In a word: Clip

It was in the news, and seemed odd to me, that a word such as clip would have any significance beyond that of having a haircut, but apparently, it does.

Maybe they’re referring to the clip of ammunition for a gun?

But for us, a clip can be part of a haircut, letting the scissors loose.

And for those children who had a father who was a hard taskmaster, you would be familiar with a clip around the ears.  It can just as easily be used, say when a car clips another car when the driver loses control.

There’s a horse that runs at a fast clip, and can be anything for that matter that moves quickly.

It can be a spring-loaded device that holds all your papers together.  Or just about anything else for that matter.

You can clip an item from a newspaper, aptly known as a news clipping.

it can be a portion of a larger film or television programme, but to me, sometimes, when a series has a clip show, an episode where someone reminisces and we see clips from previous episodes.

And last but not least, clip the wings of those so-called high flyers at the office.

An excerpt from “The Things We Do for Love”; In love, Henry was all at sea!

In the distance, he could hear the dinner bell ringing and roused himself.  Feeling the dampness of the pillow and fearing the ravages of pent-up emotion, he considered not going down but thought it best not to upset Mrs Mac, especially after he said he would be dining.

In the event, he wished he had reneged, especially when he discovered he was not the only guest staying at the hotel.

Whilst he’d been reminiscing, another guest, a young lady, had arrived.  He’d heard her and Mrs Mac coming up the stairs and then shown to a room on the same floor, perhaps at the other end of the passage.

Henry caught his first glimpse of her when she appeared at the door to the dining room, waiting for Mrs Mac to show her to a table.

She was in her mid-twenties, slim, with long brown hair, and the grace and elegance of a woman associated with countless fashion magazines.  She was, he thought, stunningly beautiful with not a hair out of place, and make-up flawlessly applied.  Her clothes were black, simple, elegant, and expensive, the sort an heiress or wife of a millionaire might condescend to wear to a lesser occasion than dinner.

Then there was her expression; cold, forbidding, almost frightening in its intensity.  And her eyes, piercingly blue and yet laced with pain.  Dracula’s daughter was his immediate description of her.

All in all, he considered, the only thing they had in common was, like him, she seemed totally out of place.

Mrs Mac came out of the kitchen, wiping her hands on her apron.  She was, she informed him earlier, chef, waitress, hotelier, barmaid, and cleaner all rolled into one.  Coming up to the new arrival, she said, “Ah, Miss Andrews, I’m glad you decided to have dinner.  Would you like to sit with Mr Henshaw, or would you like to have a table of your own?”

Henry could feel her icy stare as she sized up his appeal as a dining companion, making the hair on the back of his neck stand up.  He purposely didn’t look back.  In his estimation, his appeal rating was minus six.  Out of a thousand!

“If Mr Henshaw doesn’t mind….”  She looked at him, leaving the query in mid-air.

He didn’t mind and said so.  Perhaps he’d underestimated his rating.

“Good.”  Mrs Mac promptly ushered her over.  Henry stood, made sure she was seated properly and sat.

“Thank you.  You are most kind.”  The way she said it suggested snobbish overtones.

“I try to be when I can.”  It was supposed to nullify her sarcastic tone, but it made him sound a little silly, and when she gave him another of her icy glares, he regretted it.

Mrs Mac quickly intervened, asking, “Would you care for the soup?”

They did, and, after writing the order on her pad, she gave them each a look, imperceptibly shook her head, and returned to the kitchen.

Before Michelle spoke to him again, she had another quick look at him, trying to fathom who and what he might be.  There was something about him.

His eyes mirrored the same sadness she felt, and, yes, there was something else, that it looked like he had been crying.  There was a tinge of redness.

Perhaps, she thought, he was here for the same reason she was.

No.  That wasn’t possible.

Then she said, without thinking, “Do you have any particular reason for coming here?”  Seconds later, she realised she’d spoken it out loud, hadn’t meant to actually ask, it just came out.

It took him by surprise, obviously not the first question he was expecting her to ask of him.

“No, other than it is as far from civilisation, and home as I could get.”

At least we agree on that, she thought.

It was obvious he was running away from something as well.

Given the isolation of the village and lack of geographic hospitality, it was, from her point of view, ideal.  All she had to do was avoid him, and that wouldn’t be difficult.

After getting through this evening first.

“Yes,” she agreed.  “It is that.”

A few seconds passed, and she thought she could feel his eyes on her and wasn’t going to look up.

Until he asked, “What’s your reason?”

Slightly abrupt in manner, perhaps, because of her question and how she asked it.

She looked up.  “Rest.  And have some time to myself.”

She hoped he would notice the emphasis she had placed on the word ‘herself’ and take due note.  No doubt, she thought, she had completely different ideas of what constituted a holiday than he, not that she had said she was here for a holiday.

Mrs Mac arrived at a fortuitous moment to save them from further conversation.

Over the entree, she wondered if she had made a mistake coming to the hotel.  Of course, there had been no conceivable way she could know that anyone else might have booked the same hotel, but she realised it was foolish to think she might end up in it by herself.

Was that what she was expecting?

Not a mistake then, but an unfortunate set of circumstances, which could be overcome by being sensible.

Yet, there he was, and it made her curious, not that he was a man, by himself, in the middle of nowhere, hiding like she was, but for quite varied reasons.

On discreet observation, whilst they ate, she gained the impression his air of light-heartedness was forced, and he had no sense of humour.

This feeling was engendered by his looks, unruly dark hair, and permanent frown.  And then there was his abysmal taste in clothes on a tall, lanky frame.  They were quality but totally unsuited to the wearer.

Rebellion was written all over him.

The only other thought crossing her mind, and incongruously, was that he could do with a decent feed.  In that respect, she knew now from the mountain of food in front of her, he had come to the right place.

“Mr Henshaw?”

He looked up.  “Henshaw is too formal.  Henry sounds much better,” he said, with a slight hint of gruffness.

“Then my name is Michelle.”

Mrs Mac came in to take their order for the only main course, gather up the entree dishes, and then return to the kitchen.

“Staying long?” she asked.

“About three weeks.  Yourself?”

“About the same.”

