Writing a book in 365 days – 108

Day 108

So, the keynote here is that as writers, we should not repeat ourselves.

Repeat what?

I think what the bottom line is here is that we shouldn’t write basically the same thing over and over. I noticed that movies tend to take the view that if the first is successful, they just switch a few things around, substitute the bad guy, and it’s business as usual.

This was prevalent with a couple of John Wayne westerns, Rio Bravo and El Dorado. It was much the same with Superman 1, 2 and 3, and the Spiderman movies.

The thing is, I’m almost guilty as charged with several of my books. The problem is to get out of your comfort zone and write something completely different.

I have a YA fantasy story across three volumes about an unlikely princess saving the realm.

I am in the process of writing a Sci-Fi novel simply because I wanted to go into outer space. The only way I’ll ever get there is inside my imagination, and that being the case, it’s a riot.

I keep trying to write a romance novel, it has always fascinated me how the writers of Mills and Boon stories manage to fit them into 187 pages. I try, but brevity doesn’t;t seem to be my thing. At any rate, I get so far, and then it veers off into espionage.

I’m guessing I’m going to have to try harder not to veer off the path.

“The Things We Do For Love”

Would you give up everything to be with the one you love?

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, a place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, s place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

In a word: Scene

This is an easy one.

It’s a part of a book or film which covers a single event, and predominantly with a set group of characters.

It could also mean it might relate to a particular genre that you like, as in,

I’m part of the jazz scene or the symphonic scene, though I think it had a more sinister context back in the late 60s early 70s.

A scene could also be a landscape (especially in art)

Then, of course, the last thing you want is a child to make a scene in front of others, in a display of temper, or bad manners

This is not to be confused with seen, as in, you should be seen and not heard, an oft used expression by a parent.

You could be seen, especially in places where you were not meant to be, or, conversely, make sure you are seen by the ‘right’ people in the ‘right’ places

Have you seen my dictionary, it’s quite large and heavy

I have seen his bad qualities

I have seen better days, though at the moment I can’t remember when

I have seen them all, sometimes seemingly impossible, but it is generated by exasperation, and generally more like I’ve seen everything now!

 

“One Last Look”, nothing is what it seems

A single event can have enormous consequences.

A single event driven by fate, after Ben told his wife Charlotte he would be late home one night, he left early, and by chance discovers his wife having dinner in their favourite restaurant with another man.

A single event where it could be said Ben was in the wrong place at the wrong time.

Who was this man? Why was she having dinner with him?

A simple truth to explain the single event was all Ben required. Instead, Charlotte told him a lie.

A single event that forces Ben to question everything he thought he knew about his wife, and the people who are around her.

After a near-death experience and forced retirement into a world he is unfamiliar with, Ben finds himself once again drawn back into that life of lies, violence, and intrigue.

From London to a small village in Tuscany, little by little Ben discovers who the woman he married is, and the real reason why fate had brought them together.

It is available on Amazon here:  http://amzn.to/2CqUBcz

Children are all the same

They just live in different houses

It’s quite remarkable to discover that your children are not unique.

For years I thought that we had spawned monsters that had quite likely come from another planet because the other children in the family seemed so different.

I didn’t realise that the parents had issued death threats if they so much as looked sideways while out.

It was where I suddenly realised that parents of children if taken at their word, could be mass murderers, or at the very best, the worst kind of bullies.

The threats of violence that they used, in any other circumstances would elicit a rather lengthy jail sentence.

I was guilty of it myself, and such threats had come to roll off the tongue so easily that you didn’t really know you were doing it.

If you don’t do this, I’ll kill you. There’s no thought to the significance of this statement, or the consequences if you were to actually do it.

No wonder the children just look at you like you’re deranged.

Of course, there are fewer murderous ways of dealing with the problem, but the sad fact is they have probably driven you into a blind rage and just past into that zone where you really have no idea what you’re saying.

Been there too.

But the revelation that all the other parents are the same, that you see them threatening their children with death or worse.

