The cinema of my dreams – Was it just another surveillance job – Episode 51

This story is now on the list to be finished so over the new few weeks, expect a new episode every few days.

The reason why new episodes have been sporadic, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Things are about to get complicated…


Once out of the elevator I could see another security desk halfway up the corridor.  There were no doors before the desk, only after, so my destination was past the desk.

I pulled out my card in readiness, and as I approached, a woman came out of a door behind the desk and joined the security guard.

She spoke to the guard, then looked at me.  “My name is Joanne, I have been assigned to help you, and in accordance with security measures in place on the floor, I will be accompanying you.  One of the conditions of access is to not be anywhere on your own.”

“Except in the restroom, I hope.”

A momentary frown, “Common sense applies, you know.”

OK, try not to be flippant.

She handed me a form, I read it, ticked several boxes, and signed it.  I gave the guard my card and he scanned it.  Logging my movements, was not unexpected.  Having a shadow was.

But, there was nothing I was going to look at, that I didn’t want anyone not to know about.

“Good,”: she said when I handed the form back.  She in turn passed it to the guard, then said, “Follow me.”

A gate opened to let me through, then jolted shit behind me.  Either the mechanism was broken, or the thud was just to remind people going through it, it was not a toy.

We went three doors up the corridor where she stopped, opened the door, and ushered me in.

It was a reasonable-sized room with a desk, a computer with three screens, and two chairs, one I guess for me, and one for her.

We sat.

I thought I’d ask a couple of questions first.  “Do you always look after incoming researchers?”

“Yes.”

“And when there is none?”

“I work in with the research team, creating or updating breeding papers for agents in the field.”

“Do agents normally come in to look stuff up?”

“No.  Generally, they request it through secure channels.”

“Secure channels?”

“Usually, one of our consulates or embassies scattered all over the world.”

Good to remember.

“You’re just going to sit there?”

“Yes.”

I shrugged.  So be it.

I logged in and typed in Severin’s original name David Westcott.

The search engine brought back over a million hits, the first dozen relating to a violinist who seemed to be having a relationship and drug problems.

To narrow that search down, I added ‘Military service” in the hope that he may have been in the military before joining the intelligence services.

He was.  I did the same for Bernie Salvin and found the two of them had served roughly at the same time, in the same places, and were among the last people out in 2014.

When I added “Intelligence” to the search, the computer sent me on a side mission, bringing up documents relating to both men’s service in various branches of the intelligence services, for 5 years, after which it seemed they had just up and left, their service sheet marked ‘retired’, which could have meant anything, but I think it was a euphemism for ‘dead’.

I thought about asking my shadow, but that would lead to too many other questions that I didn’t want to answer.  As it was, I could see she was very interested in the two names I’d just searched on.

It explained how both men were so knowledgeable about the operations and facilities.  A quick search on the training facility we had used showed it had been closed, and abandoned, 6 years before.  I’d always thought it had that abandoned feel about it, and we were using it for the atmosphere value.

Then came searches on Severin and Maury and Arche Laboratories, and that too brought up the Security profiles of both men, but their prior history had been manufactured, though no doubt based on their real experience, being in the military in Afghanistan, and in a branch of the intelligence services, though not mentioning the specifics.

There was information on several security breaches and the computer systems being hacked reportedly by a foreign country, but nothing had been taken, a story perhaps to allay the fears of people who might think dangerous material might have fallen into the wrong hands.

At the very least, it was reported the facility would be shut down, due to its age and everyone being reassigned to a new more secure facility.  The fact Severin and Maury didn’t transfer told me they had either been caught, or they ad jumped before the fingers of accusation were pointed at them.  Either way, both had disappeared off the face of the earth.

Until I and others have become their unwitting recruits.

Everything O’Connell said was true, and it was all there, so Dobbin was as well versed on the pair as I now was.  And, now I had some background before I met Severin later in the day.

When Joanne finally plucked up the courage to ask me about my searches, I told her I had been reading up on a lot of old laboratories that used to contract government research and had narrowed the place where the information came from to several candidates and struck it luck the first search.  Arche Laboratories.

