Writing a book in 365 days – 72

Day 72

Originality

So, can you write a completely original fiction story? Some would say they could, but every time you pick up a book, can you say that you have not seen parts of it before, in one form or another?

It is said that there are only seven basic plots that are used over and over again.

Others will say there are three, six, or thirty-six. No one can seem to agree on a number, but they all believe there is just a small number of master plots from which every story is written.

  1. Overcoming the Monster
  2. Rags to Riches
  3. The Quest
  4. Voyage and Return
  5. Rebirth
  6. Comedy
  7. Tragedy

This is from The Seven Basic Plots: Why We Tell Stories by Christopher Booker.

There are endless variations, some end happy, others sad, and what is left in tragedy.

I like to have happy endings and am not a fan of sad endings, there’s enough of those on TV, and I think the last thing we want before we go to bed is to see a show that reflects daily life. I like to see the good guys win every now and then just to restore my faith in human nature.

An excerpt from “Strangers We’ve Become” – Coming Soon

I wandered back to my villa.

It was in darkness.  I was sure I had left several lights on, especially over the door so I could see to unlock it.

I looked up and saw the globe was broken.

Instant alert.

I went to the first hiding spot for the gun, and it wasn’t there.  I went to the backup and it wasn’t there either.  Someone had found my carefully hidden stash of weapons and removed them.

Who?

There were four hiding spots and all were empty.  Someone had removed the weapons.  That could only mean one possibility.

I had a visitor, not necessarily here for a social call.

But, of course, being the well-trained agent I’d once been and not one to be caught unawares, I crossed over to my neighbor and relieved him of a weapon that, if found, would require a lot of explaining.

Suitably armed, it was time to return the surprise.

There were three entrances to the villa, the front door, the back door, and a rather strange escape hatch.  One of the more interesting attractions of the villa I’d rented was its heritage.  It was built in the late 1700s, by a man who was, by all accounts, a thief.  It had a hidden underground room which had been in the past a vault but was now a wine cellar, and it had an escape hatch by which the man could come and go undetected, particularly if there was a mob outside the door baying for his blood.

It now gave me the means to enter the villa without my visitors being alerted, unless, of course, they were near the vicinity of the doorway inside the villa, but that possibility was unlikely.  It was not where anyone could anticipate or expect a doorway to be.

The secret entrance was at the rear of the villa behind a large copse, two camouflaged wooden doors built into the ground.  I move aside some of the branches that covered them and lifted one side.  After I’d discovered the doors and rusty hinges, I’d oiled and cleaned them, and cleared the passageway of cobwebs and fallen rocks.  It had a mildew smell, but nothing would get rid of that.  I’d left torches at either end so I could see.

I closed the door after me, and went quietly down the steps, enveloped in darkness till I switched on the torch.  I traversed the short passage which turned ninety degrees about halfway to the door at the other end.  I carried the key to this door on the keyring, found it and opened the door.  It too had been oiled and swung open soundlessly.

I stepped in the darkness and closed the door.

I was on the lower level under the kitchen, now the wine cellar, the ‘door’ doubling as a set of shelves which had very little on them, less to fall and alert anyone in the villa.

Silence, an eerie silence.

I took the steps up to the kitchen, stopping when my head was level with the floor, checking to see if anyone was waiting.  There wasn’t.  It seemed to me to be an unlikely spot for an ambush.

I’d already considered the possibility of someone coming after me, especially because it had been Bespalov I’d killed, and I was sure he had friends, all equally as mad as he was.  Equally, I’d also considered it nigh on impossible for anyone to find out it was me who killed him because the only people who knew that were Prendergast, Alisha, a few others in the Department, and Susan.

That raised the question of who told them where I was.

If I was the man I used to be, my first suspect would be Susan.  The departure this morning, and now this was too coincidental.  But I was not that man.

Or was I?

I reached the start of the passageway that led from the kitchen to the front door and peered into the semi-darkness.  My eyes had got used to the dark, and it was no longer an inky void.  Fragments of light leaked in around the door from outside and through the edge of the window curtains where they didn’t fit properly.  A bone of contention upstairs in the morning, when first light shone and invariably woke me up hours before I wanted to.

Still nothing.

I took a moment to consider how I would approach the visitor’s job.  I would get a plan of the villa in my head, all entrances, where a target could be led to or attacked where there would be no escape.

