Over the years, I have traveled extensively and kept journals, with the idea that one day all of those places would become locations in books. Notebooks filled with odd characters, people and incidents observed, and whole tracts of stories written when the on the spot inspiration has been a driving force.
All of this is the basis of the first three novels, Sunday In New York, set, of course, in New York, probably my favorite city in the world, “Echoes From The Past’ equally set in New York, Brooklyn Heights and Philadelphia. The third, The Devil You Don’t, travels through Europe, starting in Geneva, moving to Rome, then Sorrento, and then to Venice.
Now, my passion to write is fuelled by travel and fine dining. When I take a break from these, I get to torment my three wonderful grandchildren whom I actively encourage to read as much as they can, and more recently to also write.
As for almost every other writer, I would not be able to do any of this without my wife who has put up with my moodiness, the times when I'm locked away in a room trying to push out another 2,000 words, and yet despite everything still puts up with me.
I wish I could say the same for our cat. Alas, I am still trying to work out how to be his friend!
Once again, instead of writing, I have been obsessing over the planning and creation of a website for the book.
And, that being the case, now I have to give the book a name so I can name the site/blog after it.
The word Starburst has featured in the story so tentatively I’m going to name it “The Starburst Conspiracy”
The site will be on WordPress. There will be progress blog posts, there will draft writing and possible chapters for beta reading and comment. There will be separate pages for each of the characters.
I’m not sure how I’m going to build an email list so perhaps I’ll build a following first.
So, having mapped out a plan for the site, I’ve made the first post and written the ‘About’ page which basically gives a bit of history about the book.
Bear in mind the original book of about 400 pages scribbled over a long period of time, and not really a book in the sense of the word (more a collection of ideas set in some form of chronology) and set in the early eighties and will probably stay there but will be the basis for the new novel.
Another interesting aspect of this exercise is to see how far I have come writing-wise in the last 30 years and how easy it is to spot the issues with the original manuscript.
I’ve also created a master page for the cast of characters and only a page for the main character so far. Others will follow.
There will be another page with an ongoing, updated synopsis.
Shortcuts to these pages, as the information flows will be in subsequent posts.
For now, it’s back to writing, after a long gap, and the ideas have been churning in my head.
The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because of the enemy, if it was the enemy, simply because it didn’t look or sound or act like the enemy.
But, it seems our hero has ‘escaped’ and had found his way back home.
Except not quite how he expected it would be.
Rest was impossible while so many thoughts about my recent experiences were swirling around in the back of my head. Now, when thinking it through, it made sense that they make sure I was found alive, but in very bad shape.
Two reasons, one, to remind me that they could do whatever they liked to me, and the second, to appease Breeman, who, no doubt realizing a helicopter was missing, would send out search teams, a no-fly zone or not.
But it was a calculated risk assuming I would not tell Breeman, or someone else, about what had happened to me, whether they believed it or not.
That led to the next thought, why was I still alive. It would be just as easy to kill me and be discovered after dying from injuries received in the crash. Supposition, they still needed me, or, and this was a hail Mary at best, they needed access to the base, and Breeman.
Did that mean either of the two men I’d seen at the other camp would suddenly turn up? My money was on Colonel Bamfield. He was my first Commanding Officer, he had a keen interest in me from the get-go, and he was the one who facilitated my transfer to my current base before I knew he was working for ‘other interests’.
I still didn’t want to think it was the enemy.
Another question popped into my head, what was his, or their, interest in Breeman because the line of questioning centered on her.
My best guess was that it was no accident I was on that helicopter, that she had directed the pilot to make a flyover, and wasn’t expected that we would be shot down and that she had assumed there would be no repercussions on either myself or the pilot.
It was also clear that if she had to explain how I came to be where they found me, and the fact no one had launched a similar attack of the rescue team, that what happened was simply a breach of orders, and a court-martial offense.
It would solve Bamfield and his new friend’s problem. Whatever the outcome of the court-martial she would be sent home, relieved of her command.