Previously I had got a list of the security staff from half a dozen labs that had closed unexpectedly, looking for possible matches to Severin and Maury, because I thought they would have a military and intelligence background, but the two I’d used, didn’t seem to fir the profile.  Their photographs, those that were posted for Arche Laboratories looked nothing like the Severin and Maury today, but I’d expected that.

She didn’t need to know that and looked satisfied with my answers.

Now it was time to look at some CCTV feeds.

© Charles Heath 2020-2022

Writing a book in 365 days – 248

Day 248

Some pointers for reviewing your work

Sharpen Your Words: Simple Tips for Better Writing

Ever finish writing something and feel like it’s just… not quite right? We’ve all been there. Polishing your writing is key to making sure your message shines through. Here are a few handy tips to help you review your work and make it stronger.

Keep it Concise

Don’t write long sentences. Shorter sentences are easier to follow. They pack a punch.

Each sentence should make a clear statement. Get straight to the point. Avoid rambling. Every sentence needs a purpose.

Watch Your Vocabulary

Don’t use big words. Choose words that everyone understands. Simple language is powerful language.

Never use words whose meanings you are not sure of. If you’re second-guessing a word, swap it out. Clarity is king.

Be Concrete

Avoid the abstract. Stick to what you can see, hear, touch, taste, and smell. Give examples. Paint a picture with your words.

What Else?

These are great starting points, but what else can help you make your writing shine?

  • Read it aloud: This is a game-changer. You’ll catch awkward phrasing and sentences that are too long. Your ears will tell you what your eyes miss.
  • Get a second opinion: Ask a friend or colleague to read your work. They’ll see things you’re too close to notice.
  • Take a break: Step away from your writing. Come back with fresh eyes.
  • Focus on flow: Do your ideas connect smoothly? Are your paragraphs logically ordered?
  • Check for repetition: Are you saying the same thing over and over? Find different ways to express your ideas.

Reviewing your writing doesn’t have to be a chore. By keeping these simple tips in mind, you can transform your drafts into clear, engaging pieces that truly connect with your readers. Happy writing!

Searching for locations: Coffs Harbour, New South Wales, Australia, and resorts Wyndham style

We have stayed in two different types of accommodation in Coffs Harbour, New South Wales, Australia, as a timeshare owner who can trade their week for a week anywhere in the world.

Both are resorts, but different sorts of resorts.  The first was a typical RCI resort, where everything is laid back and relaxing, with all the amenities one can expect from a resort.

The other, this one, the Wyndham in Coffs Harbour, is very different, and you notice it when you walk in the front door.  You are virtually assaulted by hard-nosed timeshare sales staff who really don’t take no for an answer, and then when you finally escape, ring you every day to make an appointment.

I left the phone off the hook.

Aside from that, the place is excellent, the accommodation very good, and the situation one of the best with what could be called a private beach.  There are also a number of bushwalks that cater to old people like me.

As you can see, lakes and greenery, and even a putting green.

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And in places, they try very hard to hide the ugly multi-story buildings in amongst the trees

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It is only a short walk to the ‘private beach’ and it is sufficiently long enough for a morning walk before breakfast.  You could even try to catch some fish for breakfast, though I’m not sure if anyone actually caught anything

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Or you can just stare out to sea

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And, back in the room, this is the view we had from our verandah

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What I learned about writing – Where the hell do I start?

Beyond the Spark: Laying the Foundation for Your Literary Masterpiece

That brilliant novel idea just hit you, didn’t it? It’s a lightning bolt of inspiration, a fully formed world, or a character whispering their story in your ear. The urge to sit down and pour it all onto the page is intoxicating, exciting, almost overwhelming. You can already see your name on the cover, taste the triumph, imagine the world devouring your words.

Hold that thought. Just for a moment.

Because before you dive headfirst into crafting the next blockbuster novel that’s going to take the world by storm, there are things to do. Essential groundwork. A foundation to lay. Think of it not as delaying the inevitable, but as strengthening the very ground your literary edifice will stand upon.

We’re talking about the critical “Where,” “How,” and “When” of your writing journey. As for the “Why”? You already know that. The burning desire to create, to tell this story, is your fuel. So, let’s focus on the practical necessities, before even one word is written.


