Category: #amwriting

Searching for locations: The Bund, Shanghai, China

The Bund

The architecture along the Bund or Waitan is a living museum of the colonial history of the 1800s.  The area centers on a section of Zhongshan Road within the former Shanghai International Settlement.

The word bund means an embankment or an embanked quay.   It was initially a British settlement; later the British and American settlements were combined in the International Settlement.

The Bund is a mile-long stretch of waterfront promenade along the Huangpu River. There are 52 buildings of various architectural styles, including Gothic, baroque, and neoclassical styles. The area is often referred to as “the museum of buildings”.

Building styles include Romanesque Revival, Gothic Revival, Renaissance Revival, Baroque Revival, Neo-Classical or Beaux-Arts, as well as a number in Art Deco style.

Having seen these buildings initially the night before, mostly lit up, our viewing this morning was from the land side, and particularly interesting in that the colonial architecture was really fascinating considering their location, but not surprising given Shanghai’s history.  A lot of these buildings would be more at home in London, that out in the far east.

The Bund waterfront is about two kilometers long and impossible to cover in the time allowed for this part of the tour.

There was just enough time to get photos of the waterfront and the old buildings.

Some of these buildings had odd shapes, like one on the far right that looks like a bottle opener.

And, for some odd reason, a bull.

On the other side of the water, the sights that had been quite colorful the night before, were equally impressive though somewhat diminished by the haze.

“What Sets Us Apart”, a mystery with a twist

David is a man troubled by a past he is trying to forget.

Susan is rebelling against a life of privilege and an exasperated mother who holds a secret that will determine her daughter’s destiny.

They are two people brought together by chance. Or was it?

When Susan discovers her mother’s secret, she goes in search of the truth that has been hidden from her since the day she was born.

When David realizes her absence is more than the usual cooling off after another heated argument, he finds himself being slowly drawn back into his former world of deceit and lies.

Then, back with his former employers, David quickly discovers nothing is what it seems as he embarks on a dangerous mission to find Susan before he loses her forever.

Find the kindle version on Amazon here:  http://amzn.to/2Eryfth

whatsetscover

Writing a book in 365 days – My Story 27

More about my story – The story within the story

…

Scattered throughout the main story are the threads that are picked up at the end and cover betrayal.

Betrayal is always a possibility, and sometimes an inevitability in being a spy.  This story is no exception, and the betrayal comes from within.

There are many types of betrayal, that someone knows your secret and tells the people whom you are spying on.

That someone is informed beforehand that you are coming to them and why, and your cover is blown before you get started, and/or

You are the victim of an internecine war between heads of intelligence services that are in competition with each other for results and, therefore, funding.

Or, perhaps, it’s just two old men, one jealous and the other trying to get work done while the jealous one goes about sabotaging his best efforts.

That wouldn’t be so bad except it’s not the bosses who pay the ultimate price.  It’s the agents on the ground.

The question then has to be why?

Politics?

It has a good deal of say in most matters because governments are run by political parties and politicians.  First rule: politicians generally have no idea how to run the departments they are responsible for.  Spies do not get to run intelligence agencies, by and large. 

Perhaps the spies might be the administrators, or private sector heads of departments, but they generally have to do as they are told.

Except what if they defy the minister?

And would the minister know, and if he did, would he tell anyone fo fear of losing that portfolio?

Tricky question.

And for our agent in the field?

He has absolutely no idea what’s going on behind closed doors, just that some of the chess pieces have been rearranged, and he only knows this when a group of bad agents come to kill him.

Well, sabotage the mission and nearly kill him.

Damn!

“The Things We Do For Love”

Would you give up everything to be with the one you love?

…

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, a place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, s place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

In a word: Bore, or is that boar

I’ve had the ubiquitous pleasure of being called one, and that is, a bore.

Probably because I spend so much time telling people about the joys and woes of being a writer.

You can be a tedious bore, cooking could be a bore, and then you could bore someone to death, and then you will bore the responsibility of, yes, doing just that.

Would it be murder or manslaughter?

But, of course, there are other meanings of the word, such as, on my farm I have a bore.

No, we’re not talking about the farmhand, but where artesian water is brought to the surface, in what would otherwise be very arid land.

Or, could be the size of a drill hole, and in a specific instance the measurement of the circular space that piston goes up and down.  And if you increase the size of the bore, the more powerful the engine.

Or it could refer to the size of a gun barrel, for all of you who are crime fiction writers.

But, let’s not after all of that, confuse it with another interpretation of the word, boar, which is basically a male pig.

It could also just as easily describe certain men.

Then there is another interpretation, boor, which is an extremely rude person, or a peasant, a country bumpkin or a yokel.

I’ve only seen the latter in old American movies.

There is one more, rather obscure interpretation, and that is boer, which is a Dutch South African, who at the turn of the last century found themselves embroiled in a war with the British.

“One Last Look”, nothing is what it seems

A single event can have enormous consequences.

A single event driven by fate, after Ben told his wife Charlotte he would be late home one night, he left early, and by chance discovers his wife having dinner in their favourite restaurant with another man.

A single event where it could be said Ben was in the wrong place at the wrong time.