It seemed the military, as always, had a mind of its own, and not always have the best interests of its personnel at heart.
The Unsung Epic: How Everyday Life Becomes Riveting Prose
“Drama is life with the dull bits cut out.”
It’s a line that resonates deeply with anyone who loves a good story. We crave the heightened stakes, the emotional rollercoasters, the twists and turns that define our favorite books, films, and series. But what if I told you that the “dull bits” aren’t always so dull? What if the real magic lies not in eliminating them, but in learning to see the drama hidden beneath their unassuming surface?
The challenge is enticing: Can we take everyday events and turn them into riveting prose? My answer, unequivocally, is yes. And in doing so, we don’t just write better stories; we learn to live a richer, more observant life.
Beyond Explosions: What Is Drama, Really?
First, let’s redefine “drama.” It’s not always grand gestures or world-ending stakes. At its core, drama is about conflict, tension, and emotion. It’s about a character wanting something and facing obstacles in getting it. It’s about choices, consequences, and the raw vulnerability of being human.
Consider that infamous “dull bits” pile: commuting, waiting in line, doing laundry, making coffee. On the surface, these are the unglamorous necessities of existence. But with a writer’s eye, they become potential stages for micro-dramas.
The Writer’s Superpower: Perspective and Pressure
The secret weapon for transforming the mundane is perspective. It’s about zooming in, acknowledging the internal monologue, and applying pressure.
Zoom In: A spilled coffee isn’t just a stain; it’s the sudden, hot shock, the ruined shirt on the morning of a crucial presentation, the ripple effect of lateness. The drama isn’t the coffee itself, but what it means to the person experiencing it.
Internal Monologue: We rarely share the full, rich narrative of our minds. What anxieties bubble up while waiting for a delayed train? What silent arguments play out as we fold a partner’s forgotten items? The internal world is a universe of untold stories, rife with hope, fear, regret, and determination.
Apply Pressure: Take any everyday event and ask: What if something goes wrong? What if the stakes are slightly higher for this particular character?
The Commute: It’s not just a drive; it’s a desperate race against the clock to pick up a child from daycare before late fees kick in. The brake lights ahead aren’t just an inconvenience; they’re a physical manifestation of rising panic.
The Grocery Store: It’s not just a shopping trip; it’s the careful balancing act of an elderly person on a fixed income, trying to make healthy food last an entire week from a dwindling budget. Every price tag is a small, quiet battle.
The Awkward Conversation: It’s not just polite small talk; it’s a son trying to delicately broach a sensitive subject with his aging father, hoping to connect before it’s too late, fearing misinterpretation or dismissal.
Unearthing the Micro-Conflicts
Everyday life is brimming with small conflicts:
Person vs. Self: The internal debate over whether to speak up, to forgive, to take a risk, or to stick to the comfort of routine.
Person vs. Nature/Environment: The unexpected downpour when you forgot your umbrella, the power outage during a critical deadline, the unreliable public transport.
Person vs. Person (Subtle): The passive-aggressive note from a roommate, the slight that goes unaddressed, the unspoken tension across a dinner table, the small power plays in a queue.
These mini-struggles, when given the prose treatment, become relatable and powerful. They remind readers of their own quiet battles and hidden heroics.
The Art of Observation and Sensory Detail
To write riveting prose from the ordinary, you must become an exceptional observer.
What do you see? Not just objects, but the way light falls, the subtle expressions on faces, the wear and tear of time.
What do you hear? The hum of the refrigerator, the distant rumble of traffic, the specific cadence of a voice.
What do you feel? The cold ceramic of a mug, the ache in tired muscles, the prickle of irritation.
What do you smell and taste? The comforting aroma of baking bread, the metallic tang of fear, the bitterness of burnt toast.
These details ground your reader in the moment, making even the most mundane scene vivid and immersive.
So, Can We Do It?
Absolutely. By acknowledging the inherent drama in our struggles, choices, and interactions – no matter how small – we unlock a boundless reservoir of material. We aren’t cutting out the dull bits; we’re illuminating the hidden drama within them.
