“Quickly, quickly…” – a short story


It was odd having a voice in your head, well, not really in your head as such, but in your ear, and sounding like it was in your head.

You could truthfully say you were hearing voices.

It was the next step after going through some very intensive training, having someone else as your eyes and ears when breaching a secure compound, and avoiding the enemy.

I’d signed on for this extra training thinking one day it would land me in the thick of the action. Some of the others thought I was mad, but someone had to do it, and the fact it was quite dangerous added just that extra bit to it.

But as they say, what you learn in training, and practise in a non-hostile environment, is nothing like being in that same situation in reality.

Now on was on my first assignment, part of an elite team, packed and taken to what was to everyone else, an unspecified location, but to us, it was the point of incursion.

The mission?

To rescue a government official (that was how he was described to us) who had been illegally detained in a foreign prison.

Our job?

To break him out and get out without the knowledge of the prison staff, or anyone representing that government. Yes, what we were doing was highly illegal, and yes, if we were caught it was more likely than not we would be executed as spies.

We were under cover in an abandoned farmhouse about three miles from the prison. We had been brought in under cover of darkness, and had only a few hours to set up, and then wait it out until the following night.

It was now or never, the weather people predicting that there would be sufficient cloud cover to make us invisible. Two of us were going in, and two remaining strategically placed outside to monitor the inside of the prison through a system of infrared scanners. We also had a floor plan of the building in which the prisoner was being held, and intelligence supplied, supposedly, by one of the prison guards who had been paid a lot of money for information on guard movements.

To me, it was a gigantic leap of faith to trust him, but I kept those thoughts to myself.

We had been over the plan a dozen times, and I’d gone through the passageways, rooms, and doors so many times I’d memorised where they were and would be able to traverse the building as if I had worked there for a lifetime. Having people outside, talking me through it was just an added benefit, along with alerts on how near the guards were to our position.

I was sure the other person going with me, a more seasoned professional who had a number of successful missions under his belt, was going through the same motions I was. After all, it was he who had devised and conducted the training.

There was a free period of several hours before departure, time to listen to some music, empty the head of unwanted thoughts, and get into the right mindset. It was no place to get tangled up in what-ifs, if anything went wrong, it was a simple matter of adapting.

Our training had reinforced the necessity to instantly gauge a situation and make changes on the fly. There would literally be no time to think.

I listened to the nuances of Chopin’s piano concertos, pretending to play the piano myself, having translated every note onto a piano key, and observing it in my mind’s eye.

My opposite number played games of chess in his head. We all had a different method of relaxing.

Until it was 22:00 hours, and time to go.

“Go left, no, hang on, go right.” The voice on my ear sounded confused and it was possible to get lefts and rights mixed up, if you were not careful.

It didn’t faze me, I knew from my study of the plans that once inside the perimeter fence, I had to go right, and head towards a concrete building the roof of which was barely above the ground.

It was once used as a helipad, and underneath, before the site became a prison, the space was used to make munitions. And it was an exceptionally large space that practically ran under the whole of the prison, built above ground.

All that had happened was the lower levels were sealed, covered over and the new structures built on top. Our access was going to be from under the ground.

Quite literally, they would not see, or hear, us coming.

The meteorological people had got it right, there was cloud cover, the moon hidden from view, and the whole perimeter was in inky darkness. Dressed in black from head to foot, the hope was we would be invisible.

There were two of us heading to the same spot, stairs that led down to a door that was once one of the entrances to the underground bunker. We were going separate ways in case one of the other was intercepted in an unforeseen event.

But, that part of the plan worked seamlessly, and we both arrived at the same place nearly at the same time.

Without the planning, we might easily have missed it because I didn’t think it would be discernable even in daylight.

I followed the Sergeant downstairs, keeping a watchful eye behind us. I stopped at the point where I could see down, and across the area we had just traversed.

Nothing else was stirring.

As expected, the door was seamless and without an apparent handle. It may have had one once, but not anymore, so anyone who stumbled across it, couldn’t get in.

Except us. We had special explosives designed to break the lock, and once set, they did not make a lot of noise. Sixty seconds later, we were inside, and the door closed so no one would know we’d broken in.

I was carrying a beacon so that the voice in my head could follow my progress. The sergeant had one too, and he led.

“Straight ahead, 200 yards, then another door. It shouldn’t be locked, but it might be closed.”

In other words, we had no way of knowing. Our informant had said no one had been down in the dungeons, as he called them, since the munition factory closed, and had been sealed up soon after the prison building had been handed over for use.

We were using night goggles, and there was a lot of rubbish strewn over the floor area so we had to carefully pick our way through which took time we really didn’t have. It looked as though our informant was right, no one had been down there for a long time. We were leaving bootprints in the dust.

We reached the door ten minutes later than estimated. Losing time would have a flow-on effect, and this operation was on a very tight time constraint.

“Once you are through the door, there’s a passage. Turn left and go about 50 paces. There should be another passage to your right.”

“Anyone down here?”

“No, but there is a half dozen prison officers above you. Standard patrol, from guardhouse to guardhouse. Unless they can hear you through five feet of solid concrete, you’re safe.”

My instincts told me five feet of concrete were not enough, but I’ll let it ride for the moment.

The door was slightly ajar and it took the two of us to pull it open so that we could get past. Behind it was the passage, going left and right. Trusting my invisible guide was not getting mixed up again, I motioned right, and we headed down the passage.

Despite the fact we should be alone, both of us were careful not to make any noise and trod carefully.

At 50 or so paces, the passage came into sight. The sergeant went ahead. I stayed back and kept an eye in both directions. The passage before us was the one that would take us under the cell of the captive we were sent to retrieve.

There would be no blasting our way in. The floor to the cell had a grate, and when removed, a person could drop down into the ‘dungeon’. Currently, the grate was immovable, but we had the tools to fix that.

The sergeant would verify the grate was where it was supposed to be, then come back to get me.

Five minutes passed, then ten. It was not that far away.

I was about to go search when the voice in my head returned but with panic. “We’ve been compromised. Get the hell out of there, now. Quickly…”

Then I heard what sounded like gunshots, then nothing.

A minute later there was a new voice. “I don’t know who you are, but I’d strongly advise you to give yourself up to the guards. Failure to do so within one hour, I’ll execute the two men I now have in custody.”

Ahead of me, there was a sudden explosion, followed by a cloud of dust and fine debris.

A hand grenade, or mine, it didn’t matter. The sergeant wouldn’t be coming back.

I sighed.

Plan B it was.

© Charles Heath 2021

The 2am Rant: Sometimes it’s better to say that an expressed opinion is your own

It’s always a good thing to get that across especially if you work for an organization that could misinterpret what that opinion is, or generally have an opposing opinion.  Of course, by saying your opinions are your own, you’re covering yourself from becoming unemployed, but is this a futile act?

Perhaps its better to not say anything because everything you say and do eventually find its way to those you want most not to hear about it, perhaps one of the big negatives of the internet and social media.

And…

It seems odd to me that you can’t have an opinion of your own, even if it is contrary to that of the organization you work for, and especially if their opinion has changed over time.  An opposing opinion, not delivered in a derogatory manner, would have the expectation of sparking healthy debate, but it doesn’t always end up like that.

