Author: aloysius5

Over the years, I have traveled extensively and kept journals, with the idea that one day all of those places would become locations in books. Notebooks filled with odd characters, people and incidents observed, and whole tracts of stories written when the on the spot inspiration has been a driving force. All of this is the basis of the first three novels, Sunday In New York, set, of course, in New York, probably my favorite city in the world, “Echoes From The Past’ equally set in New York, Brooklyn Heights and Philadelphia. The third, The Devil You Don’t, travels through Europe, starting in Geneva, moving to Rome, then Sorrento, and then to Venice. Now, my passion to write is fuelled by travel and fine dining. When I take a break from these, I get to torment my three wonderful grandchildren whom I actively encourage to read as much as they can, and more recently to also write. As for almost every other writer, I would not be able to do any of this without my wife who has put up with my moodiness, the times when I'm locked away in a room trying to push out another 2,000 words, and yet despite everything still puts up with me. I wish I could say the same for our cat. Alas, I am still trying to work out how to be his friend!

365 Days of Writing, 2026 – 238

Day 238 – Every book is an offering

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Beyond the Debut: Why the Second Book Defines an Author (And Why Every Book is an Offering)

There is a romanticised myth in the literary world about the debut author. We celebrate the overnight success, the passion project nurtured for a decade in secret Google Docs, the breathless debut novel that finally breaks through into the world.

And it’s true: Everybody can write a good first book.

Before you gasp, let that settle. With enough time, raw life experience, obsessive editing, and sheer willpower, almost anyone who has a story in their heart can pull a debut novel out of the ether. It is a massive achievement, a testament to grit and creativity.

But as the old industry adage goes: An author is proven on the second book.

This transition—from a one-hit wonder of passion to a sustainable, evolving creator—is where the true journey of authorship begins. Coupled with the profound truth that every book is simply an offering, and you just wait to see who will accept it, we uncover the real philosophy of a writing life.

Let’s explore what it takes to survive the sophomore slump, why the second book matters so much, and how to release your work into the world with grace.

Part 1: The Myth of the First Book (and the Reality of the Second)

Why can everyone write a good first book? Because your debut is a reservoir. It is a collection of everything you’ve thought, felt, read, and experienced up until that exact point in your life. It has no deadline, no expectations, and no ghost of a previous work looking over its shoulder. It is pure, unadulterated self-expression.

Writing a first book is like shouting your truth into a canyon for the first time. It echoes wildly. It feels magnificent.

Then comes the contract. Or the independent publishing timeline. And suddenly, you have to do it again—only this time, under pressure.

The second book strips away the safety net of “beginner’s luck.”

  • The “Sophomore Slump” is psychological: Suddenly, you aren’t writing in a vacuum. You are acutely aware that someone is going to read this.
  • The well has been tapped: That first reservoir of accumulated life experiences? You used the best parts of it in Book One. Book Two requires you to dig deeper, think harder, and invent new wells.
  • The identity shift: Writing the first book makes you feel like a writer. Writing the second book makes you become a professional.

To prove yourself as an author, you have to show that you aren’t just a vessel for one good idea, but a wellspring of creativity. You have to prove you can master the craft when the initial adrenaline has worn off.

Part 2: Every Book is an Offering

Regardless of whether it’s your first book, your second, or your tenth, the act of publishing brings with it a terrifying vulnerability. We spend months or years bleeding onto the page, polishing the prose, and designing the cover. When we finally hit “publish” or send the manuscript to our publisher, we hold our breath, expecting the world to bow.

When it doesn’t—or when the reaction is mixed—it can crush us.

This is where reframing the mindset becomes essential: Every book is an offering.

Think of creation not as a transaction where you demand applause, sales, or critical acclaim, but as placing something on an altar. You craft it with love, skill, and reverence. You polish it until it shines. And then, you step back.

You do not control who walks past the altar. You do not control who picks it up, who scoffs at it, or who takes it home and treasures it forever.

  • Letting go of outcomes: When you view a book as an offering, the pressure shifts from “Will they love me?” to “Did I give my best?”
  • Finding your true readers: Not every offering is meant for every person. When you release a book, you are simply waiting to see who will accept it. The beauty of the modern literary landscape is that there is an audience for almost everything—if you are brave enough to offer it authentically.

Part 3: Navigating the Intersection of Craft and Acceptance

If the second book proves the author, and every book is an offering, how do we navigate the messy middle between writing the words and letting the world judge them?

  1. Write for the Reader on the Other Side: While the book is an offering, remember that offerings are meant to be received. As you write your second book, keep your ideal reader in mind—not as a critic, but as a companion. What gift are you preparing for them?
  2. Detach from the Metric of “Success”: Book One might sell a million copies, and Book Two might find a quiet, dedicated cult following. Both are valid. Success isn’t always a bestseller list; sometimes, success is simply the fact that the offering was made, received, and changed even one person’s life.
  3. Fall Back in Love with the Process: The cure for “second-book syndrome” is to stop looking at the mountain peak and focus on putting one foot in front of the other. Remember why you started writing in the first place, long before anyone was watching.

