Category: #amwriting

“Echoes From The Past”, the past doesn’t necessarily stay there


What happens when your past finally catches up with you?

…

Christmas is just around the corner, a time to be with family. For Will Mason, an orphan since he was fourteen, it is a time for reflection on what his life could have been, and what it could be.

Until a chance encounter brings back to life the reasons for his twenty years of self-imposed exile from a life only normal people could have. From that moment, Will’s life slowly starts to unravel, and it’s obvious to him that it’s time to move on.

This time, however, there is more at stake.

Will has broken his number one rule: don’t get involved.

With his nemesis, Eddie Jamieson, suddenly within reach, and a blossoming relationship with an office colleague, Maria, about to change everything, Will has to make a choice. Quietly leave, or finally, make a stand.

But as Will soon discovers, when other people are involved there is going to be terrible consequences no matter what choice he makes.

https://amzn.to/2CYKxu4

newechocover5rs

365 Days of writing, 2026 – 13

Day 13 – Writing exercise

All the days just ran together in one long blur.  Wake, dress, go to work, come home, read, sleep, repeat.  Then everything changed…

…

I got out of bed and went over to the closet.

Seven sets of work clothes, seven sets of leisure clothes, I picked one of the work sets and went to the bathroom.

No need to be more selective.  Each of the work and leisure sets was all the same.  Work tan, leisure blue.  Women wore green and pink.

We all looked the same.

On the yellow bus, picking up the factory workers each morning and dropping them off at night, it was a sea of tan and green.

Everyone read the same newspaper in the morning and sat quietly at night.

At work, I sat at a desk, one of two hundred, symmetrically arranged, just far enough apart to prevent idle conversation.  That happened in the canteen where a thousand people congregated for lunch.

Some single people lived in dormitories, and married people lived in houses.  Everything was supplied.  Everything was regulated.  It had been the same as long as I could remember.

That day I came home, changed into the leisure set, went for a walk, spoke to the others in the park where there was a walking track, a playground for children, and picnic tables.

A healthy lifestyle was a healthy, happy worker.

Why then wasn’t I happy?

…

I woke up, went to the closet and picked a work set.  It didn’t matter which one it was.

The newspaper was shoved through a slot in the door as it was every morning at the same time.

The eggs cooked perfectly, the toast cooked perfectly, and the coffee percolated perfectly.  I resisted the urge to open the newspaper and start reading, remembering protocol.

Dining utensils in the dishwasher, clean the surfaces, and ready to leave for work.  The bus was never late or early.  The walk to the bus stop is two minutes and twenty seconds.

I opened the door, ready to step out.

Standing there, in the way, was a young woman.  Odd that she was in the men’s dormitory.  Odder still, she was wearing yellow, not green.

“You are not in regulation clothing,” I said, not ‘how are you?’ or ‘ who are you?’, which would sound more appropriate.

“You’re not who I’m looking for.  Who are you?”

Clocks were everywhere, reminding us of the importance of time.  The time had passed, and now I would miss the bus.

The paperwork was going to be horrendous.

“Johnny five.  You?”

“Melinda Seventy-Two.  I was looking for Alfred thirty.”

Alfred Thirty had been the previous occupant of my space.  He had died, or so we had been told.  It was in the newspaper, and we believed everything that appeared in it.  There was no reason not to.

“Did you not see the report in the newspaper about a month ago?”  His death had afforded me a promotion and larger quarters.

“I don’t believe anything I read in that rag.”

That was seditious and could get her into trouble if anyone heard her.

“You’d better come in.  You cannot be saying stuff like that out loud.”

She looked at me like I was mad, then shrugged and stepped in.

I looked up and down the passage, then closed the door.

“Just me being in here can cause you trouble.”

We were allowed visitors, but at specific times and with the appropriate permission slips.  She was right.  The mountain of paperwork was piling up.

She was not from this district.  The different coloured suit told me she was not from this area.  People were not allowed out of their areas unless they had a travel pass.  I doubted she had one.

“How did you get here?”

“The tunnels.”

I’d heard about the tunnels, that they were an urban myth.  There were service conduits, but they were not big enough for people to travel through.

It was in the newspaper.  Someone had started spreading the rumours that people could travel from area to area via an extensive tunnel system created when the districts were being built.

An urban myth created by troublemakers.  There had been a few in the beginning after the great calamity that destroyed everything.

We were rebuilding the world, a better world where everyone coexisted in harmony.  A happy life, a happy world.  We all believed it.

“They don’t exist.”

“Because they tell you.  They tell you everything, and everything is a lie.  You are a slave to their lies.”

Who was this woman?  She sounded like a revolutionary; some had been around when I was a child.  My father had been on the tribunal that tried them as traitors and sent them to the penalty settlement.  Had she escaped?

