Category: blogging

The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 53

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new installment of an old feature, and we’re back on the treasure hunt.

…

There was blood spatter along one wall, and more underneath a chair just out from the wall. On the other side of the room was a table with some rather gruesome instruments on it.

I immediately felt sorry for the archaeologist. He must have endured serious pain before dying. It would be interesting to see a copy of the Medical Examiners report. The room had another overlying aroma other than the mustiness.

What did death smell like?

“Do you think this is where Alex and his cronies hang out?”

“Well, I can tell you for sure it’s not Vince’s lair. He has a house back at Patterson’s Reach. Besides, this mall is Benderby’s territory. It’s his security people who look after this place.”

Then that meant Alex or one of the Benderby’s was responsible for the murder of the archaeologist. Clearly, they were trying to get information out of him, not kill him.

“You think we should tell the cops?”

“You’re asking a Cossatino that question. I thought you knew better.”

“I happen to be in good with the Sheriff. It might make a difference.”

“No, I can assure you it won’t. Too much water under that bridge I’m afraid.”

Perhaps I was hoping she was not like the rest. Of course, if I actually stopped for a minute to think about it, it was probably a lot wiser not to say anything, simply because of the questions it would raise, and the grief the Benderby’s, and particularly Alex, would rain down on me.

We had a piece of evidence we couldn’t do anything with.

For now. That might change in the future.

There were also several filing cabinets and a cupboard in the room, but there was nothing of interest in any of them. It was simply a torture chamber. I had to hope I’d never finish up in here.

“Let’s get out here,” Nadia said, “It’s giving me the creeps.”

I’d felt a shudder or two go down my spine too. If it belonged to the Benderby’s and Alex in particular, he had already passed the point of no return. Alex was a bastard, but I didn’t think he could stoop to this sort of behavior. Vince? Maybe. Like the other members of the Cossatino family, excluding Nadia, he was as psychopathic as the rest.

It just goes to show you couldn’t judge a book by its cover. Alex’s boyish good looks hid something far more sinister underneath.

Just as we stepped out of the room and Nadia pulled the door shut, relocking it, we heard a sound coming from downstairs. The acoustics in the passage and stairwells was quite good, enough, at least, to alert us that someone else was in the building nearby.

“Someone is coming?” Nadia muttered.

“Here?” It was obvious where they were coming to, it was just the surprise anyone else would be around at this hour of the morning.

She glared at me. “Where else would they be going, shopping?”

Annoyance.

We quickly moved towards the next room, the door open, and stepped inside, taking a quick look around. There was another room running off it, and we went in there and closed the door. It had a manual lock, not using a key, and she put it in place.

A quick look around the room showed it to be a bathroom and didn’t exactly have the best of aromas. Perhaps stagnant water.

We stood side by side near the door. We could hear footsteps coming up the stairs, it sounded like two people, and then voices, slightly muffled.

“What did you say we’re here for?”

A male voice I hadn’t heard before.

“A map.”

Alex. I’d know that voice anywhere.

A few seconds later I heard him speak again, “Who the hell left these maps out? Who’s been here? They know the rules.”

“No one. I’m sure of it.” The other voice had a tremor in it.

Alex probably left them out himself, but he was not one to take the blame for anything.

“Someone’s been here. The footprints on the floor. They look fresh.”

We could then hear him coming up the passage. Had we left footprints into the other room and possibly this one? I was almost at the stage of holding my breath.

He went to the end, that last room that had been used as a torture chamber.

“You got the key to this room?”

“No. You know that’s not where we’re allowed to go. Your father’s orders remember.”

“What about this room?”

He was standing in the doorway, and I could see the torchlight from under the door.

“There’s nothing here, no one here. No one had been here, Alex. No one knows about this place. You said so yourself.”

“Except Vince. Mall cops dragged him up here one and beat him up. That was a good day.”

Once more he flashed the light around the room, and along the floor, and it seemed our footprints weren’t showing a path to this door. If he was to come in and start pounding on it, I’d have a heart attack.

“Perhaps no one has been here then, except Ed. We’ll talk to him later.”

The light disappeared, and the footsteps receded.

There were no more voices for a few minutes, then Alex said, “Got it. Now let’s get out of here. This place gives me the creeps.”

The footsteps and voices receded quickly as they retraced their steps, leaving us, once again, in silence.
Except I swear I could hear my heart beating very rapidly.

“Wow,” She said. “That was exciting.”

“What? We nearly got caught.”

“No matter. I could have used my charms on him.”

She leaned over and kissed me on the cheek. “Instead, I have you.”

…

© Charles Heath 2020-2021

The 2am Rant: I should be on holiday but…

You would think that going away for a few days, you would be able to drag yourself away from writing.

You would think, after doing it every day for the last six months, it would be time to take a break. But, the trouble with good intentions and being in a different place, there’s a ton of new and different places and things to write about.

We are away primarily for a wedding, with part of it being a Chinese Tea Ceremony, and at course I’ve been reading up on it, and there is any number of descriptions, making it difficult to get a clear idea of what happens.

