try not to think about it, but it doesn’t necessarily work.  I’ve come here for peace and quiet, away from doctors and parents.”

“Then you will not have to worry about me annoying you.  I’m one of those fall-asleep-reading-a-book types.”

Perhaps it would be like ships passing in the night and then smiled to himself about the analogy.

Dinner over, they separated.

Henry went back to the lounge to read a few pages of his book before going to bed, and Michelle went up to her room to retire for the night.

But try as he might, he was unable to read, his mind dwelling on the unusual, yet compellingly mysterious person he would be sharing the hotel with.

Overlaying that original blurred image of her standing in the doorway was another of her haunting expressions that had, he finally conceded, taken his breath away, and a look that had sent more than one tingle down his spine.

She may not have thought much of him, but she had certainly made an impression on him.

…

© Charles Heath 2015-2024

lovecoverfinal1

In a word: Might

We might have to use some might to beat the mite.  Confused?

Might is force, so expending might be much the same as what Thor does with his hammer.

We might expend some force; this might be a maybe.  You’re never quite sure when someone uses the word might, whether or not they will actually do it.

I might do a lot of things, but somehow, I never seem to get around to actually doing them,

Of and just for the record, it’s the past tense of the word may.  You know, you may do something, or you might not.

You might also use the word might when being polite, which seems to be a rarity these days because everyone is terse, tense, and in a hurry.

So might I go to the movie will always get a resounding no if it means you get home late at night.   And you’re only 10 years old.

I might be interested, but I don’t think so.  Let me think about it.  Which also means no.

Of course, if you’re slack in doing homework, you might want to try a little harder next time.

What might have been if only you tried harder?

Then there’s that little pest called a mite, though it goes by a lot of other names, one of which is everywhere, a termite.

Or a dust mite.

It also could be used slangily for a child in distress, that is, look at that poor little mite, he looks so tired.

Or another word for slightly, for example, the girl seemed a mite embarrassed.

“One Last Look”, nothing is what it seems

A single event can have enormous consequences.

A single event driven by fate, after Ben told his wife Charlotte he would be late home one night, he left early, and by chance discovers his wife having dinner in their favourite restaurant with another man.

A single event where it could be said Ben was in the wrong place at the wrong time.

Who was this man? Why was she having dinner with him?

A simple truth to explain the single event was all Ben required. Instead, Charlotte told him a lie.

A single event that forces Ben to question everything he thought he knew about his wife, and the people who are around her.

After a near-death experience and forced retirement into a world he is unfamiliar with, Ben finds himself once again drawn back into that life of lies, violence, and intrigue.

From London to a small village in Tuscany, little by little Ben discovers who the woman he married is, and the real reason why fate had brought them together.

It is available on Amazon here:  http://amzn.to/2CqUBcz

The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 35

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new installment of an old feature, and we’re back on the treasure hunt.

It was an understatement to say I was dreading going to Boggs’ place.

In fact, in the hour it took to get through the morning chores I had time to consider how and why I was in this position.  Boggs was a friend.  We were friends at school and as best we could we had each other’s back when the bullies came out to play.

At times that didn’t amount to much because as everyone knows, bullies hunt in packs.  Six against two wasn’t much of an equation.  And it those days, the teachers spent more time hiding from the students than being in front of them.

It was simply a case of what doesn’t kill you makes you stronger.

It didn’t feel like that, not for a very long time.

But, in the end, misfortune can make strange bedfellows, and in a town that depended on a single industry, it soon became apparent that there were more people against the Benderby’s and the Cossatino’s than for, and in small-town politics, that was more than an evening up.  Out of school and separated from their acolytes, both Alex and Vince found that whatever influence they had once, was now gone, and all that was left was a grunt, and we were basically left alone.

Boggs was the dreamer.

He had idolized his father and when he went missing it broke him.

This map thing was the first signs of Boggs finally coming back to life, but the problem was, it was all pinned on false hopes.  The Sherriff was right.  Boggs was in over his head, playing with the two most vicious families from around here, and it was bad enough that his father had fallen foul of them, the Sherriff was not about to see his son go the same way.  I was going to try and talk Boggs out of it.

Yet, on the other hand, it was people like us who needed a win, just to show there was still hope in this place.  With threats every day that the factory might have to close, there were dark clouds hanging over everyone’s head.

If the factory closed, there was going to be a very large hole in the local economy and a lot of people in financial trouble.  I’m not sure how finding the treasure might solve all of that, but I suspect Boggs’ had something up his sleeve.

I knocked on the door and his mother answered.  She looked harried.  She was a nurse and looked as though she just got home from the night shift at the hospital.  

