Searching for locations: O’Reilly’s Vineyard, Canungra, Queensland, Australia

O’Reilly’s Canungra Valley Vineyards located on Lamington National Park Road, Canungra, Queensland, is a 15-acre vineyard with the 163-year-old historic homestead ‘Killowen’ set up with dining rooms and long verandahs, and extensive grounds that are next to the Canungra creek where it is possible to find Platypus and turtles while partaking in a picnic.

There are about 6,000 vines of the (white) Semillon, Verdelho and (red) Chambourcin, Shiraz and Petit Vedot varieties.

We visited there in December when the vines were just starting to produce fruit. 

That fruit is usually harvested in February and then turned into wine.
The setting for picnics is, on a warm Summer’s day is idyllic, where you can wade in the creek, or go looking for a platypus.  We did not see one there the day we visited but did spend some time sitting beside the creek.

‘The Devil You Don’t’ – A beta reader’s view

It could be said that of all the women one could meet, whether contrived or by sheer luck, what are the odds it would turn out to be the woman who was being paid a very large sum to kill you.

John Pennington is a man who may be lucky in business, but not so lucky in love. He has just broken up with Phillipa Sternhaven, the woman he thought was the one, but relatives and circumstances, and perhaps because she was a ‘princess’, may also have contributed to the end result.

So, what do you do when you are heartbroken?

That is a story that slowly unfolds, from the first meeting with his nemesis on Lake Geneva, all the way to a hotel room in Sorrento, where he learns the shattering truth.

What should have been solace after disappointment, turns out to be something else entirely, and from that point, everything goes to hell in a handbasket.

He suddenly realizes his so-called friend Sebastian has not exactly told him the truth about a small job he asked him to do, the woman he is falling in love with is not quite who she says she is, and he is caught in the middle of a war between two men who consider people becoming collateral damage as part of their business.

The story paints the characters cleverly displaying all their flaws and weaknesses. The locations add to the story at times taking me back down memory lane, especially to Venice where, in those back streets I confess it’s not all that hard to get lost.

All in all a thoroughly entertaining story with, for once, a satisfying end.

Available on Amazon here: https://amzn.to/2Xyh1ow

Writing a book in 365 days – 246

Day 246

Horror stories

From Gothic Gloom to Psychological Dread: The Evolving Art of Horror

The chill that creeps up your spine when you read a truly terrifying tale. It’s a sensation as old as storytelling itself, yet it continues to evolve, morphing and adapting to the anxieties and imaginations of each new era. When we look back at the foundational figures of literary horror, like Edgar Allan Poe and Mary Shelley, we marvel at the sheer ingenuity of their creations. But understanding how they conjured such potent nightmares is key to appreciating the genre’s enduring power, and how authors like William Peter Blatty and Stephen King have, in turn, reshaped its landscape.

The Seeds of Terror: Poe and Shelley’s Gothic Visions

When Edgar Allan Poe penned tales of premature burial, haunted houses, and descent into madness, he tapped into a deep well of human fears. His horror wasn’t always about external monsters; it often lurked within the human psyche. Poe, a master of atmosphere and psychological introspection, drew inspiration from:

  • The Grim Realities of His Time: Poe lived through periods of significant social upheaval and personal tragedy. His own experiences with loss, poverty, and mental illness undoubtedly fueled his explorations of the darker aspects of the human condition.
  • Gothic Literary Traditions: He inherited a rich tradition of Gothic literature, with its crumbling castles, spectral apparitions, and brooding protagonists. Poe took these tropes and infused them with a more visceral, psychological intensity.
  • Scientific and Philosophical Debates: The burgeoning interest in science, death, and the nature of consciousness during his era likely played a role. He explored the fragility of the mind and the terrifying unknown that lay beyond the veil of sanity.

