In a word: play

I’m going to play a game. 

Is that a video game on the computer, or is that a board game with friends?

In reality, I didn’t play games with friends because I’m a poor loser.  Especially monopoly.

But to play a game often means you take on a persona or a role, as one, or one of many.

Personally, I like role-playing games like Dungeons and Dragons.

I’m going to a play

This is a stage production of a scripted story with various people in roles.

A play can have a star, a lead actor in a pivotal role, to draw in the viewers

I’ve been to good plays and bad ones with great actors and some not-so-great ones.

A play can be hard to understand, it can be a musical with singing and dancing, or it can be rollicking good fun where the audience dances in their seats.

The worst play I ever saw was Dr Zhivago; it never seemed to end.

The best play, The Pyjama Game, with John Inman from Are You Being Served, a British comedy TV show.

I’m going to play the game

There’s a slight difference between this and the first example because it means instead of doing something your own way, you’re going to do what everyone else does, prompting the analogy, you’re going to fight fire with fire.

Yep, even the explanations can be confusing.  You have to love the English language for being that.

I’m going to play a role

So many connotations to this one.  For instance, I’m going to be someone I’m not.  If I’m a kind person, then I’m going to pretend I’m mean.

I’m going to join a group of like-minded people and help further their cause, that is to say, together we changed the course of history, and I had a role in that.

Let’s hope it was for the betterment of mankind and not a leap towards infamy.

And of course, if you play a part in a play, it means you are pretending to be someone else.  I like the idea of playing God, but that’s usually the lead actor; I’m usually the janitor, servant, or just plain dogsbody.

“The Things We Do For Love”

Would you give up everything to be with the one you love?

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, a place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, s place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

The Cinema of my Dreams – I always wanted to write a war story – Episode 49

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination with what happened during the second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

——

SS Standartenfuhrer Wilhelm Schmidt and his men were looking forward to some rest and recreation, after they completed one small but vitally important job for the Reichsfuhrer: retrieve a traitor named Meyer and bring him back to Berlin so an example could be made of him to deter others.

A simple job, several days at best, very much a holiday in itself after several long years in various campaigns.

He always wanted to visit Italy and particularly Tuscany, and they would be staying in a castle, with, he had been told, a very refined wine cellar.

He had also been told there was a possibility that the column might be attacked on its way to the castle, and he had all of his men on high alert.  He was almost disappointed nothing happened.  He didn’t think it would.  Few resistance fighters would hardly go up against the might of a panzer, and his crack troops.

He’d said as much to the castle commander, a double agent by the name of Wallace, known as British to the British and German to the high command.  Schmidt had no interest in double agents, or agents of any kind, along with the intelligence services or the Gestapo for that matter.  He was here for the traitor and then gone.

They made it without incident, the main gates opened for their arrival, then closed after the panzer and trucks were parked inside.

Wallace was waiting for him.

Salutes, then, “No trouble along the way?”

“No.  Should there be?  I know we were warned, but all we saw were war-weary Italian women and children, and a few old men.”

“The resistance is out there, led by an Englishman by the name of Atherton.  I wouldn’t underestimate him and the few resistance left.”

Schmidt thought Wallace looked rattled, a man at the end of his tether.  He’d seen quite a few like him, too long at the front, jumping at shadows.

“It won’t be a problem.  I’ll send out a squad of 10 and they’ll mop up anyone left.  They’re probably hiding in the woods, or, if they saw the tank, shaking in their boots.  Chances are they will have left if they had any sense.”

Wallace hated arrogance, and Schmidt had it in spades.  There would be little point telling him that this wasn’t a battlefield, but guerilla warfare against an enemy on their home ground.  The fact Jackerby had not come back, or Fernando and his men told him Atherton was picking them off, one by one, if they left the castle.

If Schmidt wanted to go wandering around outside, that was his choice.  Wallace was staying inside and waiting until they mounted an attack.  Or for them to realise it was going to be a stalemate.  He was now no longer interested in Meyer, that was Schmidt’s problem.