The “Where”: Crafting Your Creative Sanctuary

Your physical and digital environment play a monumental role in your ability to focus and produce. This isn’t just about having a desk; it’s about optimizing your space for creativity.

  • 1. Your Dedicated Writing Space:
    • Physical Location: Whether it’s a quiet corner of your spare room, a dedicated office, or even a specific table at your local coffee shop – designate a primary writing spot. This helps train your brain to enter “writing mode” when you’re there.
    • Ergonomics & Comfort: Invest in a comfortable chair and a desk setup that supports good posture. You’ll be spending hours here. Back pain is a creativity killer.
    • Minimize Distractions: Clear clutter. Turn off notifications. Let family/housemates know your boundaries when you’re in this space. Consider noise-canceling headphones.
  • 2. Your Digital Arsenal:
    • Reliable Hardware: A computer or device that runs smoothly and won’t constantly crash. Nothing kills momentum faster than technical issues.
    • Writing Software: Choose your weapon. Word processor (Microsoft Word, Google Docs), dedicated writing software (Scrivener, Ulysses, Novelflow), or even just a text editor. Understand its features and how it can aid your specific process (outlining, character sheets, research integration).
    • Cloud Backup System: This is NON-NEGOTIABLE. Dropbox, Google Drive, OneDrive, iCloud – pick one and use it religiously. Imagine losing hundreds of hours of work. Don’t let it happen.
    • Internet Access (and Discipline): Necessary for research, but ensure you have strategies to avoid its inherent distractions (website blockers, dedicated writing apps).

The “How”: Your Strategic Blueprint

This is where the magic of planning happens. Before you write a single scene, you need to understand the world you’re building and the journey you’re taking your readers on.

  • 1. Solidify Your Core Concept (The Logline): Can you summarize your novel in one compelling sentence? This is your North Star. It helps you stay focused and reminds you of the story’s essence.
  • 2. Outline & Structure:
    • Plot Arc: Will you follow a three-act structure, hero’s journey, Snowflake Method, or something else? Decide on a general framework.
    • Chapter Breakdown: Even if it’s just a rough idea of what happens in each key section, having a skeletal outline gives you direction and prevents getting lost.
    • Key Plot Points: Identify your inciting incident, rising action, climax, falling action, and resolution.
  • 3. Character Development:
    • Protagonist & Antagonist: Go deep. What are their motivations, fears, desires, backstories, quirks? What is their character arc?
    • Supporting Characters: Understand their roles, relationships, and how they contribute to the plot and theme.
    • Character Bibles: Create detailed profiles for your main players.
  • 4. World-Building (If Applicable):
    • Rules & Logic: For fantasy/sci-fi, establish the laws of your world. Magic systems, technology, societal structures, history, geography. Consistency is key.
    • Sensory Details: What does it look, sound, smell, feel like? Start sketching out the atmosphere.
  • 5. Research Strategy:
    • Identify Needs: What do you really need to research? Historical facts, technical details, cultural nuances?
    • Resource Gathering: Create folders for articles, books, images, and links. Don’t go down endless rabbit holes yet, but know where to find the answers.
  • 6. Goal Setting:
    • Overall Word Count Target: What’s a realistic length for your genre?
    • Milestones: Break down the big goal into smaller, manageable chunks (e.g., Act 1 complete, first half done).

The “When”: Carving Out Your Creative Time

Even the most brilliant idea and the most detailed plan are useless without dedicated time. This isn’t about finding time; it’s about making time.

  • 1. Establish a Consistent Writing Routine:
    • Time Block: Identify the best time of day for you to write – when you’re most alert, least distracted, or most creative. Block it out in your calendar.
    • Consistency is King: Try to write at the same time every day, or at least every writing day. This builds a habit and signals to your brain that it’s “work time.”
  • 2. Set Realistic Deadlines:
    • Draft Completion: When do you want to finish the first draft? Break it down into weekly or monthly goals.
    • Accountability: Share your deadlines with a trusted friend, writing group, or mentor.
  • 3. Prepare for Your Session:
    • Clear the Decks: Before your writing time, handle urgent emails or small tasks that might nag at you.
    • Fuel & Hydration: Have water, coffee, or a healthy snack ready.
    • Review Your Plan: Briefly revisit your outline or what you intend to write during that session to get your mind oriented.