Coming in the front door.  If I was not expecting anything, I’d just open the door and walk-in.  One shot would be all that was required.

Contract complete.

I sidled quietly up the passage staying close to the wall, edging closer to the front door.  There was an alcove where the shooter could be waiting.  It was an ideal spot to wait.

Crunch.

I stepped on some nutshells.

Not my nutshells.

I felt it before I heard it.  The bullet with my name on it.

And how the shooter missed, from point-blank range, and hit me in the arm, I had no idea.  I fired off two shots before a second shot from the shooter went wide and hit the door with a loud thwack.

I saw a red dot wavering as it honed in on me and I fell to the floor, stretching out, looking up where the origin of the light was coming and pulled the trigger three times, evenly spaced, and a second later I heard the sound of a body falling down the stairs and stopping at the bottom, not very far from me.

Two assassins.

I’d not expected that.

The assassin by the door was dead, a lucky shot on my part.  The second was still breathing.

I checked the body for any weapons and found a second gun and two knives.  Armed to the teeth!

I pulled off the balaclava; a man, early thirties, definitely Italian.  I was expecting a Russian.

I slapped his face, waking him up.  Blood was leaking from several slashes on his face when his head had hit the stairs on the way down.  The awkward angle of his arms and legs told me there were broken bones, probably a lot worse internally.  He was not long for this earth.

“Who employed you?”

He looked at me with dead eyes, a pursed mouth, perhaps a smile.  “Not today my friend.  You have made a very bad enemy.”  He coughed and blood poured out of his mouth.  “There will be more …”

Friends of Bespalov, no doubt.

I would have to leave.  Two unexplainable bodies, I’d have a hard time explaining my way out of this mess.  I dragged the two bodies into the lounge, clearing the passageway just in case someone had heard anything.

Just in case anyone was outside at the time, I sat in the dark, at the foot of the stairs, and tried to breathe normally.  I was trying not to connect dots that led back to Susan, but the coincidence was worrying me.

A half-hour passed and I hadn’t moved.  Deep in thought, I’d forgotten about being shot, unaware that blood was running down my arm and dripping onto the floor.

Until I heard a knock on my front door.

Two thoughts, it was either the police, alerted by the neighbors, or it was the second wave, though why would they be knocking on the door?

I stood, and immediately felt a stabbing pain in my arm.  I took out a handkerchief and turned it into a makeshift tourniquet, then wrapped a kitchen towel around the wound.

If it was the police, this was going to be a difficult situation.  Holding the gun behind my back, I opened the door a fraction and looked out.

No police, just Maria.  I hoped she was not part of the next ‘wave’.

“You left your phone behind on the table.  I thought you might be looking for it.”  She held it out in front of her.

When I didn’t open the door any further, she looked at me quizzically, and then asked, “Is anything wrong?”

I was going to thank her for returning the phone, but I heard her breathe in sharply, and add, breathlessly, “You’re bleeding.”

I looked at my arm and realized it was visible through the door, and not only that, the towel was soaked in blood.

“You need to go away now.”

Should I tell her the truth?  It was probably too late, and if she was any sort of law-abiding citizen she would go straight to the police.

She showed no signs of leaving, just an unnerving curiosity.  “What happened?”

I ran through several explanations, but none seemed plausible.  I went with the truth.  “My past caught up with me.”

“You need someone to fix that before you pass out from blood loss.  It doesn’t look good.”

“I can fix it.  You need to leave.  It is not safe to be here with me.”

The pain in my arm was not getting any better, and the blood was starting to run down my arm again as the tourniquet loosened.  She was right, I needed it fixed sooner rather than later.

I opened the door and let her in.  It was a mistake, a huge mistake, and I would have to deal with the consequences.  Once inside, she turned on the light and saw the pool of blood just inside the door and the trail leading to the lounge.  She followed the trail and turned into the lounge, turned on the light, and no doubt saw the two dead men.

I expected her to scream.  She didn’t.

She gave me a good hard look, perhaps trying to see if I was dangerous.  Killing people wasn’t something you looked the other way about.  She would have to go to the police.

“What happened here?”

“I came home from the cafe and two men were waiting for me.  I used to work for the Government, but no longer.  I suspect these men were here to repay a debt.  I was lucky.”

“Not so much, looking at your arm.”

She came closer and inspected it.