I’m sure there are others out there that will disagree, and use the overused word, loyalty’.   Perhaps their mantra will be ‘keep your opinions to yourself’.

This, too, often crops up in personal relationships, and adds weight to the statement, ‘you can pick your friends but not your relatives’.

I’m told I have an opinion on everything, a statement delivered in a manner that suggests sarcasm.  Whether it’s true or not, isn’t the essence of free speech, working within the parameters of not inciting hate, bigotry, racism, or sexism, a fundamental right of anyone in a democracy?

Seems not.

There’s always someone out there, higher up the food chain, with an opinion of their own, obviously the right one, and who will not hesitate to silence yours.  But, isn’t it strange that in order to silence you, they have to use leverage, like your job, to get theirs across.

Well, my opinions are in my writing, and whether or not you agree with them or not, I’m sure you will let me know.  In a robust but respectful manner.

Unlike some, my door is always open.

Writing a book in 365 days – 349

Day 349

The Gift of Creating Life with Words: Innate Talent, Learned Skill, or a Bit of Both?

“Words are, in my not-so-humble opinion, the most powerful tool we have ever created.” – J.K. Rowling

When a story sweeps us off our feet, a poem makes our hearts ache, or a speech moves a crowd to tears, we instinctively label the author a “gifted” or “talented” writer. It feels as if they possess a mysterious, almost magical ability to conjure whole worlds from thin air.

But is the art of breathing life into language something you’re born with, or can anyone learn to wield it with equal flair? In this post we’ll explore the science and the folklore behind writing excellence, dissect the myths of the “born writer,” and lay out practical pathways for anyone who wants to transform words into living, breathing experiences.


1. The Allure of the “Natural Talent” Narrative

1.1. Why We Romanticise the Gifted Writer

  • Heroic storytelling – Just as societies celebrate prodigies in music, sport, and mathematics, literature loves its “genius” figures (Shakespeare, Hemingway, Toni Morrison).
  • Cognitive bias – The availability heuristic makes us recall the few celebrated authors, overlooking the countless writers who arrived at greatness through deliberate practice.
  • Cultural mythos – The Romantic era glorified the solitary muse, cementing the idea that true art springs from a mystical well within.

1.2. What Research Really Says

Neuroscientists have mapped the brain activity of skilled writers, and the findings are enlightening:

Brain RegionRole in WritingWhat the Data Shows
Broca’s areaSyntax, grammarHighly active in both novice and expert writers, suggesting that basic language processing is universal.
Prefrontal cortexPlanning, organizationShows increased connectivity in seasoned writers, indicating that strategic thinking can be honed.
Default mode network (DMN)Imagination, mind‑wanderingStronger activation correlates with creative ideation, but DMN activity can be cultivated through practices like free‑writing.

The takeaway? There are no “magic” brain circuits that only a few possess. The same neural hardware is available to everyone; the difference lies in how it’s trained, wired, and used over time.


2. The Science of Skill Acquisition

2.1. Deliberate Practice—The Engine of Mastery

Psychologist K. Anders Ericsson introduced the concept of deliberate practice: intentional, feedback‑rich, and just beyond your current ability. In writing, this translates to:

  • Targeted exercises (e.g., “write a scene using only dialogue” or “describe a setting in 100 words”).
  • Immediate feedback from peers, mentors, or software tools.
  • Iterative revision—the willingness to rewrite, re‑structure, and re‑think.

2.2. The 10,000‑Hour Rule—A Misinterpretation

Gladwell popularised the idea that 10,000 hours leads to mastery. While practice matters, the quality of those hours matters far more. A novice who writes 10,000 bland sentences won’t rival a diligent writer who spends 2,000 hours on focused storytelling drills.

2.3. Neuroplasticity—Your Brain Can Rewire

Every time you craft a sentence, you’re forging new synaptic pathways. Studies in adult neuroplasticity demonstrate that consistent writing practice enlarges language‑related brain regions and improves narrative comprehension. In short: You can literally rewire yourself to be a better writer.


3. The Role of Reading: The Unsung Curriculum

“If you want to write, write, and if you want to read, read.” – C. S. Lewis

Reading is the foundational apprenticeship for any writer. Here’s why:

AspectHow Reading HelpsPractical Tip
VocabularyExposure to varied diction builds lexical richness.Keep a “word‑bank” notebook; add a new, striking word each week.
StructureMimic a paragraph in the style of your favourite author, then rewrite it in your voice.After each book, outline its structure in 5–7 bullet points.
VoiceUnderstanding expectations lets you subvert or honour them intelligently.Analysing plot arcs, pacing, and chapter organisation reveals the scaffolding behind stories.
Genre ConventionsUnderstanding expectations lets you subvert or honor them intelligently.Read at least three classic works in any genre you plan to write.

In other words—reading is the silent teacher that precedes formal instruction.


4. Teaching the Craft: What Formal Education (and Informal Mentorship) Offers

4.1. What Writing Courses Actually Teach

  1. Fundamentals of Storytelling – Hero’s journey, three‑act structure, conflict types.
  2. Tools of the Trade – Dialogue tags, sensory description, active vs. passive voice.
  3. Revision Strategies – Macro‑editing (plot, pacing) vs. micro‑editing (sentence flow, grammar).
  4. Critique Techniques – Giving and receiving constructive feedback without ego.

4.2. Mentorship vs. Classroom

  • Mentorship—Personalised, often informal. One‑on‑one feedback accelerates growth because it’s tailored to your specific blind spots.
  • Workshops—Group environments foster diverse perspectives, exposing you to styles you’d never encounter alone.

4.3. Digital Resources: The New‑Age Writing Academy

  • Online courses (MasterClass, Coursera, edX) – Structured curricula from bestselling authors.
  • Writing communities (r/WritingPrompts, Scribophile, Critique Circle) – Peer review loops.
  • AI‑assisted tools (Grammarly, ProWritingAid, ChatGPT) – Real‑time suggestions for grammar, style, and even plot brainstorming.

5. Practical Steps to Turn “Potential” into “Prose”

Below is a 12‑week sprint that anyone can follow, regardless of background. Think of it as a bootcamp for the “gift of creating life with words.”

WeekFocusAction ItemTime Commitment
1ObservationKeep a daily 5‑minute “sensory log” of what you see, hear, smell.5 min/day
2Micro‑StorytellingWrite 100‑word flash fiction using only one sense.15 min/day
3Dialogue DrillTranscribe a real conversation, then rewrite it to reveal subtext.30 min total
4Structural MappingOutline the plot of your favorite novel in three acts.1 hour
5Voice ExplorationImitate a paragraph from three different authors; then rewrite it in your own voice.45 min
6Feedback LoopShare a 1,000‑word piece with a peer group; receive and integrate feedback.2 hours
7Revision MasteryTake a piece you wrote in Week 2 and perform a macro‑edit (plot, pacing).1 hour
8Genre Deep DiveRead a classic in a new genre; write a 500‑word piece that follows its conventions.2 hours reading + 1 hour writing
9Narrative TensionWrite a scene where the stakes are revealed only through action, not exposition.1 hour
10Mentor SessionArrange a 30‑minute call with a more experienced writer (could be via a forum).30 min
11Polish & PublishEdit a short story for submission to a literary journal or online platform.2 hours
12ReflectionWrite a 500‑word essay on how your writing has changed over the program.30 min

Consistency beats intensity. Even 15 minutes a day, if focused, yields measurable improvement.


