Skeletons in the closet, and doppelgangers

A story called “Mistaken Identity”

How many of us have skeletons in the closet that we know nothing about? The skeletons we know about generally stay there, but those we do not, well, they have a habit of coming out of left field when we least expect it.

In this case, when you see your photo on a TV screen with the accompanying text that says you are wanted by every law enforcement agency in Europe, you’re in a state of shock, only to be compounded by those same police, armed and menacing, kicking the door down.

I’d been thinking about this premise for a while after I discovered my mother had a boyfriend before she married my father, a boyfriend who was, by all accounts, the man who was the love of her life.

Then, in terms of coming up with an idea for a story, what if she had a child by him that we didn’t know about, which might mean I had a half brother or sister I knew nothing about. It’s not an uncommon occurrence from what I’ve been researching.

There are many ways of putting a spin on this story.

Then, in the back of my mind, I remembered a story an acquaintance at work was once telling us over morning tea, that a friend of a friend had a mother who had a twin sister and that each of the sisters had a son by the same father, without each knowing of the father’s actions, both growing up without the other having any knowledge of their half brother, only to meet by accident on the other side of the world.

It was an encounter that in the scheme of things might never have happened, and each would have remained oblivious of the other.

For one sister, the relationship was over before she discovered she was pregnant, and therefore had not told the man he was a father. It was no surprise the relationship foundered when she discovered he was also having a relationship with her sister, a discovery that caused her to cut all ties with both of them and never speak to either from that day.

It’s a story with more twists and turns than a country lane!

And a great idea for a story.

That story is called ‘Mistaken Identity’.

The cinema of my dreams – I always wanted to write a war story – Episode 17

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination in what happened during the second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

 

Jack was the first to realise that Marina was coming back, hearing her outside long before I did.  He stood up and looked in the direction of where he expected to see her.

A minute later she appeared, looking and sounding out of breath, as if she had been in a hurry? 

Chased, or had some urgent news?

“Is everything OK?” I asked, waiting till she came in and shut the door behind her.

The building we were in used to be a factory or a repair shop.  The strange smell I’d picked up a few hours ago was that of machine oil.

“We need to have a chat with the two who picked you up.”

“Where are they now?”

“I’ve organised to meet them at another facility we have.  Not everyone comes here.  It’s why we are still here.  Francesco nor any of the resistance he took with him were aware of this location.

I considered myself lucky to be among the few.

“Is there a reason why I need to be there?”

“Yes.  But it’ll wait until we get there.  Let’s go.”

She had barely got in the door, nor caught her breath.  It was just enough time to collect a spare clip of ammunition for a gun she had on her, but I couldn’t see.

I followed her out into the darkness, not realising it was night, for the first time since I’d arrived, and once outside, realised that it was an underground bunker rather than a building on an allotment, so it couldn’t be easily seen from any direction.  It was surrounded by trees and bushes, looking as though they had not been tended properly for some time.

It was as much as I could see, close by because it was a moonless night.

We went up some stairs and came out in a clump of bushes, and walked several yards where there was a disguised walkway zig-zagging through the bushes.  It, too, would be hard to see from a distance.  When we came out the other side, I could just barely see a car parked under a tree, looking rather worse for wear, and I thought it had been abandoned there. 

When Marina told me to get in, I realised it was, like everything else, well disguised.

The surrounding area was that of forest and farms.  It was hard to imagine that this part of the world was in the grip of a world war, and not too far away, there was the castle, and further north, the Germans and what was left of the Italian military forces dug in for a last-ditch effort.  The tide was turning, but ever so slowly.

It was hard to imagine just how dangerous it was for those defectors to try and get through without being shot.

And, just for good measure, Marina said, there were quite a few soldiers, disguised as ordinary workers who had infiltrated the villages, and surrounding farms, and reporting back what they saw and heard.

We were, in going about in the vehicle, attracting unwanted attention, but it was why we were doing this at night, she said, perhaps gleaning from my expression the fact I was worried about getting caught.

“The people at the castle tend not to go out at night for fear of being picked off.  I’m surprised you didn’t learn this when you were there.”

“I suspect the suspended any activities from the moment I arrived.  One of the prisoners told me that all movements of people had stopped, and they were waiting to be shipped out.  Obviously, they thought I might discover what was going on.  They definitely stopped me from going below the main floor.”

“I was told you have some knowledge of the castle layout?”

“Some.  We have old plans back in London, but I suspect those would be out of date now and since the German occupation.  The only time I got to look downstairs was when I tried to escape and found an old below ground exit, then when they locked me in a cell, and then when I was set free.  It matched much of what I remember seeing on the plans.  But, I suspect there’s more because I didn’t get to see the holding cells with the other prisoners.”

“Perhaps Carlo can help you with that.”

“We spoke about it.  I think he’s going to pay them a visit and exact revenge.”

“I told him we have to wait for some reinforcements.”

“No word from London?”

“Not yet.”