I guess I’m going to have to wait until the day, next Friday.

In between, there will be a dinner that will have as the centrepiece, Peking duck, my absolute favourite duck dish.

I had it last in Hong Kong two years back before the riots at the restaurant in the Peninsular hotel, and it was exquisite.

Then it’s my brother’s 70th birthday. As he is working feverishly on the family history, and having jetted off many times overseas tracking down the long lost relatives we knew nothing about, it’ll be time for a progress report.

I must admit that some of those relatives have roused my writer’s curiosity. When I helped clear out my parent’s house after they moved into a retirement home, we found a great deal of ancestral material, the most interesting of which is, would you believe, was about my mother.

We have found a whole lot of letters she received from her first boyfriend and then from my father. It shows a side to her I never knew about, and a side to my father that given what I know of him, is totally out of character.

There will no doubt be more on this subject later.

And finally but not least there was a baby announcement, always a subject of much joy and happiness.

This is only day two. There is definitely more to come.

What I learned about writing – Don’t Be Obsessed, Be Obsessedly Curious

Don’t Be Obsessed, Be Obsessedly Curious: The Balanced Art of Writing a Compelling Play

Playwriting is a thrilling dance between creativity and discipline. It’s a craft that demands passion, yet many aspiring playwrights believe they must be obsessively consumed by their work to succeed. But here’s the truth: you don’t need to be obsessive to write a great play. Instead, what you need is curiosity, patience, and a toolkit of strategies to bring your vision to life. Let’s explore why obsession isn’t the answer—and how to write a play that lingers in the hearts of audiences long after the curtain falls.

The Myth of the “Obsessed Artist”

Pop culture loves the image of the tormented artist locked in a studio for months, surviving on coffee and sheer willpower. But this myth is a red herring. While dedication is key, obsession—borderline compulsion, neglecting self-care, or losing balance—can lead to burnout, poor writing, and even health issues.

Consider this: Great plays are born from sustainable creativity, not self-destruction. Playwrights like Lynn Nottage and David Mamet thrived by setting boundaries, sleeping, and nourishing their minds with diverse experiences. The goal isn’t to “die for your art” but to live for it in a way that fuels your creativity without stealing your joy.

5 Strategies to Write a Compelling Play (Without Going Crazy)

1. Start with a Core Question, Not a Plot

Every great play is driven by an emotional or philosophical “what if?” Ask yourself:

  • What story haunts me?
  • What truth am I desperate to explore?
    Your answer might be as simple as, “What if a single mother lost her job and had to choose between her kids and a dream?” That question becomes the heartbeat of your play. Build your plot and characters to answer it—or, better yet, to challenge it.

2. Craft Nuanced Characters, Not Stereotypes

Audiences don’t want perfect heroes or villains. They want characters who feel human: flawed, vulnerable, and complicated.

  • Give each character a hidden motive. (Example: A grieving father might lash out, but his rage masks guilt.)
  • Avoid monologues that “explain” everything—let their actions and subtext do the work.

3. Fuel the Fire with Conflict and Stakes

Conflict isn’t just a punchy line—it’s the engine of drama. Ask:

  • What do my characters want?
  • What’s stopping them?
  • What do they stand to lose?

Think of Glengarry Glen Ross by David Mamet: The fight for a car sales job isn’t just about money—it’s about dignity. Raise the stakes by making the cost of failure personal.

4. Dialogue That Bites: Less Is More

Play dialogue should echo real speech—but with purpose.

  • Trim the filler: Delete “ums” and “you know.”
  • Subtext is your friend: Let characters say one thing but mean another. (This is how Shakespeare’s Ophelia truly speaks.)
  • Conflict in soundbites: Short, sharp lines pack more punch than long speeches.

Need help? Try the “Rewrite as a Screenplay” method: If your lines would feel at home on a Zoom call, they’re not dramatic enough.

5. Edit Ruthlessly and Collaborate Relentlessly

First drafts are drafts for a reason. Let them simmer, then revise with a surgeon’s precision.

  • Cut scenes that don’t serve the core question.
  • Work with others: Read your play aloud to beta readers, actors, or writers’ groups. Fresh ears catch what you miss.

Remember: Even August Wilson revised his plays 20+ times. Perfection isn’t a starting point—it’s a destination.

The Secret Sauce: Curiosity Over Compulsion

The key to writing a compelling play isn’t marathon sessions fueled by espresso but consistency and exploration. Take walks, read poetry, or attend stranger’s conversations. Inspiration isn’t just about being a “crazy artist”—it’s about living with open eyes and ears.

And when you feel stuck? Pace yourself. A daily 30-minute writing habit can build a masterpiece faster than a week-long caffeine-fueled sprint followed by burnout.

Final Thought: Write to Be Free, Not Trapped

A play is a mirror held up to life. It doesn’t have to be born of obsessive frenzy—just honest curiosity. The stage is for stories that matter, not for self-imposed suffering. So write from your deepest joys, fears, and questions. And remember: Your best work will come when you’re energised to tell it—not exhausted by the process.