Similarly, Mary Shelley’s creation of Frankenstein wasn’t born in a vacuum. Her “modern Prometheus” was a product of:

  • Intellectual Circles and Revolutionary Ideas: Shelley was surrounded by Romantic poets and thinkers who debated the ethics of scientific advancement and the very essence of life. The scientific experiments of the time, aiming to understand and even replicate life, provided a fertile ground for her imagination.
  • Personal Loss and the Fear of the Unnatural: Shelley experienced profound grief with the loss of her mother and later her own children. This personal experience of death and the potential for “unnatural” creation likely fueled her exploration of a being brought to life through artificial means and the subsequent tragedy that ensued.
  • The Power of Myth and the Sublime: The idea of creating life, of playing God, is an ancient human fascination. Shelley tapped into this, blending it with the Romantic fascination for the sublime – the awe-inspiring, yet terrifying, power of nature and human endeavor.

Both Poe and Shelley, in their distinct ways, explored the anxieties of their times, the fragility of the human mind and body, and the intoxicating, often dangerous, allure of the unknown. Their horror was deeply rooted in the human experience, albeit amplified and distorted for terrifying effect.

The Evolution of Fear: Blatty and King’s Transformative Impact

Fast forward to the latter half of the 20th century, and the landscape of horror had broadened considerably. Authors like William Peter Blatty and Stephen King didn’t just build upon the foundations of their predecessors; they fundamentally altered the architecture of terror.

William Peter Blatty and the Resurgence of Supernatural Dread:

Blatty’s The Exorcist was a seismic event in horror. While supernatural threats existed before, Blatty’s novel brought a visceral, intensely religious horror to the forefront. His genius lay in:

  • Grounding the Supernatural in the Real: He took a seemingly ordinary family and an everyday setting and plunged them into extraordinary, terrifying events. This made the horror feel all the more potent because it could, theoretically, happen to anyone.
  • Exploring Faith and Doubt: The Exorcist delved into the battle between good and evil, faith and disbelief, and the terrifying possibility that malevolent forces could possess and corrupt even the innocent. This psychological and spiritual dimension resonated deeply with audiences.
  • Unflinching Realism in the Face of the Unexplained: Despite the supernatural elements, Blatty presented the demonic possession with a horrifyingly realistic depiction of physical and psychological torment, blurring the lines between the tangible and the infernal.

Stephen King: The Master of Modern Anxiety:

Stephen King, arguably the most prolific and influential horror writer of our time, has transformed the genre by making the mundane terrifying and by tapping into the collective anxieties of modern life. His impact is multifaceted:

  • Relatable Characters and Settings: King excels at creating ordinary people in extraordinary, often horrifying, circumstances. His characters are flawed, relatable, and deeply human, making their struggles against the forces of evil all the more compelling. His settings often feel familiar – small towns, suburban houses – making the intrusion of horror feel all the more shocking.
  • The Breadth of Horror: King’s monsters aren’t confined to ghosts or demons. He explores cosmic horrors (like in It), technological terrors, the monstrousness of human nature, and the psychological horrors of addiction, grief, and trauma. He’s a chameleon, masterfully adapting to and defining various subgenres of horror.
  • The Power of Childhood Fears: Many of King’s most iconic stories tap into the primal fears of childhood – the monster under the bed, the lurking stranger, the loss of innocence. He understands that these early anxieties can linger and become even more potent in adulthood.
  • Social Commentary Woven into Terror: King often uses his horror narratives to explore social issues and contemporary anxieties, from racism and prejudice in The Outsider to the emptiness of consumer culture in The Long Walk. His stories are often a reflection of the world around us, amplified to terrifying proportions.

The Throughline of Fear:

What connects Poe and Shelley to Blatty and King? It’s the fundamental human capacity for fear, coupled with the author’s ability to tap into our deepest anxieties, whether they are existential dread, the fear of the unknown, the fragility of sanity, or the encroaching darkness in the seemingly ordinary.

Poe gave us the internal descent into madness. Shelley showed us the terrifying consequences of unchecked ambition and the “unnatural.” Blatty brought the battle between good and evil into our homes and churches. And King, in his vast and varied career, has made us question the safety of our neighborhoods, the demons within ourselves, and the terrifying possibilities that lurk just a page away.

