The cinema of my dreams – Was it just another surveillance job – Episode 48

I’m back home and this story has been sitting on the back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe


“You haven’t been truthful with me, have you?” 

That was Dobbin’s opening shot once we were in the car and out in traffic.  It was as if he was worried someone would be listening in on our conversation.

“Says the spider to the fly.  Isn’t it the nature of this business not to play all your cards at once?”

“You’ve been in this business all of five minutes.  You don’t get the right to play cards.”

“I’m still alive, no thanks to anyone but my own skill.”

I could see the disdain in his expression, and the annoyance in his eyes.  Perhaps he was a man used to getting his own way.  I was expecting a retort, but he said nothing.

“How many different organizations do you work for, or is it none, and you just have fake IDs to get you in the door?”

“Need to know.  Have you found O’Connell yet?”

“He’s dead.  I saw him killed in an alley.  I’m sure Maury and Severin had him shot, no coincidence they turned up just after he hit the ground.  I searched the body, there was nothing on it.  Before he was shot, he told me to speak to you.  I did.  Anything else I’m doing is for my own protection.  Assigning Jan to befriend me, then play me would have been a good plan if I hadn’t found out.  I know she found O’Connell’s other residence, but I’m willing to bet she found as much as I did nothing.  Your people do that to Maury?”

“In a manner of speaking.  He wasn’t going to talk, and we couldn’t let him back on the street.”

“And knowing that I would go back to the hotel, what were you hoping for, that I would get arrested for his murder?”

“We were hoping you would glean information from her handler, or the police.  Seems both are either tight-lipped, or they know nothing.  Her handler is an incompetent fool.”

“Where is she?”

“Waiting for you at her apartment.  I want the pair of you to find O’Connell.  He either has the information, or he knows where it is.  They found the charred remains of a body in the cafe where the explosion was, a freelance reporter, who, according to his editor, had the story of the century.  No other details, though.”

“That either means military or industrial secrets.  Why would the reporter want to meet with O’Connell?”

“That’s not your concern.”

“Well, you’re wrong if you think O’Connell had the USB.  He didn’t get inside the cafe before it blew up, I know, I was there, and witness the whole event.  You know the drill, he goes past, checking to see if the target is in place, then makes sure the location is clear, then goes back and facilitates the handover.  He only just got past the front when the bomb went off.  I’m sure you’ve seen the CCTV footage.”

Yes, his expression told me he had.

“So how do you come to the conclusion he still has it?”

Never cite logical arguments to a man who lives in a fantasy world.

“Law of averages tells me there is a copy, and O’Connell would have made sure there was a backup plan, and location.”

It then struck me, after having talked to O’Connell, and knowing Dobbin knew O’Connell was still alive because he had rescued him from the alley and Severin’s cleaners.  It was not just a matter of getting him to admit it, and the fact O’Connell had done a runner on him.

“You seem convinced O’Connell is still alive.”

He glared at me.  Truth or dare?

“Because he is.  The trouble is, he’s gone to ground and I can’t raise him.  He was supposed to wait a few days in a safe place while we hunted down Severin and Maury.  We had one, but not the other.  I doubt he’ll surface before he gets word that Severin has been neutralized.  Every hour that information is still out there, is the chance it will fall into the wrong hands, so we need him and the information found.”

“You think he’s gone rogue.”

“I don’t think anything.

The car stopped outside O’Connell’s apartment block.

“Place nice with Jan, and find him and the information.

I got out of the car and watched it rejoin the traffic.

Before heading to the front entrance, my phone rang.  Odd, because only two people knew my number, and it was neither of those two.

Curiosity overcame reluctance to answer.  “Yes.”

“I’m texting a meeting point.  Be there at six.”  The line went dead before I could say anything.  Four hours.

No doubting the voice.  Severin.  And he sounded scared.

I wondered if he knew what had happened to his partner in crime.

© Charles Heath 2020-2022

365 Days of writing, 2026 – 42

Day 42 – The writers mind

“The Writer’s Mind: Beyond Inspiration, Embracing the Power of Stubbornness and Patience”

Introduction: A Question of Depth

Have you ever compared a writer to a miner toiling in a dimly lit cave, chipping away at the rock not with a pickaxe, but with a fragile needle? This vivid metaphor—digging a well with a needle—captures the essence of the writer’s mind: not a vessel for fleeting inspiration, but a forge for stubbornness and patience. So, what truly defines a writer’s mind? Is it the spark of inspiration, or the quiet, relentless force of persistence?


The Myth of Inspiration: A Spark That Flickers

Pop culture often paints writers as scribes waiting for divine whispers, sitting by windows with blank pages and poetic daydreams. While inspiration undeniably provides a spark, it is but a matchstick in the fireplace of creation. Stephen King once said, “If it’s just sitting there, waiting to be written, why not write it?” This mindset reframes inspiration as a beginning, not a destination. Waiting for the “right moment” can become a prison. The truth? Ideas are seeds; they need tending, not just falling from the sky.


