Month: March 2026

The cinema of my dreams – I always wanted to see the planets – Episode 19

Well, that was a non-event

…

The view in the front of me, and everyone else, didn’t change. I didn’t expect it to. It was dark and sometimes eerie out in space, and like us, eventually, hurtling towards the unknown.

But, that was yesterday.

That all changed a little over an hour ago when we made the first contact with another race. Admittedly it was not the ideal way to start a new relationship, but it was a start.

I had no doubt the diplomatic team was hard at work coming up with ideas on how we were going to approach these new people.

But in the meantime, we were, quite literary, hurtling through space faster than any human’s had before.

The chief 3ngineer was right when he said the problems were fixed, and the main drive was online and ready to go.

At first, it seemed like nothing had happened when Mr. Saville pressed the button. Then, gradually, the speed indicator moved, from 3.5 to 5, then to 7, and finally, 9. Nearly three times faster than anyone before.

Which brought a new set of issues. We would be arriving at the two ships, apparently waiting for us, a lot quicker than the original estimate of 7 hours.

It was now down to about 45 minutes, and we were going to need a plan of action.

There was a platoon of special soldiers on board, an odd addition to what was supposed to be peaceful exploration, but their inclusion was non-negotiable. I knew the previous captain was not very happy with them being on board, and the one conversation between the captain and their leader was quite acrimonious.

I hoped to improve relations and stepped off the bridge to go visit the commander.

They had a separate section of the ship, where they had quarters, training, and planning facilities. The commander, Lieutenant Colonel Baxter, had an office, and his 2ic met me at the elevator and escorted me to it.

“Not the best was to become captain of a ship,” he said.

“If I had a preference, no. I assume the Admiral had spoken to you.”

The Admiral seemed to have spoken to everyone, perhaps to ensure that I would get the support I needed. Captains were generally a lot older than I was and commanded respect through years of service and experience.

Though I didn’t lack years of service, I did lack experience in running a ship like the one I was now on. But, I told myself, I would not have been made number one if I didn’t merit it.

“We’re going after the people who took the captain and one of our scientists, yes. I see we’re about a half-hour before we encounter two alleged sentry ships.”

“Possibly. But you will need to supply a four-man team in case we have to go off ship, for security purposes only.”

“And if diplomacy doesn’t work.”

His shoot first and ask questions later policy was not going to go down well, it certainly didn’t with the previous captain, and it wouldn’t with me either.

“I’m sure we all know what that will mean when the time comes. The official book on this vessel doesn’t mention anything about armaments, but if I know anything about the military, I’m sure there are defensive weapons installed. I know you told the captain that there were none to your knowledge but we both know this ship would have never left the dock without some form of defenses.”

I could read between the lines. I had a lot of spare time on those interminable cargo runs and read a great deal about the space program, and the hopes and aspirations of a lot of countries in exploring, but not with the means to do it on their own.

Where sport was once the means to unite the world, now it was space, and I had wanted to be a part of it.

In all that reading, it was the obscure references that told the real story. Nothing could get off the grounds without military cooperation, and to get that, some concessions had to be made.

Like Baxter and his men. And for the installation of a host of new weapons, specifically for space. A little further reading showed the advances made in adapting laser technology, and I suspect this ship had a few, as well as other weapons. I hadn’t seen any ray guns, but there were prototypes, and they’d been around for several years.

“I couldn’t say, even if I wanted to. You know how it is.”

“Well, let’s hope your desire for secrecy doesn’t imperil the mission because if it does, you’ll be the first visitor in the brig.”

“Is that a threat?”

“No. That’s just a fact. Now, once more, is there anything you need to tell me, that will be useful in any negotiation with the two ships we were about to encounter.”

He looked at me with what I would have guessed was contempt, but that was how he viewed everyone. There was no doubting his capability, his service record, or his loyalty. But space was different to anything else he’d encountered.

“If they give you any trouble, you let me know. That spare console on the bridge, it controls the ship’s defenses.”

I was smart enough not to ask what those defenses were. We’d all find out soon enough if it came to that.

“Then you’d better send someone up. We might need him.”

“Her actually. Gunnery Sargent Walker.”

Going back up in the elevator I looked at my hands and they were shaking. The first day out, and I was all but ready to go to war.

Not expected, not wanted, but sadly a fact.

When I stepped onto the bridge, the viewing screen showed the two ships, very close, and very detailed.

The second officer was saying, “We arrived early, and if I may ask, why didn’t we just go around them?”

“I’m curious about what they might have to say.”

“And if they shoot at us?”

“I’m sure Baxter will have something to say about that. Is the spare console manned?”

“Yes. By a Gunnery Sargent, part of the military team on board.”

“Good. Now let’s see if we can strike up a conversation.”

…

© Charles Heath 2021

A photograph from the inspirational bin – 37

This is a residential tower down at the Gold Coast, Queensland, Australia, with every apartment on the beachside overlooking the ocean.

There could almost be a Die Gard scenarion going on here, but I like the idea of a drama unfolding in the penthouse, like

The husband comes home and finds the wife with her personal trainer, who is getting too personal, and he is about to thrown him over the balcony. That’s a long way down.

Uber eats arrive at the door, but it’s really two wannabe ransomers who take the daughter, tie her up, then start making absurd demands, and the daughter almost throws the two of them over the balcony.

But, not one to miss an opportunity, or get her stepmother, who is younger than her, into all sorts of trouble.

The brother of the owner, a single father is killed in a freak accident, and his son has to be taken in, brought back to the penthouse, and thinks he’s struck it rich. The conniving brat is about to be taught a lesson he’ll never forget when he discovers all is not what it seems.

Or my absolute favorite, I win the lottery, move into the apartment, and so do the other 27 layabout members of my family.

Don’t laugh, it happens…

The cinema of my dreams – Was it just another surveillance job – Episode 56

This story is now on the list to be finished so over the new few weeks, expect a new episode every few days.

