Category: #amwriting

The story behind the story – Echoes from the Past

The novel ‘Echoes from the Past’ started out as a short story I wrote about 30 years ago, titled ‘The Birthday’.

My idea was to take a normal person out of their comfort zone and led on a short but very frightening journey to a place where a surprise birthday party had been arranged.

Thus, the very large man with a scar and a red tie was created.

So was the friend with the limousine who worked as a pilot.

So were the two women, Wendy and Angelina, who were Flight Attendants that the pilot friend asked to join the conspiracy.

I was going to rework the short story, then about ten pages long, into something a little more.

And like all rewrites, especially those I have anything to do with, it turned into a novel.

There was motivation.  I had told some colleagues at the place where I worked at the time that I liked writing, and they wanted a sample.  I was going to give them the re-worked short story.  Instead, I gave them ‘Echoes from the past’

Originally, it was not set anywhere in particular.

But when considering a location, I had, at the time, recently been to New York in December, and visited Brooklyn and Queens, as well as a lot of New York itself.  We were there for New Year’s, and it was an experience I’ll never forget.

One evening, we were out late and finished up in Brooklyn Heights, near the waterfront, and there was rain and snow; it was cold and wet, and apartment buildings were shimmering in the street light, and I thought, “This is the place where my main character will live”.

It had a very spooky atmosphere, the sort where ghosts would not be unexpected.  I felt more than one shiver go up and down my spine in the few minutes I was there.

I had taken notes, as I always do, of everywhere we went, so I had a ready supply of locations I could use, changing the names in some cases.

Fifth Avenue near the Rockefeller Centre is amazing at first light, and late at night with the Seasonal decorations and lights.

The original main character was a shy man with few friends, hence not expecting the surprise party.  I enhanced that shyness into purposely lonely because of an issue from his past that leaves him always looking over his shoulder and ready to move on at the slightest hint of trouble.  No friends, no relationships, just a very low profile.

Then I thought, what if he breaks the cardinal rule and begins a relationship?

But it is also as much an exploration of a damaged soul as it is the search for a normal life, without having any idea what normal was, and how the understanding of one person can sometimes make all the difference in what we may think or feel.

And, of course, I wanted a happy ending.

Except for the bad guys.

…

Get it here:  https://amzn.to/2CYKxu4

newechocover5rs

The cinema of my dreams – Was it just another surveillance job – Episode 19

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritising.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Nothing good ever comes of snooping

 

I jumped down from the first level of the fire escape, halfway down an alley which was empty.  Keeping close to the wall so I couldn’t be seen, I headed back towards the main street, and then to a café not far from the front of the building.

Would Fred call in the police?  Surely at the very least, he would have to call an ambulance, finding an unconscious woman on the floor of a trashed flat.  He would also have to report the break-in, so I waited.

And waited.

No ambulance came.  If she had been unconscious and he’d reported it, there would be an almost instant response.  Unconscious bodies were given high priority.

After an hour passed, and no sign of a police car, or any police on foot, I thought there might be a crime wave going on, and it was taking time for the police to get there.

The fact no ambulance had turned up told me she must have regained consciousness, obviating the need for medical help.

Two hours, still nothing.

Three hours, I was left with the assumption, Jan didn’t want Fred to call the police.  It would be interesting to know what those reasons were.

My plan was to wait until she came out and follow her.  Beyond that, I would be making it up as I went.  After three hours, I had to switch cafes because of the looks the girl who made the coffee was giving me.

Apparently, people didn’t spend three hours drinking four cups of coffee unless they were working on their computer or reading a book, or paper, none of which I had.

It forced a move to another café further away and with an indistinct view of the front door, so I had to be extra vigilant.

As dusk was falling, a man nearer the doorway accidentally dropped his cup, and, when I looked up to see what the commotion was about, I saw what looked like Jan leaving, and, lucky for me, heading my way on the opposite side of the street.

Time to go back into surveillance mode.

She had changed into different clothes, and something else, though I wasn’t quite sure what it was that made her look different.  It almost made me think I’d got it wrong, and it was someone else.

Then, when she walked past me, not 20 feet away, I knew it was her.

What was different, she had suddenly become a brunette with long hair than the original shoulder-length blonde hair.  A change in persona.  Not the sort of thing a normal person did.  Unless, of course, she had a night job, one which she didn’t want anyone to recognise her.

I followed from the other side of the street.

Around a corner, past an underground station entrance, which was a huge bonus because she wasn’t going anywhere by train, not that it would matter to me.  It would if she caught a taxi.