“Boggs is in his room.”

“How are you this morning?”

“Tired.  And an afternoon shift, which I might not get to if I don’t get some sleep.  You know where he is.  Try not to make any noise.”

“Will do.”

I came in and closed the door, watching her dash off down the passage to the other end of the house.

She could not work endless double shifts for much longer, but like all of us, it was not out of desire but necessity.  She had implored Boggs to get a job and help, but he seemed oblivious to the problem.  I’d tried to speak to him, but he had that insufferable way of just not listening.

Boggs was in his room, sitting on the bed and staring at the ceiling.

I looed up too, but there was nothing there.

“Don’t tell me,” I said, “but you’ve suddenly discovered you’ve got X-Ray vision.”

“If only.  I could use it right now to find something that’s missing>”

“Your cell phone?”  Boggs was always misplacing something, of forgetting it.  I’d lost count how many times he’d misplaced his phone.

“No.  An underground river.”

OK.  That was out of left field.  I had no idea any rivers were missing, or, in fact, they could actually go missing.

Apparently, they could.

“There’s two,” he said.  300 years ago five or take this part of the coastline had several rivers that ran down from the mountain range.  What we now call the hills on the edge of the coastal plain.  There was also a lake, not very large, but it used to have several streams flow into it all year round and had an aqua flow that came out along the coastline.”

“And you figured all of this out from what?  A copy of the treasure map.”

The moment he started quoting rivers, streams, and lakes, I remembered each of those geographical features appeared on several of the map versions.  I had suggested, rather comically, that it would be funny if the treasure was buried in the lake.

It wasn’t all that funny.  It was also possible.

“Imagine this.  Drop anchor out to sea, in other words on the other side of the natural sandbar that formed at the seaward side of the river, get in the longboats and row inshore to the lake, across the lake, up another river to the base of the hills.  Then do a little exploring, north or south, and find a cave.  I reckon the treasure was buried in a cave.  We know there are caves up there, not many, but I think there used to be more.”

“Someone already did a survey with some rather fancy electronic equipment with the same idea in mind.  He found three, not very long, and certainly without treasure.  Two had substantial falls inside, which is why they were buried.”

“There’s more.”

He jumped up off the bed and went over to the robe and opened the door.  Tacked on the back was a copy of an ordnance survey map of this part of the coastline, and a tracing of the treasure map, to the same scale on top.

“As you can see, I think ‘I’ve found the correlation between the real, and what was real 300 years ago.”

Except there’s no rivers and no lake.  And no sand bar as I recall.  There was a small marina in what might have been where the river met the sea, but that’s gone.  They filled it in and build a shopping mall on it.  A huge, now half empty, shopping mall.  A modern wonder 40 years ago that was supposed to bring business and shoppers to the town.  For a few years it did, until another town 50 miles away got the same idea, sold the land for half the price, and made the rents a quarter of what they were here.

They called it progress.

We called it piracy.

“Then we can hardly row our boat inshore and up the stream, if it’s not there.”

I hated to state the obvious.

“But,” he said, looking like the cat who’d swallowed the canary.  “What if it is still there, but we just can’t see it?”

© Charles Heath 2020

The cinema of my dreams – I always wanted to write a war story – Episode 12

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination in what happened during the second worlds war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

 

I had walked quite fast in my attempt to distance myself from our pursuers if they were, in fact, chasing me.  In doing so I had tried to make my escape as quiet as possible.

Now, between Jack and I, hiding in the undergrowth, the only noise I could hear was our laboured breathing, and mine in particular.  I hadn’t been expecting to be doing this sort of exercise when I signed on for the job.

Now, I think, exercise was going to become a priority.

If I made it back alive.

A crack and I saw Jack go very still, ears cocked, and looking in what was the direction of the sound.  He’d know, better than me, where the noise came from.

Another minute before I could hear muffled voices, then as if they had stepped into a room, I could hear them.

“So, you’re telling me you let him hit you?”

“I had to, for the sake of making it look good.  I was told he was no fool.” 

The voice of the man who had orchestrated my departure.  I shook my head, very disappointed in myself for not seeing through what could have been a very cunning plan.  It also explained why they hadn’t summarily shot me.  I could see Jackerby gloating over the cleverness of his plan.

So perhaps for a few moments there, I was a fool.  Not anymore.

“What do we do if we find him?”

“We’re not supposed to find him, remember.  You were at the same meeting, or was that your ghost I saw with me?”

“Observe and report back.”

“Exactly.”

The voices were very close, and I could hear their boots of the rocky path until they stopped.

“Which way?”

The voice sounded very close, in fact, I thought they were just on the other side of the undergrowth, but that couldn’t be right, I could see through it in places, and no one was standing on the other side.