6. Common Myths Debunked

MythReality
“You’re either born a writer or you’re not.”Writing is a skill that can be systematically improved, much like learning a musical instrument.
“Good writers don’t need to edit.”Even the most celebrated authors (e.g., Stephen King) claim they spend 90 % of their time editing.
“Inspiration is magical and uncontrollable.”While moments of inspiration happen, they are often the byproduct of sustained preparation.
“Only formal education matters.”Self‑directed learning, reading, and community critique often produce equally adept writers.

7. The Bottom Line: Talent Meets Training

The truth lies somewhere in the middle:

  • Innate predispositions—such as a keen sense of observation, empathy, or an early love for language—can give a head start.
  • Deliberate practice—the daily grind of writing, reading, revising, and seeking feedback—turns that potential into proficiency.
  • Guided instruction—whether through a university course, an online tutorial, or a mentorship—provides the scaffolding that accelerates growth.

So, the “gift of creating life with words” isn’t a static, hereditary trait; it’s a dynamic, learnable craft that flourishes when curiosity meets discipline.


8. Takeaway Action: Your First Step Right Now

  1. Grab a notebook (or open a note‑app).
  2. Set a timer for five minutes and write whatever you see out the window, without judging.
  3. Repeat tomorrow, adding one new sensory detail.

In just a week, you’ll have a mini-catalogue of lived experience to draw upon—one of the most valuable reservoirs any writer can own.

Top 5 sights on the road less travelled – Vaduz

The Road‑Less‑Travelled in Vaduz: 5 Hidden Gems Worth Exploring

Vaduz may be tiny, but it’s brimming with surprises for the curious traveller. While most visitors gravitate toward the iconic castle, the state museum, and the glittering shopping street, the capital of Liechtenstein has a quieter side that rewards those who wander off the main postcard route. Below are my five favourite “off‑the‑beaten‑path” experiences – perfect for a day (or a few hours) when you crave something a little different.


1. Stroll the “Kunstweg” – Vaduz’s Secret Art Trail

Why it’s special

Tucked between the historic centre and the foothills of the Alps, a short footpath leads you past a series of contemporary sculptures and mural‑covered walls that most guidebooks skip. Each piece is curated by the tiny but vibrant Kunstverein Liechtenstein (Art Association) and changes seasonally, so you’ll never see the same lineup twice.

What to look for

  • The “Glass Feather” – a translucent installation that refracts sunlight into a rainbow on the riverbank.
  • “Echoes of the Alps” – a series of bronze panels that play faint Alpine wind sounds when you step close.
  • Hidden mural on a back‑alley building, painted by a local graffiti collective, depicting a mythic Liechtensteinic dragon.

Tips

  • Bring a small notebook – the artists love hearing visitors’ thoughts, and a quick sketch can become a souvenir.
  • Go early in the morning; the light makes the glass installations sparkle like gems.

2. Taste the “Heidi‑Style” Alpine Farmstead Café

Why it’s special

While the capital’s cafés cater to tourists, a family‑run farmstead just outside the city gates (about a 10‑minute walk) serves authentic, farm‑to‑table dishes in a rustic barn setting. Think cheese‑fondue made from the farm’s own alps‑milk, freshly baked “Vaterspaß” rye rolls, and a secret herb‑infused jam that locals swear is the best thing since the invention of the internet.

What to order

  • Schlössli Cheese Fondue – a blend of Gruyère, Emmental, and a pinch of local mountain herbs.
  • Kaiserschmarrn à la Vaduz – fluffy shredded pancake served with apple‑compote made from the orchard behind the café.
  • “Alpine Whisper” Liqueur – a house‑made apricot spirit you can sip on the terrace while watching the goats graze.

Tips

  • Sit on the hay‑straw benches for the full farm‑feeling experience.
  • Ask the owner, Marta, for a quick tour of the cheese‑aging cellar – it’s a 5‑minute walk in the back, and she loves sharing the process.

3. Explore the “Mysterious Underground Vaults” of the Old Customs House

Why it’s special

Behind the sleek, modern façade of the customs office lies a network of vaulted stone chambers built in the 18th century to store smuggled goods and precious metals. The city council now opens them for guided “Night‑Whisper” tours, featuring low‑light lanterns, storytelling, and a taste of historic Liechtensteinian spirits.

Highlights

  • The “Silversmith’s Chamber” – where clandestine metalwork took place.
  • The “Map Room” – a dusty wall of hand‑drawn cartography showing secret Alpine passes used by traders.
  • The “Wine Cellar of the Count” – still contains a few bottles of 1913 Riesling, preserved in perfect condition.

Tips

  • Book at least 48 hours in advance; the tours are limited to ten participants.
  • Wear comfortable shoes – the stone steps can be slippery when the lanterns are lit.

4. Bike the “Rheintal Loop” – A Scenic Ride the Locals Call “The Green Ribbon”

Why it’s special

Most visitors see Vaduz from a car window or a train seat, but the Rheintal Loop offers a 25‑km bicycle circuit that winds along the calm banks of the Rhine, climbs through pine‑scented hills, and passes tiny hamlets where children still wave from their doorsteps. It’s a perfect blend of nature, history, and quiet village life.

Must‑see stops

  • The ancient Roman bridge in Nendeln – a stone arch spanning the river, still in use today.
  • Kleinwalsertal viewpoint – a small plateau with a panoramic bench offering a 180° view of the Alps and the valley below.
  • The “Butterfly Meadow” near Schaan – a meadow packed with native wildflowers, especially vibrant in late June.

Tips

  • Rent a hybrid bike from the “Alpine Cycle Co.” on Helvetiaplatz – they provide helmets, a waterproof map, and a complimentary energy bar.
  • Pack a lightweight rain jacket; weather in the Alps can shift in a heartbeat.

5. Attend a “Silent Film Night” at the Old Town Cinema (Kinemathek)

Why it’s special

The tiny, Art‑Deco cinema on the corner of Gassnerstrasse shows an eclectic mix of classic silent movies, local experimental shorts, and occasional live piano accompaniment. The venue is intimate (just 50 seats), and the décor retains its 1920s charm: velvet curtains, brass sconces, and a historic popcorn machine that still whirs like a miniature steam engine.

Upcoming shows (as of 2025)

  • “The Prince of the Valley” – a 1923 Liechtensteinic drama about a young aristocrat who renounces his title to become a shepherd.
  • “Alpine Echoes” – a modern short film series filmed entirely on a smartphone by local students, depicting the lives of mountain rescue dogs.
  • “Live Piano Night” – a concert where pianist Miriam Keller plays original scores while the audience watches classic Buster Keaton reels.

Tips

  • Arrive early to snag a seat by the wall; the acoustics are best there.
  • Grab a cup of “Müesli Latte” from the café downstairs – it’s a warm milk drink with toasted oat flakes and a dash of cinnamon.