We stopped and parked the car between a church and what was left of what might have been a rectory, set aside from some other buildings that looked like part of a village.  It was not that dark that I couldn’t see that several of the buildings had been bombed, minus roofs, and one had the front section reduced to rubble.  No attempt had been made to clean it up.

“German tanks,” Marina said.  “An early landing party of your army parachuted in about a kilometre behind the church.  The local commander mobilised his forces and chased them into those buildings, which, at the time, housed four families.  They were given the option to surrender.  They didn’t, so the commander gave the order to raze the buildings to the ground, with them in there.  Along with the four innocent families.  No one survived.”

“The church?”

“The commander thought it would be bad luck to destroy the house of God.  The soldiers should have hidden in there.  They shot the priest anyway.”

It seemed odd to me that any sort of group would parachute into this part of Italy for any reason, castle withstanding.  There was, as far as I knew, nothing of interest or importance here.  Perhaps I’d ask when I made it back to London.  If I made it back.

I followed her through the rubble and in through a side entrance to the church.  Inside it was dark, and Marina was using her torchlight sparingly in case someone was watching.  From what I could see, the inside of the church was untouched, but everything was covered in dust from disuse.

“No one thought to send another priest?” I asked.

“No.  When they heard what happened to the last one, they decided to wait until the war was over.  Besides, with everything that’s happened, the people around here believe God has abandoned them.”

Perhaps he had.  I know that I wasn’t all that religious to begin with, but a lot of people I knew had lost their faith in a God that allowed such tragedies to happen.

We passed through a door at the back of the church, behind the nave, and into what looked like the vestment room.  To one side was another door, and then steps down.  The church had a cellar.

At the bottom of the stairs, there was a large storage area lit by a portable lantern.

Carlo was standing to one side, his weapon ready to use.

Opposite him were a man and a woman, the woman I’d seen before, she was the one who shot me with the tranquilizer.  The man, I’d not seen him before.

 

© Charles Heath 2019

The fifth attempt, and now it’s a launching pad

I have a stab at improving this starting piece every now and then, a project that started about a year or so ago, and I find myself rewriting the start over and over because I’m not satisfied with the characterization.

It’s not so much the storyline, as it is in trying to create sympathy for the character, and not find him as dull as Ditchwater.  But that takes words, and no one wants to read a biography when they want full-on mayhem.

As writers, we tend to create colourful characters and shy away from those who are dull and boring, because after all, as a reader, you want to become something or someone who is far from ordinary. 

Well, Sam/Graham has a past, and it might catch up with him, but just not in the way he imagined it might. I haven’t quite decided what that past is, but hiding out under witness protection, or just hiding away from a world that he no longer understands is still in the balance.

They say trouble comes when you least expect it.

I can attest to that. It does.

I was at the end of my shift. Another shift, another bright, another 10 hours of my life gone, doing a job that, had you asked me 20 years ago would I be here, I would have said no.

Circumstances and stupidity put me here, and it’s not as if I didn’t deserve it. I was told I had choices, and I did, but I didn’t make the right one.

There are excuses, but that was all they were; excuses.

Jim was like me, and like Joe, and like Mike. My name was Sam. They were easy names to remember, we didn’t need to know much more than that, only that we had each other’s back.

“Usual weekend?” Jim asked.

I was heading towards the kitchen to get my small fridge bag, then out the back door and off home.

“The boat and the lake await.”

“You still expecting to find fish in that swamp?” Mike had been with me one weekend, and nothing took the bait.

After six or so months I was beginning to think the locals were right. There were no fish.

“Miracles can still happen.”

“Yeah, right. You should come hunting with us.”

“Don’t like guns.”

Not any more, anyway. There was a time I was happy to use one, when I had purpose, and there was a reason to use it.

“Then why pick a job that needs one?”

“Chances of having to use it, zero, Mike. If I have to I will, but until then…”

I left it there. We’d had this conversation and it always ended the same way.

I collected the bag, told them I’d see them next Monday, the start of the next shift, and stepped out the back door into the early morning dawn, that period just as the light came.

Silent, fresh, the promise of either a good day or a bad. I wasn’t sure. I glanced over towards the car and it was covered in snow.  The weather was clear now, but I could feel more snow was coming.  A white Christmas?  That’s all I needed. 

As I approached my car, the light went on inside an SUV parked next to my car.  The door opened and what looked to be a woman was getting out of the car.

“Graham?”

That was another thing about the members of my team. Our current first names were not necessarily our real names. It was a voice I was familiar with, though I hadn’t heard it for a long time.

I looked again and was shocked to see my ultra-successful sister, Penelope.  She was leaning against the front side fender, and from what I could see, didn’t look too well.

How on earth did she find me, after all the years that had passed?  Perhaps that sparked my un-conciliatory question, “What do you want?”

I could see the surprise and then the hurt in her expression.  Perhaps I had been a little harsh.  Whatever she felt, it passed and she said, “Help.”

My help?  Help with what? I was the last person who could help her, or anyone for that matter, with anything.   But curiosity got the better of me.  “Why?”

“I think my husband is trying to kill me.”