Schmidt selected 9 soldiers and put his second in command in charge of them with very specific orders.  If anything, other than one of their men moved, shoot it.  He did not want prisoners.

The rest of the men were sent to the makeshift barracks, a building that was used as a chapel not far from where the tank and trucks were parked.  The rest of the castle’s men were also there, except for those on guard duty on the ramparts, and in the cellars where there were entrances from outside.

Not that anyone could get through the iron gates that were currently locked.  Atherton and whomever he had with him would not be gaining entrance to the castle from below, and those on the ramparts would pick them off long before they reached the main gate, or the walls.

At strategic points on the rampart, machine guns had been set up, and a box or two of hand grenades were available.  Wallace was fairly confident there was nowhere where Atherton could gain access, despite his clandestine exploration of the castle when he first arrived.

Wallace personally checked the sentry points and alertness of the guards.

Then he went down to the cellar and the gate where the soldiers involved in what was now called ‘operation mop-up’ were waiting for darkness to fall before leaving.

Wallace came down to see them leave, not surprised by the buoyed spirits and camaraderie of men who had been working together for a long time.  He envied them.  With the sort of work he and the few members of his team did, there was no time for any bonding, and each lived with the fact that they could not really trust anyone, even those they worked with.

Then, in a matter of minutes, in almost silence, they were gone, and the gate was locked.  With any luck, the area would be cleared of resistance and locked down in preparation for the arrival of Meyer.  His handler would be captured and would inform them of the pipeline further up the chain of command, and then he could put an end to the traitors escaping.

With any luck, he might still get back to Germany as a hero.

——-

© Charles Heath 2020-2023

A photograph from the inspirational bin – 13

I came across this photo:

This is like so many roads off in what is known as the Gold Coast hinterland, that tract of land between the ocean and the mountain range that runs along the eastern side of the country, known as the Great Dividing Range.

This is the road that runs behind where friends of ours live, and runs on down into a valley where a river runs, and when the rains come down, floods.

It’s hard to imagine that a few hundred years ago all of this would have been tropical jungle, and intrepid explorers would be making their way north or west, just to see what was there.

I imagine in another 100 years, all of this will be gone, given over to housing, shopping malls, and factories, and anything that resembles country living will have been moved out to far beyond the mountain range and towards the what is called the ‘red’ centre.

Or over that time there is a reckoning with mother nature, and if there is, I know who I’d put my money on.

But, as for a story…

It was quite literally the road to nowhere.

You just had to follow it until it disintegrated into a dirt track, and then for another 20 miles before you finished up at a rusty gate attached to a dilapidated fence that surrounds the a house that was cleverly hidden behind a grove of trees, the only place I knew as home. We had no phones, no television or radio, no real contact with the outside world.

Until, one day, my fairy godmother came and rescued me.

Yes, it felt like that.

Little had I realized that there were any other people in our family, and it took until the death of my parents to find out I had grandparents, and a much larger extended family.

There had been, according to my father, no reason to leave. Or for anyone else to come, and the few that ventured to end of the road, found there was nothing to see, and no reason to stay.

For all intents and purposes we didn’t exist, and, oddly, I was content with that.

Until I decided to venture further afield, run into two people, a man and a woman, both of whom said they were related to my father, and ask me to take them back with them to meet my father,

A bad choice, but I didn’t know it at the time.

Not until my father ran them off at the point of the gun he always had with him.

He knew who they were, and it surprised me to see the change in him, from the strong silent type, to a man greatly afraid, though he would not tell me of what.

He just told me to lock myself in my room, and not to come out for anything.

I heard him leave, but not come back.

It took three days before I left that room, to find I was completely alone in the house. Outside, it was a different story. There, half way between the back door and the barn were the two people I’d brought home, both dead. A little further away were my parents, also dead.

And another man, who was leaning over my father.

I stopped when he looked up in my direction.

“You must be Jake.”

How did he know my name? I nodded, warily watching him in case I had to run.

