Category: blogging

The cinema of my dreams – Was it just another surveillance job – Episode 14

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritising.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Was I working for a ghost?

 

Training sometimes was one of those things that went in one ear and came out the other.  That accounted for the boring bits, but our instructors called it tradecraft. 

I guess I should have taken more notice at the time.

Home was a bedsit in Bloomsbury, Not far from the Russell Square underground station, on the ground floor overlooking the small park.  Sometimes, in summer I would sit there and watch the world go by, thinking there had to be more to life than waiting for an opportunity.

To do what, at the time, I didn’t know.  But, when this opportunity presented itself, oddly as a rather strange ad in the help wanted pages of the newspaper, I guess the people who put it there were looking for the curious sort, with a sense of adventure.

My first impression of the job was that of a courier who would be required to travel a lot.  It said, in part, “must be prepared to travel to different locations worldwide, understand the requirement of confidentiality, and must be able to respond to emergencies that might occur in the carrying out of your duties.”

To me, it spelled courier, though I rather hoped it wasn’t the briefcase handcuffed to a wrist sort and no guns.

After the first interview, I think I had guessed correctly, though, in subsequent training, the word tradecraft put a slightly different slant to the job.  That, and the surveillance module, sold to us as “you need to know if you are being followed, recognise hostiles, and be able to deal with them.”

But, it was the notion that we should get out of any habits we had, those that made us predictable to an enemy, yes, they actually used the word, enemy.  Like for instance, if we caught the same train, or bus, into the city.  If we went to the same cafe for coffee, restaurant for lunch or dinner, met people in a pub on the same day, same time, each week.

Before all this, I found comfort in a regular schedule.  I hated being late, except when the transport system let me down.  I had a regular stop off on the way to the office for coffee, and usually went to the same cafe for lunch at the same time.

Inevitably I would leave home at the same time and quite often return home at the same time.  OK, I was boring and predictable.  Now it was a little different, with some variation in departure and arrival times, as well as the places I stopped for coffee, and lunch or dinner.

This day I was very late, after dark in fact, getting back to the flat.

I went in after checking for mail, not that anyone ever sent letters these days, unlocked my door, went in and switched on the light.

The whole of the living space had been trashed.  Well, more to the point, someone had checked everywhere it was possible to hide anything, which I didn’t, and hadn’t bothered cleaning up after them.

Had they been interrupted?

If that had happened the landlady would be down in a flash the moment I walked in the door, not to commiserate on my bad luck, but to issue me with an eviction notice.  Very little was tolerated in her establishment.

That she hadn’t told me that whoever did this had done it very quietly, and without anyone knowing.  We had been taught the same procedures which is why I recognised the signs.  This had to be done by my previous employers.  The only question I had was why?

I had nothing they could possibly want.

I took a few minutes to clean up the mess so that instead of a thorough trashing, it just looked like the aftermath of a wild party, then went out to get a coffee and think about why this had happened.

Not far up the road was a cafe I went to for dinner if I wasn’t doing something else, and, lo and behold, the minute I walked in the door, there was Severin, sitting at the back half disguised by the evening newspaper.

Obviously, he’d been waiting for me.

Yes, now I understood the implications of being someone who did the same thing over and over.

There was no mistaking the invitation, and, after briefly considering ignoring him, realised that was not going to work.  After seeing what happened to O’Connor at their hand, I didn’t want to join him.

I sat down.  “I have to say this is an unexpected surprise.”

He put the paper down.  “For both of us, I can assure you.  I’ll get straight to the point.  I want the USB.”

“What USB?”

“That your target was carrying, it wasn’t on him, so by elimination, not being anywhere at the crime scene, you must have it.  He either gave it to you, or you took it from him.  Where is it?”

I took a minute to process what he was saying.  I had not seen a USB, not had he given me one, not was there one nearby.  I would have seen it.  No need to pretend to be surprised.  I was.

“I haven’t got it.”

“He didn’t give you anything?”

“How could he, you were there just about the same time as I was.  And after you shot him, he had nothing on him.  Whatever you’re looking for, it must still be in the alley, or he hid it somewhere else.  And since you shot him, I doubt whether you’ll ever find out.”

He shook his head and folded his paper.  “If you’ve got it we’ll find out. and it will not bode well for you.  And if you accidentally find it, here’s my card.  Call me.”

He dropped a card on the table as he got up.

I picked it up just as he stopped and turned to give me a last look before walking out the door.  There was no mistaking the intent, if they thought I had it, I’d be dead now.”

And it meant that the evidence O’Conner was referring to was on a USB.  All I had to do was find it.  Or Nobbin did.

 

© Charles Heath 2019

365 Days of writing, 2026 – 8

Day 8 – How to improve your vocabulary

…

No Textbooks, No Timetables: 5 Ways to Improve Your Vocabulary on the Fly

We’ve all been there. You’re in the middle of an important email, a compelling conversation, or a presentation, and suddenly, the perfect word is… just out of reach. It’s like a mental shimmer, a ghost on the tip of your tongue. You settle for a lesser word, and the moment passes.

In a busy world, who has time for flashcards, vocabulary lists, and scheduled study sessions? The good news is you don’t need them. Building a more powerful, precise, and impressive vocabulary isn’t about a massive time commitment. It’s about building smarter, faster habits into the life you’re already living.

Here are the five best ways to improve your vocabulary on the fly, turning everyday moments into learning opportunities.