Then, with that said, she slid down the side of the car, and I could see, in the arc lamps lighting the car park, a trail of blood.

My first thought was she needed the help of a doctor, not a stupid brother, then a second thought, to call 911, which I did, and hoped like hell they got here in time.

And, yes, there was a third thought that crossed my mind.  Whether or not I would be blamed for this event.

So, from the last version to this, I decided we didn’t need a sob story, it’s one that can play out as and when circumstances require an explanation for our main character’s disposition.

And I have this renewed vigour for getting into action as soon as possible, and, as you can imagine a lot more is about to happen, in about three sentences time.

Exactly what that is, you will have to wait…

© Charles Heath 2022-2025

The 2am Rant: That’s two days of my life I won’t get back

Yep…

I just spent 26 and a half hours in planes and in airport terminals getting home, and lost two days in the process.  The 15th of January just didn’t exist for us.

This is what happens when you fly from Vancouver in Canada to Brisbane Australia, via Shanghai.  The thing is, everywhere way, way overseas is a two-stop run.  We have to break our journey somewhere, like Singapore, Hong Kong, Bangkok, Shanghai, Abu Dhabi, and for the sake of managing delays at the originating end, we usually end up with a mid airports stay of five to ten hours.

It all means that when you finally arrive in Australia, you are tired, and look it.  I feel sorry for the Immigration officials who must rarely see people looking good on their arrival.

This time we were fortunate to get back in the morning.  To save being picked up by relatives we arranged for a limousine service, and it worked out well.

I couldn’t say the same for some of the pickup services overseas, but that was more the fault of the travel agent here than anything else.

It only reinforced my thoughts on travel agents, some are excellent, and some are complacent, relying too much on travel wholesalers whose knowledge of the products they sell is appalling.

The original bookings were fine, the agent we used knew her stuff.  But she left and someone else took over, and not so good I’m afraid.

However…

On the whole, it was an incredible expedition, from temperatures of 30 plus celsius to temperatures of -21 degrees Fahrenheit, and rarely above 6 degrees Fahrenheit.

The highlight:  Lake Louise in Canada.  Everyone should see this place in Winter at least once in their lifetime.  Certainly, my wife’s 65th birthday, spent there, was something she will never forget.

And the sleigh ride, in -14 or -15 degrees, well, we might be eligible to be declared start staring mad, but seeing the frozen waterfall was just another of those magical moments that reinforces why we should be preserving the planet, not trying to destroy it.

But…

We’re back home and glad to be so.

 

 

Writing a book in 365 days – 360

Day 360

5 Proven Ways to Give Your Writing Confidence a Real Boost

Whether you’re polishing a novel manuscript, drafting a blog post, or scribbling down a quick journal entry, every writer hits the “I‑don’t‑know‑if‑this‑is‑good enough” wall at some point. The good news? Confidence isn’t a mystical talent you’re either born with or not—it’s a skill you can train, just like plotting, character arcs, or SEO research. Below are five concrete strategies (backed by research and real‑world experience) that will help you shake off self‑doubt, step into your writer’s voice, and keep the words flowing.


1. Celebrate Small Wins – Turn “Done” Into “Done‑and‑Delicious”

Why it works:
Psychologist Dr. Barbara Fredrickson’s Broaden‑and‑Build theory tells us that positive emotions expand our mental toolkit, making us more creative and resilient. Acknowledging tiny achievements creates that positive feedback loop.

How to apply it:

Small MilestoneCelebration Idea
Finishing a paragraphAdd a sticky note to your monitor that says “Paragraph conquered!”
Hitting a word‑count target (e.g., 500 words)Treat yourself to a 5‑minute playlist of your favorite songs
Finding the perfect metaphorWrite it on a slip of paper and tape it on your wall as a visual trophy
Receiving a kind comment on a draftSave the comment in a “Confidence Folder” (digital or physical) for low‑energy days

Make it a habit: At the end of each writing session, jot down one thing you did well. Over weeks, you’ll have a personal “confidence bank” to draw from when you feel stuck.


2. Adopt a “Draft‑First, Edit‑Later” Mindset

Why it works:
Research from the University of Cambridge shows that separating the creative (draft) and analytical (edit) phases lowers perfectionism and increases output quality. When you stop judging while you write, the flow state—that sweet spot where the words seem to write themselves—is easier to achieve.

Practical steps:

  1. Set a timer for a “pure draft” sprint (e.g., 20 minutes). During this window, no back‑spacing, no grammar checks, no Googling synonyms. Just write.
  2. Label the document “RAW” so you consciously know you’ll revisit it later.
  3. Switch gears after the sprint: take a short walk, stretch, then open the file in “Edit” mode. You’ll be surprised at how many “aha!” moments appear when you return with fresh eyes.

Result: The draft becomes a safe space for experimentation, and the later edit feels like polishing a gem rather than fixing a broken vase.


3. Build a “Writer’s Support Squad”

Why it works:
Social support is a massive confidence driver. According to a 2022 study in Writing Research Quarterly, writers who regularly share work with peers report 31% higher self‑efficacy (belief in their ability to succeed) than solitary writers.