The art of horror is a constantly evolving beast. It adapts, it transforms, and it continues to enthrall us by reminding us, in the most exhilarating and terrifying ways, of our own vulnerabilities and the vast, mysterious darkness that surrounds us. And for that, we owe a deep debt of gratitude to these masters of the macabre, past and present.

In a word: Not

You will not go outside, you will not go to the movies.

The word not, when used by your parents when you are a child is the key in the lock keeping you from having fun.

It is the very definition of everything negative, and much harsher than just a plain no.

That you will ‘not…’ has been the gateway for many an exploit or adventure, because anything you have done contrary to the ‘not’ is all that much sweeter.

Until you get into trouble, but, then, isn’t that how you learn life’s lessons?

But if you are a programmer like me, not takes on a whole new meaning in a language like,

‘If not like …. then’

meaning in layman’s terms if something isn’t like a specific value then do something else.

Hang on, isn’t that a bit like reality?

This is not to be confused with the word Knot which is,

A blemish in a piece of wood

The speed of a ship, winds, and sometimes a plane

But basically,

Something you tie to keep your shoes on, or around your finger to remind you to tie your shoes before getting on the 36-knot high-speed ferry made of knotty wood.

It is also something you find in tangled hair and is very painful trying to remove it.

It is also an unpleasant tightness in body muscles and you need a masseuse to get rid of them.

“The Things we do for Love”, the story behind the story

This story has been ongoing since I was seventeen, and just to let you know, I’m 71 this year.

Yes, it’s taken a long time to get it done.

Why, you might ask.

Well, I never gave it much interest because I started writing it after a small incident when I was 17, and working as a book packer for a book distributor in Melbourne

At the end of my first year, at Christmas, the employer had a Christmas party, and that year, it was at a venue in St Kilda.

I wasn’t going to go because at that age, I was an ordinary boy who was very introverted and basically scared of his own shadow and terrified by girls.

Back then, I would cross the street to avoid them

Also, other members of the staff in the shipping department were rough and ready types who were not backwards in telling me what happened, and being naive, perhaps they knew I’d be either shocked or intrigued.

I was both adamant I wasn’t coming and then got roped in on a dare.

Damn!

So, back then, in the early 70s, people looked the other way when it came to drinking, and of course, Dutch courage always takes away the concerns, especially when normally you wouldn’t do half the stuff you wouldn’t in a million years

I made it to the end, not as drunk and stupid as I thought I might be, and St Kilda being a salacious place if you knew where to look, my new friends decided to give me a surprise.

It didn’t take long to realise these men were ‘men about town’ as they kept saying, and we went on an odyssey.  Yes, those backstreet brothels where one could, I was told, have anything they could imagine.

Let me tell you, large quantities of alcohol and imagination were a very bad mix.

So, the odyssey in ‘The things we do’ was based on that, and then the encounter with Diana. Well, let’s just say I learned a great deal about girls that night.

Firstly, not all girls are nasty and spiteful, which seemed to be the case whenever I met one. There was a way to approach, greet, talk to, and behave.

It was also true that I could have had anything I wanted, but I decided what was in my imagination could stay there.  She was amused that all I wanted was to talk, but it was my money, and I could spend it how I liked.

And like any 17-year-old naive fool, I fell in love with her and had all these foolish notions.  Months later, I went back, but she had moved on, to where no one was saying or knew.

Needless to say, I was heartbroken and had to get over that first loss, which, like any 17-year-old, was like the end of the world.

But it was the best hour I’d ever spent in my life and would remain so until I met the woman I have been married to for the last 48 years.

As Henry, he was in part based on a rebel, the son of rich parents who despised them and their wealth, and he used to regale anyone who would listen about how they had messed up his life

If only I’d come from such a background!

And yes, I was only a run away from climbing up the stairs to get on board a ship, acting as a purser.

I worked for a shipping company and they gave their junior staff members an opportunity to spend a year at sea working as a purser on a cargo ship that sailed between Melbourne, Sydney and Hobart in Australia.

One of the other junior staff members’ turn came, and I would visit him on board when he would tell me stories about life on board, the officers, the crew, and other events. These stories, which sounded incredible to someone so impressionable, were a delight to hear.