He went from body to body, checking to see if they were still alive, then stood and turned around to look at me.

“Do you know what happened?”

“No.”

“Do you know who the other two are?”

I assumed he was referring to the visitors.

“No. The man said he was a relative, asked me to bring them here.”

“How did you…”

Escape? “My father told me to hide and not come out.” If this man was associated with the other two…

Perhaps he saw my trepidation.

“I’m a friend of your father’s, a policeman. You were supposed to be safe here.”

We were, until I brought the harbingers of death. “Not any more,” I said.

© Charles Heath 2021

The cinema of my dreams – Was it just another surveillance job – Episode 32

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe

 

I ordered breakfast to be brought to my room, then sat back and read the paper, culminating in a second cup of coffee and a half-hearted attempt at the crossword.

My mind was not sufficiently clear of all the implications of what I’d seen last night, and before that.

The first task was to go back to the office and get onto the computer to track down the address the car was registered to.  It was not the flat.  My guess that it was a sort of safe house.  He may not have had reservations about Jan, or who she worked for, not until he became the prey.

Then it occurred to me that if Jan didn’t know where the USB was, then she had to realize he might have rumbled her perfidy.  Maybe he was not as easily fooled as I first thought.

But it didn’t explain why Nobbin was in the dark over the USB’s whereabouts, as he had told me to give Nobbin a message.  Perhaps there’s been a secret message behind that message.

Now, my mind was spinning out of control.

Like O’Connell/Quinley, and in accordance with more lessons on tradecraft, I too, had what I would like to have called a safe house, a small flat on the outskirts of Wimbledon.  

I also had an off-site parking space that was a reasonable distance from the flat, so that if I was being hunted, the car would not lead them to my hiding spot.

There I had a shower, changed, and headed for the underground.

I took the train to Charing Cross, getting there around nine, to take the short walk to the hotel.

Not expecting to find her in the room, I used my key to let myself in.

I was wrong.

She was in bed, still asleep.  Or was until I let the door slam shut.

She didn’t exactly come out from under the covers with a gun pointing at me, but I would be willing to be there was one under her pillow and her hand was on it.

“Sam?”  It was uttered sleepily, the sort that would normally send a shiver down my spine.  Not now.

“I hope you’re not intending to shoot me?”

“No.”

I could see her hand moving slowly withdrawing, and then watched her sit up and swing her legs over the side.

Still in basic clothes.  Obviously, no time to go and get some pyjamas then.

“What happened to you?”

“Got side-tracked on what I thought might be a lead, and it wasn’t.  Just a waste of time and a long night.  Thought I’d come here and get some shuteye.  Perhaps not.  Are you going to order breakfast?”

“Of course.”

“I’ll have a pot of coffee and a paper, preferably one with a crossword.”

She rang down a breakfast order, full English, then said she was having a quick shower.  I heard the water running and wondered if she was giving Severin a short report.  Old trick, running water hides conversations.

Breakfast arrived at the same time as she came out of the bathroom, hair up in a towel, and in one of the hotel dressing gowns.  My imagination got a five-second workout before I grabbed the paper and the coffee and sat in the corner.

She could have the desk.

“Do we know where Maury is?” I asked suddenly.

“Who?”

She hesitated before answering, a moment to give herself time to process the question, and if there were any hidden meanings.

“You know?  You dropped a tracker on him.”

“Oh, him.  He must have found and dumped it.  It was pinging about 100 yards from the flat.”

Of course.  There probably wasn’t one in the first place.

“Pity.  I’d like to turn up unannounced, give him a bit of a scare.”

I went back to the crossword, keeping an eye on her, noticing every now and then giving me a sideways glance.

“Did you go anywhere after the flat?”  Again sudden, out of left field.

“No.  Just come straight back here.  Do you want to keep the room for a few days?  See what happens.”

“Sounds like a good idea.  Look, I have to run an errand this morning, unfortunately, it’s not a work matter, so I’ll give you a call on my way back.  You must want to talk to your people and let them know what’s happening if you haven’t already.”