Sound must travel very good in this part of the forest.

“Follow the main river.  He won’t be looking to deviate from his objective, which by now would be to find the other members of the resistance and organise his departure.”

“And leave alone what he saw?”

“There isn’t much he could do about it.  By the time he’s reported back to London, we will have found the underground members and eliminated any threat.”

“Aha, so he’s leading us to the resistance?”

“That’s the plan.”

“And it was your idea?”

“I do have my moments, thank you.  Now, let’s get on, or he’ll get too much of a start on us, and I don’t want to be the one to explain how we lost him to Jackerby in particular.”

A minute passed, then two before I heard the sound of boots receding.  Johansson, or maybe Jackerby, had correctly guessed I might know where the other resistance members were, and, after escaping, go straight to them.

Pity, I was going to disappoint them.

 

© Charles Heath 2019

A photograph from the inspirational bin – 24

When I first saw it I thought it was an old country estate, converted and expanded into a golf clubhouse.

It wasn’t.  It is a purpose-built clubhouse and function center for corporate seminars and wedding receptions, as well as catering to the golfer, and golf tournaments.

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It also has a very good outlook over the golf course.

But, in my writer’s mind, this will provide inspiration for a story that could be set in a large country house,  with the central tower and lookout featuring in what might be a grisly death, and a group of guests who have gathered together to enact a mock murder that turns out to be very real.

Yes, the idea has been done to death over many many years, but I have a few new twists in mind.

Stay tuned.

“The Enemy Within” – the editor’s third draft – Day 27

This book has been sitting in the ‘to-be-done’ tray, so this month it is going to get the final revision.

And so it begins…

…

Do people care if spies have ethics?

…

A spy story is supposed to be larger than life.

We only have to watch one of the more recent James Bond films to know that if the fate of the whole world is not at stake, it’s not a spy story.

That, and the fact that the fate of the whole world rests in the hands of one man, or one woman, or a pair, both of whom profess they prefer to work alone, and begrudgingly accept the other’s help.

The bad guys are larger than life, and we just love to see them blown up in the most spectacular of manners. Sudden and quick death is not an option.

I wanted to go down this road, I really did…

But, nagging away in the back of my mind, there is a little spy story widget in my ear, saying, what if it’s not really like that?

What if the bad people are really masquerading as good people and normal people can’t see through the façade. What if the people who matter can’t see them either?

What if doing the job is being made impossible by the very people who told you to find and eliminate them? Only, you don’t know that’s what they’re doing.

To say it’s doing my head in, considering the possibilities, is an understatement.

Searching for locations: Terracotta Warriors and Horses Museum, X’ian, China

Terracotta Warriors and Horses Museum

A little history, and anecdotal advice first:

In 1974 a 26-year-old farmer, Yang Jide, was drilling a well and found fragments of the terracotta soldiers and bronze weapons.

What was discovered later was one of the biggest attended burial pits of China’s first feudal Emperor, Qin Shi Huang.  In the following years remains had been found in 3 pits, yielding at least 8,000 soldiers and horses, and over 100 chariots.  The soldiers were infantry, cavalry, and others.

Emperor Qin was born in 259 BC and died in 210 BC.  He began building a mausoleum for himself at the foot of Mount Li when he was 13.  Construction took 38 years, from 247 BC to 208 BC.  It was divided into 3 stages and involved 720,000 conscripts.

The pits of pottery figures are 1.5 km east of Emperor Qin’s mausoleum.  Pit 1 has about 6,000 terracotta armored warriors and horses and 40 wooden chariots.  Pit 2 is estimated to have over 900 terracotta warriors and 350 terracotta horses with about 90 wooden chariots.  Pit 3 had so far yielded only 66 pottery figures and one chariot drawn by four horses.

Official records say it was discovered later that it was likely Xiang Yu, a rebel, intentionally damaged the Mausoleum and the soldiers in the pits, by setting fire to the wooden roof rafters, and these fell on and broke the warriors into pieces.

However, we were told that after the terracotta warriors were completed, the Emperor ordered the builders to be killed so that they would not tell anyone about the warriors, and then of those that remained alive deliberately smashed all of the artifacts.

The thing is, all of the terracotta figures that have been found are in pieces, and they need computers to piece them back together again.

The visit:
The first impression is the size of the car park and the number of buses parked in the lot, and a hell of a lot more outside up the road an off on side streets.  Obviously, it costs money to park in the parking lot.

The other first impressions; the numbers waiting to get in were not as many as yesterday outside the forbidden city, in fact, a lot less.