Alas, by that time, I had tired of office work and moved on to be a tradesman at the place where my father worked.

It proved to be the right move, as that is where I met my wife.  Diana had been right; love would find me when I least expected it.

Endless flight – a short story

It had been billed as the longest commercial flight in the world.  London to Sydney.

Previous times it had been flown, it was devoid of passengers and cargo, except for a few reporters and airline staff; not more than about 20.

The plane, state of the art, was capable of flying twenty-one hours straight.  We would only need Nineteen and a half.  It was the first flight of its kind, and we were the first to participate in what was being touted as history-making.

I was on board only because I’d won a competition.  To be honest, I couldn’t believe my luck.

I guess it was the same for the other 287 of us on board.  With baggage and cargo included, oh, and not forgetting fuel, I guess our biggest concern was getting off the ground.

It wasn’t long before that fear had been dispelled, though for a moment more than one of us thought we might not get into the air.  There were collective sighs of relief when we finally lurched into the air.

Once the seat belt sign went off, the First Officer spoke to the passengers, more or less telling us we were going to make history and to sit back and enjoy the in-flight service.

I guess it was ironic that as someone who didn’t like flying I was in this plane.  The thing is, I didn’t expect to win the competition.  But, I was on board for the experience and was going to make the most of it.  I’d brought half a dozen crossword books.

I woke from an uneasy sleep about two hours before I e plane was due to land.  The cabin lights had come on, and breakfast was about to be served.

Everyone else was in varying states of awareness.  Some hadn’t slept at all, which was what usually happened to me, and they looked like I felt.  Bleary-eyed and half awake.

I looked at the flight path in the headrest in front of me, and it said we had about an hour and fifty minutes, and from the outset, precisely on time.  We’d had headwinds and tailwinds but neither had any lasting effect on our arrival time.

Something else did.  After breakfast had been cleared away, and we were all getting ready for the last hour of the flight, word came through from the flight deck that we had to go into a holding pattern due to a problem on the ground.

The first question on everyone’s mind, did we have enough fuel.  The Captain, this time, allayed that fear.

But, I was sitting over the wing where I could see the engine.  I was not an expert but I thought I’d heard a murmur, the sort an engine made where the fuel supply was running out.

Perhaps not.  Perhaps it was my overwrought imagination after not enough proper sleep.

Another half-hour passed, and I could feel a change in the plane’s flight.  I was now listening and waiting and interpreting.  The Captain said the problem was resolved and we were cleared to land.

That’s when the engine outside my window stuttered, if only for a fraction of a second.

Fortunately, we were well into our descent, and I could see the ground below.  Now, going through some low cloud, the ride became bumpy, and I was sure it was covering the more frequent stuttering of the engine, and once, I was not the only one to hear it.

As the wheels went down and clunked into place, I think the engine stopped, though I couldn’t be sure, because there was little or no change in the plane’s flight other than a slight change in the plane’s speed but not its rate of descent, and none of us would have been any wiser had the pilot, in his usual calm manner, not told us there was a small problem with one of the engines but there was no problem with landing, and we would be on the ground in ten minutes.

In fact, the landing was, as any other I’d been on, flawless, even though I was sure I heard a slight stutter in the other ending, but by that time we were on the ground.

The only difference between this and any other landing was the accompaniment of several emergency services trucks, and the fact we were not going to a gate.  Instead, we were taken to a bay not far from the runways, and then calmly taken off the plane.

From the ground, just before being loaded onto a bus, I could see the plane, and it looked the same as it had any other time.

What did bother me was several words spoken by what looked to be an engineer.  He said, “That plane was literally flying on vapor.  What you’re seeing is 228 of the luckiest people in the world.”

If ever there was an excuse to buy a lottery ticket…

© Charles Heath 2020-2021

Memories of the conversations with my cat – 82

As some may be aware, but many not, Chester, my faithful writing assistant, mice catcher, and general pain in the neck, passed away some years ago.

Recently I was running a series based on his adventures, under the title of Past Conversations with my cat.

For those who have not had the chance to read about all of his exploits I will run the series again from Episode 1

These are the memories of our time together…

This is Chester.