“Are you a revolutionary?”

“I am just the same as you. I do what I’m told.  Or did.”  She took a note out of a pocket and handed it to me.

It said:  You do not have to bow to oppression.  Go to Tan-Green, speak to Alfred thirty.  Take the 387 tunnel.”

“The 387 tunnel?”

“I work in Engineering.  We use the tunnels to move around under the district to repair the services.  I did what was asked.  Where is Alfred thirty?”

“Gone.  Dead.  Can’t help you.  I have to go.  Late.  I have to go.”  I could not wait for her to decide what she wanted to do.

I left.

…

I caught the next bus.  It had different people.  I don’t know why I thought there was only one bus, the bus I took every morning.

They all had the newspaper and were reading it.  No conversation.

Why, all of a sudden, did it matter?  Had she affected me that much?

I arrived at work and swiped my key card.  It was what gave me access to my dorm, the bus, the building and my workstation.

A moment after I swiped my card, I was approached by a security guard.  It had never happened before; in fact I had never seen a security guard before.

“You are late, Johnny Five.  Why?”

What did it matter?  I was here, ready to work.  Perhaps the hesitation in answering was causing difficulty.  Should I mention the girl?

“Overslept. Sorry.”

A minute passed, during which it seemed he was waiting for instructions, then, “Proceed.”

I went into the room and walked slowly to my workstation, past about another 20 clerks.  I noticed that some glanced up then went back to work, others lingered, intrigued by the anomaly.

By the time I sat down, the room was back to normal.

For half an hour.

…

The supervisor sat in a room that overlooked the floor, taking in all of the clerks.

We all had to be in that room once, the day we started work, and it was an interesting view.  And intriguing to wonder how long it took to become a supervisor.

Or what exactly the supervisor did, though they too had a workstation.

No one had seen the supervisor leave that room, or come, or go.  She was always in there when we arrived, and still there when we left.

Today, she came down to the floor, walking from the invisible door under the window, then across the floor, walking up the middle of the room, then turning into my row, and then stopping at my workstation.

It had never happened to anyone else.

“Shut down your workstation and accompany me, please.”

I did as I was told.  She waited until the station switched off and then headed back to the invisible door.  By this time, most of the others had stopped and watched us cross the floor.

At the invisible door, she turned and said, “Back to work.”

She waited until their attention was back on their workstations, then opened the door, we passed though and it silently closed behind us.

Two security guards were waiting.

“You will be reported to Maintenance on Level Sun Basement Seven.  The guards will take you.”

“Why?”

“That is not a question I can answer.  I do as I am told, as should you.  Your key card had been programmed with the appropriate authority.”

Whatever that meant

One guard took the lead, the other followed.  I don’t know why, but at one point, waiting at the elevator lobby, I was entertaining the thought of running.  Not where, or why I would want to, but running.

Nor where I would run to.  It was a very strange feeling.

We went down to Sub Basement 7, and when the doors opened, a different guard was waiting.  My escorts stayed in the lift.

I stepped out, and the doors closed.

The new guard said, “This way “

There was only one.  Perhaps down here, they didn’t think they needed two.

We went down a long corridor to the end, to a door that said ‘Maintenance Five’.  The guard scanned a key card, and the lock clunked.

He opened the door and stood to one side.  “Please wait inside.  An engineer will see you shortly.”

I went in, and the door closed behind me.  The room had a chair and a table.  I looked around the room.  It was a square box, brightly lit, with CCTV.

I waited fifteen minutes before another door, behind the desk, and Melinda seventy-two stepped into the room.

“You.”  I recognised her immediately.

“Me.”

“Why?”

“That’s a word you are not supposed to use.  You know that.  Why do you?”

I thought about the question.  It was something that bothered me, too.  It was in the protocol manual. We accepted that everything we did had a reason and that we didn’t need to know why, only that it was to be done.  Years of work had gone into creating workable systems.

“Curiosity “

“There’s a saying….”

“Yes.  I am aware of it.”

“Then you are one of the more recent classes.  Can you tell me, if you had a choice and there were no restrictions, where you would like to go?”

It was not something I thought about.  No one did. But there was a word invoked, in that very moment, a word I’d not used before.  “Sanctuary.”

She smiled.  “And so it will be.  I knew you were different.  We have a special job for you, Johnny five.  Repeat after me, MGS34RYPLM.”

“Why?”

“You’ll see.  Repeat the code.”

“MGS34RYPLM.”

There was a moment when my eyes closed, everything went dark, and a second later, everything in my head changed.

“Who are you?”

I looked over at the girl.  I knew instantly who she was.  “Elizabeth.  How are you?”