Now go. Let the world see what makes you uniquely human. The audience is waiting. 🎭

365 Days of Writing, 2026 – 206/207

Days 206 and 207 – From a Broken Keyboard to a Global Conspiracy

…

From a Broken Keyboard to a Global Conspiracy: How to Flesh Out Your Thriller’s Plot

Every great thriller starts with a relatable spark. Yours begins with a brilliant, highly grounded premise: an ordinary, overworked everyman is stuck in a dreary office at 1:00 AM, dealing with cheap corporate equipment. Out of sheer frustration with a broken keyboard—and management’s refusal to replace it—he mashes a strange key combination.

Suddenly, he triggers something he was never meant to find.

As the quiet hum of the night office is broken by footsteps he assumes belong to security, his life shifts from mundane corporate misery to a high-stakes nightmare. If you want to turn this fantastic premise into a gripping, fast-paced narrative featuring a faceless organisation, unreliable allies, and a race to expose the truth, you need a solid narrative roadmap.

Here is a comprehensive guide on how to flesh out your storyline from the first keystroke to the final, high-risk broadcast.

Act I: The Catalyst (The 1 a.m. Discovery)

To make the conspiracy hit hard, the beginning must establish the protagonist’s mundane reality. Show, don’t just tell, how soul-crushing his job is.

  • The Setup: Establish the late hour. The office is a graveyard of half-eaten takeout and flickering fluorescent lights. He’s dealing with a mechanical artifact—a keyboard where the Spacebar sticks and the Enter key requires a hammer blow.
  • The Accident: In a fit of sleep-deprived rage, he slams a specific, unnatural sequence of keys (perhaps an old legacy shortcut bypassed by IT decades ago). Instead of an error screen, a terminal window opens, bypassing corporate firewalls entirely.
  • The Intruder: He finds data he shouldn’t—off-the-books ledgers, surveillance logs, or algorithmic predictions of human behaviour. Suddenly, he hears footsteps. He hides beneath his cubicle, expecting a night-shift security guard with a flashlight. Instead, he watches expensive, scuff-free Italian leather shoes walk past his desk. These people aren’t security; they are clean-up crew operatives or corporate fixers, and they know someone accessed the terminal.

Act II: Expanding the Circle (The Impossible Situation)

An ordinary man on the run can be thrilling, but adding a partner-in-crime elevates the tension through interpersonal dynamics and shared jeopardy.

  • The Unlikely Accomplice: Introduce a colleague. Maybe it’s the cynical night-shift data analyst who stayed late, or an ambitious junior compliance officer who is equally sick of the system. They accidentally get dragged into the mess when the protagonist tries to escape or confide in someone.
  • The Impossible Situation: Now, they aren’t just hiding; they are chained to a ticking clock. The faceless organisation locks down the building’s digital and physical infrastructure. Keycards stop working, elevators freeze, and the digital trail proves they accessed the files. They are trapped in a concrete-and-glass labyrinth where the hunters control every door.
  • Anatomy of the Faceless Organisation: Give this shadow entity weight. They shouldn’t be cartoon villains; they should feel like an omnipresent corporate leviathan. They mask their malice behind HR jargon, automated compliance threats, and terrifying efficiency. To them, the protagonists aren’t enemies—they are simply data anomalies that need to be deleted.

Act III: The Mirage of Allies (Trust No One)

As the walls close in, our protagonists need help—or so they think. This is where you subvert reader expectations.

  • The “Saviours”: Introduce characters who claim they want to help. Perhaps it’s a sympathetic middle-manager from a different department who “knows how the system works,” or an external cybersecurity consultant who mysteriously arrives to offer an escape route.
  • The Betrayal: Build the trust, drop breadcrumbs of doubt, and then pull the rug out. Maybe the “friendly manager” slips up by referencing a detail only the killers would know, or the cybersecurity expert leads them right into a trap.
  • The Psychological Toll: This realisation breaks the protagonists’ morale. They realise that within the ecosystem of this massive corporation, anyone could be compromised, monitored, or bought off. They are completely on their own.

Act IV: The Climax and Resolution (To the Right People)

Surviving the night is only half the battle. If they simply walk out the front door, the organisation will silence them legally, financially, or permanently. They have to go on the offensive.

  • The Arsenal: What did they discover on that broken keyboard? It’s not just dirty secrets; it’s verifiable digital leverage—encryption keys, financial transfers, or blueprints of a wider conspiracy.
  • Choosing the Target: Who are “the right people”?
    • Option A (The Media): A disgraced investigative journalist desperate for a comeback, or an independent whistleblower platform. The risk? Traditional media outlets can be bought, pressured, or legally gagged before the story drops.
    • Option B (A Shadow Group): An underground collective of hacktivists or a rival corporate faction who operates in the gray areas of the law. The risk? These allies might have a dark agenda of their own, forcing our heroes to make a deal with the devil.
  • The Final Transmission: Build to a cinematic climax where the protagonists must breach a secure location (or survive one final onslaught) long enough to hit “Send” or broadcast the files live.

