Category: #amwriting

365 Days of writing, 2026 – 135

Day 135 – Win the right contests

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The Starving Artist Myth: Why You Should Chase Paychecks, Not Just Prestige

In the writing community, there’s a persistent, romanticised image of the “struggling artist.” We’re told that if we just sacrifice enough comfort—if we skip enough meals and keep our bank accounts sufficiently drained—we will somehow be more “authentic.”

But let’s be real for a second: You cannot write a masterpiece on an empty stomach.

If you are looking to build a sustainable writing career, you need to be strategic about where you invest your energy. When it comes to writing contests and submission calls, it’s time to stop chasing prestige and start prioritising your survival.

The Problem with “Prestige”

There is no denying the allure of a prestigious award. Seeing a fancy logo next to your name or receiving a pat on the back from a renowned institution feels incredible. It validates your talent and strokes your ego.

But here is the hard truth: Prestige does not pay the rent.

When you spend your limited writing time crafting pieces specifically to chase awards that offer nothing but a digital badge or a line on your resume, you are essentially working for free. Worse, you are trading the precious hours you could be spending on your long-form projects for a fleeting moment of hollow validation.

Why You Need to Prioritise the Prize

Writing is work. It is intellectual labour, and like any other form of labour, it deserves compensation.

When you seek out contests with cash prizes, you aren’t being “sell-out.” You are being a professional. That prize money serves a dual purpose:

  1. It keeps you fed: You need electricity, internet, and groceries to keep the creative engine running.
  2. It buys you time: If you can win a prize that covers a month’s worth of expenses, that is one month you don’t have to spend at a soul-sucking day job. It’s one month where you can focus entirely on that novel—the one that lives in your head and needs your undivided attention to finally make it onto the page.

The “Later” Philosophy

Don’t get me wrong—prestige has its place. But that place is later.

Once you have established your footing, once you have mastered your craft, and once you have a body of work that has been funded by the very industry you are trying to enter, then you can afford the luxury of chasing accolades.

But right now? Right now, you are building your foundation. You are cultivating the experiences, the discipline, and the financial stability required to produce your best work. You cannot reach the peak of the mountain if you are too malnourished to climb the first few hundred feet.

How to Strategise Your Submissions

Next time you find yourself browsing Submittable or a contest directory, try applying these three rules:

  • The Bottom Line: Does this contest offer a cash prize that would meaningfully impact my life or support my writing time? If the answer is no, skip it.
  • The Time-to-Value Ratio: If the entry fee is high and the prize is obscure prestige, save your money. Invest that entry fee into a book on craft or a subscription to a platform that actually helps your writing process.
  • The Novel Priority: Is this contest helping you build toward your larger goal (your novel), or is it a distraction? If it doesn’t align with your long-term creative vision, don’t let it siphon your energy.

Final Thoughts

Your voice is valuable, and your time is a finite resource. Treat your writing like the profession it is. Stop waiting for the world to notice you through a gold-leafed certificate and start focusing on the work that sustains your life.

Feed yourself first. The masterpiece will come, but it will come when you are strong enough to carry it to the finish line.

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Skeletons in the closet, and doppelgangers

A story called “Mistaken Identity”

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How many of us have skeletons in the closet that we know nothing about? The skeletons we know about generally stay there, but those we do not, well, they have a habit of coming out of left field when we least expect them.

In this case, when you see your photo on a TV screen with the accompanying text that says you are wanted by every law enforcement agency in Europe, you’re in a state of shock, only to be compounded by those same police, armed and menacing, kicking the door down.

I’d been thinking about this premise for a while after I discovered my mother had a boyfriend before she married my father, a boyfriend who was, by all accounts, the man who was the love of her life.

Then, in terms of coming up with an idea for a story, what if she had a child by him that we didn’t know about, which might mean I had a half-brother or sister I knew nothing about. It’s not an uncommon occurrence from what I’ve been researching.

There are many ways of putting a spin on this story.

Then, in the back of my mind, I remembered a story an acquaintance at work was once telling us over morning tea, that a friend of a friend had a mother who had a twin sister and that each of the sisters had a son by the same father, without each knowing of the father’s actions, both growing up without the other having any knowledge of their half brother, only to meet by accident on the other side of the world.

It was an encounter that in the scheme of things might never have happened, and each would have remained oblivious of the other.

For one sister, the relationship was over before she discovered she was pregnant, and therefore had not told the man he was a father. It was no surprise the relationship foundered when she discovered he was also having a relationship with her sister, a discovery that caused her to cut all ties with both of them and never speak to either from that day.