Then, after they’ve grown up and moved on as all children do, they return on odd occasions for Sunday lunch and there you begin to learn the stuff they did when younger that you never knew about

It’s seeming a rite of passage for all children, and it’s odd to hear others discussing it, especially when you hear someone else referring to their children the same as you do.

Did they come from the same planet too?

That’s when a friend told me the truth of the matter. All children are the same, they just live in different houses.

Ain’t that the truth!

The cinema of my dreams – I always wanted to write a war story – Episode 55

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination with what happened during the Second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

We were not leaving the castle the way we had found it, but we would blame the Germans.  Carlo understood because he was the one who had selectively destroyed parts of it, but I knew after we’d gone, he would blame us.

When Carlo discovered the empty cells below in the dungeons, he and the boy went back outside and looked for them.  I didn’t have the heart to tell him that Wallace would have ordered them removed and executed because Meyer had been the objective and everything else was a distraction.

Two of Blinky’s soldiers were assigned to bring back Chiara.

Blinky and the rest of his men moved into better quarters and had their first real meal in a week.  We posted sentries, but I didn’t think any Germans would be coming to see what happened.  The sentries were more to tell us when Meyer and his escort arrived.

Blinky would then be the official escort for Meyer back to England.  A plane was on standby waiting for our signal.

Several hours after Carlo left, he returned with Martina and Johanneson, the latter looking very worse for wear.

The last of the traitors.

Carlo shoved him into a chair and bound him very tightly.

“We found the prisoners, all shot.  Fernando’s remnants killed them.  I will make it my business to find every last one of them.  What do you want to do with this traitor?”  He nodded in Johannesen’s direction.

Martina had slumped into a chair.  She still wore the very recent scars of a severe beating and was out on her feet.  Despite that, I got the impression she was glad to be alive.

“Was he responsible for anything that happened while you were in the cells?” I asked her.

“He saved me if that could be called an act of kindness.  He did nothing to save the others.”

“If you had a choice?”

“I’d shoot him.”

“Now hang on.  Since when did good Samaritans get punished?”  Johannesen was outraged.

I shrugged.  “You will be judged on past sins.”

Martina looked up.  “He was the leader of the group that destroyed the church.  It was our original headquarters, down in the basement.  We managed to get away, with a few injuries, but it took out our equipment and radio.”

“There,” he said.  “My intention was destroying infrastructure not lives.”

“Coincidental.”

I got up and walked over to Martina and gave her my gun.  “I’ve done enough killing for today.  Perhaps a small token of retribution for those lost.”

“Chiara?”

“She will be here shortly.  We found her just in time.”

“Thank God for that.”

I don’t think she had it in her to enjoy the moment she executed Johannesen, I don’t think it was worth celebrating a death, more lamenting the loss of yet another person in a war that seemed to be dragging on.

At least he accepted his fate and didn’t plead for his life.

It was mission accomplished.

Blinky’s radioman finally reconnected with Thompson and told him that we were awaiting the arrival of Meyer and that he could tell those up the pipeline it was safe to bring him to the village.  He would then signal when the plane was in the air.  Thompson was pleased enough to give me a ticket back to London.  All we had to do was collect Meyer.

That was Carlo and my job, and for the last time, I went back down into the village and waited.

I was not sure who was more relieved, Meyer or myself.  I’d met him once before the war, at a University in Hamburg where he was working on a top-secret project, and I was studying the archaeology of some old castles nearby.

I’d been tasked to find out what he was doing, my rather bright future in archaeology was never going to take off in those dark months that followed Chamberlain’s peace treaty.  Everyone but him seemed to know that war was inevitable.

He’d spent time telling me about the stars and planets, and how wonderful it would be to visit them one day in the not-too-distant future.  From that, we inferred that the Germans were working on space travel, though you never really could tell what they were up to.

It simply meant if things went bad, we needed to touch base every now and then with Meyer, which I did, in a friendly manner and never directly asking what he was up to.  That contact had paid off, and he had made contact asking me if it was possible to come live in England.

