Writing a book in 365 days – 115

Day 115

Writing in the first person or in the third person

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Writing in the first or third person is a matter of preference; the former can sometimes be limiting because only one point of view is generally available to the reader, while the latter enables the reader to get more than one point of view.

In the first instance, this is how we tell a story from one perspective that doesn’t necessarily require others.  In the second instance, it is useful for writing a murder mystery where different perspectives, attitudes, and characters, depending on circumstances, add to the story in ways a single perspective can not.

However, as I see it, when writing in the 3rd person, the author has to have multiple personalities in order to write different points of view.  To me, that’s difficult, but not impossible. It simply means you have to get into character so you can write their story.

That, in turn, takes more time and, to a certain degree, a lot more planning for character development.  It’s where a minor character can get to steal the show, as is known to happen in movies.  Sometimes, it’s a pleasant surprise; others are not so much.

A pitfall not to fall into is adopting the same persona type for all the characters.  You would need to sit down and plan each of the individual characters, no matter how small a role they play.

“What Sets Us Apart”, a mystery with a twist

David is a man troubled by a past he is trying to forget.

Susan is rebelling against a life of privilege and an exasperated mother who holds a secret that will determine her daughter’s destiny.

They are two people brought together by chance. Or was it?

When Susan discovers her mother’s secret, she goes in search of the truth that has been hidden from her since the day she was born.

When David realizes her absence is more than the usual cooling off after another heated argument, he finds himself being slowly drawn back into his former world of deceit and lies.

Then, back with his former employers, David quickly discovers nothing is what it seems as he embarks on a dangerous mission to find Susan before he loses her forever.

Find the kindle version on Amazon here:  http://amzn.to/2Eryfth

whatsetscover

In a word: Might

We might have to use some might to beat the mite.  Confused?

Might is force, so expending might be much the same as what Thor does with his hammer.

We might expend some force; this might be a maybe.  You’re never quite sure when someone uses the word might, whether or not they will actually do it.

I might do a lot of things, but somehow, I never seem to get around to actually doing them,

Of and just for the record, it’s the past tense of the word may.  You know, you may do something, or you might not.

You might also use the word might when being polite, which seems to be a rarity these days because everyone is terse, tense, and in a hurry.

So might I go to the movie will always get a resounding no if it means you get home late at night.   And you’re only 10 years old.

I might be interested, but I don’t think so.  Let me think about it.  Which also means no.

Of course, if you’re slack in doing homework, you might want to try a little harder next time.

What might have been if only you tried harder?

Then there’s that little pest called a mite, though it goes by a lot of other names, one of which is everywhere, a termite.

Or a dust mite.

It also could be used slangily for a child in distress, that is, look at that poor little mite, he looks so tired.

Or another word for slightly, for example, the girl seemed a mite embarrassed.

“The Things We Do For Love”

Would you give up everything to be with the one you love?

…

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, a place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, s place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

My grandmother’s house fuelled many a story

There is this thing called the march of progress.

It can be good, or it can be bad.

I remember, a long time ago now, the many holidays I spent at my grandmother’s place in the ‘country’.  Back then it was.

Now it is just another suburb of Melbourne.

I remember the drive, and it used to take about half an hour, perhaps longer, and as we traveled, it was mostly the countryside we saw.  Little towns like Beaconsfield, Officer, Berwick, oases in the middle of farming land.

The last time I went for that same drive, there was endless houses.

My grandmother’s house was very large, and the land it was built on, extensive.  There used to be gardens, several garages, a number of old cars, and a huge workshop.

My brother and I used to spend our Christmases exploring, and on a particular one, found some tools and decided to recover some of it.

We found a huge fountain buried beneath the overgrowth, the centerpiece of what must have been a remarkable display.

It was like we had our own secret garden.

There was also a fernery, also overgrown.

Now, sadly, all of it is gone, and in its place a multilane highway that follows an alternate coastal route between Melbourne and Sydney.

All I have left is the memories of a time that will never return.

And a pile of ideas for stories…

The cinema of my dreams – I always wanted to see the planets – Episode 7

It’s not like you can pull over to the side of the road…

…

In space, it’s a little difficult to just suddenly stop.

But, given several hundred thousand kilometers, anything is possible.

Especially when there’s a request to divert to Venus.

You can’t always tell when the ship drops out of cruise speed to what could be considered a dead stop, not that a dead stop is necessarily achievable.

I was down in the mess hall when the call came from the officer of the deck for me to return. I was halfway through a half decent cup of coffee, and had just had the donut delivered.

Both now had to be sacrificed.

I looked out the window into the inky blackness of space and it was difficult to say if we were in idle mode. There was, however, another ship just off the port bow, a old cargo ship that had seen better days, and we both looked like we were drifting together.

I suspect that meant we were keeping station, much the same as we would if we were visiting a planet.

I took the elevator and arrived on the bridge where the captain was in earnest conversation with the chief engineer and chief scientist.

He looked up when he saw me approach.

“Ah, number one, there’s a team waiting down on the transport deck. The Aloysius 5 has some vital equipment and personnel on board for repairs at the mining colony on Venus, and we’ve been diverted to pick them up and take them there post haste.”

“Is the other ship out of commission?”

“A temporary issue with the drive. We’re sending an engineering team over to help with the repairs and will check their progress on the way back.”

“Yes, sir.”

Should be simple, I thought. Take one of the shuttle craft over, load up, drop the engineers, get back, head for Venus, about 5 hours from our current position. Much the same as a pleasant drive in the country.