It’s a story with more twists and turns than a country lane!

And a great idea for a story.

That story is called ‘Mistaken Identity’.

The cinema of my dreams – I never wanted to go to Africa – Episode 26

Our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because of the enemy, if it was the enemy, simply because it didn’t look or sound or act like the enemy.

Now, it appears, his problems stem from another operation he participated in.

 

I could truthfully say I was blinded by the light.  Whoever my next visitor was, came in and turned on the lights just about blinding me after the ethereal darkness I’d been in for several hours.

Of course, it had to be Lallo.

“I trust you had an uneventful journey and got plenty of rest.”  He seemed to be in what might be called a jovial mood.

Perhaps they were going to let him use his instruments of torture on me now we had arrived.  I was sure that the Geneva Convention, if we were still a signatory to it, was left outside the door to this building.

“Well enough.  Whose idea was it to put me in casts and make me think I had been severely injured?”

“I doubt that would be of interest to you now.  Just be thankful it wasn’t purposely done to you.  I had been an option, but Colonel Bamfield apparently has you in mind for a job he needs doing, so we opted for subterfuge.  You can thank us later.”

Or not at all.  I was right.  Bamfield, or they, whoever they were, needed me alive.  And in one piece.  I was not sure I liked the sound of that.

“More questions?”

“No, not at the moment.  I’m going to have a chat to the source, you remember me telling you we were bringing him over with us.  He was not so lucky as you, as you’ll soon discover.  I want you to sit in on the session, I want you to listen and assess what you think about what he tells us.”

“In what capacity?”

“Just listen.  I’m told that you have conducted a few interrogations, and have a sense about the target, whether they’re lying or telling the truth.  We won’t be using force initially, so let’s hope he opts to tell the truth.”

So did I.  The last thing I wanted to see was a messy interrogation. Those I’d been on were relatively simple.  A man at the end of a gun usually told the truth or felt a great deal of pain and suffering if he didn’t.

It had never been my favourite job, which is why I’d not done very many, and I had hoped I’d never see Lallo at his worst.  Perhaps, then, that was the point of this exercise.  They were not finished with me, so he’d make an example out of someone else, letting me know the extent to which he would go, thus making me more co-operative.

A bit pointless, really, because I didn’t know very much.  Maybe the Colonel forgot to tell him that.

“There are clothes in the cupboard over there,” he nodded towards the corner of the room where there were two doors.  One I figured was the bathroom.  “Clean yourself up, get dressed, and let Monroe know when you’re ready.  Oh, and take it easy for the first few minutes, the serum we gave you tends to make your legs turn to jelly when you first try to stand up.  It’ll pass.  Just be careful.”

 

© Charles Heath 2019

The Cinema of My Dreams – It ended in Sorrento – Episode 48

An extra passenger

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I was literally waiting for her to tell me she hadn’t anything to wear for our little trip, but instead said she would need to take a few things.  She added, in the same breath, that she would tell her bosses whatever they needed to hear.

I didn’t think that included that I’d take a shine to her.  I don’t think she quite knew what that meant.  At any rate, she had to go home, and I had to head to the car, and on the way, call Cecelia.

She wasn’t going to believe half of what I had to tell her.

I gave her the address of the parking garage and told her I would see her there in two hours.  I seriously doubted I would see her again.

Back on the train, I called Cecelia.  She answered straight away but with a noncommittal “Yes?”  Perhaps she was guarding against the phone falling into the wrong hands.  Hers and two others were the only numbers on speed dial.

“It’s me.”  I didn’t qualify ‘me’ she would know.

“Where are you?”

“Just leaving Rome after seeing the countess’s solicitor.”

“Did you get a voice recording from Rodby?”

“Yes.”

“Are you suitably surprised?”

“That we only get half, or in this case, a quarter of the story.  I didn’t see that coming, though I had an inkling that Martha wasn’t Martha, but then I wouldn’t recognise my mother some days.”

“Who’s that woman pretending to be the countess?”

“Anyone’s guess.  Did you get them into the hotel?”

“And left them to it.  I’ve been at the Sorrento mansion, waiting for the old lady.  The two boys are here, Alessandro and Fabio.”

“Given what we know about the fake Countess, you might want to stay away until I get there.  I’m not sure where Vittoria and Juliet fit into the puzzle yet, or whether the fake Countess is keeping them nearby for other reasons, but I’m sure the two of them can take care of themselves.”

As for the information the solicitor gave me, I would save that until I saw her.