Final Thoughts: Keep Making Your Offerings

Everybody can write a good first book. But the ones who stay—the ones who build a legacy, a catalogue, and a true career—are the ones who face the blank page a second, third, and fourth time.

Writing is an act of supreme courage. It is standing in the marketplace of ideas, holding out a piece of your soul, and whispering, “I made this for you.”

So, write the difficult second book. Embrace the fear. Make your offering, place it gently on the altar of the world, and wait with an open heart to see who reaches out to accept it.

Are you working on a debut, staring down the intimidating second book, or somewhere further along the journey? Share your thoughts and experiences in the comments below!

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The first case of PI Walthenson – “A Case of Working With the Jones Brothers”

This case has everything: red herrings, jealous brothers, femme fatales, and at the heart of it all, greed.

See below for an excerpt from the book…

Coming soon!

PIWalthJones1

An excerpt from the book:

…

When Harry took the time to consider his position, a rather uncomfortable position at that, he concluded that he was somehow involved in another case that meant very little to him.

Not that it wasn’t important in some way he was yet to determine, it was just that his curiosity had got the better of him, and it had led to this: sitting in a chair, securely bound, waiting for someone, one of his captors had called Doug.

It was not the name that worried him so much; it was the evil laugh that had come after the name was spoken.

Doug what? Doug the ‘destroyer’, Doug the ‘dangerous’, Doug the ‘deadly’; there were several sinister connotations, and perhaps that was the point of the laugh, to make it more frightening than it was.

But there was no doubt about one thing in his mind right then: he’d made a mistake. A very big. and a costly mistake. Just how big the cost, no doubt, he would soon find out.

His mother and his grandmother, the wisest person he had ever known, had once told him never to eavesdrop.

At the time, he couldn’t help himself, and instead of minding his own business, listening to a one-sided conversation that ended with a time and a place. The very nature of the person receiving the call was, at the very least, sinister, and, because of the cryptic conversation, there appeared to be, or at least to Harry, criminal activity involved.

For several days, he had wrestled with the thought of whether he should go. Stay on the fringe, keep out of sight, observe and report to the police if it was a crime. Instead, he had willingly gone down the rabbit hole.

Now, sitting in an uncomfortable chair, several heat lamps hanging over his head, he was perspiring, and if perspiration could be used as a measure of fear, then Harry’s fear was at the highest level.

Another runnel of sweat rolled into his left eye, and, having his hands tied, it literally made it impossible to clear it. The burning sensation momentarily took his mind off his predicament. He cursed and then shook his head, trying to prevent a recurrence. It was to no avail.

Let the stinging sensation be a reminder of what was right and what was wrong.

It was obvious that it was the right place and the right time, but in considering his current perilous situation, it definitely was the wrong place to be, at the worst possible time.

It was meant to be his escape, an escape from the generations of lawyers, what were to Harry, dry, dusty men who had been in business since George Washington said to the first Walthenson to step foot on American soil, ‘Why don’t you become a lawyer?” when asked what he could do for the great man.

Or so it was handed down as lore, though Harry didn’t think Washington meant it literally, the Walthenson’s, then as now, were not shy of taking advice.

Except, of course, when it came to Harry.

He was, Harry’s father was prone to saying, the exception to every rule. Harry guessed his father was referring to the fact that his son wanted to be a Private Detective rather than a dry, dusty lawyer. Just the clothes were enough to turn Harry off the profession.

So, with a little of the money Harry inherited from one of his aunts, he leased an office in Gramercy Park and had it renovated to look like the Sam Spade detective agency, you know the one, Spade and Archer, and The Maltese Falcon.

There’s a movie and a book by Dashiell Hammett if you’re interested.

So, there it was, painted on the opaque glass inset of the front door, ‘Harold Walthenson, Private Detective’.

There was enough money to hire an assistant, and it took a week before the right person came along, or, more to the point, didn’t just see his business plan as something sinister. Ellen, a tall, cool woman in a long black dress, or so the words of a song in his head told him, fitted in perfectly.

She’d seen the movie, but she said with a grin, Harry was no Humphrey Bogart.

Of course not, he said, he didn’t smoke.

Three months on the job, and it had been a few calls, no ‘real’ cases, nothing but missing animals, and other miscellaneous items. What he really wanted was a missing person. Or perhaps a beguiling, sophisticated woman who was as deadly as she was charming, looking for an errant husband, perhaps one that she had already ‘dispatched’.

Or for a tall, dark and handsome foreigner who spoke in riddles and in heavily accented English, a spy, or perhaps an assassin, in town to take out the mayor. The man was such an imbecile that Harry had considered doing it himself.

Now, in a back room of a disused warehouse, that wishful thinking might be just about to come to a very abrupt end, with none of the romanticised trappings of the business befalling him. No beguiling women, no sinister criminals, no stupid policemen.

Just a nasty little man whose only concern was how quickly or how slowly Harry’s end was going to be.