These aren’t obstacles; they’re launchpads. By investing time in these pre-writing essentials, you’re not just preparing to write a novel; you’re setting yourself up for success, minimizing roadblocks, and ensuring a smoother, more productive creative journey.

So, take a deep breath, savor that brilliant idea, and then roll up your sleeves. Your masterpiece awaits its well-laid foundation.

Inspiration, maybe – Volume 1

50 photographs, 50 stories, of which there is one of the 50 below.

They all start with –

A picture paints … well, as many words as you like.  For instance:

lookingdownfromcoronetpeak

And the story:

It was once said that a desperate man has everything to lose.

The man I was chasing was desperate, but I, on the other hand, was more desperate to catch him.

He’d left a trail of dead people from one end of the island to the other.

The team had put in a lot of effort to locate him, and now his capture was imminent.  We were following the car he was in, from a discrete distance, and, at the appropriate time, we would catch up, pull him over, and make the arrest.

There was nowhere for him to go.

The road led to a dead-end, and the only way off the mountain was back down the road were now on.  Which was why I was somewhat surprised when we discovered where he was.

Where was he going?

“Damn,” I heard Alan mutter.  He was driving, being careful not to get too close, but not far enough away to lose sight of him.

“What?”

“I think he’s made us.”

“How?”

“Dumb bad luck, I’m guessing.  Or he expected we’d follow him up the mountain.  He’s just sped up.”

“How far away?”

“A half-mile.  We should see him higher up when we turn the next corner.”

It took an eternity to get there, and when we did, Alan was right, only he was further on than we thought.”

“Step on it.  Let’s catch him up before he gets to the top.”

Easy to say, not so easy to do.  The road was treacherous, and in places just gravel, and there were no guard rails to stop a three thousand footfall down the mountainside.

Good thing then I had the foresight to have three agents on the hill for just such a scenario.

Ten minutes later, we were in sight of the car, still moving quickly, but we were going slightly faster.  We’d catch up just short of the summit car park.

Or so we thought.

Coming quickly around another corner we almost slammed into the car we’d been chasing.

“What the hell…” Aland muttered.

I was out of the car, and over to see if he was in it, but I knew that it was only a slender possibility.  The car was empty, and no indication where he went.

Certainly not up the road.  It was relatively straightforward for the next mile, at which we would have reached the summit.  Up the mountainside from here, or down.

I looked up.  Nothing.

Alan yelled out, “He’s not going down, not that I can see, but if he did, there’s hardly a foothold and that’s a long fall.”

Then where did he go?

Then a man looking very much like our quarry came out from behind a rock embedded just a short distance up the hill.

“Sorry,” he said quite calmly.  “Had to go if you know what I mean.”

I’d lost him.

It was as simple as that.

I had been led a merry chase up the hill, and all the time he was getting away in a different direction.

I’d fallen for the oldest trick in the book, letting my desperation blind me to the disguise that anyone else would see through in an instant.

It was a lonely sight, looking down that road, knowing that I had to go all that way down again, only this time, without having to throw caution to the wind.

“Maybe next time,” Alan said.

“We’ll get him.  It’s just a matter of time.”

© Charles Heath 2019-2021

Find this and other stories in “Inspiration, maybe”  available soon.

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Searching for locations: Flinders Street Station, Melbourne, Australia

This is the famous clock tower of the Flinders Street Station (the main train station for suburban trains) in Melbourne.

We were staying in a hotel (The Doubletree) directly opposite the station and our room overlooked the station and the clock tower.  I took photos of it during the day:

and this one, at night.  It came out better than I thought it would.

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First Dig Two Graves

A sequel to “The Devil You Don’t”

Revenge is a dish best served cold – or preferably so when everything goes right

Of course, it rarely does, as Alistair, Zoe’s handler, discovers to his peril. Enter a wildcard, John, and whatever Alistair’s plan for dealing with Zoe was dies with him.

It leaves Zoe in completely unfamiliar territory.