It’s been a long summer, and it’s not only the heat that’s been bothering him.

It’s been school holidays, and along with many households where it’s not possible for parents to go on holidays, it falls to the grand parents to mind children. It’s a job I take seriously, and also a time to be spent with them before they grow up and disappear into the adult world.

Chester, however, only sees it from a cat’s point of view. To him, they’re trouble, but perhaps not without reason. They did torment him something terrible when they were young.

Of course, what he fails to realise is that children when young don’t quite understand animal etiquette, that is they should be treated with care.

But, I said in their defence, when you were a kitten you were an absolute monster, sinking your claws into everything, ruined lounge chairs and curtains, unravelled balls of wool, and, this was the cruncher, refused to chase mice.

Of course, as usual, when the arguement goes against him, those eyes close, and he pretends he’s asleep. It doesn’t fool me. But once that happens, no one scores any points.

And something else I’ve noticed, his memory is fading.

Of course, I didn’t tell him that they don’t officially go back till Wednesday, so he’s in for a surprise tomorrow morning.

The cinema of my dreams – Was it just another surveillance job – Episode 48

I’m back home and this story has been sitting on the back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe


“You haven’t been truthful with me, have you?” 

That was Dobbin’s opening shot once we were in the car and out in traffic.  It was as if he was worried someone would be listening in on our conversation.

“Says the spider to the fly.  Isn’t it the nature of this business not to play all your cards at once?”

“You’ve been in this business all of five minutes.  You don’t get the right to play cards.”

“I’m still alive, no thanks to anyone but my own skill.”

I could see the disdain in his expression, and the annoyance in his eyes.  Perhaps he was a man used to getting his own way.  I was expecting a retort, but he said nothing.

“How many different organizations do you work for, or is it none, and you just have fake IDs to get you in the door?”

“Need to know.  Have you found O’Connell yet?”

“He’s dead.  I saw him killed in an alley.  I’m sure Maury and Severin had him shot, no coincidence they turned up just after he hit the ground.  I searched the body, there was nothing on it.  Before he was shot, he told me to speak to you.  I did.  Anything else I’m doing is for my own protection.  Assigning Jan to befriend me, then play me would have been a good plan if I hadn’t found out.  I know she found O’Connell’s other residence, but I’m willing to bet she found as much as I did nothing.  Your people do that to Maury?”

“In a manner of speaking.  He wasn’t going to talk, and we couldn’t let him back on the street.”

“And knowing that I would go back to the hotel, what were you hoping for, that I would get arrested for his murder?”

“We were hoping you would glean information from her handler, or the police.  Seems both are either tight-lipped, or they know nothing.  Her handler is an incompetent fool.”

“Where is she?”

“Waiting for you at her apartment.  I want the pair of you to find O’Connell.  He either has the information, or he knows where it is.  They found the charred remains of a body in the cafe where the explosion was, a freelance reporter, who, according to his editor, had the story of the century.  No other details, though.”

“That either means military or industrial secrets.  Why would the reporter want to meet with O’Connell?”

“That’s not your concern.”

“Well, you’re wrong if you think O’Connell had the USB.  He didn’t get inside the cafe before it blew up, I know, I was there, and witness the whole event.  You know the drill, he goes past, checking to see if the target is in place, then makes sure the location is clear, then goes back and facilitates the handover.  He only just got past the front when the bomb went off.  I’m sure you’ve seen the CCTV footage.”

Yes, his expression told me he had.

“So how do you come to the conclusion he still has it?”

Never cite logical arguments to a man who lives in a fantasy world.

“Law of averages tells me there is a copy, and O’Connell would have made sure there was a backup plan, and location.”

It then struck me, after having talked to O’Connell, and knowing Dobbin knew O’Connell was still alive because he had rescued him from the alley and Severin’s cleaners.  It was not just a matter of getting him to admit it, and the fact O’Connell had done a runner on him.

“You seem convinced O’Connell is still alive.”

He glared at me.  Truth or dare?