Once or twice she looked behind her, on the same side of the street.  She looked over the other side too, in a careless sort of manner, but I was well hidden in plain sight because she wouldn’t recognise me as her assailant.

Around the corner, down another street, then stopped at a bus stop.  Still not a problem because there was no bus in sight.  On the way, I’d bought a copy of the evening paper and strolled up to the stop and sat down.  She gave me a once over and then ignored me.

The bus came and we got on.  She went upstairs I stayed downstairs, easier to get off at the same stop without raising her suspicions.

It was heading into the city, via Putney.  I had time to read the news, nothing of which was interesting, and keep one eye out for her.  She got off the bus without glancing in my direction at Putney and walked to the railway station.

After she headed for the platform, I checked where she might be going, and the service ended at Waterloo station if she went that far.  I waited a few minutes, then went down to the platform just as a train arrived.

She got on about halfway along, and I remained at the end.  I resisted the urge to move closer to her carriage where I could maintain visual contact, but since there was only one in this surveillance team, I had to be careful she didn’t see me.

The train terminated at Waterloo, and everyone had to get off.  For a few minutes, I thought I’d lost her among the other passengers.  Then I just managed to catch a glimpse of her going through the platform exit gate out into the station.

By the time I had got there, she was gone.

When you lost sight of the target, don’t panic.  And don’t act like someone who just lost a target because that will bring attention to yourself.  Take a long careful look in every direction, then move in the last direction you saw the target heading.

I did everything in accordance with my training.

The problem with Waterloo station?  There are several exits, and an entrance to the underground in the direction she had been heading.

Anyone could lead me in the wrong direction.

I went upstairs to a café, and looked down on the station floor, taking advantage of the height.

Until I felt something prodding me in the back, and a voice behind me saying, “Who are you, and why are you following me?”

Jan.

 

© Charles Heath 2019

The first case of PI Walthenson – “A Case of Working With the Jones Brothers”

This case has everything: red herrings, jealous brothers, femme fatales, and at the heart of it all, greed.

See below for an excerpt from the book…

Coming soon!

PIWalthJones1

An excerpt from the book:

…

When Harry took the time to consider his position, a rather uncomfortable position at that, he concluded that he was somehow involved in another case that meant very little to him.

Not that it wasn’t important in some way he was yet to determine, it was just that his curiosity had got the better of him, and it had led to this: sitting in a chair, securely bound, waiting for someone, one of his captors had called Doug.

It was not the name that worried him so much; it was the evil laugh that had come after the name was spoken.

Doug what? Doug the ‘destroyer’, Doug the ‘dangerous’, Doug the ‘deadly’; there were several sinister connotations, and perhaps that was the point of the laugh, to make it more frightening than it was.

But there was no doubt about one thing in his mind right then: he’d made a mistake. A very big. and a costly mistake. Just how big the cost, no doubt, he would soon find out.

His mother and his grandmother, the wisest person he had ever known, had once told him never to eavesdrop.

At the time, he couldn’t help himself, and instead of minding his own business, listening to a one-sided conversation that ended with a time and a place. The very nature of the person receiving the call was, at the very least, sinister, and, because of the cryptic conversation, there appeared to be, or at least to Harry, criminal activity involved.

For several days, he had wrestled with the thought of whether he should go. Stay on the fringe, keep out of sight, observe and report to the police if it was a crime. Instead, he had willingly gone down the rabbit hole.

Now, sitting in an uncomfortable chair, several heat lamps hanging over his head, he was perspiring, and if perspiration could be used as a measure of fear, then Harry’s fear was at the highest level.

Another runnel of sweat rolled into his left eye, and, having his hands tied, it literally made it impossible to clear it. The burning sensation momentarily took his mind off his predicament. He cursed and then shook his head, trying to prevent a recurrence. It was to no avail.

Let the stinging sensation be a reminder of what was right and what was wrong.

It was obvious that it was the right place and the right time, but in considering his current perilous situation, it definitely was the wrong place to be, at the worst possible time.

It was meant to be his escape, an escape from the generations of lawyers, what were to Harry, dry, dusty men who had been in business since George Washington said to the first Walthenson to step foot on American soil, ‘Why don’t you become a lawyer?” when asked what he could do for the great man.

Or so it was handed down as lore, though Harry didn’t think Washington meant it literally, the Walthenson’s, then as now, were not shy of taking advice.

Except, of course, when it came to Harry.

He was, Harry’s father was prone to saying, the exception to every rule. Harry guessed his father was referring to the fact that his son wanted to be a Private Detective rather than a dry, dusty lawyer. Just the clothes were enough to turn Harry off the profession.