1. Become a Context Detective

This is your number one, tool-free, anytime-anywhere superpower. When you stumble upon an unfamiliar word while reading an article, a report, or even a social media post, don’t skip over it. Pause and become a detective.

What it is: Using the surrounding words, phrases, and sentences to deduce the meaning of an unknown word.

Why it works: The brain is a pattern-matching machine. By analysing the context, you’re actively engaging with the new word rather than passively receiving it. This active effort forges a much stronger memory link than simply looking it up.

How to do it on the fly: Read the sentence before and after the word. Ask yourself: What’s the topic? Is the word being used to describe something positive, negative, large, or small? For example: “The politician’s speech was so turgid that most of the audience started checking their phones.”

Even if you’ve never seen “turgid,” you can infer it’s negative and probably means something like bloated, boring, or overly complex. Make a mental guess. This act of guessing primes your brain to remember the real meaning later.

2. Master the “Tap-and-Lookup” Rule

Being a context detective is great, but sometimes you need confirmation. This is where your smartphone becomes your best friend, not a distraction.

What it is: The immediate, reflexive action of looking up an unknown word the moment you encounter it.

Why it works: Momentum is everything. If you wait, you’ll forget. By looking it up within seconds, you connect the word directly to its context and your initial guess. This creates a complete learning package in under ten seconds.

How to do it on the fly: Keep a dictionary app (like Merriam-Webster or Dictionary.com) on your phone’s home screen. When you read a word you don’t know—whether in an email, an ebook, or a news article—literally tap and look it up right then. Read the definition, and then go back and reread the sentence with your new understanding. The “aha!” moment is instant.

3. Eavesdrop Like a Writer (or an Active Listener)

Your ears are vocabulary-building goldmines, especially in our world of podcasts, audiobooks, and YouTube videos. But you have to listen with intent.

What it is: Tuning into the language used in podcasts, interviews, and conversations to actively identify and absorb new words.

Why it works: Hearing a word used correctly—with its proper pronunciation and emotional tone—teaches you how to wield it yourself. It’s a more dynamic and memorable way to learn than just seeing it on a page.

How to do it on the fly: On your commute, during a workout, or while doing chores, replace mindless scrolling with a high-quality podcast or an audiobook on a topic you enjoy. When you hear a word that piques your interest, make a mental note (or use a voice memo to say, “Look up ‘ubiquitous'”). Later, when you can, do a quick lookup. You’ll be amazed at how often that word will pop up again now that you’re aware of it.

4. Play the Synonym Game

Improving your vocabulary isn’t just about learning new words; it’s about finding better ones for the words you already use. This is a quick exercise you can do while writing or even speaking.

What it is: Actively swapping a simple, common word for a more precise or powerful alternative.

Why it works: This method directly applies new knowledge to your communication, making it instantly practical. It trains your brain to reach for more descriptive language, moving your vocabulary from passive knowledge to an active skill.

How to do it on the fly: As you write an email or a message, identify the most basic verbs or adjectives. “We need a good plan.” Now, open a thesaurus (most word processors have one built-in, or you can use a site like Thesaurus.com). Is the plan robust, strategic, comprehensive, or ingenious? Swapping “good” for a more specific word elevates your entire sentence. Do this for just one word per email, and it’ll soon become second nature.

5. The “Use It or Lose It” Challenge

This final tip is the glue that holds everything together. A word you learn but never use is a guest who never leaves the lobby—it doesn’t become part of the family.

What it is: Making a conscious effort to use a new word within 24 hours of learning it.

Why it works: The act of retrieval—pulling a word out of your memory and using it in context—is the single most effective way to commit it to long-term memory. It builds the neural pathway that makes the word accessible in the future.

How to do it on the fly: Let’s say you looked up “turgid” during your morning reading. Your challenge for the day is to use it. It can be in a work email (“Let’s avoid turgid explanations in the client deck”), a text to a friend (“That movie was so turgid”), or even just spoken aloud to yourself. It might feel a little forced at first, but that awkwardness is your brain working hard to integrate its new tool.

Your Brain’s New Toolkit

Improving your vocabulary doesn’t require a life overhaul. It’s about shifting from passive consumption to active engagement. By combining these five “on-the-fly” habits, you create a virtuous cycle:

You listen for a new word, use context to guess its meaning, look it up to confirm, swap it into your writing, and then use it in a conversation to seal the deal.

These are small actions, but taken consistently, they transform the way you communicate and think. So, which one will you try first? The next time you’re reading, give it a go. Your future, more articulate self will thank you for it.

Top 5 sights on the road less travelled – Kampala

Kampala’s Secret Side: 5 Uncrowded Spots with Big Character

Kampala. The name itself evokes a symphony of sounds—the friendly calls of vendors, the constant hum of boda bodas, the rhythm of music spilling from roadside bars. It’s a city that vibrates with an infectious energy. But what if you could peel back the layers of that vibrant chaos and find something quieter? Something more intimate?

While the grand mosques and bustling markets rightfully claim their place on any itinerary, Kampala holds a collection of hidden gems. These are the places where history whispers, art breathes, and tranquillity can be found without the jostle of a crowd.

Step off the beaten track and discover five distinctive Kampala attractions that offer a deeper, more personal connection to the heart of Uganda.