The Reality: A Symphony of Persistence and Patience

The writer’s mind is less a lightning bolt and more a marathon. Consider J.K. Rowling, who penned drafts of Harry Potter while raising a child on welfare. Or Maya Angelou, who wrote I Know Why the Caged Bird Sings after years of honing her voice. These stories reveal a pattern: legendary works are forged through relentless effort.

Persistence isn’t just about writing; it’s about rewriting, revising, and surviving rejection. Hemingway famously reworked the last page of A Farewell to Arms 39 times. This is the heart of the writer’s mind—not genius, but grit.


The Well-Metaphor: Chipping Away to Find the Flow

Imagine digging a well with nothing but a needle. The ground is rocky, the process endless, and doubt creeps in. Yet, somewhere beneath the surface, water waits. The writer’s mind is this process: slow, methodical, and demanding unwavering resolve. Each word, sentence, and draft is a careful poke at the earth. There’s no shortcut, no instant success—only the gradual discovery of a depth that was always there.

This metaphor also mirrors the emotional journey. There are days when the needle slips, and the hole seems futile. But the well, once unearthed, becomes a source of life. So too does the act of writing become a wellspring of clarity and purpose—if only you keep digging.


Embracing the Grind: Practical Wisdom for Writers

  1. Show Up Daily: Treat writing like a craft, not a performance. Neil Gaiman advises, “Write every day, even when you don’t want to.”
  2. Refine, Don’t Perfection: Let your first draft be messy. The magic happens in the revisions.
  3. Track Progress: Like a miner tallying each inch, note your progress—words written, pages turned.
  4. Celebrate Small Wins: Finished a paragraph? A chapter? Honour those victories; they’re proof of your stubbornness.
  5. Lean on the Community: Join writing groups. The collective grit of fellow writers fuels your fire.

Conclusion: The Writer’s Mind is a Masterpiece of Perseverance

In the end, a writer’s mind is not defined by inspiration but by the conviction to return to the page, time and again, like a miner with a needle. It’s the courage to dig when the well seems a mirage, and the patience to believe the water will flow. So, the next time you grapple with the blankness of a page or the weight of a half-finished novel, remember: you’re not failing—you’re simply chipping away at the rock, one determined stroke at a time.

The well is there. Keep digging.

If I only had one day to stop over in – Bratislava – what would I do?

One‑Day Stopover in Bratislava? Spend It at the Castle – And You’ll Never Forget It

If you’ve only 24 hours in Slovakia’s capital, there’s one spot that does it all: Bratislava Castle. From sweeping Danube vistas and a dash of medieval intrigue to cozy cafés and instant photo ops, the castle compresses the city’s soul into a single, unforgettable experience.


Why the Castle Wins the “One‑Place” Crown

What You’ll GetHow It Fits a One‑Day Itinerary
Panoramic Views – A 360° sweep of the Old Town, the Danube, and the distant foothills of the Carpathians.You can see the whole city without hopping on a bus.
History in a Nutshell – From Great Moravian roots to Habsburg splendor, the castle’s museums condense centuries into one hour.No need to chase multiple museums; the core story is right there.
Photo‑Ready Backdrops – Fairy‑tale towers, a red‑brick façade, and the river below.Instagram‑ready shots in minutes, not hours.
Café Culture – A charming terrace café serving Slovak pastries and a glass of locally‑bought borovička (juniper schnapps).Perfect for a quick bite or a leisurely coffee while you soak up the view.
Easy Access – A short, scenic walk or a quick tram ride from the train station or airport.No logistics nightmare—just step out and arrive.

How to Make the Most of Your Castle Visit

1. Get There Stress‑Free

  • From the Airport: Take the bus 61 (≈ 15 min) to the city centre, then hop on tram 9 (one stop to “Hlavná”). Walk up the gentle hill – the castle looms ahead.
  • From the Train Station (Železná stanica): Tram 9 or 10 drops you at “Hlavná”; the castle sits a 5‑minute uphill stroll away.
  • Tip: Buy a 24‑hour public‑transport ticket (€4.20) – it covers trams, buses, and the funicular if you decide to ride up.

2. Time‑Slot the Visit

Time of DayWhy It Works
Morning (9:00‑11:00) – Fewer crowds, soft light for photos.Ideal if you’re catching an early train or flight.
Mid‑day (12:00‑14:00) – Café open, perfect for a leisurely brunch after a walk.Great for “foodie + view” combo.
Late Afternoon (16:00‑18:00) – Golden hour casts a magical glow over the Danube.Best for dramatic sunset shots.

Pro tip: The castle’s interior museum closes at 17:00 (last entry 16:30). If you want to peek inside, aim for the early‑afternoon slot.