So, with a little of the money Harry inherited from one of his aunts, he leased an office in Gramercy Park and had it renovated to look like the Sam Spade detective agency, you know the one, Spade and Archer, and The Maltese Falcon.

There’s a movie and a book by Dashiell Hammett if you’re interested.

So, there it was, painted on the opaque glass inset of the front door, ‘Harold Walthenson, Private Detective’.

There was enough money to hire an assistant, and it took a week before the right person came along, or, more to the point, didn’t just see his business plan as something sinister. Ellen, a tall, cool woman in a long black dress, or so the words of a song in his head told him, fitted in perfectly.

She’d seen the movie, but she said with a grin, Harry was no Humphrey Bogart.

Of course not, he said, he didn’t smoke.

Three months on the job, and it had been a few calls, no ‘real’ cases, nothing but missing animals, and other miscellaneous items. What he really wanted was a missing person. Or perhaps a beguiling, sophisticated woman who was as deadly as she was charming, looking for an errant husband, perhaps one that she had already ‘dispatched’.

Or for a tall, dark and handsome foreigner who spoke in riddles and in heavily accented English, a spy, or perhaps an assassin, in town to take out the mayor. The man was such an imbecile that Harry had considered doing it himself.

Now, in a back room of a disused warehouse, that wishful thinking might be just about to come to a very abrupt end, with none of the romanticised trappings of the business befalling him. No beguiling women, no sinister criminals, no stupid policemen.

Just a nasty little man whose only concern was how quickly or how slowly Harry’s end was going to be.

…

© Charles Heath 2019-2024

The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 75

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new installment of an old feature, and we’re back on the treasure hunt.

…

The sheriff calls

…

It’s not often a patrol car stopped outside your residence without a reason for doing so.

I just happened to be looking out the windows when it pulled up, and I first thought it was the sheriff here to visit my mother.

It was hard to imagine my mother being the object of men’s attention, particularly one the top lawman in the county, and the other, a top criminal.

Both were charming in their own way, but it was the baggage both brought with them that bothered me.  I tried not to think of the ramifications if she married either one.  At worst, I could not see Alex as a brother, nor Charlene as a sister, not after what we had done at the last school summer camp

The pounding on the door interrupted that thought.  I heard my mother’s muffled voice from upstairs telling me to see who it was, and when I opened the door, it was one of the sheriff’s deputies, Anderson, big brother to a school friend, and the most unlikely to become a lawman.  I guess he turned his life around.

“Sam.”

“Joel.”

“The sheriff would like to see you.”

“He could have rung.”

“He likes the personal touch.”

It must be serious if he sent a deputy.  “When?”

“Now.”

“And if I can’t come now?”

He took a pair of handcuffs out of his belt.  “There’s the hard way and there’s the easy way.”

Serious enough then.  “Why?”

“I learned a long time ago to follow orders, not question them.  I don’t know, and I don’t care.  Did you do anything wrong?”

“No.”

I heard my mother coming down the stairs behind me.  “Who is it?”

“Deputy Joel.”

“What can we do for you?” She asked.

“The sheriff would like a word with your son, ma’am.”

“Why?”

Was that a look of exasperation on his face?

“He didn’t confide in me, ma’am, just asked me to escort him down to the station.”

“This’ll be to do with that Nadia,” she muttered.  “I told you she is trouble.”

I shrugged.  “Let’s go.”  Time to escape a lecture.

I had time to think why the sheriff would want to see me, and remembered that I’d spoken to Charlene, and it had to be that she had as I suggested, spoken to her father and it must have something to do with that.

Anyone outside the sheriff’s office seeing Deputy Joel and I arrive might have got the impression I’d just been arrested, except I was not in handcuffs.  There was no doubt Joel had wanted to use them, all the more reason to be co-operative.

We walked through the foyer towards the rear where the sheriff’s office was, and he sat me down on an uncomfortable bench.  At the other end was a girl in a party dress looking hungover.  The foyer was a hive of activity.

The sheriff put his head out the door.  “Sam, come in.”

It was the first time in his office, not the first time in the station.  My father had a few run-ins with the law, in the early years of the current sheriff’s tenure, as part of the alumni group of my mother, father, the sheriff, and Benderby.  It was the fact he was a friend of and worked with Benderby that he found himself under suspicion so often, and my memories of him were when my mother and I came to bail him out.

It was probably one of the reasons why I couldn’t understand why she let Benderby in the door.