Be warned there’s a long walk from the entrance gate where your bags are scanned and a body scan as well, before admittance.  This walk is through a landscaped area which it is expect might sometime in the future reveal more soldiers, or other artifacts.

At the end of the walk that takes about ten minutes, you can get a one-way ride to the second checkpoint, but we opted not to as no one else in our group did.

That walk is the warm-up exercise to an organized viewing of the exhibits after going through a second ticket checkpoint.  On the other side, we had to hand our tickets back to the tour guide which was disappointing not to end up with a memento of actually having been there.

So, on the other side in the courtyard, the guide told us the most important parts of the exhibition, that we should spend most of the time looking at pit 1, and then spent a little time in 2 which is only there in the first stages of excavation.  Then move onto the museum if only to see the replica chariots.

We do.

The chariots were small but interesting

The horses were better and intricately detailed

These are soldiers, perhaps complete examples of those types found in the end pit.

This is one of the archers.  You can tell by the way he wears his hair.

Pit 2

The excavation of this pit has only just begun, so it is possible to see where they have carefully removed the top cover, and you can see the broken parts of the warriors lying in a heap.

Some parts of the warriors are more discernible closer up

These parts are carefully extracted and taken to the ‘hospital’ where they are digitised and the computer will match each part with the warrior it belongs to.

Pit 1

This has quite a number of standing soldiers that have been glued back together, but not necessarily complete and I notice a number if the statues were incomplete. And if they cannot find the missing pieces, then they are not added to or filled in.

The scale of the pit is enormous, and they have hardly scratched the surface in the restoration process.

What is there is a number of horses as well.

That’s at the front of the pit, a long line of statues, and what is clear is the location of the well where the first fragments were found by a farmer.

There are about eight lines of soldiers, and some lining the sides.

Midway down there is a large area currently under excavation

At the back is the hospital where the soldiers are reassembled.  There’s nearly a hundred in the various stages of rebuilding.  These days the soldiers are rebuilt using computer imaging.

The hospital area is where they are put back together

And these are some of the statues in various stages of reconstruction

Another two views of the size and scale of the reconstruction project

The coffee shop is also a sales centre, but there are too many people waiting for coffee and too few places to sit down.

What did it mean, “Being ‘undead’ isn’t being alive”

I remember one day many, many years ago seeing a piece of graffiti in a railway tunnel:  “Being undead isn’t being alive”.

It was the ’70s right after a turbulent ’60s when everything changed, where only the young, as I was at the time, didn’t recognise what had changed.

Of course, this is the problem down through the generations, where the older generation witnesses the changes, too fast, too sudden, and too radical, and the young, they adopt them without thinking.

And that piece of graffiti was more than likely a cry for help that would never come.

After all, the older generation never knew what had happened, and there was no means of coping.  Words were not enough, and it was the beginning of a breakdown in discipline and a lot more that didn’t manifest itself for a generation.

But that sign lived on, through the ’80s and the ’90s.  I first saw it as a child, it was still there when I was going to and from work on the train.  It made me wonder often during those years what the graffitist was trying to tell the world.

Being undead?  What sort of expression is that?

I think he or she was alluding to the fact that being alive was more than just drawing breath, eating and sleeping.

Those early years of youthful emancipation brought on all sorts of maladies and drugs.  We were never warned about them, not like they are now in schools, and it seemed everyone knew someone who knew where to get them.

I never tried them.  Not for the usual reasons, it was just I never found myself in a situation where I could get them, or try them to see what all the fuss was about.

Perhaps I should be glad it worked out that way.

Of course, I would never find out what the graffitist meant, but I suspect it could have been one of those moments of rare clarity, in a drug-induced haze, or the depths of despair from not having had the next ‘fix’.

Or was it something simple, like he or she had just broken up with a long-term partner, that painful time when one or other calls it quits? Or that time after an argument with one of your parents, or a best friend, and it seemed there was no path back?  Or is it like that feeling of being betrayed, that awful feeling when you discover your partner is cheating on you, and inevitably everyone else knows, but you’re the last to find out?

No, the message wasn’t that simple, especially because of the psychedelic manner in which it was presented on that wall, I doubt the perpetrator had an artistic talent they wanted to show off.  That artistic bent was fuelled by something else, perhaps a dream or a vision.

Or, instead, there was no real reason, and it was the culmination of having the freedom you always wanted, and yet being left with an emptiness that cannot be filled no matter how many drugs you take.  Was that why so many people back then died from an overdose?

I’ll never know who it was that put that sign on the wall, whether they lived or died, or whether they found what they were looking for.  Nor will I ever know what it was like to be in their shoes.

Perhaps I was one of the lucky people, who knows?