Tips for Writing This Thriller

  1. Use Sensory Details: Lean into the claustrophobia of the office at night—the hum of the vending machine, the blinking red light of a security camera, the cold sweat of panic.
  2. Pacing is Everything: Alternate quiet, suspenseful moments of hiding with frantic, breathless bursts of action.
  3. Keep the Stakes Grounded: Remind the reader why these two ordinary people care. They aren’t secret agents; they just want to survive, clear their names, and expose a system that treats human lives as collateral damage.

By grounding your story in the universal frustration of a broken office tool and scaling it up into a high-stakes corporate conspiracy, you’ll hook readers from page one and keep them guessing until the very final keystroke.

…

Top 5 sights on the road less travelled – Geneva

Discover Geneva’s Hidden Charms: 5 Off‑The‑Beaten‑Path Experiences Worth Your Time

Geneva is famous for its Jet d’Eau, luxury watches, and the United Nations. But beyond the postcard views lies a quieter, more authentic side of the city that most visitors never see. If you’re craving a genuine Swiss adventure, step off the tourist trail and explore these five lesser‑known gems.

1. Stroll Through the Bohemian Quarter of Carouge

Why it’s a road‑less‑travelled treasure
Carouge feels like a slice of Mediterranean Italy tucked into Swiss territory. Founded in the 18th century by the Sardinian king, its pastel‑colored façades, wrought‑iron balconies, and narrow cobblestone lanes create an intimate, artsy vibe that’s a world away from Geneva’s polished business district.

What to do

  • Boutique hunting: Pop into independent fashion studios, vintage shops, and artisanal leather workshops.
  • Café culture: Grab a cappuccino at Café du Centre or a craft coffee at Café de la Tour while people‑watching on the lively Place du Bourg‑de‑Four.
  • Artisan markets: Every Saturday morning, the Marché de Carouge offers handmade ceramics, jewellery, and local produce.

Practical tips

  • Getting there: Take tram 12 from the city centre (stop “Carouge‑Mairie”) – a 10‑minute ride.
  • Best time: Late afternoon (around 4 pm) when the cafés fill up but the streets haven’t yet emptied.
  • Cost: Free to wander; budget CHF 15–30 for a coffee and a small souvenir.

2. Peek Inside the CERN Microcosm & Large Hadron Collider

Why it’s a road‑less‑travelled treasure
While CERN is a magnet for physics aficionados, most tourists never step inside the underground world where the universe’s smallest particles are smashed together. The Microcosm exhibition demystifies complex science with interactive displays, and the guided tunnel tour lets you stand at the edge of the famous LHC ring.

What to do

  • Microcosm museum: Touch a replica of a proton, watch a 3‑D video of the Higgs boson discovery, and explore the history of particle physics.
  • LHC tunnel tour: Walk (or take a shuttle) into the 27‑km circular tunnel that lies 100 m beneath the French‑Swiss border.

Practical tips

  • Booking: Free admission, but you must reserve a tunnel tour online at least 48 hours in advance (slots fill quickly).
  • Getting there: Take the train from Geneva’s main station to CERN (approx. 10 min) or the tram 18 to “CERN – Meyrin”.
  • Best time: Early morning (first tour slots at 9 am) for the smallest crowds.
  • Safety: Wear comfortable shoes; the tunnel is cool and slightly humid.

3. Hike the Salève – Geneva’s “Balcony”

Why it’s a road‑less‑travelled treasure
Often eclipsed by the Alpine giants, the Salève is a modest limestone mountain just across the border in France. Its gentle slopes and panoramic vistas make it a perfect day‑trip for hikers who want sweeping views of Geneva, Mont Blanc, and the Jura without the crowds of larger peaks.

What to do

  • Trail options: From the easy “Le Petit Plateau” loop (2 km) to the more challenging “Sentier du Grand Fossé” (6 km).
  • Summit café: Stop at Le Café du Salève for a hot chocolate while soaking up 360° vistas.
  • Paragliding: For the adventurous, the summit launch site offers tandem flights with certified pilots.

Practical tips

  • Getting there: Take the bus 57 from “Place des Eaux-Vives” to “Veyrier‑Le‑Pilat”, then a short 15‑minute walk to the trailhead.
  • Best time: Late spring (May–June) when wildflowers bloom, or early autumn for crisp air and fewer hikers.
  • Gear: Sturdy hiking boots, water bottle, and a light jacket (weather changes quickly on the summit).

4. Dip into Local Life at Bains des Pâquis

Why it’s a road‑less‑travelled treasure
Nestled on a small pier in Lake Geneva, the Bains des Pâquis is a beloved community spot where locals swim, sauna, and enjoy affordable meals. It’s a rare chance to mingle with Genevans in a relaxed, multicultural setting—something you rarely experience at the glitzy hotel pools.