Thompson had been very pleased.

“Herr Atherton,” he said, rather relieved to see me.

“Herr Meyer.”

We shook hands, and then he hugged me like an old friend would.  “You came.”

“You asked.  I do my best?”

“We leave now?’

“We very definitely leave now.”

I left Carlo with the escorts to explain the new arrangements, far away from the castle, and I took Meyer back to the castle.  Along the way we talked, not of rockets and death, but of old times in Berlin, and how Germany used to be before this crazy person called Hitler had sent them down the path to self-destruction.

Perhaps, he said, one day he might be able to return.

I hoped I would not, not until the war ended, but that being a forlorn hope, not until I had a very long, well-earned rest.

But this was Thompson we were talking about, and his favourite saying was ‘There’s no rest for the wicked’.

© Charles Heath 2021-2023

Sayings: Going on a wild goose chase

Who hasn’t been on one of these, particularly if you have an older brother or sister, and they have nothing better to do than give you a hard time.

You know what I mean, going on a mission to find or do something, knowing full well that you won’t find it, or complete it because it was a lost cause to start with.

Yes, it goes very well with another saying, a dog chasing its tail.

We’ve seen that, too, watching the poor dog go round and round without ever achieving anything.

Sounds like my day today.

And it doesn’t stop there, the pointless search could also be described as ‘searching for a needle in a haystack’.

That is, to my mind the very definition of a living nightmare.

The origin of the idiom, well that’s a little more complicated because there isn’t just one definition.

The first:

Coined by William Shakespeare, but not necessarily in the sort of language we can read easily – it’s a bit like my ability to translate Spanish to English. It does, however, refer to a ‘wild goose chase’.

The second:

Refers to, of all things 16th Century horseracing, and because I don’t have a time machine I can’t go back to fact-check. However, it refers to the other riders following the leader around the course, in much the same formation as geese flying through the air.

My little story to go with it:

If you are good at your job, and that is beginning to be noticed, your boss will find one of these ‘wild goose chases’ just for you, in an effort to make you look bad.

It happened to me once: my task was to search the basement, where old records were stored, for a folder that a former employee had thought they had filed it in the wrong storage box, a supposition supported by the fact the folder was now needed to clear up a clerical error and the file wasn’t in the specifically marked storage box.

My job was to search every one of the other 765 boxes stored haphazardly in the basement until I found it.

It was, I was told later, sitting on his desk the whole time, and when I couldn’t find it, was going to swoop in and say he’d found it.

Of course, it went missing before he could, so he got a bollicking for not storing the files properly, and I got the job to clean up the basement. I’m not sure who got the worst punishment.

Writing a book in 365 days – 107

Day 107

Does your story germinate or evolve in your sleep?

There are sweet dreams, and there are nightmares.

For writers, they can be something else entirely.

Because I write mostly late at night and into the early morning hours, the story I’m working in is still fresh on my mind, and sometimes when I’m not sure where the story is going to go next, I put my head on the pillow with the express desire of working out what the next plot point is.

Most of the time, it works.  Sometimes, other ideas pop into my head.

The good thing is that I can use that time just before going to sleep to review what I have written and where it can go.  The real problem sometimes with that process is that I forget what it was I came up with when I wake the next morning.

This is aside from the fact that I have been known to have nightmares, things from a past life that I’ve tried very hard to repress.  These are not the sort of dreams that fuel stories, but can lead to becoming an activist to prevent it from happening to others.

Not all people have suffered in such a manner.

Then there are the dreams, not that there are many and those that I remember are quite weird, and sometimes when I could a dream interpreter, I just don’t get how or why they happened. 

Or perhaps I should be questioning the interpretation.

What I would seriously like is to be able to drop back into a particular period and actually observe what it was like.  A story I am writing goes back to 1928, and in London, I’m catching the night version of the Flying Scotsman, and it’s difficult because there are not so many photographs of diaries of those who travelled back then.

I can imagine, but it’s not the same as being there.

