Author: aloysius5

Over the years, I have traveled extensively and kept journals, with the idea that one day all of those places would become locations in books. Notebooks filled with odd characters, people and incidents observed, and whole tracts of stories written when the on the spot inspiration has been a driving force. All of this is the basis of the first three novels, Sunday In New York, set, of course, in New York, probably my favorite city in the world, “Echoes From The Past’ equally set in New York, Brooklyn Heights and Philadelphia. The third, The Devil You Don’t, travels through Europe, starting in Geneva, moving to Rome, then Sorrento, and then to Venice. Now, my passion to write is fuelled by travel and fine dining. When I take a break from these, I get to torment my three wonderful grandchildren whom I actively encourage to read as much as they can, and more recently to also write. As for almost every other writer, I would not be able to do any of this without my wife who has put up with my moodiness, the times when I'm locked away in a room trying to push out another 2,000 words, and yet despite everything still puts up with me. I wish I could say the same for our cat. Alas, I am still trying to work out how to be his friend!

The 2 am Rant: My disdain for some reporters, and reporting these days

It is sometimes quite trashy and that’s saying something!

Having been a journalist in a previous lifetime, and one that always believed that the truth mattered, it didn’t take long to realize that journalists should never let the truth get in the way of a good story.

Newspapers, and all other forms of media, will only write what they believe will sell, or what they think the public wants to read. The truth, sadly, is not the first thing on the reader’s mind, only that someone is to blame for something they have no control over, and it doesn’t matter who.

And the more outlandish the situation, the more the public will buy into it.

This, I guess, is why we like reading about celebrities and royalty, not for the good they might do, but the fact they stumble and make mistakes, and that somehow makes us feel better about ourselves.

Similarly, if the media can beat up a subject, like the coronavirus, and make it worse than it is, then people will lap up the continuing saga, as it relates to them, and will take one of two stances, that they believe the horror of it, and do as they’re asked, or disbelieve it because nothing can be that bad, and ignore it and the consequences of disobedience. knowing the government will not press too hard against the non-compliers simply because of democracy issues it will stir up.

That is, then the media will get a hold of this angle and push it, and people will start to think disobedience is a good thing, not a bad one.

So, our problem of trying to get a fair and balanced look at what the coronavirus is all about is nigh on impossible. We are continuously bombarded with both right and wrong information, and the trouble is, both sides are very plausibly supported by facts.

And that’s the next problem we have in reporting. We can get facts to prove anything we want. It’s called the use and abuse of statistics and was an interesting part of the journalism degree I studied for. We were told all about statistics, good and bad, and using them to prove the veracity of our piece.

I remember writing a piece for the tutor extolling the virtues of a particular person who was probably the worst human since Vlad the Impaler, using only the facts that suited my narrative. I also remember the bollocking he gave me for doing so but had to acknowledge that sometimes that would happen.

The integrity of reporting only went as far as the editor, and if the editor hated something, you had to hate it too. This is infamously covered in various texts where newspaper publishers pick sides and can influence elections, and governments. It still happens.

So, the bottom line is, when I’m reading an article in the media, I always take it with a grain of salt, and do my own fact-checking, remembering, of course, not just to fact check to prove the bias one way of the other, but then get a sense of balance.

We have state elections coming up where I live, but it does not sink to the personal sniping level as it does in the US, we haven’t sunk that low yet, but we haven’t got past the sniping about all the wrongs and failed promises of the government of the day, or the endless tirade against the opposition and how bad a job they did when they were previously in government.

You can see, no one is talking about what they’re going to do for us, no one is telling us what their policies are. It’s simply schoolyard tit for tat garbage speak. What happened to the town hall meeting, a long and winding speech encompassing the policies, what the government plans to do for its people in the next three years, and then genuinely answering questions?

Perhaps we should ban campaigning, and just get each party to write a book about what they intend to do, and keep them away from the papers, the TV, and any other form of media, in other words, don’t let them speak!

And don’t get me started about the drivel they speak in the parliament. Five-year-olds could do a better job.

OK, rant over.