“All the better for seeing you, Dad.  Everything you had set in place is ready.  I’m sorry it took so long to find you.”

“No matter.  I’m here now.  Let the revolution begin!”

…

©  Charles Heath  2025

‘What Sets Us Apart’ – A beta readers view

There’s something to be said for a story that starts like a James Bond movie, throwing you straight in the deep end, a perfect way of getting to know the main character, David, or is that Alistair?

A retired spy, well not so much a spy as a retired errand boy, David’s rather wry description of his talents, and a woman that most men would give their left arm for, not exactly the ideal couple, but there is a spark in a meeting that may or may not have been a setup.

But as the story progressed, the question I kept asking myself was why he’d bother.

And, page after unrelenting page, you find out.

Susan is exactly the sort of woman to pique his interest.  Then, inexplicably, she disappears.  That might have been the end to it, but Prendergast, that shadowy enigma, David’s ex-boss who loves playing games with real people, gives him an ultimatum, find her or come back to work.

Nothing like an offer that’s a double-edged sword!

A dragon for a mother, a sister he didn’t know about, Susan’s BFF who is not what she seems or a friend indeed, and Susan’s father who, up till David meets her, couldn’t be less interested, his nemesis proves to be the impossible dream, and he’s always just that one step behind.

When the rollercoaster finally came to a halt, and I could start breathing again, it was an ending that was completely unexpected.

I’ve been told there’s a sequel in the works.

Bring it on!

…

The book can be purchased here:  http://amzn.to/2Eryfth

…

In a word: will

Now that I’ve hit the age of 65, I now have to give some consideration to creating a will.

You know, that document that specifies which child gets what, or if you think any or all of them don’t deserve what’s left of the hard-earned millions, which cat or dog will inherit a fortune.

A will is both a reason for siblings or beneficiaries to kill to get a reward or the fact you have to make one so that the state doesn’t inherit your fortune.

This is only one use of the word.

Another might be that it’s possible to have something like the will to carry on.

Carry on what?

Life, a marriage, a business relationship.

Does it require will power, or is it a matter of where there’s a will there’s a way?

I will come over. I will turn up tomorrow.

In this sense, it is promoting futility.

Of course, seeing is believing.

And as a bit of self-serving advertising, I’m going to promote a new story, actually titled, The Will.

Inheritance can resolve monetary problems, and not only that, set one of the siblings up financially for life. All they have to do is wrest the family home from the dying fingers of a mother who had seen it all.

Into the mix comes the grandson, a man who sometimes is a son but mostly a grandson, someone who doesn’t fit in, who doesn’t want to follow family tradition, and who prefers to go to his grandmothers rather than going home to his family.

He is constantly appalled at his mother’s lack of respect for her mother and suddenly finds himself in the middle of a battle between his grandmother and her daughter, his mother, over the family estate.

Who will win?

That’s a question that will be answered when you read the book.

The cinema of my dreams – I always wanted to write a war story – Episode 35

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination with what happened during the second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

 

Leonardo was a happy man.

It was quite a by coincidence that they had run into Chiara, and it hadn’t taken long to break her.  He had thought of taking her to the castle to let Jackerby extract the information, but he was tired of them telling him what to do.

He would get the information, and then act, taking the ringleaders of the remnants of the resistance back to the castle, and expect to get that well-earned pat on the back for a job well done.

He’d said he would take care of the rabble, and he had.

Until Wallace had asked him where Atherton was.

And there was that small problem of Carlo, too, though he was not going to mention that in his report to Jackerby.

Francesco had softened the three leaders of the resistance up before taking them to the castle, taking particular pleasure in attending to Martina himself.  The three could barely walk and were almost dragged up to the castle.

The first question Jackerby asked was why he had beaten them when he’d expressly been told to bring them to the castle alive and in a fit state to be questioned.  None of the three was in any sort of state to do anything other than collapse.

Jackerby’s men took them to the dungeons.

The second question Jackerby asked was where Atherton was.

“That was basically the whole point of the exercise,” he yelled at Leonardo, who, by this time was getting annoyed himself.

“He’s still out there, and you can be assured he will be causing us trouble.  Those three you dragged back, whilst a nuisance, hardly compare to what Atherton can do.”

“There’s only one of him.  There’s no way he’s going to be able to break into this castle, by himself, and do anything.”

Jackerby shook his head.  It would not matter what he said, Leonardo was just a fool, a petty little thug who quite rightly had been ostracised by the rest of the village.  And when this exercise was over and Mayer was recaptured, he was going to take extreme pleasure in killing Leonardo and his followers.

“Go get something to eat, rest, then get back out there.  I want Atherton found.  Surely there is nowhere left where he can hide.”