I finished the coffee, folded the paper, and stood.

“At the very least,” I added, “I have to go back into the office and report to Nobbin.  I’m sure he’ll be impressed with the lack of progress.”

“Won’t you run into that other fellow, what’s his name?”

“Severin?”

“Him, yes.”

“I don’t think so.  His name will probably be very high on the ‘we’d like to talk to you’ list if he shows his face.  Anyway, I’ve got your number.”

I deliberately waved the phone where she could see it, and the implication she could probably use it to track my movements.  That might have been the case if there was a sim card in it, and it was similar to the phone she last saw me with.

It was not.

Where I was going, no one was going to follow me or find me.

© Charles Heath 2020

365 Days of writing, 2026 – 26

Day 25 – Days 26 – What is the perfect writing space

Crafting Your Perfect Writing Room: A Sanctuary for Creativity and Focus

Introduction: The Power of a Personal Writing Space
A writing room is more than just a place to jot down words—it’s a sanctuary where creativity thrives, ideas flow, and focus is prioritised. Whether you’re a novelist, a student, a blogger, or a poet, having a well-designed writing space can transform your productivity and inspiration. But what makes a writing room “perfect”? The answer is deeply personal, shaped by your habits, preferences, and goals. Let’s explore the key elements that can help you curate your ideal writing space.

Location and Layout: Choose Wisely
Start by selecting a spot that reflects your lifestyle. A dedicated room is ideal for minimising distractions, but a corner of a bedroom, living room, or even a cozy nook in a kitchen can work wonders. Prioritise an area with an ergonomic layout—avoid your bed or couch, as they’re associated with rest. A standing desk might offer flexibility, or a high-chair kitchen counter could spark creativity. The core is to create a space that mentally signals: It’s time to write.

Lighting: Illuminate Your Ideas
Lighting plays a crucial role in mood and productivity. Natural daylight is optimal, reducing eye strain and boosting focus. If you’re writing late at night, invest in a warm, adjustable LED lamp to avoid harsh overhead lighting. Consider layering light sources: a desk lamp for focused tasks, string lights for ambience, or a lamp with a soft glow for a relaxed vibe. Aim for a balance that supports both clarity and creativity.

Furniture: Comfort Meets Support
Comfortable furniture is non-negotiable. Invest in an ergonomic chair that supports your spine and encourages good posture. Pair it with a desk at the correct height—your arms should form a 90-degree angle while typing. Avoid overly plush seating that tempts you to nap! A minimalist setup often works best, with just your essentials: laptop, notebook, and perhaps a cup of coffee or tea.

Ambience and Noise: Curate Your Soundscape
Personalise the atmosphere to your needs. If silence is your muse, use noise-cancelling headphones to block out distractions. For writers who thrive on background noise, a white noise machine or a fan can mask unwanted sounds. Some prefer the gentle hum of a rainforest playlist or a café ambience track. The goal is to create a soundscape that enhances concentration without overwhelming your mind.

Organisation and Storage: Clarity Through Order
A cluttered space can stifle creativity. Use shelves, baskets, or drawer organisers to keep your writing tools (pens, notebooks, sticky notes) within reach. If you’re a hybrid digital-analog writer, designate spots for devices and chargers. However, don’t overdo it—leave room for a bit of organised mess, like a stack of books or sticky-note quotes. Balance tidiness with personal style.

Inspiration and Motivation: Surround Yourself with Spark
A writing space should ignite your imagination. Pin motivational quotes or visual collages on the wall, display books for reference, or create a “dream board” with magazine cuts, photos, and goals. A digital pinboard or framed art can also spark creativity. Keep a journal nearby to jot down sudden ideas. The right stimuli can turn moments of writer’s block into breakthroughs.