Next time you’re waiting in line, stuck in traffic, or simply watching the world go by, challenge yourself. What’s the story here? What’s at stake for the person beside you? What internal monologue is playing out in your own mind?
The world isn’t just a stage for grand narratives; it’s a collection of countless, intricate, and often riveting personal epics, waiting for us to notice, understand, and perhaps, to write them down.
What “dull bit” of your day do you think holds a hidden story? Share in the comments below!
We walked another umpteen miles from the exhibition to a Chinese restaurant that is going to serve us Chinese food again with a beer and a rather potent pomegranate wine that had a real kick. It was definitely value for money at 60 yuan per person.
But perhaps the biggest thrill, if it could be called that, was discovering downstairs, the man who discovered the original pieces of a terracotta soldier when digging a well. He was signing books bought in the souvenir store, but not those purchased elsewhere.
Some of us even got photographed with him. Fifteen minutes of fame moment? Maybe.
After lunch, it was off to the station for another high-speed train ride, this time for about two and a half hours, from X’ian to Zhangzhou dong.
It’s the standard high-speed train ride and the usual seat switching because of weird allocation issues, so a little confusion reigns until the train departs at 5:59.
Once we were underway it didn’t take long before we hit the maximum speed
Twenty minutes before arrival, and knowing we only have three minutes to get off everyone is heading for the exit clogging up the passageway. It wasn’t panic but with the three-minute limit, perhaps organized panic would be a better description.
As it turned out, with all the cases near the door, the moment to door opened one of our group got off, and the other just started putting cases on the platform, and in doing so we were all off in 42 seconds with time to spare.
And this was despite the fact there were about twenty passengers just about up against the door trying to get in. I don’t think they expected to have cases flying off the train in their direction.
We find our way to the exit and our tour guide Dannie. It was another long walk to the bus, somewhat shabbier from the previous day, with no leg room, no pocket, and no USB charging point like the day before. Disappointing.
On the way from the station to the hotel, the tour guide usually gives us a short spiel on the next day’s activities, but instead, I think we got her life history and a song, delivered in high-pitched and rapid Chinglish that was hard to understand.
Not at this hour of the night to an almost exhausted busload of people who’d had enough from the train. Oh, did I forget the singing, no, it was an interesting rendition of ‘You Are My Sunshine’.
The drive was interesting in that it was mostly in the dark. There was no street lighting and in comparison to X’ian which was very bright and cheerful, this was dark and gloomy.
Then close to the hotel, our guide said that if we had any problems with the room, she would be in the lobby for half an hour.
That spoke volumes about the hotel they put us in.
Or as it might more commonly be known as, spending a few hours in a historical museum. which just happens to cover some of the material you need for a school project.
I brought up the subject of living history yesterday after we all packed off to have an hour ride on a steam train and accompanying equally aged carriages.
Since these trains have been missing for nearly fifty years, there is basically two generations of people who have never had the chance to travel in such a manner in their lifetime, unless, of course, they have found a tourist train like our example, the Mary Valley Rattler.
It’s the same as the early days of finding gold in Gympie, in Queensland, Australia. It dates back to the 1860s, and one can only imagine what it was like because most of the history is in books. Yes, they have sketches, and sometimes photographs, but these do not generally date back to the middle of the nineteenth century.
But, visiting a living example of what it was like in ‘the old days’ can give those generations a glimpse of what it was like.
Single room schools, because unlike today when schools now cater to over 1,000 children in varying years, one school held about 20 or 30 in all grades, with a single teacher.
In fact, today, I saw a collection of readers that I remember reading when I was in grade school, a long time ago. Even the desks and the ink wells brought back interesting memories, one of which when I was ink monitor.
But housed in a number of old-style buildings was the information on the diggings, the mines and the impact of gold in general, and, at the very end, the children got to do a little panning for gold, and found a number of small fragments of real gold.
Once they’d been shown by a panning expert that looked as if he had been transported into this time from the past.
There are similar places elsewhere in this country that preserve the past to show future generations what it was like.