…

© Charles Heath 2019-2024

The cinema of my dreams – Was it just another surveillance job – Episode 27

I’m back home, and this story has been sitting on the back burner for a few months, waiting for more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritising.

But here we are, a few minutes opened up, and it didn’t take long to get back into the groove.

Chasing leads, maybe

…

“Who’s coming?” snapped Maury.

“Some nice men in white coats, to take you away to a dark and dank hole somewhere in this city where you may tell us what you know, or you might not survive the experience. You got one shot at the easy way, now it looks like it’s going to be the hard way.”

I had to admire her. She had gone all gung-ho on him and, frankly, it was a frightening side to her that you wouldn’t normally see, or even guess that she had.

“This is a big mistake, Jackson. I suggest you call Severin and get this straightened out very quickly.”

“I’m going to call him, eventually. After I find the USB and see what’s on it. What it is that you seem to be so desperate to get to first?”

“That’s a matter of national security.”

“I suspect it’s a matter that involves you and Severin. O’Connell was working for a man called Nobbin. He runs another department, it’s starting to sound like there are wheels within wheels, who’s part in all of this I’m yet to understand.”

“He’s after the USB too?”

“Of course. If it’s evidence against you, and or others conspiring to do God knows what, he probably needs to know so he can put a stop to it. Apparently, since no one has heard of you or your operation, I’ve been transferred to his department.”

“How do you know the information is not about him? It’s not unheard of for an agent to discovered irregularities against his commander.”

“Then let’s hope I find the USB first. And, just out of curiosity, why did you kill O’Connell. Wouldn’t it be a better idea to capture him and make sure he had the USB before you did anything irrational.”

“It wasn’t my idea.”

“That’s what most of the Nazi’s said at Nuremberg.”

There was a knock on her door.

Jan went over and opened it. It was, I thought, the wrong thing to do when we had a man as dangerous as Maury in the room.

Of course, with the benefit of hindsight, I could say it was the wrong thing to do, but at the time, even I didn’t think Severin would know what was happening to his attach dog.

Apparently, he did.

The door crashed open sending Jan into a fall that saw her head hit by the swinging door. Three men with guns came bursting in, followed by a fourth, Severin.

Severin took in the room with a single sweep, then glared at me. “You need to pick a side, and soon, Jackson.”

One of the other men cut the ties and helped Maury to his feet. He also glared at me as he left with the other two. “You’ll keep,” Maury muttered as he went past, then was gone.

Severin looked at Jan, now a crumpled heap on the floor.

“Don’t play with MI5. They never see the big picture. Maury doesn’t forget, Jackson, so there will be a reckoning later. I suggest you find a way of redeeming yourself in his eyes. Perhaps it would be better if you cut ties with Nobbin and disappeared for a while. This matter is too big for a newbie like you.”

I heard a groan by the door, Jan waking.

“Just keep out of the way, Jackson. And her, if she knows what’s good for her.”

He left, closing the door behind him.

I went over to Jan and checked to see what injuries she had other than to her pride. A gash on the side of the head, with a little blood. It would give her a huge headache though.

“I’ll get a wet towel,” I said, helping her into a sitting position.

She still looked groggy.

“What happened?”

“You answered the door before finding out who was on the other side.”

“Maury?”

“Gone. He must have signaled Severin somehow that he was in trouble, or they were tracking him. Either way, they got here rather quickly to rescue him.”

“My people?”

“Not here yet.”

I left her to find a towel and run water over one end.

When I came back, she was on her phone, having got up off the floor. She still looked quite shaken.

“Yes, sir.” was all I heard of the conversation before she disconnected the call.

“Did you call off the collection team?”

“They weren’t coming. They said apparently I had rung back to say it was a false alarm.”

“And they believed that?”

“Whoever called had my special code, so yes, they did.”

Call finished, she sat down in one of the chairs and pressed the wet part of the towel against her head.

“Next time you might consider looking first before opening the door,” I said, realizing that it was not the advice she would be looking for.

“It’s a mistake I won’t make again, I can assure you,” she said. “but, we haven’t lost him yet.”

“How so?”

“I slipped a tracker onto his clothes, not one he’ll easily recognize or find, and as we speak, he’s being tracked through outer London. We’ll soon know where he’s going, and perhaps second time lucky.”

She was more resourceful than I would normally give anyone credit for.

Now it was a matter of waiting. Would he lead us to the heart of Severin’s operation? Only time would tell.

…

© Charles Heath 2020

‘Sunday in New York’ – A beta reader’s view

I’m not a fan of romance novels but …

There was something about this one that resonated with me.

This is a novel about a world generally ruled by perception, and how people perceive what they see, what they are told, and what they want to believe.

I’ve been guilty of it myself, as I’m sure we all have at one time or another.

For the main characters, Harry and Alison, other issues are driving their relationship.

For Alison, it is a loss of self-worth through losing her job and from losing her mother and, in a sense, her sister.