There was a dozen, or more, places, Leonardo thought but he wasn’t going to tell Jackerby that.  Instead, he had made up his mind to do as Jackerby asked, rest, then take a few hours the check all the entrances and exits to the castle before going back out to find Atherton.

Or at least that was what he was going to tell Jackerby.

In reality, he had had enough of these interlopers, and it was time he removed them from the castle.  It was time he took over.  The war was not going to end any time soon according to his sources further north, and there were worse places than a castle to hole up in until the war ended.  Especially considering how much wine was being stored in the cellars.


Wallace was in the dining room and had been in the middle of lunch when Leonardo came back.  Rather than talk to him, he sent Jackerby to deal with it.

Johannsen was sitting at the other end of the table, contemplating the wine.  It was not a good idea to be drinking wine in the middle of the day when trouble could arrive from any number of quarters.

In fact, he was surprised that the other resistance hadn’t made an all-out attack on them.  It seemed unlikely to him that those that hadn’t followed Leonardo up the hill, were of little consequence.

If anything, and of his experience of the resistance in France, one resistance fighters was worth 10 or more enemy soldiers.  They had a reason to fight, for their country, and liberation for the Nazis.

Of course, Leonardo and his men were oblivious to the fact that they were working for the Germans, not the British, but to them, he thought, anyone other than an Italian was worth working for if they were prepared to pay.

Leonardo and his men were mercenaries.  Guns for hire.  They didn’t care who they worked for.  But there was something else.  Leonardo hated the villagers, and it wasn’t difficult to convince him they needed to be kept in line and report any newcomers to the castle.

Adding the reward was a bonus.

“Atherton’s not going to come and present himself at the front door, you know that,” he said to Wallace.

Then he decided to have some wine.  It’s not as if the war would be arriving any time soon.

“You know him best.  A fighter, an organizer, or office boy.”

“Paper pusher, by all accounts.  I’m not sure why Thompson would send him other than he was desperately out of good agents.  You saw how much resistance he put up.”

“Jackerby seems to think there’s more to him.”

“Jackerby sees shadows where there are none.  Where did you say he came from?”

“North Africa.”

“Then he’s had too much sun.”

“A little advice then.  I wouldn’t say that to his face.”

© Charles Heath 2020

A long short story that can’t be tamed – I always wanted to rescue a damsel in distress – 8

Eight

So, not to sound like I was a snotty loser, when Cecile had first told me about Jake, the man I assumed was her new boyfriend, I said he was too good to be true.

He’d been sent to Australia to work in a branch of his father’s company as a learning experience on the way to bigger and better things.  He was just the sort of man she thought she wanted, not the slow and steady wins the race type, but someone who would, and literally did, sweep her off her feet.

Our last conversation, when she told me I was not the man of her dreams, she didn’t exactly identify him, but I knew who she was talking about.  She had fobbed me off several times, so I followed her and lo and behold, there was the man himself.

All she had to do was tell me we were done, but she didn’t, and exactly why she hadn’t remained a mystery.

That he had led her down a very dangerous path, well, I might have carried a grudge, but we had been together since childhood, and my feelings for her were not easily extinguished, not to the point I would take her back, but I would find her, and save her if she wanted to be saved.  After that, I would be the tourist for a while before going home.

Or if I got the travel bug, tour Europe for a while.

From the moment I’d told Emily about our separation, she had gone quiet.  Had she known about it?  If she knew that we were no longer together, why did she think I would come with her on this mission?  Get us back together?  We were going to have to talk about this, and the fact Cecile and I were done, and sooner rather than later, in case she got the wrong idea.

I was not the knight in shining armour, not anymore.

As for this Jake character, just who the hell was her.  If he was not who he said he was, and his parents were bot the people she was expecting, was he just some cheap imposter, after he money.  Her parents were wealthy, yes, but not overly so, and certainly not the sort who could pay a hefty ransom.

All of this would make sense if he was a conman.  And if that was the case, perhaps the man in the pin stripe suit was his accomplice.  I would call him soon once we were resettled in another hotel.

In the meantime, we had to make sure we were not being followed.

After spending an hour confusing even ourselves where we were, we stopped at a café.  Coffee and a rest, along with a consultation with the map, and an internet search of small hotels, on the other side of town, one that required a few changes of train and/or bus.

We had said little except to agree or disagree which way to go, until now.  I could see that revelation about Cecile and her new boyfriend had struck her, and I began to believe that Cecile had neither told her, or told anyone else about Jake.

That made sense too, if he didn’t want her to tell anyone ‘Just yet’, until they got home.  For a girl with so much common sense, how could she have been so easily led astray?

After the coffee and a cake was delivered to the table, she said, “I’m sorry.”

“About what?”

“Dragging you here on this odyssey.  If I’d known you two had split up, I would not have been so insensitive.  Why didn’t you tell me?”