John’s idyllic romance with a woman who is utterly out of his comfort zone is on borrowed time. She is still trying to reconcile her ambivalence, after being so indifferent for so long.

They agree to take a break, during which she disappears. John, thinking she has left without saying goodbye, refuses to accept the inevitable, calls on an old friend for help in finding her.

After the mayhem and being briefly reunited, she recognises an inevitable truth: there is a price to pay for taking out Alistair; she must leave and find them first, and he would be wise to keep a low profile.

But keeping a low profile just isn’t possible, and enlisting another friend, a private detective and his sister, a deft computer hacker, they track her to the border between Austria and Hungary.

What John doesn’t realise is that another enemy is tracking him to find her too. It could have been a grand tour of Europe. Instead, it becomes a race against time before enemies old and new converge for what will be an inevitable showdown.

Writing a book in 365 days – 248

Day 248

Some pointers for reviewing your work

Sharpen Your Words: Simple Tips for Better Writing

Ever finish writing something and feel like it’s just… not quite right? We’ve all been there. Polishing your writing is key to making sure your message shines through. Here are a few handy tips to help you review your work and make it stronger.

Keep it Concise

Don’t write long sentences. Shorter sentences are easier to follow. They pack a punch.

Each sentence should make a clear statement. Get straight to the point. Avoid rambling. Every sentence needs a purpose.

Watch Your Vocabulary

Don’t use big words. Choose words that everyone understands. Simple language is powerful language.

Never use words whose meanings you are not sure of. If you’re second-guessing a word, swap it out. Clarity is king.

Be Concrete

Avoid the abstract. Stick to what you can see, hear, touch, taste, and smell. Give examples. Paint a picture with your words.

What Else?

These are great starting points, but what else can help you make your writing shine?

  • Read it aloud: This is a game-changer. You’ll catch awkward phrasing and sentences that are too long. Your ears will tell you what your eyes miss.
  • Get a second opinion: Ask a friend or colleague to read your work. They’ll see things you’re too close to notice.
  • Take a break: Step away from your writing. Come back with fresh eyes.
  • Focus on flow: Do your ideas connect smoothly? Are your paragraphs logically ordered?
  • Check for repetition: Are you saying the same thing over and over? Find different ways to express your ideas.

Reviewing your writing doesn’t have to be a chore. By keeping these simple tips in mind, you can transform your drafts into clear, engaging pieces that truly connect with your readers. Happy writing!

An excerpt from “Strangers We’ve Become” – Coming Soon

I wandered back to my villa.

It was in darkness.  I was sure I had left several lights on, especially over the door so I could see to unlock it.

I looked up and saw the globe was broken.

Instant alert.

I went to the first hiding spot for the gun, and it wasn’t there.  I went to the backup and it wasn’t there either.  Someone had found my carefully hidden stash of weapons and removed them.

Who?

There were four hiding spots and all were empty.  Someone had removed the weapons.  That could only mean one possibility.

I had a visitor, not necessarily here for a social call.

But, of course, being the well-trained agent I’d once been and not one to be caught unawares, I crossed over to my neighbor and relieved him of a weapon that, if found, would require a lot of explaining.

Suitably armed, it was time to return the surprise.

There were three entrances to the villa, the front door, the back door, and a rather strange escape hatch.  One of the more interesting attractions of the villa I’d rented was its heritage.  It was built in the late 1700s, by a man who was, by all accounts, a thief.  It had a hidden underground room which had been in the past a vault but was now a wine cellar, and it had an escape hatch by which the man could come and go undetected, particularly if there was a mob outside the door baying for his blood.

It now gave me the means to enter the villa without my visitors being alerted, unless, of course, they were near the vicinity of the doorway inside the villa, but that possibility was unlikely.  It was not where anyone could anticipate or expect a doorway to be.

The secret entrance was at the rear of the villa behind a large copse, two camouflaged wooden doors built into the ground.  I move aside some of the branches that covered them and lifted one side.  After I’d discovered the doors and rusty hinges, I’d oiled and cleaned them, and cleared the passageway of cobwebs and fallen rocks.  It had a mildew smell, but nothing would get rid of that.  I’d left torches at either end so I could see.