For Harry, it is the fact that he has a beautiful and desirable wife, his belief that she is the object of other men’s desires, and, in particular, his immediate superior’s.

Between observation, the less-than-honest motives of his friends, a lot of jumping to conclusions based on very little fact, and you have the basis of one very interesting story.

When it all comes to a head, Alison finds herself in a desperate situation, and she realises only the truth will save their marriage.

But is it all the truth?

What would we do in similar circumstances?

Rarely does a book have me so enthralled that I could not put it down until I knew the result. They might be considered two people who should have known better, but as is often the case, they had to get past what they both thought was the truth.

And the moral of this story, if it could be said there is one, is that nothing is ever what it seems.

…

Available on Amazon here: amzn.to/2H7ALs8

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The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 83

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new instalment of an old feature, and we’re back on the treasure hunt.

…

Alex is a problem

…

My mother didn’t return after the sheriff and Charlene left, and it didn’t bother me as much as it should.

What did bother me was the extent Alex, and no doubt his new best friend Vince, had muddied the water, but they did have a week to get their stories straight.

A point taken out of the interview with Charlene:  any evidence of Boggs father or Ormiston had been removed, along with the pirate skeletons and anything also that could be identified.

No one would believe us if we said we saw them, we would be classed as delusional, and probably not without reason. 

Another point, we had not been tied up when we were recovered, and there were no noticeable marks, or at least couldn’t be explained away.  It was obvious they had come back, not only to cleanse the site but to make our deaths look more natural.

The last, for that moment, was the fact no one went looking for us after Alex said we had run away together.

The question that had to be asked, was what eventually prompted the police to start looking for us, and why was it in the cave system?  I had not exactly alluded to where it was.

I heard the door to my room open and shut and rolled over, expecting a nurse.

It was Charlene, alone this time, leaning against the door.

“What are you not telling me?”

“What else is there to say?  Apparently, Alex knows more about my situation than I do, so you have to ask yourself, how that’s possible.”

“You tell me.”

“So you can take anything I say to the Benderby’s so they can use it against me?  I’m not surprised the Benderby’s have got you doing their dirty work for them.  After all, your father is up for re-election, and needs their support to stay in office.”

A furrowed brow and dark look told me I was on dangerous ground.  Implying the sheriff was in Benderby’s pocket wasn’t the best idea, even if it was rumoured to be true.

“What exactly are you implying?”

Brittle tone, time to back down.  “Nothing.  You managed to get a good result from a bad situation, except for poor Boggs.  What happened to him?”

“Slipped and fell, the medical examiner believes.  No signs of foul play if that’s what you’re asking?”

“Where?”

“On the rocks at the foot of the cliff leading up to the ledge and cave entrance, in full climbing gear.  Had we not found him there, we would not have found you.  We assumed since he didn’t find the treasure, he left, leaving you two behind.”

It fitted the story, no doubt seeded by Alex.  And reasonably true, to a certain extent.  He had left us, but not out of pique.

“You could say he was disappointed.”

“What happened, because I don’t understand why you didn’t leave at the same time.”

“Boggs was there for the treasure.  We wanted to do more exploring, but ended up getting lost.”

It was a logical explanation and would fit her narrative.  I didn’t see the point of throwing any curve balls.

I could see her processing.

“You mustn’t think very much of me Sam.”

“Whatever gives you that idea?”

“I don’t think I’ve heard one word of truth from you so far.  I know something happened in that cave, and you were not the only people involved.  Alex can’t lie to save himself, and Vince Cossatino, well, stark staring bonkers doesn’t begin to describe him.  They’re mixed up in this somehow, and I can’t do anything about it unless you tell me the truth.”

“An old newspaper adage I once heard sums up what I think appropriately describes this situation you find yourself in.  Don’t let the truth get in the way of a good story.  You can draw any picture you want, but we both know the person with the best lawyers will win the day, irrespective of what you think happened or what actually happened.  It might be a different story if you found us dead, but you didn’t.”

“There’s Boggs.  He didn’t make it, and I’m not convinced he fell to his death.  I found a climbing expert to review the gear, the site, and the body.  Boggs was left-handed wasn’t he?”

Perhaps I might have misjudged her, and her tenacity in investigating.  But, there was a problem.  “Ambidextrous when climbing, right-handed when playing most sports.  The guy was an enigma at times, and a bit of a daredevil.”

“Still…”

“You’re going to need more than that before casting aspersions that will destroy his mother if she’s not already there.”

“I don’t get it, Sam.  Why won’t you help me?”

“No point.  We both know who runs this town, and always has.  You were at school the same as I was, and Alex was always untouchable.  You don’t want to make an enemy of him.  I did and look where it got me.”

“I have a job…”

“The wrong job, or maybe the wrong place.  There’s a reason why your father is not pushing this.  Alex will get what he deserves, perhaps sooner rather than later.”

“You think the Cossatino’s will exact their own justice?  That’s not going to happen.  At the moment the Cossatino’s and the Benderby’s are like peas in a pod.”

That was disconcerting news, and I wondered how Nadia had taken that.