The reason why new episodes have been sporadic, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Things are about to get complicated…

“Turn around and head towards the trees, we’re not very far from you,” the voice in my head said.

I turned, saw the trees and moved towards them.

“Straight ahead.”

Then I could just see her, beside one of the tree trunks, under the cover of the canopy.

For the moment we would not be seen, but if someone was looking intently, we would be seen.

Jennifer was kneeling, her knees and weight keeping the assailant on the ground.  She handed me the gun, a silenced Baretta, with the distinct aroma of a discharged bullet.

Jennifer had pulled off the balaclava.  Jan.

Not working for Severin, but Dobbin.  Or someone else?

“Who ordered the hit?”

“Go fuck yourself.”

Not entirely unexpected.

I pulled out my phone and dialled the number for the Detective Inspector that had been at Maury’s crime scene.  I knew there was going to be a need to call her in the not-too-distant future.  And Jan needed to be in a safe place where she couldn’t be got at.

“Who is this?”

My number would have come up as a ‘private number’.

“We met at the hotel where Maury died.”

“The spy?”

“Of sorts.  I’m sorry to say that his companion, Severin, is also now very dead in the rotunda at the Italian Gardens at Hyde Park.  I’d get someone down here before the body is removed or found by a member of the public.”

I heard a scream and deduced it came from the rotunda.

“Too late.  Hurry before the crime scene is contaminated.”

“Where are you?”

“Nearby.  And if you’re especially quick, we have a surprise for you.”

Two constables arrived in four minutes, most likely nearby for another reason.  The Detective Inspector and her Sergeant arrived within 20 minutes, but by that time Jennifer and Jan had retreated to the car, parked away from the gardens.

Anyone seeing us heading away would have picked us for three drunken fools escorting a friend who had passed out.  Jan had struggled to get free, and it had been necessary to subdue her.

I had wanted to ask further questions, but circumstances didn’t allow it.  Not yet.

Leaving Jennifer with Jan, securely tied up, but looking like she was sleeping of a long drinking session, I went back to the crime scene just as the Detective Inspector was coming out of the rotunda.

She recognised me and called me over to the tape that separated the public from the scene.  The forensic team had just arrived and was setting up.  I doubted she would let me into the crime scene area, but I had seen enough when I’d been there with Severin.

“Why are you here, and give me a good reason not to take you into custody.”

“He called me earlier and wanted to talk.  I think he found out Maury was dead, and he was next.  I didn’t kill him, but I know who did, but I’m not sure we’re going to be able to prove it.”

“That weedy little man that saved your ass the last time?”

“Richards or Dobbin?  Either or together or one of their henchmen.  Not sure, to be honest.  All I knop is it’s possible Maury was killed during an intense interrogation.  I suspect Severin was killed to silence him.”

“Because of what?”

“I believe it is about the existence of a formula for a biological weapon.”

…

© Charles Heath 2020-2023

365 Days of writing, 2026 – 51

Day 51 – The Power of Silence

…

The Power of Silence: Why Saying Less Can Make Your Interviews—and Your Writing—Far More Compelling

“Silence is a source of great strength.” — Lao Tzu

In a world that rewards constant chatter, it’s easy to forget that the most memorable moments often happen when nobody is speaking. Whether you’re sitting across from a subject in a face‑to‑face interview or watching a scene unfold on the page, strategic silence can turn good material into something unforgettable.

In this post, we’ll explore:

  1. Why silence works – the psychological and narrative reasons it matters.
  2. Interview tactics – how to harness pauses, breathing space, and non‑verbal cues.
  3. Writing tricks – letting characters speak for themselves and using “silence” in prose.
  4. Common pitfalls – what to avoid when you try to be “quiet”.

Grab a notebook (or a blank document) and let the quiet speak to you.

1. The Science Behind the Pause

What Happens When You’re SilentWhy It Helps Your Audience
The brain fills in gaps – humans love pattern‑completion.Listeners/readers become active participants, constructing meaning in the spaces you leave.
Emotional intensity rises – a pause creates tension.The audience anticipates what comes next, sharpening focus on the upcoming reveal.
Trust is built – you’re not trying to steer the conversation.Interviewees feel heard, while readers sense authentic, unmanipulated dialogue.
Memory retention improves – novelty stands out.Unusual moments (a lingering silence) stick in the mind longer than a flood of words.

In short, silence is not “nothing”; it’s a catalyst that amplifies whatever follows it.

2. Interview Techniques: Let the Interviewee Own the Story

a. The “Goldilocks” Pause

  • What it is: A deliberate, 2‑5‑second silence right after a question or a key statement.
  • Why it works: It gives the interviewee mental space to think, often coaxing deeper, less rehearsed answers.
  • How to practice:
    1. Ask a question.
    2. Resist the urge to fill the void with “uh‑uh” or “so…”.
    3. Count silently (1‑2‑3…) and then listen.

Example – Instead of “What made you decide to start the company?” followed immediately by “And how did you fund it?”, try:
“What made you decide to start the company?” (pause) “Take your time.” (pause again) …and you’ll hear the story unfold organically.

b. Mirror the Body Language

  • Technique: Nod, maintain an open posture, and let the interviewee see you’re engaged without speaking.
  • Result: Non‑verbal affirmation often encourages the interviewee to keep talking, turning a silence into a “safe‑space” signal.

c. Avoid “Filler” Questions

  • Bad habit: “Do you like that?” or “Is that right?” after every answer.
  • Better approach: Let the previous answer breathe. If you need clarification, phrase it as a reflection: “So you’re saying…?” – then pause.

d. The “Quiet Re‑Ask”

When you need deeper detail, repeat the last few words of the interviewee’s answer, then stay silent.

Interviewee: “We had to scrap the original design.”
You: “Scrap the original design…?” (silence)
Result: The interviewee often fills in the missing “why” or “how”.