What to do

  • Open‑air swimming: The lake’s water is chilly (12–16 °C), but the experience is invigorating, especially in summer.
  • Sauna & hammam: Warm up after a dip in the traditional Finnish sauna or the fragrant hammam.
  • Fondue night: From dusk till late, the on‑site restaurant serves classic cheese fondue and raclette at wallet‑friendly prices (CHF 12–18).

Practical tips

  • Getting there: Walk 10 minutes from the “Moulin” bus stop (tram line 12) or take a short boat ride from the jetty near the Jet d’Eau.
  • Opening hours: 7 am–11 pm (sauna closes at 9 pm).
  • Cost: Swimming area CHF 5; sauna CHF 7; meals as listed above. Bring a towel and a swimsuit (no rentals).

5. Wander the Conservatory and Botanical Garden (Jardin Botanique)

Why it’s a road‑less‑travelled treasure
Tucked behind the historic Cité des Sciences building, the botanical garden is a serene oasis featuring more than 7,000 plant species, themed greenhouses, and a tranquil pond that mirrors the surrounding trees. It’s a perfect sanctuary for nature lovers seeking quiet contemplation away from the city buzz.

What to do

  • Themed greenhouses: Explore the tropical rainforest house, the succulent desert dome, and the elegant orchid collection.
  • Seasonal exhibitions: Spring brings a dazzling tulip display; autumn showcases native alpine flora.
  • Educational workshops: Free guided tours on plant conservation are offered on weekends.

Practical tips

  • Getting there: Tram 15 to “Conservatoire” (stop “Conservatoire”). The garden entrance is a two‑minute walk from the tram stop.
  • Best time: Early morning (8–10 am) for soft lighting and minimal foot traffic.
  • Admission: Free (donations welcomed).
  • What to bring: Comfortable shoes, a notebook for sketching, and a camera (no flash in the greenhouses).

Wrap‑Up: Embrace Geneva’s Quiet Side

While the Jet d’Eau and the Old Town sparkle with tourist energy, Geneva’s hidden corners reveal a city that balances cosmopolitan flair with authentic local life. From the artisan streets of Carouge to the scientific wonder of CERN, the lofty views of Salève, the communal warmth of the Bains, and the botanical whispers of the Conservatory—each experience invites you to travel a road less travelled and return home with stories that only a handful of travellers have heard.

Ready to explore? Pack a light backpack, swap your guidebook for a curiosity‑filled mind, and let Geneva’s secret sides surprise you.

Got a favourite off‑the‑beaten‑path spot in Geneva? Share it in the comments below and inspire the next wanderer!

In a word: state

I think it’s stating the obvious, we are expressing something definitively and clearly.  I stated my case, but it was not good enough to save me from the hangman’s noose.

Or, they stated their case, but with an unforgiving government, it didn’t save them from being deported.

Or maybe not, maybe a state is a territory or nation under one government, though sometimes we might think that governance is not all that great

But it could also mean a subdivision within a single country, like the 52 states of the US, and the 5 states in Australia

And woe betide you if you become a state-less person, it means living in the international transit lounge for the rest of your life.

Or it might be how I feel at the time, you know, I’m not in a fit state of mind to be writing this post, or that I might be agitated, with someone else saying ‘he’s in a state’, or having said something quite odd, it might be said that my state of mind is clouded by grief.

If I was an important person, such as a king or prince, and had the unfortunate luck of dying, I could lie in state, though I could never understand why you’d want to hang around after you died.

 

“What Sets Us Apart”, a mystery with a twist

David is a man troubled by a past he is trying to forget.

Susan is rebelling against a life of privilege and an exasperated mother who holds a secret that will determine her daughter’s destiny.

They are two people brought together by chance. Or was it?

When Susan discovers her mother’s secret, she goes in search of the truth that has been hidden from her since the day she was born.

When David realizes her absence is more than the usual cooling off after another heated argument, he finds himself being slowly drawn back into his former world of deceit and lies.

Then, back with his former employers, David quickly discovers nothing is what it seems as he embarks on a dangerous mission to find Susan before he loses her forever.

Find the Kindle version on Amazon here:  http://amzn.to/2Eryfth

whatsetscover

Top 5 sights on the road less travelled – Lucerne

The Untouched Side of Lucerne: 5 Off‑the‑Beaten‑Path Experiences Worth Your Time

When most travellers think of Lucerne, the mind instantly jumps to its iconic Chapel Bridge, the towering Lion Monument, and the glittering waters of Lake Lucerne. Those are, of course, must‑see sights—but after you’ve snapped a photo of the medieval wooden bridge, you’ll probably crave something a little more intimate, a little more local.

Below is a curated list of five experiences that sit just beyond the typical tourist trail. They’re perfect for curious explorers who want to feel the pulse of Lucerne’s culture, nature, and history without the crowds.