After this weekend, we have more than enough information to work on the project, based around gold mining, and it’s impact on the people, the area, and the government.
And best of all, it has generated an interest in the past, reading more, and perhaps if we’re lucky, an interest in writing something based on history, which sometimes is quite difficult when it has to compete with more interesting pastimes like computer games.
50 photographs, 50 stories, of which there is one of the 50 below.
They all start with –
A picture paints … well, as many words as you like. For instance:
And, the story:
Have you ever watched your hopes and dreams simply just fly away?
Everything I thought I wanted and needed had just left in an aeroplane, and although I said I was not going to, i came to the airport to see the plane leave. Not the person on it, that would have been far too difficult and emotional, but perhaps it was symbolic, the end of one life and the start of another.
But no matter what I thought or felt, we had both come to the right decision. She needed the opportunity to spread her wings. It was probably not the best idea for her to apply for the job without telling me, but I understood her reasons.
She was in a rut. Though her job was a very good one, it was not as demanding as she had expected, particularly after the last promotion, but with it came resentment from others on her level, that she, the youngest of the group would get the position.
It was something that had been weighing down of her for the last three months, and if noticed it, the late nights, the moodiness, sometimes a flash of temper. I knew she had one, no one could have such red hair and not, but she had always kept it in check.
And, then there was us, together, and after seven years, it felt like we were going nowhere. Perhaps that was down to my lack of ambition, and though she never said it, lack of sophistication. It hadn’t been an issue, well, not until her last promotion, and the fact she had to entertain more, and frankly I felt like an embarrassment to her.
So, there it was, three days ago, the beginning of the weekend, and we had planned to go away for a few days and take stock. We both acknowledged we needed to talk, but it never seemed the right time.
It was then she said she had quit her job and found a new one. Starting the following Monday.
Ok, that took me by surprise, not so much that it something I sort of guessed might happen, but that she would just blurt it out.
I think that right then, at that moment, I could feel her frustration with everything around her.
What surprised her was my reaction. None.
I simply asked where who, and when.
A world-class newspaper, in New York, and she had to be there in a week.
A week.
It was all the time I had left with her.
I remember I just shrugged and asked if the planned weekend away was off.
She stood on the other side of the kitchen counter, hands around a cup of coffee she had just poured, and that one thing I remembered was the lone tear that ran down her cheek.
Is that all you want to know?
I did, yes, but we had lost that intimacy we used to have when she would have told me what was happening, and we would have brainstormed solutions. I might be a cabinet maker but I still had a brain, was what I overheard her tell a friend once.
There’s not much to ask, I said. You’ve been desperately unhappy and haven’t been able to hide it all that well, you have been under a lot of pressure trying to deal with a group of troglodytes, and you’ve been leaning on Bentley’s shoulder instead of mine, and I get it, he’s got more experience in that place, and the politics that go with it, and is still an ally.
Her immediate superior and instrumental in her getting the position, but unlike some men in his position he had not taken advantage of a situation like some men would. And even if she had made a move, which I doubted, that was not the sort of woman she was, he would have politely declined.
One of the very few happily married men in that organisation, so I heard.
So, she said, you’re not just a pretty face.
Par for the course for a cabinet maker whose university degree is in psychology. It doesn’t take rocket science to see what was happening to you. I just didn’t think it was my place to jump in unless you asked me, and when you didn’t, well, that told me everything I needed to know.
Yes, our relationship had a use by date, and it was in the next few days.
I was thinking, she said, that you might come with me, you can make cabinets anywhere.
I could, but I think the real problem wasn’t just the job. It was everything around her and going with her, that would just be a constant reminder of what had been holding her back. I didn’t want that for her and said so.
Then the only question left was, what do we do now?
Go shopping for suitcases. Bags to pack, and places to go.
Getting on the roller coaster is easy. On the beginning, it’s a slow easy ride, followed by the slow climb to the top. It’s much like some relationships, they start out easy, they require a little work to get to the next level, follows by the adrenaline rush when it all comes together.