Bonus: How to Weave These Gems Into a Perfect Day

TimeActivityReason
08:00Breakfast at the Alpine Farmstead CaféFresh, local fare to fuel your adventure
09:30Walk the KunstwegGentle warm‑up while soaking in art & light
11:00Bike the Rheintal Loop (first half)Scenic ride & gentle hill climbs
13:00Picnic lunch (grab a cheese platter from the farmstead)Picnic by the river – pure bliss
14:30Underground Vaults tourDive into Vaduz’s secret past
16:30Continue the Loop (second half)Return via a different side, spotting hidden villages
18:30Evening coffee at the Old Town Cinema caféRelax before the film
19:30Silent Film NightEnd the day with nostalgic magic

Final Thoughts

Vaduz may wear a crown of polished tourism, but underneath lies a tapestry of quiet corners, local traditions, and hidden stories waiting for the inquisitive traveller. Whether you’re an art lover, a foodie, a history buff, a cyclist, or a cinephile, these five off‑the‑beaten‑path experiences will let you see a side of the capital that most guidebooks overlook.

So next time you wander into this Alpine jewel, stray from the usual map, ask a local for a secret, and let Vaduz’s quieter rhythms surprise you.

Ready to explore? Pack your walking shoes, a sense of adventure, and maybe a notebook for those spontaneous sketches – Vaduz’s hidden treasures are just a few steps away.

Happy travels!

What I learned about writing – Everyday life is still there

And probably it is a matter of being better off not thinking

But…

I’m sitting here and writing a piece for a novel about one of my characters, and all of a sudden I stop, right in the middle of where he’s about to get violently murdered if he lets his guard down.

Why have I stopped right there?

A strange thought goes through my mind.

Did he remember to have breakfast, did he make the bed and tidy up after he got up?  Did he have to arrange to have his clothes cleaned, or were they cleaned for him?

Does he have a maid and a butler and a cook to do all those things?

The problem is, we don’t know what happened before he finished up in that precarious position.

We may know that he was taught to fight by a zen master, a swordsman, though I’m not sure if there is a requirement for fencing, to drive defensively, to kill people in more ways than you’ve had hot dinners.

We may know that he was in a similar fight the day before, and his energy has been depleted and may be running on painkilling drugs.  Of course, if that’s the case, and knowing the side effect of some of those drugs, he may be impaired, and slower in reaction time, which might mean premature death.

But we don’t know if he ate anything, whether he slept well, or not at all (though sometimes it rates a mention more often than not as an afterthought or an excuse), whether he has any distracting thoughts, like what the hell am I doing here?

Everyday things which all of us, and I’m sure even the most successful of spies, have to deal with.

Just a thought.

Back to the fight, yes he wins, got a couple of slashes and there’s a copious amount of blood on his shirt.

Let’s not worry about who’s going to clean up the mess, or do the washing.

A few running repairs with needle and thread, including the requisite grimaces in pain, someone else will clean the shirt, and yes, there’s always a cupboard full of clean clothes to change into.

Moving on…

“One Last Look”, nothing is what it seems

A single event can have enormous consequences.

A single event driven by fate, after Ben told his wife Charlotte he would be late home one night, he left early, and by chance discovers his wife having dinner in their favourite restaurant with another man.

A single event where it could be said Ben was in the wrong place at the wrong time.

Who was this man? Why was she having dinner with him?

A simple truth to explain the single event was all Ben required. Instead, Charlotte told him a lie.

A single event that forces Ben to question everything he thought he knew about his wife, and the people who are around her.

After a near-death experience and forced retirement into a world he is unfamiliar with, Ben finds himself once again drawn back into that life of lies, violence, and intrigue.

From London to a small village in Tuscany, little by little Ben discovers who the woman he married is, and the real reason why fate had brought them together.

It is available on Amazon here:  http://amzn.to/2CqUBcz

Top 5 sights on the road less travelled – Sarajevo

The Un‑Seen Sarajevo: 5 Off‑The‑Beaten‑Path Experiences Worth the Detour

When you picture Sarajevo, you probably picture the iconic Baščaršija market, the Latin Bridge, or the panoramic tram ride up to the Sarajevo Bascarsija‑Tunnel Museum. Those sites are undeniably worth a visit, but the city’s real soul lives in the nooks and crannies that tourists rarely discover.
If you’re the type of traveller who prefers a side‑street over a main avenue, a hidden café over a crowded restaurant, or a quiet trail over a bustling viewpoint, keep reading. Below are five truly “road‑less‑travelled” activities that will give you a deeper, more intimate connection with Bosnia’s capital.


1️⃣ Wander the Secret Gardens of Vrelo Bosna – Beyond the Main Walkway

Why it feels off‑the‑map
Most visitors stroll the short, well‑signposted path that leads straight to the river’s mouth and snap a quick photo of the iconic meadow. Few venture farther up the valley where a network of stone‑lined footpaths winds through secluded glades, ancient oak groves, and a series of tiny, crystal‑clear pools that look like something out of a fairy‑tale.

What to do

  • Follow the “Old Trapper’s Trail.” Starting at the main parking lot, veer left after the first wooden bridge and look for a faded wooden sign reading “Staza lovca” (hunter’s trail).
  • Spot the “Stone‑Heart” (Kameni Srž). A natural limestone formation shaped like a heart, half‑submerged in a shallow pool—perfect for a quiet moment or a Instagram story that will genuinely surprise your followers.
  • Pack a light snack. The area is a perfect spot for a picnic under the shade of centuries‑old beech trees. Bring a small blanket, some local cheese (bjelica), and a bottle of Bosnian fruit‑wine.

Practical tips

  • Getting there: Take bus line 16 from the city centre to the “Vrelo Bosna” stop (≈15 min). The trailhead is a few minutes’ walk from the stop.
  • Best time: Early morning (7–9 am) in spring or early autumn. The lighting is soft, the crowds are non‑existent, and the air smells of wild mint.
  • What to bring: Sturdy walking shoes (the path includes a few rocky sections), a reusable water bottle, and a small rain jacket—weather can change quickly in the valleys.

2️⃣ Sip Coffee at Kovačevići’s “Mali Hram” – A Hidden Bosnian‑Austro‑Hungarian Café

Why it feels off‑the‑map
Tucked inside a modest residential block of the Kovačevići neighbourhood, “Mali Hram” (The Little Temple) is a tiny, family‑run coffee house that has been serving Bosnian coffee the same way since the 1900s. Its interior is a living museum: brass coffee pots, hand‑stitched tablecloths, and a faded photograph of a young Emperor Franz Julius I strolling through Sarajevo’s streets.

What to do

  • Order the “Bosanska Cevapi” espresso. It’s a double‑shot, dark roasted brew served with a slice of “hurmašice” (traditional sweet dumpling) on the side.
  • Chat with the owners. The elderly couple love sharing stories about how the café survived the siege, the Austro‑Hungarian era, and the city’s post‑war revival.
  • Listen to the old radio. A vintage 1930s German radio plays folk songs in the background, giving you a tangible sense of Sarajevo’s multicultural past.

Practical tips

  • Getting there: From the central train station, hop on tram line 1 toward “Ilidža” and get off at “Kovačevići” (≈12 min). Walk two blocks east; the café is marked only by a tiny hand‑painted sign.
  • Best time: Mid‑afternoon, when locals gather for “kafa i razgovor.” Expect a relaxed, unhurried pace.
  • What to bring: Cash (most small cafés don’t accept cards) and a notebook—many visitors leave a short message on the community board.