1. Kabaka’s Lake: The Royal Oasis

Tucked away in the suburb of Ndeeba, many visitors head straight for the Kasubi Tombs, overlooking this fascinating site just a short distance away. Kabaka’s Lake is one of Kampala’s best-kept secrets and a place of surprising serenity.

Distinctive Feature: This is no ordinary pond. It’s the largest excavated reservoir in the world, dug entirely by hand in the 1880s on the orders of Kabaka Mwanga II. The legend says he intended it to be a channel to the Indian Ocean. While his grand naval ambitions never materialised, the lake remains a remarkable feat of engineering and a tranquil green lung for the city.

Why it’s Not Crowded: It’s a local spot, not packaged heavily for tourist tours. You’ll find joggers, couples on quiet walks, and families enjoying the shade, but rarely large tour groups. It’s a place to breathe and reflect on the ingenuity of Buganda’s history.

Pro-Tip: Visit in the late afternoon. As the sun begins to set, the sky reflects beautifully on the water, and the local community comes to life, offering a perfect blend of nature and authentic city life.

2. The Baháʼí House of Worship: A Sanctuary of Light

Perched on Kikaya Hill, overlooking the city, is the stunning Baháʼí Temple. Known as the Mother Temple of Africa, this architectural masterpiece offers a profound sense of peace that feels a world away from the city’s hustle.

Distinctive Feature: It is the only Baháʼí House of Worship on the entire African continent. Its magnificent, lace-like dome and elegant gardens are designed for quiet meditation and prayer, open to people of all faiths and backgrounds. The interplay of light through the dome and the intricate patterns inside are simply breathtaking.

Why it’s Not Crowded: As a place of worship, its primary function isn’t tourism. Visitors are encouraged to come, sit, and absorb the peaceful atmosphere, which naturally limits the boisterous crowds found at other landmarks.

Pro-Tip: Allow yourself at least an hour. Don’t just take photos from the outside. Enter the main hall, find a seat, and simply enjoy the silence. The surrounding gardens are perfect for a quiet stroll with incredible views of Kampola on a clear day.

3. Nommo Gallery: Uganda’s Artistic Soul

For a dose of culture without the chaos of a hectic market, the Nommo Gallery is an essential stop. Located in a beautiful colonial-era building, it is the oldest and arguably most prestigious art gallery in Uganda.

Distinctive Feature: Run by the Uganda National Cultural Centre, Nommo showcases a diverse and rotating collection of contemporary Ugandan art. From powerful paintings and intricate sculptures to vibrant textiles and jewellery, it is a one-stop shop for understanding the country’s creative pulse. You won’t find mass-produced souvenirs here—only genuine, high-quality art.

Why it’s Not Crowded: Art galleries tend to attract a more contemplative crowd. It’s a serene space where you can take your time, engage with the art, and even chat with the curators or artists who are often on-site.

Pro-Tip: Even if your budget doesn’t stretch to a large painting, consider buying smaller items like prints, postcards, or jewellery. It’s a wonderful way to support local artists directly and take home a truly unique piece of Uganda.

4. Lubiri Mengo & the “Idi Amin” Tunnel: Echoes of History

While the Kasubi Tombs are the regal burial grounds, the Lubiri in Mengo is the Kabaka’s current palace. Much of it is still a functioning royal residence, but guided tours offer a fascinating, and often sobering, glimpse into Uganda’s royal and political past.

Distinctive Feature: The most chilling and memorable part of the tour is the underground tunnel. Allegedly built by Idi Amin during his rule as an escape route and a place to dispose of enemies, the tunnel is a dark, claustrophobic passage that powerfully connects visitors to the country’s more turbulent history. It’s an experience you won’t forget.

Why it’s Not Crowded: Tours are infrequent and must be arranged through a guide at the main gate. This informal system naturally limits the number of visitors. It lacks the infrastructure of a major tourist site, which is precisely part of its raw, authentic appeal.

Pro-Tip: Arrange your tour in advance if possible. Be respectful; this is still a significant cultural and royal site. The stories shared by the guides are often personal and powerful, so listen closely.

5. A Rooftop Vantage Point: Kampala from Above

Sometimes, the best attraction isn’t a building, but a view. Escaping the street-level noise and gaining a new perspective is one of the best ways to appreciate the scale and beauty of Kampala, nestled among its seven hills.

Distinctive Feature: A panoramic, bird’s-eye view of the sprawling city. You can see the red-tiled roofs, green patches of trees, and the distant hills that define Kampala’s landscape. It’s especially magical during the golden hour as the city begins to light up.

Why it’s Not Crowded: While popular, rooftop bars are often relaxed and spacious. The key is to go during an off-peak time, like mid-afternoon for coffee, rather than a Friday night for drinks.

Pro-Tip: Two excellent choices are the rooftop garden at The Emin Pasha Hotel (for a more classic, serene experience) or the top floor of Javas House on Acacia Avenue (Longacres). Grab a coffee, find a comfy seat, and just watch the city breathe below you.

Go Beyond the Postcard

Kampala rewards the curious traveller. By seeking out these quieter corners, you’ll discover a city with a depth and character that goes far beyond the typical tourist trail. You’ll find the soul of Uganda in its serene temples, its hidden history, and its pockets of inspiring peace.

So next time you find yourself in the “City of Seven Hills,” dare to wander. You might be surprised by what you find.