3. The “Must‑Do” Inside the Walls

  1. Quick Museum Tour (45 min) – The Slovak National Museum’s exhibition showcases royal artifacts, medieval armours, and a replica of the 1848 revolutionary flag.
  2. Staircase to the Terrace (5 min) – Ascend the iconic stone staircase; it’s a photo‑op in itself.
  3. Terrace Café (30 min) – Order a trdelník (cinnamon‑sugar‑coated pastry) and a cup of Slovak coffee. Sip, savour, and watch boats drift by on the Danube.
  4. Panorama Shot – Snap the cityscape from the highest viewpoint; the Old Town’s red roofs against the river look spectacular both day and night.

4. Extend the Magic (If You Have a Few Extra Minutes)

  • Roman Remains: At the castle’s base, you’ll find a small archaeological site with Roman bricks—an unexpected glimpse into ancient Pannonia.
  • Green Belt Walk: A short stroll along the Vazovské Mesto park leads you to the UFO Observation Deck on the SNP Bridge for an alternate sky‑high view (optional, but worth it if you have 20 extra minutes).

What to Pack for a One‑Day Castle Adventure

ItemReason
Comfortable walking shoesThe hill is a gentle incline, but cobblestones can be slippery.
Light jacketEven summer evenings get breezy over the Danube.
Reusable water bottleStay hydrated, especially if you’re exploring on foot.
Portable chargerYou’ll be snapping photos and using maps.
Cash (Euro)Small cafés and souvenir stalls often prefer cash.

A Sample 8‑Hour Stopover Itinerary

TimeActivity
08:00Arrive at Bratislava Airport / train station
08:15Buy a 24‑hr transport ticket; board bus 61 / tram 9
09:00Arrive at Bratislava Castle – start museum tour
10:00Climb to the terrace, grab a coffee & trdelník
11:00Walk down to Old Town (just 5 min) – brief photo stop at Michael’s Gate
12:00Lunch at Koliba Bratislavská (traditional Slovak cuisine)
13:30Return to the castle for a second look or relax in the park
15:00Depart for airport / station (allow 45 min for travel)
16:00Flight/train onward – memory of the castle fresh in your mind!

Feel free to swap lunch for a quick bite on the terrace; the castle’s café is perfect for a light meal.


Final Thought: The Castle as a Micro‑City

A single landmark can never replace a full‑day wander, but Bratislava Castle packs history, culture, cuisine, and a panoramic postcard‑ready view into one compact, accessible spot. It’s the perfect “anchor” for a brief stopover, letting you leave the capital with a vivid mental picture—and a handful of stunning photos—rather than a vague sense of “I was there”.

So next time your flight schedule gives you a layover in Bratislava, skip the endless list of “must‑see” spots and head straight to the castle. Trust us: one day, one place, one unforgettable memory.


Want More Stopover Tips?

  • Subscribe to my newsletter for weekly city‑break itineraries.
  • Download my free “One‑Day European Capitals” PDF checklist.
  • Follow me on Instagram @TravelWith[YourName] for daily visual inspiration.

Safe travels, and may your balcony view of Bratislava’s skyline be as spectacular as the city itself! 🚂✈️🗺️

What I learned about writing – People are plotters

The plot line for any story is about the actions of people and the consequences of their actions.

Let’s face it, people, well, most people are plotters and schemers, looking to do good or bad, though we always seem to focus on the bad. It wouldn’t;t be much of a story if everyone wanted to do good, would it?

So we have an example, the Gunpowder Plot, you know, back in the dark ages, someone wanted to blow up the houses of Parliament in London.

It wouldn’t be a plot without the plotter, Sir Guy Fawkes. A plotter. A schemer. The person who got the gunpowder convinced a few conspirators and nearly got away with it.

Stories often lurch from one thing to the next as the people involved make decisions and take actions rightly or wrongly, which lead to an inevitable conclusion.

That inevitable conclusion may not necessarily be the original inevitable conclusion you considered in the master plan, but having an eventuality in mind can give you a basis to reverse plot the actions needed to get there.

And like in real life when you plan for an outcome, sometimes it doesn’t quite go to plan.

I know quite a few of my stories have rather interesting endings, but that’s simply because characters, like real people, sometimes have a mind of their own, and another plot in mind. How can they, if they are just characters in your imagination?

I’ll let you think about that, and we’ll revisit it later on.

“What Sets Us Apart”, a mystery with a twist

David is a man troubled by a past he is trying to forget.

Susan is rebelling against a life of privilege and an exasperated mother who holds a secret that will determine her daughter’s destiny.

They are two people brought together by chance. Or was it?

When Susan discovers her mother’s secret, she goes in search of the truth that has been hidden from her since the day she was born.

When David realizes her absence is more than the usual cooling off after another heated argument, he finds himself being slowly drawn back into his former world of deceit and lies.

Then, back with his former employers, David quickly discovers nothing is what it seems as he embarks on a dangerous mission to find Susan before he loses her forever.

Find the kindle version on Amazon here:  http://amzn.to/2Eryfth

whatsetscover

If I only had one day to stop over in – Riga – what would I do?

One Day in Riga? Spend It All in One Magical Spot – The Old Town (Vecrīga)

If you’ve only got a single layover in Latvia’s capital, there’s no better way to make the hours count than to lose yourself in the winding cobblestones, pastel‑painted facades, and centuries‑old stories of Riga’s Old Town. One neighbourhood, one day, endless memories.