3️⃣ Trek to Hajdučke Kule – The Forgotten Ottoman Watchtowers

Why it feels off‑the‑map
While most tourists flock to the historic Clock Tower, few know that a row of three smaller stone towers – the “Hajdučke Kule” (Bandit Towers) – sit on the steep hillside overlooking the old town. Built in the 16th century to spot incoming raiders, they now offer an unobstructed panorama of Sarajevo’s red‑tile roofs, the Miljacka River snaking below, and the distant peaks of the Dinaric Alps.

What to do

  • Climb the middle tower. A narrow spiral staircase (≈30 steps) leads to a small viewing platform with a rusted iron railing. Bring a compact camera; the view is unfiltered – no tourist crowds, just the city’s raw silhouette.
  • Explore the “Stone Labyrinth.” At the base of the towers lies a network of ancient stone walls that locals used for rope‑making. Walk the labyrinth and feel the cool stone under your feet.
  • Capture sunset light. The western orientation floods the towers with golden light just before sunset, creating dramatic shadows ideal for photography.

Practical tips

  • Getting there: Take bus line 21 to “Koševo” and follow the signs to “Hajdučke Kule.” The trailhead is a short, steep stairwell leading up the hill.
  • Best time: Late afternoon in late spring or early summer, when the hillside is lush but the path isn’t slick.
  • What to bring: A flashlight (the interior of the towers is dim), a small first‑aid kit (the stairs are uneven), and a lightweight rain poncho.

4️⃣ Discover the Underground Art Gallery of the Sarajevo Tunnel – A Post‑War Secret

Why it feels off‑the‑map
The Sarajevo Tunnel Museum is a well‑known symbol of resilience, but beneath its concrete entrance lies a concealed, community‑run art space called “Podzemni Studio.” Created in 1997 by a group of former tunnel workers, it showcases raw, politically charged artworks made from salvaged war materials—metal, bullet casings, and glass shards.

What to do

  • Take the “Hidden Passage” tour. A volunteer guide leads a small group (max 8 people) down a dimly lit corridor to the studio. You’ll hear personal anecdotes about how the space helped heal trauma after the siege.
  • Interact with the installations. Some pieces are tactile; you can run your fingers over a sculpture made of welded railway tracks, symbolising the city’s connection between past and future.
  • Purchase a “Tunnel‑Made” souvenir. Small items—keychains, magnets, or hand‑crafted ceramic mugs—are sold to support the artists.

Practical tips

  • Getting there: Walk from the main tunnel museum (just a 5‑minute stroll). Look for the narrow door on the left side of the parking lot marked “Studio.”
  • Best time: Weekdays, early in the morning (9–11 am). The studio limits visitors to preserve the intimate atmosphere.
  • What to bring: A modest donation (the gallery is non‑profit), a respectful demeanour (some works deal with heavy themes), and curiosity.

5️⃣ Attend a Traditional “Sevdalinka” Evening in the Village of Bojan

Why it feels off‑the‑map
Sevdalinka, the soulful Bosnian folk song, is often performed in touristy restaurants in the Old Town. In Bojan—a small farming village 12 km south of Sarajevo—elder musicians gather every Saturday night in the courtyard of a centuries‑old stone house, singing unaccompanied a cappella renditions passed down through generations.

What to do

  • Join the circle. Bring a small portable seat or blanket, and sit on the low stone steps while locals welcome you with a warm “Dobrodošli.”
  • Learn a line. The host will hand you a lyric sheet and teach you the chorus—an unforgettable way to become part of the tradition.
  • Taste homemade “pita.” Freshly baked burek and honey‑drizzled pita (pie) are served on rustic wooden plates.

Practical tips

  • Getting there: Rent a car or take a local “taxi‑bush” (mini‑bus) from the “Ilidža” bus station to Bojan. The trip takes about 30 minutes on winding country roads.
  • Best time: Late summer (July–August) when the evenings are warm and the village’s olive trees are in full bloom.
  • What to bring: A respectful attitude, a small contribution (a bottle of local rakija or a few euros) for the host, and a camera with a discreet flash setting—photos are welcomed, but flash isn’t.

How to Fit All Five Into a 3‑Day Itinerary

DayMorningAfternoonEvening
1Vrelo Bosna hidden trails – hike & picnicHajdučke Kule – climb towers & sunsetMali Hram café – coffee & conversation
2Underground art gallery – Tunnel Studio tourBojan Sevdalinka evening – travel to villageReturn to Sarajevo for a nightcap in the Old Town
3Free day – revisit favorite spot or explore other museumsOptional: River rafting on the Miljacka or a museum of contemporary Bosnian artWrap‑up dinner at a local konoba (tavern) featuring live folk music

Feel free to shuffle the order—each activity stands on its own, but the rhythm above balances active exploration with relaxed cultural immersion.


Final Thoughts: Why the “Road‑Less‑Travelled” Matters

Travel isn’t just a checklist of monuments; it’s a conversation with the people, the landscapes, and the hidden histories that shape a place. In Sarajevo, the well‑trodden path tells you what the city is, while the side streets, secret gardens, and tucked‑away cafés whisper how Sarajevo has survived, adapted, and continued to sing its unique song.

So next time you book a trip to Bosnia’s capital, consider swapping one of those popular sights for a hidden trail, a modest coffee shop, or an underground gallery. You’ll return home with stories that are truly yours, and you’ll leave a lighter footprint—one that respects the intimacy of the places you discover.

Ready to venture off the map? Pack your walking shoes, bring an open heart, and let Sarajevo’s quieter corners reveal themselves. Happy exploring! 🌿🕌✨

Harry Walthenson, Private Detective – the second case – A case of finding the “Flying Dutchman”

What starts as a search for a missing husband soon develops into an unbelievable story of treachery, lies, and incredible riches.

It was meant to remain buried long enough for the dust to settle on what was once an unpalatable truth, when enough time had passed, and those who had been willing to wait could reap the rewards.

The problem was, no one knew where that treasure was hidden or the location of the logbook that held the secret.

At stake, billions of dollars’ worth of stolen Nazi loot brought to the United States in an anonymous tramp steamer and hidden in a specially constructed vault under a specifically owned plot of land on the once docklands of New York.

It may have remained hidden and unknown to only a few, if it had not been for a mere obscure detail being overheard …

… by our intrepid, newly minted private detective, Harry Walthenson …

… and it would have remained buried.

Now, through a series of unrelated events, or are they, that well-kept secret is out there, and Harry will not stop until the whole truth is uncovered.

Even if it almost costs him his life.  Again.

Writing a book in 365 days – 349

Day 349

The Gift of Creating Life with Words: Innate Talent, Learned Skill, or a Bit of Both?

“Words are, in my not-so-humble opinion, the most powerful tool we have ever created.” – J.K. Rowling

When a story sweeps us off our feet, a poem makes our hearts ache, or a speech moves a crowd to tears, we instinctively label the author a “gifted” or “talented” writer. It feels as if they possess a mysterious, almost magical ability to conjure whole worlds from thin air.

But is the art of breathing life into language something you’re born with, or can anyone learn to wield it with equal flair? In this post we’ll explore the science and the folklore behind writing excellence, dissect the myths of the “born writer,” and lay out practical pathways for anyone who wants to transform words into living, breathing experiences.