Ways to create your squad:

  • Join a local or virtual writing group. Platforms like Meetup, Discord, or even Facebook have genre‑specific circles.
  • Find a “beta‑reader buddy.” Swap drafts with someone you trust; give each other a single, focused piece of feedback (e.g., “Did the protagonist’s motivation feel clear?”).
  • Hire a professional editor for a “confidence edit.” Even a brief 30‑minute session can validate that you’re on the right track.
  • Use accountability apps. Tools like Habitica or Beeminder let you set writing goals and get nudges (or gentle shame‑reminders) from friends.

Tip: Keep the feedback loop specific and positive. A phrase like “I loved how you showed the conflict through dialogue” feels far more empowering than a vague “It’s good.”


4. Leverage the Power of “Impostor‑Syndrome Journaling”

Why it works:
Impostor syndrome—feeling like a fraud despite evidence of competence—is rampant among writers. A 2020 meta‑analysis in Psychology of Aesthetics, Creativity, and the Arts found that journaling about these thoughts reduces their intensity by 40%.

How to journal effectively:

  1. Name the feeling. Write, “I’m feeling like an impostor because…”
  2. Collect evidence. List concrete achievements (publications, positive comments, word‑count milestones).
  3. Reframe. Turn “I’m not good enough” into “I’m still learning, and that’s okay.”
  4. Set a “next‑step” goal. E.g., “Read one article on pacing this week.”

Do this once a week, preferably after a writing session. Over time, the journal becomes a personal truth‑checker that reminds you of your progress whenever doubt creeps in.


5. Practice “Micro‑Storytelling” to Warm Up Your Voice

Why it works:
Micro‑storytelling (flash fiction ≤ 300 words, Instagram captions, or even 6‑sentence anecdotes) forces you to distill ideas quickly, sharpening your narrative instincts and giving you immediate, tangible proof of skill.

Kick‑start ideas:

PromptWord LimitGoal
“The last word you ever typed”150Capture tension in a single scene
“A coffee shop conversation that changes everything”200Practice dialogue
“A piece of advice you’d give to your younger self”250Tap into voice & authenticity
“Rewrite a classic fairy tale in 3 sentences”100Hone brevity & wit

Routine: Spend the first 10 minutes of every writing day on a micro‑story. When you finish, you have a finished piece to share, post, or shelve—instant confidence.


Putting It All Together: A 7‑Day Confidence Sprint

DayFocusAction
1Celebrate WinsWrite 3 bullet‑point win notes after your session.
2Draft‑First20‑minute sprint + “RAW” label.
3Squad UpPost a snippet in your writing group, ask for one specific comment.
4Impostor JournalFollow the 4‑step journaling template.
5Micro‑StoryComplete a flash‑fiction piece (≤200 words).
6Edit SessionRevisit Day 2’s draft with fresh eyes.
7Review & RewardCompile all win notes, journal entries, and micro‑stories. Celebrate with a treat or a leisure activity.

At the end of the week, you’ll have a portfolio of proof—a tangible collection that demonstrates progress, skill, and resilience. And more importantly, you’ll have rewired your brain to associate writing with positive outcomes rather than fear.


Final Thought: Confidence Is a Muscle, Not a Magic Spell

Every writer—whether a debut novelist, a seasoned journalist, or a hobbyist blogger—needs a reliable toolbox for moments of doubt. The strategies above are evidence‑based, low‑cost, and adaptable to any schedule or genre. Try one or mix several, track what resonates, and watch your inner critic shrink while your creative voice grows louder.

Ready to boost your confidence? Grab a notebook, pick the first tip, and start today. Your future self (and your readers) will thank you.

Top 5 sights on the road less travelled – Lima

Beyond the Typical Tourist Trail: 5 Unmissable, Off‑the‑Beaten‑Path Experiences in Lima

Lima—the City of Kings—is famous for its bustling historic centre, world‑renowned gastronomy, and the dramatic cliffs of Miraflores that gaze out over the Pacific. Yet, once you’ve sampled ceviche at a top‑rated restaurant and snapped a selfie at the Plaza de Armas, you’ll quickly realise there’s a whole hidden side to Peru’s capital that most guidebooks barely mention.

If you’re the kind of traveler who loves to wander where the crowds don’t, here are five carefully curated experiences that will let you see Lima through a local’s eyes, without missing out on comfort or safety.


1. Wander the Colorful Streets of Barranco’s “Paseo de los Artistas”

Why it’s special

Barranco is Lima’s bohemian heart, but most visitors stick to the main promenade and the famous Bridge of Sighs. A short walk inland leads you to a tucked‑away lane known as Paseo de los Artistas—a vibrant corridor of murals, independent galleries, and tiny ateliers where emerging Peruvian artists showcase everything from street‑art stencils to avant‑garde sculpture.