Personalisation: Make It Yours
Infuse the space with elements that reflect your personality. Choose calming colours like sage green or navy blue to foster focus, or energise with yellows and oranges. Add a plant for life and air purification (try a snake plant or pothos for low-maintenance). Scented candles or essential oil diffusers can create a soothing atmosphere—lavender for relaxation or peppermint for alertness. This is your space, so let it breathe.

Digital Tools: Equip for Efficiency
Streamline your workflow with smart tech. A high-quality keyboard, a docking station for multiple monitors, or a voice recorder can enhance efficiency. Use apps to block distracting websites during writing sessions. Yet, remember to disconnect: a writing room is about presence, not overstimulation.

Creating Rituals: The Psychology of Space
Finally, build habits around your space. Light a candle, brew a specific tea, or play ambient music to signal the start of a writing session. Over time, your brain will associate the space with creativity and focus, making it easier to enter “writer mode.”

Conclusion: Your Ideal Space Awaits
The perfect writing room isn’t a one-size-fits-all concept—it’s a tailored environment that evolves with you. Experiment with layouts, lighting, and tools to discover what works. Need a high-end chair? Start with a cozy cushion. No dedicated room? Try a corner with a folding desk. The key is to foster a space that nurtures your craft, both practically and emotionally. So go ahead—design a haven that transforms your writing process and celebrates your unique voice.

Remember, the best writing spaces are not built overnight. They’re curated with intention, care, and a bit of trial and error. What will you add to yours? 📝✨

Have you created your ideal writing space? Share your tips and stories in the comments!

If I only had one day to stop over in – Brussels – what would I do?

One‑Day Stopover in Brussels? Make It Unforgettable with a Visit to the Grand‑Place

If you’ve only got 24 hours between flights, there’s no better way to capture the heart of Belgium than to spend it in the city’s most iconic square – the Grand‑Place (Grote Markt). Here’s why this UNESCO‑listed masterpiece should be the sole stop on your whirlwind itinerary, and how to squeeze the most magic out of every minute.


Why the Grand‑Place is the Ultimate “One‑Place” Experience

What you’ll seeWhy it matters
Stunning Baroque & Gothic façades – Town Hall, Maison du Roi, the guild housesA visual history of Brussels from the 15th‑17th centuries, all in a compact, walkable space
UNESCO World Heritage statusGuarantees the square’s preservation and its global cultural significance
A living stage – street musicians, flower carpets (every two years), and seasonal marketsThe square isn’t a museum; it’s a vibrant urban theatre that changes with the calendar
Gastronomic micro‑cosm – waffles, frites, Belgian chocolate, and world‑class cafésYou taste the nation without leaving the square’s perimeter
Perfect photo backdrop – golden hour light, night illuminationInstagram‑ready views that make every traveler’s feed pop

In short: the Grand‑Place condenses Brussels’ architecture, history, food, and atmosphere into a single, unforgettable patch of cobblestones.


How to Turn a Quick Layover into a Grand‑Place Day

Below is a step‑by‑step itinerary that assumes you arrive at Brussels Airport (BRU) in the morning and depart the following evening. Adjust the times to fit your flight schedule, but keep the core sequence: arrival → transit → Grand‑Place immersion → departure.

1. Get There Efficiently (30 min)

ModeDetails
Train (Eurostar/Thalys/IC)Follow signs to the Airport‑Brussels train station (right outside the arrivals hall). A direct IC (InterCity) train whisks you to Brussels Central in 18 minutes (≈ 5 €).
Bus (STIB/MIVB line 12 or 21)Slightly cheaper (≈ 3 €) but slower (≈ 30 min). Take the bus to Gare Centrale and you’re already at the doorstep of the Grand‑Place.
Taxi/Uber20‑25 min, about 35‑45 €, useful if you have heavy luggage or a group.

Tip: Buy a STIB/MIVB “15‑hour ticket” (€7.50) for unlimited metro, tram, and bus rides. It’s a bargain even if you only use it for the airport hop.

