The cinema of my dreams – I always wanted to see the planets – Episode 13

Our first contact didn’t go so well

…

As soon as I stepped off the shuttle in the cargo bay, the third officer was waiting for me.

“The captain asked me to escort you up to his day room.”

Unusual. The captain could have just called me on the private communicator if there was a need for secrecy, if that was what this was.

“Any reason why he would send you?”

“Didn’t want you getting lost, sir.”

I knew I should not have admitted to him that I had got a little confused finding my way around, but that was because the dockyard people had blocked off several passageways.

“No. I guess not.”

The Third was a man of little humour, and particularly didn’t think any of my jokes were funny. On station, he was all serious and unamused.

Now, he had his serious face on, and I thought it best not to ask what to expect.

He took a different route to the bridge than what I would have taken, a much shorter and more direct route. It was obvious he had studied the plans of the ship and knew it backwards. I on the other hand, was not that prepared, but it meant I would have to.

He went as far as the door to the day room, and left me there. I didn’t need to announce myself, the doors just opened, whisper quiet, showing me the room I could expect one day when I got my own ship.

Or at the very least, I could dream.

The doors closed behind me, and I walked forward into the room proper, and first saw the captain sitting at his desk, and then a figure standing beside and back a step, behind him.

There was a weapon in his hand, but it was by his side.

And something else I noticed, the figure looked just like the three I’d seen on the other ship.

The captain saw me looking at him.

“This is the captain from the vessel that just arrived as those assailants on the cargo ship were ‘rescued’.

He, or she, looked human under the clothes and helmet, but could be almost anything.

“Does he…”

“Speak our language, yes, and a lot of others. And he would like our help.”

…

© Charles Heath 2021

A score to settle – The Second Editor’s draft – Day 15

The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

…

It’s halfway, but it doesn’t feel like it in terms of getting the story done. It’s certainly more than halfway in terms of getting words on paper.

The problem is, at this point, I should be reasonably happy with not only the progress but the quality of the story.

The thing is, I’m going to bed completely dissatisfied with the direction it’s going, and the characters. Of course, this is usual, I always have misgivings about everything while deep in the throes of getting the initial story down.

I know I/m not going to have a masterpiece in the first draft, but that still doesn’t mean I can’t have high expectations.

Maybe I need to take a step back.

Maybe I need to go back over some of the writing and see what it is that’s making me doubt myself.

Any other time, I would put it to one side and work on something else, let the story go round and round in my head until it works itself out. That sometimes takes months, and there’s a reason why some books take a year, or more, to write.

Unfortunately, I don’t have the time.

It’s going to be an uneasy sleep, if I get any.

Searching for locations: The Castello di Brolio, Gaiole in Chianti, Tuscany, Italy

The castle is located in the southern Chianti Classico countryside and has been there for over ten centuries, and owned by the Ricasoli family since 1141.

Like any good castle, it has strong defences, and I was looking for a moat and drawbridge, but it looks like the moat has become a lawn.

The very high walls in places no doubt were built to keep the enemy out

The castle has been destroyed and rebuilt many times over the last 900 years.  It was part of the Florentine defences, and withstood, and succumbed to many battles with Siena, which is only 20 km away.  More recently, it still bears the scars of artillery fire and bombing in WW2.

The room at the top of this tower would have an excellent view of the countryside.

Here you can see the old and the new, the red brick part of the rebuilding in the 1800’s in the style of an English Manor

We did not get to see where that archway led.

Nor what was behind door number one at the top of these stairs.  Rest assured, many, many years ago someone wearing armour would have made the climb.   It would not pass current occupational health and safety these days with a number of stairs before a landing.

Cappella di San Jacopo.  Its foundations were laid in 1348.

Renovated in 1867-1869, it has a gabled façade preceded by a double stone staircase.  The interior, with a crypt where the members of the Ricasoli family are buried, has a nave divided into three spans with cross vaults.

The 1,200 hectares of the property include 240 hectares of vineyards and 26 of olive groves, in the commune of Gaiole.

What a difference a day makes

Yesterday the dark clouds were swirling overhead, and there was an air of impending doom all around.

Much like those few hours before a storm is about to hit, one of those really big ones with very loud thunder that feels like it’s over your roof and not moving, and, a short time later, the deafening sound of torrential rain.

You know the feeling, you could cut the air with a knife.

I’ve been in that state of mind for some time now, but yesterday something changed.