“Sit down.”

She found another towel and wrapped it around the wound, retightening the tourniquet to stem the bleeding.

“Do you have medical supplies?”

I nodded.  “Upstairs.”  I had a medical kit, and on the road, I usually made my own running repairs.  Another old habit I hadn’t quite shaken off yet.

She went upstairs, rummaged, and then came back.  I wondered briefly what she would think of the unmade bed though I was not sure why it might interest her.

She helped me remove my shirt, and then cleaned the wound.  Fortunately, she didn’t have to remove a bullet.  It was a clean wound but it would require stitches.

When she’d finished she said, “Your friend said one day this might happen.”

No prizes for guessing who that friend was, and it didn’t please me that she had involved Maria.

“Alisha?”

“She didn’t tell me her name, but I think she cares a lot about you.  She said trouble has a way of finding you, gave me a phone and said to call her if something like this happened.”

“That was wrong of her to do that.”

“Perhaps, perhaps not.  Will you call her?”

“Yes.  I can’t stay here now.  You should go now.  Hopefully, by the time I leave in the morning, no one will ever know what happened here, especially you.”

She smiled.  “As you say, I was never here.”

© Charles Heath 2018-2022

strangerscover9

In a word: Maybe

This word, where I live, had taken on a new meaning.  We have telephone scammers who ask your name when you answer the phone, and when you say yes, they hang up.

It doesn’t take much imagination how they can use that recording.

So, I now answer the phone with maybe, which confuses the real callers who want to know if it is you.

Of course, maybe is one of those words that have so many meaning, but the best one is to use it while you have time to think of a proper answer.

For example, did you get the potatoes?  You haven’t been out, it slipped your mind, or you just plain forgot, but run with a ‘maybe’ so you can judge the reaction.

Angry face, you know no matter what, you’re in trouble.

Genial face, you know that it didn’t really matter and all is forgiven.

Then there’s the person who doesn’t know you and comes up to you in a crowded room.  Are you [put name here]?

Maybe.  We want to know if we’re in trouble, or if it for something good.

Using ‘maybe’ in writing probably isn’t the best word to us, but I like defying the experts.  You can always find a maybe or two in any of my books.

“Sunday in New York”, a romantic adventure that’s not a walk in the park!

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend, that casts a small element of doubt in his mind.

From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just a number of small, interconnecting events, when piled on top of each other, points to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints of impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovered piece by piece damning evidence she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence is about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

Purchase:

http://tinyurl.com/Amazon-SundayInNewYork

The cinema of my dreams – I never wanted to go to Africa – Episode 19

Our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because of the enemy, if it was the enemy, simply because it didn’t look or sound or act like the enemy.

Now, it appears, his problems stem from another operation he participated in.

It didn’t take much effort to come to the only viable explanation of why a buried operation had been brought back to life.

Colonel Bamfield.

And it didn’t take much more effort to realise that operation had been one of his, not that any of us knew that at the time, but for whatever reason, it had gone badly and now he was looking for answers.

Answers to what though?

It was a simple extraction; two operatives had their cover blown and were in hiding.  A seven-man team in two choppers, get in, collect them, and get out.  Seven men were overkill, but they were important operatives with vital intelligence.

I was a last minute addition to the team, replacing one of the sergeants who had been injured in an accident.  It was a tight-knit team and I was not made to feel welcome.  It was the usual fate of outsiders and it didn’t bother me.

It was their leader that did.  Lieutenant Treen.  But that came later, all it was, at first, was a sense of unease with his informal manner of command, and somewhat edgy disposition.

When I landed at the airfield, I was met by the other Sergeant, Mason, and taken to the briefing, which had been delayed until my arrival.  Treen was there, pacing up and down like a caged tiger.  It was apparent there were still some details still being worked on.  Being so close to wheels up, I was not surprised at the tension among the group.

A Captain, a man named Worsefell, conducted the briefing, and it was patchy.  Not the worst I’d been to, but it appeared the situation on the ground had changed considerably in the last 12 hours, necessitating a change in plans.

 The operative had managed to get cover in an old abandoned building.  That was fine until a group of enemy soldiers arrived and set up camp in the field not 100 yards from their position.  Now, it was not possible to leave without being seen, day or night.