1. Hike the Seeboden Alp – A Quiet Alpine Meadow With Panoramic Views

Why it’s special: While the classic Rigi‑Panorama trail draws hundreds of hikers each day, the Seeboden Alp route (also called the “Hidden Alpine Meadow”) remains a serene escape. Beginning at the Kreuzlingen train station (a short 10‑minute ride from Lucerne’s main station), the trail winds through pine forests, past crystal‑clear streams, and finally opens onto a broad alpine pasture that offers unobstructed 360° views of the Rigi, Pilatus, and the Central Swiss Alps.

What to expect:

ItemDetails
DifficultyModerate – steady ascent (≈ 400 m elevation gain) over 3 km (round‑trip).
Time needed1.5–2 hours (including photo stops).
Best seasonLate June to early October – wildflowers in full bloom, snow‑free paths.
What to bringSturdy hiking shoes, water bottle, a light jacket (weather changes quickly at altitude).
Hidden gemNear the meadow’s highest point lies a small, centuries‑old shepherd’s hut that still hosts occasional cheese‑making demonstrations on weekends.

Tip: Grab a Bündner cheese platter from the nearby Kreuzlingen Café before you set off – the fresh alpine cheese pairs perfectly with the panoramic vista.

2. Discover the Münsterplatz Secret Garden – A Verdant Oasis Behind the Cathedral

Why it’s special: Tucked behind the St. Leodegar’s Cathedral (the “Münster”) is a modest, privately‑maintained garden that most visitors never notice. The garden was originally created in the 19th century by a local merchant’s family as a private retreat and was opened to the public only a few years ago.

What you’ll love:

  • Botanical variety: Over 60 species of Alpine roses, lavender, and wild herbs flourish here, creating a fragrant scent trail that drifts out onto the square.
  • Historical whispers: A marble bench inscribed with a 1902 dedication reads, “Für die Ruhe der Seele” (“For the peace of the soul”). The bench has become a favoured spot for local poets and book clubs.
  • Artistic surprises: Every summer, a local artist collective installs rotating sculptures made from reclaimed wood and stone—perfect for Instagram‑ready shots without the crowds.

How to visit:

  • Access: Walk straight through the cathedral’s side entrance onto Kleinbaslertrasse; a discreet wooden gate leads into the garden.
  • Opening hours: 9 am–6 pm (closed on Mondays).
  • Cost: Free – donations are welcome at a small, tastefully designed donation box.

Tip: Pair your visit with a quick stop at the Café du Lac just across the square for a slice of Zuger Roggenbrot and a steaming cup of locally roasted coffee.

3. Board a Traditional Schiff to Ufenau Island – Switzerland’s Smallest Inhabited Island

Why it’s special: While most lake tours circle the main harbours, a morning “Ufenau Express” departs from the Kornmarkt dock and takes you to the tiny island of Ufenau, situated just a few kilometres downstream from Lucerne. The island hosts an 11th‑century Benedictine chapel, a modest vineyard, and a tranquil walking trail that circles the perimeter.

Highlights:

  • Historical depth: The chapel, St. Peter & St. Paul, survived the Reformation and still hosts occasional organ concerts in the summer.
  • Wine tasting: A small family‑run winery produces a crisp Riviera Pinot Noir that you can sample right on the island’s sun‑warmed terrace.
  • Birdwatching: Ufenau is a protected nesting ground for white‑tailed eagles and golden plovers—bring binoculars for a rewarding encounter.

Practicalities:

ItemDetails
Departure9:15 am and 2:30 pm daily (July–September).
Duration45 minutes each way, plus 1‑hour island stay.
Ticket priceCHF 12 return (includes a brief guided tour).
What to packComfortable shoes, a light windbreaker, and a reusable water bottle.
AccessibilitySmall ramp available for wheelchair users; however, the island’s paths are uneven, so assistance may be needed.

Tip: Combine this trip with a lunch at the Lakeside Restaurant “Seespitz” in nearby Weggis—order the fresh‑caught perch with a side of herb‑infused potatoes for an authentic lakeside feast.

4. Explore the Musegg Wall’s Hidden Courtyards – Medieval Fortifications With a Modern Twist

Why it’s special: The iconic Musegg Wall—the well‑preserved part of Lucerne’s old city fortifications—features six towers (including the famous Zytturm). While most tourists climb the Zytturm for its city views, the inner courtyards behind the lesser‑known towers, especially the Löwendenkmal Tower (Lion Tower), remain quiet and surprisingly artistic.

What you’ll find:

  • Secret exhibitions: Each courtyard hosts rotating pop‑up galleries showcasing works by emerging Swiss photographers and sculptors.
  • Interactive history: QR codes installed on stone walls lead to short augmented‑reality videos that reconstruct medieval daily life—watch a blacksmith at work or a merchant’s stall bustling with trade.
  • Rooftop café: The “Turmlounge” atop the Schaulaufen Tower (open only on Saturdays) serves a selection of local pastries, honey‑infused tea, and a spectacular view of the Reuss River in a peaceful setting.