Writing about writing a book – Day 13

Life impinges on the idyllic

There’s the expectation and then there’s reality.

My idea of shutting myself away in my lonely garret and writing, coming out into the fresh air every now and then, just to make sure neither North Korea or the United States haven’t turned the world into a nuclear holocaust, was simply a pipe dream.

Being single again doesn’t abrogate you of the same responsibilities you have before you became single. You still had children, and those children have children, and, yes, you can see where this is going.

The mobile phone, so silent for the past few days, makes the unusual sound it makes when a message arrives.

Thank heaven for tech-savvy granddaughters!

And before you say, quite casually, that I would be better off without technology, after all, all Hemingway had was a typewriter, I’m afraid to say there is no Luddite in me.

In fact, do Luddites still exist?

So, as I said, the phone dings, and as I’m not expecting anything, I try to ignore it. Three minutes later it dings again, and it’s a warning. The Gods are getting impatient.

It’s a message to pick up the grandchildren from school and deliver them home. It’s something I haven’t done in a while, but it’s an opportunity to see them, and they always have words of wisdom as only a thirteen and ten-year-old can.

It’s a while since I have. I suspect my involvement had been curtailed somewhat because their nanna had been available, and the more preferred option.

Or maybe they had just asked their mother to get me to pick them up so I could see them. I had said, a while back, I was relatively reluctant to go around to see them because of how awkward it might be, and to give them time to adjust to the new arrangement the divorce had brought about.

And since I’ve been spending all my time recently immersed in conspiracies, was this one perpetrated by my daughter in law?

I’ll soon find out.

The cinema of my dreams – I never wanted to go to Africa – Episode 18

Our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because of the enemy, if it was the enemy, simply because it didn’t look or sound or act like the enemy.

Now, it appears, his problems stem from another operation he participated in.

The debriefing team were not quite what I expected, a man and a woman, one a Major, the other a Lieutenant, and it was apparent they had just met before coming into the room.

He was Major Lallo, Army intelligence, and the woman, Lieutenant Jill Monroe, a familiar name as I’m sure I’d heard it before.

Lallo was not a fighting soldier, he was a paperwork man. I suspect he was more at home with an order book, and filing communications though that didn’t explain the rank, which he would have to have front line experience to attain.

Monroe looked to me to be the sort of woman soldier that had to prove she was better than any man and had the muscular form to go with it. Not the sort of a woman to get into a fight over or against.

She stood at the end of the bed, and I suspect by her posture that she was there to make sure I didn’t run, which, by the way, was physically impossible.

Lallo sat in the chair beside the bed, tried to make himself comfortable. He was going to ask the questions. He had a small notebook he took out of his pocket with a list of questions. The small pencil that slotted into the binding was there to write down the answers if any. I was not sure I was up to answer any questions.

Settled, he started with, “You don’t have to answer, but I suggest you do. I think by now you are starting to realise that, no matter how strong you think you might be, you’re not. If you decided to be unforthcoming, then you can be assured that we will be interrogating you with a lot more, shall we say, enthusiasm than in the past.”

By the way he said it, I got the impression he would be the one. His tone had changed suddenly, to a man who enjoyed others discomfort, and he was looking forward to breaking me if it came to that.

“And if I don’t have the answers to your questions, or should I say, not the answers you are expecting, what then?”

“One step at a time. We’ll start with the easy questions first.”

I’m not quite sure what he classified as easy. I didn’t think there were any.

“How long have you been at this base?”

Maybe I was wrong. “Two months, three days.”

“How did your transfer to this specific base come about?”

“I don’t know. I was at a training base in Ohio one day, then being presented with orders to get the next transport out the next.”

“Did you, or someone else you know, request your transfer to a new base?”

I didn’t think that was possible. Someone of my rank went where they were told to go.

“No. I’m a Sergeant, not a General.”

But was it possible Colonel Bamfield arranged for me to be transferred. Given the fact he was here, now, it was not beyond the realms of possibility. But if so, why?

“What was your function at your last base?”

What had this to do with my current situation or anything else for that matter?

“Instructor.”

“In what?”

“Infiltration, covert operations.”