“How is Nadia, by the way?”

“She’s apparently taken a vow of silence.  I suspect the first visit from her father was to warn her against making any accusations.  She hasn’t told us anything, except how you convinced her that she would be rescued.  It must have been terrible.”

Worse.  Not knowing if anyone would come, and as time passed, that feeling this was your time to die.  I had gotten to the point where I regretted wasting all those years after leaving school and doing nothing.  The fact my mother needed me had made that decision all too easy, but now I realized, she hadn’t needed me, that she was contented with her two suitors and remaining just out of reach, playing them against each other.

A commotion outside the door took my mind away from those thoughts, and seconds later Alex came into the room.

“You shouldn’t be here, Alex,” Charlene said, standing between him and me.

“You don’t know your place, Charlene, and that’s not here.  Go play detective somewhere else.”

“You want to be careful Alex.”

“Or what?  You’ll get your father to sort me out?”  He laughed.  “So naive and stupid.  We own him, and he’ll do what he’s told.  As will you.  Now, get out before I throw you out.”

I watched her consider how she was going to respond, even to the point of telling him off, but there was that hesitation, confirmation of what I’d just told her, which was far worse than I suspected.  Then, a shake of the head, and, “I’ll be just outside, you do anything, I’ll be a witness “

Brave, but pointless.  He shoved her out, and closed the blind, and the door.

“So Smidge, you’ve been spreading lies.”

“Have I ?  What lies, specifically?”

“Your mother came around and told my father Vince and I tied you up and left you for dead “

“Rather accurate, don’t you think?”

“Lies, Smidge.  The result of our differences perhaps, but whatever the reason, don’t repeat them again.  Not if you want a ton of bricks to rain down on you, literally.”

So my mother had gone straight to Benderby.  No surprise there, but was it because she cared, or was she reporting my comments?

“I wouldn’t be worried about me, Alex.  You have bigger problems to deal with.”

“Oh?  I don’t think so, if you’re referring to Nadia.  We have a deal with the Cossatinos.  If she says anything, they’ll deal with her.”

“In all the time you dated her, Alex, did she show you her true colours?”

“She’s just a stupid girl like all the rest.  What are you talking about?”

There was no hint of concern, and that might just be his Achilles heel.  If I could just sow a few seeds of doubt in his mind…

“I’d run Alex.  As far and as fast as you can.”

The door crashed open and the Sheriff came in, red-faced and very angry.

“Get out Alex.”

“Do you need to be reminded who you are talking to?”

The sheriff apparently didn’t, and with one punch propelled Alex across the room and into the wall, before he crashed to the ground.  He wisely stayed on the floor, as the sheriff was standing over him, ready for round two.

“My father will hear about this,” he said, pulling out his phone.

“He will.  I have two witnesses who will testify you threw the first punch and were resisting a direct order to leave.  If you know what’s good for you, you’ll stay put and shut your mouth.”

Alex did.

He turned to me.  “Where’s Nadia?”

“Last I heard she was in a hospital bed.”

“She left “

“You talk to her parents?”  Alex joined the conversation.   Perhaps he was hoping that was the case.  I didn’t think it was.

“They’re surprised.  We have CCTV footage of her leaving, alone.  I ask again, Sam, where is she?”

“What makes you think I would know where she is.”

“You were alone with her in that cave, in a near-death situation.  People tend to confide their deepest innermost secrets at such a time.”

“Not with me.  The girl is as much an enigma to me as she is to everyone else.  But one thing she did say, she’s nothing like her parents, so much so, she reckoned they adopted her.”

“Not helping Sam.”

I looked over at Alex.  “You should ask the sheriff to put you in protective custody, Alex.”

He snorted in disbelief, obviously remembering what I’d said earlier.

The sheriff picked up on it.  “Why would you say that?”

“Sometimes it’s what is not said that is most telling.”

“Then you’re saying that Alex and Vince had something to do with you being left in that cave because for the life of me, I can’t understand why you didn’t just walk out of there.  I don’t believe for one minute you got lost, Sam.  Not you.  I know you.”

He might, but Alex was still in the room and it was still unfounded allegations.  But there was a slight look of panic on his face.

“Well, believe it or not, that’s what happened.  I would appreciate it if you took Alex away, and stopped him from harassing me.  As for Nadia, if she has any sense, she should go back to Italy.  For what it’s worth, she won’t go back to the Grove, which isn’t home to her, but she might go back to her hotel room.”

I told him which hotel and the room number and told him to leave and take Alex with him.  I suggested protective custody, just in case, but neither seemed to think he would need it, which left me with a curious notion, did the sheriff want Nadia to take care of a problem he couldn’t.

…

© Charles Heath 2020-2022

The 2am Rant: The colour purple

You would think, being one of a dozen colours that pip onto your head when asked, name a dozen colours, that it would be easy to find almost anything.

Wrong.

We are on a quest to find bridesmaid dresses in, you guessed it, any shade of purple.

We might as well be looking for gold nuggets.  In fact, we’d have a better chance of finding gold than a purple dress.