1. The Allure of the “Natural Talent” Narrative

1.1. Why We Romanticise the Gifted Writer

  • Heroic storytelling – Just as societies celebrate prodigies in music, sport, and mathematics, literature loves its “genius” figures (Shakespeare, Hemingway, Toni Morrison).
  • Cognitive bias – The availability heuristic makes us recall the few celebrated authors, overlooking the countless writers who arrived at greatness through deliberate practice.
  • Cultural mythos – The Romantic era glorified the solitary muse, cementing the idea that true art springs from a mystical well within.

1.2. What Research Really Says

Neuroscientists have mapped the brain activity of skilled writers, and the findings are enlightening:

Brain RegionRole in WritingWhat the Data Shows
Broca’s areaSyntax, grammarHighly active in both novice and expert writers, suggesting that basic language processing is universal.
Prefrontal cortexPlanning, organizationShows increased connectivity in seasoned writers, indicating that strategic thinking can be honed.
Default mode network (DMN)Imagination, mind‑wanderingStronger activation correlates with creative ideation, but DMN activity can be cultivated through practices like free‑writing.

The takeaway? There are no “magic” brain circuits that only a few possess. The same neural hardware is available to everyone; the difference lies in how it’s trained, wired, and used over time.


2. The Science of Skill Acquisition

2.1. Deliberate Practice—The Engine of Mastery

Psychologist K. Anders Ericsson introduced the concept of deliberate practice: intentional, feedback‑rich, and just beyond your current ability. In writing, this translates to:

  • Targeted exercises (e.g., “write a scene using only dialogue” or “describe a setting in 100 words”).
  • Immediate feedback from peers, mentors, or software tools.
  • Iterative revision—the willingness to rewrite, re‑structure, and re‑think.

2.2. The 10,000‑Hour Rule—A Misinterpretation

Gladwell popularised the idea that 10,000 hours leads to mastery. While practice matters, the quality of those hours matters far more. A novice who writes 10,000 bland sentences won’t rival a diligent writer who spends 2,000 hours on focused storytelling drills.

2.3. Neuroplasticity—Your Brain Can Rewire

Every time you craft a sentence, you’re forging new synaptic pathways. Studies in adult neuroplasticity demonstrate that consistent writing practice enlarges language‑related brain regions and improves narrative comprehension. In short: You can literally rewire yourself to be a better writer.


3. The Role of Reading: The Unsung Curriculum

“If you want to write, write, and if you want to read, read.” – C. S. Lewis

Reading is the foundational apprenticeship for any writer. Here’s why:

AspectHow Reading HelpsPractical Tip
VocabularyExposure to varied diction builds lexical richness.Keep a “word‑bank” notebook; add a new, striking word each week.
StructureMimic a paragraph in the style of your favourite author, then rewrite it in your voice.After each book, outline its structure in 5–7 bullet points.
VoiceUnderstanding expectations lets you subvert or honour them intelligently.Analysing plot arcs, pacing, and chapter organisation reveals the scaffolding behind stories.
Genre ConventionsUnderstanding expectations lets you subvert or honor them intelligently.Read at least three classic works in any genre you plan to write.

In other words—reading is the silent teacher that precedes formal instruction.


4. Teaching the Craft: What Formal Education (and Informal Mentorship) Offers

4.1. What Writing Courses Actually Teach

  1. Fundamentals of Storytelling – Hero’s journey, three‑act structure, conflict types.
  2. Tools of the Trade – Dialogue tags, sensory description, active vs. passive voice.
  3. Revision Strategies – Macro‑editing (plot, pacing) vs. micro‑editing (sentence flow, grammar).
  4. Critique Techniques – Giving and receiving constructive feedback without ego.

4.2. Mentorship vs. Classroom

  • Mentorship—Personalised, often informal. One‑on‑one feedback accelerates growth because it’s tailored to your specific blind spots.
  • Workshops—Group environments foster diverse perspectives, exposing you to styles you’d never encounter alone.

4.3. Digital Resources: The New‑Age Writing Academy

  • Online courses (MasterClass, Coursera, edX) – Structured curricula from bestselling authors.
  • Writing communities (r/WritingPrompts, Scribophile, Critique Circle) – Peer review loops.
  • AI‑assisted tools (Grammarly, ProWritingAid, ChatGPT) – Real‑time suggestions for grammar, style, and even plot brainstorming.

5. Practical Steps to Turn “Potential” into “Prose”

Below is a 12‑week sprint that anyone can follow, regardless of background. Think of it as a bootcamp for the “gift of creating life with words.”

WeekFocusAction ItemTime Commitment
1ObservationKeep a daily 5‑minute “sensory log” of what you see, hear, smell.5 min/day
2Micro‑StorytellingWrite 100‑word flash fiction using only one sense.15 min/day
3Dialogue DrillTranscribe a real conversation, then rewrite it to reveal subtext.30 min total
4Structural MappingOutline the plot of your favorite novel in three acts.1 hour
5Voice ExplorationImitate a paragraph from three different authors; then rewrite it in your own voice.45 min
6Feedback LoopShare a 1,000‑word piece with a peer group; receive and integrate feedback.2 hours
7Revision MasteryTake a piece you wrote in Week 2 and perform a macro‑edit (plot, pacing).1 hour
8Genre Deep DiveRead a classic in a new genre; write a 500‑word piece that follows its conventions.2 hours reading + 1 hour writing
9Narrative TensionWrite a scene where the stakes are revealed only through action, not exposition.1 hour
10Mentor SessionArrange a 30‑minute call with a more experienced writer (could be via a forum).30 min
11Polish & PublishEdit a short story for submission to a literary journal or online platform.2 hours
12ReflectionWrite a 500‑word essay on how your writing has changed over the program.30 min

Consistency beats intensity. Even 15 minutes a day, if focused, yields measurable improvement.


6. Common Myths Debunked

MythReality
“You’re either born a writer or you’re not.”Writing is a skill that can be systematically improved, much like learning a musical instrument.
“Good writers don’t need to edit.”Even the most celebrated authors (e.g., Stephen King) claim they spend 90 % of their time editing.
“Inspiration is magical and uncontrollable.”While moments of inspiration happen, they are often the byproduct of sustained preparation.
“Only formal education matters.”Self‑directed learning, reading, and community critique often produce equally adept writers.

7. The Bottom Line: Talent Meets Training

The truth lies somewhere in the middle:

  • Innate predispositions—such as a keen sense of observation, empathy, or an early love for language—can give a head start.
  • Deliberate practice—the daily grind of writing, reading, revising, and seeking feedback—turns that potential into proficiency.
  • Guided instruction—whether through a university course, an online tutorial, or a mentorship—provides the scaffolding that accelerates growth.

So, the “gift of creating life with words” isn’t a static, hereditary trait; it’s a dynamic, learnable craft that flourishes when curiosity meets discipline.


8. Takeaway Action: Your First Step Right Now

  1. Grab a notebook (or open a note‑app).
  2. Set a timer for five minutes and write whatever you see out the window, without judging.
  3. Repeat tomorrow, adding one new sensory detail.

In just a week, you’ll have a mini-catalogue of lived experience to draw upon—one of the most valuable reservoirs any writer can own.