There is one other sort of dream that I have had, and to be honest, this one was scary because it was so real.  I went back in time, I don’t know how far back it had to be, 1700s or 1800s, a small cabin, sleeping in a bed near the kitchen, in a hut with no rooms. 

Could it be something to do with reincarnation, and I was dreaming of being back there in a previous life?  I know now for a fact our forbears lived in the country in the late 1800s, but before that, in Dorset, England, in villages, so it is quite possible could have been there then.

It’s only happened twice, but it was very real. 

Searching for locations: Chateau Tongariro, New Zealand

This chateau was built in 1929 and was originally intended as a hostel for hikers.

It is now near the  Whakapapa skifield on the slopes of Mount Ruapehu and within  the boundary of the Tongariro National Park

chateautongoriro

We had afternoon tea in the lounge several times, and it is very pleasant in winter with the log fires burning.

togariro2

The interior is still as ornate as it had been in the 1930s.  The chairs are very comfortable, and the atmosphere pleasant.

Mount Ngauruhoe can be seen through the window of the lounge.  This was used a backdrop in the filming of Lord of the Rings.

mount-nz

But…

This place is the ideal setting for a murder, and I can see a story being written very much in the mold of Agatha Christie, with a couple of amateur sleuths who are staying there, trying to solve the crime.

Given the sort of shows being produced in New Zealand currently, for Acorn and other streaming services, this could be turned into a very pleasant two hour diversion with some very unique New Zealand, and foreign, characters.

Or just send the Brokenwood detective crew there!

The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 3

It has been cooler for the last week or so, and the ideas for the treasure story have not been flowing.

Now, it’s back and I’m back in the cinema of my dreams, figurative following the treasure ‘map’!

 

This was not the time to panic.

There could be any number of explanations for what I just saw.  Boggs had certainly got me wrapped up in his mysterious treasure hunt, and immediately my mind jumps to conclusions.

I took a deep breath.  There had to be a rational explanation.

Boggs lived with his aunt, his parents had gone away one day and never came back.  He had no brothers or sisters, so he assumed rightly or wrongly, they’d abandoned him.

For the last few years, Boggs and I had been looking for his parents.  That’s how he found the treasure map, in a box of stuff his father had left at his brother’s loft.

Now, his aunt was Spanish, or perhaps that was not totally correct, she was Mexican who spoke Spanish.  Her husband was Boggs’ father’s brother, and they had no children, so they had treated Boggs as their own.

Perhaps the men were known to his Aunt and they were taking him home before he got into trouble.

It didn’t explain why they were talking about the treasure map, whether it was the one being sold by the bar owner or the one Boggs found.  Boggs had it with him, so if they were after it, they probably had it by now.

We’d come to the beach by bus, and I took it back, then walked the mile or so to Boggs’s house.  It was about three streets away from where I lived.

When I turned into the street, there was the kidnapper’s car out the front of Boggs’s Aunt’s house.  A minute or so later I went in the gate and up to the front door.

It was open, so I loitered in the shadows and listened.

A man’s voice, and Boggs’s Aunt.

Again I was struggling with my Spanish, “You should be keeping control of your brat, he’s getting into trouble, in bars and such places.”

“Drinking?”  His Aunt sounded incredulous.

“Perhaps, I know not, but asking bad men questions about the treasure.  Where is the map?”

So they hadn’t taken it off Boggs.  What did he do with it?

“What map.  He has no map, none that he’s told me about.  Besides, that treasure’s a myth, made up by Dooley to get tourists in his bar, if that’s the var you said he was at.  Don’t tell me you’ve been sucked into that myth?  Isn’t it about time you got a real job?”

“Just make sure your brat stays away from the bar.”

I could hear footsteps heading towards the front door and ducked into the bushes just as he came out, slamming the door into the wall before stomping off to his car.

I waited till he drove off before coming out, and walking into Boggs, grinning.

“See, I told you it was real.”

The horrid uncle, the map, or the myth?

 

© Charles Heath 2019