What most people forget is that what comes down must go back up, and life is pretty much a roller coaster with highs and lows.
Our roller coaster had just come or of the final turn and we were braking so that it stops at the station.
There was no question of going with her to New York. Yes, I promised I’d come over and visit her, but that was a promise with crossed fingers behind my back. After a few months in t the new job the last thing shed want was a reminder of what she left behind. New friends new life.
We packed her bags, three out everything she didn’t want, a free trips to the op shop with stiff she knew others would like to have, and basically, by the time she was ready to go, there was nothing left of her in the apartment, or anywhere.
Her friends would be seeing her off at the airport, and that’s when I told her I was not coming, that moment the taxi arrived to take her away forever. I remember standing there, watching the taxi go. It was going to be, and was, as hard as it was to watch the plane leave.
So, there I was, finally staring at the blank sky, around me a dozen other plane spotters, a rather motley crew of plane enthusiasts.
Already that morning there’s been 6 different types of plane depart, and I could hear another winding up its engines for take-off.
People coming, people going.
Maybe I would go to New York in a couple of months, not to see her, but just see what the attraction was. Or maybe I would drop in, just to see how she was.
As one of my friends told me when I gave him the news, the future is never written in stone, and it’s about time you broadened your horizons.
In 1974 a 26-year-old farmer, Yang Jide, was drilling a well and found fragments of the terracotta soldiers and bronze weapons.
What was discovered later was one of the biggest attended burial pits of China’s first feudal Emperor, Qin Shi Huang. In the following years remains had been found in 3 pits, yielding at least 8,000 soldiers and horses, and over 100 chariots. The soldiers were infantry, cavalry, and others.
Emperor Qin was born in 259 BC and died in 210 BC. He began building a mausoleum for himself at the foot of Mount Li when he was 13. Construction took 38 years, from 247 BC to 208 BC. It was divided into 3 stages and involved 720,000 conscripts.
The pits of pottery figures are 1.5 km east of Emperor Qin’s mausoleum. Pit 1 has about 6,000 terracotta armored warriors and horses and 40 wooden chariots. Pit 2 is estimated to have over 900 terracotta warriors and 350 terracotta horses with about 90 wooden chariots. Pit 3 had so far yielded only 66 pottery figures and one chariot drawn by four horses.
Official records say it was discovered later that it was likely Xiang Yu, a rebel, intentionally damaged the Mausoleum and the soldiers in the pits, by setting fire to the wooden roof rafters, and these fell on and broke the warriors into pieces.
However, we were told that after the terracotta warriors were completed, the Emperor ordered the builders to be killed so that they would not tell anyone about the warriors, and then of those that remained alive deliberately smashed all of the artifacts.
The thing is, all of the terracotta figures that have been found are in pieces, and they need computers to piece them back together again.
The visit: The first impression is the size of the car park and the number of buses parked in the lot, and a hell of a lot more outside up the road an off on side streets. Obviously, it costs money to park in the parking lot.
The other first impressions; the numbers waiting to get in were not as many as yesterday outside the forbidden city, in fact, a lot less.
Be warned there’s a long walk from the entrance gate where your bags are scanned and a body scan as well, before admittance. This walk is through a landscaped area which it is expect might sometime in the future reveal more soldiers, or other artifacts.
At the end of the walk that takes about ten minutes, you can get a one-way ride to the second checkpoint, but we opted not to as no one else in our group did.
That walk is the warm-up exercise to an organized viewing of the exhibits after going through a second ticket checkpoint. On the other side, we had to hand our tickets back to the tour guide which was disappointing not to end up with a memento of actually having been there.
So, on the other side in the courtyard, the guide told us the most important parts of the exhibition, that we should spend most of the time looking at pit 1, and then spent a little time in 2 which is only there in the first stages of excavation. Then move onto the museum if only to see the replica chariots.
We do.
The chariots were small but interesting
The horses were better and intricately detailed
These are soldiers, perhaps complete examples of those types found in the end pit.