Who was this man? Why was she having dinner with him?

A simple truth to explain the single event was all Ben required. Instead, Charlotte told him a lie.

A single event that forces Ben to question everything he thought he knew about his wife, and the people who are around her.

After a near-death experience and forced retirement into a world he is unfamiliar with, Ben finds himself once again drawn back into that life of lies, violence, and intrigue.

From London to a small village in Tuscany, little by little Ben discovers who the woman he married is, and the real reason why fate had brought them together.

It is available on Amazon here:  http://amzn.to/2CqUBcz

That notion that I could be organised…

Well, toss that baby out with the bathwater.

It’s something that I have never been able to get a handle on, and I seem to stagger from one day to the next without getting anything done.  I guess I’m one of those freeform sorts of people and I guess it goes with the star sign, Gemini.

Over the years many people tried, some with limited success, others completely failing.

I’ve created outlines and created chapters as sections, and scenes within chapters, as best I could.   Once upon a time, I used to teach Microsoft Project, and having this application on hand, I used this to create a timeline, using ‘slack’ time to make up for my inability to keep to a schedule.

This is like taking a sledgehammer to a tack.

Just the time to set it up took longer than it would to just sit down and write the blasted novel.

But, I’m a fly by the seat of my pants writer.  The book starts, often with a start and a finish, and the rest fills itself in, not necessarily in the order of final events.  Of course, this means some backwards revision from time to time, but I get there in the end.

Perhaps a little longer than it should but at least I don’t get halfway and suddenly decide on going in a different direction because I’ve suddenly got writers’ block.  That doesn’t happen.  It usually plays out as the start of another story, and then I mull over the changes necessary to get the original story back on track.

Yes, I’ve been to those time management courses with the books and diaries to seem to want you to time manage your life.  it works to a certain extent, but you live your like inside another type of book.

Nor do I work well with deadlines.

But oddly enough most of the jobs I’ve had over the years have involved time management of one sort or another and I have survived.

Now, in retirement, I really need something to organize my days so something gets done.  As a writer allocating 12 midnight to 2am for writing doesn’t seem to be a good idea.

Unfortunately, it is the best time for me to write.

Anyone else out there with the same problem, and if so what was your answer to getting stuff done?

The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 90

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new instalment of an old feature, and we’re back on the treasure hunt.

…

Mrs Boggs has a gun and will use it

…

The sheriff was looking at me.

“Don’t you have a negotiator?”

“Tried.  We have fifteen minutes before she starts shooting them.”

“Given the circumstances, surely there is a more simple solution.”

“She’s not in a position where we could neutralize the problem.”

I could see the scene in my mind.  Benderby’s passion for privacy was going to be his undoing.

“Why me?”

“She wants the truth about her son’s death.”

“I wasn’t there when he was killed.”

“You were when they confessed.”

“So were you?”

“The recording was inadmissible evidence, a confession gained under duress.”

“Then it doesn’t matter what I say, the same argument applies.”

“Just tell her what she wants to hear and get the gun.  We’ll take care of the rest.”

“And if she shoots Sam in the process?”  Finally, my mother decided to speak.

“I don’t think she will, but we will take precautions.”

“I’m not going to change her mind, but if it saves her life, I’ll try.”

I didn’t see how the bulletproof vest was going to help if her aim was off, a very genuine possibility.  It made me feel like I was overweight, and it restricted movement.

A large crowd had formed outside the venue, and it was hard to tell what they were thinking, other than this was yet another random act of gun violence.

The deputies cleared a path, and we went into the large room that was usually full of diners.  People within a six-table radius had moved away, leaving Benderby, and Alex, sitting somewhat stultified, glancing in the direction where Elsie Boggs was.

She was not visible from where we were standing, yet it appeared she could see us.

“That’s far enough, Sheriff.  Just send Sam here, and back off.

As the sheriff backed away, I walked slowly towards the table where I could now clearly see Benderby and Alex, and then I felt a shiver.  His first wife, rarely seen in public, and daughter, Alex’s younger sister were also at the table.  She had left him long before Benderby had embarked on his questionable ventures.

Wrong place, wrong time, and possible collateral damage.

I stopped about fifteen feet from both Elsie Boggs and the Benderby’s.   The two women were visibly terrified.

Elsie Boggs said nothing, which surprised me after asking for me.

“If you want justice for your son, this is not going to achieve it.  At least consider letting some of these people leave.  They have nothing to do with this.”

“No.  They’re witnesses.”

“To what exactly?”

“Alex’s confession.”

“It isn’t a confession if it’s under duress.  It won’t be admissible in a court of law, and you know as well as I do that Alex would confess to anything if he believed it would save himself.”

“It’s not him he’s going to save.”

I heard once the effective range of a handgun was about twenty feet, and in the hands of an amateur far less.  I was not sure if Mrs. Boggs knew how to use it, but she was certainly holding it steady, using both hands, like I’d seen on TV.

I suspect the weapon was Rico’s, because Boggs had shown me a gun he had found hidden away in the closet in the spare bedroom where Rico had been staying before being arrested.

I remembered it had a safety lock, but I couldn’t see it from where I was standing.