“I thought she had.”

“Do you know who this Jake is?”

“Only saw him once, and he was devilishly handsome.  Adonis would have had trouble competing with him.”

Did that sound like sour grapes?  Probably.  The first time I saw him, I knew I had no chance.

“That’s not her type.”

“Apparently it is now.”

She took a moment, eyed the cake, and mentally calculated the number of calories it contained, in exactly the manner he elder sister did, then asked, “Why did you come?”

“I still care about her, and what happens to her.”

“Even after she dumped you?”

I had forgotten Emily could be quite blunt sometimes, and now that she had learned of our split, she wasn’t taking it well.  That may have had something to do with the fact she took the credit for us getting together, all those years ago, when I might add, she was about five.

I’d been part of the furniture for almost all of her life, so I guess it was hard to take.

“Well, when we find her, I’m going to give her a very stern bollocking.”

If, and/or when, we found her. 

We still had to find a new hotel, get our luggage from the airport, Figure how to find our way to Jakes last known address, and make a call to a man called Sid Jackson, though he didn’t look like a Sid to me.

An idea occurred to me, and rather than having to rely on public transport, not that in London it wasn’t far better than anything we had at home, I remembered seeing a rent-a-car place not too far back.  A car might just be the thing, and in one respect, just the move they might not be expecting.

Something else had just occurred to me too.  Why had Cecile left this trail of breadcrumbs for me to follow, when she had made it quite clear she didn’t want to be with me anymore?

I guess it was a question I’d have to ask when we finally found her.

…

©  Charles Heath  2024

The cinema of my dreams – Was it just another surveillance job – Episode 18

As we all know, writing by the seat of your pants is almost the same as flying by the seat of your pants, a hazardous occupation.

As it happens, I like writing this way because like the reader, I don’t know what to expect next.

And equally, at times, you can write your self into a corner, much like painting, and then have to go back, make a few changes and//or repairs and then move forward.

It’s part of the writing process, only in this case, the changes occur before you’ve finished the novel, if you finish.  Quite often a lot of writers get only so far, then the manuscript hits the bottom drawer, to be brought out on a distant rainy day.

Or your cat has mocked your writing ability one too many times.

Therefore, we’re winding back to Episode 16, and moving forward once again, from there.  This is episode 18 revised…

Ever had the heart-stopping feeling when you’re in the wrong place, and someone has interrupted you?  Especially if you shouldn’t be there, or that you have no right to be there.

I stood quietly on the inside of the door and hoped whoever the visitor was would go away.  No answer meant no one was home, didn’t it?

Unless…

I heard a key in the door, and it turn in the lock.

I moved quickly to the other side of the door so I would be shielded when the person came into the room.  Too late to get out, I was of two minds what to do.  Hit the visitor over the head and flee, or ask them what they were doing, before they asked me that same question.

Then nothing.

Until a few seconds later I heard a voice, a man, say, “Jan, you’re back.  How was the visit to Philadelphia?”

I heard the slight rattle of Jan taking her hand off the handle and moving away from the door.  “Sad, as all funerals are.  Now, we are left with the house, and my father’s stuff; a huge collection of mostly junk over a long period of time.  Seems he never threw anything out.”

Jan?  Did she live here, with O’Connell?

“Yes, “I’m a bit like that.”

Another tenant, or the building super?

“I made sure Herman was looked after while you were away.  I don’t think he missed you at all?”

She laughed.  “He’s a cat, Fred.  We belong to them, not the other way around.”

“True.  Your friend has not been in for a week or so.”

“I know.  The last message I got from him, he was in Prague, lucky bastard.  He was going to take me with him, but at the last moment, they changed his itinerary.  Perhaps next time.  I was just going to make sure everything was OK, before going home myself.”

“I could look in if you want?”

“No.  Thanks anyway, but last time I was here I left a jacket behind.  Thanks, Fred.”

A moment later I could hear his footsteps heading away, and Jan moved back to the door, and opened it.

I heard the light switch, and then, suddenly, the room was filled with bright light.

The girl was unassuming, stepped into the room, and closed the door behind her.  Before she could take a step, I put a hand over her mouth and an arm around her neck and started squeezing.

Instinctively she started to struggle and call out for help.

I whispered in her ear, “I mean you no harm, but if you struggle, or yell out, it could turn out very bad for you.”

We had been taught how to subdue people without killing them, but that always didn’t go to plan.  There was that instinct to fight back in everyone, and it was sometimes hard not to apply excessive pressure which could, depending on the severity of resistance, see the target asphyxiated, or end up with a broken neck.

She was still struggling, which mean I had to exert more force.

“Stop fighting me or you will harm yourself,” I said, this time in a more forceful whisper.