The room was small and it felt crowded surrounded by files and papers.  His desk was a mess, with two half-drunk mugs of coffee sitting to one side.

He looked like a man under great stress.

He picked up the phone and pressed a number, then said, “Can you join us?”

A minute later Charlene came in and closed the door behind her.  She then sat in the chair next to mine, and rather close.

Was it a form of intimidation?

The sheriff leaned back in his chair and it creaked under his weight.  “Charlene tells me you think young Benderby is involved in what happened to the professor.  How did you come to this conclusion?  You should realize that making accusations such as this against a member of an influential family such as the Benderbys could afford you some unwanted attention, and not only from their lawyers.”

I had considered that but had expected the sheriff would be more proactive in his investigation.  It seemed he was taking a more cautious approach.

“You said you overheard Alex at work,”  Charlene added a nail in the coffin. 

“It seems unlikely that Alex would be that stupid, Sam, so it leads me to believe you either have some other means of identifying him as being involved, or it’s just a petty act of revenge, which, knowing you as I do, is unlikely.  Which is it?  The fact you know about this so-called room where mall cops were located, the location of a safe, and where the combination is, is very specific.”

Was this a version of good cop bad cop?  I hadn’t thought it through, thinking Charlene might want to take a win.  It didn’t take in the possibility the sheriff would be overly cautious in taking on a Benderby.

Except that I forgot it was an election year, and there were a few younger and more qualified candidates in the mix.  Age and experience were not going to cut this year.  He was going to need a win and taking down a Benderby would put him firmly in the public eye.

“You can’t tell me that Rico was responsible for the professor’s death.  He wasn’t killed on that boat, despite the way the body was left.  I was there, that crime scene was staged.”  Time to come out fighting.

“So you’re a crime scene expert now?”

“Keen observation, no indication of blood spatter from the look of the wounds, which to me looked like torture.  I did some research, and the professor apparently had a diary that belonged to the pirate that everyone believes hid the so-called treasure somewhere along this coastline.  Did you think to find out why the professor was here, certainly his last movements, and whether or not Alex Benderby contacted him?”

I’m sure they did, not that they would probably tell me.

Charlene glared at me.  Perhaps insulting her ability put an edge to her tone.  “A timeline of the victim’s last movements was done.”

A reproving look from her father, she should not be discussing case details with the public.

She glared back at him.  “Damn it, I will not be insulted.”

The sheriff gave me a rather curious look.  Perhaps I was not so off the mark, so I said, “He’s been here before, you know when those coins were pulled out if the cove.  He came down to identify them.  I think he had the diary then, which was why he came back.”

“How is it you know so much about this professor?”

“Unlike Boggs, I have an interest in historical detail, perhaps Boggs should not have asked for me to help him, but if I’m going to do something I like to be thorough.”

“Yes, it’s been noticed.  A session at the library, and surprisingly, a stash of documents scooped up from Ormiston.  I know you read his diaries.  Then you hit the newspaper office and looked at back issues of the paper.”

She or one of the deputies had been following me around.  I wondered briefly whether they’d been following Boggs around too.

“And we know you went to the mall with Nadia Cossatino.  So, your information was not gleaned from overhearing conversations, you’ve actually been in that room.”

Guilty as charged, but silence might be the better option here until their objective came clear.

“Knowing you as I do, Sam, I doubt it was your idea to go sneaking about that mall.  Your association, for want of a better word, with Nadia is going to lead you down a dark path, and I know your mother is worried about you.  The Cossatinos and Benderbys are sworn enemies, and you do not want to get caught in the crossfire.  She was obviously motivated by causing trouble for the Benderbys.”

Possible, but unlikely, yet what had she hoped to gain by taking me there?  And it was clear my mother was using the sheriff to get me to stay away from Nadia.

“I’m not interested in charging you with trespass, or lecturing you on the dangers of wandering around a place like that, but there may be something to the allegations.  We managed to get a stay on the demolition for that room, and it’s now an active crime scene.  How long have you known about this.”

…

© Charles Heath 2020-2022

The 2am Rant: A door that is always open

My opinions are my own
 
 

It’s always a good thing to get that across, especially if you work for an organisation that could misinterpret what that opinion is, or generally have an opposing opinion.  Of course, by saying your opinions are your own, you’re covering yourself from becoming unemployed, but is this a futile act?

Perhaps it’s better to not say anything because everything you say and do eventually finds its way to those you want most not to hear about it, perhaps one of the big negatives of the internet and social media.

