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An excerpt from “The Things We Do For Love”; In love, Henry was all at sea!

In the distance, he could hear the dinner bell ringing and roused himself.  Feeling the dampness of the pillow, and fearing the ravages of pent-up emotion, he considered not going down but thought it best not to upset Mrs. Mac, especially after he said he would be dining.

In the event, he wished he had reneged, especially when he discovered he was not the only guest staying at the hotel.

Whilst he’d been reminiscing, another guest, a young lady, had arrived.  He’d heard her and Mrs. Mac coming up the stairs and then shown to a room on the same floor, perhaps at the other end of the passage.

Henry caught his first glimpse of her when she appeared at the door to the dining room, waiting for Mrs. Mac to show her to a table.

She was in her mid-twenties, slim, with long brown hair, and the grace and elegance of a woman associated with countless fashion magazines.  She was, he thought, stunningly beautiful with not a hair out of place, and make-up flawlessly applied.  Her clothes were black, simple, elegant, and expensive, the sort an heiress or wife of a millionaire might condescend to wear to a lesser occasion than dinner.

Then there was her expression; cold, forbidding, almost frightening in its intensity.  And her eyes, piercingly blue and yet laced with pain.  Dracula’s daughter was his immediate description of her.

All in all, he considered, the only thing they had in common was, like him, she seemed totally out of place.

Mrs. Mac came out of the kitchen, wiping her hands on her apron.  She was, she informed him earlier, chef, waitress, hotelier, barmaid, and cleaner all rolled into one.  Coming up to the new arrival she said, “Ah, Miss Andrews, I’m glad you decided to have dinner.  Would you like to sit with Mr. Henshaw, or would you like to have a table of your own?”

Henry could feel her icy stare as she sized up his appeal as a dining companion, making the hair on the back of his neck stand up.  He purposely didn’t look back.  In his estimation, his appeal rating was minus six.  Out of a thousand!

“If Mr. Henshaw doesn’t mind….”  She looked at him, leaving the query in mid-air.

He didn’t mind and said so.  Perhaps he’d underestimated his rating.

“Good.”  Mrs. Mac promptly ushered her over.  Henry stood, made sure she was seated properly and sat.

“Thank you.  You are most kind.”  The way she said it suggested snobbish overtones.

“I try to be when I can.”  It was supposed to nullify her sarcastic tone but made him sound a little silly, and when she gave him another of her icy glares, he regretted it.

Mrs. Mac quickly intervened, asking, “Would you care for the soup?”

They did, and, after writing the order on her pad, she gave them each a look, imperceptibly shook her head, and returned to the kitchen.

Before Michelle spoke to him again, she had another quick look at him, trying to fathom who and what he might be.  There was something about him.

His eyes, they mirrored the same sadness she felt, and, yes, there was something else, that it looked like he had been crying?  There was a tinge of redness.

Perhaps, she thought, he was here for the same reason she was.

No.  That wasn’t possible.

Then she said, without thinking, “Do you have any particular reason for coming here?”  Seconds later she realized she’d spoken it out loud, had hadn’t meant to actually ask, it just came out.

It took him by surprise, obviously not the first question he was expecting her to ask of him.

“No, other than it is as far from civilization, and home, as I could get.”

At least we agree on that, she thought.

It was obvious he was running away from something as well.

Given the isolation of the village and lack of geographic hospitality, it was, from her point of view, ideal.  All she had to do was avoid him, and that wouldn’t be difficult.

After getting through this evening first.

“Yes,” she agreed.  “It is that.”

A few seconds passed, and she thought she could feel his eyes on her and wasn’t going to look up.

Until he asked, “What’s your reason?”

Slightly abrupt in manner, perhaps, because of her question and how she asked it.

She looked up.  “Rest.  And have some time to myself.”

She hoped he would notice the emphasis she had placed on the word ‘herself’ and take due note.  No doubt, she thought, she had completely different ideas of what constituted a holiday than he, not that she had said she was here for a holiday.

Mrs. Mac arrived at a fortuitous moment to save them from further conversation.

Over the entree, she wondered if she had made a mistake coming to the hotel.  Of course, there had been no conceivable way she could know that anyone else might have booked the same hotel, but realized it was foolish to think she might end up in it by herself.

Was that what she was expecting?

Not a mistake then, but an unfortunate set of circumstances, which could be overcome by being sensible.

Yet, there he was, and it made her curious, not that he was a man, by himself, in the middle of nowhere, hiding like she was, but for quite varied reasons.

On discreet observance, whilst they ate, she gained the impression his air of light-heartedness was forced, and he had no sense of humour.