How to make the most of it:

  1. Start at the Schnürschlösschen Gate—enter the wall’s pathway and follow the wooden signposts labelled “Kunst & Geschichte”.
  2. Take your time in each courtyard; the installations are designed for contemplation, not rush.
  3. Check the calendar on the city’s tourism website for the “Musegg Night” event, where the courtyards are lit by candlelight and local musicians perform acoustic sets.

Tip: Bring a small sketchbook. The quiet corners are perfect for drawing, and you might catch a street performer impromptu sketching session.

5. Ride the Historic Pilatus Bahn to Kriens‑Imfeld – A Scenic Railway Journey With a Surprise Picnic Spot

Why it’s special: Everyone knows about the Pilatus Railway (the world’s steepest cogwheel line) that rockets tourists up to the summit of Mount Pilatus. However, the first leg of the line, from Alpnachstad to Kriens‑Imfeld, is a gorgeous, lesser‑known ride that offers sweeping views of Lake Lucerne, the surrounding alpine ridges, and quaint farming villages—all without the crowds that flood the summit during peak season.

What makes it unique:

  • Historic carriages: The early‑20th‑century wooden carriages retain their original brass fittings and plush leather seats, creating a nostalgic travel experience.
  • Picnic paradise: At the Imfeld Station, a small meadow opens up beside the railway, dotted with wild strawberries in early summer. A traditional “Bürli”—a wooden table with benches—invites you to lay out a picnic while enjoying the gentle hum of the passing train.
  • Local flavours: The nearby Imfeld Bakery sells freshly baked “Saffron‑Rosinen‑Brot” (saffron raisin bread) and a selection of homemade jams made from locally harvested berries.

Logistics:

ItemDetails
DepartureTrains run every hour from Alpnachstad between 8 am–5 pm (May–September).
TicketCHF 7 one‑way (discounted day‑pass available).
Duration15 minutes to Imfeld; optional onward hike of 2 km to the Bergsee (mountain lake).
Best time to visitEarly morning (8–10 am) for tranquil light and fewer passengers.
AccessibilityCarriages are wheelchair‑compatible, but the meadow has uneven ground.

Tip: Purchase a “Picnic Pass” at the Imfeld ticket window – it includes a voucher for a slice of Alpine cheese tart from the station café, plus a reusable wooden cutlery set (eco‑friendly and perfect for your spontaneous snack).

Bonus: How to Blend These Experiences Into One Perfect Day

If you’re staying in Lucerne for a short visit and want to sample a slice of each hidden gem, here’s a suggested itinerary:

TimeActivity
08:00Grab a quick croissant at Café Heini and head to Alpnachstad for the Pilatus Bahn ride.
09:00Arrive at Kriens‑Imfeld, enjoy the meadow picnic and stroll to the Bergsee.
11:30Take the train back to Lucerne, then hop on the Ufenau Express from Kornmarkt.
13:00Disembark on Ufenau Island, explore the chapel, and sip wine on the terrace.
14:30Return to Lucerne; walk through the Münsterplatz Secret Garden for a quiet afternoon tea.
16:00Head to Musegg Wall – wander the hidden courtyards and perhaps catch a pop‑up gallery.
18:00Finish the day with a gentle hike to Seeboden Alp for sunset views over the lakes and mountains.
20:00Dinner at Restaurant Nidelgau (book a table with lake view).

Adjust the timing according to the season and your personal pace—each stop can easily become a half‑day adventure if you wish!

Final Thoughts

Lucerne’s charm isn’t confined to its postcard‑perfect bridges and bustling promenades. By stepping off the well‑trodden path, you’ll discover serene alpine meadows, hidden gardens, intimate islands, and living pieces of history that reveal the city’s authentic soul.

Whether you’re a seasoned backpacker, a history buff, or simply a curious traveller seeking a quieter connection with Switzerland’s heart, these five hidden gems promise unforgettable moments—far from the crowds but close to the spirit of Lucerne.

Pack your camera, bring an open mind, and let the road less travelled become your favourite story to tell.

The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continued on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think, is the joy of ad hoc writing, even you, as the author, have as much of an idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mould of Sam Spade, or Mickey Spillane, or Philip Marlowe, but he’s not.

But I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brothers’ Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then it went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and I am at the editor for the last reading.

I have high hopes of publishing it in mid-2026.  It even has a cover.

PIWalthJones1

365 Days of Writing, 2026 – 206/207

Days 206 and 207 – From a Broken Keyboard to a Global Conspiracy

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From a Broken Keyboard to a Global Conspiracy: How to Flesh Out Your Thriller’s Plot

Every great thriller starts with a relatable spark. Yours begins with a brilliant, highly grounded premise: an ordinary, overworked everyman is stuck in a dreary office at 1:00 AM, dealing with cheap corporate equipment. Out of sheer frustration with a broken keyboard—and management’s refusal to replace it—he mashes a strange key combination.

Suddenly, he triggers something he was never meant to find.