What I learned about writing – Writing great dialogue is hard

Crafting Believable Dialogue: Tips and Pitfalls to Avoid for Writers

Dialogue is both a writer’s strongest tool and their greatest temptation. When done right, it breathes life into characters, propels the plot, and immerses readers in a story’s world. But when it’s forced, lifeless, or overwrought, it can derail even the best plots. So how do writers create conversations that feel natural, engaging, and unforgettable? Let’s break down the art of dialogue and uncover how to avoid its most common pitfalls.

Why Dialogue is Tricky (And Why It Matters)

Dialogue isn’t just people talking—it’s a dance between realism and intention. Real conversations are often meandering, sprinkled with “umms,” small talk, and redundancy. But in a story, every line must earn its place. The challenge lies in balancing naturalism (making the exchange feel authentic) with necessity (ensuring the dialogue serves the story). If your characters’ words aren’t advancing the plot, revealing character, or adding emotional depth, they risk becoming filler.

How to Write Great, Unstilted Dialogue

  1. Let Personality Speak
    Each character should have a distinct voice shaped by their background, education, and temperament. A teenager’s slang, a professor’s erudite turns of phrase, or a mechanic’s blunt jargon all help readers visualise who they’re listening to.
  2. Embrace Subtext
    Rarely does anyone say exactly what they mean. Subtext—the unspoken tension beneath the words—adds layers of meaning. For example:
    Stilted: “I’m angry that you broke the vase.”
    Subtext-rich: “I see your footwork skills are as clumsy as ever.”
  3. Trim the Fat
    Real life includes greetings and awkward pauses (“Uh, hello, how are you—?”). In fiction, they often slow the pace. Cut small talk unless it serves a purpose (e.g., hiding tension). Instead of:
    Overwrought: “How’s your mother? The weather is lovely today, isn’t it? I heard about the party…”, go for:
    Pithy: “You’d better explain why you missed Mom’s birthday.”
  4. Use Conflict to Spur Motion
    Healthy dialogue has stakes. If two characters want the same thing (or want different things), their exchange becomes dynamic. Even a simple disagreement can crackle with energy if it reveals hidden desires or fears.
  5. Interrupt, Don’t Monologue
    Long speeches often feel unnatural. Break up dialogue with interruptions, actions, or interjections to maintain rhythm. Think of it like a tennis match—short, sharp, with momentum.
  6. Read It Aloud
    Stilted dialogue often reveals itself when spoken aloud. If a sentence trips off the tongue awkwardly, it likely will for readers too.

What to Avoid: Common Dialogue Mistakes

  • Overly Formal Speech: If your characters sound like Shakespearean scholars in a modern setting, readers will notice. Keep their language natural unless it’s part of their personality.
  • Identical Voices: If every character speaks the same way, they’re not characters—they’re clones. Vary sentence structures, vocabulary, and cadence.
  • Exposition Dumps: Avoid monologues that feel like a lecture (e.g., “As you know, the Kingdom of Orlandia fell to Zoltar in 1223…”). Weave backstory into the narrative or drop hints organically.
  • Unnecessarily Polite Exchanges: In real life, people get to the point. Unless a specific context demands formality (e.g., royal court intrigue!), cut the pleasantries.
  • Telling, Not Showing: Dialogue should reveal, not explain. Instead of “She was furious,” let her say, “You’ve got a nerve showing up here after what you did!”

Final Thoughts: Practice Makes Believable

Writing great dialogue is less about following rigid rules and more about observation. Eavesdrop on conversations (in public, of course—discreetly), study scripts of your favourite films, and read authors known for sharp dialogues (e.g., Oscar Wilde, Nora Ephron, or Neil Gaiman). Then, practice. Rewrite. Let your characters talk themselves into life.

Remember: The goal isn’t to replicate real speech perfectly—it’s to create an illusion of reality that feels true, even in a fantasy world. After all, the best dialogue doesn’t just move the story forward; it makes us feel like we’re sitting in the room, eavesdropping on something unforgettable.

Now go make your characters talk—and don’t let the struggle silence them. 💬

An excerpt from “The Things We Do for Love”; In love, Henry was all at sea!

In the distance, he could hear the dinner bell ringing and roused himself.  Feeling the dampness of the pillow and fearing the ravages of pent-up emotion, he considered not going down but thought it best not to upset Mrs Mac, especially after he said he would be dining.

In the event, he wished he had reneged, especially when he discovered he was not the only guest staying at the hotel.

Whilst he’d been reminiscing, another guest, a young lady, had arrived.  He’d heard her and Mrs Mac coming up the stairs and then shown to a room on the same floor, perhaps at the other end of the passage.

Henry caught his first glimpse of her when she appeared at the door to the dining room, waiting for Mrs Mac to show her to a table.

She was in her mid-twenties, slim, with long brown hair, and the grace and elegance of a woman associated with countless fashion magazines.  She was, he thought, stunningly beautiful with not a hair out of place, and make-up flawlessly applied.  Her clothes were black, simple, elegant, and expensive, the sort an heiress or wife of a millionaire might condescend to wear to a lesser occasion than dinner.

Then there was her expression; cold, forbidding, almost frightening in its intensity.  And her eyes, piercingly blue and yet laced with pain.  Dracula’s daughter was his immediate description of her.

All in all, he considered, the only thing they had in common was, like him, she seemed totally out of place.