“And I’m assuming then you been involved in these, shall we say, covert operations?”

No use denying it. It was obvious he had seen my file, which all of a sudden had some very disturbing possibilities. Just how much information though.

“Yes, but they’re classified and I can’t tell you anything and that.”

“Normally that would be the case, but…” He left the sentence hanging there for a few seconds before adding, “There was a problem with your last operation, the reason, it appears, you were transferred to the training base in Ohio. Is that correct?”

A mission that I had been told never to mention, speak of to anyone, no matter how high their rank in the military or government, or even think about again.

A mission I was told had been buried so deep it would never see the light of day.

Until now.

Writing a book in 365 days – 282

Day 282

Why can’t we just stop editing?

…

The Endless Edit: Why We Keep Redrawing the Line in the Sand

And 10 Practical Ways to Tell Ourselves, “It’s Done.”

1. The Paradox of Perfection

If you’ve ever stared at a blank canvas, a half‑finished manuscript, or a spreadsheet teeming with conditional formatting, you know the feeling: the line you thought was final is suddenly a faint suggestion, begging for another tweak.

In our hyper‑connected world, the “edit forever” mindset has become almost reflexive. It’s not just a habit—it’s a cultural artifact shaped by three forces:

Force	How It Fuels the Edit Loop
Technology	Unlimited “undo,” auto‑save, and real‑time collaboration make every change feel reversible and safe, so we never feel pressured to settle.
Perfectionism	The myth that “perfect” equals “valuable” convinces us that any flaw will invalidate the whole piece.
Feedback Flood	Social media, peer reviews, and analytics serve up a constant stream of opinions, each of which can be interpreted as a reason to revise.

When these forces converge, we end up continuously re‑drawing the line in the sand, never quite willing to say, “That’s it.”

2. The Cost of Perpetual Editing

Cost	Real‑World Example
Time Drain	A marketing copywriter spends 12 hours polishing a 300‑word email that could have been sent in 2.
Creative Burnout	A designer abandons a brand identity after 30 iterations, losing the original spark that made it compelling.
Decision Fatigue	A product manager flips between feature sets, delaying launch and confusing the team.
Opportunity Loss	A researcher keeps adding “future work” sections, never publishing and never gaining citations.

The hidden toll isn’t just lost hours—it’s the erosion of confidence and the stifling of momentum.

3. How Do We Break the Cycle?

Below are 10 concrete strategies that move you from “always editing” to “confidently done.” Each one is paired with a quick implementation tip so you can start using it today.

#	Strategy	Why It Works	Quick Implementation
1	Set a hard deadline (not a “soft” one)	A deadline creates a psychological “stop” signal that overrides perfectionist impulses.	Put the due date on a visible wall calendar and block the final hour for “final review only.”
2	Define Done before you start	When “done” is a concrete checklist, the project has a clear finish line.	Write a 3‑item “Definition of Done” (e.g., “All headings formatted, 2‑round peer review completed, file exported to PDF”).
3	Apply the 80/20 Rule	80 % of impact comes from 20 % of effort; the remaining 20 % yields diminishing returns.	After the first major revision, ask: “What 20 % of the remaining changes will give 80 % of the benefit?”
4	Limit the number of revision cycles	A fixed ceiling forces you to prioritize the most critical changes.	Decide on “max 3 full passes”—after the third, the work is locked.
5	Use a “Freeze” checkpoint	Temporarily lock the file so you can view it without the temptation to edit.	On the final day, rename the file “FINAL_2025-10-22” and open only the read‑only copy.
6	Get a single external audit	One fresh set of eyes can surface the most important blind spots, after which further changes are often unnecessary.	Invite a colleague to do a 5‑minute critique focused on the “Definition of Done” checklist.
7	Embrace “Good Enough” as a virtue	Shifting language from “perfect” to “good enough” reduces anxiety and reframes completion as a win.	Add a sticky note on your workspace: “Good enough wins the day.”
8	Celebrate the finish line	Celebration creates a positive reinforcement loop that the brain associates with ending a task.	Schedule a 10‑minute “launch toast”—a coffee break, a quick walk, or a team shout‑out.
9	Separate creation from evaluation	Editing while you create clouds judgment; separating phases restores flow.	Use a timer: 25 min “create,” then 5 min “no edit—just observe.”
10	Practice “Version Mortality”	Accept that every version will die; the next one will replace it.	After you ship, archive the file with a note: “Version X – retired 2025-10-22.”