What to do

ActivityDetails
Mural huntingFollow the “Graffiti Trail” map (available at the Casa de la Literatura kiosk). Look for the giant “Cumbia de los Andes” piece by local legend Javier “Javi” Lira.
Mini‑workshopMany studios host free 30‑minute workshops—try your hand at pintura al óleo or corte de papel on Tuesdays at 4 p.m.
Coffee breakSlip into Café San Isidro (the tiny café with the green door) for a cup of café pasado made with beans roasted right in the neighbourhood.

Insider tip

If you’re there on a Saturday evening, the lane transforms into an impromptu open‑mic night. Bring a notebook and join the impromptu poetry circle.


2. Take a Morning Kayak on the Rimac River – “Río Verde”

Why it’s special

The Rimac River is usually known as a bustling waterway that runs past the historic centre. Few tourists realise that upstream, the river widens into a calm, emerald‑tinted stretch called Río Verde, flanked by a thin ribbon of mangrove forest. Small eco‑tour operators run guided kayak tours that reveal a different ecological face of Lima.

What to do

  • Early start – Depart from the Club de Regatas dock at 7 a.m. to avoid city traffic and catch the mist rolling off the water.
  • Spot wildlife – Look for the elusive cormorán (cormorant) nesting on the mangroves, and keep an eye out for tiny river otters (nutrias).
  • Picnic on the bank – Guides provide a traditional juane (rice‑stuffed banana leaf parcel) and a thermos of mate de coca for a post‑paddle snack.

Practicalities

  • Cost: US $35 per person (includes kayak, helmet, guide, and snack).
  • Skill level: Beginner‑friendly; paddles are stable, and guides are fluent in English and Spanish.

3. Explore the Pre‑Colonial Ruins of Pachacamac – A Hidden Archaeological Gem

Why it’s special

While many travellers flock to the grand ruins of Huaca Pucllana in Miraflores, the Pachacamac complex, located 30 km south of Lima, remains relatively quiet. This sacred site predates the Inca and was a major pilgrimage destination for the coastal cultures of pre‑Columbian Peru.

What to do

  • Guided tour – Book a small‑group tour (max 8 people) with Arqueología Viva to learn about the Ica and Nazca influences on the temple architecture.
  • Sunset ceremony – If you can stay until dusk, the site’s open terrace offers a spectacular view of the Pacific horizon, where local Aymara priests sometimes perform a traditional papa (offering) ritual.
  • Museum visit – The on‑site museum houses ceramic fragments and a reconstructed temple model that provides context to the ruins.

Travel note

Take the coastal highway (Panamericana Sur) and exit at the Pachacamac sign. Parking is free, and the entrance fee is modest (S/ 5).


4. Savour a Secret “Peruvian Street Food Tour” in the Cercado de Lima

Why it’s special

Most culinary tours focus on upscale restaurants in Miraflores or the famed Mercado de Surquillo. Yet the historic district’s narrow alleys hide a culinary underworld of anticuchospicarones, and cuy chactado served from modest, family‑run stalls.

What to do

DishWhere to find it
Anticuchos de corazón (grilled beef heart)Anticuchería El Buen Sazón on Calle San Martín (open only after 9 p.m.).
Picarones (sweet potato doughnuts)Dulcería La Senda in the Plaza de la Merced, served with chancaca syrup.
Cuy chactado (crispy guinea pig)Puesto del Cuy near the San Cristóbal market; the vendor will slice it open in front of you.
Chicha de jora (fermented corn drink)Small chichería behind the Casa de la Literatura, offering a tasting flight of 3 varieties.

How to join

The Lima Food Explorers collective runs a 4‑hour “Night Bites” tour every Thursday and Saturday, starting at 8 p.m. The price is US $25 per person, which includes a drink and a short cooking demo.

Safety tip

Stick to stalls that display a clean cooking area and have a visible Vigilancia Sanitaria (health inspection) sticker.


5. Unwind at Parque de la Reserva – The Secret Water Garden

Why it’s special

Everyone knows the Magic Water Circuit (Circuito Mágico del Agua), but few realise that behind the main show lies a quiet, Japanese‑inspired water garden that opens only during the early morning and late evening hours. Designed by renowned landscape architect Mario Lara, the garden features a series of koi ponds, stone lanterns, and a hidden bamboo grove.

What to do

  • Morning meditation – Arrive at 6:30 a.m. for a free, 15‑minute guided meditation session led by a local yoga instructor (check the park’s Facebook page for the schedule).
  • Photography walk – The soft morning light creates ethereal reflections; the garden’s shōji screens make a perfect backdrop for portrait shots.
  • Evening lantern release – On Fridays, the park hosts a community lantern‑lighting ceremony at 9 p.m., where you can write a wish on a biodegradable paper lantern and set it afloat on the central pond.

Practicalities

  • Entrance: Free (the Magic Circuit costs for the evening show).
  • Access: The garden is located behind the main fountain pavilion; look for signs pointing to “Jardín Secreto”.