3. Writing Tricks: Let Your Characters Speak for Themselves

a. Show, Don’t Tell—Through Silence

  • Scene: A mother and her teenage son sit across a kitchen table after a heated argument.
  • Traditional “telling”: “She was angry, and he felt guilty.”
  • Silence‑driven “showing”:The spoon clinked against the porcelain, a rhythm that grew louder as the minutes stretched. She stared at the steam rising from her tea; he stared at the chipped edge of his mug. No one said a word.

The absence of dialogue forces the reader to infer the tension.

b. Use “Silent Beats” Between Dialogue

  • Why: They act like punctuation, letting readers absorb what was just said.
  • How: Insert a line break or a brief description of a character’s reaction.

“I’m leaving,” she whispered.

The rain thumped against the window, louder than any goodbye.

The beat gives weight to the line, turning a simple statement into a moment of finality.

c. Let Characters “Fill In Their Own Gaps”

If you give a character an ambiguous line, resist the temptation to explain it for them. Trust the reader’s imagination.

“You remember what happened that night?”

He nodded, eyes flicking to the empty doorway.

Notice we never tell the reader what he remembers. The silence invites speculation, creating deeper engagement.

d. Narrative “Silence” — The Unspoken Backstory

Sometimes the silence isn’t a pause in dialogue but a gap in the narrative. Let background details emerge gradually, through hints rather than exposition.

  • Technique: Drop a prop, a habit, or a scar and let the audience wonder.
  • Result: The story feels lived‑in, like a real person who has a past you’re only glimpsing.

4. Pitfalls to Avoid

PitfallWhy It Undermines SilenceQuick Fix
Filling gaps with narrationOver‑explaining robs the reader of agency.Use concise, vivid images instead of exposition.
Awkward, overly long pausesCan feel uncomfortable, breaking immersion.Keep silent beats purposeful—2–5 seconds in interviews, a line break or two in prose.
Assuming silence = boredomSome people mistake quiet for lack of content.Prepare with strong questions or scene stakes; silence will then feel intentional.
Using silence to avoid the tough questionLeads to shallow interviews/writing.Embrace uncomfortable topics; let the pause draw them out.

5. A Mini‑Exercise to Practice “Silence”

  1. Interview: Conduct a 5‑minute conversation with a friend about a memorable childhood event. After each question, count to five silently before responding. Record the exchange. Notice how the answers become richer.
  2. Write: Draft a scene (150–200 words) in which two characters meet after years apart. Include at least three silent beats—one before dialogue, one in the middle, one after. Compare the emotional impact to a version where the conversation is nonstop.

6. Takeaway: Silence Is Your Secret Superpower

  • In interviews, silence is a listening tool that invites deeper, unfiltered storytelling.
  • In writing, silence is a structural device that lets characters own their voice and readers fill in the emotional blanks.

When you deliberately step back—whether from a microphone or a keyboard—you create space for authenticity to breathe. And in that breath lies the resonance that makes an interview memorable and a story unforgettable.

Next time you feel the urge to fill the void, pause. Let the silence do the heavy lifting.

Ready to try it? Share your silent‑beat experiment in the comments below. I’d love to hear how a simple pause transformed your interview or manuscript!

If I only had one day to stop over in – Buenos Aires – what would I do

One Day, One Stopover, One Iconic Spot: Why Plaza de Mayo Is the Only Place You Need to Visit in Buenos Aires

You’ve got just 24 hours to soak up the spirit of Argentina’s capital. Instead of trying to cram a dozen neighbourhoods into a frantic sprint, focus on the beating heart of the city—Plaza de Mayo. With its rich history, striking architecture, and a handful of bite‑size experiences all within a few minutes’ walk, this single square will turn your layover into a truly memorable Buenos Aires story.

1. Why Plaza de Mayo Deserves the Spotlight

What makes it special?How it translates into a “must‑see” for a day‑stop
Historical epicenter – The square has witnessed the May Revolution (1810), countless presidential inaugurations, and the rise of modern Argentina.A quick walk here feels like stepping onto a living history book; you’ll understand the city’s soul in 30 minutes.
Architectural showcase – From the pink‑hued Casa Rosada to the neoclassical Cabildo and the grand Metropolitan Cathedral, styles span colonial, French‑Beaux‑Arts, and modernist.Photo‑ops galore—your Instagram feed will thank you.
Café culture – Right on the edge sits the legendary Café Tortoni, the oldest coffeehouse in the country.A perfect spot to refuel with a café con leche and a medialuna (Argentinian croissant).
Central hub – All major transport lines (Subte Line A, numerous bus routes, and the nearby Retiro train station) converge here, making it easy to reach even on a tight schedule.No time‑wasting detours—arrive, explore, and hop back on the plane.
Live atmosphere – Street musicians, political rallies, and open‑air vendors create a vibrant, ever‑changing tableau.You’ll leave with more than pictures—you’ll carry a slice of Buenos Aires life.

In short, Plaza de Mayo condenses the city’s history, culture, cuisine, and energy into a single, walkable rectangle.

2. The 3‑Hour “Plaza de Mayo Sprint” Itinerary

Even if you only have a few hours, you can cover the essentials without feeling rushed.