“Because he is.  The trouble is, he’s gone to ground and I can’t raise him.  He was supposed to wait a few days in a safe place while we hunted down Severin and Maury.  We had one, but not the other.  I doubt he’ll surface before he gets word that Severin has been neutralized.  Every hour that information is still out there, is the chance it will fall into the wrong hands, so we need him and the information found.”

“You think he’s gone rogue.”

“I don’t think anything.

The car stopped outside O’Connell’s apartment block.

“Place nice with Jan, and find him and the information.

I got out of the car and watched it rejoin the traffic.

Before heading to the front entrance, my phone rang.  Odd, because only two people knew my number, and it was neither of those two.

Curiosity overcame reluctance to answer.  “Yes.”

“I’m texting a meeting point.  Be there at six.”  The line went dead before I could say anything.  Four hours.

No doubting the voice.  Severin.  And he sounded scared.

I wondered if he knew what had happened to his partner in crime.

© Charles Heath 2020-2022

Writing a book in 365 days – 245

Day 245

Writing exercise

The winds howled down the street as though the air itself knew what was happening and was not happy about it.

Did that mean the universe, such as it was, was in agreement with me, or with Annie.

My thoughts were swirling in unison with the wind, circling, not settling for a straight line, choosing to pick up leaves and dump them on me.

Did that mean I was wrong?

I had simply reacted as anyone would when they got a telephone call from one of their friends telling them they saw the woman you were supposed to be marrying in a week in a passionate embrace with her ex-boyfriend.

He had dumped her, and she had landed in my arms. Nearly all of my friends said I was a fool, that she would always go back, that the six years of history between them couldn’t be erased in a rebound romance, no matter how much I wanted it.

That was the thing. I had loved her from the first time I’d seen her 10 years ago, but never told her. Not until the big, public, awful breakup.

There’s no fool like an old fool, too good to be true; there was any number of sayings I could use.

Of course, hearing that news sent shock waves through me, and where I should have laughed it off, and had complete confidence in her commitment to me, there was the old demon that lacked self-confidence, that always had doubts I was good enough, that my friends were telling the truth.

And that demon took me to her, confronted her, and, well, now there wasn’t a wedding. No satisfactory explanation, angry words that couldn’t be taken back, and a lesson learned.

I was going home to throw a few possessions into a bag, and I was leaving on the late train to anywhere but Deepwater Falls.

Sitting on the railway station platform, listening to the wind howling through the trees and shuddering with the cold that was being picked up from the snow-peaked mountains, it was a different type of purgatory.

Because of Annie, I was being forced to leave the place I loved, the place I called home.

I was going to leave anyway, before Annie, but becoming friends with her had changed my life. I kept to myself, and most kids kept their distance, only that jerk of a boyfriend she had before me, and a few of his cohorts preferred to bully people like me and others, because they could.

Now he would be insufferable. A loser before, a mega loser now. Well, I’d be a mega loser in another town. A long, long, long way away from the Falls. Antony could have her and the town. There was not much left after the highway bypassed it. Anyone who was anyone had already gone, and my parents were too old to move on.

Another sharp gust of wind sent a new round of shivers through me. The train was late.

i was the only person other than the station master at the station. When I went to the ticket office and he saw me, he just nodded. “Anywhere but here?”

“I bet it’s not the first time you’ve heard it?”

“No, and not the last. I reckon I’ll be the last and get to turn the lights off. New York or San Francisco?”

I could go either way.

“New York. Then Martha’s Vineyard, but I have to tell my Gran I’m coming first.”

“Pity about the…”

I knew what he meant. The town had been looking forward to something good happening, and everyone was invited to the wedding.

I simply shrugged and walked quickly to the waiting room, a little better protected from the wind than sitting on a bench on the platform.

Now, when I looked up, there was another person, backpack in hand, standing in the doorway.

The last person I expected to see.

Annie.

She looked at me for a moment, then sat on the other side of the room, about ten feet away.

Five minutes of utter silence reigned until she spoke first. “I’m sorry, Eddie. Very, very sorry.”