It had an immediate effect, but I don’t think it was her obedience that caused it.  I gently lowered her to the floor and felt for a pulse.  Unconscious, not dead.  I sighed in relief.  I took a good long look at her so that I would remember what she looked like.  At some point, I was going to have to talk to her.

Then footsteps outside the door.  What else could go wrong?

Then knocking on the door.  Short and sharp.  Followed by, “Jan, are you in there?”

Fred, whoever he was.  What did he want?”

Another knock on the door, this time more urgent.  Damn.  O’Connell’s flat was like a busy store.

I looked around for an escape now there would be no going out the front door.  Not unless I had to disable another person, and assuming if he was the building super, he would not be a small man, so it would take a greater, and noisier, effort to subdue him.

A fire escape, all buildings usually had one down the side of the building, in case of fire.  I went over and checked the windows and found it.  The window needed a little force to open it, but the sound of a key in the door motivated me.

Out the window, close the window again, I made it down the stairs far enough that when I looked up, no one was following me.

That was close.  Too close.

© Charles Heath 2019-2022

365 Days of writing, 2026 – 12

Day 12 – The smaller characters that can steal the scene

…

The Scene-Stealers: Why the Bit Players in Stories Make Them Unforgettable

Every compelling narrative has a protagonist—the hero, the rebel, the reluctant saviour. We cheer for them, root for their growth, and remember their names long after the book is closed or the credits roll. But have you ever paused to consider the unsung heroes who linger in the background, the extras who, with a single line or moment, could steal the entire show? These bit players might not have the spotlight, but they’re the secret sauce that makes stories rich, relatable, and unforgettable.

The Depth Weavers: How Bit Players Add Layers

Stories thrive in worlds that feel alive, and minor characters are the mortar holding those worlds together. Take Mrs. Dubose from To Kill a Mockingbird. On the surface, she’s a grumpy neighbour, hurling insults at Scout. But her brief appearance unravels the complexities of addiction, courage, and legacy. Her story—told in the periphery—deepens the novel’s themes long after she disappears.

Similarly, in The Godfather, the scene where a horse’s head is placed in a man’s bed is legendary. While the man himself (a minor character) is a plot device, his presence underscores the Corleone family’s ruthless power and the era’s mob culture. These characters are not just “extras”; they’re the brushstrokes that add texture to the canvas.

The Mirrors and Shadows: Contrasting the Main Event

Bit players often highlight the protagonist’s journey by acting as foils. Consider Mr. Collins in Pride and Prejudice. Elizabeth Bennet’s sharp wit and independence shine brightest when measured against his obsequiousness and cluelessness. Though he’s a minor character, his presence sharpens the story’s critique of societal norms and amplifies Elizabeth’s growth.

In The Lord of the Rings, even the occasional tavern loiterer or roadside traveller reinforces the vastness of Middle-earth and the contrast between the mundane and the epic. These characters remind us why Frodo’s quest is so extraordinary—they live in the same world but will never attempt what he does.

The Scene-Stealers: When Bit Players Shine

Sometimes, all it takes is a single moment for a minor character to etch themselves into our memories. Recall the eerie calm of the priest in The Departed as he’s boxed in by assassins, or the surreal comedy of the “Dance of the Seven Veils” in The Producers. These characters may only appear for a scene, but their impact lingers.

Even in literature, consider the Looney Tunes-esque antics of the Gnomes in The Chronicles of Narnia: The Voyage of the Dawn Treader. They exist for less than a chapter but remain among the most quoted, parodied, and loved elements of the series. Their fleeting presence reminds us that magic often lives in the moments we least expect.

Why It Matters: The Human Touch

At our core, humans crave connection and recognition. We’re all protagonists in our own stories, yet bit players in others’. The minor characters in fiction mirror this duality, grounding narratives in authenticity. They remind us that a society—or a story—needs more than just heroes and villains. It needs the barista who forgets your name, the coworker who “borrowed” your pencil, and the stranger who hands you a stray umbrella in a downpour.

By appreciating these characters, we become more intentional readers and creators. We learn to look beyond the surface, to find wonder in the ordinary, and to recognise that even the smallest role can carry profound weight.

Your Turn: Who Are Your Favourite Bit Players?

Think back to your favourite stories. Which minor characters stick with you? Is it the gruff motel owner in Breaking Bad, the inscrutable IT guy in The Office, or even the diner regulars in your favourite novel? Share them in the comments—sometimes the best stories are the ones we didn’t expect to remember.

Because in the end, whether they’re on the page or the screen, these bit players teach us this: every voice, even every extra, has the power to change the narrative.