Mrs Mac came out of the kitchen, wiping her hands on her apron.  She was, she informed him earlier, chef, waitress, hotelier, barmaid, and cleaner all rolled into one.  Coming up to the new arrival, she said, “Ah, Miss Andrews, I’m glad you decided to have dinner.  Would you like to sit with Mr Henshaw, or would you like to have a table of your own?”

Henry could feel her icy stare as she sized up his appeal as a dining companion, making the hair on the back of his neck stand up.  He purposely didn’t look back.  In his estimation, his appeal rating was minus six.  Out of a thousand!

“If Mr Henshaw doesn’t mind….”  She looked at him, leaving the query in mid-air.

He didn’t mind and said so.  Perhaps he’d underestimated his rating.

“Good.”  Mrs Mac promptly ushered her over.  Henry stood, made sure she was seated properly and sat.

“Thank you.  You are most kind.”  The way she said it suggested snobbish overtones.

“I try to be when I can.”  It was supposed to nullify her sarcastic tone, but it made him sound a little silly, and when she gave him another of her icy glares, he regretted it.

Mrs Mac quickly intervened, asking, “Would you care for the soup?”

They did, and, after writing the order on her pad, she gave them each a look, imperceptibly shook her head, and returned to the kitchen.

Before Michelle spoke to him again, she had another quick look at him, trying to fathom who and what he might be.  There was something about him.

His eyes mirrored the same sadness she felt, and, yes, there was something else, that it looked like he had been crying.  There was a tinge of redness.

Perhaps, she thought, he was here for the same reason she was.

No.  That wasn’t possible.

Then she said, without thinking, “Do you have any particular reason for coming here?”  Seconds later, she realised she’d spoken it out loud, hadn’t meant to actually ask, it just came out.

It took him by surprise, obviously not the first question he was expecting her to ask of him.

“No, other than it is as far from civilisation, and home as I could get.”

At least we agree on that, she thought.

It was obvious he was running away from something as well.

Given the isolation of the village and lack of geographic hospitality, it was, from her point of view, ideal.  All she had to do was avoid him, and that wouldn’t be difficult.

After getting through this evening first.

“Yes,” she agreed.  “It is that.”

A few seconds passed, and she thought she could feel his eyes on her and wasn’t going to look up.

Until he asked, “What’s your reason?”

Slightly abrupt in manner, perhaps, because of her question and how she asked it.

She looked up.  “Rest.  And have some time to myself.”

She hoped he would notice the emphasis she had placed on the word ‘herself’ and take due note.  No doubt, she thought, she had completely different ideas of what constituted a holiday than he, not that she had said she was here for a holiday.

Mrs Mac arrived at a fortuitous moment to save them from further conversation.

Over the entree, she wondered if she had made a mistake coming to the hotel.  Of course, there had been no conceivable way she could know that anyone else might have booked the same hotel, but she realised it was foolish to think she might end up in it by herself.

Was that what she was expecting?

Not a mistake then, but an unfortunate set of circumstances, which could be overcome by being sensible.

Yet, there he was, and it made her curious, not that he was a man, by himself, in the middle of nowhere, hiding like she was, but for quite varied reasons.

On discreet observation, whilst they ate, she gained the impression his air of light-heartedness was forced, and he had no sense of humour.

This feeling was engendered by his looks, unruly dark hair, and permanent frown.  And then there was his abysmal taste in clothes on a tall, lanky frame.  They were quality but totally unsuited to the wearer.

Rebellion was written all over him.

The only other thought crossing her mind, and incongruously, was that he could do with a decent feed.  In that respect, she knew now from the mountain of food in front of her, he had come to the right place.

“Mr Henshaw?”

He looked up.  “Henshaw is too formal.  Henry sounds much better,” he said, with a slight hint of gruffness.

“Then my name is Michelle.”

Mrs Mac came in to take their order for the only main course, gather up the entree dishes, and then return to the kitchen.

“Staying long?” she asked.

“About three weeks.  Yourself?”

“About the same.”

The conversation dried up.

Neither looked at the other, but rather at the walls, out the window, towards the kitchen, anywhere.  It was, she thought, unbearably awkward.

Mrs Mac returned with a large tray with dishes on it, setting it down on the table next to theirs.

“Not as good as the usual cook,” she said, serving up the dinner expertly, “but it comes a good second, even if I do say so myself.  Care for some wine?”

Henry looked at Michelle.  “What do you think?”

“I’m used to my dining companions making the decision.”

You would, he thought.  He couldn’t help but notice the cutting edge of her tone.  Then, to Mrs Mac, he named a particular White Burgundy he liked, and she bustled off.

“I hope you like it,” he said, acknowledging her previous comment with a smile that had nothing to do with humour.

“Yes, so do I.”

Both made a start on the main course, a concoction of chicken and vegetables that were delicious, Henry thought when compared to the bland food he received at home and sometimes aboard my ship.

It was five minutes before Mrs Mac returned with the bottle and two glasses.  After opening it and pouring the drinks, she left them alone again.

Henry resumed the conversation.  “How did you arrive?  I came by train.”

“By car.”

“Did you drive yourself?”

And he thought, a few seconds later, that was a silly question; otherwise, she would not be alone, and certainly not sitting at this table. With him.

“After a fashion.”

He could see that she was formulating a retort in her mind, then changed it, instead, smiling for the first time, and it served to lighten the atmosphere.

And in doing so, it showed him she had another, more pleasant side despite the fact she was trying not to look happy.