TimeActivityInsider tip
0:00 – 0:15Arrive & Orient – Step off the Subte (Line A) at Plaza de Mayo station. Take a moment on the main terrace to spot the iconic pink façade of the Casa Rosada.Look up to see the Balcony of the Casa Rosada—the spot where Eva Perón famously addressed crowds.
0:15 – 0:45Casa Rosada & Plaza Tour – Walk around the square, snap photos of the Monumento a los Caídos and the Obelisk of the Revolution. If you’re lucky, a guard change ceremony might be in progress.The guard ceremony occurs at 10 am on weekdays—check the schedule if you can.
0:45 – 1:20Cabildo & Metropolitan Cathedral – Pop inside the historic Cabildo (entry is free) to see the original colonial council chambers, then head next door to the Cathedral where Pope Francis was ordained.Bring a small donation for the Cathedral’s “café” (they serve a surprisingly good espresso).
1:20 – 2:00Coffee Break at Café Tortoni – Order the classic “café con leche” and a medialuna; soak up the Belle Époque interiors, complete with marble statues and vintage newspapers.Ask the staff for the “Tortoni special”—a mini‑tour of the literary figures who once frequented the place.
2:00 – 2:30Stroll Down Avenida de May – Walk the tree‑lined avenue toward Plaza San Martín, admiring the early‑20th‑century French‑style buildings.Spot the Mansard Roof of the Lloyd Palace—a great quick photo.
2:30 – 3:00Optional Quick Bite – Grab a choripán from a street vendor or a quick empanada at El Sanjuanino (just a few blocks away).If you’re a meat lover, a bite of bife de chorizo at the nearby Café Los Angelitos won’t disappoint.

Total: ~3 hours – leaving you ample time to return to the airport, freshen up, and board your next flight without stress.

3. Practical Details: Getting There & Getting Out

What you need to knowDetails
Closest airport connectionsFrom Ezeiza (EZE), a 45‑minute taxi or rideshare to Plaza de Mayo is the simplest. From Aeroparque (AEP), a 20‑minute taxi or the Aerobús to Retiro and a 5‑minute walk.
SubwayLine A (the oldest line) stops directly at Plaza de Mayo. Trains run every 5‑7 minutes; tickets cost ARS 30 (≈ US 0.16).
WalkingThe entire itinerary is a compact 1‑km loop—wear comfortable shoes.
SafetyPlaza de Mayo is a police‑patrolled zone, but stay aware of pickpockets, especially near market stalls. Keep your wallet in a front pocket.
LanguageSpanish is the default, but most staff at Café Tortoni speak basic English. Having a few phrases (“un café con leche, por favor”) goes a long way.
CurrencyArgentine pesos are cash‑friendly; most places accept cards, but have a small amount of cash for street vendors.
Time zoneBuenos Aires is UTC‑3 year‑round (no daylight‑saving).

4. Beyond the Square: If You’ve Got Extra Time

If your layover stretches to a full day, use Plaza de Mayo as a launchpad:

Nearby NeighborhoodWhy it’s worth a quick detour
San Telmo (10 min walk)Antique market on Sundays, tango cafés, and the iconic El Zanjón museum.
Puerto Madero (15 min by taxi)Modern skyline, waterfront restaurants, and the Fragata Sarmiento museum ship.
Recoleta (20 min by taxi)Famous Recoleta Cemetery (Eva Perón’s tomb) and upscale boutiques.

Even a brief 20‑minute stroll through any of these districts will deepen your Buenos Aires impression, but none will match the concentrated punch of Plaza de Mayo.

5. Capture the Moment: Photo Checklist

ShotDescription
Casa Rosada façadePink walls, iconic balcony—best in golden hour (early morning or late afternoon).
Cabildo doorwayColonial arches; frame with the flagpole for a historic vibe.
Café Tortoni interiorMarble busts, stained‑glass ceiling—look for the vintage espresso machine.
Street performerCapture the spontaneous tango or folk music that often fills the square.
Avenida de MayLeading‑line shot of the tree‑lined boulevard disappearing into the distance.

Pro tip: Use portrait mode for the architectural details and wide‑angle for the bustling square; you’ll get a professional‑looking gallery without a DSLR.

6. The Takeaway

When you have only one day to experience Buenos Aires, don’t chase every trendy barrio. Plaza de Mayo offers a microcosm of the city’s soul—history, politics, art, coffee culture, and that unmistakable Argentine buzz—all in a walkable, easy‑to‑reach spot.

By centring your layover around this iconic square, you’ll leave the capital with a story, a few unforgettable photos, and a taste of Argentine life—the perfect souvenir for a traveller on the move.

“If you want to understand a city, stand where its heart beats.”
— Your Buenos Aires adventure, distilled in a single plaza.

Ready to make your stopover unforgettable? Pack a light jacket, a camera, and an appetite for history, then let Plaza de Mayo do the rest.

Happy travels, and enjoy your fleeting yet fabulous taste of Buenos Aires!

What I learned about writing – Is there a story that matters to you?

Is there a reason why you would not want to tell it, or that if you did, some people might find it uncomfortable?

The problem is, no matter what you write, someone out there isn’t going to like it.

And there is a raft of subjects to write about that cause concern, but these are sometimes stories that have to be told.

I have one such story, and to me, the telling of it would not fit the mainstream opinion because people are very divided over it. There are reasons for this, and they are being, in my opinion, sensationalised to polarise a particular stance.

The subject: Transgenders.

Like I said, it’s a story I would like to write about, but I know what the response is going to be.

And that isn’t to say that I do not have my own biases, the baggage that we are given when we are younger, where schools and teachers teach us what is supposedly the norm, they will need to work within for the rest of their lives.

In my day, it was that the man went to work to earn a living that provided a house, food, and everything else, while the woman stayed home, had children and looked after the man.

Yes, I can hear 50 per cent of the population laughing at that one, but how different is that societal norm to that where we are now taught that transgender people are subhumans that should be scorned and abandoned because they don’t fit the definition of man or woman?

Thankfully, I grew out of that, and women can vote, work, drive cars, and do anything they desire, though it seems there is a new movement that wants to take away all those rights and go back to the Stone Age.

Again, another very touchy subject, and that will eventually prevent the possibility of writers putting forward the various viewpoints for larger discussion.

Try going back another hundred years, when women were the sub-human species, little more than a man’s possession.