“Just one other wrinkle, I picked up some surveillance, and now I have one of their team with me.  She’ll be coming to Sorrento.  I believe she’s working for a PI who’s working for the Burkehardt’s who want to know where the countess is.  They would want to know before the sealing of the inheritance, so extra eyes and ears might be useful.”

“She could be trouble.”

“Which I’m sure you’ll deal with like I will.  I’ll be there in three to four hours.  Have we got another hotel?  I don’t fancy staying with the others?”

“Yes.  I text you the name.  Take care.”

I waited in the café near the parking garage, and three minutes before the two hours were up I saw her getting out of a taxi, and leaning in to talk to someone who had accompanied her.

A husband, or a boss?

The taxi drove off and she looked around, then saw me sitting at the table on the street.  Not the safest place to be, but needs must.

I waited until she sat down and called the waiter over to order her coffee.

“Your supervisor in the car?”

“He insisted on coming with me.  I told him the truth, rather than what you said, and he wasn’t pleased.  However, at that moment, he said, our interests are aligned, so I would be better off staying with you.  At least then if you find the countess, so will we.

“Did you bring a gun?”

“What.  Wait.  Why would I?  A gun?”

She didn’t answer the question, so it was likely the boss just gave her one.  I wasn’t going to search her handbag right then, but maybe later.  It also raised a small red flag in my head, what if she was more than just a ‘pretty face’?

I shrugged.  “If you have, remember don’t point it at me.  I tend to get a little annoyed at people who do stupid things like that, with very bad consequences.  For them.  I hope you like 80s rock.  if you don’t then you only have to endure it for about three hours.”

She smiled wanly.  “I’d rather not be going, but we don’t always get what we want.”

© Charles Heath 2023

The 2am Rant: Will it be time to get on the plane yet?

What I wanted to say is the world is going to hell in a handbasket, but the truth is, it’s probably just me.

If it’s possible and seeing it’s the only time we can go away, as we live in the southern hemisphere, it seems logical to go north.

OK, that’s probably not as rational as it sounded in my head a few seconds ago, because where we’re planning to go it’s about minus 16 degrees.

Where on earth could it be that cold, other than the North Pole?  Lake Louise.  Canada.  Somewhere up in those snow-peaked mountains.

Why do we want to go there?

Because it’s there.  Because we have been there before, and it literally took our breath away (notwithstanding the severe cold).  And no doubt after we’ve been there in the dead of winter, we might have decided we won’t want to go back?  Who knows.

But…

Oh, yes, there’s a but…

I need some good background for a story I’m writing, and if you’re going to do the winter thing, or the white Christmas thing, when your Christmases are usually 40 degrees Celsius in the shade, then Canada is the place to do it.

Aside from the fact, we might run into Detective Murdoch (from Murdoch Mysteries) in Toronto, and, definitely, the Maple Leafs, yes, I can see myself saying ‘go leafs go’, whilst sipping on a large glass of Molsen beer.

Then, perhaps we’ll go to New York for a week.  Perhaps everything will be back to normal, but maybe not.  Hopefully, there will be snow in Central Park, or, if not, the squirrels, and if not them, perhaps a movie star or two walking their dog.

One can always hope.

What I learned about writing – Could you write a fantasy story to avoid getting too serious

For years, people used to tell me I was living in my own fantasy land.

What amazed me was that they could see into my mind that I wanted to be a knight in shining armour, a superhero, a billionaire who wanted for nothing, and a spy who beat the bad guys and won over the girl.

Of course, none of this could ever happen in reality, only in my imagination.

With the arrival of three grandchildren and being asked to take up child-minding, came the time to read them stories before they went to bed.

I used to think that the violence that was within those stories would keep any sane person up all night, but I was quick to realise that any sort of cartoon or fantasy story always carried an indecent level of violence.

Perhaps from a young age, we are supposed to be taught that good triumphs over evil and the bad guys always come off second best.

However….

After reading a lot of fairy tales to the girls, I thought to myself I could do better and decided to write my own.

A snotty, egotistical princess is about to be married off to the prince in the kingdom next door, and he isn’t very nice.  The thing is, no one likes her, and everyone is glad she’s going away to be with her prince.

She’s been betrothed since they were children, and that notion she could marry for love was dashed many years before.

But…

There’s a legend that comes once in a millennium called ‘the conflagration’, where the firstborn eldest daughter from one of the kingdoms in the realm is selected to become ‘the saviour’, who has to go on a quest to find the twelve pieces of the tablet needed to restore peace and order.

It just happens that after the invasion of her kingdom by another, that of her prince, soon to be husband, the conflagration begins. Her ‘knight in shining armour’ comes to collect her, only it is not marriage he has in mind.