“My father reckons I’m just another of ‘those’ women drivers,” she added.

“Whatever for?”

“The first and only time he came with me, I had an accident.  I ran up the back of another car.  Of course, it didn’t matter to him that the other driver was driving like a startled rabbit.”

“It doesn’t help,” he agreed.

“Do you drive?”

“Mostly people up the wall.”  His attempt at humour failed.  “Actually,” he added quickly, “I’ve got a very old Morris that manages to get me where I’m going.”

The apple pie and cream for dessert came and went, and the rapport between them improved as the wine disappeared and the coffee came.  Both had found, after getting to know each other better, that their first impressions were not necessarily correct.

“Enjoy the food?” Mrs Mac asked, suddenly reappearing.

“Beautifully cooked and delicious to eat,” Michelle said, and Henry endorsed her remarks.

“Ah, it does my heart good to hear such genuine compliments,” she said, smiling.  She collected the last of the dishes and disappeared yet again.

“What do you do for a living?” Michelle asked in an offhand manner.

He had a feeling she was not particularly interested, and it was just making conversation.

“I’m a purser.”

“A what?”

“A purser.  I work on a ship doing the paperwork, that sort of thing.”

“I see.”

“And you?”

“I was a model.”

“Was?”

“Until I had an accident, a rather bad one.”

“Oh, I’m sorry.”

So that explained the odd feeling he had about her.

As the evening wore on, he began to think there might be something wrong, seriously wrong with her because she didn’t look too well.  Even the carefully applied makeup, from close, didn’t hide the very pale, tired look, or the sunken, dark-ringed eyes.

“I try not to think about it, but it doesn’t necessarily work.  I’ve come here for peace and quiet, away from doctors and parents.”

“Then you will not have to worry about me annoying you.  I’m one of those fall-asleep-reading-a-book types.”

Perhaps it would be like ships passing in the night, and then he smiled to himself about the analogy.

Dinner over, they separated.

Henry went back to the lounge to read a few pages of his book before going to bed, and Michelle went up to her room to retire for the night.

But try as he might, he was unable to read, his mind dwelling on the unusual, yet compellingly mysterious person he would be sharing the hotel with.

Overlaying that original blurred image of her standing in the doorway was another of her haunting expressions that had, he finally conceded, taken his breath away, and a look that had sent more than one tingle down his spine.

She may not have thought much of him, but she had certainly made an impression on him.

…

© Charles Heath 2015-2024

lovecoverfinal1

Top 5 sights on the road less travelled – Dar es Salaam

Hidden Gems of Dar es Salaam: 5 Uncrowded Tourist Attractions with Distinctive Charms

When travellers think of Dar es Salaam, Tanzania’s bustling coastal metropolis, images of busy markets, vibrant street life, and oceanfront promenades often come to mind. While landmarks like the National Museum and Kariakoo Market draw large crowds, the city holds a treasure trove of lesser-known attractions that remain delightfully uncrowded. These hidden gems offer authentic cultural experiences, historical depth, and natural beauty—without the usual tourist rush.

If you’re looking to explore Dar es Salaam beyond the well-trodden path, here are five unique, low-traffic tourist attractions that deserve a spot on your itinerary.

1. Msasani Slipway & The Village Museum

Nestled along the tranquil Msasani Peninsula, the Msasani Slipway is a redeveloped shipyard turned lifestyle and cultural hub. Unlike the packed beaches of Oyster Bay, this waterfront area retains a relaxed charm. By day, you can admire traditional dhows being built using age-old techniques—an ode to Dar’s maritime heritage. By evening, local artisans sell crafts, and live Afro-jazz music floats through the air.

Attached to this area is the often-overlooked Village Museum, which offers a beautifully curated journey through Tanzania’s diverse ethnic cultures. Life-sized replicas of traditional homesteads from the Maasai, Chagga, Sukuma, and other communities provide an intimate, educational glimpse into the nation’s heritage. Best of all, the museum rarely sees long lines, making it perfect for a peaceful, reflective visit.

Why it’s special: A rare blend of urban revival, cultural education, and scenic harbour views.

2. Azania Front Lutheran Church (AFLC)

Tucked between colonial-era buildings and modern storefronts in the city centre, the Azania Front Lutheran Church, often called the “Cathedral of Dar,” is an architectural marvel with deep historical roots. Built in the early 20th century during the German colonial period, its red-brick Gothic Revival design stands out amidst the bustling streets.

While not a major tourist hotspot, this Anglican-turned-Lutheran church is a serene sanctuary of stained glass, carved wood, and peaceful acoustics. Visitors are often welcomed by friendly parishioners and may even attend a Sunday service to experience uplifting Swahili gospel hymns.

Why it’s special: A peaceful urban oasis with colonial-era architecture and living spiritual significance—often missed by tour groups.

3. Pugu Hills Forest Reserve

Just a 30-minute drive from downtown Dar es Salaam lies the Pugu Hills Forest Reserve, one of the oldest protected forests in Africa. Designated in 1890, this lush green expanse is home to rare bird species, medicinal plants, and ancient rock art sites believed to be centuries old.

Unlike Tanzania’s more famous national parks, Pugu Hills is rarely visited by tourists. Guided walks with local community rangers offer insights into conservation efforts and indigenous knowledge. The trails wind through misty woodlands and open fields, offering solitude and a breath of fresh air away from city noise.