It wasn’t the internet, that was still as dreadful as ever, despite the assurances we get that we will have the best internet in the world.  The best joke, I think they mean, after spending $50 billion on it, I had better speeds on my 300 baud modem 20 odd years ago.

Sorry, I had to have another whinge about it.  Politicians are such liars.

No, it was not something I could put my finger on.

But…

What was it?

I found I could write again.

Well, I could always write, but it was a matter of forcing myself to sit down and do like it was a chore I really didn’t want to do.   And how easy it was to get sidetracked in social media.

Not today.

Today I simply looked at the writing I wanted to do, and it all came to me, without having to stare at the blank screen before the words would come, and then find myself deleting them over and over.  Yesterday, writing 500 words really meant writing 5,000 crappy words and continually revising.

Today I could write 5,000 words and it was all good.

Let’s hope it continues into tomorrow.

 

“The Things We Do For Love”

Would you give up everything to be with the one you love?

…

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, a place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

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Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, s place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

Searching for locations: The Opera House, Paris, France

This was one of the more interesting experiences for the grandchildren as they were, as all young girls are, interested in ballet.

We thoroughly enjoyed our visit which included some time watching ballet practice.

I could not convince anyone to take the elevator back down to the ground floor as it was suspected we might be ‘attacked’ by the ‘phantom’.  Certainly, the elevator was very old and I think at the time it was being repaired.

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Part of the Grand Staircase in Palais Garnier Opera de Paris

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The ceiling above the main staircase.  The ceiling above the staircase was painted by Isidore Pils to depict The Triumph of Apollo, The Enchantment of Music Deploying its Charms, Minerva Fighting Brutality Watched by the Gods of Olympus, and The City of Paris Receiving the Plan of the New Opéra.

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The ceiling of Chagall at the Palais Garnier

On 23 September 1964, the new ceiling of the Opéra Garnier was inaugurated with great pomp.  It was painted by Marc Chagall at the request of André Malraux

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Amphitheatre and Orchestra Pit entrance

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Interior, and doorways to boxes

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Box seats in the auditorium

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Ornate ceilings and columns

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Seating inside the auditorium

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The day we were leaving Paris, was the first night of the Bolshoi Ballet.  My two granddaughters were greatly disappointed at missing out on the opportunity of a lifetime, to see the Bolshoi Ballet at the Paris Opera House.

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But we did get to see the principals practicing.

An excerpt from “If Only” – a work in progress

Investigation of crimes doesn’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.

At one stage the police thought I had murdered my own wife though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective First Grade Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbors reckon there were heated discussions the day before.

Routine was the word she used.

Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last I saw of Gabrielle.

The shock of finding Vanessa was more devastating than the fact she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months I was barely functioning, to the extent I had all but lost my job, and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy.  Her story varied only in she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened become our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then, we saw each about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realize that all she had was her work, personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt, about whether or not I could trust her to tell me what the message meant.

I reached for the phone then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

“What Sets Us Apart”, a mystery with a twist

David is a man troubled by a past he is trying to forget.

Susan is rebelling against a life of privilege and an exasperated mother who holds a secret that will determine her daughter’s destiny.

They are two people brought together by chance. Or was it?

When Susan discovers her mother’s secret, she goes in search of the truth that has been hidden from her since the day she was born.

When David realizes her absence is more than the usual cooling off after another heated argument, he finds himself being slowly drawn back into his former world of deceit and lies.

Then, back with his former employers, David quickly discovers nothing is what it seems as he embarks on a dangerous mission to find Susan before he loses her forever.

Find the kindle version on Amazon here:  http://amzn.to/2Eryfth

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In a word: Quick

Go get your stuff and be quick about it.

I’ve tried on many occasion to be quick, but it’s like my shoes have lead soles, or it’s like walking through water.

Perhaps I should just stop finding excuses and admit it’s old age and I am slowing down!

I’m guessing that in using the expressing the quick and the dead, I’ve got one foot in the grave.

But when you use the word quick it generally means moving fast or doing something at a rapid rate.

It could also refer to someone who picks up knowledge rapidly, that is to say, that boy is quick, maybe quick as a flash.

I’ve been cut to the quick. An interesting expression which basically means you’ve been hurt very badly.

It also makes reference to the more sensitive side to us, hence the above expression.

It has a more literal meaning, referring to the quick, under your fingernails, and you know how much that hurts when you cut the nail too short, or remove the nail from the quick.

And like most of us, I’ve been caught more than once in metaphorical quicksand.

It doesn’t pay to go near or test out what real quicksand is, but if you have to, make sure you tie yourself to an anchored rope first.

The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.

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