The conversation dried up.

Neither looked at the other, but rather at the walls, out the window, towards the kitchen, anywhere.  It was, she thought, unbearably awkward.

Mrs Mac returned with a large tray with dishes on it, setting it down on the table next to theirs.

“Not as good as the usual cook,” she said, serving up the dinner expertly, “but it comes a good second, even if I do say so myself.  Care for some wine?”

Henry looked at Michelle.  “What do you think?”

“I’m used to my dining companions making the decision.”

You would, he thought.  He couldn’t help but notice the cutting edge of her tone.  Then, to Mrs Mac, he named a particular White Burgundy he liked, and she bustled off.

“I hope you like it,” he said, acknowledging her previous comment with a smile that had nothing to do with humour.

“Yes, so do I.”

Both made a start on the main course, a concoction of chicken and vegetables that were delicious, Henry thought when compared to the bland food he received at home and sometimes aboard my ship.

It was five minutes before Mrs Mac returned with the bottle and two glasses.  After opening it and pouring the drinks, she left them alone again.

Henry resumed the conversation.  “How did you arrive?  I came by train.”

“By car.”

“Did you drive yourself?”

And he thought, a few seconds later, that was a silly question; otherwise, she would not be alone, and certainly not sitting at this table. With him.

“After a fashion.”

He could see that she was formulating a retort in her mind, then changed it, instead, smiling for the first time, and it served to lighten the atmosphere.

And in doing so, it showed him she had another, more pleasant side despite the fact she was trying not to look happy.

“My father reckons I’m just another of ‘those’ women drivers,” she added.

“Whatever for?”

“The first and only time he came with me, I had an accident.  I ran up the back of another car.  Of course, it didn’t matter to him that the other driver was driving like a startled rabbit.”

“It doesn’t help,” he agreed.

“Do you drive?”

“Mostly people up the wall.”  His attempt at humour failed.  “Actually,” he added quickly, “I’ve got a very old Morris that manages to get me where I’m going.”

The apple pie and cream for dessert came and went, and the rapport between them improved as the wine disappeared and the coffee came.  Both had found, after getting to know each other better, that their first impressions were not necessarily correct.

“Enjoy the food?” Mrs Mac asked, suddenly reappearing.

“Beautifully cooked and delicious to eat,” Michelle said, and Henry endorsed her remarks.

“Ah, it does my heart good to hear such genuine compliments,” she said, smiling.  She collected the last of the dishes and disappeared yet again.

“What do you do for a living?” Michelle asked in an offhand manner.

He had a feeling she was not particularly interested, and it was just making conversation.

“I’m a purser.”

“A what?”

“A purser.  I work on a ship doing the paperwork, that sort of thing.”

“I see.”

“And you?”

“I was a model.”

“Was?”

“Until I had an accident, a rather bad one.”

“Oh, I’m sorry.”

So that explained the odd feeling he had about her.

As the evening wore on, he began to think there might be something wrong, seriously wrong with her because she didn’t look too well.  Even the carefully applied makeup, from close, didn’t hide the very pale, tired look, or the sunken, dark-ringed eyes.

“I try not to think about it, but it doesn’t necessarily work.  I’ve come here for peace and quiet, away from doctors and parents.”

“Then you will not have to worry about me annoying you.  I’m one of those fall-asleep-reading-a-book types.”

Perhaps it would be like ships passing in the night, and then he smiled to himself about the analogy.

Dinner over, they separated.

Henry went back to the lounge to read a few pages of his book before going to bed, and Michelle went up to her room to retire for the night.

But try as he might, he was unable to read, his mind dwelling on the unusual, yet compellingly mysterious person he would be sharing the hotel with.

Overlaying that original blurred image of her standing in the doorway was another of her haunting expressions that had, he finally conceded, taken his breath away, and a look that had sent more than one tingle down his spine.

She may not have thought much of him, but she had certainly made an impression on him.

© Charles Heath 2015-2024

lovecoverfinal1

The cinema of my dreams – I always wanted to write a war story – Episode 6

This is a story inspired by a visit to an old castle in Italy. It was, of course, written while travelling on a plane, though I’m not sure if it was from Calgary to Toronto, or New York to Vancouver.

But, there’s more to come. Those were long flights…

And sadly when I read what I’d written, off the plane and in the cold hard light of dawn, there were problems, which now in the second draft, should provide the proper start.

 

On the way back I decided to call my enemies the holy trinity.  Jackerby, Johansson and Wallace.  It would be interesting to see who took the lead.

Back in the main hall, I was told to sit in one of the antique chairs.  No one bothered to tie me up.  No need.  Three of the guards were strategically placed so I couldn’t escape, or if I tried to attack any of my captors, I would be shot.

At first, it was Jackerby and three guards, men from the landing party looking no different than they would on any mission.  If they were English, which they were not.  No one spoke.  I guess there wasn’t much to talk about.  It is told me that Jackerby wasn’t the man in charge.

If there was a separate man in charge of the stormtroopers, he didn’t show himself.

By the time Johansson joined us, I’d deduced it was he who was in charge of this operation.  Wallace was referring to him and was not showing his face.  He was in situ, he had been left in charge of the castle, and in the ‘end of war’ scenario, using it as a staging point for filtering enemy scientists and experts who were leaving quickly before the war ended, making sure they found their way to the allied side.

Of course, since he had taken up residence, those people fleeing the war had dried up to a trickle, and it was now understandable why.  Now that it was clear to me he was working for the Germans, he just wasn’t letting them all go.  If they were going to lose the war, then the victors would only get some of the spoils.

The question was what was happening to everyone else who didn’t make it.

Back in London, someone realised something was going terribly wrong, and so they sent me.  Someone else had said there might be a nest of traitors; another described them as double agents, on both sides of the channel.

My job was to find out what was happening, and now I had.  The possibility that I might get killed in the process had been flagged as a risk, but that hadn’t been a deterrent.  I had visited the castle before the war as an archaeological exercise and had been keen to come back and take another look.

Unfortunately, I had not had time to file a report, but up till now it would not be much, and given my current circumstances, I might not be able to inform them, but at least I knew the investigators in London were right.