This is probably the only time I will raise the subject, as an instance of what writers may or may not write about, a highlight that public opinion, fueled by people in power, does eventually affect what can be written.

It’s something that we should all be mindful of, as well as keeping an open mind.

An excerpt from “The Things We Do for Love”; In love, Henry was all at sea!

In the distance, he could hear the dinner bell ringing and roused himself.  Feeling the dampness of the pillow and fearing the ravages of pent-up emotion, he considered not going down but thought it best not to upset Mrs Mac, especially after he said he would be dining.

In the event, he wished he had reneged, especially when he discovered he was not the only guest staying at the hotel.

Whilst he’d been reminiscing, another guest, a young lady, had arrived.  He’d heard her and Mrs Mac coming up the stairs and then shown to a room on the same floor, perhaps at the other end of the passage.

Henry caught his first glimpse of her when she appeared at the door to the dining room, waiting for Mrs Mac to show her to a table.

She was in her mid-twenties, slim, with long brown hair, and the grace and elegance of a woman associated with countless fashion magazines.  She was, he thought, stunningly beautiful with not a hair out of place, and make-up flawlessly applied.  Her clothes were black, simple, elegant, and expensive, the sort an heiress or wife of a millionaire might condescend to wear to a lesser occasion than dinner.

Then there was her expression; cold, forbidding, almost frightening in its intensity.  And her eyes, piercingly blue and yet laced with pain.  Dracula’s daughter was his immediate description of her.

All in all, he considered, the only thing they had in common was, like him, she seemed totally out of place.

Mrs Mac came out of the kitchen, wiping her hands on her apron.  She was, she informed him earlier, chef, waitress, hotelier, barmaid, and cleaner all rolled into one.  Coming up to the new arrival, she said, “Ah, Miss Andrews, I’m glad you decided to have dinner.  Would you like to sit with Mr Henshaw, or would you like to have a table of your own?”

Henry could feel her icy stare as she sized up his appeal as a dining companion, making the hair on the back of his neck stand up.  He purposely didn’t look back.  In his estimation, his appeal rating was minus six.  Out of a thousand!

“If Mr Henshaw doesn’t mind….”  She looked at him, leaving the query in mid-air.

He didn’t mind and said so.  Perhaps he’d underestimated his rating.

“Good.”  Mrs Mac promptly ushered her over.  Henry stood, made sure she was seated properly and sat.

“Thank you.  You are most kind.”  The way she said it suggested snobbish overtones.

“I try to be when I can.”  It was supposed to nullify her sarcastic tone, but it made him sound a little silly, and when she gave him another of her icy glares, he regretted it.

Mrs Mac quickly intervened, asking, “Would you care for the soup?”

They did, and, after writing the order on her pad, she gave them each a look, imperceptibly shook her head, and returned to the kitchen.

Before Michelle spoke to him again, she had another quick look at him, trying to fathom who and what he might be.  There was something about him.

His eyes mirrored the same sadness she felt, and, yes, there was something else, that it looked like he had been crying.  There was a tinge of redness.

Perhaps, she thought, he was here for the same reason she was.

No.  That wasn’t possible.

Then she said, without thinking, “Do you have any particular reason for coming here?”  Seconds later, she realised she’d spoken it out loud, hadn’t meant to actually ask, it just came out.

It took him by surprise, obviously not the first question he was expecting her to ask of him.

“No, other than it is as far from civilisation, and home as I could get.”

At least we agree on that, she thought.

It was obvious he was running away from something as well.

Given the isolation of the village and lack of geographic hospitality, it was, from her point of view, ideal.  All she had to do was avoid him, and that wouldn’t be difficult.

After getting through this evening first.

“Yes,” she agreed.  “It is that.”

A few seconds passed, and she thought she could feel his eyes on her and wasn’t going to look up.

Until he asked, “What’s your reason?”

Slightly abrupt in manner, perhaps, because of her question and how she asked it.

She looked up.  “Rest.  And have some time to myself.”

She hoped he would notice the emphasis she had placed on the word ‘herself’ and take due note.  No doubt, she thought, she had completely different ideas of what constituted a holiday than he, not that she had said she was here for a holiday.

Mrs Mac arrived at a fortuitous moment to save them from further conversation.

Over the entree, she wondered if she had made a mistake coming to the hotel.  Of course, there had been no conceivable way she could know that anyone else might have booked the same hotel, but she realised it was foolish to think she might end up in it by herself.

Was that what she was expecting?

Not a mistake then, but an unfortunate set of circumstances, which could be overcome by being sensible.

Yet, there he was, and it made her curious, not that he was a man, by himself, in the middle of nowhere, hiding like she was, but for quite varied reasons.

On discreet observation, whilst they ate, she gained the impression his air of light-heartedness was forced, and he had no sense of humour.

This feeling was engendered by his looks, unruly dark hair, and permanent frown.  And then there was his abysmal taste in clothes on a tall, lanky frame.  They were quality but totally unsuited to the wearer.

Rebellion was written all over him.

The only other thought crossing her mind, and incongruously, was that he could do with a decent feed.  In that respect, she knew now from the mountain of food in front of her, he had come to the right place.

“Mr Henshaw?”

He looked up.  “Henshaw is too formal.  Henry sounds much better,” he said, with a slight hint of gruffness.

“Then my name is Michelle.”

Mrs Mac came in to take their order for the only main course, gather up the entree dishes, and then return to the kitchen.

“Staying long?” she asked.

“About three weeks.  Yourself?”

“About the same.”

The conversation dried up.

Neither looked at the other, but rather at the walls, out the window, towards the kitchen, anywhere.  It was, she thought, unbearably awkward.

Mrs Mac returned with a large tray with dishes on it, setting it down on the table next to theirs.

“Not as good as the usual cook,” she said, serving up the dinner expertly, “but it comes a good second, even if I do say so myself.  Care for some wine?”

Henry looked at Michelle.  “What do you think?”