Her father’s trusted Master-at-Arms is sent to save her from the prince and take her on the quest, sent to him in his dreams. The problem is, the king believes the Gods have made a mistake, but trusts his personal knight to guide her in her role.

Of course, the knight doesn’t believe she will get past the first task. For that reason, he doesn’t tell her the real reason why they are heading into the Kingdom of Magic. Not until it’s time to find the first artefact.

There are twelve to find, and by the time she locates the last piece of the puzzle, she transforms from the whiny, self-indulgent brat into a fearless leader.

Everything a saviour needed to be.

By the time the first draft was finished, it was 1,100 pages of the story called The Enchanted Horse.

Well, Mr Disney, I’ve just created your next Disney Princess, The Princess Marigold!

365 Days of writing, 2026 – 134

Day 134 – Getting there is important too

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The Art of the Detour: Why the Journey Really Is the Destination

We are obsessed with “arriving.”

In our modern, high-speed lives, we treat travel like a logistical problem to be solved. We optimise for the shortest flight, the fastest highway route, and the most direct train line. We view the time spent in transit as a tax—a boring, uncomfortable middle-ground that we must pay in order to unlock the reward of our destination.

But what if we’ve got it backward? What if the destination is merely the period at the end of a long sentence’s worth of experience?

There is a profound, often overlooked truth in the adage: The journey is the destination. When we prioritise the “getting there,” travel shifts from a task into an art form. Here is why the road, the tracks, and the sky are often more important than the hotel lobby at the finish line.

The Myth of Through-Hiking Life

When we focus solely on the arrival, we live in a state of suspended animation. We are waiting for the vacation to start, waiting for the weekend to hit, waiting for the “real” life to begin.

When you prioritise the journey, however, you reclaim your time. You stop looking at your watch and start looking out the window. Whether it’s a winding coastal road in Italy or a cross-country Amtrak adventure, the journey forces a state of “positive boredom.” It clears the clutter of our digital lives, stripping away the emails and the notifications, leaving us with nothing but the rhythm of the movement and our own thoughts.

Serendipity Lives in the In-Between

The most memorable moments of travel rarely happen at the planned tourist attractions. They happen in the “in-between.”

Think about it: have you ever had a life-changing conversation with a stranger on a plane? Stumbled upon a roadside diner that serves the best pie you’ve ever tasted? Found a quiet, nameless overlook while your GPS recalculated a missed turn?

These moments are the dividends of a slow journey. When you take the long way, you invite the universe to surprise you. The “in-between” is where serendipity lives. A direct flight to Paris gets you to a croissant faster, but a slow train ride across the countryside introduces you to the landscape, the architecture, and the people that make Paris what it is.

The Psychology of Transition

There is a psychological necessity to the process. If you want to change your mindset, you need a buffer zone.

Travelling acts as a psychological decompression chamber. The time spent sitting in a car, train, or boat allows your brain to shift gears. You are physically detaching from the stresses of your home life and mentally preparing for the expansion of travel. If you teleported instantly to your destination, you’d likely arrive with your “home” brain still plugged in. The journey forces a transition, ensuring that by the time you arrive, you are actually ready to receive the experience.

How to Shift Your Focus

If you’ve spent your life rushing, how do you learn to savour the transit?

  • Ditch the “Most Efficient” Option: Next time you’re booking a trip, ask yourself, “Which way would be the most interesting?” instead of “Which way is the cheapest/fastest?”
  • Embrace Surface Travel: Whenever possible, choose trains over planes, or a scenic highway over an interstate. The lower your speed, the more world you get to see.
  • Build in “Gap Days”: Schedule a day of transit that has no deadline. If you get into a town at 2:00 PM, let that be the goal. If you see a beautiful village at 10:00 AM, stop for a few hours.
  • Curate Your Transit: Treat the journey as an activity. Bring the book you’ve been dying to read, the playlist you’ve been saving, or a journal to document the passing landscapes.

The Final Stop

The destination will always be there. The Eiffel Tower isn’t going anywhere; the beach will still be sand when you arrive. But the experience of the trip—the changing quality of light on the horizon, the shifting accents of the people at the rest stop, the feeling of crossing a border or a time zone—that is a fleeting, ephemeral moment that happens once.

Don’t just endure the trip. Experience it. Because when you look back on your life, you won’t remember the check-in time at your hotel. You’ll remember the way the sun hit the road, the songs you sang with the windows down, and the winding, dusty, beautiful path that led you exactly where you needed to be.