And it looked like it was true Johansson had friends in London because my arrival had been telegraphed.  One attempt to blow me up, and now, nothing less than a dozen enemy storm troopers to make sure I didn’t leave.

“London finally realise what’s going on here?”

“In a manner of speaking.  They weren’t sure, but I guess we now have proof.”

“You have circumstantial proof, but basically nothing actionable.  They really have nothing, and won’t until you return, or report, neither of which you are going to be able to do for a while.  Not until we finish here what we started.”

I was tempted to ask what that was but knew better.  Another day.

I glared at him.  “Why?”

“I assume you are referring to myself being a double agent?  I was caught up in London just as the war broke out.  There was no question what side I was going to be on, it just meant getting into a good position, and then using it for the good of my country.  There’s quite a few of us, actually.”

I didn’t doubt that.

“So you let quite a few through to set up your credentials, and now, in the dying stages of the battle, when the real experts are trying to leave, you’re preventing them.”

“Not the best solution to a problem.  I’m sure, if you were standing here and losing the war, you’d be doing the same.  You’d hardly want those secrets in enemy hands.”

“The war’s over.  It’s just a matter of time.”

“This one, maybe.  The next one we’ll win.”

I admired his confidence.  It also explained the syphoning of boffins.  They may have missed their opportunity in this war, but regroup somewhere and prepare, who knows what might happen in another ten years time.

No one in London had come up with this sort of doomsday scenario.  We knew what they were capable of, more sophisticated air force with jet fighters, far more deadly and wide sweeping bombs, by some sort of miracle we’d stopped them this time, but the next?

 “What happens now?”

“You behave, you’ll live to fight another day.  You make trouble, we’ll execute you.  To me, you’re just another prisoner of war, but I’m not sending you to Germany.”

Simple choice.

“Why should I believe you?”

“I am an officer of the army, who serves his country with pride and honour.  You have my word; that should be enough.”

Oddly enough, I believed him.

“I assume my accommodation awaits?”

A flick of his hand, and Jackerby and two guards, escorted me out of the room.

I had thought surrender was going to be a lot more difficult than that.

 

© Charles Heath 2019

“Quickly, quickly…” – a short story


It was odd having a voice in your head, well, not really in your head as such, but in your ear, and sounding like it was in your head.

You could truthfully say you were hearing voices.

It was the next step after going through some very intensive training, having someone else as your eyes and ears when breaching a secure compound, and avoiding the enemy.

I’d signed on for this extra training thinking one day it would land me in the thick of the action. Some of the others thought I was mad, but someone had to do it, and the fact it was quite dangerous added just that extra bit to it.

But as they say, what you learn in training, and practise in a non-hostile environment, is nothing like being in that same situation in reality.

Now on was on my first assignment, part of an elite team, packed and taken to what was to everyone else, an unspecified location, but to us, it was the point of incursion.

The mission?

To rescue a government official (that was how he was described to us) who had been illegally detained in a foreign prison.

Our job?

To break him out and get out without the knowledge of the prison staff, or anyone representing that government. Yes, what we were doing was highly illegal, and yes, if we were caught it was more likely than not we would be executed as spies.

We were under cover in an abandoned farmhouse about three miles from the prison. We had been brought in under cover of darkness, and had only a few hours to set up, and then wait it out until the following night.

It was now or never, the weather people predicting that there would be sufficient cloud cover to make us invisible. Two of us were going in, and two remaining strategically placed outside to monitor the inside of the prison through a system of infrared scanners. We also had a floor plan of the building in which the prisoner was being held, and intelligence supplied, supposedly, by one of the prison guards who had been paid a lot of money for information on guard movements.

To me, it was a gigantic leap of faith to trust him, but I kept those thoughts to myself.

We had been over the plan a dozen times, and I’d gone through the passageways, rooms, and doors so many times I’d memorised where they were and would be able to traverse the building as if I had worked there for a lifetime. Having people outside, talking me through it was just an added benefit, along with alerts on how near the guards were to our position.

I was sure the other person going with me, a more seasoned professional who had a number of successful missions under his belt, was going through the same motions I was. After all, it was he who had devised and conducted the training.

There was a free period of several hours before departure, time to listen to some music, empty the head of unwanted thoughts, and get into the right mindset. It was no place to get tangled up in what-ifs, if anything went wrong, it was a simple matter of adapting.

Our training had reinforced the necessity to instantly gauge a situation and make changes on the fly. There would literally be no time to think.

I listened to the nuances of Chopin’s piano concertos, pretending to play the piano myself, having translated every note onto a piano key, and observing it in my mind’s eye.

My opposite number played games of chess in his head. We all had a different method of relaxing.

Until it was 22:00 hours, and time to go.

“Go left, no, hang on, go right.” The voice on my ear sounded confused and it was possible to get lefts and rights mixed up, if you were not careful.

It didn’t faze me, I knew from my study of the plans that once inside the perimeter fence, I had to go right, and head towards a concrete building the roof of which was barely above the ground.

It was once used as a helipad, and underneath, before the site became a prison, the space was used to make munitions. And it was an exceptionally large space that practically ran under the whole of the prison, built above ground.

All that had happened was the lower levels were sealed, covered over and the new structures built on top. Our access was going to be from under the ground.

Quite literally, they would not see, or hear, us coming.

The meteorological people had got it right, there was cloud cover, the moon hidden from view, and the whole perimeter was in inky darkness. Dressed in black from head to foot, the hope was we would be invisible.

There were two of us heading to the same spot, stairs that led down to a door that was once one of the entrances to the underground bunker. We were going separate ways in case one of the other was intercepted in an unforeseen event.

But, that part of the plan worked seamlessly, and we both arrived at the same place nearly at the same time.

Without the planning, we might easily have missed it because I didn’t think it would be discernable even in daylight.

I followed the Sergeant downstairs, keeping a watchful eye behind us. I stopped at the point where I could see down, and across the area we had just traversed.

Nothing else was stirring.

As expected, the door was seamless and without an apparent handle. It may have had one once, but not anymore, so anyone who stumbled across it, couldn’t get in.