But the threat was real, she was aiming the gun at Alex’s sister.  That was not going to help her case when this was over.  It also brought into focus her state of mind, which was more than likely all over the place after losing her son.

I had to try, and talk her out of this course of action.

“This is not the way to get things done.  It’s a matter for the police, and I’m sure they will investigate any claims you make.”

She shook her head.  “The sheriff is in Benderby’s pocket.  There will be no investigation.  Their minds are already made up.”

She was right of course, and without any real assurances the sheriff was going to do anything, regret seemed little point to stop her.

“Look…”

She raised the gun towards the roof, over the heads of the Benderby’s, and shot a round into the ornate plasterwork, breaking it and showering them with plaster dust and normal dust.

It caused three of them to cough.

Two distinct points were resolved at that moment, the safety was off, and she could shoot.  Would distance be the only factor?

“You’re running out of time, Alex.”

I saw a slight movement in what would have been her peripheral vision, more armed police moving into several more accessible places, one improving the firing line for a marksman to eliminate the problem.

Unfortunately, she saw it too, and shot another round in that direction, hitting a female police officer who was one of three with weapons drawn.

Mrs. Boggs situation just went from bad to worse.

“I told you all to leave,” she yelled, “so whatever happens now is on you.”

The other two officers had to hold their fire because returning fire might hit one of the Benderby’s.  I hadn’t realized until then that she had also positioned herself so the Benderby’s became shields.

And if she shot at me, she would have to take the Benderby’s out of her sights, which might give a quick-thinking, or quick moving officer a chance of a shot.

This was where I should come up with some calming words, but it was clear that the last foray by the sheriff’s people had rattled her.  The gun was getting more unsteady in her hands.

“Alex,” she said, a tinge of hysteria on her tone, and an edge that indicated time was running out for someone at that table, “You’ve got five seconds.”

Alex was not the bravest of souls, but, sitting at that table with his father, maybe he feared being a failure in front of him, than losing a sister.

He turned towards her, and said, “Go to hell.”

Five seconds later it was over.

Mrs. Boggs changed the target and shot Alex in the head, changed aim, and shot Benderby, and before either body hit the floor, three officers shot Mrs. Boggs. 

The moment Alex spoke his words, I dropped to the floor, only registering what had happened after the five shots, and watching Mrs. Boggs collapse to the floor.  No husband, no son, Rico in jail, she had nothing left to live for.

…

© Charles Heath 2020-2022

Memories of the conversations with my cat – 29

As some may be aware, but many are not, Chester, my faithful writing assistant, mouse catcher, and general pain in the neck, passed away some years ago.

Recently, I was running a series based on his adventures, under the title of Past Conversations with my cat.

For those who have not had the chance to read about all of his exploits, I will run the series again from Episode 1

These are the memories of our time together…

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This is Chester.  He thinks he has managed to slip away without anyone noticing.

He doesn’t realise that we put a special collar on him so that we can hear him coming.

It was supposed to save the birds, stopping him from sneaking up on them, but we don’t let him outside.

Like all cats who have a dash of bravado in them, they don’t realise cars are not meant to be chased, and they are faster than cats think they are.

Or so the last three cats we had thought.  Chester is benefiting from their mistakes.

Not that he can be told.

Still…

He knows it’s reading days, where I need an opinion, and I’m guessing he’s not in the mood.

That’s OK.  I need a change of scenery.  And the chance to improve my surveillance skills.

Maybe I can use that experience in the story.

 

 

Short story writing – don’t try this at home! – Part 2

This is not a treatise, but a tongue in cheek, discussion on how to write short stories. Suffice to say this is not the definitive way of doing it, just mine. It works for me – it might not work for you.

There are two methods of writing, planning, sometimes meticulous planning, or flying by the seat of your pants, or being called a ‘pantser’.

The first has it all planned out before they start writing, from beginning to end, knowing what the end result will be. The second, well, we like to write and see where it takes us.

I like to think I fly by the seat of my pants, you know, like the reader who takes up the story and starts reading, not having a clue where it’s going to go. I prefer that blissful ignorance, of course, until I run out of ideas, roughly the equivalent of hitting a brick wall

Or that common enemy all writers have, the dreaded ‘writers block’.

I’ve tried both methods.

Each work, but in the case of the ‘planner’, you need to know where it’s going to start what’s going to happen in the middle and have the end firmly planted in your mind.

Not much good if a rotten character is making you angry and you want to kill him off, and in the most excruciatingly painful manner.

Flying blind gives you a little more creativeness and be able to go around a corner and see what’s there. It also allows for those complete changes of direction you come up with in the shower, the place that is a fertile ground for new ideas just when you’re running out of them.

But it can sometimes play havoc with word counts and if you’re trying to fit into 2,000 words, 5,000 words, or a lot less, taking the story where it wants to go is not a good idea, and sadly, I tend to let stories run their course.

And sometimes I like the idea of writing three different endings, and then can’t choose which one I like the best.

So, role model I am not. I like writing, and when I’m in the ‘zone’ it’s like I’m in another world.

But then, isn’t that the case for all of us?

More unclarity tomorrow!