This is one of the archers. You can tell by the way he wears his hair.
Pit 2
The excavation of this pit has only just begun, so it is possible to see where they have carefully removed the top cover, and you can see the broken parts of the warriors lying in a heap.
Some parts of the warriors are more discernible closer up
These parts are carefully extracted and taken to the ‘hospital’ where they are digitised and the computer will match each part with the warrior it belongs to.
Pit 1
This has quite a number of standing soldiers that have been glued back together, but not necessarily complete and I notice a number if the statues were incomplete. And if they cannot find the missing pieces, then they are not added to or filled in.
The scale of the pit is enormous, and they have hardly scratched the surface in the restoration process.
What is there is a number of horses as well.
That’s at the front of the pit, a long line of statues, and what is clear is the location of the well where the first fragments were found by a farmer.
There are about eight lines of soldiers, and some lining the sides.
Midway down there is a large area currently under excavation
At the back is the hospital where the soldiers are reassembled. There’s nearly a hundred in the various stages of rebuilding. These days the soldiers are rebuilt using computer imaging.
The hospital area is where they are put back together
And these are some of the statues in various stages of reconstruction
Another two views of the size and scale of the reconstruction project
The coffee shop is also a sales centre, but there are too many people waiting for coffee and too few places to sit down.
It could be said that of all the women one could meet, whether contrived or by sheer luck, what are the odds it would turn out to be the woman who was being paid a very large sum to kill you.
John Pennington is a man who may be lucky in business, but not so lucky in love. He has just broken up with Phillipa Sternhaven, the woman he thought was the one, but relatives and circumstances, and perhaps because she was a ‘princess’, may also have contributed to the end result.
So, what do you do when you are heartbroken?
That is a story that slowly unfolds, from the first meeting with his nemesis on Lake Geneva, all the way to a hotel room in Sorrento, where he learns the shattering truth.
What should have been solace after disappointment, turns out to be something else entirely, and from that point, everything goes to hell in a handbasket.
He suddenly realizes his so-called friend Sebastian has not exactly told him the truth about a small job he asked him to do, the woman he is falling in love with is not quite who she says she is, and he is caught in the middle of a war between two men who consider people becoming collateral damage as part of their business.
The story paints the characters cleverly displaying all their flaws and weaknesses. The locations add to the story at times taking me back down memory lane, especially to Venice where, in those back streets I confess it’s not all that hard to get lost.
All in all a thoroughly entertaining story with, for once, a satisfying end.
The Unsung Epic: How Everyday Life Becomes Riveting Prose
“Drama is life with the dull bits cut out.”
It’s a line that resonates deeply with anyone who loves a good story. We crave the heightened stakes, the emotional rollercoasters, the twists and turns that define our favorite books, films, and series. But what if I told you that the “dull bits” aren’t always so dull? What if the real magic lies not in eliminating them, but in learning to see the drama hidden beneath their unassuming surface?
The challenge is enticing: Can we take everyday events and turn them into riveting prose? My answer, unequivocally, is yes. And in doing so, we don’t just write better stories; we learn to live a richer, more observant life.
Beyond Explosions: What Is Drama, Really?
First, let’s redefine “drama.” It’s not always grand gestures or world-ending stakes. At its core, drama is about conflict, tension, and emotion. It’s about a character wanting something and facing obstacles in getting it. It’s about choices, consequences, and the raw vulnerability of being human.
Consider that infamous “dull bits” pile: commuting, waiting in line, doing laundry, making coffee. On the surface, these are the unglamorous necessities of existence. But with a writer’s eye, they become potential stages for micro-dramas.
The Writer’s Superpower: Perspective and Pressure
The secret weapon for transforming the mundane is perspective. It’s about zooming in, acknowledging the internal monologue, and applying pressure.
Zoom In: A spilled coffee isn’t just a stain; it’s the sudden, hot shock, the ruined shirt on the morning of a crucial presentation, the ripple effect of lateness. The drama isn’t the coffee itself, but what it means to the person experiencing it.