An excerpt from “Mistaken Identity” – a work in progress

The odds of any one of us having a doppelganger are quite high. Whether or not you got to meet him or her, or be confronted by them was significantly lower. Except of course, unless you are a celebrity.

It was a phenomenon remarkable only for the fact, at times, certain high-profile people, notorious or not, had doubles if only to put off enemies or the general public. Sometimes we see people in the street, people who look like someone we knew, and made the mistake of approaching them like a long lost friend, only to discover an embarrassed individual desperately trying to get away for what they perceive is a stalker or worse.

And then sometimes it is a picture that looms up on a TV screen, an almost exact likeness of you. At first, you are fascinated, and then according to the circumstances, and narrative that is attached to that picture, either flattered or horrified.

For me one turned to the other when I saw an almost likeness of me flash up on the screen when I turned the TV on in my room. What looked to be my photo, with only minor differences, was in the corner of the screen, the newsreader speaking in rapid Italian, so fast I could only translate every second or third word.

But the one word I did recognize was murder. The photo of the man up on the screen was the subject of an extensive manhunt. The crime, the murder of a woman in the very same hotel I was staying, and it was being played out live several floors above me. The gist of the story, the woman had been seen with, and staying with the man who was my double, and, less than an hour ago, the body had been discovered by a chambermaid.

The killer, the announcer said, was believed to be still in the hotel because the woman had died shortly before she had been discovered.

I watched, at first fascinated at what I was seeing. I guess I should have been horrified, but at that moment it didn’t register that I might be mistaken for that man.

Not until another five minutes had passed, and I was watching the police in full riot gear, with a camera crew following behind, coming up a passage towards a room. Live action of the arrest of the suspected killer the breathless commentator said.

Then, suddenly, there was a pounding on the door. On the TV screen, plain to see, was the number of my room.
I looked through the peephole and saw an army of police officers. It didn’t take much to realize what had happened. The hotel staff identified me as the man in the photograph on the TV and called the police.

Horrified wasn’t what I was feeling right then.

It was fear.

My last memory was the door crashing open, the wood splintering, and men rushing into the room, screaming at me, waving guns, and when I put my hands up to defend myself, I heard a gunshot.

And in one very confused and probably near-death experience, I thought I saw my mother and thought what was she doing in Rome?

I was the archetypal nobody.

I lived in a small flat, I drove a nondescript car, had an average job in a low profile travel agency, was single, and currently not involved in a relationship, no children, and according to my workmates, no life.

They were wrong. I was one of those people who preferred their own company, I had a cat, and travelled whenever I could. And I did have a ‘thing’ for Rosalie, one of the reasons why I stayed at the travel agency. I didn’t expect anything to come of it, but one could always hope.

I was both pleased and excited to be going to the conference. It was my first, and the glimpse I had seen of it had whetted my appetite for more information about the nuances of my profession.

Some would say that a travel agent wasn’t much of a job, but to me, it was every bit as demanding as being an accountant or a lawyer. You were providing a customer with a service, and arguably more people needed a travel agent than a lawyer. At least that was what I told myself, as I watched more and more people start using the internet, and our relevance slowly dissipating.

This conference was about countering that trend.

The trip over had been uneventful. I was met at the airport and taken to the hotel where the conference was being held with a number of other delegates who had arrived on the same plane. I had mingled with a number of other delegates at the pre conference get together, including one whose name was Maryanne.

She was an unusual young woman, not the sort that I usually met, because she was the one who was usually surrounded by all the boys, the life of the party. In normal circumstances, I would not have introduced myself to her, but she had approached me. Why did I think that may have been significant? All of this ran through my mind, culminating in the last event on the highlight reel, the door bursting open, men rushing into my room, and then one of the policemen opened fire.

I replayed that last scene again, trying to see the face of my assailant, but it was just a sea of men in battle dress, bullet proof vests and helmets, accompanied by screaming and yelling, some of which I identified as “Get on the floor”.

Then came the shot.

Why ask me to get on the floor if all they were going to do was shoot me. I was putting my hands up at the time, in surrender, not reaching for a weapon.

Then I saw the face again, hovering in the background like a ghost. My mother. Only the hair was different, and her clothes, and then the image was going, perhaps a figment of my imagination brought on by pain killing drugs. I tried to imagine the scene again, but this time it played out, without the image of my mother.

I opened my eyes took stock of my surroundings. What I felt in that exact moment couldn’t be described. I should most likely be dead, the result of a gunshot wound. I guess I should be thankful the shooter hadn’t aimed at anything vital, but that was the only item on the plus side.

I was in a hospital room with a policeman by the door. He was reading a newspaper, and sitting uncomfortably on a small chair. He gave me a quick glance when he heard me move slightly, but didn’t acknowledge me with either a nod, or a greeting, just went back to the paper.

If I still had a police guard, then I was still considered a suspect. What was interesting was that I was not handcuffed to the bed. Perhaps that only happened in TV shows. Or maybe they knew I couldn’t run because my injuries were too serious. Or the guard would shoot me long before my feet hit the floor. I knew the police well enough now to know they would shoot first and ask questions later.

On the physical side, I had a large bandage over the top left corner of my chest, extending over my shoulder. A little poking and prodding determined the bullet had hit somewhere between the top of my rib cage and my shoulder. Nothing vital there, but my arm might be somewhat useless for a while, depending on what the bullet hit on the way in, or through.

It didn’t feel like there were any broken or damaged bones.

That was the good news.

On the other side of the ledger, my mental state, there was only one word that could describe it. Terrified. I was looking at a murder charge and jail time, a lot of it. Murder usually had a long time in jail attached to it.

Whatever had happened, I didn’t do it. I know I didn’t do it, but I had to try and explain this to people who had already made up their minds. I searched my mind for evidence. It was there, but in the confused state brought on by the medication, all I could think about was jail, and the sort of company I was going to have.

I think death would have been preferable.

Half an hour later, maybe longer, I was drifting in an out of consciousness, a nurse, or what I thought was a nurse, came into the room. The guard stood, checked her ID card, and then stood by the door.

She came over and stood beside the bed. “How are you?” she asked, first in Italian, and when I pretended I didn’t understand, she asked the same question in accented English.

“Alive, I guess,” I said. “No one has come and told what my condition is yet. You are my first visitor. Can you tell me?”

“Of course. You are very lucky to be alive. You will be fine and make a full recovery. The doctors here are excellent at their work.”

“What happens now?”

“I check you, and then you have a another visitor. He is from the British Embassy I think. But he will have to wait until I have finished my examination.”

I realized then she was a doctor, not a nurse.

My second visitor was a man, dressed in a suit the sort of which I associated with the British Civil Service.  He was not very old which told me he was probably a recent graduate on his first posting, the junior officer who drew the short straw.

The guard checked his ID but again did not leave the room, sitting back down and going back to his newspaper.

My visitor introduced himself as Alex Jordan from the British Embassy in Rome and that he had been asked by the Ambassador to sort out what he labelled a tricky mess.

For starters, it was good to see that someone cared about what happened to me.  But, equally, I knew the mantra, get into trouble overseas, and there is not much we can do to help you.  So, after that lengthy introduction, I had to wonder why he was here.