Except us. We had special explosives designed to break the lock, and once set, they did not make a lot of noise. Sixty seconds later, we were inside, and the door closed so no one would know we’d broken in.

I was carrying a beacon so that the voice in my head could follow my progress. The sergeant had one too, and he led.

“Straight ahead, 200 yards, then another door. It shouldn’t be locked, but it might be closed.”

In other words, we had no way of knowing. Our informant had said no one had been down in the dungeons, as he called them, since the munition factory closed, and had been sealed up soon after the prison building had been handed over for use.

We were using night goggles, and there was a lot of rubbish strewn over the floor area so we had to carefully pick our way through which took time we really didn’t have. It looked as though our informant was right, no one had been down there for a long time. We were leaving bootprints in the dust.

We reached the door ten minutes later than estimated. Losing time would have a flow-on effect, and this operation was on a very tight time constraint.

“Once you are through the door, there’s a passage. Turn left and go about 50 paces. There should be another passage to your right.”

“Anyone down here?”

“No, but there is a half dozen prison officers above you. Standard patrol, from guardhouse to guardhouse. Unless they can hear you through five feet of solid concrete, you’re safe.”

My instincts told me five feet of concrete were not enough, but I’ll let it ride for the moment.

The door was slightly ajar and it took the two of us to pull it open so that we could get past. Behind it was the passage, going left and right. Trusting my invisible guide was not getting mixed up again, I motioned right, and we headed down the passage.

Despite the fact we should be alone, both of us were careful not to make any noise and trod carefully.

At 50 or so paces, the passage came into sight. The sergeant went ahead. I stayed back and kept an eye in both directions. The passage before us was the one that would take us under the cell of the captive we were sent to retrieve.

There would be no blasting our way in. The floor to the cell had a grate, and when removed, a person could drop down into the ‘dungeon’. Currently, the grate was immovable, but we had the tools to fix that.

The sergeant would verify the grate was where it was supposed to be, then come back to get me.

Five minutes passed, then ten. It was not that far away.

I was about to go search when the voice in my head returned but with panic. “We’ve been compromised. Get the hell out of there, now. Quickly…”

Then I heard what sounded like gunshots, then nothing.

A minute later there was a new voice. “I don’t know who you are, but I’d strongly advise you to give yourself up to the guards. Failure to do so within one hour, I’ll execute the two men I now have in custody.”

Ahead of me, there was a sudden explosion, followed by a cloud of dust and fine debris.

A hand grenade, or mine, it didn’t matter. The sergeant wouldn’t be coming back.

I sighed.

Plan B it was.

© Charles Heath 2021

The 2am Rant: Sometimes it’s better to say that an expressed opinion is your own

It’s always a good thing to get that across especially if you work for an organization that could misinterpret what that opinion is, or generally have an opposing opinion.  Of course, by saying your opinions are your own, you’re covering yourself from becoming unemployed, but is this a futile act?

Perhaps its better to not say anything because everything you say and do eventually find its way to those you want most not to hear about it, perhaps one of the big negatives of the internet and social media.

And…

It seems odd to me that you can’t have an opinion of your own, even if it is contrary to that of the organization you work for, and especially if their opinion has changed over time.  An opposing opinion, not delivered in a derogatory manner, would have the expectation of sparking healthy debate, but it doesn’t always end up like that.

I’m sure there are others out there that will disagree, and use the overused word, loyalty’.   Perhaps their mantra will be ‘keep your opinions to yourself’.

This, too, often crops up in personal relationships, and adds weight to the statement, ‘you can pick your friends but not your relatives’.

I’m told I have an opinion on everything, a statement delivered in a manner that suggests sarcasm.  Whether it’s true or not, isn’t the essence of free speech, working within the parameters of not inciting hate, bigotry, racism, or sexism, a fundamental right of anyone in a democracy?

Seems not.

There’s always someone out there, higher up the food chain, with an opinion of their own, obviously the right one, and who will not hesitate to silence yours.  But, isn’t it strange that in order to silence you, they have to use leverage, like your job, to get theirs across.

Well, my opinions are in my writing, and whether or not you agree with them or not, I’m sure you will let me know.  In a robust but respectful manner.

Unlike some, my door is always open.

Writing a book in 365 days – 349

Day 349

The Gift of Creating Life with Words: Innate Talent, Learned Skill, or a Bit of Both?

“Words are, in my not-so-humble opinion, the most powerful tool we have ever created.” – J.K. Rowling

When a story sweeps us off our feet, a poem makes our hearts ache, or a speech moves a crowd to tears, we instinctively label the author a “gifted” or “talented” writer. It feels as if they possess a mysterious, almost magical ability to conjure whole worlds from thin air.

But is the art of breathing life into language something you’re born with, or can anyone learn to wield it with equal flair? In this post we’ll explore the science and the folklore behind writing excellence, dissect the myths of the “born writer,” and lay out practical pathways for anyone who wants to transform words into living, breathing experiences.


1. The Allure of the “Natural Talent” Narrative

1.1. Why We Romanticise the Gifted Writer

  • Heroic storytelling – Just as societies celebrate prodigies in music, sport, and mathematics, literature loves its “genius” figures (Shakespeare, Hemingway, Toni Morrison).
  • Cognitive bias – The availability heuristic makes us recall the few celebrated authors, overlooking the countless writers who arrived at greatness through deliberate practice.
  • Cultural mythos – The Romantic era glorified the solitary muse, cementing the idea that true art springs from a mystical well within.

1.2. What Research Really Says

Neuroscientists have mapped the brain activity of skilled writers, and the findings are enlightening:

Brain RegionRole in WritingWhat the Data Shows
Broca’s areaSyntax, grammarHighly active in both novice and expert writers, suggesting that basic language processing is universal.
Prefrontal cortexPlanning, organizationShows increased connectivity in seasoned writers, indicating that strategic thinking can be honed.
Default mode network (DMN)Imagination, mind‑wanderingStronger activation correlates with creative ideation, but DMN activity can be cultivated through practices like free‑writing.

The takeaway? There are no “magic” brain circuits that only a few possess. The same neural hardware is available to everyone; the difference lies in how it’s trained, wired, and used over time.