I closed the door after me, and went quietly down the steps, enveloped in darkness till I switched on the torch.  I traversed the short passage which turned ninety degrees about halfway to the door at the other end.  I carried the key to this door on the keyring, found it and opened the door.  It too had been oiled and swung open soundlessly.

I stepped in the darkness and closed the door.

I was on the lower level under the kitchen, now the wine cellar, the ‘door’ doubling as a set of shelves which had very little on them, less to fall and alert anyone in the villa.

Silence, an eerie silence.

I took the steps up to the kitchen, stopping when my head was level with the floor, checking to see if anyone was waiting.  There wasn’t.  It seemed to me to be an unlikely spot for an ambush.

I’d already considered the possibility of someone coming after me, especially because it had been Bespalov I’d killed, and I was sure he had friends, all equally as mad as he was.  Equally, I’d also considered it nigh on impossible for anyone to find out it was me who killed him because the only people who knew that were Prendergast, Alisha, a few others in the Department, and Susan.

That raised the question of who told them where I was.

If I was the man I used to be, my first suspect would be Susan.  The departure this morning, and now this was too coincidental.  But I was not that man.

Or was I?

I reached the start of the passageway that led from the kitchen to the front door and peered into the semi-darkness.  My eyes had got used to the dark, and it was no longer an inky void.  Fragments of light leaked in around the door from outside and through the edge of the window curtains where they didn’t fit properly.  A bone of contention upstairs in the morning, when first light shone and invariably woke me up hours before I wanted to.

Still nothing.

I took a moment to consider how I would approach the visitor’s job.  I would get a plan of the villa in my head, all entrances, where a target could be led to or attacked where there would be no escape.

Coming in the front door.  If I was not expecting anything, I’d just open the door and walk-in.  One shot would be all that was required.

Contract complete.

I sidled quietly up the passage staying close to the wall, edging closer to the front door.  There was an alcove where the shooter could be waiting.  It was an ideal spot to wait.

Crunch.

I stepped on some nutshells.

Not my nutshells.

I felt it before I heard it.  The bullet with my name on it.

And how the shooter missed, from point-blank range, and hit me in the arm, I had no idea.  I fired off two shots before a second shot from the shooter went wide and hit the door with a loud thwack.

I saw a red dot wavering as it honed in on me and I fell to the floor, stretching out, looking up where the origin of the light was coming and pulled the trigger three times, evenly spaced, and a second later I heard the sound of a body falling down the stairs and stopping at the bottom, not very far from me.

Two assassins.

I’d not expected that.

The assassin by the door was dead, a lucky shot on my part.  The second was still breathing.

I checked the body for any weapons and found a second gun and two knives.  Armed to the teeth!

I pulled off the balaclava; a man, early thirties, definitely Italian.  I was expecting a Russian.

I slapped his face, waking him up.  Blood was leaking from several slashes on his face when his head had hit the stairs on the way down.  The awkward angle of his arms and legs told me there were broken bones, probably a lot worse internally.  He was not long for this earth.

“Who employed you?”

He looked at me with dead eyes, a pursed mouth, perhaps a smile.  “Not today my friend.  You have made a very bad enemy.”  He coughed and blood poured out of his mouth.  “There will be more …”

Friends of Bespalov, no doubt.

I would have to leave.  Two unexplainable bodies, I’d have a hard time explaining my way out of this mess.  I dragged the two bodies into the lounge, clearing the passageway just in case someone had heard anything.

Just in case anyone was outside at the time, I sat in the dark, at the foot of the stairs, and tried to breathe normally.  I was trying not to connect dots that led back to Susan, but the coincidence was worrying me.

A half-hour passed and I hadn’t moved.  Deep in thought, I’d forgotten about being shot, unaware that blood was running down my arm and dripping onto the floor.

Until I heard a knock on my front door.

Two thoughts, it was either the police, alerted by the neighbors, or it was the second wave, though why would they be knocking on the door?

I stood, and immediately felt a stabbing pain in my arm.  I took out a handkerchief and turned it into a makeshift tourniquet, then wrapped a kitchen towel around the wound.