And…

It seems odd to me that more often than not, you can’t have an opinion of your own, even if it is contrary to that of the organisation you work for, and especially if their opinion has changed over time.  An opposing opinion, delivered in a non-derogatory manner, would be expected to spark a healthy debate, but it doesn’t always end up that way.

I’m sure there are others out there that will disagree and use the overused word, ‘loyalty’.   Perhaps their mantra will be ‘keep your opinions to yourself’.

This, too, often arises in personal relationships, adding weight to the statement, ‘you can pick your friends but not your relatives.’

I’m told I have an opinion on everything, a statement delivered in a manner that suggests sarcasm.  Whether it’s true or not, isn’t the essence of free speech, working within the parameters of not inciting hate, bigotry, racism or sexism, a fundamental right of anyone in a democracy?

Seems not.

There’s always someone out there, higher up the food chain, with an opinion of their own, obviously the right one, and who will not hesitate to silence yours.  But, isn’t it strange that to silence you, they have to use leverage, like your job, to get theirs across?

Well, my opinions are in my writing, and whether or not you agree with them or not, I’m sure you will let me know.  In a robust but respectful manner.

Unlike some, my door is always open.

 
 
 
 
 
 

What I learned about writing: The murky art of plotting! (1)

Truth is stranger than fiction

…

Google Maps: More Than Just Directions – A Portal to Phantom Mysteries?

We all use Google Maps. It’s our trusty co-pilot, guiding us through unfamiliar streets, helping us find the nearest coffee shop, and even letting us snoop on our old childhood homes (admit it, you’ve done it!). But what if I told you that sometimes, beneath the familiar satellite imagery, Google Maps offers a glimpse into something far stranger than your aunt’s meticulously manicured lawn?

Lately, chatter has been building around peculiar anomalies popping up on the platform – digital specters appearing where they absolutely shouldn’t. Imagine panning over a dense, untouched forest, far from any airport, only to find a colossal Airbus A320 or Boeing 737 perfectly intact, sitting in a clearing. No missing plane reports, no emergency landings, just a commercial jetliner chilling amongst the trees. How did it get there? And more importantly, why?

This isn’t an isolated incident. There are numerous reports of cars, sometimes multiple vehicles, resting eerily at the bottom of lakes, visible from above. While many of these are indeed phantom images, some chillingly prove to be real. You might recall the story of the car discovered in a lake in Florida, which, upon investigation, contained the remains of a man who had been missing for over two decades. The digital anomaly led to a very real, very tragic discovery.

So, before we reach for our tinfoil hats, there’s a rational explanation for most of these ghostly appearances. The phenomenon is often an instance of image overlay or “ghosting.” Google Maps stitches together countless satellite and aerial photographs taken at different times. When an object, like a low-flying aircraft, is captured in one image over a particular spot, and a later, object-free image of the same spot is layered on top, a faint “ghost” of the original object can remain visible. The plane in the forest? It’s highly probable it was just flying incredibly low when the initial photograph was taken, leaving its digital imprint on the landscape.

Mystery solved, right? Well, mostly.

But what if, just what if, these digital echoes aren’t always mere glitches? What if, sometimes, they are whispers of something more, waiting to be heard?

Mick knew all about those lonely leisure hours when there was nothing else to do. He wasn’t one for idly scrolling social media; Mick was a tramper, a genuine trailblazer. His idea of relaxation was poring over topographical maps, looking for untouched corners of the world, sketching out potential new paths through forests, and dreaming of odd discoveries. Years ago, one such expedition had led him to uncover a lost village of significant archaeological value. He had a knack for finding things.

One drizzly afternoon, with the rain drumming against his window, Mick found himself drifting through Google Maps, exploring remote stretches of a national forest known for its dense, ancient foliage. He zoomed in, panned around, his cursor tracing imaginary trails. He wasn’t looking for glitches, but for inspiration, for the subtle hints of untamed beauty.

Then he saw it.

Not a ghost, not a blur, but what seemed to be distinct wreckage dispersed in a clearing. Glimpses of what looked like metal fragments, incongruous against the deep green canopy. It wasn’t the clean, whole plane of famous internet anomalies, but a scattering, undeniably man-made and out of place. He noted the date of the photograph – nearly a year prior.

A chill ran down his spine. He immediately checked local news archives, aviation reports, anything about missing small planes or crashes in the area. Nothing. Not a single mention. It was too remote for a simple crash to go unnoticed, yet too significant to be naturally occurring.

He kept the location saved, revisiting it over the next few days. It gnawed at him. Was it a trick of the light? A bizarre anomaly of the photo processing? He called a friend, an equally seasoned bushwalker, and explained his digital discovery, asking him to verify it on his own map.