2. The Science of Skill Acquisition

2.1. Deliberate Practice—The Engine of Mastery

Psychologist K. Anders Ericsson introduced the concept of deliberate practice: intentional, feedback‑rich, and just beyond your current ability. In writing, this translates to:

  • Targeted exercises (e.g., “write a scene using only dialogue” or “describe a setting in 100 words”).
  • Immediate feedback from peers, mentors, or software tools.
  • Iterative revision—the willingness to rewrite, re‑structure, and re‑think.

2.2. The 10,000‑Hour Rule—A Misinterpretation

Gladwell popularised the idea that 10,000 hours leads to mastery. While practice matters, the quality of those hours matters far more. A novice who writes 10,000 bland sentences won’t rival a diligent writer who spends 2,000 hours on focused storytelling drills.

2.3. Neuroplasticity—Your Brain Can Rewire

Every time you craft a sentence, you’re forging new synaptic pathways. Studies in adult neuroplasticity demonstrate that consistent writing practice enlarges language‑related brain regions and improves narrative comprehension. In short: You can literally rewire yourself to be a better writer.


3. The Role of Reading: The Unsung Curriculum

“If you want to write, write, and if you want to read, read.” – C. S. Lewis

Reading is the foundational apprenticeship for any writer. Here’s why:

AspectHow Reading HelpsPractical Tip
VocabularyExposure to varied diction builds lexical richness.Keep a “word‑bank” notebook; add a new, striking word each week.
StructureMimic a paragraph in the style of your favourite author, then rewrite it in your voice.After each book, outline its structure in 5–7 bullet points.
VoiceUnderstanding expectations lets you subvert or honour them intelligently.Analysing plot arcs, pacing, and chapter organisation reveals the scaffolding behind stories.
Genre ConventionsUnderstanding expectations lets you subvert or honor them intelligently.Read at least three classic works in any genre you plan to write.

In other words—reading is the silent teacher that precedes formal instruction.


4. Teaching the Craft: What Formal Education (and Informal Mentorship) Offers

4.1. What Writing Courses Actually Teach

  1. Fundamentals of Storytelling – Hero’s journey, three‑act structure, conflict types.
  2. Tools of the Trade – Dialogue tags, sensory description, active vs. passive voice.
  3. Revision Strategies – Macro‑editing (plot, pacing) vs. micro‑editing (sentence flow, grammar).
  4. Critique Techniques – Giving and receiving constructive feedback without ego.

4.2. Mentorship vs. Classroom

  • Mentorship—Personalised, often informal. One‑on‑one feedback accelerates growth because it’s tailored to your specific blind spots.
  • Workshops—Group environments foster diverse perspectives, exposing you to styles you’d never encounter alone.

4.3. Digital Resources: The New‑Age Writing Academy

  • Online courses (MasterClass, Coursera, edX) – Structured curricula from bestselling authors.
  • Writing communities (r/WritingPrompts, Scribophile, Critique Circle) – Peer review loops.
  • AI‑assisted tools (Grammarly, ProWritingAid, ChatGPT) – Real‑time suggestions for grammar, style, and even plot brainstorming.

5. Practical Steps to Turn “Potential” into “Prose”

Below is a 12‑week sprint that anyone can follow, regardless of background. Think of it as a bootcamp for the “gift of creating life with words.”

WeekFocusAction ItemTime Commitment
1ObservationKeep a daily 5‑minute “sensory log” of what you see, hear, smell.5 min/day
2Micro‑StorytellingWrite 100‑word flash fiction using only one sense.15 min/day
3Dialogue DrillTranscribe a real conversation, then rewrite it to reveal subtext.30 min total
4Structural MappingOutline the plot of your favorite novel in three acts.1 hour
5Voice ExplorationImitate a paragraph from three different authors; then rewrite it in your own voice.45 min
6Feedback LoopShare a 1,000‑word piece with a peer group; receive and integrate feedback.2 hours
7Revision MasteryTake a piece you wrote in Week 2 and perform a macro‑edit (plot, pacing).1 hour
8Genre Deep DiveRead a classic in a new genre; write a 500‑word piece that follows its conventions.2 hours reading + 1 hour writing
9Narrative TensionWrite a scene where the stakes are revealed only through action, not exposition.1 hour
10Mentor SessionArrange a 30‑minute call with a more experienced writer (could be via a forum).30 min
11Polish & PublishEdit a short story for submission to a literary journal or online platform.2 hours
12ReflectionWrite a 500‑word essay on how your writing has changed over the program.30 min

Consistency beats intensity. Even 15 minutes a day, if focused, yields measurable improvement.


6. Common Myths Debunked

MythReality
“You’re either born a writer or you’re not.”Writing is a skill that can be systematically improved, much like learning a musical instrument.
“Good writers don’t need to edit.”Even the most celebrated authors (e.g., Stephen King) claim they spend 90 % of their time editing.
“Inspiration is magical and uncontrollable.”While moments of inspiration happen, they are often the byproduct of sustained preparation.
“Only formal education matters.”Self‑directed learning, reading, and community critique often produce equally adept writers.

7. The Bottom Line: Talent Meets Training

The truth lies somewhere in the middle:

  • Innate predispositions—such as a keen sense of observation, empathy, or an early love for language—can give a head start.
  • Deliberate practice—the daily grind of writing, reading, revising, and seeking feedback—turns that potential into proficiency.
  • Guided instruction—whether through a university course, an online tutorial, or a mentorship—provides the scaffolding that accelerates growth.

So, the “gift of creating life with words” isn’t a static, hereditary trait; it’s a dynamic, learnable craft that flourishes when curiosity meets discipline.


8. Takeaway Action: Your First Step Right Now

  1. Grab a notebook (or open a note‑app).
  2. Set a timer for five minutes and write whatever you see out the window, without judging.
  3. Repeat tomorrow, adding one new sensory detail.

In just a week, you’ll have a mini-catalogue of lived experience to draw upon—one of the most valuable reservoirs any writer can own.