Top 5 sights on the road less travelled – Hobart, Australia

Discover Hobart’s Hidden Gems: Top 5 Tourist Attractions That Aren’t Crowded but Still Captivating

Hobart, Tasmania’s capital, is best known for its vibrant arts scene, stunning natural landscapes, and iconic attractions like Salamanca Place and MONA. But for travellers craving a quieter, more introspective experience—yet still rich in culture and charm—Hobart offers a treasure trove of lesser-known spots. These hidden gems are often overlooked by crowds but brim with unique stories, history, and beauty. Here are five must-visit attractions that will give you a fresh perspective on this coastal city.

1. Battery Point: A Glimpse into Hobart’s Colonial Heart

Tucked on the northern shore of the Derwent River, Battery Point is a charming historic suburb that feels more like a sleepy local neighbourhood than a tourist hotspot. Here, you’ll find well-preserved Federation-era homes (late 1800s) now converted into cozy cafes, galleries, and boutique shops. Stroll through the cobblestone streets, admire the convict-built wharves, and enjoy waterfront views of the bustling Salamanca Wharf.

Why It’s Special: Battery Point is a vibrant, community-focused area where history and modernity blend seamlessly. Its peaceful atmosphere and local vibe make it perfect for a leisurely afternoon.
Pro Tip: Visit on a weekday for a more relaxed experience, and don’t miss Battery Point’s famous Sunday markets for fresh produce and handmade crafts.

2. Mawson’s Hut Replica at Kingston

A few kilometres east of Hobart, the Mawson’s Hut Replica at Kingston offers a fascinating slice of Antarctic history. Built by Sir Douglas Mawson, an Australian explorer of Antarctica, this replica of his original 1911 hut now serves as a museum showcasing his daring expeditions to the frozen continent. The original hut is still preserved in Commonwealth Bay, while this one houses artifacts and interactive exhibits.

Why It’s Special: This is Tasmania’s unique contribution to polar exploration. While small in scale, the museum is packed with gripping stories and rare artifacts, making it a niche but powerful experience.
Pro Tip: Combine your visit with a scenic walk around Kingston Bay, where you can spot penguins and enjoy views of the Storm Bay.

3. Tasmanian Museum and Art Gallery (TMAG)

Nestled in the heart of Hobart, TMAG is a cultural hub that often flies under the radar. Its eclectic mix of exhibitions ranges from Aboriginal art and natural history to Victorian scientific instruments and contemporary Tasmanian art. The building itself—a former courthouse with a dramatic red-brick façade—is a masterpiece.

Why It’s Special: TMAG offers depth and diversity without the crowds. Its rotating exhibitions ensure there’s always something new to discover, whether you’re a history buff or an art lover.
Pro Tip: Check the calendar for special events and exhibitions, such as their popular Dark Mofo winter festivals.

4. Hobart Rivulet: A River of Stories and Art

Once an industrial channel, the Hobart Rivulet has been transformed into a vibrant urban space. The revitalised area now features interactive art installations, public sculptures, and walkways that trace the river’s path through the city. It’s a great place to reflect on Hobart’s past while appreciating its creative present.

Why It’s Special: The Rivulet is a living museum of art and history. From the quirky Sculpture by the Rivulet collection to historic convict-era buildings like the old Hobart Gaol, there’s plenty to explore.
Pro Tip: Visit at sunset for a magical view of the river, or join a guided walk to delve into its industrial and Indigenous heritage.

5. Cascades Female Factory: A Haunting Chapter of Convict History

In South Hobart, the Cascades Female Factory stands as a poignant reminder of Tasmania’s convict past. This UNESCO World Heritage Site once housed nearly 12,000 women transported to Tasmania. Today, it’s a museum that tells their stories through interactive displays, preserved buildings, and audio-visual guides.

Why It’s Special: Unlike the bustling convict sites at Port Arthur (which is further out), the Cascades Female Factory offers a more intimate and reflective experience. Its focus on the experiences of Indigenous and convict women is deeply moving and educational.
Pro Tip: Take a guided tour to uncover lesser-known stories and get a personal connection to this significant site.

Why These Places Are Perfect for the Discerning Traveller

These attractions stand out not only for their historical and cultural value but also for their ability to offer a peaceful, off-the-beaten-path experience. They’re ideal for travellers who want to avoid the usual tourist throngs while still connecting with Tasmania’s rich heritage and creativity.

How to Visit:

  • Plan your trip during weekdays or shoulder seasons (spring/fall) for the fewest crowds.
  • Use Hobart’s bike paths or rent a car for easy access to nearby spots like Kingston and South Hobart.
  • Pack a picnic and linger longer at these less-visited sites—they’re perfect for slowing down and savouring the moment.