“I’m used to my dining companions making the decision.”

You would, he thought.  He couldn’t help but notice the cutting edge of her tone.  Then, to Mrs Mac, he named a particular White Burgundy he liked, and she bustled off.

“I hope you like it,” he said, acknowledging her previous comment with a smile that had nothing to do with humour.

“Yes, so do I.”

Both made a start on the main course, a concoction of chicken and vegetables that were delicious, Henry thought when compared to the bland food he received at home and sometimes aboard my ship.

It was five minutes before Mrs Mac returned with the bottle and two glasses.  After opening it and pouring the drinks, she left them alone again.

Henry resumed the conversation.  “How did you arrive?  I came by train.”

“By car.”

“Did you drive yourself?”

And he thought, a few seconds later, that was a silly question; otherwise, she would not be alone, and certainly not sitting at this table. With him.

“After a fashion.”

He could see that she was formulating a retort in her mind, then changed it, instead, smiling for the first time, and it served to lighten the atmosphere.

And in doing so, it showed him she had another, more pleasant side despite the fact she was trying not to look happy.

“My father reckons I’m just another of ‘those’ women drivers,” she added.

“Whatever for?”

“The first and only time he came with me, I had an accident.  I ran up the back of another car.  Of course, it didn’t matter to him that the other driver was driving like a startled rabbit.”

“It doesn’t help,” he agreed.

“Do you drive?”

“Mostly people up the wall.”  His attempt at humour failed.  “Actually,” he added quickly, “I’ve got a very old Morris that manages to get me where I’m going.”

The apple pie and cream for dessert came and went, and the rapport between them improved as the wine disappeared and the coffee came.  Both had found, after getting to know each other better, that their first impressions were not necessarily correct.

“Enjoy the food?” Mrs Mac asked, suddenly reappearing.

“Beautifully cooked and delicious to eat,” Michelle said, and Henry endorsed her remarks.

“Ah, it does my heart good to hear such genuine compliments,” she said, smiling.  She collected the last of the dishes and disappeared yet again.

“What do you do for a living?” Michelle asked in an offhand manner.

He had a feeling she was not particularly interested, and it was just making conversation.

“I’m a purser.”

“A what?”

“A purser.  I work on a ship doing the paperwork, that sort of thing.”

“I see.”

“And you?”

“I was a model.”

“Was?”

“Until I had an accident, a rather bad one.”

“Oh, I’m sorry.”

So that explained the odd feeling he had about her.

As the evening wore on, he began to think there might be something wrong, seriously wrong with her because she didn’t look too well.  Even the carefully applied makeup, from close, didn’t hide the very pale, tired look, or the sunken, dark-ringed eyes.

“I try not to think about it, but it doesn’t necessarily work.  I’ve come here for peace and quiet, away from doctors and parents.”

“Then you will not have to worry about me annoying you.  I’m one of those fall-asleep-reading-a-book types.”

Perhaps it would be like ships passing in the night, and then he smiled to himself about the analogy.

Dinner over, they separated.

Henry went back to the lounge to read a few pages of his book before going to bed, and Michelle went up to her room to retire for the night.

But try as he might, he was unable to read, his mind dwelling on the unusual, yet compellingly mysterious person he would be sharing the hotel with.

Overlaying that original blurred image of her standing in the doorway was another of her haunting expressions that had, he finally conceded, taken his breath away, and a look that had sent more than one tingle down his spine.

She may not have thought much of him, but she had certainly made an impression on him.

…

© Charles Heath 2015-2024

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If I only had one day to stop over in Philadelphia, what would I do?

One Day in Philly? Here’s the One Spot That Will Make It Unforgettable

The Situation

You’ve landed at Philadelphia International Airport (PHL) with a twelve‑hour layover. The city’s historic neighbourhoods, world‑class museums, and legendary food scene are all tempting, but you only have a single day to explore. How do you decide what to see, eat, and photograph before you catch your next flight?

The answer is simple: head straight to Reading Terminal Market.

It may sound modest—a bustling indoor food hall tucked away in the heart of Centre City—but this historic market is the perfect microcosm of Philadelphia’s culture, history, and culinary pride. One visit here gives you a taste (literally and figuratively) of everything the City of Brotherly Love has to offer, all within a walkable 5‑minute radius of major sights and public transit.

Why Reading Terminal Market Beats All Other “One‑Stop” Options

What you wantReading Terminal Market delivers
Authentic Philly foodPhilly cheesesteaks, soft pretzels, scrapple, hoagie‑style sandwiches, and sweet treats from generations‑old vendors.
A quick dive into historyHoused in the 1925 Reading Railroad terminal, the building itself is an architectural landmark listed on the National Register of Historic Places.
Convenient locationSteps from the 30th Street Station (Amtrak) and a 2‑minute walk from the subway (Broad Street Line) and the Independence Hall area.
Variety for any palate35+ vendors offering everything from Amish baked goods to international cuisines—no need to pick a single restaurant.
Photo‑ready ambianceThe vaulted ceiling, original marble floors, and bustling stalls create a vibrant backdrop for Instagram‑worthy shots.

In short, Reading Terminal Market is Philadelphia in a nutshell—and you can absorb it all in just a few hours.

Crafting the Perfect One‑Day Itinerary Around the Market

Below is a step‑by‑step guide that squeezes the most enjoyment out of a 12‑hour layover while keeping stress (and travel time) to a minimum.

1️⃣ Arrival & Transit (0–45 min)

  • From the airport: Take the SEPTA Airport Line (direct rail) to 30th Street Station (≈ 12 min). Trains run every 30 minutes; a $5 off‑peak fare works for most travellers.
  • From 30th Street: Walk east 5 minutes to Reading Terminal Market. The path takes you past the iconic Reading Railroad building—a perfect first photo op.