Why the Old Town is the Ultimate “One‑Place” Stopover

What you getWhy it matters for a 12‑hour lay‑over
Iconic landmarks in walking distance – St. Peter’s Church, House of Blackheads, Riga Cathedral, and the famous Riga Skyline from the church tower.No need for a taxi or public‑transport schedule; you can see them all in under two hours of strolling.
A living museum – Gothic, Baroque, and Art Nouveau layers sit side‑by‑side, giving you a crash‑course in Baltic history.Perfect for Instagram‑worthy shots and satisfying curiosity in a short time.
Café culture & quick bites – Cozy coffee houses, open‑air markets, and bite‑size Latvian treats.Fuel up fast and keep the momentum going.
Ease of access – The Old Town is just a 5‑minute walk from the central railway station (Rīgas Dzelzceļš) and a 10‑minute tram ride from the International Airport (RIX).You can get there, explore, and be back in time for your next flight without stress.

In short, Vecrīga packs the history, architecture, food, and vibe of an entire city into a compact, pedestrian‑friendly quarter.


A Mini‑Itinerary: 8 Hours of Pure Riga

Tip: Grab a city map or enable offline maps on your phone. The Old Town is mostly sign‑posted in English, but a quick glance at a paper map can help you stay on track.

TimeActivityHighlights
08:30 – 09:00Arrival & Coffee BoostStep off the tram or walk from the train station to Café Leningrad (or the historic Miera iela “Mierā” café). Order a latte and a kliņģeris (a buttery Latvian croissant) to power up.
09:00 – 09:30St. Peter’s ChurchClimb the tower (≈ 25 min) for a panoramic view of the city’s rooftops and the Daugava River. The view alone is worth the sweat.
09:45 – 10:30House of BlackheadsStep inside the flamboyant guild hall. Its opulent interior, gilded ceilings, and the “Three Brothers” façade make for a stunning photo series.
10:45 – 11:30Riga Cathedral & the DomeWalk across the narrow lane to the Riga Cathedral, Latvia’s oldest church (11th century). If you’re feeling adventurous, climb the cathedral dome for a quieter, equally spectacular vista.
11:45 – 12:30Lunch on the SpotGrab a quick bite at Folkklubs Ala Pagrabs (underground tavern) – try the Grey Peas with Speck, a classic Latvian comfort dish, and a local craft beer.
12:45 – 13:30The Latvian National Opera (outside)Even if you can’t catch a performance, the façade and surrounding square are photogenic. Snap a few shots before heading back.
13:45 – 14:30Souvenir & Snack StopPop into a small shop on Mākslās iela for hand‑woven Linen scarves or a jar of Riga Black Balsam. Pick up a pīrāgi (filled pastry) for the journey home.
14:45 – 15:30Leisurely Walk & DepartureMeander down Rātslaukums (the Town Hall Square), soak the atmosphere, and make your way back to the station or airport with a relaxed mind.

Total time: ~8 hours (leaving a buffer for security checks and travel to/from the airport).


What Makes the Old Town So Memorable?

1. A Time Machine in Cobblestones

Every lane tells a story: the German‑influenced Gothic spires, the Renaissance merchant houses, and the Art Nouveau whispers that peek out behind the medieval façade. Walking here feels like flipping through a living history book—only you’re the protagonist.

2. Café Culture Meets Medieval Walls

Riga’s coffee scene thrives inside centuries‑old buildings. A steaming cup of locally roasted beans paired with a biezpiena kūka (cottage‑cheese cake) is a sensory shortcut to Latvian hospitality.

3. Panoramic Vistas Without the Hassle

Two towers (St. Peter’s and the Cathedral) give you 360° views that most travellers miss when they rush through the city. From the top, you’ll see the Daugava River, the modern skyline of the Business District, and the red‑brick Soviet‑era blocks—a quick lesson in Riga’s layered past.

4. Compact, Walkable, Photogenic

Because the Old Town is under 1 km², you can soak in every highlight without worrying about public transport timetables. This makes it perfect for a layover where every minute counts.


Practical Tips for the One‑Day Explorer

TipDetails
Buy a “Riga City Card” (optional)If you plan to climb both towers, the card gives a small discount and free tram rides for the day.
Dress for the climbSt. Peter’s tower isn’t wheelchair‑accessible; wear comfortable shoes and bring a light jacket—inside it can be breezy.
Cash vs. CardMost places accept cards, but have a few euros handy for street vendors or small cafés.
LanguageEnglish is widely spoken in the Old Town; a friendly “Labdien!” (good day) will earn you smiles.
Time ManagementKeep an eye on the clock—especially if your flight is early morning or late night. The tram from the airport runs every 15 minutes.
SafetyThe area is very safe day and night, but keep an eye on your belongings in crowded spots.

