For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination in what happened during the second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

Marina drove the truck slowly and carefully, without the benefit of headlights on a night that have become very dark when cloud cover moved in.  A good night to be out on foot, but not in a few tons of metal.

It seemed to take longer to go back to the old factory, if that was what it was, or it may have just been my imagination.  Certainly, it was rather tense in the cabin.

I wondered if what Chiara had said about not trusting me had made Marina have second thoughts of taking me back.  From where we were, I would have no idea where it was, and if she dropped me off, I could not find it again.

And that fear came true a few minutes later when she pulled off to the side of the road, near some trees, and stopped, turning off the engine.

The silence crept over us like a fog.

Such was the atmosphere I found myself whispering, “What’s wrong.”

“Lights.  Appearing briefly and disappearing.  Like someone is following us.”

She sat still for about five minutes, looking intently at the rear vision mirrors, and at times turning around to stare of the small window at the back of the cabin.

I did too, but I couldn’t see anything, nor had I, but I hadn’t thought to look in the rear vision mirrors because I thought we were safe.  How wrong I was, to assume that.  If there was one lesson I should learn from what I was doing, was that I should know what’s going on around me and that at no time could I ever believe I’m safe.  The moment I did and let my guard down, I would be dead.  I’d been told that in London, and in a relaxed moment, I’d forgotten it.  How many others had done the same and died?

A shake of her head, she got out of the truck, and quietly closed the door.  I did likewise and joined her at the rear.

“What’s happening?”

“I’m going to check back over the road, see if there’s anyone following us.  There have been too many instances of lights for it to be coincidental.”

“Since we left the church?”  In thinking that, it meant that either Chiara or Enrico may have inadvertently, or deliberately, told someone about the meeting.

I hope it’s just my imagination, but it was shortly after we left I saw the first light.”

“Could be a local farmer stumbling around at night.”

“It could, but no one is that silly to be caught out after dark.  There was a curfew, and most of us like to believe there still is.”

She looked back down the road, but all I could see was inky blackness.  The moon was still hidden by dark clouds above, and it looked like there was going to be rain.

“I’ll come with you.”

“You’d be better off staying here.  The last thing I need is a soldier stomping around in the dark.”

Thanks for the compliment, I thought.  “Then I’ll have to be quiet, and try not to stomp.”

Even in the darkness I could feel rather than see the scowl on her face.

“As you wish, but don’t get in my way, and don’t make me shoot you.”

Short and wiry, she was built for stealth and speed, unlike the bulky soldier I was.  Not that I was overfed and fat, but I was still a larger target than she was.  I could just see her outline in front of me, and she was moving very quietly.

I was trying very hard to emulate her.

Then I saw it.  A light going on briefly, then off, definitely in the direction we had just come from.

She had stopped and I nearly ran into her.

“You were right,” I said quietly.

“I was hoping I wouldn’t be.”

So had I.  The last thing we needed was trouble, trouble that would have to be eliminated.  She couldn’t have anyone else knowing about their hiding places, and meeting points.

A few minutes further along, we both heard a strange sound at the same time.

A wheel scraping against a fender?  There was no engine noise.  It became louder, then we saw what it was.  Someone riding a bicycle.  Close to the edge of the road so as to remain hidden from view because of the turns in the road, which would account for seeing the light at odd times.  At the front, there was a light that was taped to show only a thin slit of light.

I saw her look around, then take hold of a long branch that had recently fallen off one of the trees, pared it down, and then waited.  I could see what she was going to do.

When the bike came alongside, moving slowly because it was up a hill, and the rider was labouring hard, she poked the stick through the spokes of the front wheel, the rider just seeing her at the last moment, and not being able to avoid her.

The result was predictable, the rider went flying over the handlebars and crashed into the hard ground with a thud and a loud grunt.  

My role was to jump on the rider so he, or she, couldn’t escape.  Marina was right behind me and jammed a dirty rag in the persons mouth as I held them very tightly under me.

“Now what?”

This was not going to work for very long as the person under me was beginning to kick and thrash about.  In a few seconds, the gag would be spat out and the silence would be shattered.

I heard the gun before I saw it, a whooshing sound near my ear just before it hit the head of the captive, and suddenly there was no more movement or sound.

“A moment’s silence.”

We rolled the figure over, and looked at the face, just visible in the near darkness.  We had just been blessed with a shard of moonlight for a few seconds.

A man.

“You know him?” she asked.

Another look, just as the clouds shut off the light, and I thought so.

“One of the soldiers from the castle.  How would he know we were meeting at the church?”

“He might not.  Nor might he be following us, but just unlucky.”

“How so?”

“Chiara sometimes entertains men from the castle.  Part of our eyes and ears.  She was not part of the resistance when Fernando was in charge so they would just use her like any other enemy soldier would.”

“So this was a mistake.  If he doesn’t return, then they’ll get the wrong idea.”

“Unfortunately.  He has to be dealt with.”

“Killed?”

“No time to get squeamish on me.  He’s an enemy soldier.”

An enemy I preferred to be some distance away from before shooting to kill.  Up close and personal makes it so much harder.

“Come on.  Grab his shoulders.  There’s a gully over there, so we can make it look like he ran into a tree, tipped off the bike and hit his head on a rock.”

“Or a gun.”

“A few hits with a rock will fix that.  I’m sure there’s no one up there that can do autopsies on bodies.”

No, there wasn’t.  I just hoped I was not going to be the one that had to hit him.

Ten minutes later it was done.

We carried him to the gully, and at a suitable place laid the body as if it had landed off the bike and onto the rocks, where Marina picked up a large one and hit him several times with a lot of force the last making a sickening sound, and the blow that killed him.

I went back and collected the bicycle and staged it to meet the crash criteria, and then left.

For all intents and purposes, he had died falling off his bike after wandering off the road in the dark.

Both of us hoped it would not cause Chiara any trouble.

And, it was the first person I’d seen killed up close, and I doubted, in the coming days it would be the last.  It was not a sight I was going to forget in a hurry.

© Charles Heath 2019

This is rugged bushland not far from suburbia, though you wouldn’t know exactly where it is just by looking at the photograph

But, for the writer, this is an excellent setting.

For instance, once again we are out wandering in the bush, lost. It’s not hard to get lost, and stay lost if there are no recognizable landmarks, and given we all walk with a bias to one side or the other, and we have to avoid objects like trees, ravines, animals, and rocks, keeping a straight line is impossible.

But the question is, how did you get into the bush in the first place?

It’s not as if you would deliberately go there, just to if you can get lost.

No, my idea is that you have been kidnapped and drugged, then taken to a location either in the book of a car or just in the back seat with a hood, then dropped off and left to die

The criminals in this story are more efficient in getting rid of pesky witnesses.

Or maybe it’s something less sinister, like going out and counting the koalas in the bush, well, what’s left of the bush as the suburban spray takes more and more of the koala’s habitat.

And it could also be like the planet of the apes, the koalas start fighting back.

Stranger things have been known to happen.

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.