Top 5 sights on the road less travelled – Vaduz

The Road‑Less‑Travelled in Vaduz: 5 Hidden Gems Worth Exploring

Vaduz may be tiny, but it’s brimming with surprises for the curious traveller. While most visitors gravitate toward the iconic castle, the state museum, and the glittering shopping street, the capital of Liechtenstein has a quieter side that rewards those who wander off the main postcard route. Below are my five favourite “off‑the‑beaten‑path” experiences – perfect for a day (or a few hours) when you crave something a little different.


1. Stroll the “Kunstweg” – Vaduz’s Secret Art Trail

Why it’s special

Tucked between the historic centre and the foothills of the Alps, a short footpath leads you past a series of contemporary sculptures and mural‑covered walls that most guidebooks skip. Each piece is curated by the tiny but vibrant Kunstverein Liechtenstein (Art Association) and changes seasonally, so you’ll never see the same lineup twice.

What to look for

  • The “Glass Feather” – a translucent installation that refracts sunlight into a rainbow on the riverbank.
  • “Echoes of the Alps” – a series of bronze panels that play faint Alpine wind sounds when you step close.
  • Hidden mural on a back‑alley building, painted by a local graffiti collective, depicting a mythic Liechtensteinic dragon.

Tips

  • Bring a small notebook – the artists love hearing visitors’ thoughts, and a quick sketch can become a souvenir.
  • Go early in the morning; the light makes the glass installations sparkle like gems.

2. Taste the “Heidi‑Style” Alpine Farmstead Café

Why it’s special

While the capital’s cafés cater to tourists, a family‑run farmstead just outside the city gates (about a 10‑minute walk) serves authentic, farm‑to‑table dishes in a rustic barn setting. Think cheese‑fondue made from the farm’s own alps‑milk, freshly baked “Vaterspaß” rye rolls, and a secret herb‑infused jam that locals swear is the best thing since the invention of the internet.

What to order

  • Schlössli Cheese Fondue – a blend of Gruyère, Emmental, and a pinch of local mountain herbs.
  • Kaiserschmarrn à la Vaduz – fluffy shredded pancake served with apple‑compote made from the orchard behind the café.
  • “Alpine Whisper” Liqueur – a house‑made apricot spirit you can sip on the terrace while watching the goats graze.

Tips

  • Sit on the hay‑straw benches for the full farm‑feeling experience.
  • Ask the owner, Marta, for a quick tour of the cheese‑aging cellar – it’s a 5‑minute walk in the back, and she loves sharing the process.

3. Explore the “Mysterious Underground Vaults” of the Old Customs House

Why it’s special

Behind the sleek, modern façade of the customs office lies a network of vaulted stone chambers built in the 18th century to store smuggled goods and precious metals. The city council now opens them for guided “Night‑Whisper” tours, featuring low‑light lanterns, storytelling, and a taste of historic Liechtensteinian spirits.

Highlights

  • The “Silversmith’s Chamber” – where clandestine metalwork took place.
  • The “Map Room” – a dusty wall of hand‑drawn cartography showing secret Alpine passes used by traders.
  • The “Wine Cellar of the Count” – still contains a few bottles of 1913 Riesling, preserved in perfect condition.

Tips

  • Book at least 48 hours in advance; the tours are limited to ten participants.
  • Wear comfortable shoes – the stone steps can be slippery when the lanterns are lit.

4. Bike the “Rheintal Loop” – A Scenic Ride the Locals Call “The Green Ribbon”

Why it’s special

Most visitors see Vaduz from a car window or a train seat, but the Rheintal Loop offers a 25‑km bicycle circuit that winds along the calm banks of the Rhine, climbs through pine‑scented hills, and passes tiny hamlets where children still wave from their doorsteps. It’s a perfect blend of nature, history, and quiet village life.

Must‑see stops

  • The ancient Roman bridge in Nendeln – a stone arch spanning the river, still in use today.
  • Kleinwalsertal viewpoint – a small plateau with a panoramic bench offering a 180° view of the Alps and the valley below.
  • The “Butterfly Meadow” near Schaan – a meadow packed with native wildflowers, especially vibrant in late June.

Tips

  • Rent a hybrid bike from the “Alpine Cycle Co.” on Helvetiaplatz – they provide helmets, a waterproof map, and a complimentary energy bar.
  • Pack a lightweight rain jacket; weather in the Alps can shift in a heartbeat.

5. Attend a “Silent Film Night” at the Old Town Cinema (Kinemathek)

Why it’s special

The tiny, Art‑Deco cinema on the corner of Gassnerstrasse shows an eclectic mix of classic silent movies, local experimental shorts, and occasional live piano accompaniment. The venue is intimate (just 50 seats), and the décor retains its 1920s charm: velvet curtains, brass sconces, and a historic popcorn machine that still whirs like a miniature steam engine.

Upcoming shows (as of 2025)

  • “The Prince of the Valley” – a 1923 Liechtensteinic drama about a young aristocrat who renounces his title to become a shepherd.
  • “Alpine Echoes” – a modern short film series filmed entirely on a smartphone by local students, depicting the lives of mountain rescue dogs.
  • “Live Piano Night” – a concert where pianist Miriam Keller plays original scores while the audience watches classic Buster Keaton reels.

Tips

  • Arrive early to snag a seat by the wall; the acoustics are best there.
  • Grab a cup of “Müesli Latte” from the café downstairs – it’s a warm milk drink with toasted oat flakes and a dash of cinnamon.

Bonus: How to Weave These Gems Into a Perfect Day

TimeActivityReason
08:00Breakfast at the Alpine Farmstead CaféFresh, local fare to fuel your adventure
09:30Walk the KunstwegGentle warm‑up while soaking in art & light
11:00Bike the Rheintal Loop (first half)Scenic ride & gentle hill climbs
13:00Picnic lunch (grab a cheese platter from the farmstead)Picnic by the river – pure bliss
14:30Underground Vaults tourDive into Vaduz’s secret past
16:30Continue the Loop (second half)Return via a different side, spotting hidden villages
18:30Evening coffee at the Old Town Cinema caféRelax before the film
19:30Silent Film NightEnd the day with nostalgic magic

Final Thoughts

Vaduz may wear a crown of polished tourism, but underneath lies a tapestry of quiet corners, local traditions, and hidden stories waiting for the inquisitive traveller. Whether you’re an art lover, a foodie, a history buff, a cyclist, or a cinephile, these five off‑the‑beaten‑path experiences will let you see a side of the capital that most guidebooks overlook.