Final Thoughts
Hobart is more than its famous landmarks—it’s a city of hidden stories waiting to be uncovered. Whether you’re exploring the stately homes of Battery Point or reflecting on the resilience of convict women at Cascades, these attractions offer a deeper, more personal connection to Tasmania. So next time you’re in Hobart, trade the well-trodden path for these quiet, captivating gems and discover why the best experiences sometimes lie in the unexpected.

Have you visited any of these hidden spots in Hobart? Share your favourite underrated destination in the comments below! 🌿📷

What I learned about writing – Stirring conscience

The Writer’s Role: Menacing the Public’s Conscience

In an age of carefully curated content and echo chambers, the idea of a writer’s role is often reduced to entertainment, information, or self-expression. But at its most vital, literature and journalism hold a far more urgent purpose: to menace the public’s conscience. This phrase, simple yet provocative, invites us to consider how the written word can challenge complacency, disrupt apathy, and force society to confront its contradictions. Let’s unpack why this responsibility is not just important—it’s essential for a healthy democracy and a humane world.

What Does It Mean to “Menace the Conscience”?

The word menace often carries negative connotations, evoking fear or threat. But in this context, it refers to the act of unsettling—provoking discomfort so that the public is jolted from complacency. It’s about holding up a mirror to societal evils, hypocrisies, and injustices, and demanding that we look. A writer who menaces the conscience doesn’t offer easy answers; they ask uncomfortable questions. They expose the rot beneath the surface, from systemic inequality to the erosion of truth.

The Historical Imperative

Great writers have always played this role. George Orwell’s 1984 didn’t just predict a dystopian future; it forced readers to grapple with the dangers of authoritarianism and surveillance. Kafka’s The Trial and The Metamorphosis turned bureaucratic absurdity and alienation into visceral, haunting experiences. James Baldwin, in essays like The Fire Next Time, confronted America’s unhealed wounds of racism, not with anger alone, but with a moral urgency that demanded reflection.

These authors didn’t write to comfort the comfortable. They wrote to challenge the status quo, urging readers to see themselves not as passive observers but as active participants in the world they inhabit.

The Mechanism of Menace: How Writers Provoke Change

  1. Narrative as Disruption
    Stories humanise the abstract. When a writer portrays a character fleeing persecution or a community decimated by poverty, they convert statistics into lived experience. This empathy is a form of menace—it annoys the conscience into action.
  2. Language as a Weapon Against Lies
    In an era of misinformation, writers have a duty to sharpen truth. By exposing half-truths, biases, and manipulative rhetoric, they dismantle the narratives that allow injustice to persist.
  3. Unmasking Invisibility
    Too often, the powerful and the privileged are invisible to themselves. A writer’s job is to illuminate those hidden corners—like the systemic gender wage gap, the trauma of climate migration, or the dehumanising effects of capitalism.

The Risks and Challenges

Menacing the public’s conscience isn’t without peril. Writers may face backlash, censorship, or accusations of being “divisive.” After all, people protect their worldviews fiercely; to challenge them is to threaten the self. Consider the criticism directed at authors like Ta-Nehisi Coates for confronting racial trauma or Greta Thunberg for shaming inaction on climate change. The more a writer’s work stings, the more resistance it may provoke.

Yet, this resistance is a sign that the conscience is awakening. It’s a discomfort that precedes growth. The key is persistence.

The Modern Media Landscape: A New Frontier

Today’s writers face a paradox: we have more voices and platforms than ever, yet attention spans are shorter. How can a writer menace a conscience buried beneath viral trends and endless scrolling? The answer lies in specificity. Instead of broad, generalised critiques, focus on the personal, the granular. A single, powerful story can cut through the noise.

Also, consider the power of gentle menace. It’s not always about outrage; sometimes, it’s about aching honesty or poetic reflection that slowly reshapes how we see the world. Writers like Ocean Vuong and Chimamanda Ngozi Adichie master this, blending vulnerability and truth to pierce the reader’s heart.

The Writer’s Responsibility: Beyond Provocation

To menace the conscience is not simply to shock for shock’s sake. It requires care. Writers must balance courage with nuance, pushing readers toward empathy without exploiting trauma. The goal is not to paralyse with guilt but to inspire—to show how change is possible and how each of us can contribute.

A conscience menaced is only useful if it leads to action. That means pairing uncomfortable truths with glimpses of hope, with paths forward.

Final Thoughts

The writer’s role has never been more critical. In a fractured world, we need voices that refuse to sanitise, that dare to ask, “What if this were you?” To menace the public’s conscience is to stand as a sentinel against complacency, a provocateur for justice, and ultimately, a hope for a better future.

So, to writers: Write boldly. Write with empathy. Write until the comfortable start to squirm—and then write some more.

What stories will you stir? What truths will you unearth? The world is waiting.