2. First Glimpse – The Square at Dawn (15 min)

  • Arrive just before 9 am to avoid the midday crowds.
  • Grab a coffee and a fresh croissant from Le Pain Quotidien on the north side; the aroma of roasted beans mingles perfectly with the morning light on the Town Hall’s spire.

3. Guided Exploration (45 min)

  • Free self‑guided audio tour – download the “Brussels Grand‑Place” app (available in 12 languages).
  • Key highlights:
    1. Town Hall – climb the 87‑step tower for a panoramic view (optional, 10 min).
    2. Maison du Roi – the “King’s House” façade and its intricate stone carvings.
    3. Guildhalls – each tells a story (the Brewers’, the Clothiers’, the Bakers’).
  • Quick fact: The square’s golden “pigeon‑hole” statues were added after the 1695 bombardment, symbolising Brussels’ resilience.

4. Savour the Flavours (60 min)

FoodWhere to get itWhy it’s a must
Belgian Waffle (Liège style)Maison Dandoy (corner of the square)Caramelized sugar crystals, warm, perfect with a shot of espresso.
Frites with mayoFriterie René (just a block away)The legendary double‑fried potatoes—crispy outside, fluffy inside.
Chocolate tastingPierre Marcolini or Leonidas kiosksSample a praline while you stroll; chocolate is practically a national sport.
Beer in a historic tavernChez Léon (nearby) – try a Trappist dubbelBrussels is the capital of beer; you can’t leave without a glass.

Pro tip: Order a “combo” (waffle + coffee + chocolate) for a budget‑friendly, all‑in‑one treat.

5. The “Extra” Touch – Nearby Gems (30 min)

If you still have a bit of time, dip just a few steps outside the square:

  • Galeries Royales Saint‑Hubert – a covered arcade with designer boutiques and a quick photo op beneath its glass dome.
  • Manneken Pis – the mischievous bronze boy (5‑minute walk). The statue’s daily costume changes are a quirky cultural footnote.
  • Mont des Arts – a short tram ride up a hill for a sweeping view of the city’s skyline, perfect for sunset shots.

6. Wrap‑Up and Return to the Airport (45 min)

  • Grab a final Belgian chocolate bar for the flight (the “Bombe” from Pierre Marcolini makes a luxurious gift).
  • Board the same train back to BRU—remember to validate your ticket before hopping on the platform.

Insider Hacks for a Seamless Grand‑Place Day

HackHow it Helps
Pre‑download the “Brussels Card” appGives you a 10 % discount at most cafés and priority entry to the Town Hall tower.
Carry a small foldable umbrellaEven in summer, sudden showers are common; the square’s cafés offer shelter and a great people‑watching spot.
Speak a few French/Dutch words – “Bonjour / Goedemorgen” – locals appreciate the effort and may share hidden tips.
Leave your valuables in a hotel locker if you’re doing a multi‑day trip; the square can be a pick‑pocket hotspot during rush hour.
Check the event calendar – Flower Carpet (every two years in August) or Brussels Summer Festival (July) can turn your visit into a once‑in‑a‑lifetime spectacle.

Bottom Line: One Square, Endless Memories

A one‑day stopover can feel like a blur, but the Grand‑Place offers a concentrated dose of everything that makes Brussels legendary: architectural grandeur, culinary indulgence, historic ambience, and a buzzing, friendly atmosphere—all within a 10‑minute walk radius.

So, when the clock ticks down on your layover, skip the museum hops and head straight for the heart of Brussels. Let the cobblestones, the golden façades, and the scent of fresh waffles write the story of your Belgian intermission.

Pack your camera, bring an appetite, and let the Grand‑Place turn a fleeting stop into a lifelong memory.


What I learned about writing – You are always going to be asked questions

And a lot of them you will not want to answer, like: Why do we write?

That’s the eternal question asked of nearly every writer/author, whether successful or not.

Of course for the successful writer, though it’s hard to put a correct label on what constitutes successful, it’s either because we can make an adequate living out of it, and if it’s not that, for me anyway, it is the life of writing and the joy when someone reads a piece and leaves s review that makes it all worthwhile.