This feeling was engendered by his looks, unruly dark hair, and permanent frown.  And then there was his abysmal taste in clothes on a tall, lanky frame.  They were quality but totally unsuited to the wearer.

Rebellion was written all over him.

The only other thought crossing her mind, and incongruously, was he could do with a decent feed.  In that respect, she knew now from the mountain of food in front of her, he had come to the right place.

“Mr. Henshaw?”

He looked up.  “Henshaw is too formal.  Henry sounds much better,” he said, with a slight hint of gruffness.

“Then my name is Michelle.”

Mrs. Mac came in to take their order for the only main course, gather up the entree dishes, and then return to the kitchen.

“Staying long?” she asked.

“About three weeks.  Yourself?”

“About the same.”

The conversation dried up.

Neither looked at the other, rather at the walls, out the window, towards the kitchen, anywhere.  It was, she thought, unbearably awkward.

Mrs. Mac returned with a large tray with dishes on it, setting it down on the table next to theirs.

“Not as good as the usual cook,” she said, serving up the dinner expertly, “but it comes a good second, even if I do say so myself.  Care for some wine?”

Henry looked at Michelle.  “What do you think?”

“I’m used to my dining companions making the decision.”

You would, he thought.  He couldn’t help but notice the cutting edge of her tone.  Then, to Mrs. Mac, he named a particular White Burgundy he liked, and she bustled off.

“I hope you like it,” he said, acknowledging her previous comment with a smile that had nothing to do with humour.

“Yes, so do I.”

Both made a start on the main course, a concoction of chicken and vegetables that were delicious, Henry thought when compared to the bland food he received at home and sometimes aboard my ship.

It was five minutes before Mrs Mac returned with the bottle and two glasses.  After opening it and pouring the drinks, she left them alone again.

Henry resumed the conversation.  “How did you arrive?  I came by train.”

“By car.”

“Did you drive yourself?”

And he thought, a few seconds later, that was a silly question, otherwise she would not be alone, and certainly not sitting at this table. With him.

“After a fashion.”

He could see that she was formulating a retort in her mind, then changed it, instead, smiling for the first time, and it served to lighten the atmosphere.

And in doing so, it showed him she had another more pleasant side despite the fact she was trying not to look happy.

“My father reckons I’m just another of ‘those’ women drivers,” she added.

“Whatever for?”

“The first and only time he came with me I had an accident.  I ran up the back of another car.  Of course, it didn’t matter to him the other driver was driving like a startled rabbit.”

“It doesn’t help,” he agreed.

“Do you drive?”

“Mostly people up the wall.”  His attempt at humour failed.  “Actually,” he added quickly, “I’ve got a very old Morris that manages to get me where I’m going.”

The apple pie and cream for dessert came and went and the rapport between them improved as the wine disappeared and the coffee came.  Both had found, after getting to know each other better, their first impressions were not necessarily correct.

“Enjoy the food?” Mrs. Mac asked, suddenly reappearing.

“Beautifully cooked and delicious to eat,” Michelle said, and Henry endorsed her remarks.

“Ah, it does my heart good to hear such genuine compliments,” she said, smiling.  She collected the last of the dishes and disappeared yet again.

“What do you do for a living,” Michelle asked in an off-hand manner.

He had a feeling she was not particularly interested, and it was just making conversation.

“I’m a purser.”

“A what?”

“A purser.  I work on a ship doing the paperwork, that sort of thing.”

“I see.”

“And you?”

“I was a model.”

“Was?”

“Until I had an accident, a rather bad one.”

“Oh, I’m sorry.”

So that explained the odd feeling he had about her.

As the evening wore on, he began to think there might be something wrong, seriously wrong with her because she didn’t look too well.  Even the carefully applied makeup, from close, didn’t hide the very pale, and tired look, or the sunken, dark-ringed eyes.

“I try not to think about it, but it doesn’t necessarily work.  I’ve come here for peace and quiet, away from doctors and parents.”

“Then you will not have to worry about me annoying you.  I’m one of those fall-asleep-reading-a-book types.”

Perhaps it would be like ships passing in the night and then smiled to himself about the analogy.

Dinner over, they separated.

Henry went back to the lounge to read a few pages of his book before going to bed, and Michelle went up to her room to retire for the night.

But try as he might, he was unable to read, his mind dwelling on the unusual, yet compellingly mysterious person he would be sharing the hotel with.

Overlaying that original blurred image of her standing in the doorway was another of her haunting expressions that had, he finally conceded, taken his breath away, and a look that had sent more than one tingle down his spine.

She may not have thought much of him, but she had certainly made an impression on him.