“Right, mate, I’m looking,” came his friend’s voice over the phone a few minutes later. “Where exactly did you say?”

Mick guided him, pixel by pixel. “See it? Right there, by that cluster of three oaks…”

There was a pause. “Uh, Mick? There’s just… trees.”

Mick’s stomach dropped. He clicked back to his own map. The wreckage was gone. The clearing was pristine, just an unbroken expanse of forest. He felt a wave of self-doubt. Had his mind been playing tricks, wanting to find something remarkable, perhaps fabricating the whole thing?

But then he noticed it. The date of the photograph displayed on his screen had updated. It was no longer the nearly-a-year-old image. It was a new one, taken just a few weeks ago.

The digital ghost had vanished, but the seed of a real-world mystery had been planted. With the rain still falling and nothing better to do, Mick knew exactly what his next walking holiday would entail. He wasn’t just going to look at maps anymore. He was going to see what was really there.

365 Days of Writing, 2026 – 229

Day 229 – Write a little every day

…

Write a Little Every Day, Without Hope and Without Despair: The Ultimate Mantra for Creative Resilience

“Write a little every day, without hope and without despair.”

Attributed to the brilliant Danish author Isak Dinesen (pen name of Karen Blixen, author of Out of Africa), this single sentence is perhaps the most liberating piece of writing advice ever committed to paper.

In a modern creator economy obsessed with viral hits, massive word counts, and relentless hustle culture, Dinesen’s words feel like a cool breeze on a fevered brow. They strip away the performance, the anxiety, and the delusion, leaving behind the pure, quiet act of creation.

Let’s unpack this profound philosophy and explore how it can completely transform your relationship with your craft—whether you’re writing a novel, building a blog, or working on any long-term creative project.

The Anatomy of the Mantra

To truly understand Dinesen’s advice, we need to break it down into its three core components: consistency, the surrender of false hope, and the banishment of despair.

1. “Write a little every day…”

The first rule of Dinesen’s philosophy is deceptively simple: consistency over intensity.

Many aspiring writers fall into the trap of the “binge and burn” cycle. You wait for the muse to strike. You clear an entire weekend, chug espresso, write 5,000 words in a manic haze, and then—exhausted and drained—don’t write another word for three weeks.

Dinesen advocates for the compound interest of creativity. Writing 200 or 300 words a day might not feel like much, but over the course of a year, you will have a draft of a book. More importantly, showing up daily builds a creative identity. You stop identifying as someone who wants to write and start identifying as someone who writes.

2. “…without hope…”

This is usually the part that makes people double-take. Without hope? Isn’t hope what keeps writers going?

Dinesen isn’t telling you to be a pessimist; rather, she is warning you against the toxicity of conditional motivation.

  • Hope that this sentence will be a masterpiece.
  • Hope that this chapter will go viral.
  • Hope that this book will get a six-figure book deal and land you on the bestseller list.

When you write with hope (in this specific, transactional sense), your self-worth becomes tethered to the outcome. If the writing is hard today, you feel hopeless. If the external validation doesn’t come, you want to quit. Dinesen urges us to detach from the result. Write because it is what you do, not because you are hoping the universe will grant you a reward for doing it.

3. “…and without despair.”

Just as we must let go of frantic hope, we must also release despair.

Every writer knows the voice of despair. It whispers: This is garbage. You have nothing to say. Everyone else is better than you. Why bother?

Despair paralyzes. It turns a blank page into a terrifying monolith. Dinesen’s antidote to despair is radical acceptance. Some days your writing will be brilliant; other days it will be clunky and mediocre. Both are a normal part of the process. By refusing to despair over a bad writing session, you keep the door open for tomorrow’s session. You remove the emotional drama from the craft.

Why Modern Creators Need This Philosophy More Than Ever

We live in an era of metrics. Every tweet, blog post, and video comes with a dashboard tracking views, likes, and shares. It is easier than ever to fall into the trap of writing for the algorithm rather than writing from the soul.

When you apply Dinesen’s “without hope and without despair” rule to the digital age, it acts as a powerful shield:

  • Algorithm changes? Without hope, without despair. You keep writing.
  • A piece bombs and gets zero engagement? Without hope, without despair. You keep writing.
  • A piece goes viral and your inbox is flooded? Without hope, without despair. You keep writing.

This mindset keeps you grounded. It reminds you that the work is the reward, and the validation (or lack thereof) is just noise.