As the quiet hum of the night office is broken by footsteps he assumes belong to security, his life shifts from mundane corporate misery to a high-stakes nightmare. If you want to turn this fantastic premise into a gripping, fast-paced narrative featuring a faceless organisation, unreliable allies, and a race to expose the truth, you need a solid narrative roadmap.

Here is a comprehensive guide on how to flesh out your storyline from the first keystroke to the final, high-risk broadcast.

Act I: The Catalyst (The 1 a.m. Discovery)

To make the conspiracy hit hard, the beginning must establish the protagonist’s mundane reality. Show, don’t just tell, how soul-crushing his job is.

  • The Setup: Establish the late hour. The office is a graveyard of half-eaten takeout and flickering fluorescent lights. He’s dealing with a mechanical artifact—a keyboard where the Spacebar sticks and the Enter key requires a hammer blow.
  • The Accident: In a fit of sleep-deprived rage, he slams a specific, unnatural sequence of keys (perhaps an old legacy shortcut bypassed by IT decades ago). Instead of an error screen, a terminal window opens, bypassing corporate firewalls entirely.
  • The Intruder: He finds data he shouldn’t—off-the-books ledgers, surveillance logs, or algorithmic predictions of human behaviour. Suddenly, he hears footsteps. He hides beneath his cubicle, expecting a night-shift security guard with a flashlight. Instead, he watches expensive, scuff-free Italian leather shoes walk past his desk. These people aren’t security; they are clean-up crew operatives or corporate fixers, and they know someone accessed the terminal.

Act II: Expanding the Circle (The Impossible Situation)

An ordinary man on the run can be thrilling, but adding a partner-in-crime elevates the tension through interpersonal dynamics and shared jeopardy.

  • The Unlikely Accomplice: Introduce a colleague. Maybe it’s the cynical night-shift data analyst who stayed late, or an ambitious junior compliance officer who is equally sick of the system. They accidentally get dragged into the mess when the protagonist tries to escape or confide in someone.
  • The Impossible Situation: Now, they aren’t just hiding; they are chained to a ticking clock. The faceless organisation locks down the building’s digital and physical infrastructure. Keycards stop working, elevators freeze, and the digital trail proves they accessed the files. They are trapped in a concrete-and-glass labyrinth where the hunters control every door.
  • Anatomy of the Faceless Organisation: Give this shadow entity weight. They shouldn’t be cartoon villains; they should feel like an omnipresent corporate leviathan. They mask their malice behind HR jargon, automated compliance threats, and terrifying efficiency. To them, the protagonists aren’t enemies—they are simply data anomalies that need to be deleted.

Act III: The Mirage of Allies (Trust No One)

As the walls close in, our protagonists need help—or so they think. This is where you subvert reader expectations.

  • The “Saviours”: Introduce characters who claim they want to help. Perhaps it’s a sympathetic middle-manager from a different department who “knows how the system works,” or an external cybersecurity consultant who mysteriously arrives to offer an escape route.
  • The Betrayal: Build the trust, drop breadcrumbs of doubt, and then pull the rug out. Maybe the “friendly manager” slips up by referencing a detail only the killers would know, or the cybersecurity expert leads them right into a trap.
  • The Psychological Toll: This realisation breaks the protagonists’ morale. They realise that within the ecosystem of this massive corporation, anyone could be compromised, monitored, or bought off. They are completely on their own.

Act IV: The Climax and Resolution (To the Right People)

Surviving the night is only half the battle. If they simply walk out the front door, the organisation will silence them legally, financially, or permanently. They have to go on the offensive.

  • The Arsenal: What did they discover on that broken keyboard? It’s not just dirty secrets; it’s verifiable digital leverage—encryption keys, financial transfers, or blueprints of a wider conspiracy.
  • Choosing the Target: Who are “the right people”?
    • Option A (The Media): A disgraced investigative journalist desperate for a comeback, or an independent whistleblower platform. The risk? Traditional media outlets can be bought, pressured, or legally gagged before the story drops.
    • Option B (A Shadow Group): An underground collective of hacktivists or a rival corporate faction who operates in the gray areas of the law. The risk? These allies might have a dark agenda of their own, forcing our heroes to make a deal with the devil.
  • The Final Transmission: Build to a cinematic climax where the protagonists must breach a secure location (or survive one final onslaught) long enough to hit “Send” or broadcast the files live.

Tips for Writing This Thriller

  1. Use Sensory Details: Lean into the claustrophobia of the office at night—the hum of the vending machine, the blinking red light of a security camera, the cold sweat of panic.
  2. Pacing is Everything: Alternate quiet, suspenseful moments of hiding with frantic, breathless bursts of action.
  3. Keep the Stakes Grounded: Remind the reader why these two ordinary people care. They aren’t secret agents; they just want to survive, clear their names, and expose a system that treats human lives as collateral damage.

By grounding your story in the universal frustration of a broken office tool and scaling it up into a high-stakes corporate conspiracy, you’ll hook readers from page one and keep them guessing until the very final keystroke.

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