…

© Charles Heath 2015-2024

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Writing a book in 365 days – My story 15

More about my story

If we are going to have a dictatorship with a benign president, and rebels, and a missing leader of the opposition party in what is purported to be a democracy of sorts, then there must be a revolution in the offing.

And what better time to have a coup d’état than when there is a human rights conference going on?

So far, a group of rebels have been thwarted by our protagonist, who is trying to do his job or protecting the keynote speaker, and who is a long-ago love interest.  And yes, we will get past the notion that the woman in white is his daughter.  She is not.

Then we get to the notion that some of the journalists might be agents for the various intelligence agencies in the world, and one in particular, a British journalist who may or may not be MI6.

Of course, that leader of the opposition is not dead, just missing, and the rumours of the catacombs being a vast underground network of tunnels and dungeons, and quite possibly torture chambers, is a good enough notion that someone should have a poke around.

And let’s not forget that the protagonist’s diverting assistant he didn’t want, has now managed to catch the eye of the very nasty head of the secret police.  It’s just one more thing to worry about.

While the, of course, the human rights conference carries on regardless of the antics outside.

In a word: Rain

Well, isn’t it just like you to rain on my parade?

Yes, and don’t we need a lot of rain because of the bushfires that are burning out of control?

Rain is that stuff that falls from the sky, sometimes at the awkwardest of times, like when you leave your umbrella in the car.

And rain can be a problem in sub-zero temperatures and high winds when it almost takes on the form of multiple miniature knives.  Rain and snow together, sleep, but that’s something else.

Of course, it could always rain cats and dogs, a rather interesting occurrence if it ever happened.

This should not be confused with the word rein.

As any horseperson would know this is what helps control a horse

But, it doesn’t have to be a horse, it might be that you are told to rein in your attack dog

Or rein in your excesses

Or alternatively, give a person free rein to go about their business.

Then there is reign, that period of time when a monarch rules, and it seems in England women hold the record for the longest reign, Queen Victoria, and Queen Elizabeth II

That’s distinct from the office oligarchs who seem to think they reign over the plebs

‘What Sets Us Apart’ – A beta readers view

There’s something to be said for a story that starts like a James Bond movie, throwing you straight in the deep end, a perfect way of getting to know the main character, David, or is that Alistair?

A retired spy, well not so much a spy as a retired errand boy, David’s rather wry description of his talents, and a woman that most men would give their left arm for, not exactly the ideal couple, but there is a spark in a meeting that may or may not have been a setup.

But as the story progressed, the question I kept asking myself was why he’d bother.

And, page after unrelenting page, you find out.

Susan is exactly the sort of woman to pique his interest.  Then, inexplicably, she disappears.  That might have been the end to it, but Prendergast, that shadowy enigma, David’s ex-boss who loves playing games with real people, gives him an ultimatum, find her or come back to work.

Nothing like an offer that’s a double-edged sword!

A dragon for a mother, a sister he didn’t know about, Susan’s BFF who is not what she seems or a friend indeed, and Susan’s father who, up till David meets her, couldn’t be less interested, his nemesis proves to be the impossible dream, and he’s always just that one step behind.

When the rollercoaster finally came to a halt, and I could start breathing again, it was an ending that was completely unexpected.

I’ve been told there’s a sequel in the works.

Bring it on!

…

The book can be purchased here:  http://amzn.to/2Eryfth

…

Friday night at a hotel bar

It’s a writer’s paradise for characters

…

I’m not a night person and even less so a pub person, except perhaps for a Sunday lunch, for what is usually an incomparable steak.

But tonight is different.

We’re meeting people who have come up from Melbourne for a wedding, people we haven’t seen for a long time.

I’m not a conversationalist, so I leave them to it, and go on a character hunt.

And the pickings are rich.

My first victim, If she could be called that, is the one I call the lady in the red dress.

She’s on the other side of 40, with a sort of earthy attractiveness about her.  The first thing to notice, for her age, the dress is too short.  Maybe that’s the fashion and I’m just an old fogey, but it does say something.

She’s definitely single, or perhaps a player, certainly a flirt.  She holds the stage, and talks with her hands, and those around her are captivated.

The untidy hair loosely collected in a hair tie tells me she carries a sort of messy but not messy look, and I wonder at the state of her residence.  It’s a leap I know, but small signs indicate bigger things.

I’ve counted two glasses of beer in an hour and a half, so she is sensible, aware of her surroundings, and of the three men she has spent her time with, it’s hard to pick a winner.  It’s not hard to captivate a loser.

Next comes the party girls three 20 somethings dressed to be noticed, and overly animated and screams look at us.