How to Apply Isak Dinesen’s Wisdom Today

If you want to integrate this legendary writing advice into your daily routine, here are three practical steps to take right now:

  1. Lower the Bar: Commit to a ridiculously small daily goal—say, 150 words or 15 minutes. Make it so easy that you can do it even on your worst days.
  2. Separate Creating from Editing: When you sit down to write your daily quota, turn off your inner critic. Do not judge the quality. Just get the words on the page. You can fix bad writing; you cannot fix a blank page.
  3. Audit Your Motivations: Notice when you are writing for applause versus writing for the joy of expression. Gently steer your focus back to the simple act of putting pen to paper (or fingers to keys).

Final Thoughts

Writing is a marathon through a fog. You rarely know where you are going, and the destination is always changing. But if you can learn to put one foot in front of the other—to write a little every day, without hope and without despair—you will not only survive the journey; you might just find joy in the mist.

What did you write today? Let’s keep moving forward, one small word at a time.

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Top 5 sights on the road less travelled – Kampala

Kampala’s Secret Side: 5 Uncrowded Spots with Big Character

Kampala. The name itself evokes a symphony of sounds—the friendly calls of vendors, the constant hum of boda bodas, the rhythm of music spilling from roadside bars. It’s a city that vibrates with an infectious energy. But what if you could peel back the layers of that vibrant chaos and find something quieter? Something more intimate?

While the grand mosques and bustling markets rightfully claim their place on any itinerary, Kampala holds a collection of hidden gems. These are the places where history whispers, art breathes, and tranquillity can be found without the jostle of a crowd.

Step off the beaten track and discover five distinctive Kampala attractions that offer a deeper, more personal connection to the heart of Uganda.

1. Kabaka’s Lake: The Royal Oasis

Tucked away in the suburb of Ndeeba, many visitors head straight for the Kasubi Tombs, overlooking this fascinating site just a short distance away. Kabaka’s Lake is one of Kampala’s best-kept secrets and a place of surprising serenity.

Distinctive Feature: This is no ordinary pond. It’s the largest excavated reservoir in the world, dug entirely by hand in the 1880s on the orders of Kabaka Mwanga II. The legend says he intended it to be a channel to the Indian Ocean. While his grand naval ambitions never materialised, the lake remains a remarkable feat of engineering and a tranquil green lung for the city.

Why it’s Not Crowded: It’s a local spot, not packaged heavily for tourist tours. You’ll find joggers, couples on quiet walks, and families enjoying the shade, but rarely large tour groups. It’s a place to breathe and reflect on the ingenuity of Buganda’s history.

Pro-Tip: Visit in the late afternoon. As the sun begins to set, the sky reflects beautifully on the water, and the local community comes to life, offering a perfect blend of nature and authentic city life.

2. The Baháʼí House of Worship: A Sanctuary of Light

Perched on Kikaya Hill, overlooking the city, is the stunning Baháʼí Temple. Known as the Mother Temple of Africa, this architectural masterpiece offers a profound sense of peace that feels a world away from the city’s hustle.

Distinctive Feature: It is the only Baháʼí House of Worship on the entire African continent. Its magnificent, lace-like dome and elegant gardens are designed for quiet meditation and prayer, open to people of all faiths and backgrounds. The interplay of light through the dome and the intricate patterns inside are simply breathtaking.

Why it’s Not Crowded: As a place of worship, its primary function isn’t tourism. Visitors are encouraged to come, sit, and absorb the peaceful atmosphere, which naturally limits the boisterous crowds found at other landmarks.

Pro-Tip: Allow yourself at least an hour. Don’t just take photos from the outside. Enter the main hall, find a seat, and simply enjoy the silence. The surrounding gardens are perfect for a quiet stroll with incredible views of Kampola on a clear day.

3. Nommo Gallery: Uganda’s Artistic Soul

For a dose of culture without the chaos of a hectic market, the Nommo Gallery is an essential stop. Located in a beautiful colonial-era building, it is the oldest and arguably most prestigious art gallery in Uganda.

Distinctive Feature: Run by the Uganda National Cultural Centre, Nommo showcases a diverse and rotating collection of contemporary Ugandan art. From powerful paintings and intricate sculptures to vibrant textiles and jewellery, it is a one-stop shop for understanding the country’s creative pulse. You won’t find mass-produced souvenirs here—only genuine, high-quality art.

Why it’s Not Crowded: Art galleries tend to attract a more contemplative crowd. It’s a serene space where you can take your time, engage with the art, and even chat with the curators or artists who are often on-site.