Quick FAQ

Q: I only have 6 hours. Can I still do the Old Town?
A: Absolutely. Skip the lunch sit‑down and opt for a street‑food market (e.g., at Riga Central Market’s “Food Hall” just outside the Old Town) to save time.

Q: I’m travelling with kids. Is the Old Town child‑friendly?
A: Yes. The cobblestone streets are stroller‑friendly, the towers have short waiting lines, and there are plenty of ice‑cream stalls for treats.

Q: What about the weather?
A: Riga can be windy and rainy in spring/fall. Bring a compact umbrella and a warm layer; the towers’ interiors provide great shelter.


Wrap‑Up: One Spot, One Day, One Unforgettable Memory

When a flight itinerary hands you a fleeting glimpse of a capital city, the key is to focus, not scatter. Riga’s Old Town delivers all of the city’s charm—history, architecture, food, and breathtaking views—within a walkable block.

So the next time you find yourself with a 12‑hour layover in the Baltics, set your compass to Vecrīga. Climb a tower, sip a latte in a centuries‑old courtyard, and let the echoes of medieval merchants and Art Nouveau artists linger in your mind long after you board the next plane.

Ready to turn that brief stopover into a story you’ll retell? Pack a light backpack, grab your camera, and let Riga’s Old Town write the chapter.


If you found this guide useful, subscribe for more one‑day city deep‑dives, and share your own Riga moments in the comments below! Safe travels!

The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.

PIWalthJones1

365 Days of writing, 2026 – 42

Day 42 – The writers mind

“The Writer’s Mind: Beyond Inspiration, Embracing the Power of Stubbornness and Patience”

Introduction: A Question of Depth

Have you ever compared a writer to a miner toiling in a dimly lit cave, chipping away at the rock not with a pickaxe, but with a fragile needle? This vivid metaphor—digging a well with a needle—captures the essence of the writer’s mind: not a vessel for fleeting inspiration, but a forge for stubbornness and patience. So, what truly defines a writer’s mind? Is it the spark of inspiration, or the quiet, relentless force of persistence?


The Myth of Inspiration: A Spark That Flickers

Pop culture often paints writers as scribes waiting for divine whispers, sitting by windows with blank pages and poetic daydreams. While inspiration undeniably provides a spark, it is but a matchstick in the fireplace of creation. Stephen King once said, “If it’s just sitting there, waiting to be written, why not write it?” This mindset reframes inspiration as a beginning, not a destination. Waiting for the “right moment” can become a prison. The truth? Ideas are seeds; they need tending, not just falling from the sky.


The Reality: A Symphony of Persistence and Patience

The writer’s mind is less a lightning bolt and more a marathon. Consider J.K. Rowling, who penned drafts of Harry Potter while raising a child on welfare. Or Maya Angelou, who wrote I Know Why the Caged Bird Sings after years of honing her voice. These stories reveal a pattern: legendary works are forged through relentless effort.

Persistence isn’t just about writing; it’s about rewriting, revising, and surviving rejection. Hemingway famously reworked the last page of A Farewell to Arms 39 times. This is the heart of the writer’s mind—not genius, but grit.


The Well-Metaphor: Chipping Away to Find the Flow

Imagine digging a well with nothing but a needle. The ground is rocky, the process endless, and doubt creeps in. Yet, somewhere beneath the surface, water waits. The writer’s mind is this process: slow, methodical, and demanding unwavering resolve. Each word, sentence, and draft is a careful poke at the earth. There’s no shortcut, no instant success—only the gradual discovery of a depth that was always there.

This metaphor also mirrors the emotional journey. There are days when the needle slips, and the hole seems futile. But the well, once unearthed, becomes a source of life. So too does the act of writing become a wellspring of clarity and purpose—if only you keep digging.


Embracing the Grind: Practical Wisdom for Writers

  1. Show Up Daily: Treat writing like a craft, not a performance. Neil Gaiman advises, “Write every day, even when you don’t want to.”
  2. Refine, Don’t Perfection: Let your first draft be messy. The magic happens in the revisions.
  3. Track Progress: Like a miner tallying each inch, note your progress—words written, pages turned.
  4. Celebrate Small Wins: Finished a paragraph? A chapter? Honour those victories; they’re proof of your stubbornness.
  5. Lean on the Community: Join writing groups. The collective grit of fellow writers fuels your fire.

Conclusion: The Writer’s Mind is a Masterpiece of Perseverance

In the end, a writer’s mind is not defined by inspiration but by the conviction to return to the page, time and again, like a miner with a needle. It’s the courage to dig when the well seems a mirage, and the patience to believe the water will flow. So, the next time you grapple with the blankness of a page or the weight of a half-finished novel, remember: you’re not failing—you’re simply chipping away at the rock, one determined stroke at a time.

The well is there. Keep digging.

An excerpt from “The Devil You Don’t”

Available on Amazon Kindle here:  https://amzn.to/2Xyh1ow

By the time I returned to the Savoie, the rain had finally stopped, and there was a streak of blue sky to offer some hope the day would improve.