We now had to either distract or remove the enemy soldiers, an enemy we had no numbers or how heavily armed they were because our source on the ground had gone quiet.  To me, it was possible the source had been captured, and if that was the case, it was also possible the enemy knew we were coming.  But according to the Captain, this particular source had gone quiet before, in similar circumstances, so my suggestion was ignored.

Instead, the consensus was to go in and make an assessment on the ground.  It meant we had to land further away, and have a long journey by foot with all the problems that might involve, and then return.  That was the plan.  The Captain had left it in Treen’s hands.

And Treen was not one to back away from a fight, not even when it was clear to everyone in that room, with or without the necessary intelligence, that the odds were stacked against success.

I looked at Lallo who was waiting for an answer.  “I guess the brass didn’t know what to do with me, sir.”

My use of the word sir was noted.

“Be that as it may, I have a few questions about that operation.”

“I’m afraid it’s classified, and I’m under oath not to speak about it.”

Lallo took out a piece of folded paper from the inside pocket of his uniform jacket unfolded it and passed it to me.

From the very General who had ordered my silence.

© Charles Heath 2019-2022

The cinema of my dreams – I always wanted to write a war story – Episode 19

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination in what happened during the second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

 

Marina drove the truck slowly and carefully, without the benefit of headlights on a night that have become very dark when cloud cover moved in.  A good night to be out on foot, but not in a few tons of metal.

It seemed to take longer to go back to the old factory, if that was what it was, or it may have just been my imagination.  Certainly, it was rather tense in the cabin.

I wondered if what Chiara had said about not trusting me had made Marina have second thoughts of taking me back.  From where we were, I would have no idea where it was, and if she dropped me off, I could not find it again.

And that fear came true a few minutes later when she pulled off to the side of the road, near some trees, and stopped, turning off the engine.

The silence crept over us like a fog.

Such was the atmosphere I found myself whispering, “What’s wrong.”

“Lights.  Appearing briefly and disappearing.  Like someone is following us.”

She sat still for about five minutes, looking intently at the rear vision mirrors, and at times turning around to stare of the small window at the back of the cabin.

I did too, but I couldn’t see anything, nor had I, but I hadn’t thought to look in the rear vision mirrors because I thought we were safe.  How wrong I was, to assume that.  If there was one lesson I should learn from what I was doing, was that I should know what’s going on around me and that at no time could I ever believe I’m safe.  The moment I did and let my guard down, I would be dead.  I’d been told that in London, and in a relaxed moment, I’d forgotten it.  How many others had done the same and died?

A shake of her head, she got out of the truck, and quietly closed the door.  I did likewise and joined her at the rear.

“What’s happening?”

“I’m going to check back over the road, see if there’s anyone following us.  There have been too many instances of lights for it to be coincidental.”

“Since we left the church?”  In thinking that, it meant that either Chiara or Enrico may have inadvertently, or deliberately, told someone about the meeting.

I hope it’s just my imagination, but it was shortly after we left I saw the first light.”

“Could be a local farmer stumbling around at night.”

“It could, but no one is that silly to be caught out after dark.  There was a curfew, and most of us like to believe there still is.”

She looked back down the road, but all I could see was inky blackness.  The moon was still hidden by dark clouds above, and it looked like there was going to be rain.

“I’ll come with you.”

“You’d be better off staying here.  The last thing I need is a soldier stomping around in the dark.”

Thanks for the compliment, I thought.  “Then I’ll have to be quiet, and try not to stomp.”

Even in the darkness I could feel rather than see the scowl on her face.

“As you wish, but don’t get in my way, and don’t make me shoot you.”


Short and wiry, she was built for stealth and speed, unlike the bulky soldier I was.  Not that I was overfed and fat, but I was still a larger target than she was.  I could just see her outline in front of me, and she was moving very quietly.

I was trying very hard to emulate her.

Then I saw it.  A light going on briefly, then off, definitely in the direction we had just come from.

She had stopped and I nearly ran into her.

“You were right,” I said quietly.

“I was hoping I wouldn’t be.”

So had I.  The last thing we needed was trouble, trouble that would have to be eliminated.  She couldn’t have anyone else knowing about their hiding places, and meeting points.

A few minutes further along, we both heard a strange sound at the same time.

A wheel scraping against a fender?  There was no engine noise.  It became louder, then we saw what it was.  Someone riding a bicycle.  Close to the edge of the road so as to remain hidden from view because of the turns in the road, which would account for seeing the light at odd times.  At the front, there was a light that was taped to show only a thin slit of light.