Pro-Tip: Even if your budget doesn’t stretch to a large painting, consider buying smaller items like prints, postcards, or jewellery. It’s a wonderful way to support local artists directly and take home a truly unique piece of Uganda.

4. Lubiri Mengo & the “Idi Amin” Tunnel: Echoes of History

While the Kasubi Tombs are the regal burial grounds, the Lubiri in Mengo is the Kabaka’s current palace. Much of it is still a functioning royal residence, but guided tours offer a fascinating, and often sobering, glimpse into Uganda’s royal and political past.

Distinctive Feature: The most chilling and memorable part of the tour is the underground tunnel. Allegedly built by Idi Amin during his rule as an escape route and a place to dispose of enemies, the tunnel is a dark, claustrophobic passage that powerfully connects visitors to the country’s more turbulent history. It’s an experience you won’t forget.

Why it’s Not Crowded: Tours are infrequent and must be arranged through a guide at the main gate. This informal system naturally limits the number of visitors. It lacks the infrastructure of a major tourist site, which is precisely part of its raw, authentic appeal.

Pro-Tip: Arrange your tour in advance if possible. Be respectful; this is still a significant cultural and royal site. The stories shared by the guides are often personal and powerful, so listen closely.

5. A Rooftop Vantage Point: Kampala from Above

Sometimes, the best attraction isn’t a building, but a view. Escaping the street-level noise and gaining a new perspective is one of the best ways to appreciate the scale and beauty of Kampala, nestled among its seven hills.

Distinctive Feature: A panoramic, bird’s-eye view of the sprawling city. You can see the red-tiled roofs, green patches of trees, and the distant hills that define Kampala’s landscape. It’s especially magical during the golden hour as the city begins to light up.

Why it’s Not Crowded: While popular, rooftop bars are often relaxed and spacious. The key is to go during an off-peak time, like mid-afternoon for coffee, rather than a Friday night for drinks.

Pro-Tip: Two excellent choices are the rooftop garden at The Emin Pasha Hotel (for a more classic, serene experience) or the top floor of Javas House on Acacia Avenue (Longacres). Grab a coffee, find a comfy seat, and just watch the city breathe below you.

Go Beyond the Postcard

Kampala rewards the curious traveller. By seeking out these quieter corners, you’ll discover a city with a depth and character that goes far beyond the typical tourist trail. You’ll find the soul of Uganda in its serene temples, its hidden history, and its pockets of inspiring peace.

So next time you find yourself in the “City of Seven Hills,” dare to wander. You might be surprised by what you find.

In a word: Flight

There is a saying, if God wanted us to fly then he would have given us wings.

Unfortunately, he didn’t, so we do not get to know what it’s like to be in flight,

Unless…

We take an aeroplane, which usually has a flight number such as QF607, or in conversation, ‘I’ll be taking the 6 o’clock flight’.

If someone runs away, then we say they have taken flight.

If we roll back a few years, say about 80, to World War 2, flight tales on a whole new meaning.

It refers to a group of planes, in one case a number of spitfires, or,

The man in charge, a flight lieutenant, also colloquially known as ‘flight’.

This is not be confused with the word flite which has several very obscure meanings,

First, it means to quarrel or argue, or engage in a debate, and

Second, to make a complaint.

But one that sticks in my my mind is Flyte, from Brideshead Revisited.  they were a very interesting family.

‘Sunday in New York’ – A beta reader’s view

I’m not a fan of romance novels but …

There was something about this one that resonated with me.

This is a novel about a world generally ruled by perception, and how people perceive what they see, what they are told, and what they want to believe.

I’ve been guilty of it myself, as I’m sure we all have at one time or another.

For the main characters, Harry and Alison, other issues are driving their relationship.

For Alison, it is a loss of self-worth through losing her job and from losing her mother and, in a sense, her sister.

For Harry, it is the fact that he has a beautiful and desirable wife, his belief that she is the object of other men’s desires, and, in particular, his immediate superior’s.

Between observation, the less-than-honest motives of his friends, a lot of jumping to conclusions based on very little fact, and you have the basis of one very interesting story.

When it all comes to a head, Alison finds herself in a desperate situation, and she realises only the truth will save their marriage.

But is it all the truth?

What would we do in similar circumstances?

Rarely does a book have me so enthralled that I could not put it down until I knew the result. They might be considered two people who should have known better, but as is often the case, they had to get past what they both thought was the truth.

And the moral of this story, if it could be said there is one, is that nothing is ever what it seems.

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Available on Amazon here: amzn.to/2H7ALs8

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