The ship was not crowded, the possibility of bad weather perhaps holding back potential passengers.  Of those I saw, a number of them would be aboard for the lunch by Phillippe Chevrier.  I thought about it, but the Concierge had told me about several restaurants in Yvoire and had given me a hand-drawn map of the village.  I think he came from the area because he spoke with the pride and knowledge of a resident.

I was looking down from the upper deck observing the last of the boarding passengers when I saw a woman, notable for her red coat and matching shoes, making a last-minute dash to get on board just before the gangway was removed.  In fact, her ungainly manner of boarding had also captured a few of the other passenger’s attention.  Now they would have something else to talk about, other than the possibility of further rain.

I saw her smile at the deckhand, but he did not smile back.  He was not impressed with her bravado, perhaps because of possible injury.  He looked at her ticket then nodded dismissively, and went back to his duties in getting the ship underway.  I was going to check the departure time, but I, like the other passengers, had my attention diverted to the woman in red.

From what I could see there was something about her.  It struck me when the light caught her as she turned to look down the deck, giving me a perfect profile.  I was going to say she looked foreign, but here, as in almost anywhere in Europe, that described just about everyone.  Perhaps I was just comparing her to Phillipa, so definitively British, whereas this woman was very definitely not.

She was perhaps in her 30’s, slim or perhaps the word I’d use was lissom, and had the look and manner of a model.  I say that because Phillipa had dragged me to most of the showings, whether in Milan, Rome, New York, London, or Paris.  The clothes were familiar, and in the back of my mind, I had a feeling I’d seen her before.

Or perhaps, to me, all models looked the same.

She looked up in my direction, and before I could divert my eyes, she locked on.  I could feel her gaze boring into me, and then it was gone as if she had been looking straight through me.  I remained out on deck as the ship got underway, watching her disappear inside the cabin.  My curiosity was piqued, so I decided to keep an eye out for her.

I could feel the coolness of the air as the ship picked up speed, not that it was going to be very fast.  With stops, the trip would take nearly two hours to get to my destination.  It would turn back almost immediately, but I was going to stay until the evening when it returned at about half eight.  It would give me enough time to sample the local fare, and take a tour of the medieval village.

Few other passengers ventured out on the deck, most staying inside or going to lunch.  After a short time, I came back down to the main deck and headed forward.  I wanted to clear my head by concentrating on the movement of the vessel through the water, breathing in the crisp, clean air, and let the peacefulness of the surroundings envelope me.

It didn’t work.

I knew it wouldn’t be long before I started thinking about why things hadn’t worked, and what part I played in it.  And the usual question that came to mind when something didn’t work out.  What was wrong with me?

I usually blamed it on my upbringing.

I had one of those so-called privileged lives, a nanny till I was old enough to go to boarding school, then sent to the best schools in the land.  There I learned everything I needed to be the son of a Duke, or, as my father called it in one of his lighter moments, nobility in waiting.

Had this been five or six hundred years ago, I would need to have sword and jousting skills, or if it had been a few hundred years later a keen military mind.  If nothing else I could ride a horse, and go on hunts, or did until they became not the thing to do.

I learned six languages, and everything I needed to become a diplomat in the far-flung British Empire, except the Empire had become the Commonwealth, and then, when no-one was looking, Britain’s influence in the world finally disappeared.  I was a man without a cause, without a vocation, and no place to go.

Computers were the new vogue and I had an aptitude for programming.  I guess that went hand in hand with mathematics, which although I hated the subject, I excelled in.  Both I and another noble outcast used to toss ideas around in school, but when it came to the end of our education, he chose to enter the public service, and I took a few of those ideas we had mulled over and turned them into a company.

About a year ago, I was made an offer I couldn’t refuse.  There were so many zeroes on the end of it I just said yes, put the money into a very grateful bank, and was still trying to come to terms with it.

Sadly, I still had no idea what I was going to do with the rest of my life.  My parents had asked me to come back home and help manage the estate, and I did for a few weeks.  It was as long as it took for my parents to drive me insane.

Back in the city, I spent a few months looking for a mundane job, but there were very few that suited the qualifications I had, and the rest, I think I intimidated the interviewer simply because of who I was.  In that time I’d also featured on the cover of the Economist, and through my well-meaning accountant, started involving myself with various charities, earning the title ‘philanthropist’.

And despite all of this exposure, even making one of those ubiquitous ‘eligible bachelor’ lists, I still could not find ‘the one’, the woman I wanted to spend the rest of my life with.  Phillipa seemed to fit the bill, but in time she proved to be a troubled soul with ‘Daddy’ issues.  I knew that in building a relationship compromise was necessary, but with her, in the end, everything was a compromise and what had happened was always going to be the end result.

It was perhaps a by-product of the whole nobility thing.  There was a certain expectation I had to fulfill, to my peers, contemporaries, parents and family, and those who either liked or hated what it represented.  The problem was, I didn’t feel like I belonged.  Not like my friend from schooldays, and now obscure acquaintance, Sebastian.  He had been elevated to his Dukedom early when his father died when he was in his twenties.  He had managed to fade from the limelight and was rarely mentioned either in the papers or the gossip columns.  He was one of the lucky ones.