I saw her look around, then take hold of a long branch that had recently fallen off one of the trees, pared it down, and then waited.  I could see what she was going to do.

When the bike came alongside, moving slowly because it was up a hill, and the rider was labouring hard, she poked the stick through the spokes of the front wheel, the rider just seeing her at the last moment, and not being able to avoid her.

The result was predictable, the rider went flying over the handlebars and crashed into the hard ground with a thud and a loud grunt.  

My role was to jump on the rider so he, or she, couldn’t escape.  Marina was right behind me and jammed a dirty rag in the persons mouth as I held them very tightly under me.

“Now what?”

This was not going to work for very long as the person under me was beginning to kick and thrash about.  In a few seconds, the gag would be spat out and the silence would be shattered.

I heard the gun before I saw it, a whooshing sound near my ear just before it hit the head of the captive, and suddenly there was no more movement or sound.

“A moment’s silence.”

We rolled the figure over, and looked at the face, just visible in the near darkness.  We had just been blessed with a shard of moonlight for a few seconds.

A man.

“You know him?” she asked.

Another look, just as the clouds shut off the light, and I thought so.

“One of the soldiers from the castle.  How would he know we were meeting at the church?”

“He might not.  Nor might he be following us, but just unlucky.”

“How so?”

“Chiara sometimes entertains men from the castle.  Part of our eyes and ears.  She was not part of the resistance when Fernando was in charge so they would just use her like any other enemy soldier would.”

“So this was a mistake.  If he doesn’t return, then they’ll get the wrong idea.”

“Unfortunately.  He has to be dealt with.”

“Killed?”

“No time to get squeamish on me.  He’s an enemy soldier.”

An enemy I preferred to be some distance away from before shooting to kill.  Up close and personal makes it so much harder.

“Come on.  Grab his shoulders.  There’s a gully over there, so we can make it look like he ran into a tree, tipped off the bike and hit his head on a rock.”

“Or a gun.”

“A few hits with a rock will fix that.  I’m sure there’s no one up there that can do autopsies on bodies.”

No, there wasn’t.  I just hoped I was not going to be the one that had to hit him.


Ten minutes later it was done.

We carried him to the gully, and at a suitable place laid the body as if it had landed off the bike and onto the rocks, where Marina picked up a large one and hit him several times with a lot of force the last making a sickening sound, and the blow that killed him.

I went back and collected the bicycle and staged it to meet the crash criteria, and then left.

For all intents and purposes, he had died falling off his bike after wandering off the road in the dark.

Both of us hoped it would not cause Chiara any trouble.

And, it was the first person I’d seen killed up close, and I doubted, in the coming days it would be the last.  It was not a sight I was going to forget in a hurry.

© Charles Heath 2019

“Can I help you?” – A short story

I had once said that Grand Central Station, in New York, was large enough you could get lost in it.  Especially if you were from out of town.

I know, I was from out of town, and though I didn’t quite get lost, back then I had to ask directions to go where I needed to.

It was also an awe-inspiring place, and whenever I had a spare moment, usually at lunchtime, I would go there and just soak in the atmosphere. It was large enough to make a list of places to visit, or find, or get a photograph from some of the more obscure places.

Today, I was just there to work off a temper. Things had gone badly at work, and even though I hadn’t done anything wrong, I still felt bad about it.

I came in the 42nd street entrance and went up to the balcony that overlooked the main concourse. A steady stream of people was coming and going, most purposefully, a few were loitering, and several police officers were attempting to move on a vagrant. It was not the first time.

But one person caught my eye, a young woman who had made a circuit of the hall, looked at nearly every destination board, and appeared to be confused. It was the same as I had felt when I first arrived.

Perhaps I could help.

The problem was, a man approaching a woman from out of left field would have a very creepy vibe to it, so it was probably best left alone.

Another half-hour of watching the world go by, I had finally got past the bad mood and headed back to work. I did a wide sweep of the main concourse, perhaps more for the exercise than anything else, and had reached the clock in the center of the concourse when someone turned suddenly and I crashed into them.

Not badly, like ending up on the floor, but enough for a minor jolt. Of course, it was my fault because I was in another world at that particular moment.

“Oh, I am sorry.” A woman’s voice, very apologetic.