Internal Monologue: We rarely share the full, rich narrative of our minds. What anxieties bubble up while waiting for a delayed train? What silent arguments play out as we fold a partner’s forgotten items? The internal world is a universe of untold stories, rife with hope, fear, regret, and determination.
Apply Pressure: Take any everyday event and ask: What if something goes wrong? What if the stakes are slightly higher for this particular character?
The Commute: It’s not just a drive; it’s a desperate race against the clock to pick up a child from daycare before late fees kick in. The brake lights ahead aren’t just an inconvenience; they’re a physical manifestation of rising panic.
The Grocery Store: It’s not just a shopping trip; it’s the careful balancing act of an elderly person on a fixed income, trying to make healthy food last an entire week from a dwindling budget. Every price tag is a small, quiet battle.
The Awkward Conversation: It’s not just polite small talk; it’s a son trying to delicately broach a sensitive subject with his aging father, hoping to connect before it’s too late, fearing misinterpretation or dismissal.
Unearthing the Micro-Conflicts
Everyday life is brimming with small conflicts:
Person vs. Self: The internal debate over whether to speak up, to forgive, to take a risk, or to stick to the comfort of routine.
Person vs. Nature/Environment: The unexpected downpour when you forgot your umbrella, the power outage during a critical deadline, the unreliable public transport.
Person vs. Person (Subtle): The passive-aggressive note from a roommate, the slight that goes unaddressed, the unspoken tension across a dinner table, the small power plays in a queue.
These mini-struggles, when given the prose treatment, become relatable and powerful. They remind readers of their own quiet battles and hidden heroics.
The Art of Observation and Sensory Detail
To write riveting prose from the ordinary, you must become an exceptional observer.
What do you see? Not just objects, but the way light falls, the subtle expressions on faces, the wear and tear of time.
What do you hear? The hum of the refrigerator, the distant rumble of traffic, the specific cadence of a voice.
What do you feel? The cold ceramic of a mug, the ache in tired muscles, the prickle of irritation.
What do you smell and taste? The comforting aroma of baking bread, the metallic tang of fear, the bitterness of burnt toast.
These details ground your reader in the moment, making even the most mundane scene vivid and immersive.
So, Can We Do It?
Absolutely. By acknowledging the inherent drama in our struggles, choices, and interactions – no matter how small – we unlock a boundless reservoir of material. We aren’t cutting out the dull bits; we’re illuminating the hidden drama within them.
Next time you’re waiting in line, stuck in traffic, or simply watching the world go by, challenge yourself. What’s the story here? What’s at stake for the person beside you? What internal monologue is playing out in your own mind?
The world isn’t just a stage for grand narratives; it’s a collection of countless, intricate, and often riveting personal epics, waiting for us to notice, understand, and perhaps, to write them down.
What “dull bit” of your day do you think holds a hidden story? Share in the comments below!
It could have been anywhere in the world, she thought, but it wasn’t. It was in a city where if anything were to go wrong…
She sighed and came away from the window and looked around the room. It was quite large and expensively furnished. It was one of several she had been visiting in the last three months.
Quite elegant too, as the hotel had its origins dating back to before the revolution in 1917. At least, currently, there would not be a team of KGB agents somewhere in the basement monitoring everything that happened in the room.
There was no such thing as the KGB anymore, though there was an FSB, but such organisations were of no interest to her.
She was here to meet with Vladimir.
She smiled to herself when she thought of him, such an interesting man whose command of English was as good as her command of Russian, though she had not told him of that ability.
All he knew of her was that she was American, worked in the Embassy as a clerk, nothing important, whose life both at work and at home was boring. Not that she had blurted that out the first they met, or even the second.
That first time, at a function in the Embassy, was a chance meeting, a catching of his eye as he looked around the room, looking, as he had told her later, for someone who might not be as boring as the function itself.
It was a celebration, honouring one of the Embassy officials on his service in Moscow, and the fact he was returning home after 10 years. She had been there once, and still hadn’t met all the staff.