I had managed to keep a similarly low profile until I met Phillipa.  From that moment, my obscurity disappeared.  It was, I could see now, part of a plan put in place by Phillipa’s father, a man who hogged the limelight with his daughter, to raise the profile of the family name and through it their businesses.  He was nothing if not the consummate self-advertisement.

Perhaps I was supposed to be the last piece of the puzzle, the attachment to the establishment, that link with a class of people he would not normally get in the front door.  There was nothing refined about him or his family, and more than once I’d noticed my contemporaries cringe at the mention of his name, or any reference of my association with him.

Yet could I truthfully say I really wanted to go back to the obscurity I had before Phillipa?  For all her faults, there were times when she had been fun to be with, particularly when I first met her when she had a certain air of unpredictability.  That had slowly disappeared as she became part of her father’s plan for the future.  She just failed to see how much he was using her.

Or perhaps, over time, I had become cynical.

I thought about calling her.  It was one of those moments of weakness when I felt alone, more alone than usual.

I diverted my attention back to my surroundings and the shoreline.  Out of the corner of my eye, I could see the woman in the red coat, making a move.  The red coat was like a beacon, a sort of fire engine red.  It was not the sort of coat most of the women I knew would wear, but on her, it looked terrific.  In fact, her sublime beauty was the one other attribute that was distinctly noticeable, along with the fact her hair was short, rather than long, and jet black.

I had to wrench my attention away from her.

A few minutes later several other passengers came out of the cabin for a walk around the deck, perhaps to get some exercise, perhaps checking up on me, or perhaps I was being paranoid.  I waited till they passed on their way forward, and I turned and headed aft.

I watched the wake sluicing out from under the stern for a few minutes, before retracing my steps to the front of the ship and there I stood against the railing, watching the bow carve its way through the water.  It was almost mesmerizing.  There, I emptied my mind of thoughts about Phillipa, and thoughts about the woman in the red coat.

Until a female voice behind me said, “Having a bad day?”

I started, caught by surprise, and slowly turned.  The woman in the red coat had somehow got very close me without my realizing it.  How did she do that?  I was so surprised I couldn’t answer immediately.

“I do hope you are not contemplating jumping.  I hear the water is very cold.”

Closer up, I could see what I’d missed when I saw her on the main deck.  There was a slight hint of Chinese, or Oriental, in her particularly around the eyes, and of her hair which was jet black.  An ancestor twice or more removed had left their mark, not in a dominant way, but more subtle, and easily missed except from a very short distance away, like now.

Other than that, she was quite possibly Eastern European, perhaps Russian, though that covered a lot of territory.  The incongruity of it was that she spoke with an American accent, and fluent enough for me to believe English was her first language.

Usually, I could ‘read’ people, but she was a clean slate.  Her expression was one of amusement, but with cold eyes.  My first thought, then, was to be careful.

“No.  Not yet.”  I coughed to clear my throat because I could hardly speak.  And blushed, because that was what I did when confronted by a woman, beautiful or otherwise.

The amusement gave way to a hint of a smile that brightened her demeanor as a little warmth reached her eyes.  “So that’s a maybe.  Should I change into my lifesaving gear, just in case?”

It conjured up a rather interesting image in my mind until I reluctantly dismissed it.

“Perhaps I should move away from the edge,” I said, moving sideways until I was back on the main deck, a few feet further away.  Her eyes had followed me, and when I stopped she turned to face me again.  She did not move closer.

I realized then she had removed her beret and it was in her left side coat pocket.  “Thanks for your concern …?”

“Zoe.”

“Thanks for your concern, Zoe.  By the way, my name is John.”

She smiled again, perhaps in an attempt to put me at ease.  “I saw you earlier, you looked so sad, I thought …”

“I might throw myself overboard?”

“An idiotic notion I admit, but it is better to be safe than sorry.”

Then she tilted her head to one side then the other, looking intently at me.  “You seem to be familiar.  Do I know you?”

I tried to think of where I may have seen her before, but all I could remember was what I’d thought earlier when I first saw her; she was a model and had been at one of the showings.  If she was, it would be more likely she would remember Phillipa, not me.  Phillipa always had to sit in the front row.

“Probably not.”  I also didn’t mention the fact she may have seen my picture in the society pages of several tabloid newspapers because she didn’t look the sort of woman who needed a daily dose of the comings and goings, and, more often than not, scandal associated with so-called celebrities.

She gave me a look, one that told me she had just realized who I was.  “Yes, I remember now.  You made the front cover of the Economist.  You sold your company for a small fortune.”

Of course.  She was not the first who had recognized me from that cover.  It had raised my profile considerably, but not the Sternhaven’s.  That article had not mentioned Phillipa or her family.  I suspect Grandmother had something to do with that, and it was, now I thought about it, another nail in the coffin that was my relationship with Phillipa.