How to Fit All Five Into a Long Weekend

DayMorningAfternoonEvening
FridayKayak at Río Verde (7 a.m.)Explore Pachacamac ruins (2 p.m.)Magic Water Circuit (8 p.m.)
SaturdaySecret Food Tour in Cercado (10 a.m.)Barranco’s Paseo de los Artistas (2 p.m.)Lantern ceremony at Parque de la Reserva (9 p.m.)
SundayRelaxed brunch in Barranco + optional mini‑workshopFree time for shopping or museum visitEarly flight or onward travel

If you have only one day, start with the kayak, then hop to Barrio Barranco for lunch, and finish with the secret garden at Parque de la Reserva.


Final Thoughts

Lima’s mainstream attractions are undeniably worth seeing, but the city’s true soul shines brightest in its quieter corners. From paddling on a serene river to tasting street‑food secrets that have survived centuries, these five off‑the‑beaten‑path experiences will give you a richer, more authentic connection to Peru’s coastal capital.

Pack comfortable shoes, a reusable water bottle, and an appetite for adventure—Lima’s hidden gems are waiting.

Ready to wander? Share your own lesser‑known Lima discoveries in the comments below, and let’s keep the conversation going!

What I learned about writing – It’s all in the detail

While we get to talk about characters and characteristics later, part of what sets the scene is the details, those little things about people, places, and sometimes just everyday items that will make a story from routine to, well, slightly more interesting.

For others to find these details relatable makes it even better.

I’ve been to the Eiffel Tower, but I’m sure there’s a detail that can transform words on a page into a picture in the reader’s mind.

Walking across a meadow isn’t just walking, it’s watching the swirling grass as the breeze pushes it one way then another, all around the sounds of birds and insects.

For added colour, you could add a dog, about the same height as the grass, one minute bounding through the grass, the next hot on the trail of a small animal like a field mouse or rabbit.

Above, the sky is blue, the sun is shining, not a hot day, but warm, the sort you don’t need a jumper.

It could be the first day or the last day of the holidays, or you could be staying with an aunt or uncle on a farm in the countryside, in the distance, the farmhouse sitting in a familiar position overlooking the valley before it.

There could be a babbling brook, a small bridge to cross, even though it is not very deep, and hiding in the rocks, fish waiting to be caught, taken back to the house, and later become part of supper.

And tying the elements together:

It was almost the end of the holidays, and I didn’t want to go back to the city. The last few weeks had opened my eyes to a world I had never known existed.

Sitting under the apple tree on the edge of the grove, I looked out across the meadow that fell gently down towards the creek when the other day I had taken my aunt’s advice and gone for a dip to cool off.

Now, as I looked out and tried to form a permanent image of the scene in my mind so I could remember it in the coming weeks and months, there was something new and different from the other days.

Yes, the grass, as high as Cyclops, my aunt’s dog, was swirling in the breeze, and was bounding as he always did through the grass, searching for a rabbit, or he just caught a scent. Yes, the sky was blue, though now there were wispy clouds in the distance, perhaps an omen that the weather was about to change, but that was not it.

A different sound from the birds chirping and the insects buzzing, someone singing not loudly but as they would to themselves when they knew no one else was around.

And then I saw her, a girl my age, long blonde hair tousled by the breeze, in a summery dress with flowers and birds. The elusive Erica, the girl from the next farm, who, my aunt said, sometimes came to pick some apples to take back to her mother to bake apple pie.

Apple pie that was to die for.

When she reached the grove, she saw me and stopped. The happy, cheerful expression turned to one of curiosity.

“Who are you?”

“Andy. I’m staying with my aunt. How come I haven’t seen you before?”

“I’ve been here. You have not, or I would have seen you.”

True. I had spent most of my time, up until this day, working with my uncle in the barn and on the tractor ploughing other fields. I was only here because my aunt had sent me to get some apples fresh from the tree.

“I have been helping my uncle.”

It started out as an awkward conversation because I was not very comfortable around girls. Those that I knew in the city were not very nice. By the end, I had found a new friend, and it made it all the more impossible to go home.

And, although I didn’t know it then, it was the start of a relationship that would continue until the day we both died.

It, of course, needs refinement and more interweaving of the elements around us, but it’s a start.

Top 5 sights on the road less travelled – Bogota

Discovering Bogotá’s Hidden Gems: 5 Off-the-Beaten-Path Experiences

Bogotá, Colombia’s vibrant capital, is often synonymous with iconic landmarks like Plaza de Bolívar or the towering Monserrate. But beyond the well-trodden tourist trails lies a city rich with untold stories, cultural treasures, and serene escapes that reveal a more authentic side of Colombia. If you’re ready to venture beyond the usual sights, here are five unique experiences that will deepen your connection to Bogotá and its soul.


1. Museo del Chocio: A Private Museum with Heart

Tucked away in a quiet neighborhood, the Museo del Chocio (also known as the Soul of a Curious Mind) is a one-of-a-kind hidden gem. Founded by Arturo Chocio, a Colombian engineer turned obsessive collector, this intimate museum houses over 70,000 items spanning 11,000 years of human history—pottery, tools, art, and even Egyptian sarcophagi. It’s a labyrinth of wonder for history buffs and collectors’ curious minds, with personal artifacts displayed in a former house. Entry is donation-based, and the museum’s quirky charm offers a rare, personal journey through global cultures.
Tip: Visit on a weekday to enjoy the exhibits in peaceful seclusion.