I said, “They think I am an international criminal by the name of Jacob Westerbury, whose picture looks just like me, and apparently for them it is an open and shut case.”  I could still hear the fragments of the yelling as the police burst through the door, at the same time telling me to get on the floor with my hands over my head.

“It’s not.  They know they’ve got the wrong man, which is why I’m here.  There is the issue of what had been described as excessive force, and the fact you were shot had made it an all-round embarrassment for them.”

“Then why are you here?  Shouldn’t they be here apologizing?”

“That is why you have another visitor.  I only took precedence because I insisted I speak with you first.  I have come, basically to ask you for a favour.  This situation has afforded us with an opportunity.  We would like you to sign the official document which basically indemnifies them against any legal proceedings.”

Curious.  What sort of opportunity was he talking about?  Was this a matter than could get difficult and I could be charged by the Italian Government, even if I wasn’t guilty, or was it one of those hush hush type deals, you do this for us, we’ll help you out with that.  “What sort of opportunity?”

“We want to get our hands on Jacob Westerbury as much as they do.  They’ve made a mistake, and we’d like to use that to get custody of him if or when he is arrested in this country.  I’m sure you would also like this man brought into custody as soon as possible so you will stop being confused with him.  I can only imagine what it was like to be arrested in the manner you were.  And I would not blame you if you wanted to get some compensation for what they’ve done.  But.  There are bigger issues in play here, and you would be doing this for your country.”

I wondered what would happen if I didn’t agree to his proposal.  I had to ask, “What if I don’t?”

His expression didn’t change.  “I’m sure you are a sensible man Mr Pargeter, who is more than willing to help his country whenever he can.  They have agreed to take care of all your hospital expenses, and refund the cost of the Conference, and travel.  I’m sure I could also get them to pay for a few days at Capri, or Sorrento if you like, before you go home.  What do you say?”

There was only one thing I could say.  Wasn’t it treason if you went against your country’s wishes?

“I’m not an unreasonable man, Alex.  Go do your deal, and I’ll sign the papers.”

“Good man.”

After Alex left, the doctor came back to announce the arrival of a woman, by the way she had announced herself, the publicity officer from the Italian police. When she came into the room, she was not dressed in a uniform.

The doctor left after giving a brief report to the civilian at the door. I understood the gist of it, “The patient has recovered excellently and the wounds are healing as expected. There is no cause for concern.”

That was a relief.

While the doctor was speaking to the civilian, I speculated on who she might be. She was young, not more than thirty, conservatively dressed so an official of some kind, but not necessarily with the police. Did they have prosecutors? I was unfamiliar with the Italian legal system.

She had long wavy black hair and the sort of sultry looks of an Italian movie star, and her presence made me more curious than fearful though I couldn’t say why.

The woman then spoke to the guard, and he reluctantly got up and left the room, closing the door behind him.
She checked the door, and then came back towards me, standing at the end of the bed. Now alone, she said, “A few questions before we begin.” Her English was only slightly accented. “Your name is Jack Pargeter?”

I nodded. “Yes.”

“You are in Rome to attend the Travel Agents Conference at the Hilton Hotel?”

“Yes.”

“You attended a preconference introduction on the evening of the 25th, after arriving from London at approximately 4:25 pm.”

“About that time, yes. I know it was about five when the bus came to collect me, and several others, to take us to the hotel.”

She smiled. It was then I noticed she was reading from a small notepad.

“It was ten past five to be precise. The driver had been held up in traffic. We have a number of witnesses who saw you on the plane, on the bus, at the hotel, and with the aid of closed circuit TV we have established you are not the criminal Jacob Westerbury.”

She put her note book back in her bag and then said, “My name is Vicenza Andretti and I am with the prosecutor’s office. I am here to formally apologize for the situation that can only be described as a case of mistaken identity. I assure you it is not the habit of our police officers to shoot people unless they have a very strong reason for doing so. I understand that in the confusion of the arrest one of our officers accidentally discharged his weapon. We are undergoing a very thorough investigation into the circumstances of this event.”

I was not sure why, but between the time I had spoken to the embassy official and now, something about letting them off so easily was bugging me. I could see why they had sent her. It would be difficult to be angry or annoyed with her.

But I was annoyed.

“Do you often send a whole squad of trigger happy riot police to arrest a single man?” It came out harsher than I intended.

“My men believed they were dealing with a dangerous criminal.”

“Do I look like a dangerous criminal?” And then I realized if it was mistaken identity, the answer would be yes.

She saw the look on my face, and said quietly, “I think you know the answer to that question, Mr. Pargeter.”

“Well, it was overkill.”

“As I said, we are very sorry for the circumstances you now find yourself in. You must understand that we honestly believed we were dealing with an armed and dangerous murderer, and we were acting within our mandate. My department will cover your medical expenses, and any other amounts for the inconvenience this has caused you. I believe you were attending a conference at your hotel. I am very sorry but given the medical circumstances you have, you will have to remain here for a few more days.”

“I guess, then, I should thank you for not killing me.”

Her expression told me that was not the best thing I could have said in the circumstances.

“I mean, I should thank you for the hospital and the care. But a question or two of my own. May I?”

She nodded.

“Did you catch this Jacob Westerbury character?”

“No. In the confusion created by your arrest he escaped. Once we realized we had made a mistake and reviewed the close circuit TV, we tracked him leaving by a rear exit.”

“Are you sure it was one of your men who shot me?”

I watched as her expression changed, to one of surprise.

“You don’t think it was one of my men?”

“Oddly enough no. But don’t ask me why.”

“It is very interesting that you should say that, because in our initial investigation, it appeared none of our officer’s weapons had been discharged. A forensic investigation into the bullet tells us it was one that is used in our weapons, but…”

I could see their dilemma.

“Have you any enemies that would want to shoot you Mr Pargeter?”

That was absurd because I had no enemies, at least none that I knew of, much less anyone who would want me dead.

“Not that I’m aware of.”

“Then it is strange, and will perhaps remain a mystery. I will let you know if anything more is revealed in our investigation.”

She took an envelope out of her briefcase and opened it, pulling out several sheets of paper.

I knew what it was. A verbal apology was one thing, but a signed waiver would cover them legally. They had sent a pretty girl to charm me. Perhaps using anyone else it would not have worked. There was potential for a huge litigation payout here, and someone more ruthless would jump at the chance of making a few million out of the Italian Government.

“We need a signature on this document,” she said.

“Absolving you of any wrong doing?”

“I have apologized. We will take whatever measures are required for your comfort after this event. We are accepting responsibility for our actions, and are being reasonable.”

They were. I took the pen from her and signed the documents.

“You couldn’t add dinner with you on that list of benefits?” No harm in asking.

“I am unfortunately unavailable.”

I smiled. “It wasn’t a request for a date, just dinner. You can tell me about Rome, as only a resident can. Please.”

She looked me up and down, searching for the ulterior motive. When she couldn’t find one, she said, “We shall see once the hospital discharges you in a few days.”

“Then I’ll pencil you in?”

She looked at me quizzically. “What is this pencil me in?”

“It’s an English colloquialism. It means maybe. As when you write something in pencil, it is easy to erase it.”

A momentary frown, then recognition and a smile. “I shall remember that. Thank-you for your time and co-operation Mr. Pargeter. Good morning.”

© Charles Heath 2015-2021