Oops, they just parked themselves nearby with the very expensive and exotic-looking matching cocktails.  There’s the obligatory selfie together, and then a casual look around to see what’s on offer.

I don’t think there’s a lot, but my standards and their standards are most likely miles apart.

Hang on, news flash, they’re a part of another group nearby, several older office workers who could be the so-called chaperones, or just having a quiet drink before having to go home to any of, a family, a car, an empty flat, or blessed relief the week is finally over.

Next door to us is a family group, the kids are teens, and I’m wondering if the boys are boyfriends.  The mother is an older, very attractive version of the daughter.

Perhaps it’s an experience for the girls because I don’t see a man who could act as a husband unless it’s the second time around with a younger version.

Why not.  Men do it, why can’t women.  But out on the town with your teenage children?

The bar’s entertainment … a single guy playing the guitar, along with backing music that makes him sound better, but people seem to agree that it’s good but not brilliant.

He’s singing covers, which may have made him just so so, perhaps if he sang his own material it might take him to the next level.

But, who cares, no one seems to be listening, the noise level of what seems like a thousand concurrent conversations drowning out any appreciation.  

Of course, it’s headache-inducing because he has the volume so high, just to get over the ambient noise, and in doing so, it takes away the intrinsic musicality of it all, and it’s just more noise to contend with.

I suppose it’s better than canned music.

OK, news flash, the red dress had moved down the table and settled on a prospect, about 15 years younger.  Her animation has intensified, and yes, there’s the casual brushing against him, like a cat marking its territory.

The night is young, and it’s looking good.  I’m not going to pretend I have given a passing thought to spending a few minutes with her, for character creation purposes only.

And yes, we now have a sing-along.  At half-past eight, it’s a bit early for the crowd to be too exuberant.

A squeal shatters the, well, not silence, and is one of the groups pretending like someone had dripped ice down the back of a dress that has no back, the next phase of attention-getting.

And, attention directed their way, they do a little dance, skol the drinks, and with all eyes on them, head to the bar for round two, or is that three.  Several others join them, but they don’t need to do the dance.  The lack of clothes more than makes up for the squeals.

If these are the modern mating rituals a lot has changed in the last 50 years.  Or perhaps not, I’m just too old to remember.

The cinema of my dreams – I always wanted to see the planets – Episode 8

A trip back through memory lane.

…

We were diverting to Venus, sitting out there on screen, lonely as a cloud, if there could be clouds in space.

So, I wondered if the Captain had a special reason why I should head the team going to the freighter.

It was an opportunity to take one of the new class of shuttles, reported to be faster, more stable, and larger so that we could carry more people and cargo. It would be overkill today.

The crew assigned to collect the cargo was aboard, and my co-pilot for want of a better name was Myrtle, an officer that joined the ship with me, and had excellent qualifications.

We were going through the preflight, ready to lift off.

“First time?”

“In a shuttle, no. In space, real space, more or less.”

I don’t think I wanted to know what more or less meant.

“There’s nothing to it.”

The captain’s voice came over the speaker, “You’re cleared for departure, they’re expecting you imminently.”

“Very good, sir.”

It was never a gentle lift-off, unlike landing, and that initial jerk was an annoyance. Then engaging the thrusters, we began to move forward slowly towards the cargo door, and at the synchronised time, the doors opened and there was nothing but empty space before us.

Outside, we increased speed, turned, and flew under our ship, just to get a look at it, something I knew the people aboard might be interested in seeing, then onto the Aloysius 5 drifting off our port bow.

“Do you see what I see?” Nice to see Myrtle wasn’t blind.

“I do, and that’s worrying.”

What was it? A scorch mark on the side of the Aloysius 5, in a place where we couldn’t see it from our ship, and a direct hit on one of the exhaust manifolds. That would stop a ship dead in its tracks without wrecking it.

“Captain,” I said, hoping he was listening.

“Number one?”

“I think we have a problem.”

…

© Charles Heath 2021

A photograph from the inspirational bin – 8

A picture can paint a thousand words, or more, or less, but…

…

The interesting thing about a place in the dark, in the distance, and behind a chain wire fence usually means something. Especially when there are mysterious lights involved.

We were at a night sports event, watching over a thousand screaming and yelling kids from five to eighteen pretending to compete in a variety of athletic events.

I was there to nominally to support my granddaughter in her endeavours, but right at that moment, on the far side of the track, what I was really there to see was what was behind the wire fence

“Are you watching, Poppy?”

Well, at that moment I wasn’t, but I did turn just in time to see her clear a meter high high jump and execute an elegent backflip, a result no doubt of the ballet training she had since the age of four. Seven years later those lessons had transformed into a high jumper with a great future.