So next time you wander into this Alpine jewel, stray from the usual map, ask a local for a secret, and let Vaduz’s quieter rhythms surprise you.

Ready to explore? Pack your walking shoes, a sense of adventure, and maybe a notebook for those spontaneous sketches – Vaduz’s hidden treasures are just a few steps away.

Happy travels!

What I learned about writing – Everyday life is still there

And probably it is a matter of being better off not thinking

But…

I’m sitting here and writing a piece for a novel about one of my characters, and all of a sudden I stop, right in the middle of where he’s about to get violently murdered if he lets his guard down.

Why have I stopped right there?

A strange thought goes through my mind.

Did he remember to have breakfast, did he make the bed and tidy up after he got up?  Did he have to arrange to have his clothes cleaned, or were they cleaned for him?

Does he have a maid and a butler and a cook to do all those things?

The problem is, we don’t know what happened before he finished up in that precarious position.

We may know that he was taught to fight by a zen master, a swordsman, though I’m not sure if there is a requirement for fencing, to drive defensively, to kill people in more ways than you’ve had hot dinners.

We may know that he was in a similar fight the day before, and his energy has been depleted and may be running on painkilling drugs.  Of course, if that’s the case, and knowing the side effect of some of those drugs, he may be impaired, and slower in reaction time, which might mean premature death.

But we don’t know if he ate anything, whether he slept well, or not at all (though sometimes it rates a mention more often than not as an afterthought or an excuse), whether he has any distracting thoughts, like what the hell am I doing here?

Everyday things which all of us, and I’m sure even the most successful of spies, have to deal with.

Just a thought.

Back to the fight, yes he wins, got a couple of slashes and there’s a copious amount of blood on his shirt.

Let’s not worry about who’s going to clean up the mess, or do the washing.

A few running repairs with needle and thread, including the requisite grimaces in pain, someone else will clean the shirt, and yes, there’s always a cupboard full of clean clothes to change into.

Moving on…

“One Last Look”, nothing is what it seems

A single event can have enormous consequences.

A single event driven by fate, after Ben told his wife Charlotte he would be late home one night, he left early, and by chance discovers his wife having dinner in their favourite restaurant with another man.

A single event where it could be said Ben was in the wrong place at the wrong time.

Who was this man? Why was she having dinner with him?

A simple truth to explain the single event was all Ben required. Instead, Charlotte told him a lie.

A single event that forces Ben to question everything he thought he knew about his wife, and the people who are around her.

After a near-death experience and forced retirement into a world he is unfamiliar with, Ben finds himself once again drawn back into that life of lies, violence, and intrigue.

From London to a small village in Tuscany, little by little Ben discovers who the woman he married is, and the real reason why fate had brought them together.

It is available on Amazon here:  http://amzn.to/2CqUBcz

Top 5 sights on the road less travelled – Sarajevo

The Un‑Seen Sarajevo: 5 Off‑The‑Beaten‑Path Experiences Worth the Detour

When you picture Sarajevo, you probably picture the iconic Baščaršija market, the Latin Bridge, or the panoramic tram ride up to the Sarajevo Bascarsija‑Tunnel Museum. Those sites are undeniably worth a visit, but the city’s real soul lives in the nooks and crannies that tourists rarely discover.
If you’re the type of traveller who prefers a side‑street over a main avenue, a hidden café over a crowded restaurant, or a quiet trail over a bustling viewpoint, keep reading. Below are five truly “road‑less‑travelled” activities that will give you a deeper, more intimate connection with Bosnia’s capital.


1️⃣ Wander the Secret Gardens of Vrelo Bosna – Beyond the Main Walkway

Why it feels off‑the‑map
Most visitors stroll the short, well‑signposted path that leads straight to the river’s mouth and snap a quick photo of the iconic meadow. Few venture farther up the valley where a network of stone‑lined footpaths winds through secluded glades, ancient oak groves, and a series of tiny, crystal‑clear pools that look like something out of a fairy‑tale.

What to do

  • Follow the “Old Trapper’s Trail.” Starting at the main parking lot, veer left after the first wooden bridge and look for a faded wooden sign reading “Staza lovca” (hunter’s trail).
  • Spot the “Stone‑Heart” (Kameni Srž). A natural limestone formation shaped like a heart, half‑submerged in a shallow pool—perfect for a quiet moment or a Instagram story that will genuinely surprise your followers.
  • Pack a light snack. The area is a perfect spot for a picnic under the shade of centuries‑old beech trees. Bring a small blanket, some local cheese (bjelica), and a bottle of Bosnian fruit‑wine.

Practical tips

  • Getting there: Take bus line 16 from the city centre to the “Vrelo Bosna” stop (≈15 min). The trailhead is a few minutes’ walk from the stop.
  • Best time: Early morning (7–9 am) in spring or early autumn. The lighting is soft, the crowds are non‑existent, and the air smells of wild mint.
  • What to bring: Sturdy walking shoes (the path includes a few rocky sections), a reusable water bottle, and a small rain jacket—weather can change quickly in the valleys.

2️⃣ Sip Coffee at Kovačevići’s “Mali Hram” – A Hidden Bosnian‑Austro‑Hungarian Café

Why it feels off‑the‑map
Tucked inside a modest residential block of the Kovačevići neighbourhood, “Mali Hram” (The Little Temple) is a tiny, family‑run coffee house that has been serving Bosnian coffee the same way since the 1900s. Its interior is a living museum: brass coffee pots, hand‑stitched tablecloths, and a faded photograph of a young Emperor Franz Julius I strolling through Sarajevo’s streets.

What to do

  • Order the “Bosanska Cevapi” espresso. It’s a double‑shot, dark roasted brew served with a slice of “hurmašice” (traditional sweet dumpling) on the side.
  • Chat with the owners. The elderly couple love sharing stories about how the café survived the siege, the Austro‑Hungarian era, and the city’s post‑war revival.
  • Listen to the old radio. A vintage 1930s German radio plays folk songs in the background, giving you a tangible sense of Sarajevo’s multicultural past.