And I needed more shuttle time.

In the elevator I was joined by one of the security staff, a gung-ho type lieutenant named Andrews. A man always looking for trouble, the sort who would shoot first and ask questions later.

Maybe it was not going to be a pleasant outing after all.

…

© Charles Heath 2021

A photograph from the inspirational bin – 7

There is always something strange about certain photographs that is not evident when you take them.

For instance, the photograph above.

While this might look like some vegetation by the side of a river or stream, its that are of blackness behind what looks like steps up from the water level that adds a level of intrigue or mystery.

For instance:

…

We had spent two weeks slowly going upriver looking for a needle in a haystack. It was an apt description, because there had been quite a large number of likely spots, all of which after investigation, came to nothing.

I mean, the description Professor Bates had given is was as hazy as day is long in these parts.

His recollection: that it was what looked like a cave behind lush undergrowth, with steps fashioned out of stone.

It was all the more confuse. Because when we found him, he was drifting on a rough hewn and constructed raft, half dead from dehydration. We were told he’d been on the raft for nearly a week.

That meant the cave could be anywhere between where we found him at the 10 mile mark, and 200 miles further on based on river flow.

We were currently at the 150 mile mark and the river was losing depth and width, and soon there would not be enough water to continue in the boat.

It was dusk and too dark to continue. We’d been enthusiastic those first days, continuing on in the dark, on shifts, using the arc lamps.

Then after a week, having lights on made us target practise, and after sever brushes with death, and the loss of all the bulbs being shot out, we got the message.

There was the odd marauder during the day, but we had the width of the river for safety.  Now that had gone too, and we had lookouts posted, but seeing into the dense jungle was difficult.

But we got through another night with no activity, and come morning, what looked like the entrance to a cave was not fifteen feet from us.

All we had to was row over and check.

…

© Charles Heath 2020-2021

Writing a book in 365 days – 114

Day 114

Do you write what you feel, or do you write what you must?

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I don’t think I have ever written a story because I had to, well, not until now in the process of writing a book in 365 days, from my literary calendar.

But..

The stories I write for this are not to any sort of format. Yet, I guess because I have to write something specifically asked for, then in that case, I write what I must.

But for everything else, I write what I feel like, and quite often those stories follow a set of feelings that are created or prompted by what I see around me, what I see on TV, what
I hear on the radio, and what I read.

It’s nothing to glance at the headlines and sift out one or two, or a set and weave them into an idea that might be the basis of a story. I like the idea of unconnected and random events, and from these, I weave them into a story.

For example:

There was a TV show on, one of a series, and it was in part about a spy network being wound up because they were about to be blown. I write about spies, especially those who have tried to escape from their former lives, and this was too good an opportunity to pass up.

Then there was another, of which I only saw a preview, but it had an interesting premise: what if you didn’t really know the person you had been living with for the past twenty-five years? Yes, you guessed it, a spy.

The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 10

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new instalment of an old feature, and back on the treasure hunt.

…

I’d kept out of Nadia’s way since then, and the few occasions our paths had crossed, she had studiously ignored me. After graduating she disappeared, and seeing here with Alex, just now, was the first time in years.She had grown into the sort of woman you’d see in the social pages of the newspapers and magazines, sometimes for all the wrong reasons, and I wondered if that was how Alex had leveraged her co-operation.

But, there were bigger problems to overcome before I had a chance or find out her back-story.

Alex was going after Rico for the map, a map he didn’t have, a map that Rico was going to need and Boggs was going to suffer the consequences.

Or not, if I could do something about it.

I had a stroke of luck when I got back to the warehouse office where McDonald was waiting, not necessarily for me, but most likely Alex.“Ah, Sam,” he said when he saw me walk through the door, “Come into the office. We need to have a chat.”

That sounded ominous. I wondered if it had anything to do with my absence for what seemed a long time when I’d been watching Alex and Nadia.

“We have a new opening on the afternoon shift, and I thought you might consider it because it pays a little more, with a shift allowance. The hours are 4pm to Midnight. What do you think?”

On the way back to the warehouse I’d been thinking about how I was going to help Boggs and keep the job because the hours I was working made it impossible to do anything during the day, other than spy on Alex.

Taking this afternoon job, I could work, and, in the mornings, help Boggs in his quest.

“When would this start?”

“Tomorrow. You would not have to come in till 4pm.

“Sounds good then, I’ll take it.”

He seemed more relieved that I had accepted. It made me think for a moment whether this was Alex’s idea, and he had an ulterior notice. If he did I guess I would soon find out.

An hour later I was on my way home.I had a lot of items to talk about when I saw Boggs and a possible mission.

…

© Charles Heath 2019-2021

“One Last Look”, nothing is what it seems

A single event can have enormous consequences.

A single event driven by fate, after Ben told his wife Charlotte he would be late home one night, he left early, and by chance discovers his wife having dinner in their favourite restaurant with another man.

A single event where it could be said Ben was in the wrong place at the wrong time.

Who was this man? Why was she having dinner with him?

A simple truth to explain the single event was all Ben required. Instead, Charlotte told him a lie.

A single event that forces Ben to question everything he thought he knew about his wife, and the people who are around her.

After a near-death experience and forced retirement into a world he is unfamiliar with, Ben finds himself once again drawn back into that life of lies, violence, and intrigue.

From London to a small village in Tuscany, little by little Ben discovers who the woman he married is, and the real reason why fate had brought them together.

It is available on Amazon here:  http://amzn.to/2CqUBcz