Except, she couldn’t really care less. It was more about the parents and athletic organisers expectations, than hers. I was there, she told me in a secretive tone, to tell everyone to back off.

if you think spying was a dangerous occupation, then let me tell you trying to navigate a safe path between child and parents, and then the rest of the word, forget it.

So, with my trusty phone camera, slightly modified, I was pretending to take pictures of surrounding trees in the high density lighting for the athletics oval, whilst zooming in on the real target.

And, about to take the money shot, I could feel a tugging on the side of my jacket.

I looked down to see the petulant face of a child not happy.

“You said you were coming to see me perform.”

I had. I looked over at the woman the boss had assigned as my ‘date’, Nancy, and whom I’d introduced as a long time friend who deigned to suffer my invitation so she could meet the girl I was always talking about.

“Yes, Poppy,” she said with an evil undertone. “You said you wanted to see her high jumps. You’d better get over there, while I take some pictures of the trees for you.”

“Why do you want pictures of dumb old trees?” That was a question I would have asked myself, and I didn’t quite have an answer for it.

Nancy did. “Because he’s odd like that. It’s one of the quirks I like about him.” She took the camera out of my hand and shooed us off.

And, heading back to the high jump, she asked, “What’s a quirk?”

“Just ask your father later. He knows all about quirks.”

…

© Charles Heath 2021

Writing a book in 365 days – 115

Day 115

Writing in the first person or in the third person

…

Writing in the first or third person is a matter of preference; the former can sometimes be limiting because only one point of view is generally available to the reader, while the latter enables the reader to get more than one point of view.

In the first instance, this is how we tell a story from one perspective that doesn’t necessarily require others.  In the second instance, it is useful for writing a murder mystery where different perspectives, attitudes, and characters, depending on circumstances, add to the story in ways a single perspective can not.

However, as I see it, when writing in the 3rd person, the author has to have multiple personalities in order to write different points of view.  To me, that’s difficult, but not impossible. It simply means you have to get into character so you can write their story.

That, in turn, takes more time and, to a certain degree, a lot more planning for character development.  It’s where a minor character can get to steal the show, as is known to happen in movies.  Sometimes, it’s a pleasant surprise; others are not so much.

A pitfall not to fall into is adopting the same persona type for all the characters.  You would need to sit down and plan each of the individual characters, no matter how small a role they play.

The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 11

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new instalment of an old feature, and back on the treasure hunt.

…

“Do you remember Nadia?”

Boggs was out the back on the veranda, sitting in an old lounge chair that had seen better days, eating tacos, or at least I think they were tacos.  He offered me one but I didn’t like the look of it.  Aside from the fact I wasn’t a fan of Mexican food.

“One of the Cossatino’s, Vince’s sister, tall, shorts skirts and big, well you know what I mean.”

Statuesque, Amazonian, yes I did.  We all coveted what we couldn’t have.

“The same.  She’s back in town.”

“And this means what to us if anything.  As I recall, the one time we tried talking to her, Vince had his friends rough us up.”

“I saw her with Alex today, in the warehouse.”

I had his attention.  I knew what he was thinking.

“Doing what, as if I couldn’t guess?”

“Alex wouldn’t be that stupid.”

“And we also said that when he fucked Annie in front of the class in the sports hall, not that we knew then what he was doing.”

Good point.  “No.  He told her to get the map from Rico.  Has Rico and her…”

“Dated?  Like Rico would be in her league.  He’d be little more than trash in her eyes.  But, no, not that I’m aware of.  But, if she was to throw herself at him, I’m sure he would react like any other dumb bastard who thinks with his dick and not his head.  But he hasn’t got the map.”

“Yet.”

“I still think I should try to sell it to Alex.”

“And I think if you are looking for a reason for a long hospital stay, that would be it.  You need to be careful where Rico is concerned.  Maybe we should check him out tomorrow.”

“I thought you had a job, and couldn’t get away.”

“My shift has changed to the afternoon, so I’ll be available in the mornings.  Do you know where Rico lives?”

“On his boat.  He has a small cruiser at the docks.  Uses if for, he says, fishing trips for businessmen, but I think he does the drug run from the shipping lanes to a quiet cove.”

“For the Benderby’s?”

“No idea, and don’t care.  But you’re right.  We should check him out.  Tomorrow morning.  I’ll meet you at Al’s fishing shop at about 9:00.”

He’d finished the tacos, and clearly had something else to do, something that didn’t involve me.  I felt a little disappointed.

…

© Charles Heath 2019-2021

The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.

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