Practical tips

  • Getting there: From the central train station, hop on tram line 1 toward “Ilidža” and get off at “Kovačevići” (≈12 min). Walk two blocks east; the café is marked only by a tiny hand‑painted sign.
  • Best time: Mid‑afternoon, when locals gather for “kafa i razgovor.” Expect a relaxed, unhurried pace.
  • What to bring: Cash (most small cafés don’t accept cards) and a notebook—many visitors leave a short message on the community board.

3️⃣ Trek to Hajdučke Kule – The Forgotten Ottoman Watchtowers

Why it feels off‑the‑map
While most tourists flock to the historic Clock Tower, few know that a row of three smaller stone towers – the “Hajdučke Kule” (Bandit Towers) – sit on the steep hillside overlooking the old town. Built in the 16th century to spot incoming raiders, they now offer an unobstructed panorama of Sarajevo’s red‑tile roofs, the Miljacka River snaking below, and the distant peaks of the Dinaric Alps.

What to do

  • Climb the middle tower. A narrow spiral staircase (≈30 steps) leads to a small viewing platform with a rusted iron railing. Bring a compact camera; the view is unfiltered – no tourist crowds, just the city’s raw silhouette.
  • Explore the “Stone Labyrinth.” At the base of the towers lies a network of ancient stone walls that locals used for rope‑making. Walk the labyrinth and feel the cool stone under your feet.
  • Capture sunset light. The western orientation floods the towers with golden light just before sunset, creating dramatic shadows ideal for photography.

Practical tips

  • Getting there: Take bus line 21 to “Koševo” and follow the signs to “Hajdučke Kule.” The trailhead is a short, steep stairwell leading up the hill.
  • Best time: Late afternoon in late spring or early summer, when the hillside is lush but the path isn’t slick.
  • What to bring: A flashlight (the interior of the towers is dim), a small first‑aid kit (the stairs are uneven), and a lightweight rain poncho.

4️⃣ Discover the Underground Art Gallery of the Sarajevo Tunnel – A Post‑War Secret

Why it feels off‑the‑map
The Sarajevo Tunnel Museum is a well‑known symbol of resilience, but beneath its concrete entrance lies a concealed, community‑run art space called “Podzemni Studio.” Created in 1997 by a group of former tunnel workers, it showcases raw, politically charged artworks made from salvaged war materials—metal, bullet casings, and glass shards.

What to do

  • Take the “Hidden Passage” tour. A volunteer guide leads a small group (max 8 people) down a dimly lit corridor to the studio. You’ll hear personal anecdotes about how the space helped heal trauma after the siege.
  • Interact with the installations. Some pieces are tactile; you can run your fingers over a sculpture made of welded railway tracks, symbolising the city’s connection between past and future.
  • Purchase a “Tunnel‑Made” souvenir. Small items—keychains, magnets, or hand‑crafted ceramic mugs—are sold to support the artists.

Practical tips

  • Getting there: Walk from the main tunnel museum (just a 5‑minute stroll). Look for the narrow door on the left side of the parking lot marked “Studio.”
  • Best time: Weekdays, early in the morning (9–11 am). The studio limits visitors to preserve the intimate atmosphere.
  • What to bring: A modest donation (the gallery is non‑profit), a respectful demeanour (some works deal with heavy themes), and curiosity.

5️⃣ Attend a Traditional “Sevdalinka” Evening in the Village of Bojan

Why it feels off‑the‑map
Sevdalinka, the soulful Bosnian folk song, is often performed in touristy restaurants in the Old Town. In Bojan—a small farming village 12 km south of Sarajevo—elder musicians gather every Saturday night in the courtyard of a centuries‑old stone house, singing unaccompanied a cappella renditions passed down through generations.

What to do

  • Join the circle. Bring a small portable seat or blanket, and sit on the low stone steps while locals welcome you with a warm “Dobrodošli.”
  • Learn a line. The host will hand you a lyric sheet and teach you the chorus—an unforgettable way to become part of the tradition.
  • Taste homemade “pita.” Freshly baked burek and honey‑drizzled pita (pie) are served on rustic wooden plates.

Practical tips

  • Getting there: Rent a car or take a local “taxi‑bush” (mini‑bus) from the “Ilidža” bus station to Bojan. The trip takes about 30 minutes on winding country roads.
  • Best time: Late summer (July–August) when the evenings are warm and the village’s olive trees are in full bloom.
  • What to bring: A respectful attitude, a small contribution (a bottle of local rakija or a few euros) for the host, and a camera with a discreet flash setting—photos are welcomed, but flash isn’t.

How to Fit All Five Into a 3‑Day Itinerary

DayMorningAfternoonEvening
1Vrelo Bosna hidden trails – hike & picnicHajdučke Kule – climb towers & sunsetMali Hram café – coffee & conversation
2Underground art gallery – Tunnel Studio tourBojan Sevdalinka evening – travel to villageReturn to Sarajevo for a nightcap in the Old Town
3Free day – revisit favorite spot or explore other museumsOptional: River rafting on the Miljacka or a museum of contemporary Bosnian artWrap‑up dinner at a local konoba (tavern) featuring live folk music

Feel free to shuffle the order—each activity stands on its own, but the rhythm above balances active exploration with relaxed cultural immersion.


Final Thoughts: Why the “Road‑Less‑Travelled” Matters

Travel isn’t just a checklist of monuments; it’s a conversation with the people, the landscapes, and the hidden histories that shape a place. In Sarajevo, the well‑trodden path tells you what the city is, while the side streets, secret gardens, and tucked‑away cafés whisper how Sarajevo has survived, adapted, and continued to sing its unique song.

So next time you book a trip to Bosnia’s capital, consider swapping one of those popular sights for a hidden trail, a modest coffee shop, or an underground gallery. You’ll return home with stories that are truly yours, and you’ll leave a lighter footprint—one that respects the intimacy of the places you discover.

Ready to venture off the map? Pack your walking shoes, bring an open heart, and let Sarajevo’s quieter corners reveal themselves. Happy exploring! 🌿🕌✨