It was a bit late for apologies, if it was an apology. To be honest, I didn’t know what to think. But somewhere in amongst the condemnation of her behaviour, and my lack of trust, and having the time for the temper to cool, there was this small crack in the brick wall I was building, and through it I could see a girl who was confused, unable to firmly commit to one thing or another.

Anton was poison personified, and he had infected her. Time away from Anton had almost cured her, but his move on her a week or more, perhaps before the wedding, had the intended effect. If he couldn’t have her, no one could, much less me.

It had been a calculated move, preying on her vulnerability when her emotions would be all over the place, and he had succeeded.

Of course, the feelings in me were still running high. “Why are you here?” The tone was hardly conciliatory, but she didn’t seem to notice.

“I can’t stay here either. Everyone has turned against me.”

“Why? Your family is the town; they wouldn’t dare.”

More important than Antony’s surprisingly, considering how they big-noted themselves. It was why Annie and Antony were always expected to get together. It was why I never stood a chance. We had not lived in the town since it was created, way back when the indians camped by the river and hunted buffalo.

“Apparently, I ruined the only good thing to happen to me. My parents disowned me, told me I’d humiliated them. You too, they said. The one person who loved me for me, not because I am a Huckerby. And they’re right, Eddie. I let Antony get to me, and I ruined everything.”

The break in her voice told me she was on the very edge of breaking down, and then a few seconds later, I could hear her sobbing quietly, trying to hide it from me.

It didn’t mean she was contrite or sorry, only that she had let her parents down.

The train was coming, its horn piercing the night air, as it warned traffic that it was approaching a level crossing, about a mile from the station.

I stood. Time to go out.

“I was going to marry you, Eddie. What happened shouldn’t have. I was over him, finally, but I was out with friends who I thought were friends, and they invited him, just for a lark. And all those pre-wedding jitters, I had too much to drink and … and … that’s not even an excuse.”

The train was at the end of the platform, slowing to a stop.

“I don’t know what to say, Annie.”

“Let me come with you?”

“You’re really leaving?”

OK. I thought she had simply come down to try and talk me out of leaving. I never thought or believed for a moment she would go. She could have the pick of any man she wanted in the Falls or anywhere.

“Well, I can’t stay here. And you are the only one I know who cares about me, even though at the moment you must hate me more than anything.”

“You risked everything on the chance I still cared?”

“I know you do. I know you’ve loved me forever. I was too stupid or too wrapped up in my own little world to notice, not until Antony dumped me, and you were there to pick up the pieces.”

The train stopped, and I could see the station master come out of his office.

He watched Annie and me walk to the end of the carriage.

“I don’t deserve another chance, but if there’s just a small part of you that still has feelings for me, or wants to give me one last chance…”

She stood there, tears running freely down her cheeks, the look on her face the most beautiful I had ever seen, and it melted my heart right there. I had hoped she would come; it would be a sign, but I was not going to make it easy for her.

I held out my hand.

“I’m going to Grans. You know she hates you, so if your willing to brave her, then please, come with me.”

She smiled.

“You are not going to let me off easily, are you?”

“Did you think I would?”

“No, and I deserve it. But like you, I know that one day she will love me as much as you do.”

Just above the wind, I heard the station master yell out, “Get on the blasted train before I freeze to death,” and then blow the whistle.

We didn’t need to be asked twice.

©  Charles Heath  2025

Searching for locations: O’Reilly’s Vineyard, Canungra, Queensland, Australia

O’Reilly’s Canungra Valley Vineyards located on Lamington National Park Road, Canungra, Queensland, is a 15-acre vineyard with the 163-year-old historic homestead ‘Killowen’ set up with dining rooms and long verandahs, and extensive grounds that are next to the Canungra creek where it is possible to find Platypus and turtles while partaking in a picnic.

There are about 6,000 vines of the (white) Semillon, Verdelho and (red) Chambourcin, Shiraz and Petit Vedot varieties.

We visited there in December when the vines were just starting to produce fruit. 

That fruit is usually harvested in February and then turned into wine.
The setting for picnics is, on a warm Summer’s day is idyllic, where you can wade in the creek, or go looking for a platypus.  We did not see one there the day we visited but did spend some time sitting beside the creek.