Pro tip: If you have luggage, use the Luggage Storage service at 30th Street Station (available 24/7 for $8 per day). It frees you up to wander unencumbered.

2️⃣ Breakfast at the Market (45–90 min)

  • Must‑try: Hershel’s East Coast Deli for a classic Philly cheesesteak breakfast sandwich (steak, egg, and provolone on a roll).
  • Alternative: Rosa’s Bakery for a flaky, buttery peppercorn croissant and a cup of locally roasted coffee.
  • Why it works: Breakfast here is quick, delicious, and you’re already inside the building where the day’s adventure begins.

3️⃣ Quick History Burst (90–120 min)

  • Walk north a block to Independence Hall and the Liberty Bell (both free, but expect lines). Even a 20‑minute stroll through the historic district gives you a palpable sense of America’s founding moments.
  • Optional: If you’re short on time, simply peek at the Liberty Bell Centre’s exterior from the market’s balcony—photos are just as iconic.

4️⃣ Mid‑Morning Snack & Shopping (120–150 min)

  • Stop at: DiNic’s Roast Pork (the shop that inspired the “Philly’s Best Sandwich” on The Food Network). Grab a Roast Pork Hoagie with provolone, broccoli rabe, and a drizzle of sharp provolone mayo.
  • Shop for: Handmade Pennsylvania Dutch pretzels at Miller’s Pretzel Bakery, or pick up a box of Amish butter cookies—great souvenirs that travel well.

5️⃣ Cultural Interlude (150–210 min)

  • Visit: The Mural Arts Philadelphia collection, just a 10‑minute walk from the market (head west toward the Philadelphia Museum of Art). The neighbourhood is dotted with vibrant murals that tell stories of the city’s neighbourhoods, social movements, and artistic evolution.
  • Snap: The iconic “Rocky Steps” view from the Philadelphia Museum of Art, if you have a few extra minutes. It’s a quick climb (or use the elevator) for that classic cinematic shot.

6️⃣ Lunch – The Big Finish (210–270 min)

  • Signature meal: Pat’s King of Steaks or Geno’s Steaks (the original rivalry) are a short 5‑minute walk north on South 9th Street. Order the classic cheesesteak—thinly sliced ribeye, melted cheese, and a hearty roll.
  • If you’re feeling adventurous: Try the Philly “Italian Hoagie” from Cesar’s inside the market—layers of salami, provolone, capicola, lettuce, tomato, and onions.

7️⃣ Sweet Treat & Coffee (270–300 min)

  • Finish: A slice of cannoli from Cappuccino’s or a soft pretzel from Basset’s—both located inside the market.
  • Coffee: Grab a final cup at Joe Coffee to recharge before you head back to the airport.

8️⃣ Return to the Airport (300‑360 min)

  • Walk back to 30th Street Station, hop the Airport Line to the terminal, and allow at least 45 minutes for security screening before your next flight.

Bottom line: You’ll have sampled Philly’s most iconic foods, brushed past its founding history, and captured a handful of visual memories—all without feeling rushed.

Insider Tips for a Seamless Market Experience

TipDetails
Arrive earlyVendors are freshest in the morning; lines are shorter.
Cash & cardsMost stalls accept cards, but a few (especially smaller bakers) still prefer cash.
Ask for “cheese whiz or provolone?”The classic cheese whiz is iconic, but provolone gets the nod from locals who want a richer flavor.
Bring a reusable bagMany vendors will let you take home leftovers or purchases without extra packaging.
Watch for “Market Days”On Saturdays, a farmer’s market spills onto the adjacent streets—great for fresh produce and artisanal goods.
Stay hydratedPhiladelphia can be surprisingly warm in summer; grab a bottle of local Pennsylvania sparkling water at Tropicana.

The Takeaway: One Spot, Whole City

If you only have a single day in Philadelphia, you could spend it trying to chase every historic monument or museum. But the reality of travel—tight schedules, jet lag, and the desire for genuine experiences—means you need a hub that delivers culture, cuisine, and convenience all at once.

Reading Terminal Market does exactly that. It lets you taste Philadelphia, see its history, and feel the vibrant energy of a city that’s both rooted in the past and alive with modern flavour.

So the next time your itinerary shows a brief stopover, remember: walk into the market, eat like a Philadelphian, and walk out with a day’s worth of memories.

Quick Recap

What to DoWhereApprox. Time
Breakfast (cheesesteak sandwich)Hershel’s Deli, Reading Terminal Market30 min
Liberty Bell & Independence Hall2 blocks north30 min
Roast pork hoagie + pretzel snackDiNic’s & Miller’s30 min
Mural Arts walk & Rocky Steps viewWest toward Museum of Art30 min
Lunch (authentic cheesesteak)Pat’s or Geno’s45 min
Cannoli or pretzel + coffeeInside market15 min
Return to airport30th St. Station → Airport Line45 min

Ready to make your Philadelphia layover unforgettable? Pack a reusable bag, bring an appetite, and let Reading Terminal Market be the heart of your day.

Safe travels, and may your next stop be just as delicious!

An excerpt from “If Only” – a work in progress

Investigation of crimes doesn’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.

At one stage the police thought I had murdered my own wife though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective First Grade Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbors reckon there were heated discussions the day before.

Routine was the word she used.

Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last I saw of Gabrielle.

The shock of finding Vanessa was more devastating than the fact she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months I was barely functioning, to the extent I had all but lost my job, and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy.  Her story varied only in she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened become our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then, we saw each about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realize that all she had was her work, personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt, about whether or not I could trust her to tell me what the message meant.

I reached for the phone then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

365 Days of writing, 2026 – 51

Day 51 – The Power of Silence

…

The Power of Silence: Why Saying Less Can Make Your Interviews—and Your Writing—Far More Compelling

“Silence is a source of great strength.” — Lao Tzu

In a world that rewards constant chatter, it’s easy to forget that the most memorable moments often happen when nobody is speaking. Whether you’re sitting across from a subject in a face‑to‑face interview or watching a scene unfold on the page, strategic silence can turn good material into something unforgettable.