4. A Mini‑Exercise: The “One‑Pass” Challenge

Pick a small project (a blog post, a slide deck, a short code snippet).
Write a “Definition of Done” with exactly three bullet points.
Set a timer for 45 minutes and work without opening any editing tools or feedback channels.
When the timer ends, stop—no matter how incomplete it feels.
Do one final, 5‑minute review against your checklist. If it meets all three points, hit “publish.”

Result: You’ll experience how much you can accomplish when you deliberately stop editing. Most people are shocked to find the output already valuable.

5. When “Done” Isn’t a Destination, It’s a Habit

The goal isn’t to become a sloppy producer; it’s to become a deliberate one. By embedding the practices above into your daily workflow, you turn “finished” from a rare event into a reliable habit.

Takeaway: The compulsion to edit forever is a symptom of abundant tools, cultural perfectionism, and endless feedback. The antidote is structure: clear deadlines, explicit “done” criteria, and a finite number of revisions. When you give yourself permission to close a project, you free mental bandwidth for the next creative spark.

6. Closing Thought

Imagine a shoreline where the tide recedes just enough to reveal a clean, straight line in the sand—a line that says, “We built this, and we’re proud of it.” That line isn’t a mistake; it’s a statement.

The next time you feel the urge to keep polishing, ask yourself:

“Am I adding value, or am I just keeping the tide from coming in?”

If the answer leans toward the latter, it’s time to step back, declare it done, and let the next wave of ideas wash onto the beach.

Happy creating—and happy finishing!

Feel free to share your own “done” rituals in the comments. Let’s build a community that celebrates completion as much as it does creation.

Searching for locations: The Glory Grand Hotel, Zhengzhou, China

Like all the hotels we’re staying in, it has an impressive foyer. You walk in and you think on appearances it’s going to be 5 stars, and not the 3 and a half rating on trip advisor.

Pity then that it all goes downhill from there.

We have a corner room and no bathroom.

Have you ever stayed in a hotel that has rooms with no bathroom? Yes, it’s a first for us too. Still, this is China and I suspect if you complain there’s always a worse room to put you in.

For us, it’s just going to be an amusing situation we’d bear and give it a one-star rating on TripAdvisor for the hotel.

And just a word of warning, if you decide to book the hotel directly make sure you don’t get a corner room.

At least everything else was reasonably ok. Ok, not so much, the safe doesn’t work.

This doesn’t augur well for the rest of the tour in this particular place.

Before we leave, some photos of our room, and the lack of a bathroom.

Separate doors for shower and toilet, and on the other side of the passage, the washbasin

Feng Shui seems to have been forgotten when planning this room.

The next morning we discover that other rooms do have bathrooms but they’re small. Some have neither tissues or toilet paper, another has a faulty power socket and cannot recharge the phone, and I’m sure there are other problems.

All in all, it seemed very odd to have the toilet and shower on one side, and the wash basin on the other side of the passage.

What I learned about writing – The power of words

They can destroy relationships

They can tear apart friendships

They can start wars

We are sometimes at a loss for words

Sometimes we can’t find the words

And then there those horrible things called crosswords.

There are antonyms and synonyms

Sometimes we use words we don’t know the meaning of because of their similarity with others we do

Then there one or more words that make other words as in anagrams

There are substitute words, words we use around children like fudge instead of, well you get what I mean

There’s no doubt we would be lost without words

Words are to be chosen carefully and thoughtfully

They need to be delivered in an appropriate manner, not in haste, and not in anger

We need to believe in what we’re saying before others will believe it

We need to learn how to express our feelings

We should take advantage of learning English (or any other native language) when at school

We need to start reading as soon as we can and keep up reading as we get older. One should never underestimate the power reading and writing gives us no matter who we are.