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Searching for locations: The Maglev (Magnetic Levitation) Train, Shanghai, China

So, the first treat for the day is the high-speed magnetic train, something we only learned about after arriving in China and was not on any of the pre-tour documentation.

The train line connects Shanghai Pudong International Airport and Longyang Road Station (in the outskirts of central Pudong).  It is the oldest commercial maglev still in operation, and the first commercial high-speed maglev with cruising speed of 431 km/h (268 mph).  At full speed, the journey takes 7 minutes and 20 seconds to complete the distance of about 30 km.

Construction of the line began on March 1, 2001 and public services commenced on 1 January 2004.  It was built by a joint venture of Siemens and ThyssenKrupp from Kassel, Germany.

But, like visiting anything from a hotel, first we have to drive to the station and because we are leaving at 8, its peak hour traffic, and it takes 1 hour 10 minutes to get there.

The train also has a practical use and that is to take passengers from Shanghai to Pudong international airport as well as for those train enthusiasts, which is what we are.

On the train, it has the same sleek look as the bullet trains, but it is completely different, and you are able to see from the front of the train to the back.

Reputed to travel at 431 kph we take a seat and it is not long before the doors shut, and a loud humming noise is soon replaced by what sounds like an engine, then we start moving.  It sounds just like a normal train, and is a lot noisier than a normal bullet train.

Seating on the train was nothing special, as one might expect

It didn’t take long before it hits the advertised speed of 431 kph.  This is not sustained for very long, because the distance is on 40 odd kilometers, and the whole trip takes about 7 minutes.

We go to the airport, and then we come back.  Is it worth the price, yes.  If you are a train enthusiast.

In a word: Bar

There’s more than one way … er, perhaps it’s better to say, there are many ways to use the word bar, which is not bad for a three-letter word.

Bar, the one you associate with drinks, in hotels, restaurants and we’ll, just bars.

Probably the best type of bar you might find me in is a Sports Bar, where you can snack on buffalo wings a tall glass of beer and watch with ice hockey in winter or baseball in summer.

It’s one I use from time to time when asked, what will we do, and the reply is often let’s go to a bar.  The best bars are underground, dark and dingy, full of eclectic people, with a band playing almost passable music or better still jazz

Bar, as in the legal variety

There are so many legal references to using bar, that the one that I am most familiar with is being admitted to the bar which means that you can now practice law.

Raising the bar, if that’s possible, where the bar is that imaginary level which offers sinks very low.  When someone says they’re going to try and raise the bar, you may be assured there will be a long battle ahead, simply because people generally find it hard to change.

Bar, as in we are not going to let you in here.  Yes, this is the irksome one where you find yourself, often for reasons unknown, barred from somewhere or something.  This may also be referred to by saying everyone may enter bar you.  

Bar, as in an iron bar, the sort that is sometimes used as a blunt force object by villains to remind the victim they owe any one of a loan shark, bookie or the mafia.  God help you if it is all three.

There are also iron bars of a different sort, those that are set in concrete outside a window most likely in a prison where the objective is to prevent escape.

It gives rise to an old expression, that person should be behind bars.

Then there is just a bar, such as a bar of gold, which I’m sure we’d all like to have stashed away, but not necessarily in the mattress, or the more common variety, a chocolate bar, which I have one now.  What’s your favorite?

And just to add to the list of meanings you can always refer to sashes or stripes as bars.

Confused?  Well, there’s still music, and the bane of yachtsmen, sand bars but I think we’ll leave it there.

Welcome to the English language

“The Devil You Don’t”, she was the girl you would not take home to your mother!

Now only $0.99 at https://amzn.to/2Xyh1ow

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John Pennington’s life is in the doldrums. Looking for new opportunities, and prevaricating about getting married, the only joy on the horizon was an upcoming visit to his grandmother in Sorrento, Italy.

Suddenly he is left at the check-in counter with a message on his phone telling him the marriage is off, and the relationship is over.

If only he hadn’t promised a friend he would do a favour for him in Rome.

At the first stop, Geneva, he has a chance encounter with Zoe, an intriguing woman who captures his imagination from the moment she boards the Savoire, and his life ventures into uncharted territory in more ways than one.

That ‘favour’ for his friend suddenly becomes a life-changing event, and when Zoe, the woman who he knows is too good to be true, reappears, danger and death follow.

Shot at, lied to, seduced, and drawn into a world where nothing is what it seems, John is dragged into an adrenaline-charged undertaking, where he may have been wiser to stay with the ‘devil you know’ rather than opt for the ‘devil you don’t’.

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