I was momentarily annoyed, then, when I saw who it was, it passed. It was the lost woman I’d seen earlier.

“No. Not your fault, but mine entirely. I have a habit of wandering around with my mind elsewhere.”

Was it fate that we should meet like this?

I noticed she was looking around, much the same as she had before.

“Can I help you?”

“Perhaps you can. There’s supposed to be a bar that dates back to the prohibition era here somewhere. Campbell’s Apartment, or something like that. I was going to ask…”

“Sure. It’s not that hard to find if you know where it is. I’ll take you.”

It made for a good story, especially when I related it to the grandchildren, because the punch line was, “and that’s how I met your grandmother.”


© Charles Heath 2020-2021

Writing a book in 365 days – 71

Day 71

Editing, and the effect on length

Sometimes editing has a different effect on how long the book will be.

Sending it to an editor with the instruction to lose 20,000 words of a novel that is 110,000 words long will get just that. That’s the editor’s job.

Sending a book to another editor and telling them to make sure the story is written properly, that there’s continuity, and the character’s timelines and backstories are fitting, may add another 20,000 words.

As a case in point, one of my stories started out at 365 pages. It was read by three different beta readers who all said the same thing. There were parts of the novel ‘missing’.

I read it, then reread it, and could see what they meant. I sat down and rewrote it, filling in the gaps, and when I was finished, it was 535 pages, and a completely different, but much better, story.

Sometimes it’s not a matter of cutting things out, not unless they don’t add to the story, but more that the story cannot have gaps, plot holes, and stuff happening without content or relevance.

To me, a story takes as many pages as it does to get it from the start to the end and make sense to the reader. The editor with then make suggestions on whether more is needed or less. We all tend to waffle at times, so be prepared for cuts, but these might not be as bad as it seems.

Searching for locations: On the road to Tiananmen Square, Beijing, China

One the first things you notice when driving around Beijing, other than the roads are congested with traffic, is the number of trees and flowers that have been planted, in the median strip as well as along the edges of the road.

What you also notice is the large number of multi-story apartment blocks, which are needed to house the millions of Beijing residents.  What we have, so far, rarely seen, is single-story houses.
These continuous areas of trees and rose bushes are, every now and then, broken up by very colorful garden beds:

Nearer to the square we are able to get up close to the flowers.  These, we are told, are a variation on the rose, one that flowers for nine months of the year.

They come in a variety of colors.

And they are literally everywhere you go, on the side of the roadway, often blotting out the concrete jungle behind them.

It’s dark, it’s late, it’s raining…

Yes, it’s dark and late at night on this side of the world, and I’m guessing where you are, it’s probably winter, the sun’s disappeared, the day is freezing cold, and you’re having a hard time keeping warm.

Here, in the so-called land down under, which surprisingly a lot of people from the other side of the world do not know about, it is wet, and cool where it should be sunny and hot as well as humid.

Now, hang on, that can’t be true others don’t know about us, because we all know the world is round and there has to be something or somewhere opposite.  I know that north we have China, and Europe, and further away, the United States.

Been to China, Europe and the United States, so I know you’re all there, somewhere.

And, as you can see, the rain and the cold have amped up the boredom factor and pushed me to do anything other than writing.  I have three jobs I’m supposed to be doing,

  1. Editing the second Walthenson PI, a Private Detective novel
  2. Writing two episodes of a serial story about surveillance going wrong, and
  3. Finishing off some new travel blog posts

None of them is appealing to me at the moment.

Instead, I find myself looking at what is shown on Winter TV in the US, one of which is reruns of Snowpiercer and is suitably cold.  It’s also complicated, and sometimes a little hard to follow which means it takes two viewings to understand what’s going on.  It will be interesting to see where series three leads us … and I’m hoping Melanie will be back

Fascinating.

Then there are several of my favourites, FBI, The Rookie, a show called The Equalizer, a new version of an old TV show I used to watch many years ago.  Another will be the next series of Bridgerton, which was odd but interesting since we like those Jane Austen-like programs.  Now hopefully there will be another series of Miss Scarlett and the Duke, set in Victorian England.

And as for the blacklist, since Liz left it had gone downhill … let’s hope they find something to lift it, like Liz’s evil twin sister!  Perhaps wisely they wrapped it up, and it’s over.

There’s more, but I better get back to work.