If it was the police, this was going to be a difficult situation.  Holding the gun behind my back, I opened the door a fraction and looked out.

No police, just Maria.  I hoped she was not part of the next ‘wave’.

“You left your phone behind on the table.  I thought you might be looking for it.”  She held it out in front of her.

When I didn’t open the door any further, she looked at me quizzically, and then asked, “Is anything wrong?”

I was going to thank her for returning the phone, but I heard her breathe in sharply, and add, breathlessly, “You’re bleeding.”

I looked at my arm and realized it was visible through the door, and not only that, the towel was soaked in blood.

“You need to go away now.”

Should I tell her the truth?  It was probably too late, and if she was any sort of law-abiding citizen she would go straight to the police.

She showed no signs of leaving, just an unnerving curiosity.  “What happened?”

I ran through several explanations, but none seemed plausible.  I went with the truth.  “My past caught up with me.”

“You need someone to fix that before you pass out from blood loss.  It doesn’t look good.”

“I can fix it.  You need to leave.  It is not safe to be here with me.”

The pain in my arm was not getting any better, and the blood was starting to run down my arm again as the tourniquet loosened.  She was right, I needed it fixed sooner rather than later.

I opened the door and let her in.  It was a mistake, a huge mistake, and I would have to deal with the consequences.  Once inside, she turned on the light and saw the pool of blood just inside the door and the trail leading to the lounge.  She followed the trail and turned into the lounge, turned on the light, and no doubt saw the two dead men.

I expected her to scream.  She didn’t.

She gave me a good hard look, perhaps trying to see if I was dangerous.  Killing people wasn’t something you looked the other way about.  She would have to go to the police.

“What happened here?”

“I came home from the cafe and two men were waiting for me.  I used to work for the Government, but no longer.  I suspect these men were here to repay a debt.  I was lucky.”

“Not so much, looking at your arm.”

She came closer and inspected it.

“Sit down.”

She found another towel and wrapped it around the wound, retightening the tourniquet to stem the bleeding.

“Do you have medical supplies?”

I nodded.  “Upstairs.”  I had a medical kit, and on the road, I usually made my own running repairs.  Another old habit I hadn’t quite shaken off yet.

She went upstairs, rummaged, and then came back.  I wondered briefly what she would think of the unmade bed though I was not sure why it might interest her.

She helped me remove my shirt, and then cleaned the wound.  Fortunately, she didn’t have to remove a bullet.  It was a clean wound but it would require stitches.

When she’d finished she said, “Your friend said one day this might happen.”

No prizes for guessing who that friend was, and it didn’t please me that she had involved Maria.

“Alisha?”

“She didn’t tell me her name, but I think she cares a lot about you.  She said trouble has a way of finding you, gave me a phone and said to call her if something like this happened.”

“That was wrong of her to do that.”

“Perhaps, perhaps not.  Will you call her?”

“Yes.  I can’t stay here now.  You should go now.  Hopefully, by the time I leave in the morning, no one will ever know what happened here, especially you.”

She smiled.  “As you say, I was never here.”

© Charles Heath 2018-2022

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In a word: Park

We mostly understand that a park is an area set aside for recreation, and can have trees, flowers, a lake, and vast lawns.  These parks are also sometimes called ‘gardens’.

A great example of a park is Central Park in New York.

Nearly every city has a park of some sort, some have more than one.

But the word park has a number of other uses.  For instance,

You can park a car, or bike, or yourself; in other words, it’s a place where you stop for a while.  For cars, it is a carpark.

You could say ‘it’s just a walk in the park’, which means that the job is going to be easy.  I never understood that analogy because quite a lot of parks have walks that are difficult, and not so much ‘a walk in the park’.

It is also used to describe a place where animals are kept, other than calling it a zoo, it can go by the name of a wildlife park.  Zoos though are more for cities.  Wildlife parks can be quite huge and many are found in Africa.

A park can also be used to describe a sporting arena or field.

You can park a bag in a locker.

You can park an idea in the back of your mind and come back to it later, or if you are like me, it disappears into the ether.

It can be an area of land around a manor house, but there are very few of those left now.  The most notable of these are in England, and were designed by a man called Capability Brown.