2. Parque Tunal: A Green Oasis with Literary Roots

While many flock to the bustling Parque 93, Parque Tunal is a lesser-known sanctuary where locals unwind. This sprawling park, home to pre-Columbian sculptures and a hidden library, is the perfect spot for a leisurely afternoon. The lush gardens and shaded benches invite reflection, while the Biblioteca Virgilio Bernal—a modern library offering books and events—adds a cultural twist.
Tip: Don’t miss the park’s Mirador del Tunal, a hilltop viewpoint offering panoramic city views, especially magical at sunset.


3. Quinta de Bolívar: Step into History at Simón Bolívar’s Home

For a deeper dive into Colombia’s independence story, visit Quinta de Bolívar, the historic home of Simón Bolívar. This preserved country house in San Antonio offers a glimpse into the life of the “Libertador,” with original furniture, mementos, and a beautiful garden. The museum’s child-friendly exhibits and workshops make it ideal for families, while the serene setting is perfect for a picnic.
Tip: Combine your visit with a stop at Cafetería La Quinta, a cozy café serving traditional Colombian pastries.


4. La Nuestra de la Asunción: A Cultural Hub in Transition

Once a colonial convent, La Nuestra de la Asunción has evolved into a vibrant arts and community center. Housed in a restored 19th-century convent, this space hosts rotating art exhibitions, theater performances, and culinary workshops that celebrate local traditions. The fusion of history and modern creativity here is inspiring, and the nearby Galería del Barco adds a contemporary art flair.
Tip: Check the venue’s calendar for weekend workshops—try your hand at making arepas or Colombian coffee.


5. San Agustín Street Art Trail: A Kaleidoscope of Colour

While La Candelaria is famous for its colonial architecture, the San Agustín neighborhood is a canvas for Bogotá’s vibrant street art scene. Wander through alleys adorned with murals by local and international artists, often infused with social and political commentary. The community’s blend of art, hip cafés, and eclectic shops gives it a bohemian vibe.
Tip: Grab a coffee at La Casita del Tio, a beloved spot in the area, and let the murals guide your stroll.


Conclusion: Embrace Bogotá’s Layers

Bogotá is a city of contrasts—where history, nature, and modern creativity collide. By exploring these lesser-known treasures, you’ll uncover a side of the city that locals cherish, one that speaks to resilience, passion, and community. So, trade the crowded queues for quiet pathways, and let Bogotá surprise you with its hidden magic. After all, the best travel stories are born from the detours we take.

What off-the-grid gem will you discover next? 🌿

“The Devil You Don’t”, she was the girl you would not take home to your mother!

Now only $0.99 at https://amzn.to/2Xyh1ow

John Pennington’s life is in the doldrums. Looking for new opportunities, and prevaricating about getting married, the only joy on the horizon was an upcoming visit to his grandmother in Sorrento, Italy.

Suddenly he is left at the check-in counter with a message on his phone telling him the marriage is off, and the relationship is over.

If only he hadn’t promised a friend he would do a favour for him in Rome.

At the first stop, Geneva, he has a chance encounter with Zoe, an intriguing woman who captures his imagination from the moment she boards the Savoire, and his life ventures into uncharted territory in more ways than one.

That ‘favour’ for his friend suddenly becomes a life-changing event, and when Zoe, the woman who he knows is too good to be true, reappears, danger and death follow.

Shot at, lied to, seduced, and drawn into a world where nothing is what it seems, John is dragged into an adrenaline-charged undertaking, where he may have been wiser to stay with the ‘devil you know’ rather than opt for the ‘devil you don’t’.

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Writing a book in 365 days – 360

Day 360

5 Proven Ways to Give Your Writing Confidence a Real Boost

Whether you’re polishing a novel manuscript, drafting a blog post, or scribbling down a quick journal entry, every writer hits the “I‑don’t‑know‑if‑this‑is‑good enough” wall at some point. The good news? Confidence isn’t a mystical talent you’re either born with or not—it’s a skill you can train, just like plotting, character arcs, or SEO research. Below are five concrete strategies (backed by research and real‑world experience) that will help you shake off self‑doubt, step into your writer’s voice, and keep the words flowing.


1. Celebrate Small Wins – Turn “Done” Into “Done‑and‑Delicious”

Why it works:
Psychologist Dr. Barbara Fredrickson’s Broaden‑and‑Build theory tells us that positive emotions expand our mental toolkit, making us more creative and resilient. Acknowledging tiny achievements creates that positive feedback loop.

How to apply it:

Small MilestoneCelebration Idea
Finishing a paragraphAdd a sticky note to your monitor that says “Paragraph conquered!”
Hitting a word‑count target (e.g., 500 words)Treat yourself to a 5‑minute playlist of your favorite songs
Finding the perfect metaphorWrite it on a slip of paper and tape it on your wall as a visual trophy
Receiving a kind comment on a draftSave the comment in a “Confidence Folder” (digital or physical) for low‑energy days

Make it a habit: At the end of each writing session, jot down one thing you did well. Over weeks, you’ll have a personal “confidence bank” to draw from when you feel stuck.