It’s not always about the money.

Most writers have a day job and squirrel themselves away in a variety of places they call their writing space and work long into the night, or over the weekends, trying to fit in everything else.

For most out happy times are when we are constructing a story, lost in another world, away from the everyday hustle and bustle and problems usually left behind when the kids go to sleep.

I’m sure I would like to travel the world, but it would only be in search of the locations of my stories. There is no such thing as a holiday that is just a holiday, and there’s a reason why Venice is a favoured location, as is London, as is New York.

These days, when my other half is visiting doctors, hospitals, and specialists, those long hours in the waiting room are spent conjuring up new stories, working on current projects and just dreaming.

We spend a lot of time in these places, and she gets to read, and I get to write. I’m sure a lot of the others wonder what it is that I am up to. Our GP, whom we visit at least once a month, and the wait can be up to about an hour, has noticed when he comes out to call us in, and always asks what I’m up to.

If I didn’t have something to write, I think I would go bonkers.

An excerpt from “If Only” – a work in progress

Investigation of crimes doesn’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.

At one stage the police thought I had murdered my own wife though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective First Grade Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbors reckon there were heated discussions the day before.

Routine was the word she used.

Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last I saw of Gabrielle.

The shock of finding Vanessa was more devastating than the fact she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months I was barely functioning, to the extent I had all but lost my job, and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy.  Her story varied only in she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened become our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then, we saw each about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realize that all she had was her work, personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt, about whether or not I could trust her to tell me what the message meant.

I reached for the phone then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

If I only had one day to stop over in – Barcelona – what would I do?

One Day in Barcelona? The One Spot That Will Make It Unforgettable

If you’ve only got a single day to soak up the magic of Barcelona, there’s no better way to turn a quick stopover into a memory that lasts a lifetime than to spend it at the Sagrada Familia.

The towering spires, the kaleidoscopic light that dances through stained glass, and the sheer audacity of Antoni Gaudí’s masterpiece make this basilica the ultimate “must‑see” for any traveller pressed for time. Below, I’ll walk you through why the Sagrada Familia deserves top billing, how to experience it efficiently, and what you can squeeze in around it so your twelve‑hour layover feels like a full‑blown Barcelona adventure.


Why the Sagrada Familia Wins the One‑Place Vote

FactorWhat It Means for a One‑Day Visitor
Iconic statusRecognisable worldwide, a single photo here instantly says “I’ve been to Barcelona.”
Architectural wonderGaudí’s evolving vision combines Gothic verticality with natural forms—an immersive lesson in art, engineering, and spirituality.
Compact yet completeYou can explore the interior, the crypt, and the towers in 2–3 hours, leaving plenty of time for a bite and a stroll.
AccessibilityCentral location (Eixample district) is on the main metro line (L2, L5) and a short walk from the city’s bus network.
Year‑round appealNo seasonal closures; the light inside changes dramatically with the sun, giving you a fresh experience any day you visit.

In short: it’s the perfect blend of visual impact, cultural depth, and logistical convenience for a traveller with a clock ticking.


Making the Most of Your Visit

1. Book Your Ticket Ahead of Time

  • Online reservation: Purchase a timed‑entry ticket on the official site (or a reputable reseller) at least 24 hours in advance.
  • Choose the “Tower + Audio Guide” upgrade if you want panoramic city views and a deeper narrative (extra €15–€20).
  • Arrive 10‑15 minutes early; security is brisk, but the basilica fills up fast, especially in summer.

2. Timing Is Everything

  • Morning slot (9:30 am‑11:30 am): Sunlight streams through the Nativity façade, highlighting the intricate stonework.
  • Mid‑day slot (12:30 pm‑2:30 pm): The interior glows with a warm, diffused light—perfect for photography.
  • Late afternoon (4:30 pm‑6:30 pm): The Passion façade faces the setting sun, casting dramatic shadows.

If your flight lands early in the morning, aim for the 9:30 am slot; if you arrive later, the 4:30 pm slot gives you a chance to explore a bit of the city first.