They had talked, Vladimir knew a great deal about England, having been stationed there for a year or two, and had politely asked questions about where she lived, her family, and of course what her role was, all questions she fended off with an air of disinterested interest.
It fascinated him, as she knew it would, a sort of mental sparring as one would do with swords if this was a fencing match.
They had said they might or might not meet again when the party was over, but she suspected there would be another opportunity. She knew the signs of a man who was interested in her, and Vladimir was interested.
The second time came in the form of an invitation to an art gallery, and a viewing of the works of a prominent Russian artist, an invitation she politely declined. After all, invitations issued to Embassy staff held all sorts of connotations, or so she was told by the Security officer when she told him.
Then, it went quiet for a month. There was a party at the American embassy and along with several other staff members, she was invited. She had not expected to meet Vladimir, but it was a pleasant surprise when she saw him, on the other side of the room, talking to several military men.
A pleasant afternoon ensued.
And it was no surprise that they kept running into each other at the various events on the diplomatic schedule.
By the fifth meeting, they were like old friends. She had broached the subject of being involved in a plutonic relationship with him with the head of security at the embassy. Normally for a member of her rank, it would not be allowed, but in this instance it was.
She did not work in any sensitive areas, and, as the security officer had said, she might just happen upon something that might be useful. In that regard, she was to keep her eyes and ears open and file a report each time she met him.
After that discussion, she got the impression her superiors considered Vladimir more than just a casual visitor on the diplomatic circuit. She also formed the impression that he might consider her an ‘asset’, a word that had been used at the meeting with security and the ambassador.
It was where the word ‘spy’ popped into her head and sent a tingle down her spine. She was not a spy, but the thought of it, well, it would be fascinating to see what happened.
A Russian friend. That’s what she would call him.
And over time, that relationship blossomed, until, after a visit to the ballet, late and snowing, he invited her to his apartment not far from the ballet venue. It was like treading on thin ice, but after champagne and an introduction to caviar, she felt like a giddy schoolgirl.
Even so, she had made him promise that he remain on his best behaviour. It could have been very easy to fall under the spell of a perfect evening, but he promised, showed her to a separate bedroom, and after a brief kiss, their first, she did not see him until the next morning.
So, it began.
It was an interesting report she filed after that encounter, one where she had expected to be reprimanded.
She wasn’t.
It wasn’t until six weeks had passed when he asked her if she would like to take a trip to the country. It would involve staying in a hotel, that they would have separate rooms. When she reported the invitation, no objection was raised, only a caution; keep her wits about her.
Perhaps, she had thought, they were looking forward to a more extensive report. After all, her reports on the places, and the people, and the conversations she overheard, were no doubt entertaining reading for some.
But this visit was where the nature of the relationship changed, and it was one that she did not immediately report. She had realised at some point before the weekend away, that she had feelings for him, and it was not that he was pushing her in that direction or manipulating her in any way.
It was just one of those moments where, after a grand dinner, a lot of champagne, and delightful company, things happen. Standing at the door to her room, a lingering kiss, not intentional on her part, and it just happened.
And for not one moment did she believe she had been compromised, but for some reason she had not reported that subtle change in the relationship to the powers that be, and so far, no one had any inkling.
She took off her coat and placed it carefully of the back of one of the ornate chairs in the room. She stopped for a moment to look at a framed photograph on the wall, one representing Red Square.
Then, after a minute or two, she went to the mini bar and took out the bottle of champagne that had been left there for them, a treat arranged by Vladimir for each encounter.
There were two champagne flutes set aside on the bar, next to a bowl of fruit. She picked up the apple and thought how Eve must have felt in the garden of Eden, and the temptation.
Later perhaps, after…
She smiled at the thought and put the apple back.
A glance at her watch told her it was time for his arrival. It was if anything, the one trait she didn’t like, and that was his punctuality. A glance at the clock on the room wall was a minute slow.
The doorbell to the room rang, right on the appointed time.
She put the bottle down and walked over to the door.
Thrills, Spills, and just a dash of Romance 