Always have a dictionary by your side. It is the most valuable book you can own.

And always remember the power of speech can at times move mountains

The story behind the story – Echoes from the Past

The novel ‘Echoes from the past’ started out as a short story I wrote about 30 years ago, titled ‘The birthday’.

My idea was to take a normal person out of their comfort zone and led on a short but very frightening journey to a place where a surprise birthday party had been arranged.

Thus the very large man with a scar and a red tie was created.

So was the friend with the limousine who worked as a pilot.

So were the two women, Wendy and Angelina, who were Flight Attendants that the pilot friend asked to join the conspiracy.

I was going to rework the short story, then about ten pages long, into something a little more.

And like all re-writes, especially those I have anything to do with, it turned into a novel.

There was motivation. I had told some colleagues at the place where I worked at the time that I liked writing, and they wanted a sample. I was going to give them the re-worked short story. Instead, I gave them ‘Echoes from the past’

Originally it was not set anywhere in particular.

But when considering a location, I had, at the time, recently been to New York in December, and visited Brooklyn and Queens, as well as a lot of New York itself. We were there for New Years, and it was an experience I’ll never forget.

One evening we were out late, and finished up in Brooklyn Heights, near the waterfront, and there was rain and snow, it was cold and wet, and there were apartment buildings shimmering in the street light, and I thought, this is the place where my main character will live.

It had a very spooky atmosphere, the sort where ghosts would not be unexpected. I felt more than one shiver go up and down my spine in the few minutes I was there.

I had taken notes, as I always do, of everywhere we went so I had a ready supply of locations I could use, changing the names in some cases.

Fifth Avenue near the Rockefeller center is amazing at first light, and late at night with the Seasonal decorations and lights.

The original main character was a shy and man of few friends, hence not expecting the surprise party. I enhanced that shyness into purposely lonely because of an issue from his past that leaves him always looking over his shoulder and ready to move on at the slightest hint of trouble. No friends, no relationships, just a very low profile.

Then I thought, what if he breaks the cardinal rule, and begins a relationship?

But it is also as much an exploration of a damaged soul, as it is the search for a normal life, without having any idea what normal was, and how the understanding of one person can sometimes make all the difference in what we may think or feel.

And, of course, I wanted a happy ending.

Except for the bad guys.

Get it here: https://amzn.to/2CYKxu4

newechocover5rs

Searching for locations: The Pagoda Forest, near Zhengzhou City, Henan Province, China

The pagoda forest

After another exhausting walk, by now the heat was beginning to take its toll on everyone, we arrived at the pagoda forest.

A little history first:

The pagoda forest is located west of the Shaolin Temple and the foot of a hill. As the largest pagoda forest in China, it covers approximately 20,000 square meters and has about 230 pagodas build from the Tang Dynasty (618-907) to the Qing Dynasty (1644-1911).

Each pagoda is the tomb of an eminent monk from the Shaolin Temple. Graceful and exquisite, they belong to different eras and constructed in different styles. The first pagoda was thought to be built in 791.

It is now a world heritage site.

No, it’s not a forest with trees it’s a collection of over 200 pagodas, each a tribute to a head monk at the temple and it goes back a long time. The tribute can have one, three, five, or a maximum of seven layers. The ashes of the individual are buried under the base of the pagoda.

The size, height, and story of the pagoda indicate its accomplishments, prestige, merits, and virtues. Each pagoda was carved with the exact date of construction and brief inscriptions and has its own style with various shapes such as a polygonal, cylindrical, vase, conical and monolithic.

This is one of the more recently constructed pagodas

There are pagodas for eminent foreign monks also in the forest.

From there we get a ride back on the back of a large electric wagon

to the front entrance courtyard where drinks and ice creams can be bought, and a visit to the all-important happy place.

Then it’s back to the hotel.

The first case of PI Walthenson – “A Case of Working With the Jones Brothers”

This case has everything, red herrings, jealous brothers, femme fatales, and at the heart of it all, greed.

See below for an excerpt from the book…

Coming soon!