Why it’s special: A quiet, eco-friendly escape with historical, ecological, and cultural layers—perfect for nature lovers and hikers seeking serenity.

4. Kunduchi Wet ‘n’ Wild (Off-Peak Visits)

While Kunduchi Wet ‘n’ Wild is known as a popular water park, visiting during weekday mornings or outside school holidays reveals a surprisingly uncrowded, family-friendly retreat. This expansive recreational complex features thrilling water slides, relaxing pools, and picnic spaces within a shady coastal forest.

Beyond the rides, the park occasionally hosts cultural performances and seafood barbecues using local recipes. Go early, and you’ll enjoy the amenities with room to breathe—plus, friendly staff often share stories about the park’s evolution from a coconut plantation.

Why it’s special: A dynamic space that transforms from bustling to tranquil, offering fun and cultural flavour when visited off-peak.

5. The Slipway Art Galleries & Pop-Ups

Scattered around The Slipway complex in Msasani, several independent art galleries and pop-up exhibitions showcase works by emerging Tanzanian artists. Spaces like Nafasi Art Space (just a short walk inland) and rotating pop-ups at cafés and studios spotlight contemporary Swahili themes, political commentary, and abstract expressions using local materials.

These galleries are rarely packed, allowing intimate viewing and the chance to chat directly with artists. Many pieces reflect Tanzania’s social fabric, from coastal life to urban youth culture.

Why it’s special: A vibrant, quiet corner of Dar’s creative scene where art meets authenticity.

Final Thoughts: Discover the Dar Less Travelled

Dar es Salaam is more than traffic, skyscrapers, and busy ports. Beneath its fast-paced surface lies a city rich in quiet beauty, cultural depth, and resilient traditions. These five uncrowded attractions exemplify Dar’s hidden heart—accessible, memorable, and refreshingly free from the tourist throngs.

So, the next time you’re in Tanzania’s largest city, step off the beaten path. Whether you’re sipping chai at The Slipway while watching fishermen mend their nets, or tracing ancient rock etchings in Pugu Hills, you’ll discover that Dar es Salaam’s most meaningful moments often happen in silence, solitude, and surprise.

Travel Tip: For the best experience, visit these sites early in the morning or during weekdays. Many locals also recommend hiring a community guide for deeper context and meaningful interactions.

Have you visited any of these hidden spots? Share your quiet adventures in the comments below!

“One Last Look”, nothing is what it seems

A single event can have enormous consequences.

A single event driven by fate, after Ben told his wife Charlotte he would be late home one night, he left early, and by chance discovers his wife having dinner in their favourite restaurant with another man.

A single event where it could be said Ben was in the wrong place at the wrong time.

Who was this man? Why was she having dinner with him?

A simple truth to explain the single event was all Ben required. Instead, Charlotte told him a lie.

A single event that forces Ben to question everything he thought he knew about his wife, and the people who are around her.

After a near-death experience and forced retirement into a world he is unfamiliar with, Ben finds himself once again drawn back into that life of lies, violence, and intrigue.

From London to a small village in Tuscany, little by little Ben discovers who the woman he married is, and the real reason why fate had brought them together.

It is available on Amazon here:  http://amzn.to/2CqUBcz

365 Days of writing, 2026 – 8

Day 8 – How to improve your vocabulary

…

No Textbooks, No Timetables: 5 Ways to Improve Your Vocabulary on the Fly

We’ve all been there. You’re in the middle of an important email, a compelling conversation, or a presentation, and suddenly, the perfect word is… just out of reach. It’s like a mental shimmer, a ghost on the tip of your tongue. You settle for a lesser word, and the moment passes.

In a busy world, who has time for flashcards, vocabulary lists, and scheduled study sessions? The good news is you don’t need them. Building a more powerful, precise, and impressive vocabulary isn’t about a massive time commitment. It’s about building smarter, faster habits into the life you’re already living.

Here are the five best ways to improve your vocabulary on the fly, turning everyday moments into learning opportunities.

1. Become a Context Detective

This is your number one, tool-free, anytime-anywhere superpower. When you stumble upon an unfamiliar word while reading an article, a report, or even a social media post, don’t skip over it. Pause and become a detective.

What it is: Using the surrounding words, phrases, and sentences to deduce the meaning of an unknown word.

Why it works: The brain is a pattern-matching machine. By analysing the context, you’re actively engaging with the new word rather than passively receiving it. This active effort forges a much stronger memory link than simply looking it up.

How to do it on the fly: Read the sentence before and after the word. Ask yourself: What’s the topic? Is the word being used to describe something positive, negative, large, or small? For example: “The politician’s speech was so turgid that most of the audience started checking their phones.”

Even if you’ve never seen “turgid,” you can infer it’s negative and probably means something like bloated, boring, or overly complex. Make a mental guess. This act of guessing primes your brain to remember the real meaning later.

2. Master the “Tap-and-Lookup” Rule

Being a context detective is great, but sometimes you need confirmation. This is where your smartphone becomes your best friend, not a distraction.

What it is: The immediate, reflexive action of looking up an unknown word the moment you encounter it.

Why it works: Momentum is everything. If you wait, you’ll forget. By looking it up within seconds, you connect the word directly to its context and your initial guess. This creates a complete learning package in under ten seconds.