In this post, we’ll explore:

  1. Why silence works – the psychological and narrative reasons it matters.
  2. Interview tactics – how to harness pauses, breathing space, and non‑verbal cues.
  3. Writing tricks – letting characters speak for themselves and using “silence” in prose.
  4. Common pitfalls – what to avoid when you try to be “quiet”.

Grab a notebook (or a blank document) and let the quiet speak to you.

1. The Science Behind the Pause

What Happens When You’re SilentWhy It Helps Your Audience
The brain fills in gaps – humans love pattern‑completion.Listeners/readers become active participants, constructing meaning in the spaces you leave.
Emotional intensity rises – a pause creates tension.The audience anticipates what comes next, sharpening focus on the upcoming reveal.
Trust is built – you’re not trying to steer the conversation.Interviewees feel heard, while readers sense authentic, unmanipulated dialogue.
Memory retention improves – novelty stands out.Unusual moments (a lingering silence) stick in the mind longer than a flood of words.

In short, silence is not “nothing”; it’s a catalyst that amplifies whatever follows it.

2. Interview Techniques: Let the Interviewee Own the Story

a. The “Goldilocks” Pause

  • What it is: A deliberate, 2‑5‑second silence right after a question or a key statement.
  • Why it works: It gives the interviewee mental space to think, often coaxing deeper, less rehearsed answers.
  • How to practice:
    1. Ask a question.
    2. Resist the urge to fill the void with “uh‑uh” or “so…”.
    3. Count silently (1‑2‑3…) and then listen.

Example – Instead of “What made you decide to start the company?” followed immediately by “And how did you fund it?”, try:
“What made you decide to start the company?” (pause) “Take your time.” (pause again) …and you’ll hear the story unfold organically.

b. Mirror the Body Language

  • Technique: Nod, maintain an open posture, and let the interviewee see you’re engaged without speaking.
  • Result: Non‑verbal affirmation often encourages the interviewee to keep talking, turning a silence into a “safe‑space” signal.

c. Avoid “Filler” Questions

  • Bad habit: “Do you like that?” or “Is that right?” after every answer.
  • Better approach: Let the previous answer breathe. If you need clarification, phrase it as a reflection: “So you’re saying…?” – then pause.

d. The “Quiet Re‑Ask”

When you need deeper detail, repeat the last few words of the interviewee’s answer, then stay silent.

Interviewee: “We had to scrap the original design.”
You: “Scrap the original design…?” (silence)
Result: The interviewee often fills in the missing “why” or “how”.

3. Writing Tricks: Let Your Characters Speak for Themselves

a. Show, Don’t Tell—Through Silence

  • Scene: A mother and her teenage son sit across a kitchen table after a heated argument.
  • Traditional “telling”: “She was angry, and he felt guilty.”
  • Silence‑driven “showing”:The spoon clinked against the porcelain, a rhythm that grew louder as the minutes stretched. She stared at the steam rising from her tea; he stared at the chipped edge of his mug. No one said a word.

The absence of dialogue forces the reader to infer the tension.

b. Use “Silent Beats” Between Dialogue

  • Why: They act like punctuation, letting readers absorb what was just said.
  • How: Insert a line break or a brief description of a character’s reaction.

“I’m leaving,” she whispered.

The rain thumped against the window, louder than any goodbye.

The beat gives weight to the line, turning a simple statement into a moment of finality.

c. Let Characters “Fill In Their Own Gaps”

If you give a character an ambiguous line, resist the temptation to explain it for them. Trust the reader’s imagination.

“You remember what happened that night?”

He nodded, eyes flicking to the empty doorway.

Notice we never tell the reader what he remembers. The silence invites speculation, creating deeper engagement.

d. Narrative “Silence” — The Unspoken Backstory

Sometimes the silence isn’t a pause in dialogue but a gap in the narrative. Let background details emerge gradually, through hints rather than exposition.

  • Technique: Drop a prop, a habit, or a scar and let the audience wonder.
  • Result: The story feels lived‑in, like a real person who has a past you’re only glimpsing.

4. Pitfalls to Avoid

PitfallWhy It Undermines SilenceQuick Fix
Filling gaps with narrationOver‑explaining robs the reader of agency.Use concise, vivid images instead of exposition.
Awkward, overly long pausesCan feel uncomfortable, breaking immersion.Keep silent beats purposeful—2–5 seconds in interviews, a line break or two in prose.
Assuming silence = boredomSome people mistake quiet for lack of content.Prepare with strong questions or scene stakes; silence will then feel intentional.
Using silence to avoid the tough questionLeads to shallow interviews/writing.Embrace uncomfortable topics; let the pause draw them out.

5. A Mini‑Exercise to Practice “Silence”

  1. Interview: Conduct a 5‑minute conversation with a friend about a memorable childhood event. After each question, count to five silently before responding. Record the exchange. Notice how the answers become richer.
  2. Write: Draft a scene (150–200 words) in which two characters meet after years apart. Include at least three silent beats—one before dialogue, one in the middle, one after. Compare the emotional impact to a version where the conversation is nonstop.

6. Takeaway: Silence Is Your Secret Superpower

  • In interviews, silence is a listening tool that invites deeper, unfiltered storytelling.
  • In writing, silence is a structural device that lets characters own their voice and readers fill in the emotional blanks.

When you deliberately step back—whether from a microphone or a keyboard—you create space for authenticity to breathe. And in that breath lies the resonance that makes an interview memorable and a story unforgettable.

Next time you feel the urge to fill the void, pause. Let the silence do the heavy lifting.

Ready to try it? Share your silent‑beat experiment in the comments below. I’d love to hear how a simple pause transformed your interview or manuscript!