PIWalthJones1

An excerpt from the book:

When Harry took the time to consider his position, a rather uncomfortable position at that, he concluded that he was somehow involved in another case that meant very little to him.

Not that it wasn’t important in some way he was yet to determine, it was just that his curiosity had got the better of him, and it had led to this: sitting in a chair, securely bound, waiting for someone one of his captors had called Doug.

It was not the name that worried him so much, it was the evil laugh that had come after the name was spoken.

Doug what? Doug the ‘destroyer’, Doug the ‘dangerous’, Doug the ‘deadly’; there was any number of sinister connotations, and perhaps that was the point of the laugh, to make it more frightening than it was.

But there was no doubt about one thing in his mind right then: he’d made a mistake. A very big. and costly, mistake. Just how big the cost, no doubt he would soon find out.

His mother, and his grandmother, the wisest person he had ever known, had once told him never to eavesdrop.

At the time he couldn’t help himself and instead of minding his own business, listening to a one-sided conversation which ended with a time and a place. The very nature of the person receiving the call was, at the very least, sinister, and, because of the cryptic conversation, there appeared to be, or at least to Harry, criminal activity involved.

For several days he had wrestled with the thought of whether he should go. Stay on the fringe, keep out of sight, observe and report to the police if it was a crime. Instead, he had willingly gone down the rabbit hole.

Now, sitting in an uncomfortable chair, several heat lamps hanging over his head, he was perspiring, and if perspiration could be used as a measure of fear, then Harry’s fear was at the highest level.

Another runnel of sweat rolled into his left eye, and, having his hands tied, literally, it made it impossible to clear it. The burning sensation momentarily took his mind off his predicament. He cursed and then shook his head trying to prevent a re-occurrence. It was to no avail.

Let the stinging sensation be a reminder of what was right and what was wrong.

It was obvious that it was the right place and the right time, but in considering his current perilous situation, it definitely was the wrong place to be, at the worst possible time.

It was meant to be his escape, an escape from the generations of lawyers, what were to Harry, dry, dusty men who had been in business since George Washington said to the first Walthenson to step foot on American soil, ‘Why don’t you become a lawyer?” when asked what he could do for the great man.

Or so it was handed down as lore, though Harry didn’t think Washington meant it literally, the Walthenson’s, then as now, were not shy of taking advice.

Except, of course, when it came to Harry.

He was, Harry’s father was prone to saying, the exception to every rule. Harry guessed his father was referring to the fact his son wanted to be a Private Detective rather than a dry, dusty lawyer. Just the clothes were enough to turn Harry off the profession.

So, with a little of the money Harry inherited from one of his aunts, he leased an office in Gramercy Park and had it renovated to look like the Sam Spade detective agency, you know the one, Spade and Archer, and The Maltese Falcon.

There’s a movie and a book by Dashiell Hammett if you’re interested.

So, there it was, painted on the opaque glass inset of the front door, ‘Harold Walthenson, Private Detective’.

There was enough money to hire an assistant, and it took a week before the right person came along, or, more to the point, didn’t just see his business plan as something sinister. Ellen, a tall cool woman in a long black dress, or so the words of a song in his head told him, fitted in perfectly.

She’d seen the movie, but she said with a grin, Harry was no Humphrey Bogart.

Of course not, he said, he didn’t smoke.

Three months on the job, and it had been a few calls, no ‘real’ cases, nothing but missing animals, and other miscellaneous items. What he really wanted was a missing person. Or perhaps a beguiling, sophisticated woman who was as deadly as she was charming, looking for an errant husband, perhaps one that she had already ‘dispatched’.

Or for a tall, dark and handsome foreigner who spoke in riddles and in heavily accented English, a spy, or perhaps an assassin, in town to take out the mayor. The man was such an imbecile Harry had considered doing it himself.

Now, in a back room of a disused warehouse, that wishful thinking might be just about to come to a very abrupt end, with none of the romanticized trappings of the business befalling him. No beguiling women, no sinister criminals, no stupid policemen.

Just a nasty little man whose only concern was how quickly or how slowly Harry’s end was going to be.

…

Writing a book in 365 days – 282

Day 282

Why can’t we just stop editing?

…