3. Navigate the Space Efficiently

  1. Entry Hall – Quick video intro (3 min) runs on the screen; pay attention for a concise overview of Gaudí’s vision.
  2. Main Nave – Follow the audio guide’s highlighted points: the column forest, the ceiling’s ribbed “cocoon,” and the stained‑glass windows.
  3. Crypt & Museum – Spend 20 minutes here; the crypt holds Gaudí’s tomb, and the museum explains the construction timeline.
  4. Towers – If you opted for the tower experience, the lift ride (about 5 min) ends with a 360° panorama that includes the Mediterranean, Montjuïc, and the city grid—a perfect final shot for your travel diary.

Quick “Around the Basilica” Itinerary

You’ll have roughly 5‑6 hours left after the Sagrada Familia. Here’s a streamlined loop that maximises flavour, fun, and photogenic moments without straying far.

TimeActivityReason
12:30 pmTapas on Carrer de Mallorca (e.g., Bar Mut or Cerveseria Catalana)A short 5‑minute walk; try “patatas bravas,” “jamón ibérico,” and a glass of cava.
1:30 pmPasseig de Gràcia stroll – admire Casa Batlló & La Pedrera (exteriors)You get a second Gaudí glimpse without buying extra tickets; perfect for quick photos.
2:15 pmMetro to Plaça Catalunya (L2 to Passeig de Gràcia, then L1)Central hub for a short walk to the next highlight.
2:30 pmLa Rambla & Boqueria Market – a sensory sprint10‑minute walk; sample a fresh fruit juice or a quick jamón bite.
3:15 pmGothic Quarter (Barri Gòtic) – snap the Cathedral façade, narrow alleys, and Roman wallsA 20‑minute walk from La Rambla; you can wander until your next transport.
4:00 pmHead back to the airport – Metro L3 from Liceu to Zona Universitària, then transfer to the Aerobus (A1) or direct train (R2 Nord)Gives you ~45‑60 min buffer for security and boarding.

Adjust the times according to your flight schedule; the whole loop can be trimmed to a “quick bite + photo sprint” if you’re pressed for minutes.


Insider Tips for a Smooth Stopover

  1. Carry a lightweight, waterproof backpack – You’ll need space for a water bottle, a portable charger, and a small umbrella (Barcelona’s micro‑showers love to appear unexpectedly).
  2. Download the Sagrada Familia app – It syncs with your ticket QR code, offers an offline audio guide, and shows real‑time tower wait times.
  3. Speak “Catalan” greetings – A friendly “Bon dia!” (good morning) earns smiles from locals and staff alike.
  4. Avoid the “free ticket” scams – Only buy from the official website or authorised vendors; the price is consistent (€26‑€32 for basic entry).
  5. Take a moment to just look up – The basilica’s interior is designed to make you feel small and infinite simultaneously; a few silent seconds are worth the crowded schedule.

Wrap‑Up: The One‑Place Rule for One‑Day Travellers

When a city as vibrant as Barcelona squeezes into a single day, the temptation is to hop from museum to market to beach. Yet the true essence of Barcelona lives in a single, unforgettable structure that ties together its spiritual past, avant‑garde art, and bustling present—the Sagrada Familia.

A brief but intentional visit gives you:

  • Instant visual identity (those spires are instantly recognisable worldwide)
  • A deep cultural touchpoint (Gaudí’s philosophy of nature and faith)
  • A logistical hub (central, well‑served by public transport)

Add a quick tapas stop, a dash of modernist architecture on Passeig de Gràcia, and a stroll through the Gothic Quarter, and you’ll leave Barcelona feeling like you’ve truly lived the city—even if the clock says you’ve only been there for a day.

So next time you find yourself with a 24‑hour layover, remember: a single visit to the Sagrada Familia converts a fleeting stopover into a lifelong story.


Happy travels, and may your Barcelona day be as unforgettable as the basilica’s soaring towers!