And, seven stores later, five of which are specialty fashion boutiques, sorry, no one is doing purple. Maybe a dash here or there, but it’s lost in the overall dress that may have flowers or a Picasso abstract.

OK, so the dresses are for a 15-year-old and a 12-year-old, you would think you could go to a Target, or K Mart, or Cotton On, or perhaps the Guess type of store that caters to that 13 to 25 market.

Think again.

Purple, mauve, lilac, or any shade in between just isn’t on the rack.

I suddenly consider the notion of phoning a supermodel and then convincing her to wear every shade of purple every waking hour in public, thus setting a new trend.

I’m betting that within a week, every store on the planet will have purple clothes in stock.

Of course, there is only one flaw in the master plan. I don’t know any supermodels.

So, this search is going to have a bad ending. I’m guessing the bride’s decision for purple and white as the signature color scheme was made before discovering that practically nothing comes in purple.

No the way, it was originally lilac, but that is impossible, not unless there are about 3 years before the wedding and you can get to Hong Kong to have the dresses specially made.

We’ve got about three weeks.

Yes, there’s another thing about this wedding. From announcement to the big day, is six weeks. Logistically, it can’t be done. Practically, there’s going to be a ward in the mental hospital for the wedding party, even if they pull it off.

Meanwhile, it’s back on the trail. There’s one more level to trawl, in what is a very large shopping mall.

And for the first day after the easing of many of the drastic Covid restrictions, it seems everyone for miles around has descended on this very place.

Sigh!

Then, majestically appearing through the mist…

No, not sunshine! A purple dress.

I am all astonishment. And, it’s not just one, there are several.

Hold that thought…

Alas, we find the dress, but not the colour, well, not in that store. Now it’s a matter of phoning other stores to see if they have any purple stock.

I’ll let you know what happens next!

What I learned about writing: Writers need to have many alter egos

I have often wondered just how much or how little of the author’s personality and experiences end up in a fictional character.

Have they climbed mountains,

Have they escaped from what is almost the inescapable,

Have they been shot, tortured, or worse,

Have they been dumped, or divorced,

Have they travelled to dangerous places, or got locked up in a foreign jail?

We research, read, and I guess experience some or all of the above on the way to getting the book written, but it’s perhaps an interesting fundamental question.

Who am I today?  Or, more to the point, who do I want to be today?

Or it can be a question, out of left field, in an interview; “Who are you?”

My initial reaction was to say, “I’m a writer.”  But that wasn’t the answer the interviewer is looking for.

Perhaps if she had asked, “Who are you when you’re writing your latest story?” it would make more sense.

Am I myself today?

Am I some fictional character an amalgam of a lot of other people?

Have I got someone definite in mind when I start writing the story?

The short answer might be, “I usually want to be someone other than what I am now.  It’s fiction.  I can be anyone or anything I want, provided, of course, I know the limitations of the character.”

“So,” she says, “what if you want to be a fireman?”

“I don’t want to be a fireman.”

“But if the story goes in the direction where you need a fireman…”

“What is this thing you have with firemen?”  I’m shaking my head.  How did we get off track?

“Just saying.”

“Then I’d have to research the role, but I’m not considering adding a fireman anytime soon.”

She sighs.  “Your loss.”

Moving on.

And there is that other very interesting question; “Who would you like to be if you could be someone else?”

A writer in that period between the wars, perhaps like an F Scott Fitzgerald or Ernest Hemingway, in Paris, or if it is a fictional character, Jay Gatsby.

He’s just the sort of person who is an enigma wrapped up in a mystery.

365 Days of Writing, 2026 – 237

Day 237 – Writing Exercise

…

While I loved the idea of pulling off the impossible, something I had managed with pure blind luck three out of five times in the past, the latest invitation, printed in Gothic lettering on a parchment card with gold trimmings, arrived via a secure link on my notepad computer at 3.33am.

“Table 7. Seven subjects. Zero truth. Secure the Accord. 7 pm today.”

Just because I took a job that mediated compulsive liars, pathological diplomats, and corporate executives that couldn’t spell ‘ethics’, the employers asked me back again.

And again.

And then today, in a private back room in The Brass Lantern. 7 pm. Seven compulsive liars, seven people chosen to tell me exactly what I wanted to hear, seven subjects that were going to promise the impossible. They all wanted the contract, to sign that Accord.

None of them realised the most untrustworthy person in that room was me.

…

Each of the seven were already at the table, having left the one chair at the top of the table for me. I did not bring anything other than a dummy folder with blank paper in it, and a single piece of paper, the Accord. Each of the seven watched me pull the eighth chair, look at it, then remain standing.

It was a reflex thing, an instant decision based on the nervous twitch on the fellow at the end of the table.

My mouth was dry, my heart beating faster, as I looked at each one in turn;

To my left was Dr Aris Thorne, a disgraced geneticist whose hands shook; whether it was too much caffeine or the rumoured Parkinson’s was debatable; he had promised once that he could cure cancer in a month, given the resources. He had the lab and the knowledge to do good rather than manufacture street-grade drugs for the cartel.