“I wouldn’t say it was a fortune, small or otherwise, just fortunate.”  Each time, I found myself playing down the wealth aspect of the business deal.

“Perhaps then, as the journalist wrote, you were lucky.  It is not, I think, a good time for internet-based companies.”

The latter statement was an interesting fact, one she read in the Financial Times which had made that exact comment recently.

“But I am boring you.”  She smiled again.  “I should be minding my own business and leaving you to your thoughts.  I am sorry.”

She turned to leave and took a few steps towards the main cabin.

“You’re not boring me,” I said, thinking I was letting my paranoia get the better of me.  It had been Sebastian on learning of my good fortune, who had warned me against ‘a certain element here and abroad’ whose sole aim would be to separate me from my money.  He was not very subtle when he described their methods.

But I knew he was right.  I should have let her walk away.

She stopped and turned around.  “You seem nothing like the man I read about in the Economist.”

A sudden and awful thought popped into my head.  Those words were part of a very familiar opening gambit.  “Are you a reporter?”

I was not sure if she looked surprised, or amused.  “Do I look like one?”

I silently cursed myself for speaking before thinking, and then immediately ignored my own admonishment.  “People rarely look like what they are.”

I saw the subtle shake of the head and expected her to take her leave.  Instead she astonished me.

“I fear we have got off on the wrong foot.  To be honest, I’m not usually this forward, but you seemed like you needed cheering up when probably the opposite is true.  Aside from the fact this excursion was probably a bad idea.  And,” she added with a little shrug, “perhaps I talk too much.”

I was not sure what I thought of her after that extraordinary admission. It was not something I would do, but it was an interesting way to approach someone and have them ignoring their natural instinct.  I would let Sebastian whisper in my ear for a little longer and see where this was going.

“Oddly enough, I was thinking the same thing.  I was supposed to be traveling with my prospective bride.  I think you can imagine how that turned out.”

“She’s not here?”

“No.”

“She’s in the cabin?”  Her eyes strayed in that direction for a moment then came back to me.  She seemed surprised I might be traveling with someone.

“No.  She is back in England, and the wedding is off.  So is the relationship.  She dumped me by text.”

OK, why was I sharing this humiliating piece of information with her?  I still couldn’t be sure she was not a reporter.

She motioned to an empty seat, back from the edge.  No walking the plank today.  She moved towards it and sat down.  She showed no signs of being cold, nor interested in the breeze upsetting her hair.  Phillipa would be having a tantrum about now, being kept outside, and freaking out over what the breeze might be doing to her appearance.

I wondered, if only for a few seconds if she used this approach with anyone else.  I guess I was a little different, a seemingly rich businessman alone on a ferry on Lake Geneva, contemplating the way his life had gone so completely off track.

She watched as I sat at the other end of the bench, leaving about a yard between us.  After I leaned back and made myself as comfortable as I could, she said, “I have also experienced something similar, though not by text message.  It is difficult, the first few days.”

“I saw it coming.”

“I did not.”  She frowned, a sort of lifeless expression taking over, perhaps brought on by the memory of what had happened to her.  “But it is done, and I moved on.  Was she the love of your life?”

OK, that was unexpected.

When I didn’t answer, she said, “I am sorry.  Sometimes I ask personal questions without realizing what I’m doing.  It is none of my business.”  She shivered.  “Perhaps we should go back inside.”

She stood, and held out her hand.  Should I take it and be drawn into her web?  I thought of Sebastian.  What would he do in this situation?

I took her hand in mine and let her pull me gently to my feet.  “Wise choice,” she said, looking up at the sky.

It just started to rain.

© Charles Heath 2015-2023

newdevilcvr6

In a word: Fourth

When you realize you are the fourth child, you are really hoping that the split is two boys and three girls.  Woe betide you if you are a boy and you have three sisters.  It could also be as interesting, notice I didn’t say intolerable) if you are a girl with three brothers.

Hang on, I know someone who was in that exact same situation.  Fortunately, being a girl and the youngest, she could do no wrong in the eyes of her father.

But I digress (as usual)

The meaning of fourth is self-evident, just count to four and it’s the fourth number, perhaps better explained by the fact it is one after the third in a series

Then we use it with other words like,

Fourth-gear, usually reserved for the highway where one expects to geta clear run.  Of course, with more and more cars on the road, sometimes it’s difficult to get out of second.

The fourth estate, no, not what a rich person owns, along with a lot more one guesses, but another name for the press.

One fourth, your share of an estate, if of course, you have three other siblings.  And, in murder mysteries, usually those fourths seem to die mysteriously, and your fourth becomes a third, a half, and then you go to jail.

in fourth place, where it seems all the horse I back run

And,

This is not to be confused with the word forth, which sounds the same but means something entirely different, like

I’m sure we’ve all been told to go forth and be something or other, which means to go forward or come out of hiding

It is also a Scottish river, one notably called the Firth of Forth, and if it sounds odd, so do a lot things in Scotland

You could also place back and forth, much the same as you would in a hospital waiting for the birth of your first child.