2. Adopt a “Draft‑First, Edit‑Later” Mindset

Why it works:
Research from the University of Cambridge shows that separating the creative (draft) and analytical (edit) phases lowers perfectionism and increases output quality. When you stop judging while you write, the flow state—that sweet spot where the words seem to write themselves—is easier to achieve.

Practical steps:

  1. Set a timer for a “pure draft” sprint (e.g., 20 minutes). During this window, no back‑spacing, no grammar checks, no Googling synonyms. Just write.
  2. Label the document “RAW” so you consciously know you’ll revisit it later.
  3. Switch gears after the sprint: take a short walk, stretch, then open the file in “Edit” mode. You’ll be surprised at how many “aha!” moments appear when you return with fresh eyes.

Result: The draft becomes a safe space for experimentation, and the later edit feels like polishing a gem rather than fixing a broken vase.


3. Build a “Writer’s Support Squad”

Why it works:
Social support is a massive confidence driver. According to a 2022 study in Writing Research Quarterly, writers who regularly share work with peers report 31% higher self‑efficacy (belief in their ability to succeed) than solitary writers.

Ways to create your squad:

  • Join a local or virtual writing group. Platforms like Meetup, Discord, or even Facebook have genre‑specific circles.
  • Find a “beta‑reader buddy.” Swap drafts with someone you trust; give each other a single, focused piece of feedback (e.g., “Did the protagonist’s motivation feel clear?”).
  • Hire a professional editor for a “confidence edit.” Even a brief 30‑minute session can validate that you’re on the right track.
  • Use accountability apps. Tools like Habitica or Beeminder let you set writing goals and get nudges (or gentle shame‑reminders) from friends.

Tip: Keep the feedback loop specific and positive. A phrase like “I loved how you showed the conflict through dialogue” feels far more empowering than a vague “It’s good.”


4. Leverage the Power of “Impostor‑Syndrome Journaling”

Why it works:
Impostor syndrome—feeling like a fraud despite evidence of competence—is rampant among writers. A 2020 meta‑analysis in Psychology of Aesthetics, Creativity, and the Arts found that journaling about these thoughts reduces their intensity by 40%.

How to journal effectively:

  1. Name the feeling. Write, “I’m feeling like an impostor because…”
  2. Collect evidence. List concrete achievements (publications, positive comments, word‑count milestones).
  3. Reframe. Turn “I’m not good enough” into “I’m still learning, and that’s okay.”
  4. Set a “next‑step” goal. E.g., “Read one article on pacing this week.”

Do this once a week, preferably after a writing session. Over time, the journal becomes a personal truth‑checker that reminds you of your progress whenever doubt creeps in.


5. Practice “Micro‑Storytelling” to Warm Up Your Voice

Why it works:
Micro‑storytelling (flash fiction ≤ 300 words, Instagram captions, or even 6‑sentence anecdotes) forces you to distill ideas quickly, sharpening your narrative instincts and giving you immediate, tangible proof of skill.

Kick‑start ideas:

PromptWord LimitGoal
“The last word you ever typed”150Capture tension in a single scene
“A coffee shop conversation that changes everything”200Practice dialogue
“A piece of advice you’d give to your younger self”250Tap into voice & authenticity
“Rewrite a classic fairy tale in 3 sentences”100Hone brevity & wit

Routine: Spend the first 10 minutes of every writing day on a micro‑story. When you finish, you have a finished piece to share, post, or shelve—instant confidence.


Putting It All Together: A 7‑Day Confidence Sprint

DayFocusAction
1Celebrate WinsWrite 3 bullet‑point win notes after your session.
2Draft‑First20‑minute sprint + “RAW” label.
3Squad UpPost a snippet in your writing group, ask for one specific comment.
4Impostor JournalFollow the 4‑step journaling template.
5Micro‑StoryComplete a flash‑fiction piece (≤200 words).
6Edit SessionRevisit Day 2’s draft with fresh eyes.
7Review & RewardCompile all win notes, journal entries, and micro‑stories. Celebrate with a treat or a leisure activity.

At the end of the week, you’ll have a portfolio of proof—a tangible collection that demonstrates progress, skill, and resilience. And more importantly, you’ll have rewired your brain to associate writing with positive outcomes rather than fear.


Final Thought: Confidence Is a Muscle, Not a Magic Spell

Every writer—whether a debut novelist, a seasoned journalist, or a hobbyist blogger—needs a reliable toolbox for moments of doubt. The strategies above are evidence‑based, low‑cost, and adaptable to any schedule or genre. Try one or mix several, track what resonates, and watch your inner critic shrink while your creative voice grows louder.

Ready to boost your confidence? Grab a notebook, pick the first tip, and start today. Your future self (and your readers) will thank you.