Next to him was Mara, a neon-haired syndicate courier who bragged that she could smuggle a blue whale across the Sahara in a briefcase; albeit under the influence of several snorts of cocaine. She had a worldwide distribution network second to none.

Beside her was an ex-politician, Louis Betmead, defending indecency charges, who leapt from the fire into the corporate world. He still held a lot of sway with his former colleagues.

Next was Andrea Wills, computer programmer selling rogue code on the dark web, and lately an AI Ethicist reportedly worshipping silicon gods. Or the other way around, no one was quite sure. She could create the program that could make or break the system.

On the other side of the table, making me nervous, was an arms dealer, Francisco Antonelli, who reputedly had a heart of gold, or that was what he told everyone who would listen. He transacted all of his deals in gold bullion. His soldiers could enforce peace rather than create havoc.

Next to him was Simone, one name only, a mystic selling enlightenment in half-gram doses to a never-ending supply of fools. She had a sales network more sophisticated than any legitimate business.

And, last but not least, Dan the journalist, a man who had seen more action in war zones than any soldier alive, and had told me once he had not slept since the Berlin Wall fell. I believed him. He looked as though he had taken some of Simone’s enlightenment. He could write the story that saved the world rather than report on it burning down.

They were all an unwitting link in a chain we needed to make the Accord happen.

I had met each and every one of them once or twice over the past seven years, memories I wanted to forget.

“We were just talking about you,” Dr Thorne said when my eyes came back to him. “We all agreed. You are the only one with the vision to see the big picture. Whatever you need from me, it’s yours.”

“I can write an expose that will bring down the Domino cartel by morning,” the journalist said. It was clear he was as high as the proverbial kite.

I had no doubt every single one of them was reading my micro expressions, practised for hours in front of a mirror, tailoring their pitch to offer me the moon on a silver platter.

The thing is, each and every one of them was connected in a way that could give me the global ceasefire, but I could not ask them for it because they would offer me a utopia they couldn’t deliver.

I didn’t sit down; I pulled out a cigarette lighter and set fire to the dummy file and held it until the fire caught, then dropped it into the rubbish bin behind me.

The table went dead silent; the smiles froze.

“What are you doing?” The politician was the first out of his torpor.

“I’m burning the agenda,” I said, mt voice flat and cold, and entirely devoid of hope. “Which is good because I hate all of you. Every single one of you is a fraud, a hack, or a liability. Thorne, your genome therapy is a parlour trick; Mara, you couldn’t smuggle a cold in a blizzard; and Dan, your article will be pulped before it hits the printing presses.

I looked back at the last flames consuming the paper before dying down to embers.

“I don’t want your promises; I don’t want your lies. I want you to look at the ashes of that agenda and then tell me the one thing you are incapable of doing, because if you offer me the impossible, I’m walking out that door, and letting the whole world burn with it.”

For five agonising seconds I could see each one of them re-evaluating their position. I’m sure their bosses said to promise the world, but not what they could really do unless pushed to the absolute limit.

The doctor muttered, “I can’t guarantee the lab won’t explode or let loose a pandemic virus.”

Mara: “My couriers are compromised.” She crossed her arms defensively, dropping the smooth-talking persona. “Half of them are working for Interpol, and the other half I can’t trust as far as I could kick them.”

“My editors are cowards,” the journalist muttered, staring at his hands. “They’ll kill the story the moment the advertisers call to boycott them if it’s published.”

One by one, the impossible promises were rescinded, replaced with an ugly, fragile truth: the fact that they all relied on the others, without actually saying it out loud. They confessed their weaknesses, their failures, the logistical nightmares, and their limitations. Just not their dependence.

When the last member’s voice stopped, the room felt light. No one was trying to outdo the others.

It was a start.

I pulled that single sheet of paper out of my pocket, a bare-bones, brutally realistic draft of an Accord that factored in human error, market corruption, and political cowardice.

I held it up. “Good. Now we’ve established what we can’t do; let’s sign the only thing we can do.”

Each one wrote what they could do, then signed.

Thorne promised to create the antidote to reverse the effect of the pandemic he had unwittingly caused

Wills would lend her AI farm to help create a lasting antidote, and digitise the sales and distribution channels

Simone would lend her sales network as the top level of the distribution chain

Mara would repurpose her couriers to link with Simone’s sales network, and distribute the product

Antonelli would lend his army of mercenaries to protect everyone involved in manufacture and distribution

Bitmead would get his political colleagues to create the necessary legislation to make it legal, and use diplomatic channels to get the rest of the world onside.

Dan would not write about the world burning down, but to inform the world that a solution will be found and distributed as soon as possible.

Each one had a vital part in the Accord. Each one depended on the other.

Each one needed to show that they were cooperating because if there had been no Accord, they would have been arrested and thrown into a dark hole. They just didn’t know that was the last resort, though I knew at least three of them were at the top of a ‘most wanted’ list. It may have been hinted to them that signing the Accord was an incentive to have their names moved down quite a few places.