How to do it on the fly: Keep a dictionary app (like Merriam-Webster or Dictionary.com) on your phone’s home screen. When you read a word you don’t know—whether in an email, an ebook, or a news article—literally tap and look it up right then. Read the definition, and then go back and reread the sentence with your new understanding. The “aha!” moment is instant.

3. Eavesdrop Like a Writer (or an Active Listener)

Your ears are vocabulary-building goldmines, especially in our world of podcasts, audiobooks, and YouTube videos. But you have to listen with intent.

What it is: Tuning into the language used in podcasts, interviews, and conversations to actively identify and absorb new words.

Why it works: Hearing a word used correctly—with its proper pronunciation and emotional tone—teaches you how to wield it yourself. It’s a more dynamic and memorable way to learn than just seeing it on a page.

How to do it on the fly: On your commute, during a workout, or while doing chores, replace mindless scrolling with a high-quality podcast or an audiobook on a topic you enjoy. When you hear a word that piques your interest, make a mental note (or use a voice memo to say, “Look up ‘ubiquitous'”). Later, when you can, do a quick lookup. You’ll be amazed at how often that word will pop up again now that you’re aware of it.

4. Play the Synonym Game

Improving your vocabulary isn’t just about learning new words; it’s about finding better ones for the words you already use. This is a quick exercise you can do while writing or even speaking.

What it is: Actively swapping a simple, common word for a more precise or powerful alternative.

Why it works: This method directly applies new knowledge to your communication, making it instantly practical. It trains your brain to reach for more descriptive language, moving your vocabulary from passive knowledge to an active skill.

How to do it on the fly: As you write an email or a message, identify the most basic verbs or adjectives. “We need a good plan.” Now, open a thesaurus (most word processors have one built-in, or you can use a site like Thesaurus.com). Is the plan robust, strategic, comprehensive, or ingenious? Swapping “good” for a more specific word elevates your entire sentence. Do this for just one word per email, and it’ll soon become second nature.

5. The “Use It or Lose It” Challenge

This final tip is the glue that holds everything together. A word you learn but never use is a guest who never leaves the lobby—it doesn’t become part of the family.

What it is: Making a conscious effort to use a new word within 24 hours of learning it.

Why it works: The act of retrieval—pulling a word out of your memory and using it in context—is the single most effective way to commit it to long-term memory. It builds the neural pathway that makes the word accessible in the future.

How to do it on the fly: Let’s say you looked up “turgid” during your morning reading. Your challenge for the day is to use it. It can be in a work email (“Let’s avoid turgid explanations in the client deck”), a text to a friend (“That movie was so turgid”), or even just spoken aloud to yourself. It might feel a little forced at first, but that awkwardness is your brain working hard to integrate its new tool.

Your Brain’s New Toolkit

Improving your vocabulary doesn’t require a life overhaul. It’s about shifting from passive consumption to active engagement. By combining these five “on-the-fly” habits, you create a virtuous cycle:

You listen for a new word, use context to guess its meaning, look it up to confirm, swap it into your writing, and then use it in a conversation to seal the deal.

These are small actions, but taken consistently, they transform the way you communicate and think. So, which one will you try first? The next time you’re reading, give it a go. Your future, more articulate self will thank you for it.

Harry Walthenson, Private Detective – the second case – A case of finding the “Flying Dutchman”

…

What starts as a search for a missing husband soon develops into an unbelievable story of treachery, lies, and incredible riches.

…

It was meant to remain buried long enough for the dust to settle on what was once an unpalatable truth, when enough time had passed, and those who had been willing to wait could reap the rewards.

The problem was, no one knew where that treasure was hidden or the location of the logbook that held the secret.

At stake, billions of dollars’ worth of stolen Nazi loot brought to the United States in an anonymous tramp steamer and hidden in a specially constructed vault under a specifically owned plot of land on the once docklands of New York.

It may have remained hidden and unknown to only a few, if it had not been for a mere obscure detail being overheard …

… by our intrepid, newly minted private detective, Harry Walthenson …

… and it would have remained buried.

Now, through a series of unrelated events, or are they, that well-kept secret is out there, and Harry will not stop until the whole truth is uncovered.

Even if it almost costs him his life.  Again.

In a word: Anonymous

Which is how I feel sometimes.

It can be a paradox in that an ordinary man may strive to be recognised, that is, to rise above his inherent anonymity simply because he feels he has something more to offer mankind than just making up the numbers.

But sadly, that desire will often be met with staunch resistance, not because there’s an active campaign against him, it’s just the way of the world.

The fact is, most of us will always be anonymous to the rest of the world, but in being so in that respect it’s that anonymity we can live with.  However, it’s far more significant if we become anonymous to those around us.  And, sadly, it can happen.

It’s when we take someone for granted.

At the other end of the scale, there is the celebrity, who has finally found fame, discovers that fame is not all it’s cracked up to be.  You find that meteoric rise from obscurity an adrenaline rush, and you’re no longer anonymous.

But all that changes when you are constantly bailed up in the street by well-meaning but annoying fans when you are being chased by the paparazzi and magazine reporters who thrive not on the fact that you are famous but watching and waiting for you to stumble.

Some often forget that there’s always a camera on them, or there’s a reporter lurking in the shadows, looking for the next scoop, capturing that awkward inexplicable moment when the celebrity is seen with someone who’s not their spouse, or worse, if it could be that, they get drunk and make a fool of themselves.

Do I really want to lose that anonymity that I have?

Not really.  It seems to me like it might be the lesser of two evils.