Whatever the motivation, it was a start.

Whether it lasted, whether I would have to step back into this room and start again, that remained to be seen. And if they did cooperate and work for the betterment of mankind rather than line their own pockets – and that was a big if – no one would be more surprised than me.

But…

I did what they wanted. One piece of paper, seven signatures. A signed Accord. And finally, hope.

…

©  Charles Heath  2026

If I only had one day to stop over in – New York – what would I do?

A One-Day Stopover in New York: Making Memories at the Unforgettable High Line

Travelling, by its very nature, is about discovery. But what do you do when time is truly limited? Imagine this: You’re sitting on a transatlantic flight, mid-Atlantic, with a layover in New York City. Your window seat offers a bird’s-eye view of the East River, and the next 24 hours are yours to craft a moment you’ll remember. One place. One day. One memory. What do you choose?

If you’re like me, you’ll go where the past and present dance together, where nature defies urban grit, and where art whispers to the soul—The High Line.

Why the High Line?

The High Line is a 1.45-mile-long elevated linear park built on a disused railway track. Converted from an industrial relic to a lush, living mosaic of wildflowers, art, and urban soul, it’s the epitome of New York’s reinvention. Unlike museums that demand hours or skyscrapers that require reservations, the High Line is free, open-air, and designed for the kind of slow, sensory experience that sticks with you long after the plane takes off.

What to Do (and See) in One Day

1. Walk the Wild Path
Start at the southernmost point near Gansevoort Street, where the park blends with the Meatpacking District. The path is a tapestry of native plants and grasses, curated to feel like a meadow in the sky. As you stroll, pause at Spur—a small extension of the park with a glass-walled café and breathtaking views of the Hudson Yards and the Hudson River. It’s like watching the city from a secret balcony.

2. Encounter Living Art
The High Line isn’t just a garden; it’s an art gallery in motion. Over a dozen open-air installations line the route, from Marcel Duchamp’s Bicycle Wheel to the whimsical Curl by Sarah Sze. The programming changes seasonally, so even if you’ve been before, there’s always something new. Pro tip: Keep an eye out for the Chambers Street Poetry Spots—poems etched into the paving stones, blending literature with the cityscape.

3. Marvel at the City’s Skyline
The park’s vantage points are priceless. At the Hudson Yards Terminal, look down into the massive Vessel structure and the glowing facades of the area’s towers. At the Diller–vonn Imhoff Courtyard, see the juxtaposition of modern art with the Lower West Side. And when the sun sets, don’t miss the Standard High Line rooftop—order a cocktail and watch the Empire State Building glisten in the distance.

4. Sip and Savour
Post-walk, refuel with a coffee at The Porch, the Spur’s airy café, or enjoy a globally inspired snack from The High Line’s food kiosks (they rotate seasonal vendors). For a deeper dive, venture to nearby Chelsea Market across the 10th Avenue Connector for soups, sushi, or sweet treats.

5. End with a Ferry Ride
Time your exit at the northern end near 34th Street. Take the Hudson River Ferry (free with a MetroCard) for a 20-minute voyage past the Statue of Liberty, the Vessel, and the glittering East River. It’s the perfect finale—a different perspective of the city, one that feels like a hidden New York only insiders know.

Why This Day Stands Out

The High Line isn’t just a place; it’s an experience of contrasts. It’s the crunch of gravel underfoot versus the silence of a hidden garden. It’s a city that breathes, where art and ecology thrive in harmony. Unlike ticking off landmarks, this stopover invites you to feel the pulse of New York, not just observe it.

When your time runs out, and you’re back in the airport, you’ll leave with more than photos: You’ll have memories of the way the sunlight filtered through the willows, the scent of wild thyme in the air, and the realisation that even in the most crowded city in America, there’s a place to find peace.

A one-day stopover in New York should be memorable. With the High Line, it will be.

In a word: Blind

I’m sure we’ve all been blinded by the light!

Oncoming headlights, a bright light flashed in our eyes or walking into a dark room and a halogen light suddenly snaps on.

You’re still seeing red flashes for hours afterwards.

Literally, blind means you’re not able to see anything, i.e. you are visually impaired.  That’s the first meaning of the word people will think of.

But…

It’s another of those words with a few other meanings, such as,

A blind is a window covering; usually it goes up and down, and some you can see through slats.  Very good for nosey parkers, and subplots in stories.

Being blind to the truth means that you refuse to accept it for specific reasons, generally brought on by a belief or a prejudice

It can be a hidden enclosure from which to observe or shoot animals

And for the more interesting uses

Blind drunk, I think a lot of people have been there

Flying blind, pilots do it at night, but some of us have figuratively done it a few times, but not in a plane

And lastly, a blind tasting, where you’re not sure what you’re going to get, but usually it’s for a wine tasting, to see if you can tell what’s good and what’s swill.

Sadly I can never tell the difference, which is why I usually stick to beer.